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Shunro Stock Photos and Images
Katsushika Hokusai, chapter 12 of the Genji, perspective picture, color woodcut, total: height: 23,20 cm; width: 37,00 cm, signed: signature: Katsu Shunrō ga 勝春朗画, publisher: Nishimuraya Yohachi (Eijudō), printmaking,printing, architecture, loggia, veranda, palace, casual society, making music, Japan, Edo period Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/katsushika-hokusai-chapter-12-of-the-genji-perspective-picture-color-woodcut-total-height-2320-cm-width-3700-cm-signed-signature-katsu-shunr-ga-publisher-nishimuraya-yohachi-eijud-printmakingprinting-architecture-loggia-veranda-palace-casual-society-making-music-japan-edo-period-image392092763.htmlRM2DNWA8Y–Katsushika Hokusai, chapter 12 of the Genji, perspective picture, color woodcut, total: height: 23,20 cm; width: 37,00 cm, signed: signature: Katsu Shunrō ga 勝春朗画, publisher: Nishimuraya Yohachi (Eijudō), printmaking,printing, architecture, loggia, veranda, palace, casual society, making music, Japan, Edo period
A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu). Katsushika Hokusai ?? ??; Japanese, 1760-1849; Brush name: Katsukawa Shunro. Date: 1776-1794. Dimensions: 25.6 x 37.8 cm. Color woodblock print. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-perspective-view-the-two-deva-kings-gate-of-kinryuzan-temple-ukie-kinryuzan-niomon-no-zu-katsushika-hokusai-japanese-1760-1849-brush-name-katsukawa-shunro-date-1776-1794-dimensions-256-x-378-cm-color-woodblock-print-origin-japan-museum-the-chicago-art-institute-image240098512.htmlRMRXHC2T–A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu). Katsushika Hokusai ?? ??; Japanese, 1760-1849; Brush name: Katsukawa Shunro. Date: 1776-1794. Dimensions: 25.6 x 37.8 cm. Color woodblock print. Origin: Japan. Museum: The Chicago Art Institute.
Ichikawa Ebizō (Danjūrō V) in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsuba 1781–1801 Katsushika Hokusai Japanese This print is Hokusai's early work, with a signature of Shunrō, when he was a student of Katsukawa Shunshō. Danjūrō strikes an impressive pose with his foot on a huge ax.. Ichikawa Ebizō (Danjūrō V) in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsuba 56018 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ichikawa-ebiz-danjr-v-in-the-role-of-mongaku-shonin-disguised-as-yamagatsu-from-the-play-kin-no-menuki-minamotoya-kakutsuba-17811801-katsushika-hokusai-japanese-this-print-is-hokusais-early-work-with-a-signature-of-shunr-when-he-was-a-student-of-katsukawa-shunsh-danjr-strikes-an-impressive-pose-with-his-foot-on-a-huge-ax-ichikawa-ebiz-danjr-v-in-the-role-of-mongaku-shonin-disguised-as-yamagatsu-from-the-play-kin-no-menuki-minamotoya-kakutsuba-56018-image458241985.htmlRM2HHEM95–Ichikawa Ebizō (Danjūrō V) in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsuba 1781–1801 Katsushika Hokusai Japanese This print is Hokusai's early work, with a signature of Shunrō, when he was a student of Katsukawa Shunshō. Danjūrō strikes an impressive pose with his foot on a huge ax.. Ichikawa Ebizō (Danjūrō V) in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsuba 56018
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), Japan, c. 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fox-from-the-picture-book-of-realistic-paintings-of-hokusai-hokusai-shashin-gafu-japan-c-1814-image457034113.htmlRM2HFFKJW–Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), Japan, c. 1814.
A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu), 1781/89, Katsushika Hokusai ?? ??, Japanese, 1760-1849, Brush name: Katsukawa Shunro, Japan, Color woodblock print, 25.6 x 37.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-perspective-view-the-two-deva-kings-gate-of-kinryuzan-temple-ukie-kinryuzan-niomon-no-zu-178189-katsushika-hokusai-japanese-1760-1849-brush-name-katsukawa-shunro-japan-color-woodblock-print-256-x-378-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349744894.htmlRF2B90752–A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu), 1781/89, Katsushika Hokusai ?? ??, Japanese, 1760-1849, Brush name: Katsukawa Shunro, Japan, Color woodblock print, 25.6 x 37.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Art inspired by Ichikawa Ebizō (Danjūrō V), in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsuba, Edo period (1615–1868), 1781–1801, Japan, Polychrome woodblock print; ink and color on paper, 11 3/4 x 5 1/4 in. (29.8 x 13.3 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ichikawa-ebiz-danjr-v-in-the-role-of-mongaku-shonin-disguised-as-yamagatsu-from-the-play-kin-no-menuki-minamotoya-kakutsuba-edo-period-16151868-17811801-japan-polychrome-woodblock-print-ink-and-color-on-paper-11-34-x-5-14-in-298-x-133-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462917367.htmlRF2HW3KR3–Art inspired by Ichikawa Ebizō (Danjūrō V), in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsuba, Edo period (1615–1868), 1781–1801, Japan, Polychrome woodblock print; ink and color on paper, 11 3/4 x 5 1/4 in. (29.8 x 13.3 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu), 1781/89, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Brush name: Katsukawa Shunro, Japan, Color woodblock print, 25.6 x 37.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-perspective-view-the-two-deva-kings-gate-of-kinryuzan-temple-ukie-kinryuzan-niomon-no-zu-178189-katsushika-hokusai-japanese-1760-1849-brush-name-katsukawa-shunro-japan-color-woodblock-print-256-x-378-cm-image328658505.htmlRM2A2KK7N–A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu), 1781/89, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Brush name: Katsukawa Shunro, Japan, Color woodblock print, 25.6 x 37.8 cm
Long-armed man stretching. ink on paper. Date: 19th century. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/long-armed-man-stretching-ink-on-paper-date-19th-century-origin-japan-period-edo-period-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747593.htmlRM2R6EX61–Long-armed man stretching. ink on paper. Date: 19th century. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Staff-Waving Dance, c. 1790, Katsushika Hokusai; Publisher: Tsutaya Jūzaburō, Japanese, 1760 - 1849, 8 5/16 × 6 in. (21.1 × 15.3 cm) (image, sheet, vertical chūban), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century, The artist who would later be known as Hokusai first joined the Katsukawa studio around 1778. Like all other pupils of Shunshø, he assumed a pseudonym (Shunrø) that started with 'shun,' the first half of his mentor's name. As Shunrø, he initially designed prints of actors in the style of the Katsukawa School. Gradually, he expanded his repertoire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/staff-waving-dance-c-1790-katsushika-hokusai-publisher-tsutaya-jzabur-japanese-1760-1849-8-516-6-in-211-153-cm-image-sheet-vertical-chban-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-18th-century-the-artist-who-would-later-be-known-as-hokusai-first-joined-the-katsukawa-studio-around-1778-like-all-other-pupils-of-shunsh-he-assumed-a-pseudonym-shunr-that-started-with-shun-the-first-half-of-his-mentors-name-as-shunr-he-initially-designed-prints-of-actors-in-the-style-of-the-katsukawa-school-gradually-he-expanded-his-repertoire-image573509177.htmlRM2T91GPH–Staff-Waving Dance, c. 1790, Katsushika Hokusai; Publisher: Tsutaya Jūzaburō, Japanese, 1760 - 1849, 8 5/16 × 6 in. (21.1 × 15.3 cm) (image, sheet, vertical chūban), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century, The artist who would later be known as Hokusai first joined the Katsukawa studio around 1778. Like all other pupils of Shunshø, he assumed a pseudonym (Shunrø) that started with 'shun,' the first half of his mentor's name. As Shunrø, he initially designed prints of actors in the style of the Katsukawa School. Gradually, he expanded his repertoire
The Sumo Wrestlers Takaneyama Yoichiemon and Sendagawa Kichigorō ca. 1790–93 Katsushika Hokusai Japanese Hokusai occasionally treated the sumo world in his prints. He returned to the subject briefly in the early 1790s after a decade-long absence. Here, the sumo wrestlers Wadagahara Jinshirō on the right and Kachōzan Gorōkichi on the left are locked together during a fight. They are depicted with thinner, more refined lines than in the artist's early sumo prints. The signature Shunrō ga ('painted by Shunrō') is one he used for a period before choosing his most familiar name, Hokusai.. The Sumo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sumo-wrestlers-takaneyama-yoichiemon-and-sendagawa-kichigor-ca-179093-katsushika-hokusai-japanese-hokusai-occasionally-treated-the-sumo-world-in-his-prints-he-returned-to-the-subject-briefly-in-the-early-1790s-after-a-decade-long-absence-here-the-sumo-wrestlers-wadagahara-jinshir-on-the-right-and-kachzan-gorkichi-on-the-left-are-locked-together-during-a-fight-they-are-depicted-with-thinner-more-refined-lines-than-in-the-artists-early-sumo-prints-the-signature-shunr-ga-painted-by-shunr-is-one-he-used-for-a-period-before-choosing-his-most-familiar-name-hokusai-the-sumo-image458160822.htmlRM2HHB0PE–The Sumo Wrestlers Takaneyama Yoichiemon and Sendagawa Kichigorō ca. 1790–93 Katsushika Hokusai Japanese Hokusai occasionally treated the sumo world in his prints. He returned to the subject briefly in the early 1790s after a decade-long absence. Here, the sumo wrestlers Wadagahara Jinshirō on the right and Kachōzan Gorōkichi on the left are locked together during a fight. They are depicted with thinner, more refined lines than in the artist's early sumo prints. The signature Shunrō ga ('painted by Shunrō') is one he used for a period before choosing his most familiar name, Hokusai.. The Sumo
The Suspension Bridge on the Border of Hida and Etchu Provinces (Hietsu no sakai tsuribashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyo kiran), ca. 1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-suspension-bridge-on-the-border-of-hida-and-etchu-provinces-hietsu-no-sakai-tsuribashi-from-the-series-remarkable-views-of-bridges-in-various-provinces-shokoku-meikyo-kiran-ca-1830-image397473249.htmlRM2E2JD55–The Suspension Bridge on the Border of Hida and Etchu Provinces (Hietsu no sakai tsuribashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyo kiran), ca. 1830.
Ichikawa Ebizō (Danjūrō V) in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsub Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ichikawa-ebiz-danjr-v-in-the-role-of-mongaku-shonin-disguised-as-yamagatsu-162423390.htmlRMKC70KA–Ichikawa Ebizō (Danjūrō V) in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsub
Deer. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deer-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554745715.htmlRM2R6ERPY–Deer. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Bamboo Hedge at Kumemura (Kumemura chikuri), from the series Eight Views of the Ryukyu Islands (Ryukyu hakkei), ca. 1832. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bamboo-hedge-at-kumemura-kumemura-chikuri-from-the-series-eight-views-of-the-ryukyu-islands-ryukyu-hakkei-ca-1832-image397473246.htmlRM2E2JD52–Bamboo Hedge at Kumemura (Kumemura chikuri), from the series Eight Views of the Ryukyu Islands (Ryukyu hakkei), ca. 1832.
Four fan paintings mounted on a screen; 'Frog on Lotus Leaf', 'Scholar in a House', 'Landscape', and 'Boat and Rock'. Origin: Japan. Period: Edo period. Ink and color on paper. Date: frog, ca.1814-15; scholar, ca. 1801-03; landscape, ca. 1825-30; boat, ca.1841. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-fan-paintings-mounted-on-a-screen-frog-on-lotus-leaf-scholar-in-a-house-landscape-and-boat-and-rock-origin-japan-period-edo-period-ink-and-color-on-paper-date-frog-ca1814-15-scholar-ca-1801-03-landscape-ca-1825-30-boat-ca1841-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554739372.htmlRM2R6EFMC–Four fan paintings mounted on a screen; 'Frog on Lotus Leaf', 'Scholar in a House', 'Landscape', and 'Boat and Rock'. Origin: Japan. Period: Edo period. Ink and color on paper. Date: frog, ca.1814-15; scholar, ca. 1801-03; landscape, ca. 1825-30; boat, ca.1841. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
The Famous Places on the Tokaido in One View (Tokaido meisho ichiran), Japan, 1818. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-famous-places-on-the-tokaido-in-one-view-tokaido-meisho-ichiran-japan-1818-image457034649.htmlRM2HFFMA1–The Famous Places on the Tokaido in One View (Tokaido meisho ichiran), Japan, 1818.
An old mouse (?) dressed in a black robe. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-old-mouse-dressed-in-a-black-robe-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554742015.htmlRM2R6EK2R–An old mouse (?) dressed in a black robe. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Comb Products in Tsuchiyama, Japan, c. 1804. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/comb-products-in-tsuchiyama-japan-c-1804-image457034094.htmlRM2HFFKJ6–Comb Products in Tsuchiyama, Japan, c. 1804.
Woman facing the right, beckoning. Origin: Japan. Period: Edo period. Date: 1760-1849. Color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-facing-the-right-beckoning-origin-japan-period-edo-period-date-1760-1849-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747237.htmlRM2R6EWN9–Woman facing the right, beckoning. Origin: Japan. Period: Edo period. Date: 1760-1849. Color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Lake Suwa in Shinano Province (Shinshu Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lake-suwa-in-shinano-province-shinshu-suwako-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-ca-1830-32-image397473060.htmlRM2E2JCXC–Lake Suwa in Shinano Province (Shinshu Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
Landscape. Origin: Japan. Period: Edo period. Ink and color on paper. Date: ca. 1801-1802. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-origin-japan-period-edo-period-ink-and-color-on-paper-date-ca-1801-1802-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554750783.htmlRM2R6F27Y–Landscape. Origin: Japan. Period: Edo period. Ink and color on paper. Date: ca. 1801-1802. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Canary and Peony (Kanaari, shakuyaku), from an untitled series of flowers and birds, Japan, c. 1834. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canary-and-peony-kanaari-shakuyaku-from-an-untitled-series-of-flowers-and-birds-japan-c-1834-image457033917.htmlRM2HFFKBW–Canary and Peony (Kanaari, shakuyaku), from an untitled series of flowers and birds, Japan, c. 1834.
Pigeon. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pigeon-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554749549.htmlRM2R6F0KW–Pigeon. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Hares and Roses, Japan, c. 1783. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hares-and-roses-japan-c-1783-image457034455.htmlRM2HFFM33–Hares and Roses, Japan, c. 1783.
Seated figure of a woman. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-figure-of-a-woman-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554750093.htmlRM2R6F1B9–Seated figure of a woman. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Eight Views of Omi in Etching Style (Doban Omi hakkei) and cover sheet, Japan, 1804/16. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eight-views-of-omi-in-etching-style-doban-omi-hakkei-and-cover-sheet-japan-180416-image457034488.htmlRM2HFFM48–Eight Views of Omi in Etching Style (Doban Omi hakkei) and cover sheet, Japan, 1804/16.
Standing figure of a man. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-figure-of-a-man-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554749717.htmlRM2R6F0WW–Standing figure of a man. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Illustration of products in Yoshida, Japan, 1804. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-products-in-yoshida-japan-1804-image457034105.htmlRM2HFFKJH–Illustration of products in Yoshida, Japan, 1804.
Hermit resting on a rock. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hermit-resting-on-a-rock-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554751814.htmlRM2R6F3GP–Hermit resting on a rock. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), Japan, c. 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-rabbits-from-the-picture-book-of-realistic-paintings-of-hokusai-hokusai-shashin-gafu-japan-c-1814-image457034114.htmlRM2HFFKJX–Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), Japan, c. 1814.
Three figures. ink on paper. Origin: Japan. Period: Edo period. Date: 1615-1868. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-figures-ink-on-paper-origin-japan-period-edo-period-date-1615-1868-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554749597.htmlRM2R6F0NH–Three figures. ink on paper. Origin: Japan. Period: Edo period. Date: 1615-1868. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Fuji from Inume (?) Pass. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fuji-from-inume-pass-image397473099.htmlRM2E2JCYR–Fuji from Inume (?) Pass.
A Maid preparing to dust. ink on paper. Date: early 19th century. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-maid-preparing-to-dust-ink-on-paper-date-early-19th-century-origin-japan-period-edo-period-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554751458.htmlRM2R6F342–A Maid preparing to dust. ink on paper. Date: early 19th century. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
![Memorial Anniversary (Shunen), from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, 1831/32. Stock Photo](https://c8.alamy.com/comp/2HFFKC1/memorial-anniversary-shunen-from-the-series-quotone-hundred-ghost-tales-hyaku-monogatariquot-japan-183132-2HFFKC1.jpg "Memorial Anniversary (Shunen), from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, 1831/32. Stock Photo")
Memorial Anniversary (Shunen), from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, 1831/32. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorial-anniversary-shunen-from-the-series-quotone-hundred-ghost-tales-hyaku-monogatariquot-japan-183132-image457033921.htmlRM2HFFKC1–Memorial Anniversary (Shunen), from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, 1831/32.
Breaking Waves. Date: 1847. Origin: Japan. Period: Edo period. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/breaking-waves-date-1847-origin-japan-period-edo-period-ink-and-color-on-silk-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747928.htmlRM2R6EXJ0–Breaking Waves. Date: 1847. Origin: Japan. Period: Edo period. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Flatfish, scorpion fish, and shells, from an untitled series of chuban prints, Japan, c. 1831. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flatfish-scorpion-fish-and-shells-from-an-untitled-series-of-chuban-prints-japan-c-1831-image457034232.htmlRM2HFFKR4–Flatfish, scorpion fish, and shells, from an untitled series of chuban prints, Japan, c. 1831.
Dragon emerging from clouds. ink on paper. Date: 19th century. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dragon-emerging-from-clouds-ink-on-paper-date-19th-century-origin-japan-period-edo-period-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554750544.htmlRM2R6F1YC–Dragon emerging from clouds. ink on paper. Date: 19th century. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Santai gafu (Album of Drawings in Three Ways), complete in 1 vol., Japan, c. 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/santai-gafu-album-of-drawings-in-three-ways-complete-in-1-vol-japan-c-1816-image457033906.htmlRM2HFFKBE–Santai gafu (Album of Drawings in Three Ways), complete in 1 vol., Japan, c. 1816.
Young man. Origin: Japan. Period: Edo period. Ink and color on paper. Date: ca. 1795-1798. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-man-origin-japan-period-edo-period-ink-and-color-on-paper-date-ca-1795-1798-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554745710.htmlRM2R6ERPP–Young man. Origin: Japan. Period: Edo period. Ink and color on paper. Date: ca. 1795-1798. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
The Sumo Wrestlers Uzugafuchi Kandayu and Takasaki Ichijuro, Japan, 1783-84. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sumo-wrestlers-uzugafuchi-kandayu-and-takasaki-ichijuro-japan-1783-84-image457033915.htmlRM2HFFKBR–The Sumo Wrestlers Uzugafuchi Kandayu and Takasaki Ichijuro, Japan, 1783-84.
Seated courtesan. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-courtesan-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554748682.htmlRM2R6EYGX–Seated courtesan. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Chrysanthemums and Bee, from an untitled series of Large Flowers, Japan, c. 1831-33. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chrysanthemums-and-bee-from-an-untitled-series-of-large-flowers-japan-c-1831-33-image457033940.htmlRM2HFFKCM–Chrysanthemums and Bee, from an untitled series of Large Flowers, Japan, c. 1831-33.
Birds. ink on paper. Origin: Japan. Period: Edo period. Date: 1615-1868. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/birds-ink-on-paper-origin-japan-period-edo-period-date-1615-1868-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747032.htmlRM2R6EWE0–Birds. ink on paper. Origin: Japan. Period: Edo period. Date: 1615-1868. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
![Oiwa (Oiwa-san), from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, 1831/32. Stock Photo](https://c8.alamy.com/comp/2HFFKCY/oiwa-oiwa-san-from-the-series-quotone-hundred-ghost-tales-hyaku-monogatariquot-japan-183132-2HFFKCY.jpg "Oiwa (Oiwa-san), from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, 1831/32. Stock Photo")
Oiwa (Oiwa-san), from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, 1831/32. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oiwa-oiwa-san-from-the-series-quotone-hundred-ghost-tales-hyaku-monogatariquot-japan-183132-image457033947.htmlRM2HFFKCY–Oiwa (Oiwa-san), from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, 1831/32.
One Hundred Poets, One Poem Each Explained by the Nurse (Hyakunin isshu uba ga etoki), Kujo Yoshitsune. ink on paper. Origin: Japan. Period: Edo period. Date: ca. 1835-1836. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-hundred-poets-one-poem-each-explained-by-the-nurse-hyakunin-isshu-uba-ga-etoki-kujo-yoshitsune-ink-on-paper-origin-japan-period-edo-period-date-ca-1835-1836-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554751095.htmlRM2R6F2K3–One Hundred Poets, One Poem Each Explained by the Nurse (Hyakunin isshu uba ga etoki), Kujo Yoshitsune. ink on paper. Origin: Japan. Period: Edo period. Date: ca. 1835-1836. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Kajikazawa in Kai Province (Koshu Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kajikazawa-in-kai-province-koshu-kajikazawa-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-ca-1830-32-image397473206.htmlRM2E2JD3J–Kajikazawa in Kai Province (Koshu Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
Men dancing, and miscellaneous figures. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/men-dancing-and-miscellaneous-figures-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554739567.htmlRM2R6EFYB–Men dancing, and miscellaneous figures. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Dandelions and clovers beneath cherry tree, Japan, c. 1807. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dandelions-and-clovers-beneath-cherry-tree-japan-c-1807-image457034645.htmlRM2HFFM9W–Dandelions and clovers beneath cherry tree, Japan, c. 1807.
Turtle resting on a scroll. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/turtle-resting-on-a-scroll-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554743676.htmlRM2R6EN64–Turtle resting on a scroll. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Keg of sake and basket of oranges, Japan, 1820. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/keg-of-sake-and-basket-of-oranges-japan-1820-image457034643.htmlRM2HFFM9R–Keg of sake and basket of oranges, Japan, 1820.
Goose. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/goose-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554741757.htmlRM2R6EJNH–Goose. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Two Waterfowl, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), Japan, c. 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-waterfowl-from-the-picture-book-of-realistic-paintings-of-hokusai-hokusai-shashin-gafu-japan-c-1814-image457034109.htmlRM2HFFKJN–Two Waterfowl, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), Japan, c. 1814.
A Sambaso Dancer. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-sambaso-dancer-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554746154.htmlRM2R6ETAJ–A Sambaso Dancer. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Hokusai manga (Sketches of Hokusai), v. 1-3, 5-11, and 14 of 15, Japan, 1812/78. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hokusai-manga-sketches-of-hokusai-v-1-3-5-11-and-14-of-15-japan-181278-image457033914.htmlRM2HFFKBP–Hokusai manga (Sketches of Hokusai), v. 1-3, 5-11, and 14 of 15, Japan, 1812/78.
The Six Master Poets. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-six-master-poets-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554745969.htmlRM2R6ET41–The Six Master Poets. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
![Horse Iris Pattern (Koma shobu), from the series "A Selection of Horses (Uma-zukushi)", Japan, 1822. Stock Photo](https://c8.alamy.com/comp/2HFFM9X/horse-iris-pattern-koma-shobu-from-the-series-quota-selection-of-horses-uma-zukushiquot-japan-1822-2HFFM9X.jpg "Horse Iris Pattern (Koma shobu), from the series "A Selection of Horses (Uma-zukushi)", Japan, 1822. Stock Photo")
Horse Iris Pattern (Koma shobu), from the series "A Selection of Horses (Uma-zukushi)", Japan, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-iris-pattern-koma-shobu-from-the-series-quota-selection-of-horses-uma-zukushiquot-japan-1822-image457034646.htmlRM2HFFM9X–Horse Iris Pattern (Koma shobu), from the series "A Selection of Horses (Uma-zukushi)", Japan, 1822.
Lady Holding a Cat. ink on paper. Origin: Japan. Period: Edo period. Date: ca. 1810s. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-holding-a-cat-ink-on-paper-origin-japan-period-edo-period-date-ca-1810s-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554739473.htmlRM2R6EFT1–Lady Holding a Cat. ink on paper. Origin: Japan. Period: Edo period. Date: ca. 1810s. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
An Autumn Gift, Japan, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-autumn-gift-japan-nd-image457034655.htmlRM2HFFMA7–An Autumn Gift, Japan, n.d.
Buddhist figure. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buddhist-figure-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554750978.htmlRM2R6F2EX–Buddhist figure. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Orange Orchids, from an untitled series of flowers, Japan, c. 1832. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orange-orchids-from-an-untitled-series-of-flowers-japan-c-1832-image457034658.htmlRM2HFFMAA–Orange Orchids, from an untitled series of flowers, Japan, c. 1832.
Three men gesticulating. ink on paper. Origin: Japan. Period: Edo period. Date: 1615-1868. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-men-gesticulating-ink-on-paper-origin-japan-period-edo-period-date-1615-1868-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554744424.htmlRM2R6EP4T–Three men gesticulating. ink on paper. Origin: Japan. Period: Edo period. Date: 1615-1868. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Bush Warbler and Rose (Kocho, bara), from an untitled series of flowers and birds, Japan, c. 1834. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bush-warbler-and-rose-kocho-bara-from-an-untitled-series-of-flowers-and-birds-japan-c-1834-image457033894.htmlRM2HFFKB2–Bush Warbler and Rose (Kocho, bara), from an untitled series of flowers and birds, Japan, c. 1834.
The Lion Dance. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lion-dance-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554744690.htmlRM2R6EPEA–The Lion Dance. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Bell-Flower and Dragonfly, from an untitled series of large flowers, Japan, c. 1833/34. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bell-flower-and-dragonfly-from-an-untitled-series-of-large-flowers-japan-c-183334-image457034683.htmlRM2HFFMB7–Bell-Flower and Dragonfly, from an untitled series of large flowers, Japan, c. 1833/34.
Three figures reading. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-figures-reading-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554751105.htmlRM2R6F2KD–Three figures reading. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Cuckoo and Azaleas (Hototogisu, satsuki), Japan, c. 1834. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cuckoo-and-azaleas-hototogisu-satsuki-japan-c-1834-image457034246.htmlRM2HFFKRJ–Cuckoo and Azaleas (Hototogisu, satsuki), Japan, c. 1834.
Fisherman Tossing Bait. ink on paper. Date: ca. 1830. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fisherman-tossing-bait-ink-on-paper-date-ca-1830-origin-japan-period-edo-period-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554743720.htmlRM2R6EN7M–Fisherman Tossing Bait. ink on paper. Date: ca. 1830. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Parody of Ariwara no Narihira's eastern journey, c. 1803. Attributed to Katsushika Hokusai. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parody-of-ariwara-no-narihiras-eastern-journey-c-1803-attributed-to-katsushika-hokusai-image457028910.htmlRM2HFFD12–Parody of Ariwara no Narihira's eastern journey, c. 1803. Attributed to Katsushika Hokusai.
A Spirit from the Hyaku Monogatari. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-spirit-from-the-hyaku-monogatari-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554740437.htmlRM2R6EH2D–A Spirit from the Hyaku Monogatari. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Sparrows on Millstones with Hagi Bushes, Japan, 1797. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sparrows-on-millstones-with-hagi-bushes-japan-1797-image457034500.htmlRM2HFFM4M–Sparrows on Millstones with Hagi Bushes, Japan, 1797.
Sketch of a courtesan. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketch-of-a-courtesan-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554740900.htmlRM2R6EHK0–Sketch of a courtesan. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Enoshima, Japan, Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enoshima-japan-unknown-image457034106.htmlRM2HFFKJJ–Enoshima, Japan, Unknown.
Peony. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peony-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554744963.htmlRM2R6EPT3–Peony. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Ippitsu gafu (Album of Drawings with One Stroke), complete in 1 vol., Japan, 1823. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol-japan-1823-image457033936.htmlRM2HFFKCG–Ippitsu gafu (Album of Drawings with One Stroke), complete in 1 vol., Japan, 1823.
Shojo Lifting a Sake Keg. ink on paper. Origin: Japan. Period: Edo period. Date: ca. 1840s. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shojo-lifting-a-sake-keg-ink-on-paper-origin-japan-period-edo-period-date-ca-1840s-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554739084.htmlRM2R6EFA4–Shojo Lifting a Sake Keg. ink on paper. Origin: Japan. Period: Edo period. Date: ca. 1840s. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Visitors to the Hachiman shrine, Japan, c. 1803/04. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/visitors-to-the-hachiman-shrine-japan-c-180304-image457034096.htmlRM2HFFKJ8–Visitors to the Hachiman shrine, Japan, c. 1803/04.
Man wringing out his robe. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-wringing-out-his-robe-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554739373.htmlRM2R6EFMD–Man wringing out his robe. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Peonies and Butterfly, from an untitled series of large flowers, Japan, c. 1833/34. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peonies-and-butterfly-from-an-untitled-series-of-large-flowers-japan-c-183334-image457034682.htmlRM2HFFMB6–Peonies and Butterfly, from an untitled series of large flowers, Japan, c. 1833/34.
Boy fishing from the limb of a tree. Date: 1839. Origin: Japan. Period: Edo period. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boy-fishing-from-the-limb-of-a-tree-date-1839-origin-japan-period-edo-period-ink-and-color-on-silk-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554745365.htmlRM2R6ERAD–Boy fishing from the limb of a tree. Date: 1839. Origin: Japan. Period: Edo period. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Poppies, from an untitled series of flowers, Japan, c. 1832. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poppies-from-an-untitled-series-of-flowers-japan-c-1832-image457034510.htmlRM2HFFM52–Poppies, from an untitled series of flowers, Japan, c. 1832.
Old woman seated on bench before whom a man with fan dances. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-woman-seated-on-bench-before-whom-a-man-with-fan-dances-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554745925.htmlRM2R6ET2D–Old woman seated on bench before whom a man with fan dances. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Women weaving on a loom, Japan, late 1810s and/or early 1820s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/women-weaving-on-a-loom-japan-late-1810s-andor-early-1820s-image457034059.htmlRM2HFFKGY–Women weaving on a loom, Japan, late 1810s and/or early 1820s.
Landscape: mountains, stream and boats. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and tint on silk panel. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-mountains-stream-and-boats-origin-japan-period-edo-period-date-1760-1849-ink-and-tint-on-silk-panel-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747217.htmlRM2R6EWMH–Landscape: mountains, stream and boats. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and tint on silk panel. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
![Kohada Koheiji, from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, c. 1831. Stock Photo](https://c8.alamy.com/comp/2HFFKAX/kohada-koheiji-from-the-series-quotone-hundred-ghost-tales-hyaku-monogatariquot-japan-c-1831-2HFFKAX.jpg "Kohada Koheiji, from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, c. 1831. Stock Photo")
Kohada Koheiji, from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, c. 1831. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kohada-koheiji-from-the-series-quotone-hundred-ghost-tales-hyaku-monogatariquot-japan-c-1831-image457033890.htmlRM2HFFKAX–Kohada Koheiji, from the series "One Hundred Ghost Tales (Hyaku monogatari)", Japan, c. 1831.
Interior: a courtesan writing; another looking on. Origin: Japan. Period: Edo period. Date: 1760-1849. Color and gold on silk panel. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-a-courtesan-writing-another-looking-on-origin-japan-period-edo-period-date-1760-1849-color-and-gold-on-silk-panel-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554749114.htmlRM2R6F04A–Interior: a courtesan writing; another looking on. Origin: Japan. Period: Edo period. Date: 1760-1849. Color and gold on silk panel. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Landscape with waterfall, from an untitled series of chuban prints, Japan, c. 1831. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-waterfall-from-an-untitled-series-of-chuban-prints-japan-c-1831-image457033932.htmlRM2HFFKCC–Landscape with waterfall, from an untitled series of chuban prints, Japan, c. 1831.
Goose flying in front of the moon. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/goose-flying-in-front-of-the-moon-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554741785.htmlRM2R6EJPH–Goose flying in front of the moon. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Pilgrimage to Enoshima, Japan, c. 1821. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pilgrimage-to-enoshima-japan-c-1821-image457034261.htmlRM2HFFKT5–Pilgrimage to Enoshima, Japan, c. 1821.
Sparklers, crab and bulb. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sparklers-crab-and-bulb-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554748080.htmlRM2R6EXRC–Sparklers, crab and bulb. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds, Japan, c. 1834. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bullfinch-and-weeping-cherry-uso-shidarezakura-from-an-untitled-series-of-flowers-and-birds-japan-c-1834-image457033891.htmlRM2HFFKAY–Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds, Japan, c. 1834.
Sketch for a woodblock print. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketch-for-a-woodblock-print-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554751596.htmlRM2R6F390–Sketch for a woodblock print. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Mishima, from an untitled series of the fifty-three stations of the Tokaido, Japan, c. 1804. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mishima-from-an-untitled-series-of-the-fifty-three-stations-of-the-tokaido-japan-c-1804-image457034501.htmlRM2HFFM4N–Mishima, from an untitled series of the fifty-three stations of the Tokaido, Japan, c. 1804.
Tuning the Samisen. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tuning-the-samisen-ink-on-paper-origin-japan-period-edo-period-date-1760-1849-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554740220.htmlRM2R6EGPM–Tuning the Samisen. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), Japan, c. 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iris-from-the-picture-book-of-realistic-paintings-of-hokusai-hokusai-shashin-gafu-japan-c-1814-image457034115.htmlRM2HFFKJY–Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), Japan, c. 1814.
Two women. ink on paper. Origin: Japan. Period: Edo period. Date: 1615-1868. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-women-ink-on-paper-origin-japan-period-edo-period-date-1615-1868-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554745944.htmlRM2R6ET34–Two women. ink on paper. Origin: Japan. Period: Edo period. Date: 1615-1868. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Ochanomizu in Kanda Mojin Shrine, Japan, c. 1811. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ochanomizu-in-kanda-mojin-shrine-japan-c-1811-image457034102.htmlRM2HFFKJE–Ochanomizu in Kanda Mojin Shrine, Japan, c. 1811.
Buddhist allegory of a priest burning cherry branches. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buddhist-allegory-of-a-priest-burning-cherry-branches-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554742600.htmlRM2R6EKRM–Buddhist allegory of a priest burning cherry branches. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi), Japan, 1798. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-artisanx2019s-shop-from-the-album-the-mist-of-sandara-sandara-kasumi-japan-1798-image457034111.htmlRM2HFFKJR–An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi), Japan, 1798.
The Calligrapher. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-calligrapher-origin-japan-period-edo-period-date-1760-1849-ink-and-color-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554751118.htmlRM2R6F2KX–The Calligrapher. Origin: Japan. Period: Edo period. Date: 1760-1849. Ink and color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Six immortal poets preparing for the Tanabata festival, Japan, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/six-immortal-poets-preparing-for-the-tanabata-festival-japan-nd-image457034089.htmlRM2HFFKJ1–Six immortal poets preparing for the Tanabata festival, Japan, n.d.
Search Results for Shunro Stock Photos and Images (717)
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