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Sep 1896 Stock Photos and Images

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Sep 1896 Stock Photos and Images

London, UK. 12th Sep, 2019. The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Live News Stock Photo
RMWW0CBT–London, UK. 12th Sep, 2019. The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Live News
London, UK. 12th Sep, 2019. The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Live News Stock Photo
RMWW0CK9–London, UK. 12th Sep, 2019. The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Live News
London, UK. 12th Sep, 2019. The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Live News Stock Photo
RMWW0DCT–London, UK. 12th Sep, 2019. The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Live News
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0CBP–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0D43–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0DCE–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0CWJ–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0BJX–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0D41–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0DCF–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0BY5–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy Stock Photo
RMWW0BKJ–London, UK. 12th Sep, 2019. Edvard Munch. Angst, 1896 (c) - The complete, multi-artist album Les Peintres-Graveurs, estimate of £500,000 to £1,000,000, owned by dealer and publisher Ambroise Vollard. He was largely responsible for the validation of lithography as an art form, as well as the propagation of the greatest Impressionist and Post-Impressionist artists. Issued in Paris in 1896, his first ever multi-artist portfolio Les Peintres-Graveurs comprises 22 prints by the likes of Pierre Bonnard, Odilon Redon, Théo van Rysselberghe, Auguste Renoir, and Edouard Vuillard. Credit: Guy Bell/Alamy
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