Alamy logo

Sculture rappresentanti sapore Stock Photos and Images

(2)See sculture rappresentanti sapore stock video clips

Sculture rappresentanti sapore Stock Photos and Images

Crowning ceremony of King Ardashir II (center) by Shapur II (right) of the Sassanian Empire. Angel Mithra with raised barsom at left. Body and crown of defeated Roman emperor Julian on the ground. Based on a rock bas-relief in Taq-e Bostan, Iran. Sculture rappresentanti Sapore, Zulactaf, &c. Handcoloured copperplate engraving by B. Andrei from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1847. Stock Photo
RM2T69TCT–Crowning ceremony of King Ardashir II (center) by Shapur II (right) of the Sassanian Empire. Angel Mithra with raised barsom at left. Body and crown of defeated Roman emperor Julian on the ground. Based on a rock bas-relief in Taq-e Bostan, Iran. Sculture rappresentanti Sapore, Zulactaf, &c. Handcoloured copperplate engraving by B. Andrei from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1847.
Crowning ceremony of King Ardashir II (center) by Shapur II (right) of the Sassanian Empire. Angel Mithra with raised barsom at left. Body and crown of defeated Roman emperor Julian on the ground. Based on a rock bas-relief in Taq-e Bostan, Iran. Sculture rappresentanti Sapore, Zulactaf, &c. Handcoloured copperplate engraving by B. Andrei from Giulio Ferrario’s Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1847. Stock Photo
RM2ACMWDP–Crowning ceremony of King Ardashir II (center) by Shapur II (right) of the Sassanian Empire. Angel Mithra with raised barsom at left. Body and crown of defeated Roman emperor Julian on the ground. Based on a rock bas-relief in Taq-e Bostan, Iran. Sculture rappresentanti Sapore, Zulactaf, &c. Handcoloured copperplate engraving by B. Andrei from Giulio Ferrario’s Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1847.
Page 1 of 1