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Scopeto Stock Photos and Images

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Adoration of the Magi 1480 - 1481 Leonardo da Vinci 1480 - 1481( Provenance: Church of Saint Augustine of San Donato a Scopeto in Florence ) Italy Italian Stock Photo
RMJGETP5–Adoration of the Magi 1480 - 1481 Leonardo da Vinci 1480 - 1481( Provenance: Church of Saint Augustine of San Donato a Scopeto in Florence ) Italy Italian
Trees and shadows in woods at sunset by ' Scopeto ' hill in Giglio Island Tuscany - Nature exploration concept on inspiring woodland forest Stock Photo
RF2HCTT2C–Trees and shadows in woods at sunset by ' Scopeto ' hill in Giglio Island Tuscany - Nature exploration concept on inspiring woodland forest
Leonardo da Vinci. L'Adoration des Mages. Pour les moines de San Donato à Scopeto. Stock Photo
RF2BGNJPJ–Leonardo da Vinci. L'Adoration des Mages. Pour les moines de San Donato à Scopeto.
Scopeto, Arezzo, Italy, Tuscany, N 43 25' 34'', E 11 54' 21'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photo
RM2GW0288–Scopeto, Arezzo, Italy, Tuscany, N 43 25' 34'', E 11 54' 21'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
. International studio. or achoice of motifsbetter adapted tohis temperamentand his aesthetic con-ception, or givenfreer, fuller scopeto his incomparablevirtuosity — usingthe word in its lofti-est sense ? Xor should it beforgotten that Degaswas always andabove everythingelse a realist, anda realist more cruelthan indulgent,rather pessimist thanoptimist. His wholeoutput and what weknow of the manhimself—it is littleenough, for he livedlike a hermit, not tosav a misanthropist—serve to prove it.Let us not forget,either, that rightfrom the start Degasproclaimed himself a modern. with nointerest wh Stock Photo
RM2AGBGAX–. International studio. or achoice of motifsbetter adapted tohis temperamentand his aesthetic con-ception, or givenfreer, fuller scopeto his incomparablevirtuosity — usingthe word in its lofti-est sense ? Xor should it beforgotten that Degaswas always andabove everythingelse a realist, anda realist more cruelthan indulgent,rather pessimist thanoptimist. His wholeoutput and what weknow of the manhimself—it is littleenough, for he livedlike a hermit, not tosav a misanthropist—serve to prove it.Let us not forget,either, that rightfrom the start Degasproclaimed himself a modern. with nointerest wh
Adoration of the Magi 1480 - 1481 Leonardo da Vinci 1480 - 1481( Provenance: Church of Saint Augustine of San Donato a Scopeto in Florence ) Italy Italian Stock Photo
RMJGETP4–Adoration of the Magi 1480 - 1481 Leonardo da Vinci 1480 - 1481( Provenance: Church of Saint Augustine of San Donato a Scopeto in Florence ) Italy Italian
Adoration of the Magi, (San Donato in Scopeto), Leonardo da Vinci, (Vinci 1452 – Amboise 1519) , Florence, Italy. ( In September 1481, Leonardo was still working on the painting, but later he left Florence for the court of Ludovico Sforza in Milan, interrupting the painting he was producing for the church of San Donato in Scopeto. ) Stock Photo
RM2K8B626–Adoration of the Magi, (San Donato in Scopeto), Leonardo da Vinci, (Vinci 1452 – Amboise 1519) , Florence, Italy. ( In September 1481, Leonardo was still working on the painting, but later he left Florence for the court of Ludovico Sforza in Milan, interrupting the painting he was producing for the church of San Donato in Scopeto. )
Scopeto Madonna Gulia, Provincia di Latina, Italy, Latium, N 41 25' 24'', E 12 57' 45'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photo
RM2GTR2K6–Scopeto Madonna Gulia, Provincia di Latina, Italy, Latium, N 41 25' 24'', E 12 57' 45'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
. Leonardo da Vinci, artist, thinker and man of science. Printed by Drae;er, Paris.. STUDY FOR THE ADORATION OF THE MAGI. (Uffizi, Florence.) CHAPTER III THE ADORATION OF THE MAGI— THE S. JEROME —DEPARTURE FROM FLORENCE SUPPOSED JOURNEY TO THE EAST. LEONARDOS thirtieth birthdaywas approaching, and he wasworking on his own account.^His reputation was now so far estab-Hshed that in March, 1481, the monksof the rich monastery of San Donatoat Scopeto, beyond the Porta Romana,commissioned him to paint the altar-piece for their high altar, la pala perIaltare maggiore.- ^ In August, 1481, he was sett Stock Photo
RM2AG1MFD–. Leonardo da Vinci, artist, thinker and man of science. Printed by Drae;er, Paris.. STUDY FOR THE ADORATION OF THE MAGI. (Uffizi, Florence.) CHAPTER III THE ADORATION OF THE MAGI— THE S. JEROME —DEPARTURE FROM FLORENCE SUPPOSED JOURNEY TO THE EAST. LEONARDOS thirtieth birthdaywas approaching, and he wasworking on his own account.^His reputation was now so far estab-Hshed that in March, 1481, the monksof the rich monastery of San Donatoat Scopeto, beyond the Porta Romana,commissioned him to paint the altar-piece for their high altar, la pala perIaltare maggiore.- ^ In August, 1481, he was sett
Adoration of the Magi, (San Donato in Scopeto), Leonardo da Vinci, (Vinci 1452 – Amboise 1519) , Florence, Italy. ( In September 1481, Leonardo was still working on the painting, but later he left Florence for the court of Ludovico Sforza in Milan, interrupting the painting he was producing for the church of San Donato in Scopeto. ) Stock Photo
RM2K8B62J–Adoration of the Magi, (San Donato in Scopeto), Leonardo da Vinci, (Vinci 1452 – Amboise 1519) , Florence, Italy. ( In September 1481, Leonardo was still working on the painting, but later he left Florence for the court of Ludovico Sforza in Milan, interrupting the painting he was producing for the church of San Donato in Scopeto. )
The complete poetical works of William Wordsworth . change gives boundless scopeTo an exulting Nations hope. Oft, startled and made wiseBy your low-breathed interpretings,The simply-meek foretaste the springs Of bitter contraries. Ye daunt the proud array of war,Pervade the lonely ocean far As sail hath been unfurled;For dancers in the festive hallWhat ghastly partners hath your call Fetched from the shadowy world. T is said, that warnings ye dispense,Emboldened by a keener sense; That men have lived for whom,With dread precision, ye made clearThe hour that in a distant year Should knell them Stock Photo
RM2AN2AE1–The complete poetical works of William Wordsworth . change gives boundless scopeTo an exulting Nations hope. Oft, startled and made wiseBy your low-breathed interpretings,The simply-meek foretaste the springs Of bitter contraries. Ye daunt the proud array of war,Pervade the lonely ocean far As sail hath been unfurled;For dancers in the festive hallWhat ghastly partners hath your call Fetched from the shadowy world. T is said, that warnings ye dispense,Emboldened by a keener sense; That men have lived for whom,With dread precision, ye made clearThe hour that in a distant year Should knell them
. Leonardo da Vinci, artist, thinker and man of science. tation was now so far estab-Hshed that in March, 1481, the monksof the rich monastery of San Donatoat Scopeto, beyond the Porta Romana,commissioned him to paint the altar-piece for their high altar, la pala perIaltare maggiore.- ^ In August, 1481, he was settled in his ownhouse, casa sua propria, at Florence. Miiller-^?X^Q,Jahrbuch der kg. Freuss. Kunstsammlungen, (The Louvre.) 1897, p. 121. 2 The time allowed him for the completion ofthe altar-piece was two, or two and a half years. He was to receive in payment the thirdof a litde prop Stock Photo
RM2AG1KYP–. Leonardo da Vinci, artist, thinker and man of science. tation was now so far estab-Hshed that in March, 1481, the monksof the rich monastery of San Donatoat Scopeto, beyond the Porta Romana,commissioned him to paint the altar-piece for their high altar, la pala perIaltare maggiore.- ^ In August, 1481, he was settled in his ownhouse, casa sua propria, at Florence. Miiller-^?X^Q,Jahrbuch der kg. Freuss. Kunstsammlungen, (The Louvre.) 1897, p. 121. 2 The time allowed him for the completion ofthe altar-piece was two, or two and a half years. He was to receive in payment the thirdof a litde prop
. Leonardo da Vinci, artist, thinker and man of science;. Prinled by Draeger, Paris.. STUUV FOR THE ADORATION OF THE MAGI. (Uffizi, Florence.) CHAPTER III THE ADORATION OF THE MAGI—THES. JEROME — DEPARTURE FROM FLORENXE—SUPPOSED JOURNEY TO THE EAST. LEONARDOS thirtieth birthdaywas approaching, and he wasworking on his own account.^His reputation was now so far estab-lished that in March, 14S1, the monksof the rich monastery of San Donatoat Scopeto, beyond the Porta Romana,commissioned him to paint the altar-piece for their high altar, la pala perIaltare maggiore. - In August, 1481, he was sett Stock Photo
RM2CEKG2G–. Leonardo da Vinci, artist, thinker and man of science;. Prinled by Draeger, Paris.. STUUV FOR THE ADORATION OF THE MAGI. (Uffizi, Florence.) CHAPTER III THE ADORATION OF THE MAGI—THES. JEROME — DEPARTURE FROM FLORENXE—SUPPOSED JOURNEY TO THE EAST. LEONARDOS thirtieth birthdaywas approaching, and he wasworking on his own account.^His reputation was now so far estab-lished that in March, 14S1, the monksof the rich monastery of San Donatoat Scopeto, beyond the Porta Romana,commissioned him to paint the altar-piece for their high altar, la pala perIaltare maggiore. - In August, 1481, he was sett
. Leonardo da Vinci, artist, thinker and man of science;. His reputation was now so far estab-lished that in March, 14S1, the monksof the rich monastery of San Donatoat Scopeto, beyond the Porta Romana,commissioned him to paint the altar-piece for their high altar, la pala perIaltare maggiore. - In August, 1481, he was settled in his ownhouse, casa sua propria, at Floience. MuUer-Vade,/a/irùuc/i der kg. Preuss. Kiinstsammluiigen, 1897, p. 121. - The time allowed him for the completion ofthe altar-piece was two, or two and a half years. He was to receive in payment the thirdof a little proper Stock Photo
RM2CEKFRT–. Leonardo da Vinci, artist, thinker and man of science;. His reputation was now so far estab-lished that in March, 14S1, the monksof the rich monastery of San Donatoat Scopeto, beyond the Porta Romana,commissioned him to paint the altar-piece for their high altar, la pala perIaltare maggiore. - In August, 1481, he was settled in his ownhouse, casa sua propria, at Floience. MuUer-Vade,/a/irùuc/i der kg. Preuss. Kiinstsammluiigen, 1897, p. 121. - The time allowed him for the completion ofthe altar-piece was two, or two and a half years. He was to receive in payment the thirdof a little proper
. Annali del Museo civico di storia naturale Giacomo Doria. Natural history. PSEUDOSCORPIONEff 95 Tergite 6-6-6-8-8-8-10-10.— Kòrper L. 3.5 mm; Palpen: Femur L. 1.82 mm. B. 0.29 mm. Tibia L. 1.55 mm. (Keule 0.92 mm.), B. 0.35 mm. Hand L. 1.40 mm. B. 0.60 mm. Finger L. 2.05 mm. Typus: 1 cf, Tana dello Scopeto bei Albenga, Ligurien, 15- IV-1897, Solari leg. (Typus in Mus. Genua). Paratypen: 1 Ex., 15IV-Ì897, 3 Ex., 28-5-1900, 4 Ex., 1901, Samtlich Tana dello Scopeto, leg. Dodero. Die neue Art steht dem antrorum Sim. sehr nahe, unter- scheidet sicli jedoch von ihm deutlich durch schlankere Palpen Stock Photo
RMRMTAC1–. Annali del Museo civico di storia naturale Giacomo Doria. Natural history. PSEUDOSCORPIONEff 95 Tergite 6-6-6-8-8-8-10-10.— Kòrper L. 3.5 mm; Palpen: Femur L. 1.82 mm. B. 0.29 mm. Tibia L. 1.55 mm. (Keule 0.92 mm.), B. 0.35 mm. Hand L. 1.40 mm. B. 0.60 mm. Finger L. 2.05 mm. Typus: 1 cf, Tana dello Scopeto bei Albenga, Ligurien, 15- IV-1897, Solari leg. (Typus in Mus. Genua). Paratypen: 1 Ex., 15IV-Ì897, 3 Ex., 28-5-1900, 4 Ex., 1901, Samtlich Tana dello Scopeto, leg. Dodero. Die neue Art steht dem antrorum Sim. sehr nahe, unter- scheidet sicli jedoch von ihm deutlich durch schlankere Palpen
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