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Satin 5 binding Stock Photos and Images
Napkin with flower vase surrounded by lace pattern, Linen damask napkin with flower vase surrounded by 'lace pattern'. Satin 5 binding., anonymous, Vlaanderen (possibly), c. 1725, linen (material), damask, w 86.0 cm × h 116.0 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-flower-vase-surrounded-by-lace-pattern-linen-damask-napkin-with-flower-vase-surrounded-by-lace-pattern-satin-5-binding-anonymous-vlaanderen-possibly-c-1725-linen-material-damask-w-860-cm-h-1160-cm-image261342101.htmlRMW554ED–Napkin with flower vase surrounded by lace pattern, Linen damask napkin with flower vase surrounded by 'lace pattern'. Satin 5 binding., anonymous, Vlaanderen (possibly), c. 1725, linen (material), damask, w 86.0 cm × h 116.0 cm
Napkin with flower vase surrounded by edge pattern, anonymous, c. 1725 Linen Damas napkin with bleomen vase surrounded by 'lace pattern'. Satin 5 Binding. Flanders (Possible) linen (material) damask Linen Damas napkin with bleomen vase surrounded by 'lace pattern'. Satin 5 Binding. Flanders (Possible) linen (material) damask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-flower-vase-surrounded-by-edge-pattern-anonymous-c-1725-linen-damas-napkin-with-bleomen-vase-surrounded-by-lace-pattern-satin-5-binding-flanders-possible-linen-material-damask-linen-damas-napkin-with-bleomen-vase-surrounded-by-lace-pattern-satin-5-binding-flanders-possible-linen-material-damask-image587566650.htmlRM2W3WY76–Napkin with flower vase surrounded by edge pattern, anonymous, c. 1725 Linen Damas napkin with bleomen vase surrounded by 'lace pattern'. Satin 5 Binding. Flanders (Possible) linen (material) damask Linen Damas napkin with bleomen vase surrounded by 'lace pattern'. Satin 5 Binding. Flanders (Possible) linen (material) damask
Napkin with flower vase surrounded by lace pattern, Linen damask napkin with flower vase surrounded by 'lace pattern'. Satin 5 binding., anonymous, Vlaanderen (possibly), c. 1725, linen (material), damask, w 86.0 cm × h 116.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-flower-vase-surrounded-by-lace-pattern-linen-damask-napkin-with-flower-vase-surrounded-by-lace-pattern-satin-5-binding-anonymous-vlaanderen-possibly-c-1725-linen-material-damask-w-860-cm-h-1160-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349955629.htmlRF2B99RY9–Napkin with flower vase surrounded by lace pattern, Linen damask napkin with flower vase surrounded by 'lace pattern'. Satin 5 binding., anonymous, Vlaanderen (possibly), c. 1725, linen (material), damask, w 86.0 cm × h 116.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment. Italy. Date: 1525-1575. Dimensions: 44.5 x 55.1 cm (17 1/2 x 21 3/4 in.). Silk, satin weave with twill interlacings of secondary binding warps and patterning wefts. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-italy-date-1525-1575-dimensions-445-x-551-cm-17-12-x-21-34-in-silk-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-patterning-wefts-origin-italy-museum-the-chicago-art-institute-image239908642.htmlRMRX8NWP–Fragment. Italy. Date: 1525-1575. Dimensions: 44.5 x 55.1 cm (17 1/2 x 21 3/4 in.). Silk, satin weave with twill interlacings of secondary binding warps and patterning wefts. Origin: Italy. Museum: The Chicago Art Institute.
Cushion. 1875–1900. China. Silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cushion-18751900-china-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-self-patterning-ground-wefts-image337949149.htmlRM2AHPWGD–Cushion. 1875–1900. China. Silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts
. Catalogue no. 16, spring/summer / R. H. Macy & Co.. Becoming little mushroom sailorof fine patent Milan straw trimmedwith fold of silk satin ribbon around crown Mth smart loop andtwo short streamers at the side hack.Brim measures about 11^ inchesa/;ross. Comea in white straw wilhpink, white or sky blue ribbon.Suitable for children from 2 to 5years. 2 to 5 years. |a I8B8606 Price. each....yyC Smartly designed mushroom hat offine smooth Java straw effectivelytrimmed with patent leather bandHnished at left side with knot andtwo ends, and leather binding onbrim edge. Comes only as illus-trated, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-no-16-springsummer-r-h-macy-co-becoming-little-mushroom-sailorof-fine-patent-milan-straw-trimmedwith-fold-of-silk-satin-ribbon-around-crown-mth-smart-loop-andtwo-short-streamers-at-the-side-hackbrim-measures-about-11-inchesaross-comea-in-white-straw-wilhpink-white-or-sky-blue-ribbonsuitable-for-children-from-2-to-5years-2-to-5-years-a-i8b8606-price-eachyyc-smartly-designed-mushroom-hat-offine-smooth-java-straw-effectivelytrimmed-with-patent-leather-bandhnished-at-left-side-with-knot-andtwo-ends-and-leather-binding-onbrim-edge-comes-only-as-illus-trated-image336912996.htmlRM2AG3KY0–. Catalogue no. 16, spring/summer / R. H. Macy & Co.. Becoming little mushroom sailorof fine patent Milan straw trimmedwith fold of silk satin ribbon around crown Mth smart loop andtwo short streamers at the side hack.Brim measures about 11^ inchesa/;ross. Comea in white straw wilhpink, white or sky blue ribbon.Suitable for children from 2 to 5years. 2 to 5 years. |a I8B8606 Price. each....yyC Smartly designed mushroom hat offine smooth Java straw effectivelytrimmed with patent leather bandHnished at left side with knot andtwo ends, and leather binding onbrim edge. Comes only as illus-trated,
Linen Damask napkin with scattered flowers, White Linen Damask napkin with a pattern of scattered flowers and birds in borders. Satin 5 binding., anonymous, Noord-Nederland (possibly), 1670 - 1680, linen (material), damask, h 119.5 cm × w 87 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/linen-damask-napkin-with-scattered-flowers-white-linen-damask-napkin-with-a-pattern-of-scattered-flowers-and-birds-in-borders-satin-5-binding-anonymous-noord-nederland-possibly-1670-1680-linen-material-damask-h-1195-cm-w-87-cm-image261343607.htmlRMW556C7–Linen Damask napkin with scattered flowers, White Linen Damask napkin with a pattern of scattered flowers and birds in borders. Satin 5 binding., anonymous, Noord-Nederland (possibly), 1670 - 1680, linen (material), damask, h 119.5 cm × w 87 cm
Linnamast napkin with thrown flowers, anonymous, 1670 - 1680 White Linnamasten napkin with a pattern of stripped flowers and birds in edges. Satin 5 Binding. Northern Netherlands (Possible) linen (material) damask White Linnamasten napkin with a pattern of stripped flowers and birds in edges. Satin 5 Binding. Northern Netherlands (Possible) linen (material) damask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/linnamast-napkin-with-thrown-flowers-anonymous-1670-1680-white-linnamasten-napkin-with-a-pattern-of-stripped-flowers-and-birds-in-edges-satin-5-binding-northern-netherlands-possible-linen-material-damask-white-linnamasten-napkin-with-a-pattern-of-stripped-flowers-and-birds-in-edges-satin-5-binding-northern-netherlands-possible-linen-material-damask-image587030610.htmlRM2W31FEX–Linnamast napkin with thrown flowers, anonymous, 1670 - 1680 White Linnamasten napkin with a pattern of stripped flowers and birds in edges. Satin 5 Binding. Northern Netherlands (Possible) linen (material) damask White Linnamasten napkin with a pattern of stripped flowers and birds in edges. Satin 5 Binding. Northern Netherlands (Possible) linen (material) damask
Linen Damask napkin with scattered flowers, White Linen Damask napkin with a pattern of scattered flowers and birds in borders. Satin 5 binding., anonymous, Noord-Nederland (possibly), 1670 - 1680, linen (material), damask, h 119.5 cm × w 87 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/linen-damask-napkin-with-scattered-flowers-white-linen-damask-napkin-with-a-pattern-of-scattered-flowers-and-birds-in-borders-satin-5-binding-anonymous-noord-nederland-possibly-1670-1680-linen-material-damask-h-1195-cm-w-87-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349956686.htmlRF2B99W92–Linen Damask napkin with scattered flowers, White Linen Damask napkin with a pattern of scattered flowers and birds in borders. Satin 5 binding., anonymous, Noord-Nederland (possibly), 1670 - 1680, linen (material), damask, h 119.5 cm × w 87 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Panel. France, Lyon. Date: 1775-1795. Dimensions: 156.5 × 62.8 cm (61 5/8 × 24 3/4 in.). Silk, satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-france-lyon-date-1775-1795-dimensions-1565-628-cm-61-58-24-34-in-silk-satin-weave-with-plain-interlacings-of-secondary-binding-warps-and-self-patterning-ground-wefts-origin-france-museum-the-chicago-art-institute-image240101245.htmlRMRXHFGD–Panel. France, Lyon. Date: 1775-1795. Dimensions: 156.5 × 62.8 cm (61 5/8 × 24 3/4 in.). Silk, satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts. Origin: France. Museum: The Chicago Art Institute.
Cushion. 1875–1900. China. Silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cushion-18751900-china-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-self-patterning-ground-wefts-image337949153.htmlRM2AHPWGH–Cushion. 1875–1900. China. Silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts
. Fall and Winter, 1890-91 Fashion Catalogue / H. O'Neill and Co.. Dressing Gown. Smoking Jacket. Bath Robe. SMOKING JACKETS. No, 1. Cashmerette, blue, brown, gray or drab, lined withfarmers satin, $4.85; with binding, $5.99 ; with cordededge, $6.45. No. 3. Fine All Wool Tricot or Berlin Twill, in blue,brown, garnet, drab or gray, bound with satin, $7.45; FineTricot, half faced with satin, $8.75. No. 5. Fine All Wool Berlin Twill or Tricot, full faced.$10.75. No. 7. Fine Extra Heavy Blue or Black Velveteen, satinbound, $12.75; full faced, $15.24. No. 9. Silk Finished Velveteen, faced with .sat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fall-and-winter-1890-91-fashion-catalogue-h-oneill-and-co-dressing-gown-smoking-jacket-bath-robe-smoking-jackets-no-1-cashmerette-blue-brown-gray-or-drab-lined-withfarmers-satin-485-with-binding-599-with-cordededge-645-no-3-fine-all-wool-tricot-or-berlin-twill-in-bluebrown-garnet-drab-or-gray-bound-with-satin-745-finetricot-half-faced-with-satin-875-no-5-fine-all-wool-berlin-twill-or-tricot-full-faced1075-no-7-fine-extra-heavy-blue-or-black-velveteen-satinbound-1275-full-faced-1524-no-9-silk-finished-velveteen-faced-with-sat-image336611567.htmlRM2AFHYDK–. Fall and Winter, 1890-91 Fashion Catalogue / H. O'Neill and Co.. Dressing Gown. Smoking Jacket. Bath Robe. SMOKING JACKETS. No, 1. Cashmerette, blue, brown, gray or drab, lined withfarmers satin, $4.85; with binding, $5.99 ; with cordededge, $6.45. No. 3. Fine All Wool Tricot or Berlin Twill, in blue,brown, garnet, drab or gray, bound with satin, $7.45; FineTricot, half faced with satin, $8.75. No. 5. Fine All Wool Berlin Twill or Tricot, full faced.$10.75. No. 7. Fine Extra Heavy Blue or Black Velveteen, satinbound, $12.75; full faced, $15.24. No. 9. Silk Finished Velveteen, faced with .sat
Napkin of linen damask with a flower pattern, Napkin of linen damask with volutes and scattered flowers. Satin 5 binding. The napkin belongs to seven napkins and a tablecloth., anonymous, c. 1680 - c. 1700, linen (material), damask, h 112 cm × w 81 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-linen-damask-with-a-flower-pattern-napkin-of-linen-damask-with-volutes-and-scattered-flowers-satin-5-binding-the-napkin-belongs-to-seven-napkins-and-a-tablecloth-anonymous-c-1680-c-1700-linen-material-damask-h-112-cm-w-81-cm-image261341339.htmlRMW553F7–Napkin of linen damask with a flower pattern, Napkin of linen damask with volutes and scattered flowers. Satin 5 binding. The napkin belongs to seven napkins and a tablecloth., anonymous, c. 1680 - c. 1700, linen (material), damask, h 112 cm × w 81 cm
Napkin with the Last Supper, Anonymous, c. 1610 - c. 1640 Linnamast napkin with the Last Supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 Binding. Northern Netherlands (Possible) linen (material) damask Linnamast napkin with the Last Supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 Binding. Northern Netherlands (Possible) linen (material) damask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-the-last-supper-anonymous-c-1610-c-1640-linnamast-napkin-with-the-last-supper-with-christ-at-the-head-of-the-table-standing-edges-with-angels-upside-down-satin-5-binding-northern-netherlands-possible-linen-material-damask-linnamast-napkin-with-the-last-supper-with-christ-at-the-head-of-the-table-standing-edges-with-angels-upside-down-satin-5-binding-northern-netherlands-possible-linen-material-damask-image583610025.htmlRM2TWDMF5–Napkin with the Last Supper, Anonymous, c. 1610 - c. 1640 Linnamast napkin with the Last Supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 Binding. Northern Netherlands (Possible) linen (material) damask Linnamast napkin with the Last Supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 Binding. Northern Netherlands (Possible) linen (material) damask
Napkin of linen damask with a flower pattern, Napkin of linen damask with volutes and scattered flowers. Satin 5 binding. The napkin belongs to seven napkins and a tablecloth., anonymous, c. 1680 - c. 1700, linen (material), damask, h 112 cm × w 81 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-linen-damask-with-a-flower-pattern-napkin-of-linen-damask-with-volutes-and-scattered-flowers-satin-5-binding-the-napkin-belongs-to-seven-napkins-and-a-tablecloth-anonymous-c-1680-c-1700-linen-material-damask-h-112-cm-w-81-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349955061.htmlRF2B99R71–Napkin of linen damask with a flower pattern, Napkin of linen damask with volutes and scattered flowers. Satin 5 binding. The napkin belongs to seven napkins and a tablecloth., anonymous, c. 1680 - c. 1700, linen (material), damask, h 112 cm × w 81 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Panel. Italy, Genoa. Date: 1700-1725. Dimensions: 72.8 x 55.9 cm (28 5/8 x 22 in.). Silk, warp-float faced satin weave with supplementary binding wefts and supplementary pile warps forming cut and uncut velvet. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-italy-genoa-date-1700-1725-dimensions-728-x-559-cm-28-58-x-22-in-silk-warp-float-faced-satin-weave-with-supplementary-binding-wefts-and-supplementary-pile-warps-forming-cut-and-uncut-velvet-origin-italy-museum-the-chicago-art-institute-image240099811.htmlRMRXHDN7–Panel. Italy, Genoa. Date: 1700-1725. Dimensions: 72.8 x 55.9 cm (28 5/8 x 22 in.). Silk, warp-float faced satin weave with supplementary binding wefts and supplementary pile warps forming cut and uncut velvet. Origin: Italy. Museum: The Chicago Art Institute.
Fragment. 1350–1400. Lucca. Silk and animal-substrate-wrapped linen, warp-float faced 5 1 satin weave with weft-float faced 1 3 's' twill interlacings of secondary binding warps and supplementary patterning wefts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-13501400-lucca-silk-and-animal-substrate-wrapped-linen-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-3-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-image337921166.htmlRM2AHNHW2–Fragment. 1350–1400. Lucca. Silk and animal-substrate-wrapped linen, warp-float faced 5 1 satin weave with weft-float faced 1 3 's' twill interlacings of secondary binding warps and supplementary patterning wefts
White linen damask napkin with the conquest of Lille by Eugenius of Savoy, White napkin damask with the conquest of Lille by Eugenius of Savoy. Satin 5 binding, Lille, Eugenius van Savoy, anonymous, Vlaanderen (possibly), c. 1708, linen (material), damask, h 82 cm × w 98.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/white-linen-damask-napkin-with-the-conquest-of-lille-by-eugenius-of-savoy-white-napkin-damask-with-the-conquest-of-lille-by-eugenius-of-savoy-satin-5-binding-lille-eugenius-van-savoy-anonymous-vlaanderen-possibly-c-1708-linen-material-damask-h-82-cm-w-985-cm-image261342943.htmlRMW555GF–White linen damask napkin with the conquest of Lille by Eugenius of Savoy, White napkin damask with the conquest of Lille by Eugenius of Savoy. Satin 5 binding, Lille, Eugenius van Savoy, anonymous, Vlaanderen (possibly), c. 1708, linen (material), damask, h 82 cm × w 98.5 cm
Napkin from Wit Linnamast with the conquest of Lille by Eugenius from Savoy, Anonymous, c. 1708 Napkin from Wit Linnamast with the conquest of Lille by Eugenius from Savoy. Satin 5 Binding Flanders (Possible) linen (material) damask Little. Little Napkin from Wit Linnamast with the conquest of Lille by Eugenius from Savoy. Satin 5 Binding Flanders (Possible) linen (material) damask Little. Little Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-from-wit-linnamast-with-the-conquest-of-lille-by-eugenius-from-savoy-anonymous-c-1708-napkin-from-wit-linnamast-with-the-conquest-of-lille-by-eugenius-from-savoy-satin-5-binding-flanders-possible-linen-material-damask-little-little-napkin-from-wit-linnamast-with-the-conquest-of-lille-by-eugenius-from-savoy-satin-5-binding-flanders-possible-linen-material-damask-little-little-image586490394.htmlRM2W24XDE–Napkin from Wit Linnamast with the conquest of Lille by Eugenius from Savoy, Anonymous, c. 1708 Napkin from Wit Linnamast with the conquest of Lille by Eugenius from Savoy. Satin 5 Binding Flanders (Possible) linen (material) damask Little. Little Napkin from Wit Linnamast with the conquest of Lille by Eugenius from Savoy. Satin 5 Binding Flanders (Possible) linen (material) damask Little. Little
White linen damask napkin with the conquest of Lille by Eugenius of Savoy, White napkin damask with the conquest of Lille by Eugenius of Savoy. Satin 5 binding, Lille, Eugenius van Savoy, anonymous, Vlaanderen (possibly), c. 1708, linen (material), damask, h 82 cm × w 98.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/white-linen-damask-napkin-with-the-conquest-of-lille-by-eugenius-of-savoy-white-napkin-damask-with-the-conquest-of-lille-by-eugenius-of-savoy-satin-5-binding-lille-eugenius-van-savoy-anonymous-vlaanderen-possibly-c-1708-linen-material-damask-h-82-cm-w-985-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349956204.htmlRF2B99TKT–White linen damask napkin with the conquest of Lille by Eugenius of Savoy, White napkin damask with the conquest of Lille by Eugenius of Savoy. Satin 5 binding, Lille, Eugenius van Savoy, anonymous, Vlaanderen (possibly), c. 1708, linen (material), damask, h 82 cm × w 98.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment. China. Date: 1775-1800. Dimensions: 16 × 13.3 cm (6 5/16 × 5 1/4 in.). Silk and gold-leaf-over-lacquered-paper strip wrapped cotton, satin weave with twill interlacings of secondary binding warps and patterning wefts. Origin: China. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-china-date-1775-1800-dimensions-16-133-cm-6-516-5-14-in-silk-and-gold-leaf-over-lacquered-paper-strip-wrapped-cotton-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-patterning-wefts-origin-china-museum-the-chicago-art-institute-image240140151.htmlRMRXK95Y–Fragment. China. Date: 1775-1800. Dimensions: 16 × 13.3 cm (6 5/16 × 5 1/4 in.). Silk and gold-leaf-over-lacquered-paper strip wrapped cotton, satin weave with twill interlacings of secondary binding warps and patterning wefts. Origin: China. Museum: The Chicago Art Institute.
Ôhi (Stole). 1875–1900. Japan. Silk and gold-leaf-over-lacquered-paper strip, warp-float faced 1 2 'Z' twill interlacings of secondary binding warps and secondary patterning wefts; lined with silk, 5 1 satin damask; silk cords Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hi-stole-18751900-japan-silk-and-gold-leaf-over-lacquered-paper-strip-warp-float-faced-1-2-z-twill-interlacings-of-secondary-binding-warps-and-secondary-patterning-wefts-lined-with-silk-5-1-satin-damask-silk-cords-image337944301.htmlRM2AHPKB9–Ôhi (Stole). 1875–1900. Japan. Silk and gold-leaf-over-lacquered-paper strip, warp-float faced 1 2 'Z' twill interlacings of secondary binding warps and secondary patterning wefts; lined with silk, 5 1 satin damask; silk cords
Napkin with the Last Supper, Napkin of linen damask with the Last Supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 binding, the episode of the Last Supper, anonymous, Noord-Nederland (possibly), c. 1610 - c. 1640, linen (material), damask, h 100.6 cm × w 75 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-the-last-supper-napkin-of-linen-damask-with-the-last-supper-with-christ-at-the-head-of-the-table-standing-edges-with-angels-upside-down-satin-5-binding-the-episode-of-the-last-supper-anonymous-noord-nederland-possibly-c-1610-c-1640-linen-material-damask-h-1006-cm-w-75-cm-image261345792.htmlRMW55968–Napkin with the Last Supper, Napkin of linen damask with the Last Supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 binding, the episode of the Last Supper, anonymous, Noord-Nederland (possibly), c. 1610 - c. 1640, linen (material), damask, h 100.6 cm × w 75 cm
Napkin from white Linnamast with pattern of putti with decorative trusses and monograms in the corners, anonymous, c. 1665 - c. 1675 Napkin from white Linnamast with pattern of putti with decorative trusses and monograms in the corners. Satin 5 Binding. Flanders (Possible) Holland (Possible) linen (material) damask Napkin from white Linnamast with pattern of putti with decorative trusses and monograms in the corners. Satin 5 Binding. Flanders (Possible) Holland (Possible) linen (material) damask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-from-white-linnamast-with-pattern-of-putti-with-decorative-trusses-and-monograms-in-the-corners-anonymous-c-1665-c-1675-napkin-from-white-linnamast-with-pattern-of-putti-with-decorative-trusses-and-monograms-in-the-corners-satin-5-binding-flanders-possible-holland-possible-linen-material-damask-napkin-from-white-linnamast-with-pattern-of-putti-with-decorative-trusses-and-monograms-in-the-corners-satin-5-binding-flanders-possible-holland-possible-linen-material-damask-image582964526.htmlRM2TTC95J–Napkin from white Linnamast with pattern of putti with decorative trusses and monograms in the corners, anonymous, c. 1665 - c. 1675 Napkin from white Linnamast with pattern of putti with decorative trusses and monograms in the corners. Satin 5 Binding. Flanders (Possible) Holland (Possible) linen (material) damask Napkin from white Linnamast with pattern of putti with decorative trusses and monograms in the corners. Satin 5 Binding. Flanders (Possible) Holland (Possible) linen (material) damask
Napkin of white linen damask with pattern of putti with decorative trusses and monogram in the corners, Napkin of white linen damask with pattern of putti with ornamental trusses and monogram in the corners. Satin 5 binding., anonymous, Holland (possibly), c. 1665 - c. 1675, linen (material), damask, h 78.5 cm × w 109 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-white-linen-damask-with-pattern-of-putti-with-decorative-trusses-and-monogram-in-the-corners-napkin-of-white-linen-damask-with-pattern-of-putti-with-ornamental-trusses-and-monogram-in-the-corners-satin-5-binding-anonymous-holland-possibly-c-1665-c-1675-linen-material-damask-h-785-cm-w-109-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349956192.htmlRF2B99TKC–Napkin of white linen damask with pattern of putti with decorative trusses and monogram in the corners, Napkin of white linen damask with pattern of putti with ornamental trusses and monogram in the corners. Satin 5 binding., anonymous, Holland (possibly), c. 1665 - c. 1675, linen (material), damask, h 78.5 cm × w 109 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Border or Ribbon. France. Date: 1860-1869. Dimensions: 95.6 × 4.1 cm (37 5/8 × 1 5/8 in.). Silk and cotton, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in a twill interlacing (lampas). Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/border-or-ribbon-france-date-1860-1869-dimensions-956-41-cm-37-58-1-58-in-silk-and-cotton-warp-float-faced-satin-weave-with-supplementary-patterning-wefts-tied-by-supplementary-binding-warps-in-a-twill-interlacing-lampas-origin-france-museum-the-chicago-art-institute-image240046707.htmlRMRXF20K–Border or Ribbon. France. Date: 1860-1869. Dimensions: 95.6 × 4.1 cm (37 5/8 × 1 5/8 in.). Silk and cotton, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in a twill interlacing (lampas). Origin: France. Museum: The Chicago Art Institute.
Pair of Banners. 1650–1700. China. Silk, 7 1 satin damask weave over boards; streamers silk, warp-float faced 5 1 satin weave with plain interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; lined with cotton, plain weave Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pair-of-banners-16501700-china-silk-7-1-satin-damask-weave-over-boards-streamers-silk-warp-float-faced-5-1-satin-weave-with-plain-interlacings-of-secondary-binding-warps-supplementary-patterning-wefts-and-self-patterning-ground-wefts-lined-with-cotton-plain-weave-image337992358.htmlRM2AHTTKJ–Pair of Banners. 1650–1700. China. Silk, 7 1 satin damask weave over boards; streamers silk, warp-float faced 5 1 satin weave with plain interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; lined with cotton, plain weave
Napkin of white linen damask with pattern of putti with decorative trusses and monogram in the corners, Napkin of white linen damask with pattern of putti with ornamental trusses and monogram in the corners. Satin 5 binding., anonymous, Holland (possibly), c. 1665 - c. 1675, linen (material), damask, h 78.5 cm × w 109 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-white-linen-damask-with-pattern-of-putti-with-decorative-trusses-and-monogram-in-the-corners-napkin-of-white-linen-damask-with-pattern-of-putti-with-ornamental-trusses-and-monogram-in-the-corners-satin-5-binding-anonymous-holland-possibly-c-1665-c-1675-linen-material-damask-h-785-cm-w-109-cm-image261342933.htmlRMW555G5–Napkin of white linen damask with pattern of putti with decorative trusses and monogram in the corners, Napkin of white linen damask with pattern of putti with ornamental trusses and monogram in the corners. Satin 5 binding., anonymous, Holland (possibly), c. 1665 - c. 1675, linen (material), damask, h 78.5 cm × w 109 cm
Linnamast napkin with allegory on the relief of Grave in 1674 by Stadholder Willem III, Anonymous, 1674 Linnamast napkin with allegory on the relief of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and lying edges with weapons. Satin 5 Binding Flanders linen (material) damask Linnamast napkin with allegory on the relief of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and lying edges with weapons. Satin 5 Binding Flanders linen (material) damask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/linnamast-napkin-with-allegory-on-the-relief-of-grave-in-1674-by-stadholder-willem-iii-anonymous-1674-linnamast-napkin-with-allegory-on-the-relief-of-grave-in-1674-by-stadholder-willem-iii-with-woven-text-standing-edges-and-lying-edges-with-weapons-satin-5-binding-flanders-linen-material-damask-linnamast-napkin-with-allegory-on-the-relief-of-grave-in-1674-by-stadholder-willem-iii-with-woven-text-standing-edges-and-lying-edges-with-weapons-satin-5-binding-flanders-linen-material-damask-image587726775.htmlRM2W457DY–Linnamast napkin with allegory on the relief of Grave in 1674 by Stadholder Willem III, Anonymous, 1674 Linnamast napkin with allegory on the relief of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and lying edges with weapons. Satin 5 Binding Flanders linen (material) damask Linnamast napkin with allegory on the relief of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and lying edges with weapons. Satin 5 Binding Flanders linen (material) damask
Napkin with the Last Supper, Napkin of linen damask with the Last Supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 binding, the episode of the Last Supper, anonymous, Noord-Nederland (possibly), c. 1610 - c. 1640, linen (material), damask, h 100.6 cm × w 75 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-the-last-supper-napkin-of-linen-damask-with-the-last-supper-with-christ-at-the-head-of-the-table-standing-edges-with-angels-upside-down-satin-5-binding-the-episode-of-the-last-supper-anonymous-noord-nederland-possibly-c-1610-c-1640-linen-material-damask-h-1006-cm-w-75-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349958250.htmlRF2B99Y8X–Napkin with the Last Supper, Napkin of linen damask with the Last Supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 binding, the episode of the Last Supper, anonymous, Noord-Nederland (possibly), c. 1610 - c. 1640, linen (material), damask, h 100.6 cm × w 75 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment. Armenia. Date: 1501-1600. Dimensions: 11.7 × 32.8 cm (4 5/8 × 12 7/8 in.). Silk and gilt-metal-strip-wrapped silk, warp-float faced satin weave with weft-float faced twill interlacings of secondary binding warp and supplementary patterning wefts. Origin: Armenia. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-armenia-date-1501-1600-dimensions-117-328-cm-4-58-12-78-in-silk-and-gilt-metal-strip-wrapped-silk-warp-float-faced-satin-weave-with-weft-float-faced-twill-interlacings-of-secondary-binding-warp-and-supplementary-patterning-wefts-origin-armenia-museum-the-chicago-art-institute-image239879283.htmlRMRX7CD7–Fragment. Armenia. Date: 1501-1600. Dimensions: 11.7 × 32.8 cm (4 5/8 × 12 7/8 in.). Silk and gilt-metal-strip-wrapped silk, warp-float faced satin weave with weft-float faced twill interlacings of secondary binding warp and supplementary patterning wefts. Origin: Armenia. Museum: The Chicago Art Institute.
Manchu. Panel (Former Fragment of Man's Coat). 1700–1735. China. Center silk, slit tapestry weave with eccentric and interlaced outlining wefts; painted; border silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 twill interlacings of secondary binding warp-float faced 7 1 satin weave; lined with silk, 3 1 twill damask weave Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manchu-panel-former-fragment-of-mans-coat-17001735-china-center-silk-slit-tapestry-weave-with-eccentric-and-interlaced-outlining-wefts-painted-border-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-twill-interlacings-of-secondary-binding-warp-float-faced-7-1-satin-weave-lined-with-silk-3-1-twill-damask-weave-image337972379.htmlRM2AHRY63–Manchu. Panel (Former Fragment of Man's Coat). 1700–1735. China. Center silk, slit tapestry weave with eccentric and interlaced outlining wefts; painted; border silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 twill interlacings of secondary binding warp-float faced 7 1 satin weave; lined with silk, 3 1 twill damask weave
Napkin with flower pattern and arms of 'Ten Hove and Van Bebber', White linen damask napkin with symmetrical mirrored flower pattern and in the four corners the arms of 'Ten Hove and Van Bebber'. Satin 5 binding, anonymous, Noord-Nederland (possibly), 1672, linen (material), damask, h 114.4 cm × w 80.0 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-flower-pattern-and-arms-of-ten-hove-and-van-bebber-white-linen-damask-napkin-with-symmetrical-mirrored-flower-pattern-and-in-the-four-corners-the-arms-of-ten-hove-and-van-bebber-satin-5-binding-anonymous-noord-nederland-possibly-1672-linen-material-damask-h-1144-cm-w-800-cm-image261338761.htmlRMW55075–Napkin with flower pattern and arms of 'Ten Hove and Van Bebber', White linen damask napkin with symmetrical mirrored flower pattern and in the four corners the arms of 'Ten Hove and Van Bebber'. Satin 5 binding, anonymous, Noord-Nederland (possibly), 1672, linen (material), damask, h 114.4 cm × w 80.0 cm
Napkin with flower pattern and weapons of 'Ten Hove and Van Bebber', Anonymous, 1672 White linen damask napkin with symmetrical mirrored flower pattern and in the four corners of weapons of 'ten Hove and Van Bebber'. Satin 5 Binding Northern Netherlands (Possible) linen (material) damask White linen damask napkin with symmetrical mirrored flower pattern and in the four corners of weapons of 'ten Hove and Van Bebber'. Satin 5 Binding Northern Netherlands (Possible) linen (material) damask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-flower-pattern-and-weapons-of-ten-hove-and-van-bebber-anonymous-1672-white-linen-damask-napkin-with-symmetrical-mirrored-flower-pattern-and-in-the-four-corners-of-weapons-of-ten-hove-and-van-bebber-satin-5-binding-northern-netherlands-possible-linen-material-damask-white-linen-damask-napkin-with-symmetrical-mirrored-flower-pattern-and-in-the-four-corners-of-weapons-of-ten-hove-and-van-bebber-satin-5-binding-northern-netherlands-possible-linen-material-damask-image585123166.htmlRM2TYXJFX–Napkin with flower pattern and weapons of 'Ten Hove and Van Bebber', Anonymous, 1672 White linen damask napkin with symmetrical mirrored flower pattern and in the four corners of weapons of 'ten Hove and Van Bebber'. Satin 5 Binding Northern Netherlands (Possible) linen (material) damask White linen damask napkin with symmetrical mirrored flower pattern and in the four corners of weapons of 'ten Hove and Van Bebber'. Satin 5 Binding Northern Netherlands (Possible) linen (material) damask
Napkin with flower pattern and arms of 'Ten Hove and Van Bebber', White linen damask napkin with symmetrical mirrored flower pattern and in the four corners the arms of 'Ten Hove and Van Bebber'. Satin 5 binding, anonymous, Noord-Nederland (possibly), 1672, linen (material), damask, h 114.4 cm × w 80.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-flower-pattern-and-arms-of-ten-hove-and-van-bebber-white-linen-damask-napkin-with-symmetrical-mirrored-flower-pattern-and-in-the-four-corners-the-arms-of-ten-hove-and-van-bebber-satin-5-binding-anonymous-noord-nederland-possibly-1672-linen-material-damask-h-1144-cm-w-800-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349953260.htmlRF2B99MXM–Napkin with flower pattern and arms of 'Ten Hove and Van Bebber', White linen damask napkin with symmetrical mirrored flower pattern and in the four corners the arms of 'Ten Hove and Van Bebber'. Satin 5 binding, anonymous, Noord-Nederland (possibly), 1672, linen (material), damask, h 114.4 cm × w 80.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment (From an Orphrey Band). Italy. Date: 1401-1500. Dimensions: 31.5 × 35.8 cm (12 3/8 × 14 1/8 in.). Silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-from-an-orphrey-band-italy-date-1401-1500-dimensions-315-358-cm-12-38-14-18-in-silk-and-gilt-animal-substrate-wrapped-linen-warp-float-faced-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-origin-italy-museum-the-chicago-art-institute-image239840171.htmlRMRX5JGB–Fragment (From an Orphrey Band). Italy. Date: 1401-1500. Dimensions: 31.5 × 35.8 cm (12 3/8 × 14 1/8 in.). Silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute.
Manchu. Bed Curtain. 1650–1750. China. center panel and inner borders silk, gold-leaf-over-lacquered-paper strips, and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts bound in weft-float faced 1 3 'S' twill interlacings; outer border silk, warp-float faced 5 1 twill weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with cotton, plain weave Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manchu-bed-curtain-16501750-china-center-panel-and-inner-borders-silk-gold-leaf-over-lacquered-paper-strips-and-gold-leaf-over-lacquered-paper-strip-wrapped-silk-warp-float-faced-7-1-satin-weave-with-supplementary-brocading-wefts-bound-in-weft-float-faced-1-3-s-twill-interlacings-outer-border-silk-warp-float-faced-5-1-twill-weave-with-weft-float-faced-1-2-z-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-lined-with-cotton-plain-weave-image337948861.htmlRM2AHPW65–Manchu. Bed Curtain. 1650–1750. China. center panel and inner borders silk, gold-leaf-over-lacquered-paper strips, and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts bound in weft-float faced 1 3 'S' twill interlacings; outer border silk, warp-float faced 5 1 twill weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with cotton, plain weave
Napkin with grape vines and weapons Nassau, Schagen, Hornes and Thiennes. Marked AVB 13, White linen damask napkin with grape vines and in the corners the arms Nassau, Hornes and Thiennes, marked AVB 13. Satin 5 binding., anonymous, Northern Netherlands, 1682, linen (material), damask, h 116.4 cm × w 85.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-grape-vines-and-weapons-nassau-schagen-hornes-and-thiennes-marked-avb-13-white-linen-damask-napkin-with-grape-vines-and-in-the-corners-the-arms-nassau-hornes-and-thiennes-marked-avb-13-satin-5-binding-anonymous-northern-netherlands-1682-linen-material-damask-h-1164-cm-w-858-cm-image261339900.htmlRMW551KT–Napkin with grape vines and weapons Nassau, Schagen, Hornes and Thiennes. Marked AVB 13, White linen damask napkin with grape vines and in the corners the arms Nassau, Hornes and Thiennes, marked AVB 13. Satin 5 binding., anonymous, Northern Netherlands, 1682, linen (material), damask, h 116.4 cm × w 85.8 cm
Napkin with grape vines and weapons Nassau, Schagen, Hornes and Thiennes. Marked AVB 13., Anonymous, 1682 White linen dams napkin with grape vines and in the corners the weapons Nassau, Schagen, Hornes and Thiennes, marked AVB 13. Satin 5 Binding. Northern Netherlands linen (material) damask White linen dams napkin with grape vines and in the corners the weapons Nassau, Schagen, Hornes and Thiennes, marked AVB 13. Satin 5 Binding. Northern Netherlands linen (material) damask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-grape-vines-and-weapons-nassau-schagen-hornes-and-thiennes-marked-avb-13-anonymous-1682-white-linen-dams-napkin-with-grape-vines-and-in-the-corners-the-weapons-nassau-schagen-hornes-and-thiennes-marked-avb-13-satin-5-binding-northern-netherlands-linen-material-damask-white-linen-dams-napkin-with-grape-vines-and-in-the-corners-the-weapons-nassau-schagen-hornes-and-thiennes-marked-avb-13-satin-5-binding-northern-netherlands-linen-material-damask-image587116629.htmlRM2W35D71–Napkin with grape vines and weapons Nassau, Schagen, Hornes and Thiennes. Marked AVB 13., Anonymous, 1682 White linen dams napkin with grape vines and in the corners the weapons Nassau, Schagen, Hornes and Thiennes, marked AVB 13. Satin 5 Binding. Northern Netherlands linen (material) damask White linen dams napkin with grape vines and in the corners the weapons Nassau, Schagen, Hornes and Thiennes, marked AVB 13. Satin 5 Binding. Northern Netherlands linen (material) damask
Napkin with grape vines and weapons Nassau, Schagen, Hornes and Thiennes. Marked AVB 13, White linen damask napkin with grape vines and in the corners the arms Nassau, Hornes and Thiennes, marked AVB 13. Satin 5 binding., anonymous, Northern Netherlands, 1682, linen (material), damask, h 116.4 cm × w 85.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-grape-vines-and-weapons-nassau-schagen-hornes-and-thiennes-marked-avb-13-white-linen-damask-napkin-with-grape-vines-and-in-the-corners-the-arms-nassau-hornes-and-thiennes-marked-avb-13-satin-5-binding-anonymous-northern-netherlands-1682-linen-material-damask-h-1164-cm-w-858-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349954094.htmlRF2B99P0E–Napkin with grape vines and weapons Nassau, Schagen, Hornes and Thiennes. Marked AVB 13, White linen damask napkin with grape vines and in the corners the arms Nassau, Hornes and Thiennes, marked AVB 13. Satin 5 binding., anonymous, Northern Netherlands, 1682, linen (material), damask, h 116.4 cm × w 85.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment (From an Orphrey Band). Italy. Date: 1401-1500. Dimensions: 30.5 x 50.5 cm (12 x 19 7/8 in.). Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-from-an-orphrey-band-italy-date-1401-1500-dimensions-305-x-505-cm-12-x-19-78-in-silk-warp-float-faced-41-satin-weave-with-weft-float-faced-13-z-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-origin-italy-museum-the-chicago-art-institute-image239908641.htmlRMRX8NWN–Fragment (From an Orphrey Band). Italy. Date: 1401-1500. Dimensions: 30.5 x 50.5 cm (12 x 19 7/8 in.). Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute.
Manchu. Woman's Jifu (Semiformal Court Robe). 1790–1820. China. Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; edged with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp float-faced 5 1 satin weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gilt-metal-strip-wrapped linen, 1 1 oblique interlacing; sleeves silk, warp-float faced 2 1 'Z' twill weave; pleated; lined with silk, plain weave (new); metal buttons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manchu-womans-jifu-semiformal-court-robe-17901820-china-silk-and-gold-leaf-over-lacquered-paper-strip-wrapped-silk-slit-tapestry-weave-with-interlaced-outlining-wefts-painted-details-edged-with-silk-and-gold-leaf-over-lacquered-paper-strip-wrapped-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-z-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-trimmed-with-braid-of-gilt-metal-strip-wrapped-linen-1-1-oblique-interlacing-sleeves-silk-warp-float-faced-2-1-z-twill-weave-pleated-lined-with-silk-plain-weave-new-metal-buttons-image337992344.htmlRM2AHTTK4–Manchu. Woman's Jifu (Semiformal Court Robe). 1790–1820. China. Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; edged with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp float-faced 5 1 satin weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gilt-metal-strip-wrapped linen, 1 1 oblique interlacing; sleeves silk, warp-float faced 2 1 'Z' twill weave; pleated; lined with silk, plain weave (new); metal buttons
Napkin of linen damask with allegory on the relief of Grave in 1674 by Stadholder Willem III, Napkin of linen damask with allegory on the relief of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and horizontal edges with weapons. Satin 5 binding, anonymous, Vlaanderen, 1674, linen (material), damask, h 121.1 cm × w 90.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-linen-damask-with-allegory-on-the-relief-of-grave-in-1674-by-stadholder-willem-iii-napkin-of-linen-damask-with-allegory-on-the-relief-of-grave-in-1674-by-stadholder-willem-iii-with-woven-text-standing-edges-and-horizontal-edges-with-weapons-satin-5-binding-anonymous-vlaanderen-1674-linen-material-damask-h-1211-cm-w-904-cm-image261340801.htmlRMW552T1–Napkin of linen damask with allegory on the relief of Grave in 1674 by Stadholder Willem III, Napkin of linen damask with allegory on the relief of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and horizontal edges with weapons. Satin 5 binding, anonymous, Vlaanderen, 1674, linen (material), damask, h 121.1 cm × w 90.4 cm
Linnamast napkin with a flower pattern, anonymous, c. 1680 - c. 1700 Linnamast napkin with volutes and stripped flowers. Satin 5 Binding. The napkin belongs to seven napkins (BK-1973-162-A to BK-1973-162-H) and a tablecloth (BK-1973-161). linen (material) damask Linnamast napkin with volutes and stripped flowers. Satin 5 Binding. The napkin belongs to seven napkins (BK-1973-162-A to BK-1973-162-H) and a tablecloth (BK-1973-161). linen (material) damask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/linnamast-napkin-with-a-flower-pattern-anonymous-c-1680-c-1700-linnamast-napkin-with-volutes-and-stripped-flowers-satin-5-binding-the-napkin-belongs-to-seven-napkins-bk-1973-162-a-to-bk-1973-162-h-and-a-tablecloth-bk-1973-161-linen-material-damask-linnamast-napkin-with-volutes-and-stripped-flowers-satin-5-binding-the-napkin-belongs-to-seven-napkins-bk-1973-162-a-to-bk-1973-162-h-and-a-tablecloth-bk-1973-161-linen-material-damask-image587955133.htmlRM2W4FJNH–Linnamast napkin with a flower pattern, anonymous, c. 1680 - c. 1700 Linnamast napkin with volutes and stripped flowers. Satin 5 Binding. The napkin belongs to seven napkins (BK-1973-162-A to BK-1973-162-H) and a tablecloth (BK-1973-161). linen (material) damask Linnamast napkin with volutes and stripped flowers. Satin 5 Binding. The napkin belongs to seven napkins (BK-1973-162-A to BK-1973-162-H) and a tablecloth (BK-1973-161). linen (material) damask
Napkin of linen damask with allegory on the relief of Grave in 1674 by Stadholder Willem III, Napkin of linen damask with allegory on the relief of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and horizontal edges with weapons. Satin 5 binding, anonymous, Vlaanderen, 1674, linen (material), damask, h 121.1 cm × w 90.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutioniz Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-linen-damask-with-allegory-on-the-relief-of-grave-in-1674-by-stadholder-willem-iii-napkin-of-linen-damask-with-allegory-on-the-relief-of-grave-in-1674-by-stadholder-willem-iii-with-woven-text-standing-edges-and-horizontal-edges-with-weapons-satin-5-binding-anonymous-vlaanderen-1674-linen-material-damask-h-1211-cm-w-904-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutioniz-image349954724.htmlRF2B99PR0–Napkin of linen damask with allegory on the relief of Grave in 1674 by Stadholder Willem III, Napkin of linen damask with allegory on the relief of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and horizontal edges with weapons. Satin 5 binding, anonymous, Vlaanderen, 1674, linen (material), damask, h 121.1 cm × w 90.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutioniz
Orphrey Fragment. Italy, Florence. Date: 1450-1500. Dimensions: 22.5 × 27.4 cm (8 7/8 × 10 3/4 in.). Silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts. Origin: Florence. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orphrey-fragment-italy-florence-date-1450-1500-dimensions-225-274-cm-8-78-10-34-in-silk-and-gilt-animal-substrate-wrapped-linen-warp-float-faced-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-brocading-wefts-origin-florence-museum-the-chicago-art-institute-image239906491.htmlRMRX8K4Y–Orphrey Fragment. Italy, Florence. Date: 1450-1500. Dimensions: 22.5 × 27.4 cm (8 7/8 × 10 3/4 in.). Silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts. Origin: Florence. Museum: The Chicago Art Institute.
Manchu. Empress' Jifu (Semiformal Court Robe). 1790–1820. China. Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; trimmed with cords of gilt-metal-strip-wrapped silk couched with silk; sleeves silk, warp-float faced 7 1 satin weave self-patterned by areas of plain weave; edging and closures silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manchu-empress-jifu-semiformal-court-robe-17901820-china-silk-and-gold-leaf-over-lacquered-paper-strip-wrapped-silk-slit-and-dovetailed-tapestry-weave-with-interlaced-outlining-wefts-painted-details-trimmed-with-cords-of-gilt-metal-strip-wrapped-silk-couched-with-silk-sleeves-silk-warp-float-faced-7-1-satin-weave-self-patterned-by-areas-of-plain-weave-edging-and-closures-silk-and-gold-leaf-over-lacquered-paper-strip-wrapped-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-z-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-lined-w-image337978358.htmlRM2AHT6RJ–Manchu. Empress' Jifu (Semiformal Court Robe). 1790–1820. China. Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; trimmed with cords of gilt-metal-strip-wrapped silk couched with silk; sleeves silk, warp-float faced 7 1 satin weave self-patterned by areas of plain weave; edging and closures silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined w
Napkin made of linen damask with a flower pattern and the alliance weapon Inn und Zu Kniphausen-Van Ewsum, Napkin made of linen damask with scattered flowers, insects and acorns and in the middle the coat of arms of Inn und Zu Kniphausen- Van Ewsum. The running edges have a winding flower line with grapes and birds, the horizontal edges have a winding flower line and the corners have a flower branch. Satin 5 binding, anonymous, Netherlands (possibly), c. 1667 - c. 1700, linen (material), damask, h 119.0 cm × w 84.0 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-made-of-linen-damask-with-a-flower-pattern-and-the-alliance-weapon-inn-und-zu-kniphausen-van-ewsum-napkin-made-of-linen-damask-with-scattered-flowers-insects-and-acorns-and-in-the-middle-the-coat-of-arms-of-inn-und-zu-kniphausen-van-ewsum-the-running-edges-have-a-winding-flower-line-with-grapes-and-birds-the-horizontal-edges-have-a-winding-flower-line-and-the-corners-have-a-flower-branch-satin-5-binding-anonymous-netherlands-possibly-c-1667-c-1700-linen-material-damask-h-1190-cm-w-840-cm-image261342001.htmlRMW554AW–Napkin made of linen damask with a flower pattern and the alliance weapon Inn und Zu Kniphausen-Van Ewsum, Napkin made of linen damask with scattered flowers, insects and acorns and in the middle the coat of arms of Inn und Zu Kniphausen- Van Ewsum. The running edges have a winding flower line with grapes and birds, the horizontal edges have a winding flower line and the corners have a flower branch. Satin 5 binding, anonymous, Netherlands (possibly), c. 1667 - c. 1700, linen (material), damask, h 119.0 cm × w 84.0 cm
Linnamast napkin with a flower pattern and the alliance weapon Inn und Zu Kniphausen-van Ewsum, Anonymous, c. 1667 - c. 1700 Napkin from Linnamast with thrown flowers, insects and acorns and in the middle the coat of arms of Inn and Zu Kniphausen- van Ewsum. The running edges have a winding flower drink with grapes and birds, the horizontal edges have a winding flower drink and the corners a flower branch. Satin 5 Binding. The napkin is part of napkin with number BK-1974-45-B. Netherlands (possibly) linen (material) damask Napkin from Linnamast with thrown flowers, insects and acorns and in th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/linnamast-napkin-with-a-flower-pattern-and-the-alliance-weapon-inn-und-zu-kniphausen-van-ewsum-anonymous-c-1667-c-1700-napkin-from-linnamast-with-thrown-flowers-insects-and-acorns-and-in-the-middle-the-coat-of-arms-of-inn-and-zu-kniphausen-van-ewsum-the-running-edges-have-a-winding-flower-drink-with-grapes-and-birds-the-horizontal-edges-have-a-winding-flower-drink-and-the-corners-a-flower-branch-satin-5-binding-the-napkin-is-part-of-napkin-with-number-bk-1974-45-b-netherlands-possibly-linen-material-damask-napkin-from-linnamast-with-thrown-flowers-insects-and-acorns-and-in-th-image585893969.htmlRM2W15NMH–Linnamast napkin with a flower pattern and the alliance weapon Inn und Zu Kniphausen-van Ewsum, Anonymous, c. 1667 - c. 1700 Napkin from Linnamast with thrown flowers, insects and acorns and in the middle the coat of arms of Inn and Zu Kniphausen- van Ewsum. The running edges have a winding flower drink with grapes and birds, the horizontal edges have a winding flower drink and the corners a flower branch. Satin 5 Binding. The napkin is part of napkin with number BK-1974-45-B. Netherlands (possibly) linen (material) damask Napkin from Linnamast with thrown flowers, insects and acorns and in th
Napkin made of linen damask with a flower pattern and the alliance weapon Inn und Zu Kniphausen-Van Ewsum, Napkin made of linen damask with scattered flowers, insects and acorns and in the middle the coat of arms of Inn und Zu Kniphausen- Van Ewsum. The running edges have a winding flower line with grapes and birds, the horizontal edges have a winding flower line and the corners have a flower branch. Satin 5 binding, anonymous, Netherlands (possibly), c. 1667 - c. 1700, linen (material), damask, h 119.0 cm × w 84.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and ligh Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-made-of-linen-damask-with-a-flower-pattern-and-the-alliance-weapon-inn-und-zu-kniphausen-van-ewsum-napkin-made-of-linen-damask-with-scattered-flowers-insects-and-acorns-and-in-the-middle-the-coat-of-arms-of-inn-und-zu-kniphausen-van-ewsum-the-running-edges-have-a-winding-flower-line-with-grapes-and-birds-the-horizontal-edges-have-a-winding-flower-line-and-the-corners-have-a-flower-branch-satin-5-binding-anonymous-netherlands-possibly-c-1667-c-1700-linen-material-damask-h-1190-cm-w-840-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-ligh-image349955556.htmlRF2B99RTM–Napkin made of linen damask with a flower pattern and the alliance weapon Inn und Zu Kniphausen-Van Ewsum, Napkin made of linen damask with scattered flowers, insects and acorns and in the middle the coat of arms of Inn und Zu Kniphausen- Van Ewsum. The running edges have a winding flower line with grapes and birds, the horizontal edges have a winding flower line and the corners have a flower branch. Satin 5 binding, anonymous, Netherlands (possibly), c. 1667 - c. 1700, linen (material), damask, h 119.0 cm × w 84.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and ligh
Fragment (From an Orphrey Band). Italy. Date: 1401-1500. Dimensions: 38.2 x 16.9 cm (15 x 6 5/8 in.). Silk and gilt-animal-substrate-wrapped-linen, warp-float faced 4:1 satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-from-an-orphrey-band-italy-date-1401-1500-dimensions-382-x-169-cm-15-x-6-58-in-silk-and-gilt-animal-substrate-wrapped-linen-warp-float-faced-41-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-origin-italy-museum-the-chicago-art-institute-image239743305.htmlRMRX170W–Fragment (From an Orphrey Band). Italy. Date: 1401-1500. Dimensions: 38.2 x 16.9 cm (15 x 6 5/8 in.). Silk and gilt-animal-substrate-wrapped-linen, warp-float faced 4:1 satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute.
Banner. 1750–1850. China. Silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; and silk and silver-leaf-over-lacquered-paper strips, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; pieced; lin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banner-17501850-china-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-supplementary-patterning-wefts-and-self-patterning-ground-wefts-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-and-silk-and-silver-leaf-over-lacquered-paper-strips-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-supplementary-patterning-wefts-and-self-patterning-ground-wefts-pieced-lin-image337956472.htmlRM2AHR6X0–Banner. 1750–1850. China. Silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; and silk and silver-leaf-over-lacquered-paper strips, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; pieced; lin
Napkin with flower vase surrounded by lace pattern. Linen Damaken Napkin with Bleomenvaas surrounded by 'lace pattern'. Satin 5 binding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-flower-vase-surrounded-by-lace-pattern-linen-damaken-napkin-with-bleomenvaas-surrounded-by-lace-pattern-satin-5-binding-image432431524.htmlRM2G3EXR0–Napkin with flower vase surrounded by lace pattern. Linen Damaken Napkin with Bleomenvaas surrounded by 'lace pattern'. Satin 5 binding.
Fragment, 1525/75, Italy, Silk, satin weave with twill interlacings of secondary binding warps and patterning wefts, 44.5 x 55.1 cm (17 1/2 x 21 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-152575-italy-silk-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-patterning-wefts-445-x-551-cm-17-12-x-21-34-in-image328617380.htmlRM2A2HPR0–Fragment, 1525/75, Italy, Silk, satin weave with twill interlacings of secondary binding warps and patterning wefts, 44.5 x 55.1 cm (17 1/2 x 21 3/4 in
Fragment, 15th century, Andalucia, Spain, Andalucia, Silk and gilt-metal-strip-wrapped silk, satin weave with secondary binding warps and supplementary patterning wefts, 45.5 × 10.3 cm (17 7/8 × 4 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-15th-century-andalucia-spain-andalucia-silk-and-gilt-metal-strip-wrapped-silk-satin-weave-with-secondary-binding-warps-and-supplementary-patterning-wefts-455-103-cm-17-78-4-18-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349718367.htmlRF2B8Y19K–Fragment, 15th century, Andalucia, Spain, Andalucia, Silk and gilt-metal-strip-wrapped silk, satin weave with secondary binding warps and supplementary patterning wefts, 45.5 × 10.3 cm (17 7/8 × 4 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Panel. France. Date: 1707-1708. Dimensions: 186.2 × 55 cm (73 1/4 × 21 5/8 in.) Warp repeat: 70 cm (21 5/8 in.). Silk and silvered-metal-strip-wrapped silk, satin weave with twill interlacings of secondary binding warps and brocading and self-patterning ground wefts. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-france-date-1707-1708-dimensions-1862-55-cm-73-14-21-58-in-warp-repeat-70-cm-21-58-in-silk-and-silvered-metal-strip-wrapped-silk-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-brocading-and-self-patterning-ground-wefts-origin-france-museum-the-chicago-art-institute-image240110601.htmlRMRXHYEH–Panel. France. Date: 1707-1708. Dimensions: 186.2 × 55 cm (73 1/4 × 21 5/8 in.) Warp repeat: 70 cm (21 5/8 in.). Silk and silvered-metal-strip-wrapped silk, satin weave with twill interlacings of secondary binding warps and brocading and self-patterning ground wefts. Origin: France. Museum: The Chicago Art Institute.
Banner. 1750–1850. China. Silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; and silk and silver-leaf-over-lacquered-paper strips, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; pieced; lin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banner-17501850-china-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-supplementary-patterning-wefts-and-self-patterning-ground-wefts-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-and-silk-and-silver-leaf-over-lacquered-paper-strips-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-supplementary-patterning-wefts-and-self-patterning-ground-wefts-pieced-lin-image337944395.htmlRM2AHPKEK–Banner. 1750–1850. China. Silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; and silk and silver-leaf-over-lacquered-paper strips, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; pieced; lin
Napkin with the last supper. Napkin of Linnendamast with the last supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 binding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-the-last-supper-napkin-of-linnendamast-with-the-last-supper-with-christ-at-the-head-of-the-table-standing-edges-with-angels-upside-down-satin-5-binding-image432429330.htmlRM2G3ET0J–Napkin with the last supper. Napkin of Linnendamast with the last supper with Christ at the head of the table. Standing edges with angels (upside down). Satin 5 binding.
Fragment, 15th century, Andalucia, Spain, Andalucia, Silk and gilt-metal-strip-wrapped silk, satin weave with secondary binding warps and supplementary patterning wefts, 45.5 × 10.3 cm (17 7/8 × 4 1/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-15th-century-andalucia-spain-andalucia-silk-and-gilt-metal-strip-wrapped-silk-satin-weave-with-secondary-binding-warps-and-supplementary-patterning-wefts-455-103-cm-17-78-4-18-in-image328643988.htmlRM2A2K0N8–Fragment, 15th century, Andalucia, Spain, Andalucia, Silk and gilt-metal-strip-wrapped silk, satin weave with secondary binding warps and supplementary patterning wefts, 45.5 × 10.3 cm (17 7/8 × 4 1/8 in
Panel, Directoire Period, c. 1785, France, Lyon, France, Silk, satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts, 156.5 × 62.8 cm (61 5/8 × 24 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-directoire-period-c-1785-france-lyon-france-silk-satin-weave-with-plain-interlacings-of-secondary-binding-warps-and-self-patterning-ground-wefts-1565-628-cm-61-58-24-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349733056.htmlRF2B8YM28–Panel, Directoire Period, c. 1785, France, Lyon, France, Silk, satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts, 156.5 × 62.8 cm (61 5/8 × 24 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment (From an Orphrey Band). Italy. Date: 1501-1600. Dimensions: 46.5 × 23.2 cm (18 1/4 × 9 1/8 in.). Silk and gilt-animal-substrate-wrapped linen, warp-float faced 4:1 satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-from-an-orphrey-band-italy-date-1501-1600-dimensions-465-232-cm-18-14-9-18-in-silk-and-gilt-animal-substrate-wrapped-linen-warp-float-faced-41-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-origin-italy-museum-the-chicago-art-institute-image239830817.htmlRMRX56J9–Fragment (From an Orphrey Band). Italy. Date: 1501-1600. Dimensions: 46.5 × 23.2 cm (18 1/4 × 9 1/8 in.). Silk and gilt-animal-substrate-wrapped linen, warp-float faced 4:1 satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute.
Manchu. Thanka (Religious Picture). 1743–1744. China. Silk, slit tapestry weave with interlaced outlining wefts; painted details in colors, black, and with gold leaf; outer scroll top silk, warp-float faced 5 1 satin weave with supplementary patterning wefts and self-patterned by ground weft floats; scroll wrapper silk, warp-float faced 5 1 satin weave with 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts and self-patterned by main warp and ground weft floats; rayon and cotton ties; scroll wrapper lined with silk, warp-float faced 2 1 'S' twill weave sel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manchu-thanka-religious-picture-17431744-china-silk-slit-tapestry-weave-with-interlaced-outlining-wefts-painted-details-in-colors-black-and-with-gold-leaf-outer-scroll-top-silk-warp-float-faced-5-1-satin-weave-with-supplementary-patterning-wefts-and-self-patterned-by-ground-weft-floats-scroll-wrapper-silk-warp-float-faced-5-1-satin-weave-with-1-2-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-and-self-patterned-by-main-warp-and-ground-weft-floats-rayon-and-cotton-ties-scroll-wrapper-lined-with-silk-warp-float-faced-2-1-s-twill-weave-sel-image337932686.htmlRM2AHP4GE–Manchu. Thanka (Religious Picture). 1743–1744. China. Silk, slit tapestry weave with interlaced outlining wefts; painted details in colors, black, and with gold leaf; outer scroll top silk, warp-float faced 5 1 satin weave with supplementary patterning wefts and self-patterned by ground weft floats; scroll wrapper silk, warp-float faced 5 1 satin weave with 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts and self-patterned by main warp and ground weft floats; rayon and cotton ties; scroll wrapper lined with silk, warp-float faced 2 1 'S' twill weave sel
Linnendamast napkin with scattered flowers. White linen damask napkin with a pattern of scattered flowers and birds in edges. Satin 5 binding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/linnendamast-napkin-with-scattered-flowers-white-linen-damask-napkin-with-a-pattern-of-scattered-flowers-and-birds-in-edges-satin-5-binding-image432435549.htmlRM2G3F3XN–Linnendamast napkin with scattered flowers. White linen damask napkin with a pattern of scattered flowers and birds in edges. Satin 5 binding
Panel, Directoire Period, c. 1785, France, Lyon, France, Silk, satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts, 156.5 × 62.8 cm (61 5/8 × 24 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-directoire-period-c-1785-france-lyon-france-silk-satin-weave-with-plain-interlacings-of-secondary-binding-warps-and-self-patterning-ground-wefts-1565-628-cm-61-58-24-34-in-image328651913.htmlRM2A2KAT9–Panel, Directoire Period, c. 1785, France, Lyon, France, Silk, satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts, 156.5 × 62.8 cm (61 5/8 × 24 3/4 in
Ribbon, c. 1840/50, England, Silk, cotton, and gilt-metal-strip-wrapped cotton, warp-float faced 7:1 satin weave with secondary binding warps and supplementary brocading wefts, and extended weft cut fringe, 5.1 × 91.5 cm (2 × 36 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ribbon-c-184050-england-silk-cotton-and-gilt-metal-strip-wrapped-cotton-warp-float-faced-71-satin-weave-with-secondary-binding-warps-and-supplementary-brocading-wefts-and-extended-weft-cut-fringe-51-915-cm-2-36-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349746721.htmlRF2B909E9–Ribbon, c. 1840/50, England, Silk, cotton, and gilt-metal-strip-wrapped cotton, warp-float faced 7:1 satin weave with secondary binding warps and supplementary brocading wefts, and extended weft cut fringe, 5.1 × 91.5 cm (2 × 36 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment. Egypt. Date: 1367-1400. Dimensions: 30 × 32 cm (11 3/4 × 12 5/8 in.) Repeat: 15.8 × 11.3 cm (6 1/4 × 4 1/2 in.). Silk, satin weave with plain interlacings of secondary binding warps and patterning wefts. Origin: Egypt. Museum: The Chicago Art Institute. Author: Islamic. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-egypt-date-1367-1400-dimensions-30-32-cm-11-34-12-58-in-repeat-158-113-cm-6-14-4-12-in-silk-satin-weave-with-plain-interlacings-of-secondary-binding-warps-and-patterning-wefts-origin-egypt-museum-the-chicago-art-institute-author-islamic-image239741852.htmlRMRX1550–Fragment. Egypt. Date: 1367-1400. Dimensions: 30 × 32 cm (11 3/4 × 12 5/8 in.) Repeat: 15.8 × 11.3 cm (6 1/4 × 4 1/2 in.). Silk, satin weave with plain interlacings of secondary binding warps and patterning wefts. Origin: Egypt. Museum: The Chicago Art Institute. Author: Islamic.
Valance. 1799. China. Top cotton, plain weave; block printed; narrow band silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; upper and lower panels silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; outer bands silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, dovetailed tapestry weave; ribbon silk, plain weave with supplementary patterning warps; outer edging silk, warp-float faced 4 1 satin weave; lined wi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valance-1799-china-top-cotton-plain-weave-block-printed-narrow-band-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-upper-and-lower-panels-silk-and-gold-leaf-over-lacquered-paper-strip-wrapped-silk-slit-tapestry-weave-with-interlaced-outlining-wefts-painted-details-outer-bands-silk-and-gold-leaf-over-lacquered-paper-strip-wrapped-silk-dovetailed-tapestry-weave-ribbon-silk-plain-weave-with-supplementary-patterning-warps-outer-edging-silk-warp-float-faced-4-1-satin-weave-lined-wi-image337960610.htmlRM2AHRC5P–Valance. 1799. China. Top cotton, plain weave; block printed; narrow band silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; upper and lower panels silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; outer bands silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, dovetailed tapestry weave; ribbon silk, plain weave with supplementary patterning warps; outer edging silk, warp-float faced 4 1 satin weave; lined wi
Napkin of white Linnendamast with the conquest of Lille by Eugenius from Savoy. Napkin of white Linnendamast with the conquest of Lille by Eugenius from Savoy. Satin 5 binding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-white-linnendamast-with-the-conquest-of-lille-by-eugenius-from-savoy-napkin-of-white-linnendamast-with-the-conquest-of-lille-by-eugenius-from-savoy-satin-5-binding-image432415764.htmlRM2G3E6M4–Napkin of white Linnendamast with the conquest of Lille by Eugenius from Savoy. Napkin of white Linnendamast with the conquest of Lille by Eugenius from Savoy. Satin 5 binding
Ribbon, c. 1840/50, England, Silk, cotton, and gilt-metal-strip-wrapped cotton, warp-float faced 7:1 satin weave with secondary binding warps and supplementary brocading wefts, and extended weft cut fringe, 5.1 × 91.5 cm (2 × 36 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ribbon-c-184050-england-silk-cotton-and-gilt-metal-strip-wrapped-cotton-warp-float-faced-71-satin-weave-with-secondary-binding-warps-and-supplementary-brocading-wefts-and-extended-weft-cut-fringe-51-915-cm-2-36-in-image328659316.htmlRM2A2KM8M–Ribbon, c. 1840/50, England, Silk, cotton, and gilt-metal-strip-wrapped cotton, warp-float faced 7:1 satin weave with secondary binding warps and supplementary brocading wefts, and extended weft cut fringe, 5.1 × 91.5 cm (2 × 36 in
Panel, 1775/1800, France, Silk, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in plain and twill interlacings (lampas), two loom widths joined, 258.5 × 130.7 cm (101 3/4 × 51 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-17751800-france-silk-warp-float-faced-satin-weave-with-supplementary-patterning-wefts-tied-by-supplementary-binding-warps-in-plain-and-twill-interlacings-lampas-two-loom-widths-joined-2585-1307-cm-101-34-51-38-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349736743.htmlRF2B8YTNY–Panel, 1775/1800, France, Silk, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in plain and twill interlacings (lampas), two loom widths joined, 258.5 × 130.7 cm (101 3/4 × 51 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment. Italy. Date: 1601-1700. Dimensions: 22.4 x 13.2 cm (8 7/8 x 5 1/4 in.). Silk and gold gilt strip wound around silk fiber core, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in twill interlacing. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-italy-date-1601-1700-dimensions-224-x-132-cm-8-78-x-5-14-in-silk-and-gold-gilt-strip-wound-around-silk-fiber-core-warp-float-faced-satin-weave-with-supplementary-patterning-wefts-tied-by-supplementary-binding-warps-in-twill-interlacing-origin-italy-museum-the-chicago-art-institute-image240104716.htmlRMRXHM0C–Fragment. Italy. Date: 1601-1700. Dimensions: 22.4 x 13.2 cm (8 7/8 x 5 1/4 in.). Silk and gold gilt strip wound around silk fiber core, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in twill interlacing. Origin: Italy. Museum: The Chicago Art Institute.
Manchu. Empress' Jifu (Semiformal Court Robe). 1840–1860. China. Silk, warp-float faced 2 1 'S' twill weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gilt- and silvered-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeves silk, weft-float faced 1 5 and warp-float faced 2 1 twill damask weave; edging and closures silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manchu-empress-jifu-semiformal-court-robe-18401860-china-silk-warp-float-faced-2-1-s-twill-weave-embroidered-with-silk-gold-leaf-over-lacquered-paper-strip-wrapped-silk-and-gilt-and-silvered-metal-strip-wrapped-silk-in-knot-satin-and-stem-stitches-laid-work-and-couching-sleeves-silk-weft-float-faced-1-5-and-warp-float-faced-2-1-twill-damask-weave-edging-and-closures-silk-and-gold-leaf-over-lacquered-paper-strip-wrapped-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-z-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-lined-image337959717.htmlRM2AHRB1W–Manchu. Empress' Jifu (Semiformal Court Robe). 1840–1860. China. Silk, warp-float faced 2 1 'S' twill weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gilt- and silvered-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeves silk, weft-float faced 1 5 and warp-float faced 2 1 twill damask weave; edging and closures silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined
Napkin of white linen damast with pattern of putti with ornamental trossing and monogram in the corners. Napkin of white linen damast with pattern of putti with ornamental trossing and monogram in the corners. Satin 5 binding. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-white-linen-damast-with-pattern-of-putti-with-ornamental-trossing-and-monogram-in-the-corners-napkin-of-white-linen-damast-with-pattern-of-putti-with-ornamental-trossing-and-monogram-in-the-corners-satin-5-binding-image432441957.htmlRM2G3FC3H–Napkin of white linen damast with pattern of putti with ornamental trossing and monogram in the corners. Napkin of white linen damast with pattern of putti with ornamental trossing and monogram in the corners. Satin 5 binding.
Panel, 1775/1800, France, Silk, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in plain and twill interlacings (lampas), two loom widths joined, 258.5 × 130.7 cm (101 3/4 × 51 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-17751800-france-silk-warp-float-faced-satin-weave-with-supplementary-patterning-wefts-tied-by-supplementary-binding-warps-in-plain-and-twill-interlacings-lampas-two-loom-widths-joined-2585-1307-cm-101-34-51-38-in-image328654044.htmlRM2A2KDGC–Panel, 1775/1800, France, Silk, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in plain and twill interlacings (lampas), two loom widths joined, 258.5 × 130.7 cm (101 3/4 × 51 3/8 in
Orphrey Fragment, 1450/1500, Italy, Florence, Florence, Silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts, 22.5 × 27.4 cm (8 7/8 × 10 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orphrey-fragment-14501500-italy-florence-florence-silk-and-gilt-animal-substrate-wrapped-linen-warp-float-faced-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-brocading-wefts-225-274-cm-8-78-10-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349740894.htmlRF2B90226–Orphrey Fragment, 1450/1500, Italy, Florence, Florence, Silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts, 22.5 × 27.4 cm (8 7/8 × 10 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Panel. Italy. Date: 1575-1600. Dimensions: 52.2 x 55.5 cm (20 1/2 x 21 7/8 in.) Warp repeat: 45.8 cm (18 in.). Silk, satin damask weave with warp-float faced 2:1 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-italy-date-1575-1600-dimensions-522-x-555-cm-20-12-x-21-78-in-warp-repeat-458-cm-18-in-silk-satin-damask-weave-with-warp-float-faced-21-z-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-origin-italy-museum-the-chicago-art-institute-image239840185.htmlRMRX5JGW–Panel. Italy. Date: 1575-1600. Dimensions: 52.2 x 55.5 cm (20 1/2 x 21 7/8 in.) Warp repeat: 45.8 cm (18 in.). Silk, satin damask weave with warp-float faced 2:1 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute.
Valance. 1750–1850. China. Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 4 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; silk, warp-float f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valance-17501850-china-silk-and-gold-leaf-over-lacquered-paper-strips-warp-float-faced-4-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-supplementary-patterning-wefts-and-self-patterning-ground-wefts-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-supplementary-patterning-wefts-and-self-patterning-ground-wefts-silk-warp-float-faced-5-1-satin-weave-with-weft-float-faced-1-2-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-silk-warp-float-f-image337997850.htmlRM2AHW3KP–Valance. 1750–1850. China. Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 4 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; silk, warp-float faced 5 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; silk, warp-float f
Napkin with floral pattern and weapons of 'ten hove and from beber'. White linen damask napkin with symmetrically mirrored flower pattern and in the four corners of 'ten hove and from beber'. Satin 5 binding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-with-floral-pattern-and-weapons-of-ten-hove-and-from-beber-white-linen-damask-napkin-with-symmetrically-mirrored-flower-pattern-and-in-the-four-corners-of-ten-hove-and-from-beber-satin-5-binding-image432437458.htmlRM2G3F6AX–Napkin with floral pattern and weapons of 'ten hove and from beber'. White linen damask napkin with symmetrically mirrored flower pattern and in the four corners of 'ten hove and from beber'. Satin 5 binding
Orphrey Fragment, 1450/1500, Italy, Florence, Florence, Silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts, 22.5 × 27.4 cm (8 7/8 × 10 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orphrey-fragment-14501500-italy-florence-florence-silk-and-gilt-animal-substrate-wrapped-linen-warp-float-faced-satin-weave-with-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-brocading-wefts-225-274-cm-8-78-10-34-in-image328656384.htmlRM2A2KGG0–Orphrey Fragment, 1450/1500, Italy, Florence, Florence, Silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts, 22.5 × 27.4 cm (8 7/8 × 10 3/4 in
Panel, c. 1770, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, France, Silk, satin weave with brocading wefts and plain interlacing of secondary binding warps and self-patterning ground wefts, 205.1 × 54.2 cm (80 3/4 × 21 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-c-1770-designed-by-philippe-de-lasalle-french-172318035-france-lyon-france-silk-satin-weave-with-brocading-wefts-and-plain-interlacing-of-secondary-binding-warps-and-self-patterning-ground-wefts-2051-542-cm-80-34-21-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349733732.htmlRF2B8YMXC–Panel, c. 1770, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, France, Silk, satin weave with brocading wefts and plain interlacing of secondary binding warps and self-patterning ground wefts, 205.1 × 54.2 cm (80 3/4 × 21 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Border. Italy. Date: 1401-1500. Dimensions: 11.6 x 27.1 cm (4 1/2 x 10 5/8 in.). Silk, gold gilt strip wound around linen fiber core, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in twill interlacing. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/border-italy-date-1401-1500-dimensions-116-x-271-cm-4-12-x-10-58-in-silk-gold-gilt-strip-wound-around-linen-fiber-core-warp-float-faced-satin-weave-with-supplementary-patterning-wefts-tied-by-supplementary-binding-warps-in-twill-interlacing-origin-italy-museum-the-chicago-art-institute-image239829891.htmlRMRX55D7–Border. Italy. Date: 1401-1500. Dimensions: 11.6 x 27.1 cm (4 1/2 x 10 5/8 in.). Silk, gold gilt strip wound around linen fiber core, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in twill interlacing. Origin: Italy. Museum: The Chicago Art Institute.
Napkin of Linnendamast with a flower pattern. Napkin of Linnendamast with volutes and scattered flowers. Satin 5 binding. The napkin belongs to seven napkins (BK-1973-162-A to BK-1973-162-H) and a tablecloth (BK-1973-161). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-linnendamast-with-a-flower-pattern-napkin-of-linnendamast-with-volutes-and-scattered-flowers-satin-5-binding-the-napkin-belongs-to-seven-napkins-bk-1973-162-a-to-bk-1973-162-h-and-a-tablecloth-bk-1973-161-image432429789.htmlRM2G3ETH1–Napkin of Linnendamast with a flower pattern. Napkin of Linnendamast with volutes and scattered flowers. Satin 5 binding. The napkin belongs to seven napkins (BK-1973-162-A to BK-1973-162-H) and a tablecloth (BK-1973-161).
Fragment (From an Orphrey Band), 15th century, Italy, Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts, 30.5 x 50.5 cm (12 x 19 7/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-from-an-orphrey-band-15th-century-italy-silk-warp-float-faced-41-satin-weave-with-weft-float-faced-13-z-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-305-x-505-cm-12-x-19-78-in-image328616787.htmlRM2A2HP1R–Fragment (From an Orphrey Band), 15th century, Italy, Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts, 30.5 x 50.5 cm (12 x 19 7/8 in
Fragment, Late 14th/15th century, Italy, Silk, gilt-animal-substrate-wrapped linen, warp-float faced 4:1 satin weave with supplementary patterning wefts bound by secondary binding warps in twill interlacings, 49.5 x 21 cm (19 1/2 x 8 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-late-14th15th-century-italy-silk-gilt-animal-substrate-wrapped-linen-warp-float-faced-41-satin-weave-with-supplementary-patterning-wefts-bound-by-secondary-binding-warps-in-twill-interlacings-495-x-21-cm-19-12-x-8-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349722113.htmlRF2B8Y63D–Fragment, Late 14th/15th century, Italy, Silk, gilt-animal-substrate-wrapped linen, warp-float faced 4:1 satin weave with supplementary patterning wefts bound by secondary binding warps in twill interlacings, 49.5 x 21 cm (19 1/2 x 8 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment. Spain. Date: 1401-1500. Dimensions: 51.5 x 18.6 cm (20 1/4 x 7 5/8 in.) Warp repeat: 17.8 cm (7 in.). Silk, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts. Origin: Spain. Museum: The Chicago Art Institute. Author: Islamic. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-spain-date-1401-1500-dimensions-515-x-186-cm-20-14-x-7-58-in-warp-repeat-178-cm-7-in-silk-warp-float-faced-41-satin-weave-with-plain-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-origin-spain-museum-the-chicago-art-institute-author-islamic-image239740987.htmlRMRX1423–Fragment. Spain. Date: 1401-1500. Dimensions: 51.5 x 18.6 cm (20 1/4 x 7 5/8 in.) Warp repeat: 17.8 cm (7 in.). Silk, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts. Origin: Spain. Museum: The Chicago Art Institute. Author: Islamic.
Napkin of Linnendamast with allegory at the relievance of Grave in 1674 by Stadholder Willem III. Napkin of Linnendamast with allegory at the relievance of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and lying edges with weapons. Satin 5 binding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-linnendamast-with-allegory-at-the-relievance-of-grave-in-1674-by-stadholder-willem-iii-napkin-of-linnendamast-with-allegory-at-the-relievance-of-grave-in-1674-by-stadholder-willem-iii-with-woven-text-standing-edges-and-lying-edges-with-weapons-satin-5-binding-image432432230.htmlRM2G3EYM6–Napkin of Linnendamast with allegory at the relievance of Grave in 1674 by Stadholder Willem III. Napkin of Linnendamast with allegory at the relievance of Grave in 1674 by Stadholder Willem III. With woven text. Standing edges and lying edges with weapons. Satin 5 binding
Panel, c. 1770, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, France, Silk, satin weave with brocading wefts and plain interlacing of secondary binding warps and self-patterning ground wefts, 205.1 × 54.2 cm (80 3/4 × 21 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-c-1770-designed-by-philippe-de-lasalle-french-172318035-france-lyon-france-silk-satin-weave-with-brocading-wefts-and-plain-interlacing-of-secondary-binding-warps-and-self-patterning-ground-wefts-2051-542-cm-80-34-21-14-in-image328652181.htmlRM2A2KB5W–Panel, c. 1770, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, France, Silk, satin weave with brocading wefts and plain interlacing of secondary binding warps and self-patterning ground wefts, 205.1 × 54.2 cm (80 3/4 × 21 1/4 in
Cushion, Qing dynasty (1644– 1911), late 19th century, China, Silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts, 4.9 × 49.2 × 40.8 cm (2 × 19 3/8 × 16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cushion-qing-dynasty-1644-1911-late-19th-century-china-silk-warp-float-faced-51-satin-weave-with-weft-float-faced-12-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-self-patterning-ground-wefts-49-492-408-cm-2-19-38-16-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349747493.htmlRF2B90ADW–Cushion, Qing dynasty (1644– 1911), late 19th century, China, Silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts, 4.9 × 49.2 × 40.8 cm (2 × 19 3/8 × 16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Kesa. Japan. Date: 1801-1825. Dimensions: 141.3 x 351.4 cm (55 5/8 x 138 3/8 in.). Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kesa-japan-date-1801-1825-dimensions-1413-x-3514-cm-55-58-x-138-38-in-silk-warp-float-faced-41-satin-weave-with-weft-float-faced-13-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-lined-with-silk-plain-weave-origin-japan-museum-the-chicago-art-institute-image240168459.htmlRMRXMH8Y–Kesa. Japan. Date: 1801-1825. Dimensions: 141.3 x 351.4 cm (55 5/8 x 138 3/8 in.). Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave. Origin: Japan. Museum: The Chicago Art Institute.
Napkin of Linnendamast with a flower pattern and the Alliance Wapen Inn und Zu Kniphausen-from EWSUM. Napkin of Linnendamast with scattered flowers, insects and acorns and in the middle the coat of arms of Inn und Zu Kniphausen- of EWSUM. The running edges have a winding floral drink with grapes and birds, the landed edges have a winding floral rank and the corners a flower branch. Satin 5 binding. The napkin belongs to napkin with number BK-1974-45-b. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napkin-of-linnendamast-with-a-flower-pattern-and-the-alliance-wapen-inn-und-zu-kniphausen-from-ewsum-napkin-of-linnendamast-with-scattered-flowers-insects-and-acorns-and-in-the-middle-the-coat-of-arms-of-inn-und-zu-kniphausen-of-ewsum-the-running-edges-have-a-winding-floral-drink-with-grapes-and-birds-the-landed-edges-have-a-winding-floral-rank-and-the-corners-a-flower-branch-satin-5-binding-the-napkin-belongs-to-napkin-with-number-bk-1974-45-b-image432438133.htmlRM2G3F771–Napkin of Linnendamast with a flower pattern and the Alliance Wapen Inn und Zu Kniphausen-from EWSUM. Napkin of Linnendamast with scattered flowers, insects and acorns and in the middle the coat of arms of Inn und Zu Kniphausen- of EWSUM. The running edges have a winding floral drink with grapes and birds, the landed edges have a winding floral rank and the corners a flower branch. Satin 5 binding. The napkin belongs to napkin with number BK-1974-45-b.
Fragment silk satin with flowers on a green ground. A fragment of green silk tissue with white flowers, on which rosettes and flowers of light and dark brown. Note: Self side; 5 mm, 4-dr smooth binding the rest satin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-silk-satin-with-flowers-on-a-green-ground-a-fragment-of-green-silk-tissue-with-white-flowers-on-which-rosettes-and-flowers-of-light-and-dark-brown-note-self-side-5-mm-4-dr-smooth-binding-the-rest-satin-image432803883.htmlRM2G43WNF–Fragment silk satin with flowers on a green ground. A fragment of green silk tissue with white flowers, on which rosettes and flowers of light and dark brown. Note: Self side; 5 mm, 4-dr smooth binding the rest satin.
Fragment, Late 14th/15th century, Italy, Silk, gilt-animal-substrate-wrapped linen, warp-float faced 4:1 satin weave with supplementary patterning wefts bound by secondary binding warps in twill interlacings, 49.5 x 21 cm (19 1/2 x 8 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-late-14th15th-century-italy-silk-gilt-animal-substrate-wrapped-linen-warp-float-faced-41-satin-weave-with-supplementary-patterning-wefts-bound-by-secondary-binding-warps-in-twill-interlacings-495-x-21-cm-19-12-x-8-14-in-image328645832.htmlRM2A2K334–Fragment, Late 14th/15th century, Italy, Silk, gilt-animal-substrate-wrapped linen, warp-float faced 4:1 satin weave with supplementary patterning wefts bound by secondary binding warps in twill interlacings, 49.5 x 21 cm (19 1/2 x 8 1/4 in
Cushion, Qing dynasty (1644– 1911), late 19th century, China, Silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts, 5.0 × 50.0 × 46 cm (2 × 19 5/8 × 18 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cushion-qing-dynasty-1644-1911-late-19th-century-china-silk-warp-float-faced-51-satin-weave-with-weft-float-faced-12-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-self-patterning-ground-wefts-50-500-46-cm-2-19-58-18-18-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349747488.htmlRF2B90ADM–Cushion, Qing dynasty (1644– 1911), late 19th century, China, Silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts, 5.0 × 50.0 × 46 cm (2 × 19 5/8 × 18 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fragment. Egypt. Date: 1301-1500. Dimensions: 20.8 × 38.2 cm (8 1/4 × 15 in.) Weft repeat: 14.2 cm (5 5/8 in.). Silk, warp-float faced 4:1 satin weave with supplementary patterning wefts bound by secondary binding warps in plain interlacings. Origin: Egypt. Museum: The Chicago Art Institute. Author: Islamic. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-egypt-date-1301-1500-dimensions-208-382-cm-8-14-15-in-weft-repeat-142-cm-5-58-in-silk-warp-float-faced-41-satin-weave-with-supplementary-patterning-wefts-bound-by-secondary-binding-warps-in-plain-interlacings-origin-egypt-museum-the-chicago-art-institute-author-islamic-image239826950.htmlRMRX51M6–Fragment. Egypt. Date: 1301-1500. Dimensions: 20.8 × 38.2 cm (8 1/4 × 15 in.) Weft repeat: 14.2 cm (5 5/8 in.). Silk, warp-float faced 4:1 satin weave with supplementary patterning wefts bound by secondary binding warps in plain interlacings. Origin: Egypt. Museum: The Chicago Art Institute. Author: Islamic.
Fragment, c. 1712/15, France, Silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with secondary binding warps tying supplementary brocading wefts and two-color complementary ground wefts in twill interlacings, 82.5 × 27.7 cm (32 1/2 × 10 7/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-c-171215-france-silk-and-gilt-and-silvered-metal-strip-wrapped-silk-warp-float-faced-41-satin-weave-with-secondary-binding-warps-tying-supplementary-brocading-wefts-and-two-color-complementary-ground-wefts-in-twill-interlacings-825-277-cm-32-12-10-78-in-image328617325.htmlRM2A2HPN1–Fragment, c. 1712/15, France, Silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with secondary binding warps tying supplementary brocading wefts and two-color complementary ground wefts in twill interlacings, 82.5 × 27.7 cm (32 1/2 × 10 7/8 in
Panel (Dress Fabric), c. 1718/19, France, Silk, gilt-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with secondary binding warps tying supplementary patterning wefts, supplementary brocading wefts, and self-patterning ground wefts in 3:1 and 2:2 twill interlacing, 247.5 × 52.3 cm (97 3/8 × 20 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-dress-fabric-c-171819-france-silk-gilt-metal-strip-wrapped-silk-warp-float-faced-71-satin-weave-with-secondary-binding-warps-tying-supplementary-patterning-wefts-supplementary-brocading-wefts-and-self-patterning-ground-wefts-in-31-and-22-twill-interlacing-2475-523-cm-97-38-20-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349727426.htmlRF2B8YCW6–Panel (Dress Fabric), c. 1718/19, France, Silk, gilt-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with secondary binding warps tying supplementary patterning wefts, supplementary brocading wefts, and self-patterning ground wefts in 3:1 and 2:2 twill interlacing, 247.5 × 52.3 cm (97 3/8 × 20 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Border. France. Date: 1804-1814. Dimensions: 140.9 × 13 cm (55 1/2 × 5 1/8 in.) Warp repeat: 23.5 cm (9 1/4 in.). Silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/border-france-date-1804-1814-dimensions-1409-13-cm-55-12-5-18-in-warp-repeat-235-cm-9-14-in-silk-warp-float-faced-41-satin-weave-with-weft-float-faced-31-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-origin-france-museum-the-chicago-art-institute-image240153621.htmlRMRXKXB1–Border. France. Date: 1804-1814. Dimensions: 140.9 × 13 cm (55 1/2 × 5 1/8 in.) Warp repeat: 23.5 cm (9 1/4 in.). Silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: France. Museum: The Chicago Art Institute.
Cushion, Qing dynasty (1644– 1911), late 19th century, China, Silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts, 4.9 × 49.2 × 40.8 cm (2 × 19 3/8 × 16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cushion-qing-dynasty-1644-1911-late-19th-century-china-silk-warp-float-faced-51-satin-weave-with-weft-float-faced-12-s-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-self-patterning-ground-wefts-49-492-408-cm-2-19-38-16-in-image328659756.htmlRM2A2KMTC–Cushion, Qing dynasty (1644– 1911), late 19th century, China, Silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning and self-patterning ground wefts, 4.9 × 49.2 × 40.8 cm (2 × 19 3/8 × 16 in
Panel, 1750/75, France, Silk, satin weave with plain interlacings of secondary binding warps and ground wefts, moiré, 108.3 × 49.9 cm (42 5/8 × 19 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-175075-france-silk-satin-weave-with-plain-interlacings-of-secondary-binding-warps-and-ground-wefts-moir-1083-499-cm-42-58-19-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349733785.htmlRF2B8YN09–Panel, 1750/75, France, Silk, satin weave with plain interlacings of secondary binding warps and ground wefts, moiré, 108.3 × 49.9 cm (42 5/8 × 19 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Border. France. Date: 1801-1825. Dimensions: 95.6 × 9 cm (37 5/8 × 3 1/2 in.) Warp repeat: 39.8 cm (15 5/8 in.). Silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/border-france-date-1801-1825-dimensions-956-9-cm-37-58-3-12-in-warp-repeat-398-cm-15-58-in-silk-warp-float-faced-41-satin-weave-with-weft-float-faced-31-twill-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-origin-france-museum-the-chicago-art-institute-image240143209.htmlRMRXKD35–Border. France. Date: 1801-1825. Dimensions: 95.6 × 9 cm (37 5/8 × 3 1/2 in.) Warp repeat: 39.8 cm (15 5/8 in.). Silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: France. Museum: The Chicago Art Institute.
Search Results for Satin 5 binding Stock Photos and Images (239)
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