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Saint luke manuscript Stock Photos and Images

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Saint luke manuscript Stock Photos and Images

Workshop of the Master of the First Prayer Book of Maximilian, Saint Luke, illuminated manuscript in tempera, gold and ink, 1510-1520 Stock Photo
RM2R7DKXH–Workshop of the Master of the First Prayer Book of Maximilian, Saint Luke, illuminated manuscript in tempera, gold and ink, 1510-1520
Armenian Christian illustrated manuscript showing the Gospel of Saint Luke; 14th century Stock Photo
RMMR5F1H–Armenian Christian illustrated manuscript showing the Gospel of Saint Luke; 14th century
Evangelists Matthew, Mark, Luke, and John depicted in a Greek miniature from the 11th century. Color lithograph reproduction Stock Photo
RMDC8D02–Evangelists Matthew, Mark, Luke, and John depicted in a Greek miniature from the 11th century. Color lithograph reproduction
Full-page portrait of Saint Luke, in gold frame on purple background, from Medieval manuscript, 1843. Stock Photo
RMK154WM–Full-page portrait of Saint Luke, in gold frame on purple background, from Medieval manuscript, 1843.
Saint Luke Breviary for Paris, folio 418 Early 14th century manuscript Parchment Stock Photo
RMGG2HJ6–Saint Luke Breviary for Paris, folio 418 Early 14th century manuscript Parchment
Black and White Illustration of Saint Luke from the illuminated manuscript of the Gospel of St Augustine Stock Photo
RMBNXTDH–Black and White Illustration of Saint Luke from the illuminated manuscript of the Gospel of St Augustine
Saint Luke's Birth of Christ, manuscript from New Testament Stock Photo
RMBNF5H9–Saint Luke's Birth of Christ, manuscript from New Testament
Initial page of the Gospel of St. Luke. Dated 1000 AD Stock Photo
RMTXGGGN–Initial page of the Gospel of St. Luke. Dated 1000 AD
Medieval illustration of Saint Luke from Gospel book of St Margaret, Queen of Scotland. Stock Photo
RMHA5TXN–Medieval illustration of Saint Luke from Gospel book of St Margaret, Queen of Scotland.
Illuminated Manuscript, Gospels, This illuminated and illustrated Arabic manuscript of the Gospels by Matthew (Mattá), Mark (Marquṣ), Luke (Lūqā), and John (Yūḥannā) was copied in Egypt by Ilyās Bāsim Khūrī Bazzī Rāhib, who was most likely a Coptic monk, in Anno Mundi 7192 / 1684 CE. The text is written in naskh in black ink with rubrics in red. The beheading of St. John the Baptist Stock Photo
RM2T8YXJH–Illuminated Manuscript, Gospels, This illuminated and illustrated Arabic manuscript of the Gospels by Matthew (Mattá), Mark (Marquṣ), Luke (Lūqā), and John (Yūḥannā) was copied in Egypt by Ilyās Bāsim Khūrī Bazzī Rāhib, who was most likely a Coptic monk, in Anno Mundi 7192 / 1684 CE. The text is written in naskh in black ink with rubrics in red. The beheading of St. John the Baptist
Bible of Charles the Bald (823-877). Life of St Jerome. Top; leaves Rome for Jerusalem. Middle; In discussion with Saints Paul and Eustogine, behind is Saint Luke and two scribes. Bottom; Distributes copies of his translation of the Bible (The Vulgate) to monks. 9th century manuscript. Bibliotheque Nationale, Paris. Stock Photo
RMD960CF–Bible of Charles the Bald (823-877). Life of St Jerome. Top; leaves Rome for Jerusalem. Middle; In discussion with Saints Paul and Eustogine, behind is Saint Luke and two scribes. Bottom; Distributes copies of his translation of the Bible (The Vulgate) to monks. 9th century manuscript. Bibliotheque Nationale, Paris.
The Temple of Jerusalem with columns and drapes. Four allegorial evangelists at top: angel Matthew, bull Luke, lion Mark, and eagle John. Figure de l'Eglise, France, VIIIe siecle. Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after an illustration by Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2T68TE0–The Temple of Jerusalem with columns and drapes. Four allegorial evangelists at top: angel Matthew, bull Luke, lion Mark, and eagle John. Figure de l'Eglise, France, VIIIe siecle. Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after an illustration by Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
The Temple of Jerusalem with columns and drapes. Four allegorial evangelists at top: angel Matthew, bull Luke, lion Mark, and eagle John. Figure de l'Eglise, France, VIIIe siecle. Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after an illustration by Mathieu from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2M07W9G–The Temple of Jerusalem with columns and drapes. Four allegorial evangelists at top: angel Matthew, bull Luke, lion Mark, and eagle John. Figure de l'Eglise, France, VIIIe siecle. Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after an illustration by Mathieu from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Initial page of the Gospel of St. Luke. Dated 1000 AD Stock Photo
RMF7PK8E–Initial page of the Gospel of St. Luke. Dated 1000 AD
Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel), 1378. Stock Photo
RMR8D5DJ–Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel), 1378.
. English: Luke the Evangelist depicted in the Evangelion from the 11th century. This is a illustration from an illuminated manuscript. The manuscript is now in National and University Library in Zagreb. 19 January 2014, 13:36:53. A monk, whose name is unknown 1084 Saint Luke Zagreb Gospel Book Stock Photo
RMMP56TW–. English: Luke the Evangelist depicted in the Evangelion from the 11th century. This is a illustration from an illuminated manuscript. The manuscript is now in National and University Library in Zagreb. 19 January 2014, 13:36:53. A monk, whose name is unknown 1084 Saint Luke Zagreb Gospel Book
Evangelists. Octateuch, Four Gospels and Synodicon. Gondar, late 17th century. Image of Saint Luke and Saint John the Evangelists. Parchment manuscript. Image taken from Octateuch, Four Gospels and Synodicon. Originally published/produced in Gondar, late 17th century. . Source: Or. 481, f.125v. Language: Ethiopic. Stock Photo
RMR5AP6K–Evangelists. Octateuch, Four Gospels and Synodicon. Gondar, late 17th century. Image of Saint Luke and Saint John the Evangelists. Parchment manuscript. Image taken from Octateuch, Four Gospels and Synodicon. Originally published/produced in Gondar, late 17th century. . Source: Or. 481, f.125v. Language: Ethiopic.
Scenes from the life of St Jerome, from the Bible of Charles the Bald, 9th century. Artist: Unknown Stock Photo
RMAJ7TME–Scenes from the life of St Jerome, from the Bible of Charles the Bald, 9th century. Artist: Unknown
Altar Cross. 1320–1330. Brunswick. Silver gilt over a wooden core; foot copper gilt This silver-gilt cross with the figure of the crucified Christ was meant to be placed on an altar. Each arm of the cross terminates with a roundel containing the symbols of the four Evangelists the angel for Saint Matthew, the lion for Saint Mark, the ox for Saint Luke, and the eagle for Saint John the Evangelist. These four images were cast from the same molds used for the Evangelist symbols that decorate a silver book cover made for a liturgical manuscript written in 1326, now housed in the Kunstgewerbemuseum Stock Photo
RM2AHW22J–Altar Cross. 1320–1330. Brunswick. Silver gilt over a wooden core; foot copper gilt This silver-gilt cross with the figure of the crucified Christ was meant to be placed on an altar. Each arm of the cross terminates with a roundel containing the symbols of the four Evangelists the angel for Saint Matthew, the lion for Saint Mark, the ox for Saint Luke, and the eagle for Saint John the Evangelist. These four images were cast from the same molds used for the Evangelist symbols that decorate a silver book cover made for a liturgical manuscript written in 1326, now housed in the Kunstgewerbemuseum
Footprints of the Apostles, as traced by Saint Luke in the Acts - being sixty portions for private study and instruction in church (1897) Stock Photo
RMFTG6KX–Footprints of the Apostles, as traced by Saint Luke in the Acts - being sixty portions for private study and instruction in church (1897)
Beginning of the Book of Luke, Lindisfarne Gospels, 1100s. Hand-colored woodcut Stock Photo
RMBG38HH–Beginning of the Book of Luke, Lindisfarne Gospels, 1100s. Hand-colored woodcut
Black and White Illustration; Lindisfarne Gospels; Illumination at Beginning of the Gospel According to Luke Stock Photo
RMBNXTPR–Black and White Illustration; Lindisfarne Gospels; Illumination at Beginning of the Gospel According to Luke
Saint Luke's Birth of Christ, manuscript from New Testament Stock Photo
RMBNF5HM–Saint Luke's Birth of Christ, manuscript from New Testament
Saint Luke from the Gospel book of saint Augustine Stock Photo
RMEDAP8D–Saint Luke from the Gospel book of saint Augustine
Illuminated Manuscript, Gospels, This illuminated and illustrated Arabic manuscript of the Gospels by Matthew (Mattá), Mark (Marquṣ), Luke (Lūqā), and John (Yūḥannā) was copied in Egypt by Ilyās Bāsim Khūrī Bazzī Rāhib, who was most likely a Coptic monk, in Anno Mundi 7192 / 1684 CE. The text is written in naskh in black ink with rubrics in red. The preaching of St John the Baptist Stock Photo
RM2T8YXPB–Illuminated Manuscript, Gospels, This illuminated and illustrated Arabic manuscript of the Gospels by Matthew (Mattá), Mark (Marquṣ), Luke (Lūqā), and John (Yūḥannā) was copied in Egypt by Ilyās Bāsim Khūrī Bazzī Rāhib, who was most likely a Coptic monk, in Anno Mundi 7192 / 1684 CE. The text is written in naskh in black ink with rubrics in red. The preaching of St John the Baptist
Illuminated initial letters showing end of 8th century French costume. Jesus Christ with evangelists Luke and Paul in Q, Annunciation scene with Mary and an angel in O. Initiales Historiees, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2T68D3R–Illuminated initial letters showing end of 8th century French costume. Jesus Christ with evangelists Luke and Paul in Q, Annunciation scene with Mary and an angel in O. Initiales Historiees, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Illuminated initial letters showing end of 8th century French costume. Jesus Christ with evangelists Luke and Paul in Q, Annunciation scene with Mary and an angel in O. Initiales Historiees, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2M07W9K–Illuminated initial letters showing end of 8th century French costume. Jesus Christ with evangelists Luke and Paul in Q, Annunciation scene with Mary and an angel in O. Initiales Historiees, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel), 1237. Stock Photo
RMR8D5E1–Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel), 1237.
. Saint Luke painting the Virgin, The British Library, London . circa 1465-70. Simon Marmion  (circa 1425–1489)   Alternative names Master of the St Bertin Altar; Simon Mormion; Master of the St Bertin Altar Marmion; Louthe Master; Louthe Master Marmion; Simone Marimion; Marmion Description French-Flemish manuscript illuminator and painter Date of birth/death circa 1425 24 December 1489 or 25 December 1489 Location of birth/death Amiens Valenciennes Work location Tournai, Valenciennes (1458-1489) Authority control : Q676247 VIAF: 79411629 ISNI: 0000 0003 8696 4881 ULAN: 500121728 LCC Stock Photo
RMMW0J7K–. Saint Luke painting the Virgin, The British Library, London . circa 1465-70. Simon Marmion  (circa 1425–1489)   Alternative names Master of the St Bertin Altar; Simon Mormion; Master of the St Bertin Altar Marmion; Louthe Master; Louthe Master Marmion; Simone Marimion; Marmion Description French-Flemish manuscript illuminator and painter Date of birth/death circa 1425 24 December 1489 or 25 December 1489 Location of birth/death Amiens Valenciennes Work location Tournai, Valenciennes (1458-1489) Authority control : Q676247 VIAF: 79411629 ISNI: 0000 0003 8696 4881 ULAN: 500121728 LCC
The four Evangelists. Mark, Matthew, Luke and John are depicted seated in front of a cradle copying their Gospels. Syriac Lectionary. Mosul (Iraq), 1216-1220. This manuscript contains passages from the Gospels in liturgical sequence that are used as readings in church services. Tempera on paper. Source: Add. 7170, f.7. Language: Syriac. Stock Photo
RMR513PM–The four Evangelists. Mark, Matthew, Luke and John are depicted seated in front of a cradle copying their Gospels. Syriac Lectionary. Mosul (Iraq), 1216-1220. This manuscript contains passages from the Gospels in liturgical sequence that are used as readings in church services. Tempera on paper. Source: Add. 7170, f.7. Language: Syriac.
Page of illuminated text from the Gospel of St Luke, c700. Artist: Unknown Stock Photo
RMW7DCK6–Page of illuminated text from the Gospel of St Luke, c700. Artist: Unknown
Saint Lukes Birth of Christ, from King James Bible, USA, New York, New York City, American Bible Society, 1611 A.D. Stock Photo
RMBM2PM7–Saint Lukes Birth of Christ, from King James Bible, USA, New York, New York City, American Bible Society, 1611 A.D.
Beginning of Saint Luke's Gospel, from the Lindisfarne Gospel. An illuminated manuscript gospel book produced around the year 70 Stock Photo
RMEDAP95–Beginning of Saint Luke's Gospel, from the Lindisfarne Gospel. An illuminated manuscript gospel book produced around the year 70
Illuminated Manuscript, Gospels, This illuminated and illustrated Arabic manuscript of the Gospels by Matthew (Mattá), Mark (Marquṣ), Luke (Lūqā), and John (Yūḥannā) was copied in Egypt by Ilyās Bāsim Khūrī Bazzī Rāhib, who was most likely a Coptic monk, in Anno Mundi 7192 / 1684 CE. The text is written in naskh in black ink with rubrics in red. Illuminated headpiece to the Gospel of St. Mark Stock Photo
RM2T8YXK4–Illuminated Manuscript, Gospels, This illuminated and illustrated Arabic manuscript of the Gospels by Matthew (Mattá), Mark (Marquṣ), Luke (Lūqā), and John (Yūḥannā) was copied in Egypt by Ilyās Bāsim Khūrī Bazzī Rāhib, who was most likely a Coptic monk, in Anno Mundi 7192 / 1684 CE. The text is written in naskh in black ink with rubrics in red. Illuminated headpiece to the Gospel of St. Mark
Luke the Evangelist, one of the four authors of the gospels, c.9-93 AD. Seated on a chair, right hand dipping a quill pen in an inkwell and left hand holding a book. Wearing late 8th century French costume. S. Luc Evangeliste, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2T6D342–Luke the Evangelist, one of the four authors of the gospels, c.9-93 AD. Seated on a chair, right hand dipping a quill pen in an inkwell and left hand holding a book. Wearing late 8th century French costume. S. Luc Evangeliste, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Luke the Evangelist, one of the four authors of the gospels, c.9-93 AD. Seated on a chair, right hand dipping a quill pen in an inkwell and left hand holding a book. Wearing late 8th century French costume. S. Luc Evangeliste, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2M07W9J–Luke the Evangelist, one of the four authors of the gospels, c.9-93 AD. Seated on a chair, right hand dipping a quill pen in an inkwell and left hand holding a book. Wearing late 8th century French costume. S. Luc Evangeliste, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel), 1270. Stock Photo
RMR8D5FG–Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel), 1270.
. Saint Luke painting the Virgin, The British Library, London . circa 1465-70. Simon Marmion  (circa 1425–1489)   Alternative names Master of the St Bertin Altar; Simon Mormion; Master of the St Bertin Altar Marmion; Louthe Master; Louthe Master Marmion; Simone Marimion; Marmion Description French-Flemish manuscript illuminator and painter Date of birth/death circa 1425 24 December 1489 or 25 December 1489 Location of birth/death Amiens Valenciennes Work location Tournai, Valenciennes (1458-1489) Authority control : Q676247 VIAF: 79411629 ISNI: 0000 0003 8696 4881 ULAN: 500121728 LCC Stock Photo
RMMY23ET–. Saint Luke painting the Virgin, The British Library, London . circa 1465-70. Simon Marmion  (circa 1425–1489)   Alternative names Master of the St Bertin Altar; Simon Mormion; Master of the St Bertin Altar Marmion; Louthe Master; Louthe Master Marmion; Simone Marimion; Marmion Description French-Flemish manuscript illuminator and painter Date of birth/death circa 1425 24 December 1489 or 25 December 1489 Location of birth/death Amiens Valenciennes Work location Tournai, Valenciennes (1458-1489) Authority control : Q676247 VIAF: 79411629 ISNI: 0000 0003 8696 4881 ULAN: 500121728 LCC
An illuminated portrait of St. Luke. Gospels. Eastern Mediterranean (Constantinople); 2nd half of the 10th century. Source: Burney 19, f.101v. Language: Greek. Stock Photo
RMR5G42N–An illuminated portrait of St. Luke. Gospels. Eastern Mediterranean (Constantinople); 2nd half of the 10th century. Source: Burney 19, f.101v. Language: Greek.
St Luke, 1010-1020. Artist: Unknown Stock Photo
RMW7DCAH–St Luke, 1010-1020. Artist: Unknown
Saint Luke's Gospel, from Great Bible, woodcut print, USA, New York, New York City, American Bible Society, 1541 A.D. Stock Photo
RMBNEAM9–Saint Luke's Gospel, from Great Bible, woodcut print, USA, New York, New York City, American Bible Society, 1541 A.D.
Amida Gospels, Portrait of the Evangelist Luke, This Gospel Book, with richly painted evangelist portraits, canon tables and marginal illuminations, was made in Armenia in the early seventeenth century. An extensive colophon reveals that it was commissioned by a woman named Napat' as a memorial for herself and her family, and the book was consequently given by her to the Church of Saint Sargis in Amida. The illuminator of the manuscript, Hovannes, was one of the most prolific among the artists and scribes at the Amida scriptorium. On the present codex he worked with the scribe Melk'on Stock Photo
RM2T903MH–Amida Gospels, Portrait of the Evangelist Luke, This Gospel Book, with richly painted evangelist portraits, canon tables and marginal illuminations, was made in Armenia in the early seventeenth century. An extensive colophon reveals that it was commissioned by a woman named Napat' as a memorial for herself and her family, and the book was consequently given by her to the Church of Saint Sargis in Amida. The illuminator of the manuscript, Hovannes, was one of the most prolific among the artists and scribes at the Amida scriptorium. On the present codex he worked with the scribe Melk'on
Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel). Museum: Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan. Author: Master of Codex Matenadaran. Stock Photo
RMRCWDWA–Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel). Museum: Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan. Author: Master of Codex Matenadaran.
Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel), 14th century. Stock Photo
RMR8D5FT–Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel), 14th century.
. Saint Luke painting the Virgin, The British Library, London . circa 1465-70. Simon Marmion  (circa 1425–1489)   Alternative names Master of the St Bertin Altar; Simon Mormion; Master of the St Bertin Altar Marmion; Louthe Master; Louthe Master Marmion; Simone Marimion; Marmion Description French-Flemish manuscript illuminator and painter Date of birth/death circa 1425 24 December 1489 or 25 December 1489 Location of birth/death Amiens Valenciennes Work location Tournai, Valenciennes (1458-1489) Authority control : Q676247 VIAF: 79411629 ISNI: 0000 0003 8696 4881 ULAN: 500121728 LCC Stock Photo
RMMWRCJ5–. Saint Luke painting the Virgin, The British Library, London . circa 1465-70. Simon Marmion  (circa 1425–1489)   Alternative names Master of the St Bertin Altar; Simon Mormion; Master of the St Bertin Altar Marmion; Louthe Master; Louthe Master Marmion; Simone Marimion; Marmion Description French-Flemish manuscript illuminator and painter Date of birth/death circa 1425 24 December 1489 or 25 December 1489 Location of birth/death Amiens Valenciennes Work location Tournai, Valenciennes (1458-1489) Authority control : Q676247 VIAF: 79411629 ISNI: 0000 0003 8696 4881 ULAN: 500121728 LCC
Miniature Excised from a Psalter: Christ in Majesty with Symbols of the Four Evangelists, c. 1235. Christ is seated within a cusped frame representing his aura. He is surrounded by the four "living creatures"---the gospel writers---as envisioned by Saint John in his Apocalypse: a winged man (St. Matthew), a lion (St. Mark), an ox (St. Luke), and an eagle (St. John). Stock Photo
RM2A51JAD–Miniature Excised from a Psalter: Christ in Majesty with Symbols of the Four Evangelists, c. 1235. Christ is seated within a cusped frame representing his aura. He is surrounded by the four "living creatures"---the gospel writers---as envisioned by Saint John in his Apocalypse: a winged man (St. Matthew), a lion (St. Mark), an ox (St. Luke), and an eagle (St. John).
Portrait of St Mark or St Luke, 800 AD, (20th century). Artist: Unknown Stock Photo
RMA4JJJJ–Portrait of St Mark or St Luke, 800 AD, (20th century). Artist: Unknown
St Luke writing his gospel. Gospels of St Luke and St John. E. Mediterranean; before 1189. Source: Add. 5112, f.3. Language: Greek. Author: Gregorios the monk. Stock Photo
RMR52C7H–St Luke writing his gospel. Gospels of St Luke and St John. E. Mediterranean; before 1189. Source: Add. 5112, f.3. Language: Greek. Author: Gregorios the monk.
Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel). Museum: Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan. Author: Master of Codex Matenadaran. Stock Photo
RMRCWH6N–Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel). Museum: Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan. Author: Master of Codex Matenadaran.
. Inicium sancti evangelii secundum Lucam Français : Saint Luc, miniature extraite des Grandes Heures d'Anne de Bretagne, Reine de France (1477-1514) English: Luke the Evangelist, miniature from the Grandes Heures of Anne of Brittany, Queen consort of France (1477-1514). . 8 February 2013, 16:27:15. Jean Bourdichon  (1457–1521)   Alternative names Jehan Bourdichon; Bourdichon Description French painter and manuscript illuminator Date of birth/death 1457 1521 Location of birth/death Tours Tours Authority control : Q348333 VIAF:?136965557 ISNI:?0000 0001 1821 7441 ULAN:?500004391 LCCN:? Stock Photo
RMMMY99T–. Inicium sancti evangelii secundum Lucam Français : Saint Luc, miniature extraite des Grandes Heures d'Anne de Bretagne, Reine de France (1477-1514) English: Luke the Evangelist, miniature from the Grandes Heures of Anne of Brittany, Queen consort of France (1477-1514). . 8 February 2013, 16:27:15. Jean Bourdichon  (1457–1521)   Alternative names Jehan Bourdichon; Bourdichon Description French painter and manuscript illuminator Date of birth/death 1457 1521 Location of birth/death Tours Tours Authority control : Q348333 VIAF:?136965557 ISNI:?0000 0001 1821 7441 ULAN:?500004391 LCCN:?
The Crucifixion: Miniature Excised from a Prayer Book, c. 1540-1550. The illuminator is unknown, but his style seems to conform to that known as "Antwerp Mannerism." It emerged among a group of Antwerp painters during the first half of the 1500s. Bolstered by its rich trade and cultural contacts, the port city of Antwerp attracted hundreds of artists-many of them from northern France, the Rhineland, and especially Holland-who joined the local painters’ Guild of Saint Luke, established large painting and sculpture workshops, and fed an expanding market for the production and ex Stock Photo
RM2A52EN0–The Crucifixion: Miniature Excised from a Prayer Book, c. 1540-1550. The illuminator is unknown, but his style seems to conform to that known as "Antwerp Mannerism." It emerged among a group of Antwerp painters during the first half of the 1500s. Bolstered by its rich trade and cultural contacts, the port city of Antwerp attracted hundreds of artists-many of them from northern France, the Rhineland, and especially Holland-who joined the local painters’ Guild of Saint Luke, established large painting and sculpture workshops, and fed an expanding market for the production and ex
Beginning of the Gospel of St Luke, with decorated headpiece. Gospels of Jacob of Serres. Serbia [Serres];1355. Source: Add. 39626, f.229. Language: Serbian. Stock Photo
RMR56GHM–Beginning of the Gospel of St Luke, with decorated headpiece. Gospels of Jacob of Serres. Serbia [Serres];1355. Source: Add. 39626, f.229. Language: Serbian.
Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel). Museum: Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan. Author: Master of Codex Matenadaran. Stock Photo
RMRDEE7P–Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel). Museum: Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan. Author: Master of Codex Matenadaran.
Single leaf with Saint Luke, late 14th century. Stock Photo
RM2T6CXMP–Single leaf with Saint Luke, late 14th century.
St Luke writing his Gospel . Psalter and Hours, Dominican use (the 'Prayerbook of Alphonso V of Aragon). 1436-1443. Source: Add. 28962, f.34v. Language: Latin. Stock Photo
RMR56XAA–St Luke writing his Gospel . Psalter and Hours, Dominican use (the 'Prayerbook of Alphonso V of Aragon). 1436-1443. Source: Add. 28962, f.34v. Language: Latin.
Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel). Museum: Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan. Author: Master of Codex Matenadaran. Stock Photo
RMRDD5WA–Saint Matthew the Evangelist (Manuscript illumination from the Matenadaran Gospel). Museum: Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan. Author: Master of Codex Matenadaran.
Manuscript Illumination with the Evangelist Luke, late 13th-early 14th century. Stock Photo
RM2AX1A8G–Manuscript Illumination with the Evangelist Luke, late 13th-early 14th century.
An illuminated portrait of St. Luke. Four Gospels (ff. 6v-288v), adapted for liturgical use, each preceded by a table of capitula. Eastern Mediterranean (Constantinople?); 1285. Source: Burney 20, f.142v. Language: Greek. Stock Photo
RMR5541F–An illuminated portrait of St. Luke. Four Gospels (ff. 6v-288v), adapted for liturgical use, each preceded by a table of capitula. Eastern Mediterranean (Constantinople?); 1285. Source: Burney 20, f.142v. Language: Greek.
Title Page of the Gospel of John. Dimensions: Page: H. 12 1/2 in. (31.7 cm) W. 9 1/4 in. (23.5cm) Mat: H. 19 3/16 in. (48.7 cm) W. 14 5/16 in. (36.4 cm). Illuminator: Sargis (active early 14th century). Date: 1300-1310. This richly decorated leaf emphasizes the Gospel of John as the summation of the four Gospels by including the symbols of the four evangelists--an angel for Saint Matthew, a lion for Saint Mark, an ox for Saint Luke, an eagle for Saint John--in the large first letter, or incipit, and in the elaborate headpiece over the text. Byzantine-style geometric patterns fill the rest Stock Photo
RMPB20Y3–Title Page of the Gospel of John. Dimensions: Page: H. 12 1/2 in. (31.7 cm) W. 9 1/4 in. (23.5cm) Mat: H. 19 3/16 in. (48.7 cm) W. 14 5/16 in. (36.4 cm). Illuminator: Sargis (active early 14th century). Date: 1300-1310. This richly decorated leaf emphasizes the Gospel of John as the summation of the four Gospels by including the symbols of the four evangelists--an angel for Saint Matthew, a lion for Saint Mark, an ox for Saint Luke, an eagle for Saint John--in the large first letter, or incipit, and in the elaborate headpiece over the text. Byzantine-style geometric patterns fill the rest
Saint Luke, fourth quarter 12th century. Stock Photo
RM2K09TMC–Saint Luke, fourth quarter 12th century.
Miniature of Luke with his symbol, the ox. Explication des actes des apôtres. France, Central (Paris); c. 1510. Source: Harley 4393, f.6v. Language: French. Stock Photo
RMR54J7H–Miniature of Luke with his symbol, the ox. Explication des actes des apôtres. France, Central (Paris); c. 1510. Source: Harley 4393, f.6v. Language: French.
Luke the Evangelist. Mstislav Gospel (Aprakos Gospel) of Grand Prince Mstislav I Vladimirovich the Great. Museum: State History Museum, Moscow. Author: Ancient Russian Art. Stock Photo
RMPP9WGK–Luke the Evangelist. Mstislav Gospel (Aprakos Gospel) of Grand Prince Mstislav I Vladimirovich the Great. Museum: State History Museum, Moscow. Author: Ancient Russian Art.
Manuscript Illumination with the Evangelist Luke, Byzantine, late 13th-early 14th century. Stock Photo
RM2D6D3K6–Manuscript Illumination with the Evangelist Luke, Byzantine, late 13th-early 14th century.
Incipit to St Luke's prologue. Initial 'L', St Luke writing on a scroll. Stavelot Bible. S. Netherlands [Stavelot]; between 1094 and 1097. Source: Add. 28107, f.161v. Language: Latin. Author: Godderanus. Ernesto. Stock Photo
RMR56HXF–Incipit to St Luke's prologue. Initial 'L', St Luke writing on a scroll. Stavelot Bible. S. Netherlands [Stavelot]; between 1094 and 1097. Source: Add. 28107, f.161v. Language: Latin. Author: Godderanus. Ernesto.
Acts and Epistles of the Apostles. Museum: State Russian Museum, St. Petersburg. Author: Russian master. Stock Photo
RMPP9W8Y–Acts and Epistles of the Apostles. Museum: State Russian Museum, St. Petersburg. Author: Russian master.
Saint Luke, c. 1425/1435. Stock Photo
RM2K09P75–Saint Luke, c. 1425/1435.
Portrait of the Evangelists Luke and John, the frontispiece to St John's Gospel. Octateuch, Four Gospels and Synodicon. Gondar, late 17th century. Source: Or. 481, f.145v. Language: Ethiopic. Stock Photo
RMR58T0H–Portrait of the Evangelists Luke and John, the frontispiece to St John's Gospel. Octateuch, Four Gospels and Synodicon. Gondar, late 17th century. Source: Or. 481, f.145v. Language: Ethiopic.
Matthew and the representatives of the twelve tribes of Israel (Gospels, formerly Dresden Ms. A 94). Museum: Russian State Archives of Ancient Documents (RGADA). Author: ANONYMOUS. Stock Photo
RMRCX9WT–Matthew and the representatives of the twelve tribes of Israel (Gospels, formerly Dresden Ms. A 94). Museum: Russian State Archives of Ancient Documents (RGADA). Author: ANONYMOUS.
Fol. 412v, Luke, historiated initial F, Luke praying at an altar, bust of God above, c. 1275-1300. Biblical manuscripts were highly prized and important possessions of churches, monasteries, cathedral schools, and universities throughout medieval Europe. The biblical texts were known as the vulgate, the translations made by Saint Jerome in the fourth century from Hebrew and Greek into Latin, which became the definitive and official Latin version of the Roman Church. In the 13th century, the bible was, for the first time, produced as a single volume with an officially sanctioned sequence to its Stock Photo
RM2A50TYY–Fol. 412v, Luke, historiated initial F, Luke praying at an altar, bust of God above, c. 1275-1300. Biblical manuscripts were highly prized and important possessions of churches, monasteries, cathedral schools, and universities throughout medieval Europe. The biblical texts were known as the vulgate, the translations made by Saint Jerome in the fourth century from Hebrew and Greek into Latin, which became the definitive and official Latin version of the Roman Church. In the 13th century, the bible was, for the first time, produced as a single volume with an officially sanctioned sequence to its
St Luke seated, depicted as a scribe, with his symbol, the bull, holding a book inscribed with the opening words of his gospel. Gospels. Carolingian Empire, France [Tours]; between 820 and 830. Source: Add. 11848, f.109v. Language: Latin. Stock Photo
RMR5G2EM–St Luke seated, depicted as a scribe, with his symbol, the bull, holding a book inscribed with the opening words of his gospel. Gospels. Carolingian Empire, France [Tours]; between 820 and 830. Source: Add. 11848, f.109v. Language: Latin.
Matthew the Evangelist. Mstislav Gospel (Aprakos Gospel) of Grand Prince Mstislav I Vladimirovich the Great. Museum: State History Museum, Moscow. Author: Ancient Russian Art. Stock Photo
RMPP9W6T–Matthew the Evangelist. Mstislav Gospel (Aprakos Gospel) of Grand Prince Mstislav I Vladimirovich the Great. Museum: State History Museum, Moscow. Author: Ancient Russian Art.
Leaf from a Gospel Book with Four Standing Evangelists, 1290-1330. The Four Evangelists are Matthew, Mark, Luke, and John Stock Photo
RM2AX1AJT–Leaf from a Gospel Book with Four Standing Evangelists, 1290-1330. The Four Evangelists are Matthew, Mark, Luke, and John
Historiated initial 'Q'(uoniam) at the beginning of Luke, with an Evangelist portrait. Bible ('The Arnstein Bible'). Germany, W. (Arnstein); c. 1172. Source: Harley 2799, f.173v. Language: Latin. Author: Lunandus. Stock Photo
RMR56KCF–Historiated initial 'Q'(uoniam) at the beginning of Luke, with an Evangelist portrait. Bible ('The Arnstein Bible'). Germany, W. (Arnstein); c. 1172. Source: Harley 2799, f.173v. Language: Latin. Author: Lunandus.
Acts and Epistles of the Apostles, c.1410. Artist: Russian master Stock Photo
RMDE90K0–Acts and Epistles of the Apostles, c.1410. Artist: Russian master
Sanctorale. St Luke. Border containing flowers and a bird. Isabella Breviary. Breviary, Use of the Dominicans ('The Breviary of Queen Isabella of Castile'). c1497. Source: Add. 18851 f.473. Author: Master of James IV of Scotland. Stock Photo
RMR58B3Y–Sanctorale. St Luke. Border containing flowers and a bird. Isabella Breviary. Breviary, Use of the Dominicans ('The Breviary of Queen Isabella of Castile'). c1497. Source: Add. 18851 f.473. Author: Master of James IV of Scotland.
Matthew and the representatives of the twelve tribes of Israel (Gospels, formerly Dresden Ms. A 94), Artist: Anonymous Stock Photo
RMHT24GF–Matthew and the representatives of the twelve tribes of Israel (Gospels, formerly Dresden Ms. A 94), Artist: Anonymous
St. Luke painting the Virgin and Child. Cuttings from a Book of Hours. Flanders or north-east France; last quarter of 15th century. Source: Add. 71117 B. Language: Latin and French. Stock Photo
RMRC5YH4–St. Luke painting the Virgin and Child. Cuttings from a Book of Hours. Flanders or north-east France; last quarter of 15th century. Source: Add. 71117 B. Language: Latin and French.
Gospel readings. St Luke painting the Virgin, and below, writing his gospel. Scroll with text, Luke 1, 26-27. Book of Hours. France [Macon?]; end of 15th century. Source: Add. 20694, f.14. Language: Latin. Stock Photo
RMRC5YD4–Gospel readings. St Luke painting the Virgin, and below, writing his gospel. Scroll with text, Luke 1, 26-27. Book of Hours. France [Macon?]; end of 15th century. Source: Add. 20694, f.14. Language: Latin.
St Luke sitting at an easel, painting, accompanied by his Evangelist symbol, the calf; with strewn borders (full). Gospels of St Luke and St John, and Epistles. S. Netherlands; 1509. Source: Royal 1 E. V, volume 1, f.3. Language: Latin. Author: PETER MEGHEN. Stock Photo
RMRCE864–St Luke sitting at an easel, painting, accompanied by his Evangelist symbol, the calf; with strewn borders (full). Gospels of St Luke and St John, and Epistles. S. Netherlands; 1509. Source: Royal 1 E. V, volume 1, f.3. Language: Latin. Author: PETER MEGHEN.
St Luke with the Virgin. Sforza Houra. Milan, circa 1490; Flemish insertions, 1517-1520. Source: Add. 34294, f.4. Language: Latin. Author: Muzio Attendolo Master. Stock Photo
RMR58PT5–St Luke with the Virgin. Sforza Houra. Milan, circa 1490; Flemish insertions, 1517-1520. Source: Add. 34294, f.4. Language: Latin. Author: Muzio Attendolo Master.
Miniature of Luke as a scribe, with his symbol the ox, with an illuminated initial 'I'(n), and a full foliate border, at the beginning of Luke's Gospel. Book of Hours, Use of Paris. France, Central (Paris); c. 1410 - c. 1420. Source: Yates Thompson 46, f.14v. Language: Latin and French. Stock Photo
RMR5HBMR–Miniature of Luke as a scribe, with his symbol the ox, with an illuminated initial 'I'(n), and a full foliate border, at the beginning of Luke's Gospel. Book of Hours, Use of Paris. France, Central (Paris); c. 1410 - c. 1420. Source: Yates Thompson 46, f.14v. Language: Latin and French.
Gospel extracts. St. Luke writing, with his symbol, an ox. Text, with decorated initial. Decorated borders with marginal scenes from the saint's life. Bedford Hours. Paris; 1414-1423. Source: Add. 18850, f.20v. Language: Latin and French. Author: Workshop of the Master of the Duke of Bedford. Stock Photo
RMR58RA5–Gospel extracts. St. Luke writing, with his symbol, an ox. Text, with decorated initial. Decorated borders with marginal scenes from the saint's life. Bedford Hours. Paris; 1414-1423. Source: Add. 18850, f.20v. Language: Latin and French. Author: Workshop of the Master of the Duke of Bedford.
Incipit to St Luke's Gospel. Christ on the cross, below, sacrifice of a calf as recorded in the Old Testament, with David and St Luke on either side. Bible ('The Floreffe Bible'), vol. II (Job - Revelation). Meuse Valley; circa 1155. Source: Add. 17738, f.187. Language: Latin. Stock Photo
RMR5EJB3–Incipit to St Luke's Gospel. Christ on the cross, below, sacrifice of a calf as recorded in the Old Testament, with David and St Luke on either side. Bible ('The Floreffe Bible'), vol. II (Job - Revelation). Meuse Valley; circa 1155. Source: Add. 17738, f.187. Language: Latin.
Evangelist portrait of Luke. Harley Golden Gospels. Four Gospels (the 'Golden Gospels', 'Harley Golden Gospels'; 'Codex Aureus'), with canon tables. Germany, W. (Aachen?) 1st quarter of the 9th century. Source: Harley 2788 f.108v. Language: Latin. Stock Photo
RMR50HWD–Evangelist portrait of Luke. Harley Golden Gospels. Four Gospels (the 'Golden Gospels', 'Harley Golden Gospels'; 'Codex Aureus'), with canon tables. Germany, W. (Aachen?) 1st quarter of the 9th century. Source: Harley 2788 f.108v. Language: Latin.
Miniature of Luke seated at a table mending his quill pen with a knife, with his symbol, the winged ox, by his side, and a full foliate border, at the beginning of his Gospel. Book of Hours, Use of Rome ('The Dunois Hours'). France, Central (Paris); c. 1440 - c. 1450 (after 1436). Source: Yates Thompson 3, f.15v. Language: Latin, with a French calendar. Stock Photo
RMR5GF9G–Miniature of Luke seated at a table mending his quill pen with a knife, with his symbol, the winged ox, by his side, and a full foliate border, at the beginning of his Gospel. Book of Hours, Use of Rome ('The Dunois Hours'). France, Central (Paris); c. 1440 - c. 1450 (after 1436). Source: Yates Thompson 3, f.15v. Language: Latin, with a French calendar.
The winged calf of St Luke. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. [Whole folio] Stylized drawing of the symbol of St Luke, the winged calf; with text Image taken from Lindisfarne Gospels. Originally published/produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.137. Language: Latin, with Anglo-Saxon glosses. Stock Photo
RMR578ER–The winged calf of St Luke. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. [Whole folio] Stylized drawing of the symbol of St Luke, the winged calf; with text Image taken from Lindisfarne Gospels. Originally published/produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.137. Language: Latin, with Anglo-Saxon glosses.
St Mark writing on a scroll with a winged lion holding a small scroll; St Luke starting to write on a scroll, with a winged bull holding a small scroll. Holkham Bible Picture Book. England, circa 1320-1330. Source: Add. 47682, f.11. Stock Photo
RMR52JH1–St Mark writing on a scroll with a winged lion holding a small scroll; St Luke starting to write on a scroll, with a winged bull holding a small scroll. Holkham Bible Picture Book. England, circa 1320-1330. Source: Add. 47682, f.11.
[Whole folio] Miniature of St.Luke, with his symbol, a winged calf carrying a book. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. Source: Cotton Nero D. IV, f.137v. Language: Latin, with Anglo-Saxon glosses. Author: Eadfrith, Bishop of Lindisfarne. Aldred the Glossator. Stock Photo
RMR5785N–[Whole folio] Miniature of St.Luke, with his symbol, a winged calf carrying a book. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. Source: Cotton Nero D. IV, f.137v. Language: Latin, with Anglo-Saxon glosses. Author: Eadfrith, Bishop of Lindisfarne. Aldred the Glossator.
Gospel of St Luke. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. [Whole folio] St Luke's Gospel, chapter 1, verses 1-12. Verse 5 beginning with initial 'F', with interlace decoration Image taken from Lindisfarne Gospels. Originally published/produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.139v. Language: Latin, with Anglo-Saxon glosses. Stock Photo
RMR5GKJ4–Gospel of St Luke. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. [Whole folio] St Luke's Gospel, chapter 1, verses 1-12. Verse 5 beginning with initial 'F', with interlace decoration Image taken from Lindisfarne Gospels. Originally published/produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.139v. Language: Latin, with Anglo-Saxon glosses.
Opening of St. Luke's gospel. Initial 'Q' with acanthus decoration. Above, St. Luke is seated before a winged ox standing on its hind legs and holding a book between its forefeet. The evangelist is writing the initial verse with a quill, and has an ink-horn in his left hand. Worms Bible. Germany [Frankenthal, near Worms, Middle Rhineland]; 1148. Source: Harley 2804, f.199. Language: Latin. Stock Photo
RMR5C5W7–Opening of St. Luke's gospel. Initial 'Q' with acanthus decoration. Above, St. Luke is seated before a winged ox standing on its hind legs and holding a book between its forefeet. The evangelist is writing the initial verse with a quill, and has an ink-horn in his left hand. Worms Bible. Germany [Frankenthal, near Worms, Middle Rhineland]; 1148. Source: Harley 2804, f.199. Language: Latin.
Decorated front cover of 'The Gospels of St. Luke and St. John'. THE Gospels of St. Luke and St. John in Latin. Late 12th-Early 13th century. Source: Add. 27926, front binding. Stock Photo
RMR52681–Decorated front cover of 'The Gospels of St. Luke and St. John'. THE Gospels of St. Luke and St. John in Latin. Late 12th-Early 13th century. Source: Add. 27926, front binding.
Historiated initial 'D'(eus) at Terce: a man with palsy being healed by Christ (Luke 5: 19), the healed man departing with his bed (Luke 5: 25); Christ calling Matthew (Luke 5:27), the apostles being chosen (Luke 6:13). In the border, two Marian legends and the Virgin and Child, historiated initial 'V'(eni) with Christ receiving the centurion's message. Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect. England (S. E., London?); 2nd half of the 14th century, after 1356, and probably before 1373. Source: Egerton 3277, f.123. Stock Photo
RMR54TY6–Historiated initial 'D'(eus) at Terce: a man with palsy being healed by Christ (Luke 5: 19), the healed man departing with his bed (Luke 5: 25); Christ calling Matthew (Luke 5:27), the apostles being chosen (Luke 6:13). In the border, two Marian legends and the Virgin and Child, historiated initial 'V'(eni) with Christ receiving the centurion's message. Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect. England (S. E., London?); 2nd half of the 14th century, after 1356, and probably before 1373. Source: Egerton 3277, f.123.
St. Luke's Gospel; Incipit page. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. [Whole folio] Incipit page to St. Luke's Gospel. Text, with decorated initial 'Q'. Decorated borders. Image taken from Lindisfarne Gospels. Originally published/produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.139. Language: Latin, with Anglo-Saxon glosses. Stock Photo
RMR54H0W–St. Luke's Gospel; Incipit page. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. [Whole folio] Incipit page to St. Luke's Gospel. Text, with decorated initial 'Q'. Decorated borders. Image taken from Lindisfarne Gospels. Originally published/produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.139. Language: Latin, with Anglo-Saxon glosses.
Carpet page. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. (Whole folio) Carpet page introducing St Luke's Gospel. Image taken from Lindisfarne Gospels. Originally published/produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.138v. Language: Latin with Anglo-Sax. Stock Photo
RMR5CCEY–Carpet page. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. (Whole folio) Carpet page introducing St Luke's Gospel. Image taken from Lindisfarne Gospels. Originally published/produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.138v. Language: Latin with Anglo-Sax.
Table of Chapters to St Luke's Gospel. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. [Whole folio] Table of chapters to St Luke's Gospel. Image taken from the Lindisfarne Gospels. Originally produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.133. Language: Latin, with Anglo-Saxon glosses. Stock Photo
RMR5APNT–Table of Chapters to St Luke's Gospel. Lindisfarne Gospels. N.E. England [Lindisfarne]; 710-721. [Whole folio] Table of chapters to St Luke's Gospel. Image taken from the Lindisfarne Gospels. Originally produced in N.E. England [Lindisfarne]; 710-721. . Source: Cotton Nero D. IV, f.133. Language: Latin, with Anglo-Saxon glosses.
Miniature of an Evangelist portrait of John. Harley Golden Gospels. Four Gospels (the 'Golden Gospels', 'Harley Golden Gospels'; 'Codex Aureus'), with canon tables. Germany, W. (Aachen?) 1st quarter of the 9th century. Source: Harley 2788 f.161v. Language: Latin. Stock Photo
RMR57GX1–Miniature of an Evangelist portrait of John. Harley Golden Gospels. Four Gospels (the 'Golden Gospels', 'Harley Golden Gospels'; 'Codex Aureus'), with canon tables. Germany, W. (Aachen?) 1st quarter of the 9th century. Source: Harley 2788 f.161v. Language: Latin.
Incipit page of St Luke's Gospel. Text with initial 'Q', Zacharias is told by an angel of the forthcoming birth of John the Baptist. Harley Golden Gospels. Four Gospels (the 'Golden Gospels', 'Harley Golden Gospels'; 'Codex Aureus'), with canon tables. Carolingian Empire [Aachen?]; circa 800. Source: Harley 2788, f.109. Language: Latin. Stock Photo
RMR5G413–Incipit page of St Luke's Gospel. Text with initial 'Q', Zacharias is told by an angel of the forthcoming birth of John the Baptist. Harley Golden Gospels. Four Gospels (the 'Golden Gospels', 'Harley Golden Gospels'; 'Codex Aureus'), with canon tables. Carolingian Empire [Aachen?]; circa 800. Source: Harley 2788, f.109. Language: Latin.
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