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Ruthardt Stock Photos and Images
First Future, Max Klinger, German, 1857–1920, Amsler & Ruthardt, German, 1860 - 1921, 1879–80, printed 1882, Etching with aquatint, Berlin, Berlin state, Germany, Europe, Prints, image: 14 3/16 x 9 1/4 in. (36 x 23.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-future-max-klinger-german-18571920-amsler-ruthardt-german-1860-1921-187980-printed-1882-etching-with-aquatint-berlin-berlin-state-germany-europe-prints-image-14-316-x-9-14-in-36-x-235-cm-image454293651.htmlRM2HB2T57–First Future, Max Klinger, German, 1857–1920, Amsler & Ruthardt, German, 1860 - 1921, 1879–80, printed 1882, Etching with aquatint, Berlin, Berlin state, Germany, Europe, Prints, image: 14 3/16 x 9 1/4 in. (36 x 23.5 cm
Inspired by First Future, Max Klinger, German, 1857–1920, Amsler & Ruthardt, German, 1860 - 1921, 1879–80, printed 1882, Etching with aquatint, Berlin, Berlin state, Germany, Europe, Prints, image: 14 3/16 x 9 1/4 in. (36 x 23.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-first-future-max-klinger-german-18571920-amsler-ruthardt-german-1860-1921-187980-printed-1882-etching-with-aquatint-berlin-berlin-state-germany-europe-prints-image-14-316-x-9-14-in-36-x-235-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459283917.htmlRF2HK6591–Inspired by First Future, Max Klinger, German, 1857–1920, Amsler & Ruthardt, German, 1860 - 1921, 1879–80, printed 1882, Etching with aquatint, Berlin, Berlin state, Germany, Europe, Prints, image: 14 3/16 x 9 1/4 in. (36 x 23.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Adolf Ruthardt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-adolf-ruthardt-139488991.htmlRMJ2X7HK–Adolf Ruthardt
N/A. Christiane Ruthardt, 1845 . 1845. Unknown 344 Christiane Ruthardt 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-christiane-ruthardt-1845-1845-unknown-344-christiane-ruthardt-3-image210158817.htmlRMP5WFM1–N/A. Christiane Ruthardt, 1845 . 1845. Unknown 344 Christiane Ruthardt 3
Christiane Ruthardt 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christiane-ruthardt-1-139731857.htmlRMJ399BD–Christiane Ruthardt 1
Christiane Ruthardt 2. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christiane-ruthardt-2-image259754861.htmlRMW2GRY9–Christiane Ruthardt 2.
Horse-rider emerging from the sea, 3-D painting on the asphalt, by Marion Ruthardt, Rhine Side Gallery Uerdingen, Krefeld, NRW Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-rider-emerging-from-the-sea-3-d-painting-on-the-asphalt-by-marion-ruthardt-rhine-side-gallery-uerdingen-krefeld-nrw-image211118707.htmlRMP7D81R–Horse-rider emerging from the sea, 3-D painting on the asphalt, by Marion Ruthardt, Rhine Side Gallery Uerdingen, Krefeld, NRW
Sep. 09, 1962 - At the physicists convention 1962 in Stuttgart with 2000 scientists participating Professor Dr. R. Kronig (Kronig) from Delft was honoured by the presentation of the Max-Planck-Medal. During the convention (Sept. 24th-28th) 17 lectures and about 250 reports will review the newest researches of physical science. Photo shows (from left to right) Prof. Dr. R. Kronig, Nobel Prize winner Prof. Dr. Rudolf Mossabauer (Moessbauer) and Dr. K. Ruthardt (Ruthardt) the chairman of the Union of German Physical Societies. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sep-09-1962-at-the-physicists-convention-1962-in-stuttgart-with-2000-image69403104.htmlRME0WGA8–Sep. 09, 1962 - At the physicists convention 1962 in Stuttgart with 2000 scientists participating Professor Dr. R. Kronig (Kronig) from Delft was honoured by the presentation of the Max-Planck-Medal. During the convention (Sept. 24th-28th) 17 lectures and about 250 reports will review the newest researches of physical science. Photo shows (from left to right) Prof. Dr. R. Kronig, Nobel Prize winner Prof. Dr. Rudolf Mossabauer (Moessbauer) and Dr. K. Ruthardt (Ruthardt) the chairman of the Union of German Physical Societies.
360 degree panoramic view of Art Chalk Festival in Atlantic City, artist Marion Ruthardthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/360-degree-panoramic-view-of-art-chalk-festival-in-atlantic-city-artist-marion-ruthardt-image219513365.htmlRF360°PN3KF1–Art Chalk Festival in Atlantic City, artist Marion Ruthardt
Krefeld, Germany. 11th Feb, 2019. 'Street Art Art' on the promenade on the banks of the Rhine in the district of Uerdingen, which was created by the street art artist 'Marion Ruthardt ' during the event 'Rhine Side Gallery 2018' of the city of Krefeld. Credit: Horst Ossinger/dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krefeld-germany-11th-feb-2019-street-art-art-on-the-promenade-on-the-banks-of-the-rhine-in-the-district-of-uerdingen-which-was-created-by-the-street-art-artist-marion-ruthardt-during-the-event-rhine-side-gallery-2018-of-the-city-of-krefeld-credit-horst-ossingerdpaalamy-live-news-image236363470.htmlRMRMF80E–Krefeld, Germany. 11th Feb, 2019. 'Street Art Art' on the promenade on the banks of the Rhine in the district of Uerdingen, which was created by the street art artist 'Marion Ruthardt ' during the event 'Rhine Side Gallery 2018' of the city of Krefeld. Credit: Horst Ossinger/dpa/Alamy Live News
Preludium (przygrywka, prolog), pl.1, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/preludium-przygrywka-prolog-pl1-namiot-i-op-xiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480459039.htmlRM2JWJPBB–Preludium (przygrywka, prolog), pl.1, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Stuttgart, Germany. 27th Feb, 2015. Rolf Ruthardt from the Herrenberg Fire Department navigates the simulation of a fire in a train, in which a woman lies unconscious on the ground, in the High Performance Computing Center at the university in Stuttgart, Germany, 27 February 2015. The fire departments of Boeblingen county introduced the XVR simulation software, which serves leadership training with the fire department, police, and rescue service. Photo: Michael Latz/dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-stuttgart-germany-27th-feb-2015-rolf-ruthardt-from-the-herrenberg-79190740.htmlRMEGRCGM–Stuttgart, Germany. 27th Feb, 2015. Rolf Ruthardt from the Herrenberg Fire Department navigates the simulation of a fire in a train, in which a woman lies unconscious on the ground, in the High Performance Computing Center at the university in Stuttgart, Germany, 27 February 2015. The fire departments of Boeblingen county introduced the XVR simulation software, which serves leadership training with the fire department, police, and rescue service. Photo: Michael Latz/dpa/Alamy Live News
Der deutsche Schauspieler Horst Janson und Ehefrau Hella Ruthardt auf dem Filmball, Deutschland 1980er Jahre. German actor Horst Janson and wife Hella Ruthardt visiting the Filmball, Germany 1980s. 24x36WBV2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-der-deutsche-schauspieler-horst-janson-und-ehefrau-hella-ruthardt-87592771.htmlRMF2E5D7–Der deutsche Schauspieler Horst Janson und Ehefrau Hella Ruthardt auf dem Filmball, Deutschland 1980er Jahre. German actor Horst Janson and wife Hella Ruthardt visiting the Filmball, Germany 1980s. 24x36WBV2
Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-and-tail-of-the-dodo-by-roelandt-savery-johan-neiuhof-jacob-de-bondt-ludwig-schmoor-von-carolsfeld-g-krause-etc-heliotype-by-van-leer-from-dr-anthonie-cornelis-oudemans-dodo-studies-amsterdam-johannes-muller-1917-image212413769.htmlRMP9G7X1–Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-head-and-tail-of-the-dodo-by-roelandt-savery-johan-neiuhof-jacob-de-165639468.htmlRMKHDER8–Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
. Sprague's history of Grand Traverse and Leelanaw counties, Michigan : embracing a concise review of their early settlement, industrial development and present conditions, together with interesting reminiscences. - and sailed for Americato join his father, arriving in Kent county,Michigan, in the early fall of 1858. In themeantime his father had married again, hav-ing wedded Christina Nagel, a native ofGermany. Louis Ruthardt remained in Kent coun-ty. Michigan, with his father until 1863. be-ing absent therefrom for only a brief periodof six months, which he spent in the army.He bad closely s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spragues-history-of-grand-traverse-and-leelanaw-counties-michigan-embracing-a-concise-review-of-their-early-settlement-industrial-development-and-present-conditions-together-with-interesting-reminiscences-and-sailed-for-americato-join-his-father-arriving-in-kent-countymichigan-in-the-early-fall-of-1858-in-themeantime-his-father-had-married-again-hav-ing-wedded-christina-nagel-a-native-ofgermany-louis-ruthardt-remained-in-kent-coun-ty-michigan-with-his-father-until-1863-be-ing-absent-therefrom-for-only-a-brief-periodof-six-months-which-he-spent-in-the-armyhe-bad-closely-s-image336701715.htmlRM2AFP2D7–. Sprague's history of Grand Traverse and Leelanaw counties, Michigan : embracing a concise review of their early settlement, industrial development and present conditions, together with interesting reminiscences. - and sailed for Americato join his father, arriving in Kent county,Michigan, in the early fall of 1858. In themeantime his father had married again, hav-ing wedded Christina Nagel, a native ofGermany. Louis Ruthardt remained in Kent coun-ty. Michigan, with his father until 1863. be-ing absent therefrom for only a brief periodof six months, which he spent in the army.He bad closely s
Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-head-and-tail-of-the-dodo-by-roelandt-savery-johan-neiuhof-jacob-de-162813751.htmlRMKCTPGR–Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
Tourists look at a chalk portrait of Kate Middleton, the future wife of Prince William, in front of the Cathedral in Cologne, Germany, 11 April 2011. Prince William and his fiancé will marry on 29 April 2011. Photo: Henning Kaiser Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tourists-look-at-a-chalk-portrait-of-kate-middleton-the-future-wife-58186360.htmlRMDAJH88–Tourists look at a chalk portrait of Kate Middleton, the future wife of Prince William, in front of the Cathedral in Cologne, Germany, 11 April 2011. Prince William and his fiancé will marry on 29 April 2011. Photo: Henning Kaiser
Night, Max Klinger, German, 1857–1920, Otto Felsing, German, active 1890s–1920s, Amsler & Ruthardt, German, 1860 - 1921, 1883–87, printed 1920, Etching, engraving, and aquatint, Berlin, Germany, Europe, Prints, image: 16 1/4 x 10 7/8 in. (41.3 x 27.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/night-max-klinger-german-18571920-otto-felsing-german-active-1890s1920s-amsler-ruthardt-german-1860-1921-188387-printed-1920-etching-engraving-and-aquatint-berlin-germany-europe-prints-image-16-14-x-10-78-in-413-x-276-cm-image454290981.htmlRM2HB2MNW–Night, Max Klinger, German, 1857–1920, Otto Felsing, German, active 1890s–1920s, Amsler & Ruthardt, German, 1860 - 1921, 1883–87, printed 1920, Etching, engraving, and aquatint, Berlin, Germany, Europe, Prints, image: 16 1/4 x 10 7/8 in. (41.3 x 27.6 cm
Inspired by Night, Max Klinger, German, 1857–1920, Otto Felsing, German, active 1890s–1920s, Amsler & Ruthardt, German, 1860 - 1921, 1883–87, printed 1920, Etching, engraving, and aquatint, Berlin, Germany, Europe, Prints, image: 16 1/4 x 10 7/8 in. (41.3 x 27.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-night-max-klinger-german-18571920-otto-felsing-german-active-1890s1920s-amsler-ruthardt-german-1860-1921-188387-printed-1920-etching-engraving-and-aquatint-berlin-germany-europe-prints-image-16-14-x-10-78-in-413-x-276-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459276076.htmlRF2HK5R90–Inspired by Night, Max Klinger, German, 1857–1920, Otto Felsing, German, active 1890s–1920s, Amsler & Ruthardt, German, 1860 - 1921, 1883–87, printed 1920, Etching, engraving, and aquatint, Berlin, Germany, Europe, Prints, image: 16 1/4 x 10 7/8 in. (41.3 x 27.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. Deutsch: Gottfried Keller. Radierung, 'Herrn Dr Gottfried Keller/verehrungsvoll von/Stauffer-Bern 87.', bezeichnet 'Karl Stauffer-Bern fecit.', 'O. Felsing, Berlin impr.', 'Amsler & Ruthardt, Berlin W.', 38,3 x 28,7 cm . 1887. 759 Karl Stauffer-Bern Gottfried Keller Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-gottfried-keller-radierung-herrn-dr-gottfried-kellerverehrungsvoll-vonstauffer-bern-87-bezeichnet-karl-stauffer-bern-fecit-o-felsing-berlin-impr-amsler-ruthardt-berlin-w-383-x-287-cm-1887-759-karl-stauffer-bern-gottfried-keller-image185818634.htmlRMMP8NFP–. Deutsch: Gottfried Keller. Radierung, 'Herrn Dr Gottfried Keller/verehrungsvoll von/Stauffer-Bern 87.', bezeichnet 'Karl Stauffer-Bern fecit.', 'O. Felsing, Berlin impr.', 'Amsler & Ruthardt, Berlin W.', 38,3 x 28,7 cm . 1887. 759 Karl Stauffer-Bern Gottfried Keller
Christiane Ruthardt 2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christiane-ruthardt-2-139731682.htmlRMJ39956–Christiane Ruthardt 2
English: World War I Vivat ribbon with words 4 Dez. 1915 Monastir likely commemorating taking of Monastir by Bulgarian forces in 1915. Printed by Amsler & Ruthardt in Berlin for German Red Cross to raise funds for war relief. 5 August 1915 83 Vivat-bander - 1915-12-04 - Monastir by O. R. Bossert Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-world-war-i-vivat-ribbon-with-words-4-dez-1915-monastir-likely-commemorating-taking-of-monastir-by-bulgarian-forces-in-1915-printed-by-amsler-ruthardt-in-berlin-for-german-red-cross-to-raise-funds-for-war-relief-5-august-1915-83-vivat-bander-1915-12-04-monastir-by-o-r-bossert-image211006171.htmlRMP784EK–English: World War I Vivat ribbon with words 4 Dez. 1915 Monastir likely commemorating taking of Monastir by Bulgarian forces in 1915. Printed by Amsler & Ruthardt in Berlin for German Red Cross to raise funds for war relief. 5 August 1915 83 Vivat-bander - 1915-12-04 - Monastir by O. R. Bossert
Christiane Ruthardt 1. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christiane-ruthardt-1-image259754912.htmlRMW2GT14–Christiane Ruthardt 1.
English: World War I Vivat ribbon commemorating Battle of Tannenberg. Shows Wilhelm II and 'Hindenburg der sieger von Tannenberg'(Hindenburg the winner of Tannenberg). This battle was led by von Hindenburg was the most significant German victory on the Eastern Front. Printed by Amsler & Ruthardt in Berlin for German Red Cross to raise funds for war relief. The ribbon is lilac in color and measures 15 ½' x 2 ½.' . 1914 83 Vivat-bander - 1914 - Hindenburg Tanenburg by E.D.d.j - 2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-world-war-i-vivat-ribbon-commemorating-battle-of-tannenberg-shows-wilhelm-ii-and-hindenburg-der-sieger-von-tannenberghindenburg-the-winner-of-tannenberg-this-battle-was-led-by-von-hindenburg-was-the-most-significant-german-victory-on-the-eastern-front-printed-by-amsler-ruthardt-in-berlin-for-german-red-cross-to-raise-funds-for-war-relief-the-ribbon-is-lilac-in-color-and-measures-15-x-2-1914-83-vivat-bander-1914-hindenburg-tanenburg-by-eddj-2-image210853862.htmlRMP71672–English: World War I Vivat ribbon commemorating Battle of Tannenberg. Shows Wilhelm II and 'Hindenburg der sieger von Tannenberg'(Hindenburg the winner of Tannenberg). This battle was led by von Hindenburg was the most significant German victory on the Eastern Front. Printed by Amsler & Ruthardt in Berlin for German Red Cross to raise funds for war relief. The ribbon is lilac in color and measures 15 ½' x 2 ½.' . 1914 83 Vivat-bander - 1914 - Hindenburg Tanenburg by E.D.d.j - 2
English: World War I Vivat ribbon commemorating Battle of Tannenberg. Shows Wilhelm II and 'Hindenburg der sieger von Tannenberg'(Hindenburg the winner of Tannenberg). This battle was led by von Hindenburg was the most significant German victory on the Eastern Front. Printed by Amsler & Ruthardt in Berlin for German Red Cross to raise funds for war relief. The ribbon is lilac in color and measures 15 ½' x 2 ½.' . 1914 83 Vivat-bander - 1914 - Hindenburg Tanenburg by E.D.d.j Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-world-war-i-vivat-ribbon-commemorating-battle-of-tannenberg-shows-wilhelm-ii-and-hindenburg-der-sieger-von-tannenberghindenburg-the-winner-of-tannenberg-this-battle-was-led-by-von-hindenburg-was-the-most-significant-german-victory-on-the-eastern-front-printed-by-amsler-ruthardt-in-berlin-for-german-red-cross-to-raise-funds-for-war-relief-the-ribbon-is-lilac-in-color-and-measures-15-x-2-1914-83-vivat-bander-1914-hindenburg-tanenburg-by-eddj-image211085069.htmlRMP7BN4D–English: World War I Vivat ribbon commemorating Battle of Tannenberg. Shows Wilhelm II and 'Hindenburg der sieger von Tannenberg'(Hindenburg the winner of Tannenberg). This battle was led by von Hindenburg was the most significant German victory on the Eastern Front. Printed by Amsler & Ruthardt in Berlin for German Red Cross to raise funds for war relief. The ribbon is lilac in color and measures 15 ½' x 2 ½.' . 1914 83 Vivat-bander - 1914 - Hindenburg Tanenburg by E.D.d.j
Zierleiste mit dem Bergsturz, Bl. 36, Brahmsphantasie, Op. XII. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zierleiste-mit-dem-bergsturz-bl-36-brahmsphantasie-op-xii-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480459076.htmlRM2JWJPCM–Zierleiste mit dem Bergsturz, Bl. 36, Brahmsphantasie, Op. XII. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
English: World War I Vivat ribbon with portrait and coat of arms of Kronprinz Wilhelm (German Crown Prince) with words Sieg bei Verdun 10 September 1914 (Victory at Verdun) and Deutscheland in der welt voran heute und immerdar! Ernst Moritz Arndt 1859 (Germany in the world ahead today and always! Ernst Moritz Arndt 1859) commemorating early stages of the Battle of Verdun. Printed by Amsler & Ruthardt in Berlin for German Red Cross to raise funds for war relief. 5 August 1915 80 Vivat-bander - 1914-09-10 - Verdun by Hirzel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-world-war-i-vivat-ribbon-with-portrait-and-coat-of-arms-of-kronprinz-wilhelm-german-crown-prince-with-words-sieg-bei-verdun-10-september-1914-victory-at-verdun-and-deutscheland-in-der-welt-voran-heute-und-immerdar!-ernst-moritz-arndt-1859-germany-in-the-world-ahead-today-and-always!-ernst-moritz-arndt-1859-commemorating-early-stages-of-the-battle-of-verdun-printed-by-amsler-ruthardt-in-berlin-for-german-red-cross-to-raise-funds-for-war-relief-5-august-1915-80-vivat-bander-1914-09-10-verdun-by-hirzel-image210530176.htmlRMP6EDAT–English: World War I Vivat ribbon with portrait and coat of arms of Kronprinz Wilhelm (German Crown Prince) with words Sieg bei Verdun 10 September 1914 (Victory at Verdun) and Deutscheland in der welt voran heute und immerdar! Ernst Moritz Arndt 1859 (Germany in the world ahead today and always! Ernst Moritz Arndt 1859) commemorating early stages of the Battle of Verdun. Printed by Amsler & Ruthardt in Berlin for German Red Cross to raise funds for war relief. 5 August 1915 80 Vivat-bander - 1914-09-10 - Verdun by Hirzel
Prelude (Patryzka, Prolog), pl.1, tent I, op. XIV; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prelude-patryzka-prolog-pl1-tent-i-op-xiv-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598814904.htmlRM2WP6AEG–Prelude (Patryzka, Prolog), pl.1, tent I, op. XIV; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Zierleiste mit dem Bergsturz, Bl. 36, Brahmsphatas, op. XII; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1894 (1894-00-00-1894-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zierleiste-mit-dem-bergsturz-bl-36-brahmsphatas-op-xii-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1894-1894-00-00-1894-00-00-image598907615.htmlRM2WPAGNK–Zierleiste mit dem Bergsturz, Bl. 36, Brahmsphatas, op. XII; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1894 (1894-00-00-1894-00-00);
. The German classics of the nineteenth and twentieth centuries; masterpieces of German literature. Permissvin Ampler c^ Ruthardt, BerlinAPHRODITE Max Ki.ingkr LUDOLF URSLEU THE YOUNGER 375 simply replied in the way that I knew would be most bene-ficial to her. It was on a cold day in January that my mother wastaken with an indisposition, and as the doctor advised restshe went to bed. My father had already been in Englandfor some time and we concealed from him this slight attack,which seemed to give no cause for alarm, the more willinglybecause my mother was usually visibly relieved when hewas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-german-classics-of-the-nineteenth-and-twentieth-centuries-masterpieces-of-german-literature-permissvin-ampler-c-ruthardt-berlinaphrodite-max-kiingkr-ludolf-ursleu-the-younger-375-simply-replied-in-the-way-that-i-knew-would-be-most-bene-ficial-to-her-it-was-on-a-cold-day-in-january-that-my-mother-wastaken-with-an-indisposition-and-as-the-doctor-advised-restshe-went-to-bed-my-father-had-already-been-in-englandfor-some-time-and-we-concealed-from-him-this-slight-attackwhich-seemed-to-give-no-cause-for-alarm-the-more-willinglybecause-my-mother-was-usually-visibly-relieved-when-hewas-image370489617.htmlRM2CEN781–. The German classics of the nineteenth and twentieth centuries; masterpieces of German literature. Permissvin Ampler c^ Ruthardt, BerlinAPHRODITE Max Ki.ingkr LUDOLF URSLEU THE YOUNGER 375 simply replied in the way that I knew would be most bene-ficial to her. It was on a cold day in January that my mother wastaken with an indisposition, and as the doctor advised restshe went to bed. My father had already been in Englandfor some time and we concealed from him this slight attack,which seemed to give no cause for alarm, the more willinglybecause my mother was usually visibly relieved when hewas
Winieta ze sceną pustynną (prawa strona przedstawienia), pl. 35, Fantazja Brahmsa, Op. XII. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winieta-ze-scen-pustynn-prawa-strona-przedstawienia-pl-35-fantazja-brahmsa-op-xii-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480430256.htmlRM2JWHDKC–Winieta ze sceną pustynną (prawa strona przedstawienia), pl. 35, Fantazja Brahmsa, Op. XII. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Czara, pl. 15, Namiot, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/czara-pl-15-namiot-op-xiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480459048.htmlRM2JWJPBM–Czara, pl. 15, Namiot, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Art inspired by First Future, Max Klinger, German, 1857-1920, Amsler & Ruthardt, German, 1860 - 1921, 1879-80, printed 1882, Etching with aquatint, Berlin, Berlin state, Germany, Europe, Prints, image: 14 3/16 x 9 1/4 in. (36 x 23.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-first-future-max-klinger-german-1857-1920-amsler-ruthardt-german-1860-1921-1879-80-printed-1882-etching-with-aquatint-berlin-berlin-state-germany-europe-prints-image-14-316-x-9-14-in-36-x-235-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459596926.htmlRF2HKMCFX–Art inspired by First Future, Max Klinger, German, 1857-1920, Amsler & Ruthardt, German, 1860 - 1921, 1879-80, printed 1882, Etching with aquatint, Berlin, Berlin state, Germany, Europe, Prints, image: 14 3/16 x 9 1/4 in. (36 x 23.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christiane Ruthardt 3. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christiane-ruthardt-3-image259754870.htmlRMW2GRYJ–Christiane Ruthardt 3.
Bergsturz, Bl. 20, Zelt, Op. XIV. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bergsturz-bl-20-zelt-op-xiv-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-printing-house-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480459075.htmlRM2JWJPCK–Bergsturz, Bl. 20, Zelt, Op. XIV. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Art inspired by Night, Max Klinger, German, 1857-1920, Otto Felsing, German, active 1890s-1920s, Amsler & Ruthardt, German, 1860 - 1921, 1883-87, printed 1920, Etching, engraving, and aquatint, Berlin, Germany, Europe, Prints, image: 16 1/4 x 10 7/8 in. (41.3 x 27.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-night-max-klinger-german-1857-1920-otto-felsing-german-active-1890s-1920s-amsler-ruthardt-german-1860-1921-1883-87-printed-1920-etching-engraving-and-aquatint-berlin-germany-europe-prints-image-16-14-x-10-78-in-413-x-276-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459587219.htmlRF2HKM057–Art inspired by Night, Max Klinger, German, 1857-1920, Otto Felsing, German, active 1890s-1920s, Amsler & Ruthardt, German, 1860 - 1921, 1883-87, printed 1920, Etching, engraving, and aquatint, Berlin, Germany, Europe, Prints, image: 16 1/4 x 10 7/8 in. (41.3 x 27.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ucieczka, pl.21, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ucieczka-pl21-namiot-i-op-xiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480459051.htmlRM2JWJPBR–Ucieczka, pl.21, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Warunek, pl.38, Namiot II, Op.XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/warunek-pl38-namiot-ii-opxiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480459046.htmlRM2JWJPBJ–Warunek, pl.38, Namiot II, Op.XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Namiot, pl. 2, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/namiot-pl-2-namiot-i-op-xiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480459064.htmlRM2JWJPC8–Namiot, pl. 2, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Pochód, pl. 13, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pochd-pl-13-namiot-i-op-xiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480459070.htmlRM2JWJPCE–Pochód, pl. 13, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Im Eignen Land, Bl. 43, Op. XIV. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/im-eignen-land-bl-43-op-xiv-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-printing-house-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480459035.htmlRM2JWJPB7–Im Eignen Land, Bl. 43, Op. XIV. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Przerażenie, pl. 44, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/przeraenie-pl-44-namiot-ii-op-xiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480459040.htmlRM2JWJPBC–Przerażenie, pl. 44, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Bergsturz, Bl. 20, Zelt, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bergsturz-bl-20-zelt-op-xiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598825625.htmlRM2WP6T5D–Bergsturz, Bl. 20, Zelt, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Czar, pl. 15, tent, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/czar-pl-15-tent-op-xiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598828467.htmlRM2WP6YPY–Czar, pl. 15, tent, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Vignette from the scenes desert (right side of the performance), pl. 35, Brahms fantasy, op. XII; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1894 (1894-00-00-1894-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vignette-from-the-scenes-desert-right-side-of-the-performance-pl-35-brahms-fantasy-op-xii-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1894-1894-00-00-1894-00-00-image598926970.htmlRM2WPBDCX–Vignette from the scenes desert (right side of the performance), pl. 35, Brahms fantasy, op. XII; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1894 (1894-00-00-1894-00-00);
Senna droga, pl. 35, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/senna-droga-pl-35-namiot-ii-op-xiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480459043.htmlRM2JWJPBF–Senna droga, pl. 35, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Na wieży, pl. 30, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-wiey-pl-30-namiot-ii-op-xiv-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480459052.htmlRM2JWJPBT–Na wieży, pl. 30, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Escape, pl.21, tent I, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/escape-pl21-tent-i-op-xiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598847980.htmlRM2WP7TKT–Escape, pl.21, tent I, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Condition, pl.38, tent II, op.xiv; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/condition-pl38-tent-ii-opxiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598819678.htmlRM2WP6GH2–Condition, pl.38, tent II, op.xiv; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Transformation, pl. 44, tent II, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/transformation-pl-44-tent-ii-op-xiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598829684.htmlRM2WP71AC–Transformation, pl. 44, tent II, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Procession, pl. 13, tent I, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/procession-pl-13-tent-i-op-xiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598835299.htmlRM2WP78EY–Procession, pl. 13, tent I, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Im EiGnen Land, Bl. 43, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/im-eignen-land-bl-43-op-xiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598829064.htmlRM2WP70G8–Im EiGnen Land, Bl. 43, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Tent, pl. 2, tent I, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tent-pl-2-tent-i-op-xiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598822797.htmlRM2WP6MGD–Tent, pl. 2, tent I, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Senna road, pl. 35, tent II, op. XIV; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Giescke und Devrient (Leipzig; Publishing House; 1852-), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/senna-road-pl-35-tent-ii-op-xiv-amsler-ruthardt-verlag-berlin-publisher-1869-1921-giescke-und-devrient-leipzig-publishing-house-1852-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598846863.htmlRM2WP7R7Y–Senna road, pl. 35, tent II, op. XIV; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Giescke und Devrient (Leipzig; Publishing House; 1852-), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Na Wieś, pl. 30, tent II, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-wie-pl-30-tent-ii-op-xiv-giescke-und-devrient-leipzig-publishing-house-1852-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1915-1915-00-00-1915-00-00-image598821075.htmlRM2WP6JAY–Na Wieś, pl. 30, tent II, op. XIV; Giescke und Devrient (Leipzig; Publishing House; 1852-), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1915 (1915-00-00-1915-00-00);
Satyra/ Zakończenie; pl. 13; Ratowanie ofiar Owidiusza, Op. II. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/satyra-zakoczenie-pl-13-ratowanie-ofiar-owidiusza-op-ii-felsing-kupferdruckerei-darmstadt-monachium-berlin-dom-wydawniczy-drukarnia-1797-1965-publishing-house-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480459053.htmlRM2JWJPBW–Satyra/ Zakończenie; pl. 13; Ratowanie ofiar Owidiusza, Op. II. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Blatt 18: recto/verso Zierleiste mit nackter Frau und zwei Adlern, S.25/ Zierleiste mit dem Ertrinkenden Paar, S.26 and the scores of the song. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blatt-18-rectoverso-zierleiste-mit-nackter-frau-und-zwei-adlern-s25-zierleiste-mit-dem-ertrinkenden-paar-s26-and-the-scores-of-the-song-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480389885.htmlRM2JWFJ5H–Blatt 18: recto/verso Zierleiste mit nackter Frau und zwei Adlern, S.25/ Zierleiste mit dem Ertrinkenden Paar, S.26 and the scores of the song. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Apollo i Dafne III pl. 12, Ratowanie ofiar Owidiusza, Op. II. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-i-dafne-iii-pl-12-ratowanie-ofiar-owidiusza-op-ii-felsing-kupferdruckerei-darmstadt-monachium-berlin-dom-wydawniczy-drukarnia-1797-1965-publishing-house-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480459049.htmlRM2JWJPBN–Apollo i Dafne III pl. 12, Ratowanie ofiar Owidiusza, Op. II. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Satire/ end; pl. 13; Rescue victims of Ovid, op. II; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1879 (1879-00-00-1879-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/satire-end-pl-13-rescue-victims-of-ovid-op-ii-felsing-kupferdruckerei-darmstadt-munich-berlin-publishing-house-printing-house-1797-1965-amsler-ruthardt-verlag-berlin-publisher-1869-1921-klinger-max-1857-1920-1879-1879-00-00-1879-00-00-image598826772.htmlRM2WP6WJC–Satire/ end; pl. 13; Rescue victims of Ovid, op. II; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Klinger, Max (1857-1920); 1879 (1879-00-00-1879-00-00);
Apollo and Dafne III pl. 12, saving the victims of Ovid, op. II; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Klinger, Max (1857-1920); 1879 (1879-00-00-1879-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-and-dafne-iii-pl-12-saving-the-victims-of-ovid-op-ii-amsler-ruthardt-verlag-berlin-publisher-1869-1921-felsing-kupferdruckerei-darmstadt-munich-berlin-publishing-house-printing-house-1797-1965-klinger-max-1857-1920-1879-1879-00-00-1879-00-00-image598816947.htmlRM2WP6D3F–Apollo and Dafne III pl. 12, saving the victims of Ovid, op. II; Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Klinger, Max (1857-1920); 1879 (1879-00-00-1879-00-00);
Winieta ze wspinającymi się po zboczu góry, pl. 33, Fantazja Brahmsa, Op. XII Winieta ze sceną pustynną (lewa strona przedstawienia), pl. 34, Fantazja Brahmsa, Op. XII. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winieta-ze-wspinajcymi-si-po-zboczu-gry-pl-33-fantazja-brahmsa-op-xii-winieta-ze-scen-pustynn-lewa-strona-przedstawienia-pl-34-fantazja-brahmsa-op-xii-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480430275.htmlRM2JWHDM3–Winieta ze wspinającymi się po zboczu góry, pl. 33, Fantazja Brahmsa, Op. XII Winieta ze sceną pustynną (lewa strona przedstawienia), pl. 34, Fantazja Brahmsa, Op. XII. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Genius (artist) pl. 4, Mierci, part II, op. XIII; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Giescke und Devrient (Leipzig; Lipsk; 1852-), Klinger, max (1857-1920); 1903 (1903-00-00-1903-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/genius-artist-pl-4-mierci-part-ii-op-xiii-felsing-kupferdruckerei-darmstadt-munich-berlin-publishing-house-printing-house-1797-1965-amsler-ruthardt-verlag-berlin-publisher-1869-1921-giescke-und-devrient-leipzig-lipsk-1852-klinger-max-1857-1920-1903-1903-00-00-1903-00-00-image598947686.htmlRM2WPCBTP–Genius (artist) pl. 4, Mierci, part II, op. XIII; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Giescke und Devrient (Leipzig; Lipsk; 1852-), Klinger, max (1857-1920); 1903 (1903-00-00-1903-00-00);
Mother and child, pl. 10, Mierci, part II, op. XIII; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Giescke und Devrient (Leipzig; Lipsk; 1852-), Klinger, max (1857-1920); 1889 (1889-00-00-1889-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mother-and-child-pl-10-mierci-part-ii-op-xiii-felsing-kupferdruckerei-darmstadt-munich-berlin-publishing-house-printing-house-1797-1965-amsler-ruthardt-verlag-berlin-publisher-1869-1921-giescke-und-devrient-leipzig-lipsk-1852-klinger-max-1857-1920-1889-1889-00-00-1889-00-00-image598883100.htmlRM2WP9DE4–Mother and child, pl. 10, Mierci, part II, op. XIII; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Giescke und Devrient (Leipzig; Lipsk; 1852-), Klinger, max (1857-1920); 1889 (1889-00-00-1889-00-00);
The Genius (artist) chart 4, On Death part 2, Op. XIII. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-genius-artist-chart-4-on-death-part-2-op-xiii-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-printing-house-felsing-kupferdruckerei-darmstadt-monachium-berlin-dom-wydawniczy-drukarnia-1797-1965-publishing-house-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480459057.htmlRM2JWJPC1–The Genius (artist) chart 4, On Death part 2, Op. XIII. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
The Temptation, chart 9, On Death part 2, Op. XIII. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-temptation-chart-9-on-death-part-2-op-xiii-felsing-kupferdruckerei-darmstadt-monachium-berlin-dom-wydawniczy-drukarnia-1797-1965-publishing-house-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-publishing-house-image480405188.htmlRM2JWG9M4–The Temptation, chart 9, On Death part 2, Op. XIII. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house
Matka i dziecko, pl. 10, O śmierci, część II, Op. XIII. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matka-i-dziecko-pl-10-o-mierci-cz-ii-op-xiii-giesecke-und-devrient-lipsk-dom-wydawniczy-1852-printing-house-felsing-kupferdruckerei-darmstadt-monachium-berlin-dom-wydawniczy-drukarnia-1797-1965-publishing-house-klinger-max-1857-1920-graphic-artist-amsler-ruthardt-verlag-berlin-wydawnictwo-1869-1921-publishing-house-image480459078.htmlRM2JWJPCP–Matka i dziecko, pl. 10, O śmierci, część II, Op. XIII. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house
Powers, pl. 9, Mierci, part II, op. XIII; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Giescke und Devrient (Leipzig; Lipsk; 1852-), Klinger, max (1857-1920); 1898 (1898-00-00-1898-00-00);Agnieszka (St. Bible), temptation Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/powers-pl-9-mierci-part-ii-op-xiii-felsing-kupferdruckerei-darmstadt-munich-berlin-publishing-house-printing-house-1797-1965-amsler-ruthardt-verlag-berlin-publisher-1869-1921-giescke-und-devrient-leipzig-lipsk-1852-klinger-max-1857-1920-1898-1898-00-00-1898-00-00agnieszka-st-bible-temptation-image598814632.htmlRM2WP6A4T–Powers, pl. 9, Mierci, part II, op. XIII; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Amsler & Ruthardt Verlag (Berlin; Publisher; 1869-1921), Giescke und Devrient (Leipzig; Lipsk; 1852-), Klinger, max (1857-1920); 1898 (1898-00-00-1898-00-00);Agnieszka (St. Bible), temptation
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