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Ruinarum Stock Photos and Images
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-162495783.htmlRMKCA90R–Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus
Art inspired by Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 7/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-horizontal-landscape-with-the-remains-of-the-nymphaeum-mistakenly-identified-as-the-temple-of-minerva-medica-in-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-5-78-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008759.htmlRF2HW7TB3–Art inspired by Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 7/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Coastal landscape with the foundations of the House at Britten, Ruinarum arcis britannicae apud batavos typus (title on object), De Brittenburg near Katwijk, Coastal landscape with a map of the foundations of the House at Britten. Cartouches at the bottom with texts in Latin, some coins and other finds., print maker: anonymous, 1579 - 1581, paper, etching, height 231 mm × width 325 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coastal-landscape-with-the-foundations-of-the-house-at-britten-ruinarum-arcis-britannicae-apud-batavos-typus-title-on-object-de-brittenburg-near-katwijk-coastal-landscape-with-a-map-of-the-foundations-of-the-house-at-britten-cartouches-at-the-bottom-with-texts-in-latin-some-coins-and-other-finds-print-maker-anonymous-1579-1581-paper-etching-height-231-mm-width-325-mm-print-image599485411.htmlRM2WR8WN7–Coastal landscape with the foundations of the House at Britten, Ruinarum arcis britannicae apud batavos typus (title on object), De Brittenburg near Katwijk, Coastal landscape with a map of the foundations of the House at Britten. Cartouches at the bottom with texts in Latin, some coins and other finds., print maker: anonymous, 1579 - 1581, paper, etching, height 231 mm × width 325 mm, print
Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 5 7/8 x 3 7/8 in. (15 x 9.9 cm). Date: ca. 1572. Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horizontal-landscape-with-the-remains-of-the-nymphaeum-mistakenly-identified-as-the-temple-of-minerva-medica-in-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-dimensions-plate-5-78-x-3-78-in-15-x-99-cm-date-ca-1572-horizontal-plate-with-a-depiction-of-the-remains-of-a-nymphaeum-historically-mistaken-for-the-temple-of-minerva-medica-in-rome-the-building-is-depicted-as-seen-from-the-south-from-what-is-now-the-via-giovanni-giolitti-its-foundat-image213320357.htmlRMPB1G85–Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 5 7/8 x 3 7/8 in. (15 x 9.9 cm). Date: ca. 1572. Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundat
View of the port of Cagliari in Sardinia. In the foreground several ships, View of the port of Cagliari Calaris in Sardinia Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 175 mm × w 246 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-port-of-cagliari-in-sardinia-in-the-foreground-several-ships-view-of-the-port-of-cagliari-calaris-in-sardinia-ruinarum-varii-prospectus-hendrick-van-cleve-mentioned-on-object-print-maker-anonymous-publisher-philips-galle-mentioned-on-object-antwerp-print-maker-antwerp-publisher-haarlem-1585-paper-engraving-h-175-mm-w-246-mm-image472211253.htmlRM2JC727H–View of the port of Cagliari in Sardinia. In the foreground several ships, View of the port of Cagliari Calaris in Sardinia Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 175 mm × w 246 mm
Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-172223778.htmlRMM05D56–Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073
Gezicht op het Palazzo Farnese Farnesiorum palatium (titel op object) Ruinarum varii prospectus (serietitel) View of the Palazzo Farnese, and Piazza Farnese. There is a tournament underway with bullfights. There are many spectators. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-het-palazzo-farnese-farnesiorum-palatium-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-palazzo-farnese-and-piazza-farnese-there-is-a-tournament-underway-with-bullfights-there-are-many-spectators-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printi-image348410022.htmlRM2B6RCF2–Gezicht op het Palazzo Farnese Farnesiorum palatium (titel op object) Ruinarum varii prospectus (serietitel) View of the Palazzo Farnese, and Piazza Farnese. There is a tournament underway with bullfights. There are many spectators. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printi
Vrije heerlijkheid van Kranendonk - Kasteelruïne - Prospectus ruinarum famosi castelli Cranendonck. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vrije-heerlijkheid-van-kranendonk-kasteelrune-prospectus-ruinarum-famosi-castelli-cranendonck-image574827462.htmlRM2TB5J86–Vrije heerlijkheid van Kranendonk - Kasteelruïne - Prospectus ruinarum famosi castelli Cranendonck.
Lambert Suavius (Engraver) Titleblatt, Ruinarum Variarum, landscapes and ruins with mythological and historical scenes. etching around 1560 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lambert-suavius-engraver-titleblatt-ruinarum-variarum-landscapes-and-ruins-with-mythological-and-historical-scenes-etching-around-1560-image573048209.htmlRM2T88GRD–Lambert Suavius (Engraver) Titleblatt, Ruinarum Variarum, landscapes and ruins with mythological and historical scenes. etching around 1560
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-image349006594.htmlRM2B7PHD6–Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554.
Title page of the cycle `Ruinarum Varii Prospectus Ruriumque Aliquot Delineationes` featuring Milvius pons. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-of-the-cycle-`ruinarum-varii-prospectus-ruriumque-aliquot-delineationes`-featuring-milvius-pons-galle-theodor-1571-1633-graphic-artist-galle-philips-1537-1612-graphic-artist-cleve-hendrick-van-iii-ca-1525-1589-draughtsman-cartoonist-image480419546.htmlRM2JWH00X–Title page of the cycle `Ruinarum Varii Prospectus Ruriumque Aliquot Delineationes` featuring Milvius pons. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist
Theatrum orbis terrarum . erinde multi perueniant, aut vitx luxusincaufa eft,aut quod apud illosplushonoris habecur cgregix morum intcgricaci,quam cgregiacdovflrinae. Nam ingenium non efte negacum illis,pIurimisconftatargumencis; quanquam mihi lane quam mediocrc contigit,nedicam exiguum,vtceceraplctraque. HadtenusRrafmus in Chiliadibus. DefcripfithancOlandiam,vtipfe vocat,ChryfoftomusNeapoHtanus,elegantiEpiftola,adComitemNugaro-lum . De eadem vide Hiftoriam Batauicam Gerhardi Gcldenhaurij,& Petrum Di-iieum. De admirabiU huiusRegionis rerum copiaatque abundantialegc Lud.Guicciardinum .Ruinarum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theatrum-orbis-terrarum-erinde-multi-perueniant-aut-vitx-luxusincaufa-eftaut-quod-apud-illosplushonoris-habecur-cgregix-morum-intcgricaciquam-cgregiacdovflrinae-nam-ingenium-non-efte-negacum-illispiurimisconftatargumencis-quanquam-mihi-lane-quam-mediocrc-contigitnedicam-exiguumvtceceraplctraque-hadtenusrrafmus-in-chiliadibus-defcripfithancolandiamvtipfe-vocatchryfoftomusneapohtanuselegantiepiftolaadcomitemnugaro-lum-de-eadem-vide-hiftoriam-batauicam-gerhardi-gcldenhaurij-petrum-di-iieum-de-admirabiu-huiusregionis-rerum-copiaatque-abundantialegc-ludguicciardinum-ruinarum-image339988055.htmlRM2AN3P6F–Theatrum orbis terrarum . erinde multi perueniant, aut vitx luxusincaufa eft,aut quod apud illosplushonoris habecur cgregix morum intcgricaci,quam cgregiacdovflrinae. Nam ingenium non efte negacum illis,pIurimisconftatargumencis; quanquam mihi lane quam mediocrc contigit,nedicam exiguum,vtceceraplctraque. HadtenusRrafmus in Chiliadibus. DefcripfithancOlandiam,vtipfe vocat,ChryfoftomusNeapoHtanus,elegantiEpiftola,adComitemNugaro-lum . De eadem vide Hiftoriam Batauicam Gerhardi Gcldenhaurij,& Petrum Di-iieum. De admirabiU huiusRegionis rerum copiaatque abundantialegc Lud.Guicciardinum .Ruinarum
![Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the so-called ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building Stock Photo](https://c8.alamy.com/comp/2HHC9NX/cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-cross-section-of-a-building-said-to-be-the-so-called-pinaculu-termar-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-surrounded-by-an-ambulatory-the-coffered-ceiling-is-interrupted-at-top-by-an-oculus-while-it-has-been-suggested-that-the-building-may-represent-the-church-of-santa-costanza-in-rome-the-interior-and-exterior-features-of-the-building-2HHC9NX.jpg "Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the so-called ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building Stock Photo")
Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the so-called ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-cross-section-of-a-building-said-to-be-the-so-called-pinaculu-termar-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-surrounded-by-an-ambulatory-the-coffered-ceiling-is-interrupted-at-top-by-an-oculus-while-it-has-been-suggested-that-the-building-may-represent-the-church-of-santa-costanza-in-rome-the-interior-and-exterior-features-of-the-building-image458189814.htmlRM2HHC9NX–Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the so-called ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building
Art inspired by Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 1/4 × 5 11/16 in. (18.4 × 14.4 cm), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-vertical-landscape-with-the-ruins-of-the-temple-of-venus-and-roma-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-7-14-5-1116-in-184-144-cm-lambert-suavius-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463009386.htmlRF2HW7W5E–Art inspired by Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 1/4 × 5 11/16 in. (18.4 × 14.4 cm), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 1/4 × 5 11/16 in. (18.4 × 14.4 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of the Temple of Venus and Roma on the Velian Hill in Rome. The building is recognizable by its prominent apsis that still stands today. The angle of the building, as seen from the South, varies from most other early modern depiction, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vertical-landscape-with-the-ruins-of-the-temple-of-venus-and-roma-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-dimensions-plate-7-14-5-1116-in-184-144-cm-date-ca-1572-vertical-plate-with-a-side-view-of-the-ruins-of-the-temple-of-venus-and-roma-on-the-velian-hill-in-rome-the-building-is-recognizable-by-its-prominent-apsis-that-still-stands-today-the-angle-of-the-building-as-seen-from-the-south-varies-from-most-other-early-modern-depiction-image213149644.htmlRMPANPF8–Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 1/4 × 5 11/16 in. (18.4 × 14.4 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of the Temple of Venus and Roma on the Velian Hill in Rome. The building is recognizable by its prominent apsis that still stands today. The angle of the building, as seen from the South, varies from most other early modern depiction,
View of the ruins of the Forum Boarium, Forum boarium Romae (title on object), Ruinarum varii prospectus (series title), View of the ruins of the Forum Boarium, the oldest forum in Rome. In the foreground some walkers. In the background the forum that was used as a pasture for cattle in the sixteenth century. The print is part of a series depicting various places in the Mediterranean., print, print maker: anonymous, after design by: Hendrick van Cleve, (mentioned on object), publisher: Philips Galle, (mentioned on object), print maker: Antwerp, after design by: Antwerp, publisher: Haarlem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-ruins-of-the-forum-boarium-forum-boarium-romae-title-on-object-ruinarum-varii-prospectus-series-title-view-of-the-ruins-of-the-forum-boarium-the-oldest-forum-in-rome-in-the-foreground-some-walkers-in-the-background-the-forum-that-was-used-as-a-pasture-for-cattle-in-the-sixteenth-century-the-print-is-part-of-a-series-depicting-various-places-in-the-mediterranean-print-print-maker-anonymous-after-design-by-hendrick-van-cleve-mentioned-on-object-publisher-philips-galle-mentioned-on-object-print-maker-antwerp-after-design-by-antwerp-publisher-haarlem-image606664476.htmlRM2X6YXMC–View of the ruins of the Forum Boarium, Forum boarium Romae (title on object), Ruinarum varii prospectus (series title), View of the ruins of the Forum Boarium, the oldest forum in Rome. In the foreground some walkers. In the background the forum that was used as a pasture for cattle in the sixteenth century. The print is part of a series depicting various places in the Mediterranean., print, print maker: anonymous, after design by: Hendrick van Cleve, (mentioned on object), publisher: Philips Galle, (mentioned on object), print maker: Antwerp, after design by: Antwerp, publisher: Haarlem
Half of Building -Templum Saturni- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823062 408631 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-building-templum-saturni-from-the-series-ruinarum-variarum-168432212.htmlRMKP0N04–Half of Building -Templum Saturni- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823062 408631
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-vertical-landscape-with-the-ruins-of-the-temple-of-venus-and-roma-162495785.htmlRMKCA90W–Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes
Gezicht op Rome Burgus Romae (titel op object) Ruinarum varii prospectus (serietitel) View of Rome. In the foreground a square with walkers. In the background, including the Castel Sant'Angelo. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-rome-burgus-romae-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-rome-in-the-foreground-a-square-with-walkers-in-the-background-including-the-castel-santangelo-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edge-h-image348386611.htmlRM2B6PAJY–Gezicht op Rome Burgus Romae (titel op object) Ruinarum varii prospectus (serietitel) View of Rome. In the foreground a square with walkers. In the background, including the Castel Sant'Angelo. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h
![Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photo](https://c8.alamy.com/comp/2B7PHBW/half-of-building-templum-saturni-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-2B7PHBW.jpg "Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photo")
Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-building-templum-saturni-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-image349006557.htmlRM2B7PHBW–Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554.
. Theatrvm orbis terrarvm. pagum ignobilem defiit. Multa tamen ruinarum veftigia, antiqui-tatemeiusetiamnumteftantia,ineofiipere(fevidimus. Regio eft rupibusafpera&crebrisfiluisoccu-pata; habitatonbus tamen frequentifsima, & culta; adeo vt quoque in montibus, praer lseta pecorumpafcua,quibus abundat,optimi vini & frumenti feracifsima fit. Sequani Cislurani, a lura monte, ad Rheni fluminis vfqueoram olim pertingebant. Hodie hatc parsSungoia,& Alfatia fuperior nominatur, Principibufque Auftriacis pro maiori parte obedit. Brifgoia; & Nigra filua, vulgo Sycarf^feald, alteram Rheni partem obcinet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theatrvm-orbis-terrarvm-pagum-ignobilem-defiit-multa-tamen-ruinarum-veftigia-antiqui-tatemeiusetiamnumteftantiaineofiiperefevidimus-regio-eft-rupibusafperacrebrisfiluisoccu-pata-habitatonbus-tamen-frequentifsima-culta-adeo-vt-quoque-in-montibus-praer-lseta-pecorumpafcuaquibus-abundatoptimi-vini-frumenti-feracifsima-fit-sequani-cislurani-a-lura-monte-ad-rheni-fluminis-vfqueoram-olim-pertingebant-hodie-hatc-parssungoia-alfatia-fuperior-nominatur-principibufque-auftriacis-pro-maiori-parte-obedit-brifgoia-nigra-filua-vulgo-sycarffeald-alteram-rheni-partem-obcinet-image370516529.htmlRM2CEPDH5–. Theatrvm orbis terrarvm. pagum ignobilem defiit. Multa tamen ruinarum veftigia, antiqui-tatemeiusetiamnumteftantia,ineofiipere(fevidimus. Regio eft rupibusafpera&crebrisfiluisoccu-pata; habitatonbus tamen frequentifsima, & culta; adeo vt quoque in montibus, praer lseta pecorumpafcua,quibus abundat,optimi vini & frumenti feracifsima fit. Sequani Cislurani, a lura monte, ad Rheni fluminis vfqueoram olim pertingebant. Hodie hatc parsSungoia,& Alfatia fuperior nominatur, Principibufque Auftriacis pro maiori parte obedit. Brifgoia; & Nigra filua, vulgo Sycarf^feald, alteram Rheni partem obcinet.
![Ruin of a round Temple [Templum Idor Egito], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is sim Stock Photo](https://c8.alamy.com/comp/2HHGPFG/ruin-of-a-round-temple-templum-idor-egito-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-cross-section-of-a-building-said-to-be-the-templum-idor-egito-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-of-three-stories-high-surrounded-by-an-ambulatory-that-reaches-up-to-the-second-floor-both-the-walls-of-the-nave-and-the-ambulatory-are-characterized-by-arches-that-are-open-to-the-exterior-the-nave-is-crowned-by-an-oculus-the-building-is-sim-2HHGPFG.jpg "Ruin of a round Temple [Templum Idor Egito], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is sim Stock Photo")
Ruin of a round Temple [Templum Idor Egito], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is sim Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruin-of-a-round-temple-templum-idor-egito-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-cross-section-of-a-building-said-to-be-the-templum-idor-egito-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-of-three-stories-high-surrounded-by-an-ambulatory-that-reaches-up-to-the-second-floor-both-the-walls-of-the-nave-and-the-ambulatory-are-characterized-by-arches-that-are-open-to-the-exterior-the-nave-is-crowned-by-an-oculus-the-building-is-sim-image458287636.htmlRM2HHGPFG–Ruin of a round Temple [Templum Idor Egito], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is sim
![Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a temple, referred to as the ‘Mercurii Templum’, set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay are marked by an aedicula, indicating that it might have functioned as an altar. A temple of Mercury is referenced in Medieval descriptions of Rome, although the precise location nor Stock Photo](https://c8.alamy.com/comp/2HH81G1/partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-right-half-of-a-temple-referred-to-as-the-mercurii-templum-set-in-a-stylized-landscape-curiously-the-building-does-not-appear-to-have-an-entrance-but-both-the-central-and-right-bay-are-marked-by-an-aedicula-indicating-that-it-might-have-functioned-as-an-altar-a-temple-of-mercury-is-referenced-in-medieval-descriptions-of-rome-although-the-precise-location-nor-2HH81G1.jpg "Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a temple, referred to as the ‘Mercurii Templum’, set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay are marked by an aedicula, indicating that it might have functioned as an altar. A temple of Mercury is referenced in Medieval descriptions of Rome, although the precise location nor Stock Photo")
Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a temple, referred to as the ‘Mercurii Templum’, set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay are marked by an aedicula, indicating that it might have functioned as an altar. A temple of Mercury is referenced in Medieval descriptions of Rome, although the precise location nor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-right-half-of-a-temple-referred-to-as-the-mercurii-templum-set-in-a-stylized-landscape-curiously-the-building-does-not-appear-to-have-an-entrance-but-both-the-central-and-right-bay-are-marked-by-an-aedicula-indicating-that-it-might-have-functioned-as-an-altar-a-temple-of-mercury-is-referenced-in-medieval-descriptions-of-rome-although-the-precise-location-nor-image458095569.htmlRM2HH81G1–Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a temple, referred to as the ‘Mercurii Templum’, set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay are marked by an aedicula, indicating that it might have functioned as an altar. A temple of Mercury is referenced in Medieval descriptions of Rome, although the precise location nor
Art inspired by Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm), Lambert Suavius (Netherlandish, ca. 1510–by 1576), Vertical plate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-7-1116-x-6-in-196-x-152-cm-lambert-suavius-netherlandish-ca-1510by-1576-vertical-plate-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008864.htmlRF2HW7TET–Art inspired by Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm), Lambert Suavius (Netherlandish, ca. 1510–by 1576), Vertical plate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate). Date: ca. 1572. Perspectival cross section of a building, said to be the so-called 'Pinaculu Termar'. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered Stock Photo](https://c8.alamy.com/comp/PAX7TR/cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-4-34-x-5-78-in-12-x-149-cm-uneven-plate-date-ca-1572-perspectival-cross-section-of-a-building-said-to-be-the-so-called-pinaculu-termar-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-surrounded-by-an-ambulatory-the-coffered-PAX7TR.jpg "Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate). Date: ca. 1572. Perspectival cross section of a building, said to be the so-called 'Pinaculu Termar'. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered Stock Photo")
Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate). Date: ca. 1572. Perspectival cross section of a building, said to be the so-called 'Pinaculu Termar'. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-4-34-x-5-78-in-12-x-149-cm-uneven-plate-date-ca-1572-perspectival-cross-section-of-a-building-said-to-be-the-so-called-pinaculu-termar-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-surrounded-by-an-ambulatory-the-coffered-image213247911.htmlRMPAX7TR–Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate). Date: ca. 1572. Perspectival cross section of a building, said to be the so-called 'Pinaculu Termar'. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered
Half of an Arch -Porta Antonae- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823059 408627 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-168432206.htmlRMKP0MYX–Half of an Arch -Porta Antonae- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823059 408627
The Amphitheater in Bordeaux Teatrum Bordeos; Transitorium Caesaris, from the series 'Ruinarum variarum fabricarum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-162495748.htmlRMKCA8YG–The Amphitheater in Bordeaux Teatrum Bordeos; Transitorium Caesaris, from the series 'Ruinarum variarum fabricarum
Gezicht op het Cortile del Belvedere Belvedere Romanum (titel op object) Ruinarum varii prospectus (serietitel) View of the Cortile del Belvedere, the gardens of the Vatican. In the foreground, a few walkers. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-het-cortile-del-belvedere-belvedere-romanum-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-cortile-del-belvedere-the-gardens-of-the-vatican-in-the-foreground-a-few-walkers-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-image348408705.htmlRM2B6RAT1–Gezicht op het Cortile del Belvedere Belvedere Romanum (titel op object) Ruinarum varii prospectus (serietitel) View of the Cortile del Belvedere, the gardens of the Vatican. In the foreground, a few walkers. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vertical-landscape-with-the-ruins-of-the-temple-of-venus-and-roma-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-image349006593.htmlRM2B7PHD5–Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554.
Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundations are partially burried and the building is covered in plants. The dome of the building is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horizontal-landscape-with-the-remains-of-the-nymphaeum-mistakenly-identified-as-the-temple-of-minerva-medica-in-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-horizontal-plate-with-a-depiction-of-the-remains-of-a-nymphaeum-historically-mistaken-for-the-temple-of-minerva-medica-in-rome-the-building-is-depicted-as-seen-from-the-south-from-what-is-now-the-via-giovanni-giolitti-its-foundations-are-partially-burried-and-the-building-is-covered-in-plants-the-dome-of-the-building-is-image458098127.htmlRM2HH84RB–Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundations are partially burried and the building is covered in plants. The dome of the building is
Art inspired by Half of Building Templum Saturni from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 3/16 × 4 7/16 in. (18.3 × 11.3 cm) left edge of the plate is not straight, Lambert, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-half-of-building-templum-saturni-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-7-316-4-716-in-183-113-cm-left-edge-of-the-plate-is-not-straight-lambert-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008810.htmlRF2HW7TCX–Art inspired by Half of Building Templum Saturni from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 3/16 × 4 7/16 in. (18.3 × 11.3 cm) left edge of the plate is not straight, Lambert, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 5/16 x 2 3/4 in. (13.5 x 7 cm). Date: ca. 1572. Perspectival depiction of a temple, suggested to be the 'Tenplum [sic] Iovis Ultoris'. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building's Stock Photo](https://c8.alamy.com/comp/PAMAH8/partial-view-of-a-building-templum-iovis-ultoris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-516-x-2-34-in-135-x-7-cm-date-ca-1572-perspectival-depiction-of-a-temple-suggested-to-be-the-tenplum-sic-iovis-ultoris-the-building-is-characterized-by-its-central-plan-and-placed-on-podium-with-three-steps-which-follows-the-shape-of-the-buildings-PAMAH8.jpg "Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 5/16 x 2 3/4 in. (13.5 x 7 cm). Date: ca. 1572. Perspectival depiction of a temple, suggested to be the 'Tenplum [sic] Iovis Ultoris'. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building's Stock Photo")
Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 5/16 x 2 3/4 in. (13.5 x 7 cm). Date: ca. 1572. Perspectival depiction of a temple, suggested to be the 'Tenplum [sic] Iovis Ultoris'. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-iovis-ultoris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-516-x-2-34-in-135-x-7-cm-date-ca-1572-perspectival-depiction-of-a-temple-suggested-to-be-the-tenplum-sic-iovis-ultoris-the-building-is-characterized-by-its-central-plan-and-placed-on-podium-with-three-steps-which-follows-the-shape-of-the-buildings-image213118340.htmlRMPAMAH8–Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 5/16 x 2 3/4 in. (13.5 x 7 cm). Date: ca. 1572. Perspectival depiction of a temple, suggested to be the 'Tenplum [sic] Iovis Ultoris'. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building's
Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 408684 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-168432404.htmlRMKP0N70–Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 408684
Partial view of a Building Sepulchrum Adriani from the series 'Ruinarum variarum fabricarum delineationes pictoribus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-162495761.htmlRMKCA901–Partial view of a Building Sepulchrum Adriani from the series 'Ruinarum variarum fabricarum delineationes pictoribus
Gezicht op het Colosseum Coliseum Romanum (titel op object) Ruinarum varii prospectus (serietitel) View of the ruins of the Colosseum from above. In the foreground, a few artists who are near to the sketches. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-het-colosseum-coliseum-romanum-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-ruins-of-the-colosseum-from-above-in-the-foreground-a-few-artists-who-are-near-to-the-sketches-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-image348408635.htmlRM2B6RANF–Gezicht op het Colosseum Coliseum Romanum (titel op object) Ruinarum varii prospectus (serietitel) View of the ruins of the Colosseum from above. In the foreground, a few artists who are near to the sketches. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements
![Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHC8/building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHC8.jpg "Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006568.htmlRM2B7PHC8–Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
![Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilas Stock Photo](https://c8.alamy.com/comp/2HH7T0G/partial-view-of-a-building-templum-iovis-ultoris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-a-temple-suggested-to-be-the-tenplum-sic-iovis-ultoris-the-building-is-characterized-by-its-central-plan-and-placed-on-podium-with-three-steps-which-follows-the-shape-of-the-buildings-circular-floorplan-the-building-has-two-main-floors-the-ground-floor-is-marked-by-a-portico-while-the-second-has-rectangular-windows-crowned-by-pediments-and-flanked-by-pilas-2HH7T0G.jpg "Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilas Stock Photo")
Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-iovis-ultoris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-a-temple-suggested-to-be-the-tenplum-sic-iovis-ultoris-the-building-is-characterized-by-its-central-plan-and-placed-on-podium-with-three-steps-which-follows-the-shape-of-the-buildings-circular-floorplan-the-building-has-two-main-floors-the-ground-floor-is-marked-by-a-portico-while-the-second-has-rectangular-windows-crowned-by-pediments-and-flanked-by-pilas-image458091216.htmlRM2HH7T0G–Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilas
![The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of a building, described as the ‘Teatrum Bordeos’ in the model for this print, but changed in a later state to ‘Transitorium Caesaris’. The depiction shows the building in a ruined state and focuses on the entrance gate and the left side of the arcade of the amphitheater. The architecture does not closely resemble the ruins of the building in Bordeaux, an Stock Photo](https://c8.alamy.com/comp/2HHAF9K/the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-view-of-a-building-described-as-the-teatrum-bordeos-in-the-model-for-this-print-but-changed-in-a-later-state-to-transitorium-caesaris-the-depiction-shows-the-building-in-a-ruined-state-and-focuses-on-the-entrance-gate-and-the-left-side-of-the-arcade-of-the-amphitheater-the-architecture-does-not-closely-resemble-the-ruins-of-the-building-in-bordeaux-an-2HHAF9K.jpg "The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of a building, described as the ‘Teatrum Bordeos’ in the model for this print, but changed in a later state to ‘Transitorium Caesaris’. The depiction shows the building in a ruined state and focuses on the entrance gate and the left side of the arcade of the amphitheater. The architecture does not closely resemble the ruins of the building in Bordeaux, an Stock Photo")
The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of a building, described as the ‘Teatrum Bordeos’ in the model for this print, but changed in a later state to ‘Transitorium Caesaris’. The depiction shows the building in a ruined state and focuses on the entrance gate and the left side of the arcade of the amphitheater. The architecture does not closely resemble the ruins of the building in Bordeaux, an Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-view-of-a-building-described-as-the-teatrum-bordeos-in-the-model-for-this-print-but-changed-in-a-later-state-to-transitorium-caesaris-the-depiction-shows-the-building-in-a-ruined-state-and-focuses-on-the-entrance-gate-and-the-left-side-of-the-arcade-of-the-amphitheater-the-architecture-does-not-closely-resemble-the-ruins-of-the-building-in-bordeaux-an-image458150271.htmlRM2HHAF9K–The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of a building, described as the ‘Teatrum Bordeos’ in the model for this print, but changed in a later state to ‘Transitorium Caesaris’. The depiction shows the building in a ruined state and focuses on the entrance gate and the left side of the arcade of the amphitheater. The architecture does not closely resemble the ruins of the building in Bordeaux, an
Art inspired by Partial view of a Building Sepulchrum Adriani from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-5-12-3-18-in-139-8-cm-lambert-suavius-netherlandish-ca-1510by-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008857.htmlRF2HW7TEH–Art inspired by Partial view of a Building Sepulchrum Adriani from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 11/16 × 3 7/16 in. (14.4 × 8.7 cm). Date: ca. 1572. Perspectival depiction of the right half of a triumphal arch, said to be the so-called 'Porta Antonae', set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from th Stock Photo](https://c8.alamy.com/comp/PB67D1/half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-1116-3-716-in-144-87-cm-date-ca-1572-perspectival-depiction-of-the-right-half-of-a-triumphal-arch-said-to-be-the-so-called-porta-antonae-set-in-a-stylized-landscape-the-arch-appears-to-have-been-stripped-from-all-its-ornaments-and-relief-decorations-aside-from-th-PB67D1.jpg "Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 11/16 × 3 7/16 in. (14.4 × 8.7 cm). Date: ca. 1572. Perspectival depiction of the right half of a triumphal arch, said to be the so-called 'Porta Antonae', set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from th Stock Photo")
Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 11/16 × 3 7/16 in. (14.4 × 8.7 cm). Date: ca. 1572. Perspectival depiction of the right half of a triumphal arch, said to be the so-called 'Porta Antonae', set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-1116-3-716-in-144-87-cm-date-ca-1572-perspectival-depiction-of-the-right-half-of-a-triumphal-arch-said-to-be-the-so-called-porta-antonae-set-in-a-stylized-landscape-the-arch-appears-to-have-been-stripped-from-all-its-ornaments-and-relief-decorations-aside-from-th-image213423197.htmlRMPB67D1–Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 11/16 × 3 7/16 in. (14.4 × 8.7 cm). Date: ca. 1572. Perspectival depiction of the right half of a triumphal arch, said to be the so-called 'Porta Antonae', set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from th
Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 408684 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-168272852.htmlRMKNNDMM–Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 408684
Cross-Section of Round Temple Pinaculu Termar, from the series 'Ruinarum variarum fabricarum delineationes pictoribus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-162495745.htmlRMKCA8YD–Cross-Section of Round Temple Pinaculu Termar, from the series 'Ruinarum variarum fabricarum delineationes pictoribus
Gezicht op de Pons Fabricius Pons quatuor capitum (titel op object) Ruinarum varii prospectus (serietitel) View the Pons Fabricus, the oldest bridge in Rome, which the island in the Tiber with the rest of Rome. In the foreground several fishermen. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-de-pons-fabricius-pons-quatuor-capitum-titel-op-object-ruinarum-varii-prospectus-serietitel-view-the-pons-fabricus-the-oldest-bridge-in-rome-which-the-island-in-the-tiber-with-the-rest-of-rome-in-the-foreground-several-fishermen-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-image348394181.htmlRM2B6PM99–Gezicht op de Pons Fabricius Pons quatuor capitum (titel op object) Ruinarum varii prospectus (serietitel) View the Pons Fabricus, the oldest bridge in Rome, which the island in the Tiber with the rest of Rome. In the foreground several fishermen. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique
![Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHDB/half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHDB.jpg "Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006599.htmlRM2B7PHDB–Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
![Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this Stock Photo](https://c8.alamy.com/comp/2HJ1J56/ruin-of-a-palace-facade-palatium-m-agrippa-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-frontal-view-of-the-faade-of-a-palace-said-to-be-that-of-emperor-marcus-agrippa-the-rusticated-faade-consists-of-three-stories-crowned-by-an-attica-with-arches-and-small-round-windows-the-faade-is-divided-in-four-bays-each-with-a-window-or-door-open-to-the-exterior-double-doric-pillars-flank-the-windows-along-the-sides-and-top-of-the-building-damage-is-visible-it-is-not-clear-whether-this-2HJ1J56.jpg "Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this Stock Photo")
Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruin-of-a-palace-facade-palatium-m-agrippa-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-frontal-view-of-the-faade-of-a-palace-said-to-be-that-of-emperor-marcus-agrippa-the-rusticated-faade-consists-of-three-stories-crowned-by-an-attica-with-arches-and-small-round-windows-the-faade-is-divided-in-four-bays-each-with-a-window-or-door-open-to-the-exterior-double-doric-pillars-flank-the-windows-along-the-sides-and-top-of-the-building-damage-is-visible-it-is-not-clear-whether-this-image458569586.htmlRM2HJ1J56–Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this
Art inspired by Cross-Section of Round Temple Pinaculu Termar, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-4-34-x-5-78-in-12-x-149-cm-uneven-plate-lambert-suavius-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008758.htmlRF2HW7TB2–Art inspired by Cross-Section of Round Temple Pinaculu Termar, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of a basilica (?), likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Ant Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-dimensions-plate-7-1116-x-6-in-196-x-152-cm-date-ca-1572-vertical-plate-with-a-side-view-of-the-ruins-of-a-basilica-likely-based-on-an-in-situ-observation-of-the-structure-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-is-a-print-series-published-by-gerard-de-jode-containing-depictions-of-buildings-from-classical-ant-image213261397.htmlRMPAXW2D–Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of a basilica (?), likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Ant
Half of an Arch -Porta Antonae- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823059 408627 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-168272633.htmlRMKNNDCW–Half of an Arch -Porta Antonae- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823059 408627
Partial view of a Building Templum Veneris from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-partial-view-of-a-building-templum-veneris-from-the-series-ruinarum-162495763.htmlRMKCA903–Partial view of a Building Templum Veneris from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque
Gezicht op de Palatijn Palatini montis prospectus (titel op object) Ruinarum varii prospectus (serietitel) View of the ruins of the Palatine hill. In the foreground some artists sketching the area. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-de-palatijn-palatini-montis-prospectus-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-ruins-of-the-palatine-hill-in-the-foreground-some-artists-sketching-the-area-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edg-image348393989.htmlRM2B6PM2D–Gezicht op de Palatijn Palatini montis prospectus (titel op object) Ruinarum varii prospectus (serietitel) View of the ruins of the Palatine hill. In the foreground some artists sketching the area. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edg
![Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHCG/half-of-an-arch-arcus-lutii-septimi-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHCG.jpg "Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-an-arch-arcus-lutii-septimi-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006576.htmlRM2B7PHCG–Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
![Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a triumphal arch, said to be the so-called ‘Porta Antonae’, set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from the Ionic or Composite pillars on the corners of the piers. The arch is crowned by a tall attica, which supports a pediment placed over the central arch. While the proportions are inco Stock Photo](https://c8.alamy.com/comp/2HHC30T/half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-right-half-of-a-triumphal-arch-said-to-be-the-so-called-porta-antonae-set-in-a-stylized-landscape-the-arch-appears-to-have-been-stripped-from-all-its-ornaments-and-relief-decorations-aside-from-the-ionic-or-composite-pillars-on-the-corners-of-the-piers-the-arch-is-crowned-by-a-tall-attica-which-supports-a-pediment-placed-over-the-central-arch-while-the-proportions-are-inco-2HHC30T.jpg "Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a triumphal arch, said to be the so-called ‘Porta Antonae’, set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from the Ionic or Composite pillars on the corners of the piers. The arch is crowned by a tall attica, which supports a pediment placed over the central arch. While the proportions are inco Stock Photo")
Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a triumphal arch, said to be the so-called ‘Porta Antonae’, set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from the Ionic or Composite pillars on the corners of the piers. The arch is crowned by a tall attica, which supports a pediment placed over the central arch. While the proportions are inco Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-right-half-of-a-triumphal-arch-said-to-be-the-so-called-porta-antonae-set-in-a-stylized-landscape-the-arch-appears-to-have-been-stripped-from-all-its-ornaments-and-relief-decorations-aside-from-the-ionic-or-composite-pillars-on-the-corners-of-the-piers-the-arch-is-crowned-by-a-tall-attica-which-supports-a-pediment-placed-over-the-central-arch-while-the-proportions-are-inco-image458184520.htmlRM2HHC30T–Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a triumphal arch, said to be the so-called ‘Porta Antonae’, set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from the Ionic or Composite pillars on the corners of the piers. The arch is crowned by a tall attica, which supports a pediment placed over the central arch. While the proportions are inco
Art inspired by The Amphitheater in Bordeaux Teatrum Bordeos; Transitorium Caesaris, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 3 7/16 x 5 5/16 in. (8.8 x 13.5 cm), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-3-716-x-5-516-in-88-x-135-cm-lambert-suavius-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008790.htmlRF2HW7TC6–Art inspired by The Amphitheater in Bordeaux Teatrum Bordeos; Transitorium Caesaris, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 3 7/16 x 5 5/16 in. (8.8 x 13.5 cm), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm). Date: ca. 1572. Perspectival depiction of part of the mausoleum of Emperor Hadrian. The building is characterized by its central plan consisting of two circular floors on a rectangular base. The building is crowned by a rectangular (?) l Stock Photo](https://c8.alamy.com/comp/PAXWE0/partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-12-3-18-in-139-8-cm-date-ca-1572-perspectival-depiction-of-part-of-the-mausoleum-of-emperor-hadrian-the-building-is-characterized-by-its-central-plan-consisting-of-two-circular-floors-on-a-rectangular-base-the-building-is-crowned-by-a-rectangular-l-PAXWE0.jpg "Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm). Date: ca. 1572. Perspectival depiction of part of the mausoleum of Emperor Hadrian. The building is characterized by its central plan consisting of two circular floors on a rectangular base. The building is crowned by a rectangular (?) l Stock Photo")
Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm). Date: ca. 1572. Perspectival depiction of part of the mausoleum of Emperor Hadrian. The building is characterized by its central plan consisting of two circular floors on a rectangular base. The building is crowned by a rectangular (?) l Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-12-3-18-in-139-8-cm-date-ca-1572-perspectival-depiction-of-part-of-the-mausoleum-of-emperor-hadrian-the-building-is-characterized-by-its-central-plan-consisting-of-two-circular-floors-on-a-rectangular-base-the-building-is-crowned-by-a-rectangular-l-image213261720.htmlRMPAXWE0–Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm). Date: ca. 1572. Perspectival depiction of part of the mausoleum of Emperor Hadrian. The building is characterized by its central plan consisting of two circular floors on a rectangular base. The building is crowned by a rectangular (?) l
Half of Building -Templum Saturni- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823062 408631 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-building-templum-saturni-from-the-series-ruinarum-variarum-168272642.htmlRMKNNDD6–Half of Building -Templum Saturni- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823062 408631
Half of an Arch Porta Antonae from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-162495749.htmlRMKCA8YH–Half of an Arch Porta Antonae from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus
Gezicht op de basiliek dei Santi Apostoli Forum SS Apostolorum (titel op object) Ruinarum varii prospectus (serietitel) View of the Basilica dei Santi Apostoli. In the foreground the street with pedestrians. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-de-basiliek-dei-santi-apostoli-forum-ss-apostolorum-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-basilica-dei-santi-apostoli-in-the-foreground-the-street-with-pedestrians-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-image348397146.htmlRM2B6PT36–Gezicht op de basiliek dei Santi Apostoli Forum SS Apostolorum (titel op object) Ruinarum varii prospectus (serietitel) View of the Basilica dei Santi Apostoli. In the foreground the street with pedestrians. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements:
![Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHCM/partial-view-of-a-building-templum-veneris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHCM.jpg "Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-veneris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006580.htmlRM2B7PHCM–Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
![Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left half of a double triumphal arch, said to be the ‘Arcus Lutii Septimii’ set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief decorations, aside from a statue which crowns one of the protruding piers with Ionic or Composite pillars that flank the arches. While the proportions are incorrect, the overall com Stock Photo](https://c8.alamy.com/comp/2HHBKDT/half-of-an-arch-arcus-lutii-septimi-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-left-half-of-a-double-triumphal-arch-said-to-be-the-arcus-lutii-septimii-set-in-a-stylized-landscape-the-arch-appears-to-be-placed-on-a-square-and-is-stripped-from-all-its-ornaments-and-relief-decorations-aside-from-a-statue-which-crowns-one-of-the-protruding-piers-with-ionic-or-composite-pillars-that-flank-the-arches-while-the-proportions-are-incorrect-the-overall-com-2HHBKDT.jpg "Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left half of a double triumphal arch, said to be the ‘Arcus Lutii Septimii’ set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief decorations, aside from a statue which crowns one of the protruding piers with Ionic or Composite pillars that flank the arches. While the proportions are incorrect, the overall com Stock Photo")
Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left half of a double triumphal arch, said to be the ‘Arcus Lutii Septimii’ set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief decorations, aside from a statue which crowns one of the protruding piers with Ionic or Composite pillars that flank the arches. While the proportions are incorrect, the overall com Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-an-arch-arcus-lutii-septimi-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-left-half-of-a-double-triumphal-arch-said-to-be-the-arcus-lutii-septimii-set-in-a-stylized-landscape-the-arch-appears-to-be-placed-on-a-square-and-is-stripped-from-all-its-ornaments-and-relief-decorations-aside-from-a-statue-which-crowns-one-of-the-protruding-piers-with-ionic-or-composite-pillars-that-flank-the-arches-while-the-proportions-are-incorrect-the-overall-com-image458175476.htmlRM2HHBKDT–Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left half of a double triumphal arch, said to be the ‘Arcus Lutii Septimii’ set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief decorations, aside from a statue which crowns one of the protruding piers with Ionic or Composite pillars that flank the arches. While the proportions are incorrect, the overall com
Art inspired by Partial View of a Building Templum Isaiae Prophetae from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 6 11/16 x 4 5/16 in. (17 x 11 cm), Lambert Suavius (Netherlandish, ca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-partial-view-of-a-building-templum-isaiae-prophetae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-6-1116-x-4-516-in-17-x-11-cm-lambert-suavius-netherlandish-ca-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008853.htmlRF2HW7TED–Art inspired by Partial View of a Building Templum Isaiae Prophetae from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 6 11/16 x 4 5/16 in. (17 x 11 cm), Lambert Suavius (Netherlandish, ca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 3 7/16 x 5 5/16 in. (8.8 x 13.5 cm). Date: ca. 1572. Perspectival view of a building, described as the 'Teatrum Bordeos' in the model for this print, but changed in a later state to 'Transitorium Caesaris'. The depiction shows the building in a ru Stock Photo](https://c8.alamy.com/comp/PB1ANW/the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-3-716-x-5-516-in-88-x-135-cm-date-ca-1572-perspectival-view-of-a-building-described-as-the-teatrum-bordeos-in-the-model-for-this-print-but-changed-in-a-later-state-to-transitorium-caesaris-the-depiction-shows-the-building-in-a-ru-PB1ANW.jpg "The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 3 7/16 x 5 5/16 in. (8.8 x 13.5 cm). Date: ca. 1572. Perspectival view of a building, described as the 'Teatrum Bordeos' in the model for this print, but changed in a later state to 'Transitorium Caesaris'. The depiction shows the building in a ru Stock Photo")
The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 3 7/16 x 5 5/16 in. (8.8 x 13.5 cm). Date: ca. 1572. Perspectival view of a building, described as the 'Teatrum Bordeos' in the model for this print, but changed in a later state to 'Transitorium Caesaris'. The depiction shows the building in a ru Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-3-716-x-5-516-in-88-x-135-cm-date-ca-1572-perspectival-view-of-a-building-described-as-the-teatrum-bordeos-in-the-model-for-this-print-but-changed-in-a-later-state-to-transitorium-caesaris-the-depiction-shows-the-building-in-a-ru-image213316037.htmlRMPB1ANW–The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 3 7/16 x 5 5/16 in. (8.8 x 13.5 cm). Date: ca. 1572. Perspectival view of a building, described as the 'Teatrum Bordeos' in the model for this print, but changed in a later state to 'Transitorium Caesaris'. The depiction shows the building in a ru
Half of an Arch -Arcus Lutii Septimi- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823061 408628 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-an-arch-arcus-lutii-septimi-from-the-series-ruinarum-variarum-168432205.htmlRMKP0MYW–Half of an Arch -Arcus Lutii Septimi- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823061 408628
Partial view of a Building Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-partial-view-of-a-building-templum-iovis-ultoris-from-the-series-ruinarum-162495767.htmlRMKCA907–Partial view of a Building Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus
Gezicht op Monte Testaccio Mons Testaceus (titel op object) Ruinarum varii prospectus (serietitel) View of Monte Testaccio. There is a tournament going on and a lot of spectators gathered to see the spectacle too. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-monte-testaccio-mons-testaceus-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-monte-testaccio-there-is-a-tournament-going-on-and-a-lot-of-spectators-gathered-to-see-the-spectacle-too-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measure-image348385133.htmlRM2B6P8P5–Gezicht op Monte Testaccio Mons Testaceus (titel op object) Ruinarum varii prospectus (serietitel) View of Monte Testaccio. There is a tournament going on and a lot of spectators gathered to see the spectacle too. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measure
![Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHC0/partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHC0.jpg "Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006560.htmlRM2B7PHC0–Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
![Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left part of a temple, said to be the so-called ‘Templum Saturni’. The building is characterized by its central plan, placed on a two-stepped podium that follows the contour of the floorplan. The main body of the building is circular in shape, with an avant-corps on the front and left side marked by semi-circular absidioles on the ground floor level and a portico with a pediment Stock Photo](https://c8.alamy.com/comp/2HHBCB6/half-of-building-templum-saturni-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-left-part-of-a-temple-said-to-be-the-so-called-templum-saturni-the-building-is-characterized-by-its-central-plan-placed-on-a-two-stepped-podium-that-follows-the-contour-of-the-floorplan-the-main-body-of-the-building-is-circular-in-shape-with-an-avant-corps-on-the-front-and-left-side-marked-by-semi-circular-absidioles-on-the-ground-floor-level-and-a-portico-with-a-pediment-2HHBCB6.jpg "Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left part of a temple, said to be the so-called ‘Templum Saturni’. The building is characterized by its central plan, placed on a two-stepped podium that follows the contour of the floorplan. The main body of the building is circular in shape, with an avant-corps on the front and left side marked by semi-circular absidioles on the ground floor level and a portico with a pediment Stock Photo")
Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left part of a temple, said to be the so-called ‘Templum Saturni’. The building is characterized by its central plan, placed on a two-stepped podium that follows the contour of the floorplan. The main body of the building is circular in shape, with an avant-corps on the front and left side marked by semi-circular absidioles on the ground floor level and a portico with a pediment Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-building-templum-saturni-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-left-part-of-a-temple-said-to-be-the-so-called-templum-saturni-the-building-is-characterized-by-its-central-plan-placed-on-a-two-stepped-podium-that-follows-the-contour-of-the-floorplan-the-main-body-of-the-building-is-circular-in-shape-with-an-avant-corps-on-the-front-and-left-side-marked-by-semi-circular-absidioles-on-the-ground-floor-level-and-a-portico-with-a-pediment-image458169914.htmlRM2HHBCB6–Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left part of a temple, said to be the so-called ‘Templum Saturni’. The building is characterized by its central plan, placed on a two-stepped podium that follows the contour of the floorplan. The main body of the building is circular in shape, with an avant-corps on the front and left side marked by semi-circular absidioles on the ground floor level and a portico with a pediment
Art inspired by Partial view of a Building Templum Veneris from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 3/16 x 3 7/16 in. (13.2 x 8.7 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-partial-view-of-a-building-templum-veneris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-5-316-x-3-716-in-132-x-87-cm-lambert-suavius-netherlandish-ca-1510by-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008878.htmlRF2HW7TFA–Art inspired by Partial view of a Building Templum Veneris from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 3/16 x 3 7/16 in. (13.2 x 8.7 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 3/16 x 3 7/16 in. (13.2 x 8.7 cm). Date: ca. 1572. Perspectival depiction of the right half of a palace or temple, suggested to be the 'Tenplus [sic] Veneris', set in a stylized landscape. The building is characterized by a domed tower over the central bay. The right sid Stock Photo](https://c8.alamy.com/comp/PAXYKT/partial-view-of-a-building-templum-veneris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-316-x-3-716-in-132-x-87-cm-date-ca-1572-perspectival-depiction-of-the-right-half-of-a-palace-or-temple-suggested-to-be-the-tenplus-sic-veneris-set-in-a-stylized-landscape-the-building-is-characterized-by-a-domed-tower-over-the-central-bay-the-right-sid-PAXYKT.jpg "Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 3/16 x 3 7/16 in. (13.2 x 8.7 cm). Date: ca. 1572. Perspectival depiction of the right half of a palace or temple, suggested to be the 'Tenplus [sic] Veneris', set in a stylized landscape. The building is characterized by a domed tower over the central bay. The right sid Stock Photo")
Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 3/16 x 3 7/16 in. (13.2 x 8.7 cm). Date: ca. 1572. Perspectival depiction of the right half of a palace or temple, suggested to be the 'Tenplus [sic] Veneris', set in a stylized landscape. The building is characterized by a domed tower over the central bay. The right sid Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-veneris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-316-x-3-716-in-132-x-87-cm-date-ca-1572-perspectival-depiction-of-the-right-half-of-a-palace-or-temple-suggested-to-be-the-tenplus-sic-veneris-set-in-a-stylized-landscape-the-building-is-characterized-by-a-domed-tower-over-the-central-bay-the-right-sid-image213263452.htmlRMPAXYKT–Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 3/16 x 3 7/16 in. (13.2 x 8.7 cm). Date: ca. 1572. Perspectival depiction of the right half of a palace or temple, suggested to be the 'Tenplus [sic] Veneris', set in a stylized landscape. The building is characterized by a domed tower over the central bay. The right sid
Half of an Arch -Arcus Lutii Septimi- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823061 408628 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-an-arch-arcus-lutii-septimi-from-the-series-ruinarum-variarum-168272632.htmlRMKNNDCT–Half of an Arch -Arcus Lutii Septimi- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823061 408628
Partial View of a Monument Mercurii Templum from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-162495769.htmlRMKCA909–Partial View of a Monument Mercurii Templum from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque
Gezicht op Pozzuoli Puteoli (titel op object) Ruinarum varii prospectus (serietitel) View of the city Pozzuoli and the ruins of the Flavian amphitheater. In the background the bay and several ships. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate ed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-pozzuoli-puteoli-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-city-pozzuoli-and-the-ruins-of-the-flavian-amphitheater-in-the-background-the-bay-and-several-ships-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-ed-image348386313.htmlRM2B6PA89–Gezicht op Pozzuoli Puteoli (titel op object) Ruinarum varii prospectus (serietitel) View of the city Pozzuoli and the ruins of the Flavian amphitheater. In the background the bay and several ships. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate ed
![Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHDA/partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHDA.jpg "Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006598.htmlRM2B7PHDA–Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Vertical plate with a side view of the ruins of the Temple of Venus and Roma on the Velian Hill in Rome. The building is recognizable by its prominent apsis that still stands today. The angle of the building, as seen from the South, varies from most other early modern depiction, and was likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum deli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vertical-landscape-with-the-ruins-of-the-temple-of-venus-and-roma-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-vertical-plate-with-a-side-view-of-the-ruins-of-the-temple-of-venus-and-roma-on-the-velian-hill-in-rome-the-building-is-recognizable-by-its-prominent-apsis-that-still-stands-today-the-angle-of-the-building-as-seen-from-the-south-varies-from-most-other-early-modern-depiction-and-was-likely-based-on-an-in-situ-observation-of-the-structure-ruinarum-variarum-fabricarum-deli-image458177511.htmlRM2HHBP2F–Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Vertical plate with a side view of the ruins of the Temple of Venus and Roma on the Velian Hill in Rome. The building is recognizable by its prominent apsis that still stands today. The angle of the building, as seen from the South, varies from most other early modern depiction, and was likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum deli
![Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the side view of a building referred to as the ‘Aerarii Publici Rome’, the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi-circular absidioles and an avant-corps on the front side (here seen on the left). The avant-corpse consists of a monumental staircase that leads up to the fourth floor of the building. A separate Stock Photo](https://c8.alamy.com/comp/2HH8EF5/building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-side-view-of-a-building-referred-to-as-the-aerarii-publici-rome-the-public-treasury-of-rome-the-main-body-of-the-building-is-circular-in-shape-interrupted-at-regular-intervals-by-semi-circular-absidioles-and-an-avant-corps-on-the-front-side-here-seen-on-the-left-the-avant-corpse-consists-of-a-monumental-staircase-that-leads-up-to-the-fourth-floor-of-the-building-a-separate-2HH8EF5.jpg "Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the side view of a building referred to as the ‘Aerarii Publici Rome’, the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi-circular absidioles and an avant-corps on the front side (here seen on the left). The avant-corpse consists of a monumental staircase that leads up to the fourth floor of the building. A separate Stock Photo")
Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the side view of a building referred to as the ‘Aerarii Publici Rome’, the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi-circular absidioles and an avant-corps on the front side (here seen on the left). The avant-corpse consists of a monumental staircase that leads up to the fourth floor of the building. A separate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-side-view-of-a-building-referred-to-as-the-aerarii-publici-rome-the-public-treasury-of-rome-the-main-body-of-the-building-is-circular-in-shape-interrupted-at-regular-intervals-by-semi-circular-absidioles-and-an-avant-corps-on-the-front-side-here-seen-on-the-left-the-avant-corpse-consists-of-a-monumental-staircase-that-leads-up-to-the-fourth-floor-of-the-building-a-separate-image458105737.htmlRM2HH8EF5–Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the side view of a building referred to as the ‘Aerarii Publici Rome’, the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi-circular absidioles and an avant-corps on the front side (here seen on the left). The avant-corpse consists of a monumental staircase that leads up to the fourth floor of the building. A separate
Art inspired by Half of an Arch Porta Antonae from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 11/16 × 3 7/16 in. (14.4 × 8.7 cm), Lambert Suavius (Netherlandish, ca. 1510–by 1576), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-5-1116-3-716-in-144-87-cm-lambert-suavius-netherlandish-ca-1510by-1576-after-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008755.htmlRF2HW7TAY–Art inspired by Half of an Arch Porta Antonae from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 11/16 × 3 7/16 in. (14.4 × 8.7 cm), Lambert Suavius (Netherlandish, ca. 1510–by 1576), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of part of the mausoleum of Emperor Hadrian. The building is characterized by its central plan consisting of two circular floors on a rectangular base. The building is crowned by a rectangular (?) lantern. A statue of a Roman soldier is placed on the right corner of the base of the building. Two other statues are placed in semi-circular niches on the second floor. While th Stock Photo](https://c8.alamy.com/comp/2HJ4DJ0/partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-part-of-the-mausoleum-of-emperor-hadrian-the-building-is-characterized-by-its-central-plan-consisting-of-two-circular-floors-on-a-rectangular-base-the-building-is-crowned-by-a-rectangular-lantern-a-statue-of-a-roman-soldier-is-placed-on-the-right-corner-of-the-base-of-the-building-two-other-statues-are-placed-in-semi-circular-niches-on-the-second-floor-while-th-2HJ4DJ0.jpg "Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of part of the mausoleum of Emperor Hadrian. The building is characterized by its central plan consisting of two circular floors on a rectangular base. The building is crowned by a rectangular (?) lantern. A statue of a Roman soldier is placed on the right corner of the base of the building. Two other statues are placed in semi-circular niches on the second floor. While th Stock Photo")
Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of part of the mausoleum of Emperor Hadrian. The building is characterized by its central plan consisting of two circular floors on a rectangular base. The building is crowned by a rectangular (?) lantern. A statue of a Roman soldier is placed on the right corner of the base of the building. Two other statues are placed in semi-circular niches on the second floor. While th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-part-of-the-mausoleum-of-emperor-hadrian-the-building-is-characterized-by-its-central-plan-consisting-of-two-circular-floors-on-a-rectangular-base-the-building-is-crowned-by-a-rectangular-lantern-a-statue-of-a-roman-soldier-is-placed-on-the-right-corner-of-the-base-of-the-building-two-other-statues-are-placed-in-semi-circular-niches-on-the-second-floor-while-th-image458631880.htmlRM2HJ4DJ0–Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of part of the mausoleum of Emperor Hadrian. The building is characterized by its central plan consisting of two circular floors on a rectangular base. The building is crowned by a rectangular (?) lantern. A statue of a Roman soldier is placed on the right corner of the base of the building. Two other statues are placed in semi-circular niches on the second floor. While th
![Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 5/8 x 3 13/16 in. (11.8 x 9.7 cm). Date: ca. 1572. Perspectival depiction of the left half of a double triumphal arch, said to be the 'Arcus Lutii Septimii' set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief Stock Photo](https://c8.alamy.com/comp/PANH91/half-of-an-arch-arcus-lutii-septimi-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-4-58-x-3-1316-in-118-x-97-cm-date-ca-1572-perspectival-depiction-of-the-left-half-of-a-double-triumphal-arch-said-to-be-the-arcus-lutii-septimii-set-in-a-stylized-landscape-the-arch-appears-to-be-placed-on-a-square-and-is-stripped-from-all-its-ornaments-and-relief-PANH91.jpg "Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 5/8 x 3 13/16 in. (11.8 x 9.7 cm). Date: ca. 1572. Perspectival depiction of the left half of a double triumphal arch, said to be the 'Arcus Lutii Septimii' set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief Stock Photo")
Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 5/8 x 3 13/16 in. (11.8 x 9.7 cm). Date: ca. 1572. Perspectival depiction of the left half of a double triumphal arch, said to be the 'Arcus Lutii Septimii' set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-an-arch-arcus-lutii-septimi-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-4-58-x-3-1316-in-118-x-97-cm-date-ca-1572-perspectival-depiction-of-the-left-half-of-a-double-triumphal-arch-said-to-be-the-arcus-lutii-septimii-set-in-a-stylized-landscape-the-arch-appears-to-be-placed-on-a-square-and-is-stripped-from-all-its-ornaments-and-relief-image213145549.htmlRMPANH91–Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 5/8 x 3 13/16 in. (11.8 x 9.7 cm). Date: ca. 1572. Perspectival depiction of the left half of a double triumphal arch, said to be the 'Arcus Lutii Septimii' set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief
Cross-Section of Round Temple -Pinaculu Termar-, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823057 408629 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-168272634.htmlRMKNNDCX–Cross-Section of Round Temple -Pinaculu Termar-, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823057 408629
Half of Building Templum Saturni from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-building-templum-saturni-from-the-series-ruinarum-variarum-162495752.htmlRMKCA8YM–Half of Building Templum Saturni from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus
Gezicht op het Pantheon S Maria Rotunda (titel op object) Ruinarum varii prospectus (serietitel) View of the Pantheon, the Roman temple that was known in the sixteenth century Santa Maria dei Martiri. In the foreground the Piazza della Rotonda with many pedestrians. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra materi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-het-pantheon-s-maria-rotunda-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-pantheon-the-roman-temple-that-was-known-in-the-sixteenth-century-santa-maria-dei-martiri-in-the-foreground-the-piazza-della-rotonda-with-many-pedestrians-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-materi-image348410116.htmlRM2B6RCJC–Gezicht op het Pantheon S Maria Rotunda (titel op object) Ruinarum varii prospectus (serietitel) View of the Pantheon, the Roman temple that was known in the sixteenth century Santa Maria dei Martiri. In the foreground the Piazza della Rotonda with many pedestrians. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra materi
![The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHCP/the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHCP.jpg "The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006582.htmlRM2B7PHCP–The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
Art inspired by Ruin of a round Temple Templum Idor Egito, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 6 3/4 x 4 7/8 in. (17.2 x 12.4 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ruin-of-a-round-temple-templum-idor-egito-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-6-34-x-4-78-in-172-x-124-cm-lambert-suavius-netherlandish-ca-1510by-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008756.htmlRF2HW7TB0–Art inspired by Ruin of a round Temple Templum Idor Egito, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 6 3/4 x 4 7/8 in. (17.2 x 12.4 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Partial View of a Building [Palatium Claudie] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of the leftt side of a building described as the palace of Emperor Claudius. The building consists of three stories crowned by a balustrade and three bays of what is likely a five-bay façade have been depicted. The bay on the right (the central bay of the façade) shows the entrance way, marked by an avant-corpse with its own attica and a pediment. It is not clear whether this ren Stock Photo](https://c8.alamy.com/comp/2HJ1WXP/partial-view-of-a-building-palatium-claudie-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-view-of-the-leftt-side-of-a-building-described-as-the-palace-of-emperor-claudius-the-building-consists-of-three-stories-crowned-by-a-balustrade-and-three-bays-of-what-is-likely-a-five-bay-faade-have-been-depicted-the-bay-on-the-right-the-central-bay-of-the-faade-shows-the-entrance-way-marked-by-an-avant-corpse-with-its-own-attica-and-a-pediment-it-is-not-clear-whether-this-ren-2HJ1WXP.jpg "Partial View of a Building [Palatium Claudie] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of the leftt side of a building described as the palace of Emperor Claudius. The building consists of three stories crowned by a balustrade and three bays of what is likely a five-bay façade have been depicted. The bay on the right (the central bay of the façade) shows the entrance way, marked by an avant-corpse with its own attica and a pediment. It is not clear whether this ren Stock Photo")
Partial View of a Building [Palatium Claudie] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of the leftt side of a building described as the palace of Emperor Claudius. The building consists of three stories crowned by a balustrade and three bays of what is likely a five-bay façade have been depicted. The bay on the right (the central bay of the façade) shows the entrance way, marked by an avant-corpse with its own attica and a pediment. It is not clear whether this ren Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-palatium-claudie-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-view-of-the-leftt-side-of-a-building-described-as-the-palace-of-emperor-claudius-the-building-consists-of-three-stories-crowned-by-a-balustrade-and-three-bays-of-what-is-likely-a-five-bay-faade-have-been-depicted-the-bay-on-the-right-the-central-bay-of-the-faade-shows-the-entrance-way-marked-by-an-avant-corpse-with-its-own-attica-and-a-pediment-it-is-not-clear-whether-this-ren-image458575678.htmlRM2HJ1WXP–Partial View of a Building [Palatium Claudie] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of the leftt side of a building described as the palace of Emperor Claudius. The building consists of three stories crowned by a balustrade and three bays of what is likely a five-bay façade have been depicted. The bay on the right (the central bay of the façade) shows the entrance way, marked by an avant-corpse with its own attica and a pediment. It is not clear whether this ren
![Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 5/16 x 3 1/8 in. (13.5 x 7.9 cm). Date: ca. 1572. Perspectival depiction of the right half of a temple, referred to as the 'Mercurii Templum', set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay ar Stock Photo](https://c8.alamy.com/comp/PAXT34/partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-516-x-3-18-in-135-x-79-cm-date-ca-1572-perspectival-depiction-of-the-right-half-of-a-temple-referred-to-as-the-mercurii-templum-set-in-a-stylized-landscape-curiously-the-building-does-not-appear-to-have-an-entrance-but-both-the-central-and-right-bay-ar-PAXT34.jpg "Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 5/16 x 3 1/8 in. (13.5 x 7.9 cm). Date: ca. 1572. Perspectival depiction of the right half of a temple, referred to as the 'Mercurii Templum', set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay ar Stock Photo")
Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 5/16 x 3 1/8 in. (13.5 x 7.9 cm). Date: ca. 1572. Perspectival depiction of the right half of a temple, referred to as the 'Mercurii Templum', set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay ar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-5-516-x-3-18-in-135-x-79-cm-date-ca-1572-perspectival-depiction-of-the-right-half-of-a-temple-referred-to-as-the-mercurii-templum-set-in-a-stylized-landscape-curiously-the-building-does-not-appear-to-have-an-entrance-but-both-the-central-and-right-bay-ar-image213260632.htmlRMPAXT34–Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 5 5/16 x 3 1/8 in. (13.5 x 7.9 cm). Date: ca. 1572. Perspectival depiction of the right half of a temple, referred to as the 'Mercurii Templum', set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay ar
Cross-Section of Round Temple -Pinaculu Termar-, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823057 408629 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-168432207.htmlRMKP0MYY–Cross-Section of Round Temple -Pinaculu Termar-, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823057 408629
Partial View of a Building Palatium Claudie from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-partial-view-of-a-building-palatium-claudie-from-the-series-ruinarum-162495782.htmlRMKCA90P–Partial View of a Building Palatium Claudie from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque
Gezicht op de watervallen van Tivoli Catarctes Tiburti (titel op object) Ruinarum varii prospectus (serietitel) View of the falls of Tivoli and the ancient ruins of the town. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 173 mm × W 244 mmT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-de-watervallen-van-tivoli-catarctes-tiburti-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-falls-of-tivoli-and-the-ancient-ruins-of-the-town-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edge-h-173-mm-w-244-mmt-image348401247.htmlRM2B6R19K–Gezicht op de watervallen van Tivoli Catarctes Tiburti (titel op object) Ruinarum varii prospectus (serietitel) View of the falls of Tivoli and the ancient ruins of the town. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 173 mm × W 244 mmT
![Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHC9/ruin-of-a-palace-facade-palatium-m-agrippa-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHC9.jpg "Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruin-of-a-palace-facade-palatium-m-agrippa-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006569.htmlRM2B7PHC9–Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
Art inspired by Ruin of a Palace Facade Palatium M. Agrippa from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 7/16 × 6 15/16 in. (13.9 × 17.6 cm), Lambert Suavius (Netherlandish, ca. 1510–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ruin-of-a-palace-facade-palatium-m-agrippa-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-5-716-6-1516-in-139-176-cm-lambert-suavius-netherlandish-ca-1510-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008753.htmlRF2HW7TAW–Art inspired by Ruin of a Palace Facade Palatium M. Agrippa from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 7/16 × 6 15/16 in. (13.9 × 17.6 cm), Lambert Suavius (Netherlandish, ca. 1510–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left part of a temple, referred to as the ‘Tenplum [sic] Isaiae Prophetae’ placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tower and separate cupola over the central bay. The left side of the building is marked by an avant-corpse that mirrors the central entrance and is crowned by a small cupola with a t Stock Photo](https://c8.alamy.com/comp/2HJ4MN7/partial-view-of-a-building-templum-isaiae-prophetae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-left-part-of-a-temple-referred-to-as-the-tenplum-sic-isaiae-prophetae-placed-on-a-two-stepped-podium-and-set-in-a-stylized-landscape-the-building-is-characterized-by-a-domed-tower-and-separate-cupola-over-the-central-bay-the-left-side-of-the-building-is-marked-by-an-avant-corpse-that-mirrors-the-central-entrance-and-is-crowned-by-a-small-cupola-with-a-t-2HJ4MN7.jpg "Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left part of a temple, referred to as the ‘Tenplum [sic] Isaiae Prophetae’ placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tower and separate cupola over the central bay. The left side of the building is marked by an avant-corpse that mirrors the central entrance and is crowned by a small cupola with a t Stock Photo")
Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left part of a temple, referred to as the ‘Tenplum [sic] Isaiae Prophetae’ placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tower and separate cupola over the central bay. The left side of the building is marked by an avant-corpse that mirrors the central entrance and is crowned by a small cupola with a t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-isaiae-prophetae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-left-part-of-a-temple-referred-to-as-the-tenplum-sic-isaiae-prophetae-placed-on-a-two-stepped-podium-and-set-in-a-stylized-landscape-the-building-is-characterized-by-a-domed-tower-and-separate-cupola-over-the-central-bay-the-left-side-of-the-building-is-marked-by-an-avant-corpse-that-mirrors-the-central-entrance-and-is-crowned-by-a-small-cupola-with-a-t-image458637459.htmlRM2HJ4MN7–Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the left part of a temple, referred to as the ‘Tenplum [sic] Isaiae Prophetae’ placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tower and separate cupola over the central bay. The left side of the building is marked by an avant-corpse that mirrors the central entrance and is crowned by a small cupola with a t
![Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 6 11/16 x 4 5/16 in. (17 x 11 cm). Date: ca. 1572. Perspectival depiction of the left part of a temple, referred to as the 'Tenplum [sic] Isaiae Prophetae' placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tow Stock Photo](https://c8.alamy.com/comp/PB1YEC/partial-view-of-a-building-templum-isaiae-prophetae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-6-1116-x-4-516-in-17-x-11-cm-date-ca-1572-perspectival-depiction-of-the-left-part-of-a-temple-referred-to-as-the-tenplum-sic-isaiae-prophetae-placed-on-a-two-stepped-podium-and-set-in-a-stylized-landscape-the-building-is-characterized-by-a-domed-tow-PB1YEC.jpg "Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 6 11/16 x 4 5/16 in. (17 x 11 cm). Date: ca. 1572. Perspectival depiction of the left part of a temple, referred to as the 'Tenplum [sic] Isaiae Prophetae' placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tow Stock Photo")
Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 6 11/16 x 4 5/16 in. (17 x 11 cm). Date: ca. 1572. Perspectival depiction of the left part of a temple, referred to as the 'Tenplum [sic] Isaiae Prophetae' placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-isaiae-prophetae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-6-1116-x-4-516-in-17-x-11-cm-date-ca-1572-perspectival-depiction-of-the-left-part-of-a-temple-referred-to-as-the-tenplum-sic-isaiae-prophetae-placed-on-a-two-stepped-podium-and-set-in-a-stylized-landscape-the-building-is-characterized-by-a-domed-tow-image213329156.htmlRMPB1YEC–Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 6 11/16 x 4 5/16 in. (17 x 11 cm). Date: ca. 1572. Perspectival depiction of the left part of a temple, referred to as the 'Tenplum [sic] Isaiae Prophetae' placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tow
![Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a palace or temple, suggested to be the ‘Tenplus [sic] Veneris’, set in a stylized landscape. The building is characterized by a domed tower over the central bay. The right side of the building is composed of a single floor with two entryways. The entrance directly to the left of the central bay is marked by an avant-corps.This print and several others in Stock Photo](https://c8.alamy.com/comp/2HH8T12/partial-view-of-a-building-templum-veneris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-right-half-of-a-palace-or-temple-suggested-to-be-the-tenplus-sic-veneris-set-in-a-stylized-landscape-the-building-is-characterized-by-a-domed-tower-over-the-central-bay-the-right-side-of-the-building-is-composed-of-a-single-floor-with-two-entryways-the-entrance-directly-to-the-left-of-the-central-bay-is-marked-by-an-avant-corpsthis-print-and-several-others-in-2HH8T12.jpg "Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a palace or temple, suggested to be the ‘Tenplus [sic] Veneris’, set in a stylized landscape. The building is characterized by a domed tower over the central bay. The right side of the building is composed of a single floor with two entryways. The entrance directly to the left of the central bay is marked by an avant-corps.This print and several others in Stock Photo")
Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a palace or temple, suggested to be the ‘Tenplus [sic] Veneris’, set in a stylized landscape. The building is characterized by a domed tower over the central bay. The right side of the building is composed of a single floor with two entryways. The entrance directly to the left of the central bay is marked by an avant-corps.This print and several others in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-veneris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-right-half-of-a-palace-or-temple-suggested-to-be-the-tenplus-sic-veneris-set-in-a-stylized-landscape-the-building-is-characterized-by-a-domed-tower-over-the-central-bay-the-right-side-of-the-building-is-composed-of-a-single-floor-with-two-entryways-the-entrance-directly-to-the-left-of-the-central-bay-is-marked-by-an-avant-corpsthis-print-and-several-others-in-image458113182.htmlRM2HH8T12–Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a palace or temple, suggested to be the ‘Tenplus [sic] Veneris’, set in a stylized landscape. The building is characterized by a domed tower over the central bay. The right side of the building is composed of a single floor with two entryways. The entrance directly to the left of the central bay is marked by an avant-corps.This print and several others in
Partial View of a Building Templum Isaiae Prophetae from the series 'Ruinarum variarum fabricarum delineationes pictoribus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-partial-view-of-a-building-templum-isaiae-prophetae-from-the-series-162495772.htmlRMKCA90C–Partial View of a Building Templum Isaiae Prophetae from the series 'Ruinarum variarum fabricarum delineationes pictoribus
Kustlandschap Inventio pictoria Henrici Clivensis (titel op object) Ruinarum varii prospectus (serietitel) Landscape with the left and right coast the sea. In the foreground several ships. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Dating: 1585 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 175 mm × W 24 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kustlandschap-inventio-pictoria-henrici-clivensis-titel-op-object-ruinarum-varii-prospectus-serietitel-landscape-with-the-left-and-right-coast-the-sea-in-the-foreground-several-ships-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-dating-1585-physical-features-car-material-paper-technique-engra-printing-process-dimensions-plate-edge-h-175-mm-w-24-image348532590.htmlRM2B710TE–Kustlandschap Inventio pictoria Henrici Clivensis (titel op object) Ruinarum varii prospectus (serietitel) Landscape with the left and right coast the sea. In the foreground several ships. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Dating: 1585 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 175 mm × W 24
![Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHCN/partial-view-of-a-building-templum-isaiae-prophetae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHCN.jpg "Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-isaiae-prophetae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006581.htmlRM2B7PHCN–Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
Art inspired by Partial View of a Monument Mercurii Templum from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 5/16 x 3 1/8 in. (13.5 x 7.9 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-5-516-x-3-18-in-135-x-79-cm-lambert-suavius-netherlandish-ca-1510by-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008862.htmlRF2HW7TEP–Art inspired by Partial View of a Monument Mercurii Templum from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 5/16 x 3 1/8 in. (13.5 x 7.9 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 3 3/4 x 4 13/16 in. (9.5 x 12.3 cm) (uneven plate). Date: ca. 1572. Perspectival depiction of the side view of a building referred to as the 'Aerarii Publici Rome', the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi- Stock Photo](https://c8.alamy.com/comp/PB3WW5/building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-3-34-x-4-1316-in-95-x-123-cm-uneven-plate-date-ca-1572-perspectival-depiction-of-the-side-view-of-a-building-referred-to-as-the-aerarii-publici-rome-the-public-treasury-of-rome-the-main-body-of-the-building-is-circular-in-shape-interrupted-at-regular-intervals-by-semi-PB3WW5.jpg "Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 3 3/4 x 4 13/16 in. (9.5 x 12.3 cm) (uneven plate). Date: ca. 1572. Perspectival depiction of the side view of a building referred to as the 'Aerarii Publici Rome', the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi- Stock Photo")
Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 3 3/4 x 4 13/16 in. (9.5 x 12.3 cm) (uneven plate). Date: ca. 1572. Perspectival depiction of the side view of a building referred to as the 'Aerarii Publici Rome', the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi- Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-3-34-x-4-1316-in-95-x-123-cm-uneven-plate-date-ca-1572-perspectival-depiction-of-the-side-view-of-a-building-referred-to-as-the-aerarii-publici-rome-the-public-treasury-of-rome-the-main-body-of-the-building-is-circular-in-shape-interrupted-at-regular-intervals-by-semi-image213371793.htmlRMPB3WW5–Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 3 3/4 x 4 13/16 in. (9.5 x 12.3 cm) (uneven plate). Date: ca. 1572. Perspectival depiction of the side view of a building referred to as the 'Aerarii Publici Rome', the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi-
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Vertical plate with a side view of the ruins of a basilica (?), likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Antiquity, set in stylized landscapes. The plates in the series can be divided in two groups: sevente Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-vertical-plate-with-a-side-view-of-the-ruins-of-a-basilica-likely-based-on-an-in-situ-observation-of-the-structure-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-is-a-print-series-published-by-gerard-de-jode-containing-depictions-of-buildings-from-classical-antiquity-set-in-stylized-landscapes-the-plates-in-the-series-can-be-divided-in-two-groups-sevente-image458069729.htmlRM2HH6TH5–Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Vertical plate with a side view of the ruins of a basilica (?), likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Antiquity, set in stylized landscapes. The plates in the series can be divided in two groups: sevente
Building Aerarii Publici Rome from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-162495768.htmlRMKCA908–Building Aerarii Publici Rome from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus
Gezicht op Napels Neapolitanae urbis pars (titel op object) Ruinarum varii prospectus (serietitel) View of the port of Naples. In the foreground several ships. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 172 mm × W 240 mmToelichtingDeel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-napels-neapolitanae-urbis-pars-titel-op-object-ruinarum-varii-prospectus-serietitel-view-of-the-port-of-naples-in-the-foreground-several-ships-the-print-is-part-of-a-series-of-different-places-in-the-mediterranean-afbeeldt-manufacturer-to-design-hendrick-van-cleve-listed-building-printmaker-anonymous-editor-philip-galle-listed-property-place-manufacture-to-design-antwerp-print-author-antwerp-publisher-haarlem-date-1585-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edge-h-172-mm-w-240-mmtoelichtingdeel-image348385373.htmlRM2B6P92N–Gezicht op Napels Neapolitanae urbis pars (titel op object) Ruinarum varii prospectus (serietitel) View of the port of Naples. In the foreground several ships. The print is part of a series of different places in the Mediterranean afbeeldt. Manufacturer : to design: Hendrick van Cleve (listed building) printmaker: anonymous editor: Philip Galle (listed property) Place manufacture: to design: Antwerp Print Author: Antwerp Publisher: Haarlem Date: 1585 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 172 mm × W 240 mmToelichtingDeel
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