Roughly textured hi-res stock photography and images

Roughly textured stone cladding tiled wall in grey and ochre colours background Stock Photo

RFG4FXXB–Roughly textured stone cladding tiled wall in grey and ochre colours background

roughly textured gray desert limestone background texture Stock Photo

RF2HE1934–roughly textured gray desert limestone background texture

A roughly textured stone cladding tiled wall in grey and yellow colours background Stock Photo

RF2JG8AHR–A roughly textured stone cladding tiled wall in grey and yellow colours background

No. 1 Sketch of temple remains at Baalbec or Palmyra, James Bruce, 1730–1794, British, undated, Graphite on medium, roughly textured, cream laid paper, Sheet: 22 × 31 inches (55.9 × 78.7 cm), architectural subject Stock Photo

RM2DHTWHK–No. 1 Sketch of temple remains at Baalbec or Palmyra, James Bruce, 1730–1794, British, undated, Graphite on medium, roughly textured, cream laid paper, Sheet: 22 × 31 inches (55.9 × 78.7 cm), architectural subject

Ancient map of the World on roughly textured paper Stock Photo

RFD6XKYW–Ancient map of the World on roughly textured paper

Grunge texture, monochromatic image of roughly textured surface as abstract background, top down Stock Photo

RF2RXK1AR–Grunge texture, monochromatic image of roughly textured surface as abstract background, top down

Deckle edged vintage parchment paper roughly textured Stock Photo

RFD72AJK–Deckle edged vintage parchment paper roughly textured

A black heart shadow on a yellow, roughly textured wall. There's space for text. Stock Photo

RF2T3N8W8–A black heart shadow on a yellow, roughly textured wall. There's space for text.

A closeup photograph of roughly textured bark Stock Photo

RMB8F2DX–A closeup photograph of roughly textured bark

Roughly textured carved numbers in stone 1873 Stock Photo

RF2K4M043–Roughly textured carved numbers in stone 1873

The sharp peaks of two roughly textured rock formations against a perfect blue sky at Kasha-Katuwe Tent Rocks National Monument, New Mexico Stock Photo

RFR5KJYG–The sharp peaks of two roughly textured rock formations against a perfect blue sky at Kasha-Katuwe Tent Rocks National Monument, New Mexico

Algae covered conifer bark background. Roughly textured bark of coniferous tree covered in bright green growth Stock Photo

RFFWRJXC–Algae covered conifer bark background. Roughly textured bark of coniferous tree covered in bright green growth

A jet black raven gives the world an one eye stare while sitting on a roughly textured branch. Stock Photo

RMM71JTP–A jet black raven gives the world an one eye stare while sitting on a roughly textured branch.

Upward view of white zantedeschia lilies against inset turquoise roughly textured wall in modern white hall Stock Photo

RFB5BCKM–Upward view of white zantedeschia lilies against inset turquoise roughly textured wall in modern white hall

Uniform white roughly textured wall Stock Photo

RF2D7MM7J–Uniform white roughly textured wall

Tough exterior of roughly textured bark of the silver birch on Cannock Chase Area of Outstanding Natural Beauty Staffordshire Stock Photo

RFECDEY5–Tough exterior of roughly textured bark of the silver birch on Cannock Chase Area of Outstanding Natural Beauty Staffordshire

RF2CFWP0W–Uniform white roughly textured wall

James Bruce, 1730â€“1794, British, No. 1 Sketch of temple remains at Baalbec or Palmyra, undated. Graphite on medium, roughly textured, cream laid paper. architectural subject Stock Photo

RM2E44D5N–James Bruce, 1730â€“1794, British, No. 1 Sketch of temple remains at Baalbec or Palmyra, undated. Graphite on medium, roughly textured, cream laid paper. architectural subject

Roughly textured surface of a painted wall . Stock Photo

RF2G32882–Roughly textured surface of a painted wall .

Close-up of Roughly Textured Tree Bark Stock Photo

RF2K5XR33–Close-up of Roughly Textured Tree Bark

Close-up of a roughly textured tree Stock Photo

RF2FKK0CX–Close-up of a roughly textured tree

Roughly textured image of unrecognizable person working among big cogweels in a factiory, black and white Stock Photo

RFMX6K74–Roughly textured image of unrecognizable person working among big cogweels in a factiory, black and white

No. 2 sketch of plan of temple of Baalbec or Palmyra, James Bruce, 1730–1794, British, undated, Graphite on moderately thick, roughly textured, cream laid paper, Sheet: 20 × 30 7/8 inches (50.8 × 78.4 cm), architectural subject Stock Photo

RM2DHTWJN–No. 2 sketch of plan of temple of Baalbec or Palmyra, James Bruce, 1730–1794, British, undated, Graphite on moderately thick, roughly textured, cream laid paper, Sheet: 20 × 30 7/8 inches (50.8 × 78.4 cm), architectural subject

close up vertical of roughly textured tree bark outdoors on winter day with snow in background outside layer of tree skin odd shapes and rough texture Stock Photo

RF2F6JAA6–close up vertical of roughly textured tree bark outdoors on winter day with snow in background outside layer of tree skin odd shapes and rough texture

A roughly textured gnarly tree root. Stock Photo

RF2B54JCG–A roughly textured gnarly tree root.

RFD72AP8–Deckle edged vintage parchment paper roughly textured

Hercules and the Nemean Lion, c. 1898. Lefort des Ylouses used a combination of techniques to achieve the rich surface and variety of textures seen in Hercules and the Nemean Lion . Some lines, including outlines of forms, were bitten very deeply on the plate so that when printed, the paper was embossed for a three-dimensional, sculptural effect. The pattern on the rock beneath Hercules’s feet was obtained by putting a roughly textured paper on top of the etching ground and running the plate through the press, while the fine parallel lines in the sky are engraved. After the plate was i Stock Photo

RM2A513KK–Hercules and the Nemean Lion, c. 1898. Lefort des Ylouses used a combination of techniques to achieve the rich surface and variety of textures seen in Hercules and the Nemean Lion . Some lines, including outlines of forms, were bitten very deeply on the plate so that when printed, the paper was embossed for a three-dimensional, sculptural effect. The pattern on the rock beneath Hercules’s feet was obtained by putting a roughly textured paper on top of the etching ground and running the plate through the press, while the fine parallel lines in the sky are engraved. After the plate was i

roughly textured decaying bricks good for backgrounds, abstract Stock Photo

RFAM7E9D–roughly textured decaying bricks good for backgrounds, abstract

Lichens and mosses covering a roughly textured tree trunk in closeup with selective focus Stock Photo

RF2HTK8K6–Lichens and mosses covering a roughly textured tree trunk in closeup with selective focus

Close up of pale yellow autumn leaf on roughly textured royal blue background. Stock Photo

RFS0P8B1–Close up of pale yellow autumn leaf on roughly textured royal blue background.

A closeup shot of an illuminated rocky mountain slope, with a roughly-textured surface Stock Photo

RF2M5R8F1–A closeup shot of an illuminated rocky mountain slope, with a roughly-textured surface

Close up photograph of roughly textured tree bark Stock Photo

RMDJ6KFE–Close up photograph of roughly textured tree bark

Sunlight streaming into hall roughly textured walls and ornate mirror over fireplace and antique Louis chair beside door Stock Photo

RFB5B701–Sunlight streaming into hall roughly textured walls and ornate mirror over fireplace and antique Louis chair beside door

gray abstract textured background. roughly plastered volumetric concrete or gypsum wall. Stock Photo

RF2HKE2X7–gray abstract textured background. roughly plastered volumetric concrete or gypsum wall.

Tall stone urn on plinth in sunny hall with roughly textured walls and ceilings and old oriental rug on floors Stock Photo

RFBRXJXB–Tall stone urn on plinth in sunny hall with roughly textured walls and ceilings and old oriental rug on floors

Uniform grey roughly textured wall Stock Photo

RF2CFWP1A–Uniform grey roughly textured wall

James Bruce, 1730â€“1794, British, No. 2 sketch of plan of temple of Baalbec or Palmyra, undated. Graphite on moderately thick, roughly textured, cream laid paper. architectural subject Stock Photo

RM2E44D4W–James Bruce, 1730â€“1794, British, No. 2 sketch of plan of temple of Baalbec or Palmyra, undated. Graphite on moderately thick, roughly textured, cream laid paper. architectural subject

Vertical uniform white roughly textured wall with selective focus Stock Photo

RF2D7MM82–Vertical uniform white roughly textured wall with selective focus

James Bruce, 1730â€“1794, British, View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals, undated. Graphite, pen and black ink on moderately thick, roughly textured, cream laid paper. architectural subject Stock Photo

RM2E44CFG–James Bruce, 1730â€“1794, British, View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals, undated. Graphite, pen and black ink on moderately thick, roughly textured, cream laid paper. architectural subject

Detail of a roughly textured old brick wall, stripped of paint. The bricks are laid in a traditional bricklaying pattern known as the Flemish Bond. UK. Stock Photo

RM2CC66XX–Detail of a roughly textured old brick wall, stripped of paint. The bricks are laid in a traditional bricklaying pattern known as the Flemish Bond. UK.

[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”] 1857–61 Léon Gérard French The drawing in this photograph, formerly attributed to the Renaissance master Leonardo, is related to the artist's famous figure of Christ seated at the center of the table in the fresco he painted of the Last Supper in the convent of Santa Maria delle Grazie, Milan, from 1495 to 1498. Although the way the image loses itself in the roughly textured surface suggests that it is the sinopia, or sketch, that underlies the fresco, it is in fact a much reworked, abraded, and restored copy on paper (now Stock Photo

RM2HH8W2E–[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”] 1857–61 Léon Gérard French The drawing in this photograph, formerly attributed to the Renaissance master Leonardo, is related to the artist's famous figure of Christ seated at the center of the table in the fresco he painted of the Last Supper in the convent of Santa Maria delle Grazie, Milan, from 1495 to 1498. Although the way the image loses itself in the roughly textured surface suggests that it is the sinopia, or sketch, that underlies the fresco, it is in fact a much reworked, abraded, and restored copy on paper (now

The roughly-textured bark of an Italian Black Poplar, with characteristic deep ridges and furrows, in Leeshall Wood, Gleadless Valley, Sheffield. Stock Photo

RF2GHJ54M–The roughly-textured bark of an Italian Black Poplar, with characteristic deep ridges and furrows, in Leeshall Wood, Gleadless Valley, Sheffield.

Study for In the Woods, Evening, 1892-94. Alexandre Séon (French, 1855-1917). Colored pencils on laid paper; sheet: 35.2 x 23 cm (13 7/8 x 9 1/16 in.). In this drawing of nymphs holding lyres, Alexandre Séon hoped to depict, in his words, “the spirit of the forest.” He was inspired by fairy-tales he heard as a child about the woods near the remote village where he grew up. By applying colored pencils to a roughly textured sheet of paper, Séon evoked the hazy tones of twilight and gave the sheet a dreamlike tenor. Stock Photo

RM2H0YYC8–Study for In the Woods, Evening, 1892-94. Alexandre Séon (French, 1855-1917). Colored pencils on laid paper; sheet: 35.2 x 23 cm (13 7/8 x 9 1/16 in.). In this drawing of nymphs holding lyres, Alexandre Séon hoped to depict, in his words, “the spirit of the forest.” He was inspired by fairy-tales he heard as a child about the woods near the remote village where he grew up. By applying colored pencils to a roughly textured sheet of paper, Séon evoked the hazy tones of twilight and gave the sheet a dreamlike tenor.

RF2F6JA63–close up vertical of roughly textured tree bark outdoors on winter day with snow in background outside layer of tree skin odd shapes and rough texture

RFD72AW6–Deckle edged vintage parchment paper roughly textured

RM2M92CA9–Mont Sainte-Victoire Marsden Hartley (American, 1877-1943). Mont Sainte-Victoire, 1926-1927. Graphite on thick, roughly textured, cream-colored wove paper, Sheet: 22 5/8 x 31 3/16 in. (57.5 x 79.2 cm). As an homage to Paul Cézanne, the modernist Marsden Hartley spent a period living and working in the French artist’s favorite landscape, Aix-en- Provence, in the South of France. As Cézanne had done, Hartley depicted the distinctive profile of Mont Sainte-Victoire repeatedly. In this spare drawing, he captured the stark monumentality and sculptural contours of the mountain while using a flatter

. English: Collection of about 25 pieces of Pueblo Indian pottery, ca.1900 Photograph of a collection of about 25 pieces of Pueblo Indian pottery, ca.1900. The pottery can be seen displayed on three shelves or tiers. The top and bottom rows of pottery are ancient in origin, while the pieces in the middle row are modern. The pottery is painted and takes a variety of shapes and sizes. Some labels are visible on some of the pieces. The seven pieces on the bottom level are textured roughly like baskets. Arrowheads mounted on a card are displayed on the top shelf at left. Parts of a newspaper(?) ha Stock Photo

RMP9TF19–. English: Collection of about 25 pieces of Pueblo Indian pottery, ca.1900 Photograph of a collection of about 25 pieces of Pueblo Indian pottery, ca.1900. The pottery can be seen displayed on three shelves or tiers. The top and bottom rows of pottery are ancient in origin, while the pieces in the middle row are modern. The pottery is painted and takes a variety of shapes and sizes. Some labels are visible on some of the pieces. The seven pieces on the bottom level are textured roughly like baskets. Arrowheads mounted on a card are displayed on the top shelf at left. Parts of a newspaper(?) ha

A row of roughly sharpened, grubby red pencils on textured art paper, bordering the bottom of the frame. Lit and processed to give an old fashioned, Stock Photo

RFJFEBK8–A row of roughly sharpened, grubby red pencils on textured art paper, bordering the bottom of the frame. Lit and processed to give an old fashioned,

RMG0NJRM–Wall texture

RFC55N06–roughly plastered wall

RMDJ6KK2–Close up photograph of roughly textured tree bark

RMG0KHTX–Wall texture

RF2HKWHGF–gray abstract textured background. roughly plastered volumetric concrete or gypsum wall.

Close up detail of the grain in an old weathered wooden fencepost lit obliquely by the sun. Stock Photo

RF2BEY2MH–Close up detail of the grain in an old weathered wooden fencepost lit obliquely by the sun.

Wall of ungrouted, rectangular, roughly hewn stones, Germany Stock Photo

RF2BK153X–Wall of ungrouted, rectangular, roughly hewn stones, Germany

A teal round sheet of paper with roughly torn edges Stock Photo

RF2WEWK9R–A teal round sheet of paper with roughly torn edges

Closeup of uniform white roughly textured wall and selective focus Stock Photo

RF2D7MM7W–Closeup of uniform white roughly textured wall and selective focus

Abstract textures. A rusty metal surface roughly textured with flaking and peeling metallic paint. Stock Photo

RFCXY80Y–Abstract textures. A rusty metal surface roughly textured with flaking and peeling metallic paint.

A roughly painted Union Jack flag painted on a wooden textured background Stock Photo

RFS085FT–A roughly painted Union Jack flag painted on a wooden textured background

Wooden canopy above bed in Spanish bedroom with vase collection in small alcoves in rough textured walls Stock Photo

RFDH21XA–Wooden canopy above bed in Spanish bedroom with vase collection in small alcoves in rough textured walls

Broken Italian Black Poplar with roughly-textured bark, laid horizontally by a stream in Leeshall Wood, Gleadless Valley, Sheffield. Stock Photo

RF2GHJ6D8–Broken Italian Black Poplar with roughly-textured bark, laid horizontally by a stream in Leeshall Wood, Gleadless Valley, Sheffield.

Green background of a roughly colored metal sheet Stock Photo

RF2R4M80W–Green background of a roughly colored metal sheet

RF2F6JA69–close up vertical of roughly textured tree bark outdoors on winter day with snow in background outside layer of tree skin odd shapes and rough texture

RFD72AGG–Deckle edged vintage parchment paper roughly textured

RM2M92CBP–Mont Sainte-Victoire Marsden Hartley (American, 1877-1943). Mont Sainte-Victoire, 1926-1927. Graphite on thick, roughly textured, cream-colored wove paper, Sheet: 22 5/8 x 31 3/16 in. (57.5 x 79.2 cm). As an homage to Paul Cézanne, the modernist Marsden Hartley spent a period living and working in the French artist’s favorite landscape, Aix-en- Provence, in the South of France. As Cézanne had done, Hartley depicted the distinctive profile of Mont Sainte-Victoire repeatedly. In this spare drawing, he captured the stark monumentality and sculptural contours of the mountain while using a flatter

Dark Grey Board Made of Roughly Felted Fabric - Background Stock Photo

RF2B353N2–Dark Grey Board Made of Roughly Felted Fabric - Background

Roughly woven fabric pattern in light-green on white Stock Photo

RF2M6MX8X–Roughly woven fabric pattern in light-green on white

Roughly grind barley texture background Stock Photo

RFKM4Y6H–Roughly grind barley texture background

RFEYEE2X–A roughly painted blue wall

RMDJ6JD9–Close up photograph of roughly textured tree bark

RFEYEE0K–A roughly built brick wall

Slate wall - background texture of gray stones Stock Photo

RF2DHJ494–Slate wall - background texture of gray stones

Close up detail of the grain in an old weathered plank of wood. Stock Photo

RF2BEY2MT–Close up detail of the grain in an old weathered plank of wood.

Fragment of an ancient wall from stones. Background image Stock Photo

RMWWX72H–Fragment of an ancient wall from stones. Background image

Background image - textured roughly woven terracotta fabric. Stock Photo

RF2G6X1NP–Background image - textured roughly woven terracotta fabric.

Roughly drawn textured background with a pencil Stock Photo

RFEDBHDF–Roughly drawn textured background with a pencil

RFCXX9W7–Abstract textures. A rusty metal surface roughly textured with flaking and peeling metallic paint.

Textured concrete surface. Roughly plastered wall. Gray background with slight vinification. Stock Photo

RF2J6E5C0–Textured concrete surface. Roughly plastered wall. Gray background with slight vinification.

RFCYPRRB–Abstract textures. A rusty metal surface roughly textured with flaking and peeling metallic paint.

RF2GHJ2G8–Broken Italian Black Poplar with roughly-textured bark, laid horizontally by a stream in Leeshall Wood, Gleadless Valley, Sheffield.

Wooden canopy above bed in Spanish bedroom with rough textured walls and lighted metal lantern above red armchair Stock Photo

RFDH21RG–Wooden canopy above bed in Spanish bedroom with rough textured walls and lighted metal lantern above red armchair

Gray background of a roughly colored metal sheet.Dirty gray background Stock Photo

RF2R4M7G7–Gray background of a roughly colored metal sheet.Dirty gray background

Erosion has taken its toll of these old exterior cottage walls in Lacock Wiltshire UK Stock Photo

RMFWN7BH–Erosion has taken its toll of these old exterior cottage walls in Lacock Wiltshire UK

RM2M92CAB–Mont Sainte-Victoire Marsden Hartley (American, 1877-1943). Mont Sainte-Victoire, 1926-1927. Graphite on thick, roughly textured, cream-colored wove paper, Sheet: 22 5/8 x 31 3/16 in. (57.5 x 79.2 cm). As an homage to Paul Cézanne, the modernist Marsden Hartley spent a period living and working in the French artist’s favorite landscape, Aix-en- Provence, in the South of France. As Cézanne had done, Hartley depicted the distinctive profile of Mont Sainte-Victoire repeatedly. In this spare drawing, he captured the stark monumentality and sculptural contours of the mountain while using a flatter

Beige roughly wall texture. Decorative plaster facade of the building. Stock Photo

RFG1HAGE–Beige roughly wall texture. Decorative plaster facade of the building.

Hercules and the Nemean Lion, c. 1898. Henri-Arthur Lefort des Ylouses (French, 1846-1912). Gypsograph; sheet: 59.8 x 26.2 cm (23 9/16 x 10 5/16 in.); image: 59.6 x 25.7 cm (23 7/16 x 10 1/8 in.). Lefort des Ylouses used a combination of techniques to achieve the rich surface and variety of textures seen in Hercules and the Nemean Lion. Some lines, including outlines of forms, were bitten very deeply on the plate so that when printed, the paper was embossed for a three-dimensional, sculptural effect. The pattern on the rock beneath Hercules’s feet was obtained by putting a roughly textured pa Stock Photo

RM2H0YEF2–Hercules and the Nemean Lion, c. 1898. Henri-Arthur Lefort des Ylouses (French, 1846-1912). Gypsograph; sheet: 59.8 x 26.2 cm (23 9/16 x 10 5/16 in.); image: 59.6 x 25.7 cm (23 7/16 x 10 1/8 in.). Lefort des Ylouses used a combination of techniques to achieve the rich surface and variety of textures seen in Hercules and the Nemean Lion. Some lines, including outlines of forms, were bitten very deeply on the plate so that when printed, the paper was embossed for a three-dimensional, sculptural effect. The pattern on the rock beneath Hercules’s feet was obtained by putting a roughly textured pa

Light-green roughly woven pattern on white can be used as background Stock Photo

RF2M6MX8P–Light-green roughly woven pattern on white can be used as background

white concrete or cement background. plastered wall Stock Photo

RF2HTBN0D–white concrete or cement background. plastered wall

RMDJ6KCG–Close up photograph of roughly textured tree bark

Background of old vintage brick wall, Red brick wall, Texture Stock Photo

RF2G8MD0X–Background of old vintage brick wall, Red brick wall, Texture

Background texture of weathered brown wooden boards Stock Photo

RF2DHJ4A0–Background texture of weathered brown wooden boards

RF2BEY2P1–Close up detail of the grain in an old weathered plank of wood.

Old Texture, Cracked, Vintge, Old Stock Photo

RF2BC1M69–Old Texture, Cracked, Vintge, Old

RF2BC7133–Close up detail of the grain in an old weathered wooden fencepost lit obliquely by the sun.

Close up image of a roughly tied seventies multicoloured textured carpet Stock Photo

RF2A57X0E–Close up image of a roughly tied seventies multicoloured textured carpet

RMG0KJ15–Wall texture

RF2J6E0TK–Textured concrete surface. Roughly plastered wall. Gray background with slight vinification.

RFCYPRJC–Abstract textures. A rusty metal surface roughly textured with flaking and peeling metallic paint.

RF2GHJ123–Broken Italian Black Poplar with roughly-textured bark, laid horizontally by a stream in Leeshall Wood, Gleadless Valley, Sheffield.

Detail of a roughly textured wall made of old red bricks, laid in the commonly used and economical bricklaying pattern known as the Stretcher Bond. UK. Stock Photo

RM2BJT905–Detail of a roughly textured wall made of old red bricks, laid in the commonly used and economical bricklaying pattern known as the Stretcher Bond. UK.

Roughly textured Stock Photos and Images

Roughly textured Stock Photos and Images

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