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Roman altar Cut Out Stock Images
Roman altar, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-altar-ancient-roman-empire-italy-europe-old-19th-century-engraved-illustration-el-mundo-ilustrado-1881-image410523566.htmlRM2ERTXYX–Roman altar, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881
Roman altar from Hadrian's Wall, Northumberland, c1985-c1989. Artist: Frank Gardiner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-altar-from-hadrians-wall-northumberland-c1985-c1989-artist-frank-gardiner-image186167405.htmlRMMPTJBW–Roman altar from Hadrian's Wall, Northumberland, c1985-c1989. Artist: Frank Gardiner.
Various ancient altars, a Syrian altar, b Egyptian altar, c Assyrian altar, d Greek altar, e Roman altar, religion, temple, architectural styles Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/various-ancient-altars-a-syrian-altar-b-egyptian-altar-c-assyrian-altar-d-greek-altar-e-roman-altar-religion-temple-architectural-styles-image588515267.htmlRM2W5D56B–Various ancient altars, a Syrian altar, b Egyptian altar, c Assyrian altar, d Greek altar, e Roman altar, religion, temple, architectural styles
Roman altar cross decorated with enamel. 12th century. Seo Urgel, diocesan aercheology museum. Province of Lerida, Spain. Location: CATEDRAL-MUSEO DIOCESANO. SEO DE URGEL. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-altar-cross-decorated-with-enamel-12th-century-seo-urgel-diocesan-aercheology-museum-province-of-lerida-spain-location-catedral-museo-diocesano-seo-de-urgel-spain-image231176491.htmlRMRC2YY7–Roman altar cross decorated with enamel. 12th century. Seo Urgel, diocesan aercheology museum. Province of Lerida, Spain. Location: CATEDRAL-MUSEO DIOCESANO. SEO DE URGEL. SPAIN.
![N/A. English: A drawing of the inscription on a stone Roman altar at Cramond near Edinburgh, Scotland (1794; database: AE 1977, 496 = RIB 2135). Deutsch: Epigraphische Datenbank Heidelberg HD020221 Deutsch: Zeichnung der Inschrift eines römischen Steinaltars in Cramond nahe Edinburgh (1794). Text (AE 1977, 496 = RIB 2135): Matrib(us) Ala/tervis et matrib(us) Cam pestrib(us) coh(ortis) I[I] Tungr(orum) ins(tante) VERSCARM /(centurione) leg(ionis) XX V(aleriae) v(ictricis) Übersetzung: „...“ Español: Dibujo que reproduce un altar encontrado en Cramond (Gran Bretaña) correspondiente con la insc Stock Photo](https://c8.alamy.com/comp/P5XH3Y/na-english-a-drawing-of-the-inscription-on-a-stone-roman-altar-at-cramond-near-edinburgh-scotland-1794-database-ae-1977-496-=-rib-2135-deutsch-epigraphische-datenbank-heidelberg-hd020221-deutsch-zeichnung-der-inschrift-eines-rmischen-steinaltars-in-cramond-nahe-edinburgh-1794-text-ae-1977-496-=-rib-2135-matribus-alatervis-et-matribus-cam-pestribus-cohortis-i-i-tungrorum-instante-verscarm-centurione-legionis-xx-valeriae-victricis-bersetzung-espaol-dibujo-que-reproduce-un-altar-encontrado-en-cramond-gran-bretaa-correspondiente-con-la-insc-P5XH3Y.jpg "N/A. English: A drawing of the inscription on a stone Roman altar at Cramond near Edinburgh, Scotland (1794; database: AE 1977, 496 = RIB 2135). Deutsch: Epigraphische Datenbank Heidelberg HD020221 Deutsch: Zeichnung der Inschrift eines römischen Steinaltars in Cramond nahe Edinburgh (1794). Text (AE 1977, 496 = RIB 2135): Matrib(us) Ala/tervis et matrib(us) Cam pestrib(us) coh(ortis) I[I] Tungr(orum) ins(tante) VERSCARM /(centurione) leg(ionis) XX V(aleriae) v(ictricis) Übersetzung: „...“ Español: Dibujo que reproduce un altar encontrado en Cramond (Gran Bretaña) correspondiente con la insc Stock Photo")
N/A. English: A drawing of the inscription on a stone Roman altar at Cramond near Edinburgh, Scotland (1794; database: AE 1977, 496 = RIB 2135). Deutsch: Epigraphische Datenbank Heidelberg HD020221 Deutsch: Zeichnung der Inschrift eines römischen Steinaltars in Cramond nahe Edinburgh (1794). Text (AE 1977, 496 = RIB 2135): Matrib(us) Ala/tervis et matrib(us) Cam pestrib(us) coh(ortis) I[I] Tungr(orum) ins(tante) VERSCARM /(centurione) leg(ionis) XX V(aleriae) v(ictricis) Übersetzung: „...“ Español: Dibujo que reproduce un altar encontrado en Cramond (Gran Bretaña) correspondiente con la insc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-a-drawing-of-the-inscription-on-a-stone-roman-altar-at-cramond-near-edinburgh-scotland-1794-database-ae-1977-496-=-rib-2135-deutsch-epigraphische-datenbank-heidelberg-hd020221-deutsch-zeichnung-der-inschrift-eines-rmischen-steinaltars-in-cramond-nahe-edinburgh-1794-text-ae-1977-496-=-rib-2135-matribus-alatervis-et-matribus-cam-pestribus-cohortis-i-i-tungrorum-instante-verscarm-centurione-legionis-xx-valeriae-victricis-bersetzung-espaol-dibujo-que-reproduce-un-altar-encontrado-en-cramond-gran-bretaa-correspondiente-con-la-insc-image210181887.htmlRMP5XH3Y–N/A. English: A drawing of the inscription on a stone Roman altar at Cramond near Edinburgh, Scotland (1794; database: AE 1977, 496 = RIB 2135). Deutsch: Epigraphische Datenbank Heidelberg HD020221 Deutsch: Zeichnung der Inschrift eines römischen Steinaltars in Cramond nahe Edinburgh (1794). Text (AE 1977, 496 = RIB 2135): Matrib(us) Ala/tervis et matrib(us) Cam pestrib(us) coh(ortis) I[I] Tungr(orum) ins(tante) VERSCARM /(centurione) leg(ionis) XX V(aleriae) v(ictricis) Übersetzung: „...“ Español: Dibujo que reproduce un altar encontrado en Cramond (Gran Bretaña) correspondiente con la insc
ancient world, Roman Empire, trade, altar of the Parisi Nautes, time of Empero Tiberius (reigned 14 - 37), inscription, wood engraving, 19th century, antiquity, Province of Gaul, merchants, guild, religion, latin scripture, France, 1st century, historic, historical, ancient world, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-world-roman-empire-trade-altar-of-the-parisi-nautes-time-of-58532581.htmlRMDB6AW9–ancient world, Roman Empire, trade, altar of the Parisi Nautes, time of Empero Tiberius (reigned 14 - 37), inscription, wood engraving, 19th century, antiquity, Province of Gaul, merchants, guild, religion, latin scripture, France, 1st century, historic, historical, ancient world, Additional-Rights-Clearences-Not Available
The Netherlands Roman period, altar, stone, limestone, 59 x 37 x 16 cm, approx. 90 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-59-x-37-x-16-cm-approx-90-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513698.htmlRM2B0DXMJ–The Netherlands Roman period, altar, stone, limestone, 59 x 37 x 16 cm, approx. 90 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Roman Altar at Stone in the Isle of Oxney. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-altar-at-stone-in-the-isle-of-oxney-image456156610.htmlRM2HE3MBE–Roman Altar at Stone in the Isle of Oxney.
Tower of Caudius and the small altar covered in snow during winter, Faqra Roman ruins, Lebanon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tower-of-caudius-and-the-small-altar-covered-in-snow-during-winter-faqra-roman-ruins-lebanon-image232160758.htmlRMRDKRBJ–Tower of Caudius and the small altar covered in snow during winter, Faqra Roman ruins, Lebanon
Illustration of a group of Altars Babylonian,Egyptian, Persian, Grecian and Roman from 19th Century Illustrated Family Bible Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-a-group-of-altars-babylonianegyptian-persian-grecian-and-roman-from-19th-century-illustrated-family-bible-image598263241.htmlRM2WN96T9–Illustration of a group of Altars Babylonian,Egyptian, Persian, Grecian and Roman from 19th Century Illustrated Family Bible
Hadrian's Wall, Chesters Museum. Illustration depicting an inscribed Roman altar stone, excavated from Chapel Hill at Housesteads Roman Fort on Hadria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hadrians-wall-chesters-museum-illustration-depicting-an-inscribed-164117057.htmlRMKF04YD–Hadrian's Wall, Chesters Museum. Illustration depicting an inscribed Roman altar stone, excavated from Chapel Hill at Housesteads Roman Fort on Hadria
VARIOUS ROMAN ITEMS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-various-roman-items-56776822.htmlRMD8ABBJ–VARIOUS ROMAN ITEMS
Processional frieze from the altar of the Augustin Peace 13-9 BC - Rome. The Ara Pacis Augustae (Latin, Altar of Majestic Peace. commonly shortened to Ara Pacis) is an altar to Peace, envisioned as a Roman goddess. It was commissioned by the Roman Senate on 4 July 13 BC to honor the triumphal return from Hispania and Gaul of the Roman emperor Augustus, and was consecrated on 30 January 9 BC by the Senate to celebrate the peace established in the Empire after Augustus's victories The altar was meant to be a vision of the Roman civil religion. It sought to portray the peace and fertile Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/processional-frieze-from-the-altar-of-the-augustin-peace-13-9-bc-rome-the-ara-pacis-augustae-latin-altar-of-majestic-peace-commonly-shortened-to-ara-pacis-is-an-altar-to-peace-envisioned-as-a-roman-goddess-it-was-commissioned-by-the-roman-senate-on-4-july-13-bc-to-honor-the-triumphal-return-from-hispania-and-gaul-of-the-roman-emperor-augustus-and-was-consecrated-on-30-january-9-bc-by-the-senate-to-celebrate-the-peace-established-in-the-empire-after-augustuss-victories-the-altar-was-meant-to-be-a-vision-of-the-roman-civil-religion-it-sought-to-portray-the-peace-and-fertile-image268858524.htmlRMWHBFP4–Processional frieze from the altar of the Augustin Peace 13-9 BC - Rome. The Ara Pacis Augustae (Latin, Altar of Majestic Peace. commonly shortened to Ara Pacis) is an altar to Peace, envisioned as a Roman goddess. It was commissioned by the Roman Senate on 4 July 13 BC to honor the triumphal return from Hispania and Gaul of the Roman emperor Augustus, and was consecrated on 30 January 9 BC by the Senate to celebrate the peace established in the Empire after Augustus's victories The altar was meant to be a vision of the Roman civil religion. It sought to portray the peace and fertile
Altar of the Twelve Gods a Roman relief sculpture. Inv MR 959 (or Ma 666), The Louvre Mueum, Paris. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-altar-of-the-twelve-gods-a-roman-relief-sculpture-inv-mr-959-or-ma-137684801.htmlRFJ002A9–Altar of the Twelve Gods a Roman relief sculpture. Inv MR 959 (or Ma 666), The Louvre Mueum, Paris.
Art inspired by Gold aureus of Hadrian, Mid Imperial, Hadrianic, A.D. 134–138, Roman, Gold, 7.4g (7.4g), Coins, HADRIANVS AVG.COS III.P.P, bust of emperor/GENIO P.R., Genius of Rome sacrificing over altar Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-gold-aureus-of-hadrian-mid-imperial-hadrianic-ad-134138-roman-gold-74g-74g-coins-hadrianvs-avgcos-iiipp-bust-of-emperorgenio-pr-genius-of-rome-sacrificing-over-altar-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462785285.htmlRF2HTWK9W–Art inspired by Gold aureus of Hadrian, Mid Imperial, Hadrianic, A.D. 134–138, Roman, Gold, 7.4g (7.4g), Coins, HADRIANVS AVG.COS III.P.P, bust of emperor/GENIO P.R., Genius of Rome sacrificing over altar Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Altar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-altar-27643672.htmlRMBGY7P0–Altar
Der sterbende Tarzisius, Tharsicius, Tarsitius, Tarcisius und Tarkisius, der Legende nach ein römischer Junge, der in der zweiten Hälfte des 3. Jahrhunderts zur damals verfolgten christlichen Gemeinde in Rom gehörte und dem Priester in der Seelsorge half. Er ist der Schutzheilige der Ministranten / The dying Tarcisius, Tharsicius, Tarsitius, Tarcisius and Tarkisius, according to legend, a Roman boy who belonged to the then persecuted Christian community in Rome in the second half of the 3rd century and helped the priest in pastoral care. He is the patron saint of altar boys, Historisch, digi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-sterbende-tarzisius-tharsicius-tarsitius-tarcisius-und-tarkisius-der-legende-nach-ein-rmischer-junge-der-in-der-zweiten-hlfte-des-3-jahrhunderts-zur-damals-verfolgten-christlichen-gemeinde-in-rom-gehrte-und-dem-priester-in-der-seelsorge-half-er-ist-der-schutzheilige-der-ministranten-the-dying-tarcisius-tharsicius-tarsitius-tarcisius-and-tarkisius-according-to-legend-a-roman-boy-who-belonged-to-the-then-persecuted-christian-community-in-rome-in-the-second-half-of-the-3rd-century-and-helped-the-priest-in-pastoral-care-he-is-the-patron-saint-of-altar-boys-historisch-digi-image482274410.htmlRF2K0HDX2–Der sterbende Tarzisius, Tharsicius, Tarsitius, Tarcisius und Tarkisius, der Legende nach ein römischer Junge, der in der zweiten Hälfte des 3. Jahrhunderts zur damals verfolgten christlichen Gemeinde in Rom gehörte und dem Priester in der Seelsorge half. Er ist der Schutzheilige der Ministranten / The dying Tarcisius, Tharsicius, Tarsitius, Tarcisius and Tarkisius, according to legend, a Roman boy who belonged to the then persecuted Christian community in Rome in the second half of the 3rd century and helped the priest in pastoral care. He is the patron saint of altar boys, Historisch, digi
Ancient coin. Roman denarius of the time of Jesus Christ Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-coin-roman-denarius-of-the-time-of-jesus-christ-173491878.htmlRFM276JE–Ancient coin. Roman denarius of the time of Jesus Christ
Der sterbende Tarzisius, Tharsicius, Tarsitius, Tarcisius und Tarkisius, der Legende nach ein römischer Junge, der in der zweiten Hälfte des 3. Jahrhunderts zur damals verfolgten christlichen Gemeinde in Rom gehörte und dem Priester in der Seelsorge half. Er ist der Schutzheilige der Ministranten / The dying Tarcisius, Tharsicius, Tarsitius, Tarcisius and Tarkisius, according to legend, a Roman boy who belonged to the then persecuted Christian community in Rome in the second half of the 3rd century and helped the priest in pastoral care. He is the patron saint of altar boys, Historisch, digi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-sterbende-tarzisius-tharsicius-tarsitius-tarcisius-und-tarkisius-der-legende-nach-ein-rmischer-junge-der-in-der-zweiten-hlfte-des-3-jahrhunderts-zur-damals-verfolgten-christlichen-gemeinde-in-rom-gehrte-und-dem-priester-in-der-seelsorge-half-er-ist-der-schutzheilige-der-ministranten-the-dying-tarcisius-tharsicius-tarsitius-tarcisius-and-tarkisius-according-to-legend-a-roman-boy-who-belonged-to-the-then-persecuted-christian-community-in-rome-in-the-second-half-of-the-3rd-century-and-helped-the-priest-in-pastoral-care-he-is-the-patron-saint-of-altar-boys-historisch-digi-image483018787.htmlRF2K1RBAY–Der sterbende Tarzisius, Tharsicius, Tarsitius, Tarcisius und Tarkisius, der Legende nach ein römischer Junge, der in der zweiten Hälfte des 3. Jahrhunderts zur damals verfolgten christlichen Gemeinde in Rom gehörte und dem Priester in der Seelsorge half. Er ist der Schutzheilige der Ministranten / The dying Tarcisius, Tharsicius, Tarsitius, Tarcisius and Tarkisius, according to legend, a Roman boy who belonged to the then persecuted Christian community in Rome in the second half of the 3rd century and helped the priest in pastoral care. He is the patron saint of altar boys, Historisch, digi
Ancient roman altar, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-roman-altar-ancient-roman-empire-italy-europe-old-19th-century-engraved-illustration-el-mundo-ilustrado-1881-image410526072.htmlRM2ERW25C–Ancient roman altar, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881
Roman altar stone, c1985-c1989. Artist: Frank Gardiner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-altar-stone-c1985-c1989-artist-frank-gardiner-image186167759.htmlRMMPTJTF–Roman altar stone, c1985-c1989. Artist: Frank Gardiner.
4th or 5th century altar tray and chalice in enamelled gold found at Gourdon in 1846. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/4th-or-5th-century-altar-tray-and-chalice-in-enamelled-gold-found-at-gourdon-in-1846-the-arts-of-the-middle-ages-and-at-the-period-of-the-renaissance-by-paul-lacroix-1874-image507197492.htmlRM2MD4RG4–4th or 5th century altar tray and chalice in enamelled gold found at Gourdon in 1846. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
Der sterbende Tarzisius, Tharsicius, Tarsitius, Tarcisius und Tarkisius, der Legende nach ein römischer Junge, der in der zweiten Hälfte des 3. Jahrhunderts zur damals verfolgten christlichen Gemeinde in Rom gehörte und dem Priester in der Seelsorge half. Er ist der Schutzheilige der Ministranten / The dying Tarcisius, Tharsicius, Tarsitius, Tarcisius and Tarkisius, according to legend, a Roman boy who belonged to the then persecuted Christian community in Rome in the second half of the 3rd century and helped the priest in pastoral care. He is the patron saint of altar boys, Historisch, digi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-sterbende-tarzisius-tharsicius-tarsitius-tarcisius-und-tarkisius-der-legende-nach-ein-rmischer-junge-der-in-der-zweiten-hlfte-des-3-jahrhunderts-zur-damals-verfolgten-christlichen-gemeinde-in-rom-gehrte-und-dem-priester-in-der-seelsorge-half-er-ist-der-schutzheilige-der-ministranten-the-dying-tarcisius-tharsicius-tarsitius-tarcisius-and-tarkisius-according-to-legend-a-roman-boy-who-belonged-to-the-then-persecuted-christian-community-in-rome-in-the-second-half-of-the-3rd-century-and-helped-the-priest-in-pastoral-care-he-is-the-patron-saint-of-altar-boys-historisch-digi-image482358959.htmlRF2K0N9NK–Der sterbende Tarzisius, Tharsicius, Tarsitius, Tarcisius und Tarkisius, der Legende nach ein römischer Junge, der in der zweiten Hälfte des 3. Jahrhunderts zur damals verfolgten christlichen Gemeinde in Rom gehörte und dem Priester in der Seelsorge half. Er ist der Schutzheilige der Ministranten / The dying Tarcisius, Tharsicius, Tarsitius, Tarcisius and Tarkisius, according to legend, a Roman boy who belonged to the then persecuted Christian community in Rome in the second half of the 3rd century and helped the priest in pastoral care. He is the patron saint of altar boys, Historisch, digi
Altar cross of St Eligius. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/altar-cross-of-st-eligius-the-arts-of-the-middle-ages-and-at-the-period-of-the-renaissance-by-paul-lacroix-1874-image507197741.htmlRM2MD4RW1–Altar cross of St Eligius. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
ancient world, Roman Empire, trade, altar of the Parisi Nautes, time of Empero Tiberius (reigned 14 - 37), sculpture, wood engraving, 19th century, Gauls, antiquity, Province of Gaul, merchants, guild, weapons, religion, France, 1st century, historic, historical, ancient world, people, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-world-roman-empire-trade-altar-of-the-parisi-nautes-time-of-58533064.htmlRMDB6BEG–ancient world, Roman Empire, trade, altar of the Parisi Nautes, time of Empero Tiberius (reigned 14 - 37), sculpture, wood engraving, 19th century, Gauls, antiquity, Province of Gaul, merchants, guild, weapons, religion, France, 1st century, historic, historical, ancient world, people, Additional-Rights-Clearences-Not Available
The Netherlands Roman period, altar, stone, limestone, 18 x 19 x 10 cm, approx. 10 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-18-x-19-x-10-cm-approx-10-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513699.htmlRM2B0DXMK–The Netherlands Roman period, altar, stone, limestone, 18 x 19 x 10 cm, approx. 10 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
a stele from the Roman era with some inscriptions carved on a transparent background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-stele-from-the-roman-era-with-some-inscriptions-carved-on-a-transparent-background-image562864957.htmlRF2RKMKYW–a stele from the Roman era with some inscriptions carved on a transparent background
Antique 19th-century illustration of interior of Eglise de la Madeleine in Paris, France. Published in Systematischer Bilder-Atlas zum Conversations-L Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-19th-century-illustration-of-interior-of-eglise-de-la-madeleine-in-paris-france-published-in-systematischer-bilder-atlas-zum-conversations-l-image414283722.htmlRF2F20736–Antique 19th-century illustration of interior of Eglise de la Madeleine in Paris, France. Published in Systematischer Bilder-Atlas zum Conversations-L
Jakob Brandt and Maria Beudiker, both in classical Roman dress, hold hands over an altar with a sacred fire. That's how they get married. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jakob-brandt-and-maria-beudiker-both-in-classical-roman-dress-hold-hands-over-an-altar-with-a-sacred-fire-thats-how-they-get-married-image488047289.htmlRF2KA0D89–Jakob Brandt and Maria Beudiker, both in classical Roman dress, hold hands over an altar with a sacred fire. That's how they get married.
Museum Reims, Gallo-Roman altar, vintage engraved illustration. Magasin Pittoresque 1847. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-reims-gallo-roman-altar-vintage-engraved-illustration-magasin-pittoresque-1847-image363148653.htmlRF2C2PRPN–Museum Reims, Gallo-Roman altar, vintage engraved illustration. Magasin Pittoresque 1847.
Golden ancient Roman gold coin icon isolated on white background. Vector illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/golden-ancient-roman-gold-coin-icon-isolated-on-white-background-vector-illustration-image591742439.htmlRF2WAM5EF–Golden ancient Roman gold coin icon isolated on white background. Vector illustration.
Allegory of equating the Roman Catholic religion with other denominations. In the center is the Dutch Virgin on the steps of a temple near the altar, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-equating-the-roman-catholic-religion-with-other-denominations-in-the-center-is-the-dutch-virgin-on-the-steps-of-a-temple-near-the-altar-image488046804.htmlRF2KA0CK0–Allegory of equating the Roman Catholic religion with other denominations. In the center is the Dutch Virgin on the steps of a temple near the altar,
Headstone of Cato and Porcia, Roman funerary portraiture Vatican Museums Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/headstone-of-cato-and-porcia-roman-funerary-portraiture-vatican-museums-image566645731.htmlRM2RWTXBF–Headstone of Cato and Porcia, Roman funerary portraiture Vatican Museums
Hadrian's Wall, Chesters Museum. Illustration depicting a carved stone altar to the god Jupiter, excavated from the Praetorium at Vindolanda Roman For Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hadrians-wall-chesters-museum-illustration-depicting-a-carved-stone-164117059.htmlRMKF04YF–Hadrian's Wall, Chesters Museum. Illustration depicting a carved stone altar to the god Jupiter, excavated from the Praetorium at Vindolanda Roman For
The majestic interior of St. Peter's Basilica in Vatican City. The engraving details the expansive nave, the ornate altar, and the magnificent dome designed by Michelangelo, each element showcasing the pinnacle of Renaissance art and architecture. The intricate columns, sweeping arches, and detailed frescoes are all rendered with precision, conveying the spiritual and architectural grandeur of this iconic religious site Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-majestic-interior-of-st-peters-basilica-in-vatican-city-the-engraving-details-the-expansive-nave-the-ornate-altar-and-the-magnificent-dome-designed-by-michelangelo-each-element-showcasing-the-pinnacle-of-renaissance-art-and-architecture-the-intricate-columns-sweeping-arches-and-detailed-frescoes-are-all-rendered-with-precision-conveying-the-spiritual-and-architectural-grandeur-of-this-iconic-religious-site-image609028937.htmlRM2XARJHD–The majestic interior of St. Peter's Basilica in Vatican City. The engraving details the expansive nave, the ornate altar, and the magnificent dome designed by Michelangelo, each element showcasing the pinnacle of Renaissance art and architecture. The intricate columns, sweeping arches, and detailed frescoes are all rendered with precision, conveying the spiritual and architectural grandeur of this iconic religious site
Original artwork of Hannibal's vow. Published in A pictorial history of the world's great nations: from the earliest dates to the present time (Charlo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-artwork-of-hannibals-vow-published-in-a-pictorial-history-of-the-worlds-great-nations-from-the-earliest-dates-to-the-present-time-charlo-image389485407.htmlRF2DHJGH3–Original artwork of Hannibal's vow. Published in A pictorial history of the world's great nations: from the earliest dates to the present time (Charlo
Ancient coin. Roman assarius of the Times of Jesus Christ Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-coin-roman-assarius-of-the-times-of-jesus-christ-173491840.htmlRFM276H4–Ancient coin. Roman assarius of the Times of Jesus Christ
Representation of one of the Roman provinces, perhaps Hispania, relief from the Hadrianeum, a temple of the deified Hadrian in the Campus Martius Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/representation-of-one-of-the-roman-provinces-perhaps-hispania-relief-from-the-hadrianeum-a-temple-of-the-deified-hadrian-in-the-campus-martius-image604674213.htmlRF2X3N83H–Representation of one of the Roman provinces, perhaps Hispania, relief from the Hadrianeum, a temple of the deified Hadrian in the Campus Martius
denarius; Marek Aureliusz (121-180; Roman emperor 161-180); 165-166 (164-00-00-165-00-00);Marek Aureliusz (Roman Emperor - 121-180), Marek Aureliusz (Roman emperor - 121-180) - iconography, Pietas (personification), Pietas standing in front of the altar (iconogr.), Busters, busts of the ruler Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denarius-marek-aureliusz-121-180-roman-emperor-161-180-165-166-164-00-00-165-00-00marek-aureliusz-roman-emperor-121-180-marek-aureliusz-roman-emperor-121-180-iconography-pietas-personification-pietas-standing-in-front-of-the-altar-iconogr-busters-busts-of-the-ruler-image598709215.htmlRM2WP1FKY–denarius; Marek Aureliusz (121-180; Roman emperor 161-180); 165-166 (164-00-00-165-00-00);Marek Aureliusz (Roman Emperor - 121-180), Marek Aureliusz (Roman emperor - 121-180) - iconography, Pietas (personification), Pietas standing in front of the altar (iconogr.), Busters, busts of the ruler
LIne drawing of an ancient Greek boar sacrifice. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-line-drawing-of-an-ancient-greek-boar-sacrifice-84936566.htmlRMEX55CP–LIne drawing of an ancient Greek boar sacrifice.
Paintings behind the altar and beneath the dome of the Basilica of Monte de Santa Luzia in Viana do Castelo, near Porto in Portugal, representing the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paintings-behind-the-altar-and-beneath-the-dome-of-the-basilica-of-monte-de-santa-luzia-in-viana-do-castelo-near-porto-in-portugal-representing-the-image228445654.htmlRFR7JGNA–Paintings behind the altar and beneath the dome of the Basilica of Monte de Santa Luzia in Viana do Castelo, near Porto in Portugal, representing the
Antique engraving of altar of Orsanmichele in Florence, Italy. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Enc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-engraving-of-altar-of-orsanmichele-in-florence-italy-published-in-systematischer-bilder-atlas-zum-conversations-lexikon-ikonographische-enc-image414281807.htmlRF2F204JR–Antique engraving of altar of Orsanmichele in Florence, Italy. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Enc
Miniature from a 14th century manuscript, representing Louis de Tarente, second husband of Queen Joan of Naples, instituting the Order of the Holy Spirit. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miniature-from-a-14th-century-manuscript-representing-louis-de-tarente-second-husband-of-queen-joan-of-naples-instituting-the-order-of-the-holy-spirit-the-arts-of-the-middle-ages-and-at-the-period-of-the-renaissance-by-paul-lacroix-1874-image507199165.htmlRM2MD4WKW–Miniature from a 14th century manuscript, representing Louis de Tarente, second husband of Queen Joan of Naples, instituting the Order of the Holy Spirit. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
Germany, Hildesheim, Church Of St. Michael travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/germany-hildesheim-church-of-st-michael-travel-landmark-vector-illustration-image544523442.htmlRF2PHW55P–Germany, Hildesheim, Church Of St. Michael travel landmark vector illustration
The Netherlands Roman period, altar, stone, limestone, 89 x 53 x 22 cm, ca. 270 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-89-x-53-x-22-cm-ca-270-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513694.htmlRM2B0DXME–The Netherlands Roman period, altar, stone, limestone, 89 x 53 x 22 cm, ca. 270 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Altar dedicated to Deus Invictus Mithras. MNAR Merida, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/altar-dedicated-to-deus-invictus-mithras-mnar-merida-spain-image416296385.htmlRF2F57X81–Altar dedicated to Deus Invictus Mithras. MNAR Merida, Spain
Victorian engraving of a frieze from the Pergamon Altar. Digitally restored image from a mid-19th century Encyclopaedia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-victorian-engraving-of-a-frieze-from-the-pergamon-altar-digitally-78495006.htmlRFEFKN52–Victorian engraving of a frieze from the Pergamon Altar. Digitally restored image from a mid-19th century Encyclopaedia.
19th century illustration of Gallic monuments of Notre Dame. Figures shown in the fourth altar. Original artwork published in Le magasin Pittoresque b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/19th-century-illustration-of-gallic-monuments-of-notre-dame-figures-shown-in-the-fourth-altar-original-artwork-published-in-le-magasin-pittoresque-b-image220867685.htmlRFPR9AYH–19th century illustration of Gallic monuments of Notre Dame. Figures shown in the fourth altar. Original artwork published in Le magasin Pittoresque b
Einsiedeln Abbey, church altar, Einsiedeln, Schwyz, Switzerland 1890. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/einsiedeln-abbey-church-altar-einsiedeln-schwyz-switzerland-1890-image557344801.htmlRF2RAN6YD–Einsiedeln Abbey, church altar, Einsiedeln, Schwyz, Switzerland 1890.
Remains of a Roman defensive fortification known as Hadrian’s Wall, running total of about 118 km with number of forts, castles and turrets. Altar from Temple of Mithras from the Roman fort ‘Brocolitia’ (Carrawburgh), isolated on white. Archival scan from a slide. June 1974. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/remains-of-a-roman-defensive-fortification-known-as-hadrians-wall-running-total-of-about-118-km-with-number-of-forts-castles-and-turrets-altar-from-temple-of-mithras-from-the-roman-fort-brocolitia-carrawburgh-isolated-on-white-archival-scan-from-a-slide-june-1974-image411146176.htmlRM2ETW940–Remains of a Roman defensive fortification known as Hadrian’s Wall, running total of about 118 km with number of forts, castles and turrets. Altar from Temple of Mithras from the Roman fort ‘Brocolitia’ (Carrawburgh), isolated on white. Archival scan from a slide. June 1974.
Drawing sketch illustration of Altare della Patria, the Altar of the Fatherland or Victoriano. Significant landmark in Rome, the Italian capital. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-sketch-illustration-of-altare-della-patria-the-altar-of-the-fatherland-or-victoriano-significant-landmark-in-rome-the-italian-capital-image362106443.htmlRF2C13ACY–Drawing sketch illustration of Altare della Patria, the Altar of the Fatherland or Victoriano. Significant landmark in Rome, the Italian capital.
Description and translation of the altar base from High Rochester mentioning the fort by name Bremenium and its garrison. Bremenium - an ancient Roman fort (castrum) located at Rochester, Northumberland, England. The fort was one of the defensive structures built along Dere Street, a Roman road running from York to Corbridge and onwards to Melrose. Archival scan from a slide. May 1975. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/description-and-translation-of-the-altar-base-from-high-rochester-mentioning-the-fort-by-name-bremenium-and-its-garrison-bremenium-an-ancient-roman-fort-castrum-located-at-rochester-northumberland-england-the-fort-was-one-of-the-defensive-structures-built-along-dere-street-a-roman-road-running-from-york-to-corbridge-and-onwards-to-melrose-archival-scan-from-a-slide-may-1975-image558920629.htmlRM2RD90Y1–Description and translation of the altar base from High Rochester mentioning the fort by name Bremenium and its garrison. Bremenium - an ancient Roman fort (castrum) located at Rochester, Northumberland, England. The fort was one of the defensive structures built along Dere Street, a Roman road running from York to Corbridge and onwards to Melrose. Archival scan from a slide. May 1975.
Posada, Serenade to the Virgin of Guadalupe, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/posada-serenade-to-the-virgin-of-guadalupe-mexico-image155089279.htmlRMK08WXR–Posada, Serenade to the Virgin of Guadalupe, Mexico
Ancient book of the Roman Mass. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-book-of-the-roman-mass-image404956895.htmlRF2EERAJ7–Ancient book of the Roman Mass.
The Twelve Tables, Rome's first legal code, are drawn up by a commission at the request of the plebeians. Date: 451-450 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-twelve-tables-romes-first-legal-code-are-drawn-up-by-a-commission-105255269.htmlRMG36P4N–The Twelve Tables, Rome's first legal code, are drawn up by a commission at the request of the plebeians. Date: 451-450 BC
Ancient coin. Roman denarius of the time of Jesus Christ Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-coin-roman-denarius-of-the-time-of-jesus-christ-173491873.htmlRFM276J9–Ancient coin. Roman denarius of the time of Jesus Christ
History of Europe, ancient and medieval: Earliest man, the Orient, Greece and Rome . Figs. 63 and 64. Sculptures of Hellenistic Pergamum Above (Fig. 63) is a Gallic trumpeter, as he sinks in death with histrumpet at his feet (§ 278). Below (Fig. 64) is a part of the friezearound the great altar of Zeus at Pergamum (Fig. 52). It pictures themythical struggle between gods and giants. A giant at the left, whoselimbs end in serpents, raises over his head a great stone to hurl it atthe goddess on the right (§ 278). Fig. 65. The Roman Forum and its Public Buildings in the Early Empire. (After Lucken Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-europe-ancient-and-medieval-earliest-man-the-orient-greece-and-rome-figs-63-and-64-sculptures-of-hellenistic-pergamum-above-fig-63-is-a-gallic-trumpeter-as-he-sinks-in-death-with-histrumpet-at-his-feet-278-below-fig-64-is-a-part-of-the-friezearound-the-great-altar-of-zeus-at-pergamum-fig-52-it-pictures-themythical-struggle-between-gods-and-giants-a-giant-at-the-left-whoselimbs-end-in-serpents-raises-over-his-head-a-great-stone-to-hurl-it-atthe-goddess-on-the-right-278-fig-65-the-roman-forum-and-its-public-buildings-in-the-early-empire-after-lucken-image339139899.htmlRM2AKN4B7–History of Europe, ancient and medieval: Earliest man, the Orient, Greece and Rome . Figs. 63 and 64. Sculptures of Hellenistic Pergamum Above (Fig. 63) is a Gallic trumpeter, as he sinks in death with histrumpet at his feet (§ 278). Below (Fig. 64) is a part of the friezearound the great altar of Zeus at Pergamum (Fig. 52). It pictures themythical struggle between gods and giants. A giant at the left, whoselimbs end in serpents, raises over his head a great stone to hurl it atthe goddess on the right (§ 278). Fig. 65. The Roman Forum and its Public Buildings in the Early Empire. (After Lucken
Bas relief from Arch of Marcus Aurelius triumph chariot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bas-relief-from-arch-of-marcus-aurelius-triumph-chariot-image604674144.htmlRF2X3N814–Bas relief from Arch of Marcus Aurelius triumph chariot
Original artwork of Hannibal's vow. Published in A pictorial history of the world's great nations: from the earliest dates to the present time (Charlo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-artwork-of-hannibals-vow-published-in-a-pictorial-history-of-the-worlds-great-nations-from-the-earliest-dates-to-the-present-time-charlo-image220981014.htmlRFPREFF2–Original artwork of Hannibal's vow. Published in A pictorial history of the world's great nations: from the earliest dates to the present time (Charlo
Pentecost Altarpiece from Stavelot Abbey. Romanesque Art circa 1160-1170. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pentecost-altarpiece-from-stavelot-abbey-romanesque-art-circa-1160-1170-image234433453.htmlRFRHBA79–Pentecost Altarpiece from Stavelot Abbey. Romanesque Art circa 1160-1170.
photographed from a book titled 'English Pictures Drawn with Pen and Pencil' published in London ca. 1870. Copyright has expir Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-photographed-from-a-book-titled-english-pictures-drawn-with-pen-and-78496544.htmlRFEFKR40–photographed from a book titled 'English Pictures Drawn with Pen and Pencil' published in London ca. 1870. Copyright has expir
Relief decorates a shield and weapons from the Temple of the Divine Hadrian. Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/relief-decorates-a-shield-and-weapons-from-the-temple-of-the-divine-hadrian-rome-image604674216.htmlRF2X3N83M–Relief decorates a shield and weapons from the Temple of the Divine Hadrian. Rome
Poland, Bialystok, St. Roch Roman Catholic Church travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poland-bialystok-st-roch-roman-catholic-church-travel-landmark-vector-illustration-image544505036.htmlRF2PHT9MC–Poland, Bialystok, St. Roch Roman Catholic Church travel landmark vector illustration
The Netherlands Roman period, altar, stone, limestone, 63 x 35 x 16.5 cm, approx. 100 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-63-x-35-x-165-cm-approx-100-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513696.htmlRM2B0DXMG–The Netherlands Roman period, altar, stone, limestone, 63 x 35 x 16.5 cm, approx. 100 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Altar dedicated to Local Celtiberian God Sigerius Stilliferus. MNAR Merida, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/altar-dedicated-to-local-celtiberian-god-sigerius-stilliferus-mnar-merida-spain-image416296443.htmlRF2F57XA3–Altar dedicated to Local Celtiberian God Sigerius Stilliferus. MNAR Merida, Spain
Antique 19th-century illustration of interior of St. Vitus Cathedral in Prague, Czech Republic. Published in Systematischer Bilder-Atlas zum Conversat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-19th-century-illustration-of-interior-of-st-vitus-cathedral-in-prague-czech-republic-published-in-systematischer-bilder-atlas-zum-conversat-image414283856.htmlRF2F20780–Antique 19th-century illustration of interior of St. Vitus Cathedral in Prague, Czech Republic. Published in Systematischer Bilder-Atlas zum Conversat
Church of Guadaloupe i.e. Guadalupe, Ciudad Juarez, Mexico, c1902. Franciscan mission church, built in the 17th century. A new cathedral was built next door and consecrated in 1941. Note man praying at left, his sombrero on his feet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-of-guadaloupe-ie-guadalupe-ciudad-juarez-mexico-c1902-franciscan-mission-church-built-in-the-17th-century-a-new-cathedral-was-built-next-door-and-consecrated-in-1941-note-man-praying-at-left-his-sombrero-on-his-feet-image556269961.htmlRM2R90809–Church of Guadaloupe i.e. Guadalupe, Ciudad Juarez, Mexico, c1902. Franciscan mission church, built in the 17th century. A new cathedral was built next door and consecrated in 1941. Note man praying at left, his sombrero on his feet.
Antique engraving depicting The Three Kings by Stephan Lochner in Cologne Cathedral, Germany. Illustration published in Systematischer Bilder Atlas - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-engraving-depicting-the-three-kings-by-stephan-lochner-in-cologne-cathedral-germany-illustration-published-in-systematischer-bilder-atlas-image383511220.htmlRF2D7XCD8–Antique engraving depicting The Three Kings by Stephan Lochner in Cologne Cathedral, Germany. Illustration published in Systematischer Bilder Atlas -
Seville, Spain - April 16th, 2019: Visigothic treasure of Torredonjimeno, replica. Isolated. Archaeological Museum of Seville, Andalusia, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seville-spain-april-16th-2019-visigothic-treasure-of-torredonjimeno-replica-isolated-archaeological-museum-of-seville-andalusia-spain-image246371228.htmlRMT8R50C–Seville, Spain - April 16th, 2019: Visigothic treasure of Torredonjimeno, replica. Isolated. Archaeological Museum of Seville, Andalusia, Spain
German historical postcard: Lithography of the late 19th century. Basilica of SS. Ulrich and Afra, Catholic parish in Augsburg, Bavaria, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-historical-postcard-lithography-of-the-late-19th-century-basilica-of-ss-ulrich-and-afra-catholic-parish-in-augsburg-bavaria-germany-image352249878.htmlRF2BD2A8P–German historical postcard: Lithography of the late 19th century. Basilica of SS. Ulrich and Afra, Catholic parish in Augsburg, Bavaria, Germany
Ancient coin. Silver Roman tetradrachma of the time of Jesus Christ. Perhaps for such silver coins, Judas betrayed Christ. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-coin-silver-roman-tetradrachma-of-the-time-of-jesus-christ-173491846.htmlRFM276HA–Ancient coin. Silver Roman tetradrachma of the time of Jesus Christ. Perhaps for such silver coins, Judas betrayed Christ.
![. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . ors. It was thus profaned prior to Christstime by Antiochus Epiphanes (170 B.C.), whodedicated the Temple to Jupiter, and sacri-ficed unclean things to him on the altar ofburnt-offerings ; it was again similarly pro-faned by the legions of Titus, who, after thecapture of the city (a.d. 70), brought theirstandards to the Temple, set them up in theholy place, and offered sacrifice to them, forthe Roman ensigns were real Stock Photo](https://c8.alamy.com/comp/2CDH6J7/a-dictionary-of-religious-knowledge-electronic-resource-for-popular-and-professional-use-comprising-full-information-on-biblical-theological-and-ecclesiastical-subjects-ors-it-was-thus-profaned-prior-to-christstime-by-antiochus-epiphanes-170-bc-whodedicated-the-temple-to-jupiter-and-sacri-ficed-unclean-things-to-him-on-the-altar-ofburnt-offerings-it-was-again-similarly-pro-faned-by-the-legions-of-titus-who-after-thecapture-of-the-city-ad-70-brought-theirstandards-to-the-temple-set-them-up-in-theholy-place-and-offered-sacrifice-to-them-forthe-roman-ensigns-were-real-2CDH6J7.jpg ". A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . ors. It was thus profaned prior to Christstime by Antiochus Epiphanes (170 B.C.), whodedicated the Temple to Jupiter, and sacri-ficed unclean things to him on the altar ofburnt-offerings ; it was again similarly pro-faned by the legions of Titus, who, after thecapture of the city (a.d. 70), brought theirstandards to the Temple, set them up in theholy place, and offered sacrifice to them, forthe Roman ensigns were real Stock Photo")
. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . ors. It was thus profaned prior to Christstime by Antiochus Epiphanes (170 B.C.), whodedicated the Temple to Jupiter, and sacri-ficed unclean things to him on the altar ofburnt-offerings ; it was again similarly pro-faned by the legions of Titus, who, after thecapture of the city (a.d. 70), brought theirstandards to the Temple, set them up in theholy place, and offered sacrifice to them, forthe Roman ensigns were real Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-dictionary-of-religious-knowledge-electronic-resource-for-popular-and-professional-use-comprising-full-information-on-biblical-theological-and-ecclesiastical-subjects-ors-it-was-thus-profaned-prior-to-christstime-by-antiochus-epiphanes-170-bc-whodedicated-the-temple-to-jupiter-and-sacri-ficed-unclean-things-to-him-on-the-altar-ofburnt-offerings-it-was-again-similarly-pro-faned-by-the-legions-of-titus-who-after-thecapture-of-the-city-ad-70-brought-theirstandards-to-the-temple-set-them-up-in-theholy-place-and-offered-sacrifice-to-them-forthe-roman-ensigns-were-real-image369786655.htmlRM2CDH6J7–. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . ors. It was thus profaned prior to Christstime by Antiochus Epiphanes (170 B.C.), whodedicated the Temple to Jupiter, and sacri-ficed unclean things to him on the altar ofburnt-offerings ; it was again similarly pro-faned by the legions of Titus, who, after thecapture of the city (a.d. 70), brought theirstandards to the Temple, set them up in theholy place, and offered sacrifice to them, forthe Roman ensigns were real
Bas-relief from Arch of Marcus Aurelius Marcus Aurelius showing his clemence to barbarii. Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bas-relief-from-arch-of-marcus-aurelius-marcus-aurelius-showing-his-clemence-to-barbarii-rome-image604674292.htmlRF2X3N86C–Bas-relief from Arch of Marcus Aurelius Marcus Aurelius showing his clemence to barbarii. Rome
Germany, Trier, Electoral Palace travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/germany-trier-electoral-palace-travel-landmark-vector-illustration-image544530372.htmlRF2PHWE18–Germany, Trier, Electoral Palace travel landmark vector illustration
The Netherlands Roman period, altar, stone, limestone, 48.5 x 27 x 11 cm, approx. 40 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-485-x-27-x-11-cm-approx-40-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513704.htmlRM2B0DXMT–The Netherlands Roman period, altar, stone, limestone, 48.5 x 27 x 11 cm, approx. 40 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Massacre of the Innocents, c1380. In an attempt to thwart the prophecy about Christ's rise to power, King Herod orders his soldiers to kill all the male infants under the age of two living in Bethlehem. They do this with ruthless efficiency. Bartolo's color scheme uses naturalistic details to enhance the drama of the scene. Note the contrast between the rosy coloring of the infants who are still alive and the green pallor of those already dead. This painting, which is beautifully preserved, was part of a monumental altarpiece commissioned for the Church of San Agostino in San Gimignano and was Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/massacre-of-the-innocents-c1380-in-an-attempt-to-thwart-the-prophecy-about-christs-rise-to-power-king-herod-orders-his-soldiers-to-kill-all-the-male-infants-under-the-age-of-two-living-in-bethlehem-they-do-this-with-ruthless-efficiency-bartolos-color-scheme-uses-naturalistic-details-to-enhance-the-drama-of-the-scene-note-the-contrast-between-the-rosy-coloring-of-the-infants-who-are-still-alive-and-the-green-pallor-of-those-already-dead-this-painting-which-is-beautifully-preserved-was-part-of-a-monumental-altarpiece-commissioned-for-the-church-of-san-agostino-in-san-gimignano-and-was-image575141310.htmlRM2TBKXH2–Massacre of the Innocents, c1380. In an attempt to thwart the prophecy about Christ's rise to power, King Herod orders his soldiers to kill all the male infants under the age of two living in Bethlehem. They do this with ruthless efficiency. Bartolo's color scheme uses naturalistic details to enhance the drama of the scene. Note the contrast between the rosy coloring of the infants who are still alive and the green pallor of those already dead. This painting, which is beautifully preserved, was part of a monumental altarpiece commissioned for the Church of San Agostino in San Gimignano and was
Relief from honorary monument of Marcus Aurelius sacrifice to Capitoline Jupiter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/relief-from-honorary-monument-of-marcus-aurelius-sacrifice-to-capitoline-jupiter-image604674291.htmlRF2X3N86B–Relief from honorary monument of Marcus Aurelius sacrifice to Capitoline Jupiter
Germany, Harz, Quedlinburg Abbey travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/germany-harz-quedlinburg-abbey-travel-landmark-vector-illustration-image544510804.htmlRF2PHTH2C–Germany, Harz, Quedlinburg Abbey travel landmark vector illustration
The Netherlands Roman period, altar, stone, limestone, 62.5 x 35 x 15.5 cm, approx. 90 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-625-x-35-x-155-cm-approx-90-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513697.htmlRM2B0DXMH–The Netherlands Roman period, altar, stone, limestone, 62.5 x 35 x 15.5 cm, approx. 90 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Wielki Oltarz w Katredrze krakowskiej, between 1910 and 1920. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wielki-oltarz-w-katredrze-krakowskiej-between-1910-and-1920-image482071986.htmlRM2K087MJ–Wielki Oltarz w Katredrze krakowskiej, between 1910 and 1920.
Trophies of arms (tunic, short spear, captured Dacian Draco) relief from the Hadrianeum, a temple of the deified Hadrian in the Campus Martius Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trophies-of-arms-tunic-short-spear-captured-dacian-draco-relief-from-the-hadrianeum-a-temple-of-the-deified-hadrian-in-the-campus-martius-image604674222.htmlRF2X3N83X–Trophies of arms (tunic, short spear, captured Dacian Draco) relief from the Hadrianeum, a temple of the deified Hadrian in the Campus Martius
Spain, Cordoba,Mosquecathedral Of Cordoba travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spain-cordobamosquecathedral-of-cordoba-travel-landmark-vector-illustration-image544428354.htmlRF2PHMRWP–Spain, Cordoba,Mosquecathedral Of Cordoba travel landmark vector illustration
The Netherlands Roman period, altar, stone, limestone, 65.5 x 41 x 15.5 cm, ca. 100 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-655-x-41-x-155-cm-ca-100-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513709.htmlRM2B0DXN1–The Netherlands Roman period, altar, stone, limestone, 65.5 x 41 x 15.5 cm, ca. 100 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Trophies of arms (armor, lance and flag) relief from the Hadrianeum, a temple of the deified Hadrian in the Campus Martius Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trophies-of-arms-armor-lance-and-flag-relief-from-the-hadrianeum-a-temple-of-the-deified-hadrian-in-the-campus-martius-image604674191.htmlRF2X3N82R–Trophies of arms (armor, lance and flag) relief from the Hadrianeum, a temple of the deified Hadrian in the Campus Martius
Spain, Barcelona, Cathedral Of The Holy Cross travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spain-barcelona-cathedral-of-the-holy-cross-travel-landmark-vector-illustration-image544485813.htmlRF2PHRD5W–Spain, Barcelona, Cathedral Of The Holy Cross travel landmark vector illustration
The Netherlands Roman period, altar, stone, limestone, 59.5 x 38.5 x 15 cm, approx. 90 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-595-x-385-x-15-cm-approx-90-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513705.htmlRM2B0DXMW–The Netherlands Roman period, altar, stone, limestone, 59.5 x 38.5 x 15 cm, approx. 90 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Belgium, Ghent, The Saint Bavo Cathedral travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belgium-ghent-the-saint-bavo-cathedral-travel-landmark-vector-illustration-image544519860.htmlRF2PHW0HT–Belgium, Ghent, The Saint Bavo Cathedral travel landmark vector illustration
The Netherlands Roman period, altar, fragments, stone, limestone, 24 x 8 x 6.5 cm, ca. 4 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-fragments-stone-limestone-24-x-8-x-65-cm-ca-4-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513711.htmlRM2B0DXN3–The Netherlands Roman period, altar, fragments, stone, limestone, 24 x 8 x 6.5 cm, ca. 4 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Czech Republic, Church Of The Assumption Of Our Lady And Saint John The Baptist travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/czech-republic-church-of-the-assumption-of-our-lady-and-saint-john-the-baptist-travel-landmark-vector-illustration-image544529076.htmlRF2PHWCB0–Czech Republic, Church Of The Assumption Of Our Lady And Saint John The Baptist travel landmark vector illustration
The Netherlands Roman period, altar, stone, limestone, 48 x 45.5 x 17.5 cm, ca. 100 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-48-x-455-x-175-cm-ca-100-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513702.htmlRM2B0DXMP–The Netherlands Roman period, altar, stone, limestone, 48 x 45.5 x 17.5 cm, ca. 100 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Spain, Canary Islands, Basilica Of The Royal Marian Shrine travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spain-canary-islands-basilica-of-the-royal-marian-shrine-travel-landmark-vector-illustration-image544513270.htmlRF2PHTM6E–Spain, Canary Islands, Basilica Of The Royal Marian Shrine travel landmark vector illustration
The Netherlands Roman period, altar, fragments, stone, limestone, 17 x 6.5 x 6 cm, ca. 2 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-fragments-stone-limestone-17-x-65-x-6-cm-ca-2-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513712.htmlRM2B0DXN4–The Netherlands Roman period, altar, fragments, stone, limestone, 17 x 6.5 x 6 cm, ca. 2 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
France, Bourges, Bourges Cathedral, travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-bourges-bourges-cathedral-travel-landmark-vector-illustration-image544524651.htmlRF2PHW6MY–France, Bourges, Bourges Cathedral, travel landmark vector illustration
The Netherlands Roman period, altar, fragments, stone, limestone, 11 x 10.5 x 6 cm, approx. 2 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-fragments-stone-limestone-11-x-105-x-6-cm-approx-2-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513717.htmlRM2B0DXN9–The Netherlands Roman period, altar, fragments, stone, limestone, 11 x 10.5 x 6 cm, approx. 2 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Italy, Mantua, Basilica Of Sant'andrea travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-mantua-basilica-of-santandrea-travel-landmark-vector-illustration-image544520959.htmlRF2PHW213–Italy, Mantua, Basilica Of Sant'andrea travel landmark vector illustration
Netherlands Roman period, altar, fragment, stone, limestone, 18 x 17 x 10.5 cm, ca. 10 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netherlands-roman-period-altar-fragment-stone-limestone-18-x-17-x-105-cm-ca-10-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513708.htmlRM2B0DXN0–Netherlands Roman period, altar, fragment, stone, limestone, 18 x 17 x 10.5 cm, ca. 10 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Altar of stone (limestone or marble?) Dedicated by the Collegium Peregrinorum. Bonding., Altar, stone, limestone, 87 x 45 x 25 cm, 166 kg, roman, Netherlands, South Holland, Leidschendam-Voorburg, Voorburg, Arentsburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/altar-of-stone-limestone-or-marble-dedicated-by-the-collegium-peregrinorum-bonding-altar-stone-limestone-87-x-45-x-25-cm-166-kg-roman-netherlands-south-holland-leidschendam-voorburg-voorburg-arentsburg-image344535656.htmlRM2B0EXMT–Altar of stone (limestone or marble?) Dedicated by the Collegium Peregrinorum. Bonding., Altar, stone, limestone, 87 x 45 x 25 cm, 166 kg, roman, Netherlands, South Holland, Leidschendam-Voorburg, Voorburg, Arentsburg
The Netherlands Roman period, altar, stone, limestone, 57.5 x 35.5 x 11.5 cm, around 60 kg, Roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-575-x-355-x-115-cm-around-60-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513706.htmlRM2B0DXMX–The Netherlands Roman period, altar, stone, limestone, 57.5 x 35.5 x 11.5 cm, around 60 kg, Roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Italy, Ravenna, Basilica Of San Vitale, travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-ravenna-basilica-of-san-vitale-travel-landmark-vector-illustration-image544522056.htmlRF2PHW3C8–Italy, Ravenna, Basilica Of San Vitale, travel landmark vector illustration
The Netherlands Roman period, altar, fragment, stone, limestone, 14.5 x 6.5 x 4.5 cm, approx. 2 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-fragment-stone-limestone-145-x-65-x-45-cm-approx-2-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513716.htmlRM2B0DXN8–The Netherlands Roman period, altar, fragment, stone, limestone, 14.5 x 6.5 x 4.5 cm, approx. 2 kg, roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
Search Results for Roman altar Cut Out Stock Images & Pictures (136)
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