Resist dyeing hi-res stock photography and images

Cloth coated with wax-resist dyeing, Oey Soe Tjoen Batik factory, Pekalongan, Java island, Indonesia, Southeast Asia, Asia Stock Photo

RF2YP2NAH–Cloth coated with wax-resist dyeing, Oey Soe Tjoen Batik factory, Pekalongan, Java island, Indonesia, Southeast Asia, Asia

Artisan engages in tying cone shaped knots into fabric used in traditional Japanese Arimatsu-shibori resist-dyeing as part of workshop at festival. Stock Photo

RF3BJWN0R–Artisan engages in tying cone shaped knots into fabric used in traditional Japanese Arimatsu-shibori resist-dyeing as part of workshop at festival.

Shibori dyeing: dobuku (robe) with aoi crest and ivy motif, Azuchi Momoyama period (16th to 17th century) Nui shime shibori technique fabric (detail) Stock Photo

RF2A11E6J–Shibori dyeing: dobuku (robe) with aoi crest and ivy motif, Azuchi Momoyama period (16th to 17th century) Nui shime shibori technique fabric (detail)

Shawl made with tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh Stock Photo

RM3BE36XH–Shawl made with tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh

Batik is a cloth that is traditionally made using a manual wax-resist dyeing technique Stock Photo

RMCTJ135–Batik is a cloth that is traditionally made using a manual wax-resist dyeing technique

Batik is an traditional Balinese art technique of wax-resist dyeing applied to whole cloth. This technique originated from Java but has become popular Stock Photo

RF2CCDRN2–Batik is an traditional Balinese art technique of wax-resist dyeing applied to whole cloth. This technique originated from Java but has become popular

Display of a batik textile design with red and white patterns. Traditional Indonesian wax-resist dyeing technique on display at a museum. Stock Photo

RM3A5WPXM–Display of a batik textile design with red and white patterns. Traditional Indonesian wax-resist dyeing technique on display at a museum.

Array of colorful unisex tie-dye shirts. Selective focus. Closeup. Stock Photo

RF2RB0GA1–Array of colorful unisex tie-dye shirts. Selective focus. Closeup.

Workshop of copper plate stamps (cap) used to apply wax-resist to make pattern before dyeing in batik process, Sondakan district, Solo (Surakarta) Stock Photo

RF2YP2ND7–Workshop of copper plate stamps (cap) used to apply wax-resist to make pattern before dyeing in batik process, Sondakan district, Solo (Surakarta)

Batik maker block prints on a cloth with a Cap (copper stamp). Batik Winotosastro shop, Yogyakarta, Java, Indonesia. Stock Photo

RMM4B4NA–Batik maker block prints on a cloth with a Cap (copper stamp). Batik Winotosastro shop, Yogyakarta, Java, Indonesia.

Tools for decorating Paschal eggs, Pysankas, with wax-resist dyeing technique. Collection of eggs. Homemade pen and melted beeswax for drawing of eggs Stock Photo

RF2J069J9–Tools for decorating Paschal eggs, Pysankas, with wax-resist dyeing technique. Collection of eggs. Homemade pen and melted beeswax for drawing of eggs

Portrait of a woman working on making a design on a handmade tablecloth Stock Photo

RMT2H6R8–Portrait of a woman working on making a design on a handmade tablecloth

Batik fabrics are Indonesian textiles made using wax-resist dyeing. They feature intricate patterns and vibrant colors, holding cultural significance Stock Photo

RF2R3TRXM–Batik fabrics are Indonesian textiles made using wax-resist dyeing. They feature intricate patterns and vibrant colors, holding cultural significance

Batik Indonesian: is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique originated from Indonesia. Stock Photo

RF2D6C255–Batik Indonesian: is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique originated from Indonesia.

Isolated hand in the process of making batik. Batik is a ancient art from Indonesia. Produced by technique of wax-resist dyeing applied to fabric. Stock Photo

RFR1GP8P–Isolated hand in the process of making batik. Batik is a ancient art from Indonesia. Produced by technique of wax-resist dyeing applied to fabric.

The process of making batik on Festival Batik Keren Blitar. Batik is a handmade ancient art from Indonesia. Produced by technique of wax-resist dyeing Stock Photo

RF2PRCGB8–The process of making batik on Festival Batik Keren Blitar. Batik is a handmade ancient art from Indonesia. Produced by technique of wax-resist dyeing

Tie-dye cotton fabric texture blue and white paint colors. Ancient resist-dyeing textile coloring technique, saturated primary colors, bold patterns, Stock Photo

RF2G7CN06–Tie-dye cotton fabric texture blue and white paint colors. Ancient resist-dyeing textile coloring technique, saturated primary colors, bold patterns,

Three pysanky handmade Easter eggs. Ukrainian pysanky decorated with wax-resist dyeing technique. Holiday postcard Stock Photo

RF2E1C55G–Three pysanky handmade Easter eggs. Ukrainian pysanky decorated with wax-resist dyeing technique. Holiday postcard

Malaysia Indonesian Batik Cloth Wax-Resist Dyeing Technique Stock Photo

RM2RAT6YE–Malaysia Indonesian Batik Cloth Wax-Resist Dyeing Technique

Mosen. Rectangular rug made of wool which is felted, then patterned with tied resist dyeing, leaving large and small dots of yellow in a deep red-orange ground. Touches of green applied by brush. A mosen is a type of rug used in Japanese tea ceremonies. Stock Photo

RM2BF21YE–Mosen. Rectangular rug made of wool which is felted, then patterned with tied resist dyeing, leaving large and small dots of yellow in a deep red-orange ground. Touches of green applied by brush. A mosen is a type of rug used in Japanese tea ceremonies.

RF3BJWN11–Artisan engages in tying cone shaped knots into fabric used in traditional Japanese Arimatsu-shibori resist-dyeing as part of workshop at festival.

Textile, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Textile with conventional design in off-white and blue. Design similar to parang baris motif., Indonesia, 19th century, printed, dyed & painted textiles, Textile Stock Photo

RM2DMPT95–Textile, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Textile with conventional design in off-white and blue. Design similar to parang baris motif., Indonesia, 19th century, printed, dyed & painted textiles, Textile

RM3BE36XW–Shawl made with tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh

RMCTJ12Y–Batik is a cloth that is traditionally made using a manual wax-resist dyeing technique

RF2CCDRRA–Batik is an traditional Balinese art technique of wax-resist dyeing applied to whole cloth. This technique originated from Java but has become popular

Art inspired by 鼠平絹地梅樹模様着物, Kimono with Blossoming Plum Tree, Meiji period (1868–1912), second half of the 19th century, Japan, Plain-weave silk with resist dyeing, ink, pigments, silk and metallic-thread embroidery, Overall: 62 × 49 in. (157.5 × 124.5 cm), Costumes, Paste-resist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3AX9–Art inspired by 鼠平絹地梅樹模様着物, Kimono with Blossoming Plum Tree, Meiji period (1868–1912), second half of the 19th century, Japan, Plain-weave silk with resist dyeing, ink, pigments, silk and metallic-thread embroidery, Overall: 62 × 49 in. (157.5 × 124.5 cm), Costumes, Paste-resist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RF2RB0GDK–Array of colorful unisex tie-dye shirts. Selective focus. Closeup.

RF2YP2ND9–Workshop of copper plate stamps (cap) used to apply wax-resist to make pattern before dyeing in batik process, Sondakan district, Solo (Surakarta)

A batik maker works in his workshop at Batik Seno, a gallery in Yogyakarta, Java, Indonesia. Stock Photo

RMM4B4H9–A batik maker works in his workshop at Batik Seno, a gallery in Yogyakarta, Java, Indonesia.

Rustic background. Tools for decorating Paschal eggs, Pysankas, with wax-resist dyeing technique. Collection of eggs. Homemade pen and melted beeswax Stock Photo

RF2J0F059–Rustic background. Tools for decorating Paschal eggs, Pysankas, with wax-resist dyeing technique. Collection of eggs. Homemade pen and melted beeswax

Workers applying wax-resist using a copper plate stamp (cap), Wirakuto batik workshop, Pekalongan, Java island, Indonesia, Southeast Asia, Asia Stock Photo

RF2YP2NAM–Workers applying wax-resist using a copper plate stamp (cap), Wirakuto batik workshop, Pekalongan, Java island, Indonesia, Southeast Asia, Asia

drawing of resist contour on silk for cold batik painting Stock Photo

RFDBCRA5–drawing of resist contour on silk for cold batik painting

RF2D6C31N–Batik Indonesian: is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique originated from Indonesia.

Stencil with Pattern of Seascape on White Ground 19th century Japan Stencils like these were traditionally used in Japan in a resist-dyeing process to produce lengths of patterned cloth. A length of white cloth was stretched out and paste was applied through the stencil, which was then removed to the next area and the next until the entire length was covered. The cloth was then dyed, usually with indigo, and the areas covered with the paste resisted the dye. In both of these stencils, note that half of the pattern is upside down, resulting in a finished product in which either end can serve as Stock Photo

RM2HJ4DE3–Stencil with Pattern of Seascape on White Ground 19th century Japan Stencils like these were traditionally used in Japan in a resist-dyeing process to produce lengths of patterned cloth. A length of white cloth was stretched out and paste was applied through the stencil, which was then removed to the next area and the next until the entire length was covered. The cloth was then dyed, usually with indigo, and the areas covered with the paste resisted the dye. In both of these stencils, note that half of the pattern is upside down, resulting in a finished product in which either end can serve as

RF2PRCGA0–The process of making batik on Festival Batik Keren Blitar. Batik is a handmade ancient art from Indonesia. Produced by technique of wax-resist dyeing

RF2G7CN03–Tie-dye cotton fabric texture blue and white paint colors. Ancient resist-dyeing textile coloring technique, saturated primary colors, bold patterns,

RF2E1C559–Three pysanky handmade Easter eggs. Ukrainian pysanky decorated with wax-resist dyeing technique. Holiday postcard

dyeing factory in the Shuhe area. one of traditional culture in yunnan Stock Photo

RF2WD78KF–dyeing factory in the Shuhe area. one of traditional culture in yunnan

Kimono with Blossoming Plum Tree second half of the 19th century Japan Paste-resist dyeing, along with skillful use of a shading technique, finely renders the gradual progression from white to dark gray on this garment. Early Meiji period kimonos often have gray or black grounds and decoration concentrated along the hemline. Here, the plum tree, painted in ink and pigments and embroidered with silk and occasional glints of gold, seems to glow in soft moonlight, while the rest of the robe is in shadow. The design scheme is based on the kosode style that became popular among ch?nin women at the Stock Photo

RM2HH3DPC–Kimono with Blossoming Plum Tree second half of the 19th century Japan Paste-resist dyeing, along with skillful use of a shading technique, finely renders the gradual progression from white to dark gray on this garment. Early Meiji period kimonos often have gray or black grounds and decoration concentrated along the hemline. Here, the plum tree, painted in ink and pigments and embroidered with silk and occasional glints of gold, seems to glow in soft moonlight, while the rest of the robe is in shadow. The design scheme is based on the kosode style that became popular among ch?nin women at the

Performer wearing traditional Japanese Oni mask is focus on crowded street during annual Japanese festival for Arimatsu-shibori, or resist-dyeing. Stock Photo

RF3BJWN5M–Performer wearing traditional Japanese Oni mask is focus on crowded street during annual Japanese festival for Arimatsu-shibori, or resist-dyeing.

Sarong, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, A sarong with cream ground and highly conventionalized large-scale floral and foliate design in blue, white, and brown., Indonesia, 19th century, printed, dyed & painted textiles, Sarong Stock Photo

RM2DNB357–Sarong, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, A sarong with cream ground and highly conventionalized large-scale floral and foliate design in blue, white, and brown., Indonesia, 19th century, printed, dyed & painted textiles, Sarong

Shawl made with red tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh Stock Photo

RM3BE361R–Shawl made with red tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh

Kain panjang (long sarong), Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Long sarong (kain panjang) in blue and white batik, showing a stylized all-over floral pattern., Indonesia, 19th century, printed, dyed & painted textiles, Kain panjang (long sarong Stock Photo

RM2DM78K9–Kain panjang (long sarong), Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Long sarong (kain panjang) in blue and white batik, showing a stylized all-over floral pattern., Indonesia, 19th century, printed, dyed & painted textiles, Kain panjang (long sarong

RF2CCDRG8–Batik is an traditional Balinese art technique of wax-resist dyeing applied to whole cloth. This technique originated from Java but has become popular

Sarong, Material: cotton Technique: wax resist dyeing (batik) on plain weave, A sarong with a dark blue ground. Features design of conventionalized floral motifs as well as the 'mirong' motif (two wings of Garuda, mount of Vishnu) in grey and white., Indonesia, 1850–1900, printed, dyed & painted textiles, Sarong Stock Photo

RM2DNAKDH–Sarong, Material: cotton Technique: wax resist dyeing (batik) on plain weave, A sarong with a dark blue ground. Features design of conventionalized floral motifs as well as the 'mirong' motif (two wings of Garuda, mount of Vishnu) in grey and white., Indonesia, 1850–1900, printed, dyed & painted textiles, Sarong

RF2RB0GBW–Array of colorful unisex tie-dye shirts. Selective focus. Closeup.

Woman's wrapper (àdìrẹ ẹlé̩kọ) Yorùbá , unknown maker's mark. Woman's wrapper (àdìrẹ ẹlé̩kọ), 20th century. Commercial cotton cloth, synthetic indigo dye, 68 5/8 × 78 × 1/16 in. (174.3 × 198.1 × 0.1 cm). Àdìrẹ is a Yorùbá textile whose patterns are made through resist dyeing. The àdìrẹ technique used to make this wrapper is àdìrẹ ẹlé̩kọ, wherein female artists paint cassava flour paste on fabric, preventing certain areas from soaking in blue indigo dye. This cloth’s name is Olókun, identifiable in part by the motif of a circular “stool” surrounded by “leaves.” As goddess of the sea, Olókun’s Stock Photo

RM2M92JX3–Woman's wrapper (àdìrẹ ẹlé̩kọ) Yorùbá , unknown maker's mark. Woman's wrapper (àdìrẹ ẹlé̩kọ), 20th century. Commercial cotton cloth, synthetic indigo dye, 68 5/8 × 78 × 1/16 in. (174.3 × 198.1 × 0.1 cm). Àdìrẹ is a Yorùbá textile whose patterns are made through resist dyeing. The àdìrẹ technique used to make this wrapper is àdìrẹ ẹlé̩kọ, wherein female artists paint cassava flour paste on fabric, preventing certain areas from soaking in blue indigo dye. This cloth’s name is Olókun, identifiable in part by the motif of a circular “stool” surrounded by “leaves.” As goddess of the sea, Olókun’s

A batik maker applies melted wax on cloth with a canting (spouted tool). Yogyakarta, Java, Indonesia. Stock Photo

RMM4B4H8–A batik maker applies melted wax on cloth with a canting (spouted tool). Yogyakarta, Java, Indonesia.

Tools for decorating Paschal eggs, Pysankas, with wax-resist dyeing technique. Homemade pen and melted beeswax for drawing of eggs. Ukraine. Preparati Stock Photo

RF2HPGYJ9–Tools for decorating Paschal eggs, Pysankas, with wax-resist dyeing technique. Homemade pen and melted beeswax for drawing of eggs. Ukraine. Preparati

RF2YP2NAP–Workers applying wax-resist using a copper plate stamp (cap), Wirakuto batik workshop, Pekalongan, Java island, Indonesia, Southeast Asia, Asia

Sarung (hip wrapper) for woman of Peranakan birth, Indonesia, Java, Pekalongan, 19th century, cotton, resist dyed Textile Museum, George Washington University DSC09536 Stock Photo

RMJW4BF4–Sarung (hip wrapper) for woman of Peranakan birth, Indonesia, Java, Pekalongan, 19th century, cotton, resist dyed Textile Museum, George Washington University DSC09536

Woman using a pen-like tool (canting) to apply liquid hot wax to create pattern on the fabric before dyeing, workshop of Kidang Mas Batik House, Lasem Stock Photo

RF2YP2NCN–Woman using a pen-like tool (canting) to apply liquid hot wax to create pattern on the fabric before dyeing, workshop of Kidang Mas Batik House, Lasem

Textile. Length of stencil resist (katazome) with ivory pattern on blue ground. Zigzag lattice enclosing floral forms. Stock Photo

RM2BF18EH–Textile. Length of stencil resist (katazome) with ivory pattern on blue ground. Zigzag lattice enclosing floral forms.

RF2PRCGBD–The process of making batik on Festival Batik Keren Blitar. Batik is a handmade ancient art from Indonesia. Produced by technique of wax-resist dyeing

RF2G7CN02–Tie-dye cotton fabric texture blue and white paint colors. Ancient resist-dyeing textile coloring technique, saturated primary colors, bold patterns,

RF2E1C567–Three pysanky handmade Easter eggs. Ukrainian pysanky decorated with wax-resist dyeing technique. Holiday postcard

RF2WD78N7–dyeing factory in the Shuhe area. one of traditional culture in yunnan

Handmade Easter eggs. Ukrainian pysanka decorated with wax-resist dyeing technique with flowers on white background Stock Photo

RF2E1C54P–Handmade Easter eggs. Ukrainian pysanka decorated with wax-resist dyeing technique with flowers on white background

Fragments. Research in ProgressCotton textile fragments with resist dye showing florals in two shades of blue on white background. Design, incomplete, shows bird in foliage, and large leaf and flower. Fragments Stock Photo

RM2BD10AF–Fragments. Research in ProgressCotton textile fragments with resist dye showing florals in two shades of blue on white background. Design, incomplete, shows bird in foliage, and large leaf and flower. Fragments

Three handmade Easter eggs decorated with wax-resist dyeing technique. Ukrainian pysanky on the table. Vertical composition Stock Photo

RF2E1C55A–Three handmade Easter eggs decorated with wax-resist dyeing technique. Ukrainian pysanky on the table. Vertical composition

RM3BE3628–Shawl made with red tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh

how batik applied fabric, closeup view of fabric painting art with batik technique Stock Photo

RF2GD54F6–how batik applied fabric, closeup view of fabric painting art with batik technique

RF2CCDRFH–Batik is an traditional Balinese art technique of wax-resist dyeing applied to whole cloth. This technique originated from Java but has become popular

Kain panjang (long sarong), Medium: cotton Technique: wax resist dyeing (batik) on plain weave, A long sarong (kain panjang) with a blue ground and design in brown and white. All-over floral motifs with vine or tendril design., Indonesia, 1850–99, printed, dyed & painted textiles, Kain panjang (long sarong Stock Photo

RM2DNBBTB–Kain panjang (long sarong), Medium: cotton Technique: wax resist dyeing (batik) on plain weave, A long sarong (kain panjang) with a blue ground and design in brown and white. All-over floral motifs with vine or tendril design., Indonesia, 1850–99, printed, dyed & painted textiles, Kain panjang (long sarong

RF2RB0G3F–Array of colorful unisex tie-dye shirts. Selective focus. Closeup.

Batik graphic design, watercolor filter effect, Asian fabric art Stock Photo

RM2AHG04N–Batik graphic design, watercolor filter effect, Asian fabric art

RMM4B4G9–A batik maker applies melted wax on cloth with a canting (spouted tool). Yogyakarta, Java, Indonesia.

Woman at tie dyeing factory showing indigo dyed item still stitched to resist dyeing JMH2300 Stock Photo

RMA5K49K–Woman at tie dyeing factory showing indigo dyed item still stitched to resist dyeing JMH2300

reserve contour drawing on silk for cold batik painting Stock Photo

RFDBCRA0–reserve contour drawing on silk for cold batik painting

RMJX4P7D–Sarung (hip wrapper) for woman of Peranakan birth, Indonesia, Java, Pekalongan, 19th century, cotton, resist dyed Textile Museum, George Washington University DSC09536

Women using a pen-like tool (canting), to apply liquid hot wax to create pattern on the fabric before dyeing, workshop of Kidang Mas Batik House Stock Photo

RF2YP2NCJ–Women using a pen-like tool (canting), to apply liquid hot wax to create pattern on the fabric before dyeing, workshop of Kidang Mas Batik House

A woman removing the rubber band from clothes during the tie-dyeing process. Making handcrafted clothing art. Stock Photo

RFPR2T80–A woman removing the rubber band from clothes during the tie-dyeing process. Making handcrafted clothing art.

RF2PRCG91–The process of making batik on Festival Batik Keren Blitar. Batik is a handmade ancient art from Indonesia. Produced by technique of wax-resist dyeing

Wrapping cloth 19th century China Wrapping cloth was used to bundle material for carrying and was popular in East Asia before the introduction of the modern backpack. Resist- and stencil-dyed patterns of two pairs of stylized badgers hugging each other appear on opposite corners. The Chinese word for “badger” (huan) is pronounced the same as the word for “happiness.” Two badgers, therefore, symbolize double happiness, a common pun in Chinese art.. Wrapping cloth. China. 19th century. Cotton with resist and stencil dyeing. Qing dynasty (1644–1911). Textiles-Painted and Printed Stock Photo

RM2HGXTDP–Wrapping cloth 19th century China Wrapping cloth was used to bundle material for carrying and was popular in East Asia before the introduction of the modern backpack. Resist- and stencil-dyed patterns of two pairs of stylized badgers hugging each other appear on opposite corners. The Chinese word for “badger” (huan) is pronounced the same as the word for “happiness.” Two badgers, therefore, symbolize double happiness, a common pun in Chinese art.. Wrapping cloth. China. 19th century. Cotton with resist and stencil dyeing. Qing dynasty (1644–1911). Textiles-Painted and Printed

A woman using a wax-resist dyeing technique used on textile, to create a batik print. Stock Photo

RMBF5X5H–A woman using a wax-resist dyeing technique used on textile, to create a batik print.

RF2WD78MW–dyeing factory in the Shuhe area. one of traditional culture in yunnan

Spiral Tie Dye Shirt Isolated on White Background. Stock Photo

RFKD4CGW–Spiral Tie Dye Shirt Isolated on White Background.

Fragment. Research in ProgressFragment of a quilted textile. Woven cotton textile resist-dyed in two shades of blue on white background showing pattern of leaves and fruit. Fragment Stock Photo

RM2BD10E5–Fragment. Research in ProgressFragment of a quilted textile. Woven cotton textile resist-dyed in two shades of blue on white background showing pattern of leaves and fruit. Fragment

RF2E1C551–Three handmade Easter eggs decorated with wax-resist dyeing technique. Ukrainian pysanky on the table. Vertical composition

RM3BE361M–Shawl made with red tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh

RF2GD54E3–how batik applied fabric, closeup view of fabric painting art with batik technique

RF2CCDRJK–Batik is an traditional Balinese art technique of wax-resist dyeing applied to whole cloth. This technique originated from Java but has become popular

Textile, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Off-white organic forms on dark blue ground filled with creeping vines in tan showing different, dark blue, leaf and floral designs at the ends. Interspersed off-white dots with indent throughout ground., Indonesia, 19th century, printed, dyed & painted textiles, Textile Stock Photo

RM2DN83EM–Textile, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Off-white organic forms on dark blue ground filled with creeping vines in tan showing different, dark blue, leaf and floral designs at the ends. Interspersed off-white dots with indent throughout ground., Indonesia, 19th century, printed, dyed & painted textiles, Textile

RF2GD54AR–how batik applied fabric, closeup view of fabric painting art with batik technique

Sarong, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Red and blue batik sarong. Shows 'ceplokkan' pattern: flowers or blossoms, symmetrically distributed over surface, stylized, star-like,and contained within a geometric shape. Borders show batiked on fringe., Palembang, South Sumatra, Indonesia, 19th century, printed, dyed & painted textiles, Sarong Stock Photo

RM2DM7MFJ–Sarong, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Red and blue batik sarong. Shows 'ceplokkan' pattern: flowers or blossoms, symmetrically distributed over surface, stylized, star-like,and contained within a geometric shape. Borders show batiked on fringe., Palembang, South Sumatra, Indonesia, 19th century, printed, dyed & painted textiles, Sarong

RMM4B4HX–A batik maker works in his workshop at Batik Seno, a gallery in Yogyakarta, Java, Indonesia.

Textile, Medium: silk Technique: cut loops of supplementary warp pile (velvet) in a plain weave foundation; tied-resist dyeing in the warp (ikat) Label: silk cut velvet, warp-dyed (ikat), Small piece of woven velvet with a checkerboard pattern of alternating deep red and gold squares., Central Asia, 19th century, printed, dyed & painted textiles, Textile Stock Photo

RM2DMJCM9–Textile, Medium: silk Technique: cut loops of supplementary warp pile (velvet) in a plain weave foundation; tied-resist dyeing in the warp (ikat) Label: silk cut velvet, warp-dyed (ikat), Small piece of woven velvet with a checkerboard pattern of alternating deep red and gold squares., Central Asia, 19th century, printed, dyed & painted textiles, Textile

RM2AF43PM–Batik designs, Malaysia

Textile, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Row of three ogival medallions: middle one with rosette, outer two with crested bird and flowers as well as remnants of deep toothed zigzag border on either side. Much filling decoration. In reds and blues on very fine white cotton ground., Indonesia, 18th–19th century, printed, dyed & painted textiles, Textile Stock Photo

RM2DMXKKN–Textile, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Row of three ogival medallions: middle one with rosette, outer two with crested bird and flowers as well as remnants of deep toothed zigzag border on either side. Much filling decoration. In reds and blues on very fine white cotton ground., Indonesia, 18th–19th century, printed, dyed & painted textiles, Textile

RF2YP2NCG–Woman using a pen-like tool (canting) to apply liquid hot wax to create pattern on the fabric before dyeing, workshop of Kidang Mas Batik House, Lasem

Sarong, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Cotton batik sarong in white, dark brown, and green. All-over large scale floral pattern and butterflies ('buketan' motif). Scalloped floral borders (a North Javanese batik innovation). Noticable Western influence in pattern, which is typical of batik from the north coast of Java., Indonesia, 19th century, printed, dyed & painted textiles, Sarong Stock Photo

RM2DM7ENC–Sarong, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, Cotton batik sarong in white, dark brown, and green. All-over large scale floral pattern and butterflies ('buketan' motif). Scalloped floral borders (a North Javanese batik innovation). Noticable Western influence in pattern, which is typical of batik from the north coast of Java., Indonesia, 19th century, printed, dyed & painted textiles, Sarong

RF2PRCG9G–The process of making batik on Festival Batik Keren Blitar. Batik is a handmade ancient art from Indonesia. Produced by technique of wax-resist dyeing

This fireman's coat, originating from Japan during the Late Edo period (1800-1850 AD), features intricate paste resist dyeing techniques. The garment provides insight into the textile craftsmanship and cultural practices of the era. Stock Photo

RMJW4BF0–This fireman's coat, originating from Japan during the Late Edo period (1800-1850 AD), features intricate paste resist dyeing techniques. The garment provides insight into the textile craftsmanship and cultural practices of the era.

Close up at tie dyeing factory showing indigo dyed item still stitched to resist dyeing JMH2301 Stock Photo

RMA5K4BH–Close up at tie dyeing factory showing indigo dyed item still stitched to resist dyeing JMH2301

RMBF5X56–A woman using a wax-resist dyeing technique used on textile, to create a batik print.

Tie Dye Rainbow Spiral Pattern Close Up. Stock Photo

RFKD4CH0–Tie Dye Rainbow Spiral Pattern Close Up.

RM2D4XH43–Malaysia

Red and black handmade Easter Pysanka eggs. Ukrainian pysanky decorated with wax-resist dyeing technique. White wooden background Stock Photo

RF2E1C553–Red and black handmade Easter Pysanka eggs. Ukrainian pysanky decorated with wax-resist dyeing technique. White wooden background

Shawl made with indigo tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh Stock Photo

RM3BE36GM–Shawl made with indigo tie-dye resist dyeing technique in Living Blue, Rangpur Division, Goalpara, Bangladesh

Indonesian artists use the Javanese wax-resist dyeing technique to create batik textiles with modern designs and vivid colors. Stock Photo

RMD7T4R9–Indonesian artists use the Javanese wax-resist dyeing technique to create batik textiles with modern designs and vivid colors.

Resist dyeing Stock Photos and Images

Resist dyeing Stock Photos and Images

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