Art inspired by Serving Tray with Angled Corners, Muromachi period (1392–1573), 15th–16th century, Japan, Red lacquer (Negoro ware), H. 1 3/8 in. (3.5 cm); W. 14 7/16 in. (36.7 cm), Lacquer, Probably used to hold a simple meal of rice, soup, and vegetables, this tray derives its shape, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-serving-tray-with-angled-corners-muromachi-period-13921573-15th16th-century-japan-red-lacquer-negoro-ware-h-1-38-in-35-cm-w-14-716-in-367-cm-lacquer-probably-used-to-hold-a-simple-meal-of-rice-soup-and-vegetables-this-tray-derives-its-shape-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908899.html
RF2HW390K–Art inspired by Serving Tray with Angled Corners, Muromachi period (1392–1573), 15th–16th century, Japan, Red lacquer (Negoro ware), H. 1 3/8 in. (3.5 cm); W. 14 7/16 in. (36.7 cm), Lacquer, Probably used to hold a simple meal of rice, soup, and vegetables, this tray derives its shape, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lacquer table, 16th century, Unknown Japanese, 15 5/16 × 11 1/4 × 11 5/16 in. (38.89 × 28.58 × 28.73 cm), Negoro ware; red lacquer; metal fittings, Japan, 16th century, This elegant table originally would have held an incense burner or other ritual object placed before icons within a Buddhist temple. This type of red lacquer, known as Negoro ware, reflects Chinese influence in its overall shape and carved decor. Negoro is made by covering a base of black lacquer with red lacquer. Eventually, areas of red are rubbed away from repeated use, revealing the black beneath. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lacquer-table-16th-century-unknown-japanese-15-516-11-14-11-516-in-3889-2858-2873-cm-negoro-ware-red-lacquer-metal-fittings-japan-16th-century-this-elegant-table-originally-would-have-held-an-incense-burner-or-other-ritual-object-placed-before-icons-within-a-buddhist-temple-this-type-of-red-lacquer-known-as-negoro-ware-reflects-chinese-influence-in-its-overall-shape-and-carved-decor-negoro-is-made-by-covering-a-base-of-black-lacquer-with-red-lacquer-eventually-areas-of-red-are-rubbed-away-from-repeated-use-revealing-the-black-beneath-image573510820.html
RM2T91JW8–Lacquer table, 16th century, Unknown Japanese, 15 5/16 × 11 1/4 × 11 5/16 in. (38.89 × 28.58 × 28.73 cm), Negoro ware; red lacquer; metal fittings, Japan, 16th century, This elegant table originally would have held an incense burner or other ritual object placed before icons within a Buddhist temple. This type of red lacquer, known as Negoro ware, reflects Chinese influence in its overall shape and carved decor. Negoro is made by covering a base of black lacquer with red lacquer. Eventually, areas of red are rubbed away from repeated use, revealing the black beneath.
Ewer for hot water Japan 15th–16th century View more. Ewer for hot water. Japan. 15th–16th century. Brown-black and red lacquer; Negoro ware. Muromachi period (1392–1573). Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ewer-for-hot-water-japan-15th16th-century-view-more-ewer-for-hot-water-japan-15th16th-century-brown-black-and-red-lacquer-negoro-ware-muromachi-period-13921573-lacquer-image569498217.html
RM2T2ETP1–Ewer for hot water Japan 15th–16th century View more. Ewer for hot water. Japan. 15th–16th century. Brown-black and red lacquer; Negoro ware. Muromachi period (1392–1573). Lacquer
Unknown (Japanese), Vessel for Hot Water, between late 15th and early 16th century, wood, red and black lacquer (Negoro ware), Overall: 12 5/8 inches × 11 1/2 inches × 8 inches (32.1 × 29.2 × 20.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-japanese-vessel-for-hot-water-between-late-15th-and-early-16th-century-wood-red-and-black-lacquer-negoro-ware-overall-12-58-inches-11-12-inches-8-inches-321-292-203-cm-image328713690.html
RM2A2P5JJ–Unknown (Japanese), Vessel for Hot Water, between late 15th and early 16th century, wood, red and black lacquer (Negoro ware), Overall: 12 5/8 inches × 11 1/2 inches × 8 inches (32.1 × 29.2 × 20.3 cm
Serving Tray with Angled Corners 15th–16th century Japan Probably used to hold a simple meal of rice, soup, and vegetables, this tray derives its shape from ceremonial offering trays made of pieced cypress; implements of this type have been used in Japan since the eighth century. Quotidian objects such as this one, which are made of wood covered with black and red lacquer, are treasured in Japan for the effect created over time as the black base emerges from beneath the worn red lacquer topcoat.. Serving Tray with Angled Corners. Japan. 15th–16th century. Red lacquer (Negoro ware). Muromachi p Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/serving-tray-with-angled-corners-15th16th-century-japan-probably-used-to-hold-a-simple-meal-of-rice-soup-and-vegetables-this-tray-derives-its-shape-from-ceremonial-offering-trays-made-of-pieced-cypress-implements-of-this-type-have-been-used-in-japan-since-the-eighth-century-quotidian-objects-such-as-this-one-which-are-made-of-wood-covered-with-black-and-red-lacquer-are-treasured-in-japan-for-the-effect-created-over-time-as-the-black-base-emerges-from-beneath-the-worn-red-lacquer-topcoat-serving-tray-with-angled-corners-japan-15th16th-century-red-lacquer-negoro-ware-muromachi-p-image457822392.html
RM2HGRH3M–Serving Tray with Angled Corners 15th–16th century Japan Probably used to hold a simple meal of rice, soup, and vegetables, this tray derives its shape from ceremonial offering trays made of pieced cypress; implements of this type have been used in Japan since the eighth century. Quotidian objects such as this one, which are made of wood covered with black and red lacquer, are treasured in Japan for the effect created over time as the black base emerges from beneath the worn red lacquer topcoat.. Serving Tray with Angled Corners. Japan. 15th–16th century. Red lacquer (Negoro ware). Muromachi p
Nobleman’s Meal Table (Kakeban), ca. 14th–15th century, Red and black lacquer on wood (Negoro ware), 6 9/16 × 12 13/16 × 12 1/4 in. (16.6 × 32.5 × 31.1 cm), Devoid of any surface designs and covered only with thick layers of red and black lacquer, this table is an example of Negoro ware, named after the Negoroji Temple in present-day Wakayama Prefecture, where fourteenth-century Buddhist priests of the Shingon sect began producing sturdy, utilitarian lacquerware for daily use. The graceful form of the table, with its curved legs and scalloped edges, masks its functional purpose. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noblemans-meal-tablekakeban-ca-14th15thcentury-red-and-black-lacquer-on-wood-negoro-ware-6-916-12-1316-12-14-in-166-325-311cm-devoid-of-any-surface-designs-and-covered-only-with-thick-layers-of-red-and-black-lacquer-this-table-is-an-example-of-negoro-ware-named-after-the-negoroji-temple-in-present-day-wakayama-prefecture-where-fourteenth-century-buddhist-priests-of-the-shingon-sect-began-producing-sturdy-utilitarian-lacquerware-for-daily-use-the-graceful-form-of-the-table-with-its-curved-legs-and-scalloped-edges-masks-its-functional-purpose-image393033083.html
RM2DRC5KR–Nobleman’s Meal Table (Kakeban), ca. 14th–15th century, Red and black lacquer on wood (Negoro ware), 6 9/16 × 12 13/16 × 12 1/4 in. (16.6 × 32.5 × 31.1 cm), Devoid of any surface designs and covered only with thick layers of red and black lacquer, this table is an example of Negoro ware, named after the Negoroji Temple in present-day Wakayama Prefecture, where fourteenth-century Buddhist priests of the Shingon sect began producing sturdy, utilitarian lacquerware for daily use. The graceful form of the table, with its curved legs and scalloped edges, masks its functional purpose.
Footed Bowl. Culture: Japan. Dimensions: H. 6 in.(15.2 cm); Diam.15 3/4 in.(40 cm). Date: late 16th-early 17th century. Objects of this type, covered with black and red lacquer, are known as Negoro ware after an eponymous temple in Wakayama where such works were often produced. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/footed-bowl-culture-japan-dimensions-h-6-in152-cm-diam15-34-in40-cm-date-late-16th-early-17th-century-objects-of-this-type-covered-with-black-and-red-lacquer-are-known-as-negoro-ware-after-an-eponymous-temple-in-wakayama-where-such-works-were-often-produced-museum-metropolitan-museum-of-art-new-york-usa-image213324701.html
RMPB1NR9–Footed Bowl. Culture: Japan. Dimensions: H. 6 in.(15.2 cm); Diam.15 3/4 in.(40 cm). Date: late 16th-early 17th century. Objects of this type, covered with black and red lacquer, are known as Negoro ware after an eponymous temple in Wakayama where such works were often produced. Museum: Metropolitan Museum of Art, New York, USA.
Rectangular footed tray, Unknown Japanese, 3 × 14 5/16 × 8 1/4 in. (7.62 × 36.35 × 20.96 cm), Negoro ware; wood, red lacquer, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rectangular-footed-tray-unknown-japanese-3-14-516-8-14-in-762-3635-2096-cm-negoro-ware-wood-red-lacquer-japan-image573486864.html
RM2T90G9M–Rectangular footed tray, Unknown Japanese, 3 × 14 5/16 × 8 1/4 in. (7.62 × 36.35 × 20.96 cm), Negoro ware; wood, red lacquer, Japan
Art inspired by Pair of Candlesticks, Momoyama period (1573–1615), 16th century, Japan, Negoro ware, red lacquer, H.16 1/2 in. (41.9 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pair-of-candlesticks-momoyama-period-15731615-16th-century-japan-negoro-ware-red-lacquer-h16-12-in-419-cm-lacquer-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758389.html
RF2HTTD19–Art inspired by Pair of Candlesticks, Momoyama period (1573–1615), 16th century, Japan, Negoro ware, red lacquer, H.16 1/2 in. (41.9 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tray 16th century Japan. Tray. Japan. 16th century. Red jacquer (Negoro ware). Muromachi period (1392–1573). Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tray-16th-century-japan-tray-japan-16th-century-red-jacquer-negoro-ware-muromachi-period-13921573-lacquer-image457827735.html
RM2HGRRXF–Tray 16th century Japan. Tray. Japan. 16th century. Red jacquer (Negoro ware). Muromachi period (1392–1573). Lacquer
Table Tray. Culture: Japan. Dimensions: H. 14 1/2 in. (36.8 cm); W. 15 in. (38.1 cm); L. 15 in. (38.1 cm). Date: early 17th century. In the medieval period, Negoro utensils and vessels were primarily used by monks residing in Buddhist temples and Shinto shrines, as well as by aristocrats and high-ranking warriors. Negoro ware, associated with the Negoro Temple in Wakayama Prefecture, is characterized by its strong wooden core, highly functional form, and lacquering techniques, especially the layered application of black and red lacquer. Over the years of use, the uppermost red lacquer layer i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/table-tray-culture-japan-dimensions-h-14-12-in-368-cm-w-15-in-381-cm-l-15-in-381-cm-date-early-17th-century-in-the-medieval-period-negoro-utensils-and-vessels-were-primarily-used-by-monks-residing-in-buddhist-temples-and-shinto-shrines-as-well-as-by-aristocrats-and-high-ranking-warriors-negoro-ware-associated-with-the-negoro-temple-in-wakayama-prefecture-is-characterized-by-its-strong-wooden-core-highly-functional-form-and-lacquering-techniques-especially-the-layered-application-of-black-and-red-lacquer-over-the-years-of-use-the-uppermost-red-lacquer-layer-i-image213114161.html
RMPAM581–Table Tray. Culture: Japan. Dimensions: H. 14 1/2 in. (36.8 cm); W. 15 in. (38.1 cm); L. 15 in. (38.1 cm). Date: early 17th century. In the medieval period, Negoro utensils and vessels were primarily used by monks residing in Buddhist temples and Shinto shrines, as well as by aristocrats and high-ranking warriors. Negoro ware, associated with the Negoro Temple in Wakayama Prefecture, is characterized by its strong wooden core, highly functional form, and lacquering techniques, especially the layered application of black and red lacquer. Over the years of use, the uppermost red lacquer layer i
Incense holder, 17th century, Unknown Japanese, 2 3/4 × 10 7/8 × 2 5/8 in. (6.99 × 27.62 × 6.67 cm), Negoro ware; red and black lacquer, Japan, 17th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/incense-holder-17th-century-unknown-japanese-2-34-10-78-2-58-in-699-2762-667-cm-negoro-ware-red-and-black-lacquer-japan-17th-century-image573486691.html
RM2T90G3F–Incense holder, 17th century, Unknown Japanese, 2 3/4 × 10 7/8 × 2 5/8 in. (6.99 × 27.62 × 6.67 cm), Negoro ware; red and black lacquer, Japan, 17th century
Round bowl Japan dated 1580 View more. Round bowl. Japan. dated 1580. Red and black lacquer; Negoro ware. Momoyama period (1573–1615). Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-bowl-japan-dated-1580-view-more-round-bowl-japan-dated-1580-red-and-black-lacquer-negoro-ware-momoyama-period-15731615-lacquer-image569498558.html
RM2T2EW66–Round bowl Japan dated 1580 View more. Round bowl. Japan. dated 1580. Red and black lacquer; Negoro ware. Momoyama period (1573–1615). Lacquer
Art inspired by Bowl with Three Scalloped Feet, Muromachi period (1392–1573), 16th century, Japan, Negoro ware; red lacquer over black lacquer, Diam. 16 7/8 in. (43 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bowl-with-three-scalloped-feet-muromachi-period-13921573-16th-century-japan-negoro-ware-red-lacquer-over-black-lacquer-diam-16-78-in-43-cm-lacquer-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758354.html
RF2HTTD02–Art inspired by Bowl with Three Scalloped Feet, Muromachi period (1392–1573), 16th century, Japan, Negoro ware; red lacquer over black lacquer, Diam. 16 7/8 in. (43 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Inspired by Spouted Bowl (kataguchi), Japanese, Edo period, 1615–1868, 1632, Negoro ware; red and black lacquer on wood, Made in Japan, Asia, Containers, lacquerware, 8 1/8 x 10 1/4 x 14 1/4 in. (20.6 x 26 x 36.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-spouted-bowl-kataguchi-japanese-edo-period-16151868-1632-negoro-ware-red-and-black-lacquer-on-wood-made-in-japan-asia-containers-lacquerware-8-18-x-10-14-x-14-14-in-206-x-26-x-362-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459275696.html
RF2HK5PRC–Inspired by Spouted Bowl (kataguchi), Japanese, Edo period, 1615–1868, 1632, Negoro ware; red and black lacquer on wood, Made in Japan, Asia, Containers, lacquerware, 8 1/8 x 10 1/4 x 14 1/4 in. (20.6 x 26 x 36.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Art inspired by Round Tray, Edo period (1615–1868), 1615–1868, Japan, Red and black lacquer; Negoro ware, Diam. 12 7/8 in. (32.7 cm), Lacquer, The underside and curved rim of this tray, with a low wide ring foot, are lacquered to a glossy black that contrasts with the red surface, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-round-tray-edo-period-16151868-16151868-japan-red-and-black-lacquer-negoro-ware-diam-12-78-in-327-cm-lacquer-the-underside-and-curved-rim-of-this-tray-with-a-low-wide-ring-foot-are-lacquered-to-a-glossy-black-that-contrasts-with-the-red-surface-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758379.html
RF2HTTD0Y–Art inspired by Round Tray, Edo period (1615–1868), 1615–1868, Japan, Red and black lacquer; Negoro ware, Diam. 12 7/8 in. (32.7 cm), Lacquer, The underside and curved rim of this tray, with a low wide ring foot, are lacquered to a glossy black that contrasts with the red surface, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ritual wash basin. Culture: Japan. Dimensions: H. 5 3/4 in. (14.6 cm); D.13 in. (33 cm). Date: 16th century. This round, three-legged basin is lacquered red inside and out except for a wide band of richly grained wood around the outside, between two raised rims that recall the metal or wood strips used to bind wooden buckets or barrels. Known as a fusatsu darai, it is one of the most important forms of Negoro lacquer, the functional, undecorated ware made by coating red lacquer over black, originally for the use of monks at the Negoro Temple in Kishu, present-day Wakayama Prefecture. Unlike Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ritual-wash-basin-culture-japan-dimensions-h-5-34-in-146-cm-d13-in-33-cm-date-16th-century-this-round-three-legged-basin-is-lacquered-red-inside-and-out-except-for-a-wide-band-of-richly-grained-wood-around-the-outside-between-two-raised-rims-that-recall-the-metal-or-wood-strips-used-to-bind-wooden-buckets-or-barrels-known-as-a-fusatsu-darai-it-is-one-of-the-most-important-forms-of-negoro-lacquer-the-functional-undecorated-ware-made-by-coating-red-lacquer-over-black-originally-for-the-use-of-monks-at-the-negoro-temple-in-kishu-present-day-wakayama-prefecture-unlike-image213148493.html
RMPANN25–Ritual wash basin. Culture: Japan. Dimensions: H. 5 3/4 in. (14.6 cm); D.13 in. (33 cm). Date: 16th century. This round, three-legged basin is lacquered red inside and out except for a wide band of richly grained wood around the outside, between two raised rims that recall the metal or wood strips used to bind wooden buckets or barrels. Known as a fusatsu darai, it is one of the most important forms of Negoro lacquer, the functional, undecorated ware made by coating red lacquer over black, originally for the use of monks at the Negoro Temple in Kishu, present-day Wakayama Prefecture. Unlike
Lobed bowl, 17th century, Unknown Japanese, 2 7/8 × 8 1/4 × 8 3/8 in. (7.3 × 20.96 × 21.27 cm), Negoro ware; red and black lacquer, Japan, 17th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lobed-bowl-17th-century-unknown-japanese-2-78-8-14-8-38-in-73-2096-2127-cm-negoro-ware-red-and-black-lacquer-japan-17th-century-image573486694.html
RM2T90G3J–Lobed bowl, 17th century, Unknown Japanese, 2 7/8 × 8 1/4 × 8 3/8 in. (7.3 × 20.96 × 21.27 cm), Negoro ware; red and black lacquer, Japan, 17th century
Pouring vessel with handle Japan Muromachi period (1392–1573) View more. Pouring vessel with handle. Japan. Red lacquer and exposed wood (Negoro ware). Muromachi period (1392–1573). Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pouring-vessel-with-handle-japan-muromachi-period-13921573-view-more-pouring-vessel-with-handle-japan-red-lacquer-and-exposed-wood-negoro-ware-muromachi-period-13921573-lacquer-image569497319.html
RM2T2ERHY–Pouring vessel with handle Japan Muromachi period (1392–1573) View more. Pouring vessel with handle. Japan. Red lacquer and exposed wood (Negoro ware). Muromachi period (1392–1573). Lacquer
Spouted Bowl (kataguchi), Japanese, Edo period, 1615–1868, 1632, Negoro ware; red and black lacquer on wood, Made in Japan, Asia, Containers, lacquerware, 8 1/8 x 10 1/4 x 14 1/4 in. (20.6 x 26 x 36.2 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spouted-bowl-kataguchi-japanese-edo-period-16151868-1632-negoro-ware-red-and-black-lacquer-on-wood-made-in-japan-asia-containers-lacquerware-8-18-x-10-14-x-14-14-in-206-x-26-x-362-cm-image454290897.html
RM2HB2MJW–Spouted Bowl (kataguchi), Japanese, Edo period, 1615–1868, 1632, Negoro ware; red and black lacquer on wood, Made in Japan, Asia, Containers, lacquerware, 8 1/8 x 10 1/4 x 14 1/4 in. (20.6 x 26 x 36.2 cm
Bowl with Three Scalloped Feet 16th century Japan. Bowl with Three Scalloped Feet. Japan. 16th century. Negoro ware; red lacquer over black lacquer. Muromachi period (1392–1573). Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-three-scalloped-feet-16th-century-japan-bowl-with-three-scalloped-feet-japan-16th-century-negoro-ware-red-lacquer-over-black-lacquer-muromachi-period-13921573-lacquer-image457817937.html
RM2HGRBCH–Bowl with Three Scalloped Feet 16th century Japan. Bowl with Three Scalloped Feet. Japan. 16th century. Negoro ware; red lacquer over black lacquer. Muromachi period (1392–1573). Lacquer
Sake vessel, 15th century, Unknown Japanese, 15 × 10 13/16 × 10 5/8 in. (38.1 × 27.46 × 26.99 cm), Negoro ware; wood, red and black lacquer, Japan, 15th century, The elegant shape of Negoro-ware sake (rice wine) vessels (heishi) are similar to shapes seen in ceramic wine vessels from China that were imported to medieval Japan in abundance. This heishi from the 1400s features a narrow spout, exaggerated shoulders, gracefully narrowing waist, and slightly wider base. Most heishi were produced as pairs for the ritual offering of sake. Years of use have worn away areas of the red lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sake-vessel-15th-century-unknown-japanese-15-10-1316-10-58-in-381-2746-2699-cm-negoro-ware-wood-red-and-black-lacquer-japan-15th-century-the-elegant-shape-of-negoro-ware-sake-rice-wine-vessels-heishi-are-similar-to-shapes-seen-in-ceramic-wine-vessels-from-china-that-were-imported-to-medieval-japan-in-abundance-this-heishi-from-the-1400s-features-a-narrow-spout-exaggerated-shoulders-gracefully-narrowing-waist-and-slightly-wider-base-most-heishi-were-produced-as-pairs-for-the-ritual-offering-of-sake-years-of-use-have-worn-away-areas-of-the-red-lacquer-image573486688.html
RM2T90G3C–Sake vessel, 15th century, Unknown Japanese, 15 × 10 13/16 × 10 5/8 in. (38.1 × 27.46 × 26.99 cm), Negoro ware; wood, red and black lacquer, Japan, 15th century, The elegant shape of Negoro-ware sake (rice wine) vessels (heishi) are similar to shapes seen in ceramic wine vessels from China that were imported to medieval Japan in abundance. This heishi from the 1400s features a narrow spout, exaggerated shoulders, gracefully narrowing waist, and slightly wider base. Most heishi were produced as pairs for the ritual offering of sake. Years of use have worn away areas of the red lacquer
Art inspired by Footed Bowl, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Negoro ware; red lacquer over black lacquer, H. 6 in.(15.2 cm); Diam.15 3/4 in.(40 cm), Lacquer, Objects of this type, covered with black and red lacquer, are known as Negoro ware after an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-footed-bowl-momoyama-period-15731615-late-16thearly-17th-century-japan-negoro-ware-red-lacquer-over-black-lacquer-h-6-in152-cm-diam15-34-in40-cm-lacquer-objects-of-this-type-covered-with-black-and-red-lacquer-are-known-as-negoro-ware-after-an-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758343.html
RF2HTTCYK–Art inspired by Footed Bowl, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Negoro ware; red lacquer over black lacquer, H. 6 in.(15.2 cm); Diam.15 3/4 in.(40 cm), Lacquer, Objects of this type, covered with black and red lacquer, are known as Negoro ware after an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Spouted Bowl (kataguchi), Japanese, Edo period, 1615-1868, 1632, Negoro ware; red and black lacquer on wood, Made in Japan, Asia, Containers, lacquerware, 8 1/8 x 10 1/4 x 14 1/4 in. (20.6 x 26 x 36.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-spouted-bowl-kataguchi-japanese-edo-period-1615-1868-1632-negoro-ware-red-and-black-lacquer-on-wood-made-in-japan-asia-containers-lacquerware-8-18-x-10-14-x-14-14-in-206-x-26-x-362-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459586822.html
RF2HKKYK2–Art inspired by Spouted Bowl (kataguchi), Japanese, Edo period, 1615-1868, 1632, Negoro ware; red and black lacquer on wood, Made in Japan, Asia, Containers, lacquerware, 8 1/8 x 10 1/4 x 14 1/4 in. (20.6 x 26 x 36.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pair of Negoro Lacquer Candlesticks. Culture: Japan. Dimensions: H.16 1/2 in. (41.9 cm). Date: late 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pair-of-negoro-lacquer-candlesticks-culture-japan-dimensions-h16-12-in-419-cm-date-late-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213113676.html
RMPAM4JM–Pair of Negoro Lacquer Candlesticks. Culture: Japan. Dimensions: H.16 1/2 in. (41.9 cm). Date: late 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Ritual wash basin, Muromachi period (1392–1573), 16th century, Japan, Negoro ware, red lacquer and exposed keyaki wood, H. 5 3/4 in. (14.6 cm); D.13 in. (33 cm), Lacquer, This round, three-legged basin is lacquered red inside and out except for a wide band of richly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ritual-wash-basin-muromachi-period-13921573-16th-century-japan-negoro-ware-red-lacquer-and-exposed-keyaki-wood-h-5-34-in-146-cm-d13-in-33-cm-lacquer-this-round-three-legged-basin-is-lacquered-red-inside-and-out-except-for-a-wide-band-of-richly-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758378.html
RF2HTTD0X–Art inspired by Ritual wash basin, Muromachi period (1392–1573), 16th century, Japan, Negoro ware, red lacquer and exposed keyaki wood, H. 5 3/4 in. (14.6 cm); D.13 in. (33 cm), Lacquer, This round, three-legged basin is lacquered red inside and out except for a wide band of richly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Incense Box (K?g?) with Interlinked Circles (Shipp?) Pattern early 17th century Japan. Incense Box (K?g?) with Interlinked Circles (Shipp?) Pattern. Japan. early 17th century. Carved wood with red and black lacquer layers (carved Negoro ware). Momoyama period (1573–1615). Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/incense-box-kg-with-interlinked-circles-shipp-pattern-early-17th-century-japan-incense-box-kg-with-interlinked-circles-shipp-pattern-japan-early-17th-century-carved-wood-with-red-and-black-lacquer-layers-carved-negoro-ware-momoyama-period-15731615-lacquer-image457772735.html
RM2HGN9P7–Incense Box (K?g?) with Interlinked Circles (Shipp?) Pattern early 17th century Japan. Incense Box (K?g?) with Interlinked Circles (Shipp?) Pattern. Japan. early 17th century. Carved wood with red and black lacquer layers (carved Negoro ware). Momoyama period (1573–1615). Lacquer
Hot-water ewer, 16th century, Unknown Japanese, 14 1/4 × 12 3/16 × 7 11/16 in. (36.2 × 30.96 × 19.53 cm), Negoro ware; wood, red and black lacquer, Japan, 16th century, This ewer used for hot water exemplifies the Japanese lacquer technique known as Negoro, whereby the artist covers a carved wooden core with black lacquer, allows it to dry, and then applies red lacquer. Over time and with use, the red lacquer on the surface is worn away to reveal the black lacquer beneath, an aspect of Negoro lacquer works that is beloved in Japan. Although modest forms often characterize the earliest Negoro Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hot-water-ewer-16th-century-unknown-japanese-14-14-12-316-7-1116-in-362-3096-1953-cm-negoro-ware-wood-red-and-black-lacquer-japan-16th-century-this-ewer-used-for-hot-water-exemplifies-the-japanese-lacquer-technique-known-as-negoro-whereby-the-artist-covers-a-carved-wooden-core-with-black-lacquer-allows-it-to-dry-and-then-applies-red-lacquer-over-time-and-with-use-the-red-lacquer-on-the-surface-is-worn-away-to-reveal-the-black-lacquer-beneath-an-aspect-of-negoro-lacquer-works-that-is-beloved-in-japan-although-modest-forms-often-characterize-the-earliest-negoro-image573486699.html
RM2T90G3R–Hot-water ewer, 16th century, Unknown Japanese, 14 1/4 × 12 3/16 × 7 11/16 in. (36.2 × 30.96 × 19.53 cm), Negoro ware; wood, red and black lacquer, Japan, 16th century, This ewer used for hot water exemplifies the Japanese lacquer technique known as Negoro, whereby the artist covers a carved wooden core with black lacquer, allows it to dry, and then applies red lacquer. Over time and with use, the red lacquer on the surface is worn away to reveal the black lacquer beneath, an aspect of Negoro lacquer works that is beloved in Japan. Although modest forms often characterize the earliest Negoro
Serving Tray with Angled Corners. Culture: Japan. Dimensions: H. 1 3/8 in. (3.5 cm); W. 14 7/16 in. (36.7 cm). Date: 15th-16th century. Probably used to hold a simple meal of rice, soup, and vegetables, this tray derives its shape from ceremonial offering trays made of pieced cypress; implements of this type have been used in Japan since the eighth century. Quotidian objects such as this one, which are made of wood covered with black and red lacquer, are treasured in Japan for the effect created over time as the black base emerges from beneath the worn red lacquer topcoat. Museum: Metropolita Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/serving-tray-with-angled-corners-culture-japan-dimensions-h-1-38-in-35-cm-w-14-716-in-367-cm-date-15th-16th-century-probably-used-to-hold-a-simple-meal-of-rice-soup-and-vegetables-this-tray-derives-its-shape-from-ceremonial-offering-trays-made-of-pieced-cypress-implements-of-this-type-have-been-used-in-japan-since-the-eighth-century-quotidian-objects-such-as-this-one-which-are-made-of-wood-covered-with-black-and-red-lacquer-are-treasured-in-japan-for-the-effect-created-over-time-as-the-black-base-emerges-from-beneath-the-worn-red-lacquer-topcoat-museum-metropolita-image213259616.html
RMPAXPPT–Serving Tray with Angled Corners. Culture: Japan. Dimensions: H. 1 3/8 in. (3.5 cm); W. 14 7/16 in. (36.7 cm). Date: 15th-16th century. Probably used to hold a simple meal of rice, soup, and vegetables, this tray derives its shape from ceremonial offering trays made of pieced cypress; implements of this type have been used in Japan since the eighth century. Quotidian objects such as this one, which are made of wood covered with black and red lacquer, are treasured in Japan for the effect created over time as the black base emerges from beneath the worn red lacquer topcoat. Museum: Metropolita
Art inspired by High-Footed Bowl, Momoyama period (1573–1615), early 17th century, Japan, Negoro ware; red lacquer on black lacquer, H. 7 3/8 in. (18.7 cm ); Diam. 14 3/4 in. (37.5 cm), Lacquer, A taste for grandeur characteristic of the Momoyama period marks this capacious curved bowl, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-high-footed-bowl-momoyama-period-15731615-early-17th-century-japan-negoro-ware-red-lacquer-on-black-lacquer-h-7-38-in-187-cm-diam-14-34-in-375-cm-lacquer-a-taste-for-grandeur-characteristic-of-the-momoyama-period-marks-this-capacious-curved-bowl-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758346.html
RF2HTTCYP–Art inspired by High-Footed Bowl, Momoyama period (1573–1615), early 17th century, Japan, Negoro ware; red lacquer on black lacquer, H. 7 3/8 in. (18.7 cm ); Diam. 14 3/4 in. (37.5 cm), Lacquer, A taste for grandeur characteristic of the Momoyama period marks this capacious curved bowl, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Footed Bowl late 16th–early 17th century Japan Objects of this type, covered with black and red lacquer, are known as Negoro ware after an eponymous temple in Wakayama where such works were often produced.. Footed Bowl. Japan. late 16th–early 17th century. Negoro ware; red lacquer over black lacquer. Momoyama period (1573–1615). Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/footed-bowl-late-16thearly-17th-century-japan-objects-of-this-type-covered-with-black-and-red-lacquer-are-known-as-negoro-ware-after-an-eponymous-temple-in-wakayama-where-such-works-were-often-produced-footed-bowl-japan-late-16thearly-17th-century-negoro-ware-red-lacquer-over-black-lacquer-momoyama-period-15731615-lacquer-image457817596.html
RM2HGRB0C–Footed Bowl late 16th–early 17th century Japan Objects of this type, covered with black and red lacquer, are known as Negoro ware after an eponymous temple in Wakayama where such works were often produced.. Footed Bowl. Japan. late 16th–early 17th century. Negoro ware; red lacquer over black lacquer. Momoyama period (1573–1615). Lacquer
Sake Cask in the Shape of a Drum, early 17th century, Unknown Japanese, 11 1/8 × 7 3/16 × 3 3/8 in. (28.26 × 18.26 × 8.57 cm), Negoro ware; wood, black lacquer with red lacquer decoration, Japan, 17th century, Drum-shaped sake casks were produced in Japan as early as the Kamakura period, originally as ceremonial objects. They went on to be used in various religious ceremonies and secular events, including weddings and cherry-blossom viewing parties. These two black-lacquer casks feature drum-shaped bodies on ornamental stands, with small spouts for pouring sake on top. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sake-cask-in-the-shape-of-a-drum-early-17th-century-unknown-japanese-11-18-7-316-3-38-in-2826-1826-857-cm-negoro-ware-wood-black-lacquer-with-red-lacquer-decoration-japan-17th-century-drum-shaped-sake-casks-were-produced-in-japan-as-early-as-the-kamakura-period-originally-as-ceremonial-objects-they-went-on-to-be-used-in-various-religious-ceremonies-and-secular-events-including-weddings-and-cherry-blossom-viewing-parties-these-two-black-lacquer-casks-feature-drum-shaped-bodies-on-ornamental-stands-with-small-spouts-for-pouring-sake-on-top-image573486988.html
RM2T90GE4–Sake Cask in the Shape of a Drum, early 17th century, Unknown Japanese, 11 1/8 × 7 3/16 × 3 3/8 in. (28.26 × 18.26 × 8.57 cm), Negoro ware; wood, black lacquer with red lacquer decoration, Japan, 17th century, Drum-shaped sake casks were produced in Japan as early as the Kamakura period, originally as ceremonial objects. They went on to be used in various religious ceremonies and secular events, including weddings and cherry-blossom viewing parties. These two black-lacquer casks feature drum-shaped bodies on ornamental stands, with small spouts for pouring sake on top.
Round Negoro Lacquer Tray. Culture: Japan. Dimensions: Diam. 16 3/8 in (41.6 cm). Date: first half 15th century. The pleasing proportions and lovely surface of this sturdy yet gracefully rounded serving piece reflect a perfection of form and refined skills in lathework and lacquering that developed over many years of production and use. A play of color where the black under layer emerges through the smooth red lacquer surface is appreciated aesthetically and prized as a mark of natural wear over time. Such large round trays were used for serving cups of tea at communal meals in temples. Museu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-negoro-lacquer-tray-culture-japan-dimensions-diam-16-38-in-416-cm-date-first-half-15th-century-the-pleasing-proportions-and-lovely-surface-of-this-sturdy-yet-gracefully-rounded-serving-piece-reflect-a-perfection-of-form-and-refined-skills-in-lathework-and-lacquering-that-developed-over-many-years-of-production-and-use-a-play-of-color-where-the-black-under-layer-emerges-through-the-smooth-red-lacquer-surface-is-appreciated-aesthetically-and-prized-as-a-mark-of-natural-wear-over-time-such-large-round-trays-were-used-for-serving-cups-of-tea-at-communal-meals-in-temples-museu-image213320748.html
RMPB1GP4–Round Negoro Lacquer Tray. Culture: Japan. Dimensions: Diam. 16 3/8 in (41.6 cm). Date: first half 15th century. The pleasing proportions and lovely surface of this sturdy yet gracefully rounded serving piece reflect a perfection of form and refined skills in lathework and lacquering that developed over many years of production and use. A play of color where the black under layer emerges through the smooth red lacquer surface is appreciated aesthetically and prized as a mark of natural wear over time. Such large round trays were used for serving cups of tea at communal meals in temples. Museu
Art inspired by Sutra Tray, Heian period (794–1185), 12th century, Japan, Negoro ware, red and black lacquer, W.12 1/8 in. (30.8 cm); L.15 3/4 in. (40 cm), Lacquer, Long use as a container for sutras is indicated by the shadowy imprint of ten scrolls visible on the bright red lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-sutra-tray-heian-period-7941185-12th-century-japan-negoro-ware-red-and-black-lacquer-w12-18-in-308-cm-l15-34-in-40-cm-lacquer-long-use-as-a-container-for-sutras-is-indicated-by-the-shadowy-imprint-of-ten-scrolls-visible-on-the-bright-red-lacquer-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758369.html
RF2HTTD0H–Art inspired by Sutra Tray, Heian period (794–1185), 12th century, Japan, Negoro ware, red and black lacquer, W.12 1/8 in. (30.8 cm); L.15 3/4 in. (40 cm), Lacquer, Long use as a container for sutras is indicated by the shadowy imprint of ten scrolls visible on the bright red lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
High-Footed Bowl early 17th century Japan A taste for grandeur characteristic of the Momoyama period marks this capacious curved bowl with gracefully flared lip that was used for serving food. Its elegant hight ring foot forms a pedestal that accentuates the bounteous form and also functions to ease handling of such a large piece.. High-Footed Bowl. Japan. early 17th century. Negoro ware; red lacquer on black lacquer. Momoyama period (1573–1615). Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/high-footed-bowl-early-17th-century-japan-a-taste-for-grandeur-characteristic-of-the-momoyama-period-marks-this-capacious-curved-bowl-with-gracefully-flared-lip-that-was-used-for-serving-food-its-elegant-hight-ring-foot-forms-a-pedestal-that-accentuates-the-bounteous-form-and-also-functions-to-ease-handling-of-such-a-large-piece-high-footed-bowl-japan-early-17th-century-negoro-ware-red-lacquer-on-black-lacquer-momoyama-period-15731615-lacquer-image457817978.html
RM2HGRBE2–High-Footed Bowl early 17th century Japan A taste for grandeur characteristic of the Momoyama period marks this capacious curved bowl with gracefully flared lip that was used for serving food. Its elegant hight ring foot forms a pedestal that accentuates the bounteous form and also functions to ease handling of such a large piece.. High-Footed Bowl. Japan. early 17th century. Negoro ware; red lacquer on black lacquer. Momoyama period (1573–1615). Lacquer
Sake Cask in the Shape of a Drum, early 17th century, Unknown Japanese, 11 1/16 × 7 3/16 × 3 1/2 in. (28.1 × 18.26 × 8.89 cm), Negoro ware; wood, black lacquer with red lacquer decoration, Japan, 17th century, Drum-shaped sake casks were produced in Japan as early as the Kamakura period, originally as ceremonial objects. They went on to be used in various religious ceremonies and secular events, including weddings and cherry-blossom viewing parties. These two black-lacquer casks feature drum-shaped bodies on ornamental stands, with small spouts for pouring sake on top. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sake-cask-in-the-shape-of-a-drum-early-17th-century-unknown-japanese-11-116-7-316-3-12-in-281-1826-889-cm-negoro-ware-wood-black-lacquer-with-red-lacquer-decoration-japan-17th-century-drum-shaped-sake-casks-were-produced-in-japan-as-early-as-the-kamakura-period-originally-as-ceremonial-objects-they-went-on-to-be-used-in-various-religious-ceremonies-and-secular-events-including-weddings-and-cherry-blossom-viewing-parties-these-two-black-lacquer-casks-feature-drum-shaped-bodies-on-ornamental-stands-with-small-spouts-for-pouring-sake-on-top-image573510177.html
RM2T91J29–Sake Cask in the Shape of a Drum, early 17th century, Unknown Japanese, 11 1/16 × 7 3/16 × 3 1/2 in. (28.1 × 18.26 × 8.89 cm), Negoro ware; wood, black lacquer with red lacquer decoration, Japan, 17th century, Drum-shaped sake casks were produced in Japan as early as the Kamakura period, originally as ceremonial objects. They went on to be used in various religious ceremonies and secular events, including weddings and cherry-blossom viewing parties. These two black-lacquer casks feature drum-shaped bodies on ornamental stands, with small spouts for pouring sake on top.
Pair of Negoro Lacquer Candlesticks late 16th century Japan Negoro ware, associated with the Negoro Temple in Wakayama prefecture, is characterized by a strong wooden core, a highly functional form, and the layered application of black and red lacquer. In the medieval period, Negoro utensils and vessels were used primarily by monks residing in Buddhist monasteries and priests of Shinto shrines, as well as by aristocrats and high-ranking warriors.Candlesticks are rare among Negoro lacquers. These were probably originally placed before a Buddhist altar. The powerful curves of the base and the ba Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pair-of-negoro-lacquer-candlesticks-late-16th-century-japan-negoro-ware-associated-with-the-negoro-temple-in-wakayama-prefecture-is-characterized-by-a-strong-wooden-core-a-highly-functional-form-and-the-layered-application-of-black-and-red-lacquer-in-the-medieval-period-negoro-utensils-and-vessels-were-used-primarily-by-monks-residing-in-buddhist-monasteries-and-priests-of-shinto-shrines-as-well-as-by-aristocrats-and-high-ranking-warriorscandlesticks-are-rare-among-negoro-lacquers-these-were-probably-originally-placed-before-a-buddhist-altar-the-powerful-curves-of-the-base-and-the-ba-image458526360.html
RM2HHYK1C–Pair of Negoro Lacquer Candlesticks late 16th century Japan Negoro ware, associated with the Negoro Temple in Wakayama prefecture, is characterized by a strong wooden core, a highly functional form, and the layered application of black and red lacquer. In the medieval period, Negoro utensils and vessels were used primarily by monks residing in Buddhist monasteries and priests of Shinto shrines, as well as by aristocrats and high-ranking warriors.Candlesticks are rare among Negoro lacquers. These were probably originally placed before a Buddhist altar. The powerful curves of the base and the ba
Round Negoro Tray (Ashitsuki-ban) with Three Feet 15th–16th century Japan Negoro lacquer implements and utensils were typically used by those residing in Buddhist temples and monasteries or by Shinto shrines and the upper echelons of society. Their strong wooden structure was designed to withstand many years of use, and the vivid contrast of the black gradually appearing from beneath the outermost layer of red lacquer made them very appealing. Round Negoro Tray (Ashitsuki-ban) with Three Feet. Japan. 15th–16th century. Wood with coatings of red over black lacquer (Negoro ware). Muromachi perio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-negoro-tray-ashitsuki-ban-with-three-feet-15th16th-century-japan-negoro-lacquer-implements-and-utensils-were-typically-used-by-those-residing-in-buddhist-temples-and-monasteries-or-by-shinto-shrines-and-the-upper-echelons-of-society-their-strong-wooden-structure-was-designed-to-withstand-many-years-of-use-and-the-vivid-contrast-of-the-black-gradually-appearing-from-beneath-the-outermost-layer-of-red-lacquer-made-them-very-appealing-round-negoro-tray-ashitsuki-ban-with-three-feet-japan-15th16th-century-wood-with-coatings-of-red-over-black-lacquer-negoro-ware-muromachi-perio-image458117125.html
RM2HH911W–Round Negoro Tray (Ashitsuki-ban) with Three Feet 15th–16th century Japan Negoro lacquer implements and utensils were typically used by those residing in Buddhist temples and monasteries or by Shinto shrines and the upper echelons of society. Their strong wooden structure was designed to withstand many years of use, and the vivid contrast of the black gradually appearing from beneath the outermost layer of red lacquer made them very appealing. Round Negoro Tray (Ashitsuki-ban) with Three Feet. Japan. 15th–16th century. Wood with coatings of red over black lacquer (Negoro ware). Muromachi perio
Table Tray (Tsuigasane) early 17th century Japan In the medieval period, Negoro vessels were used primarily by monks residing in Buddhist temples and Shinto shrines, but aristocrats and high-ranking warriors also used them. Negoro ware is characterized by its strong wooden core, functional form, and the layered application of black and red lacquer. Over years of use, the uppermost layer of red lacquer rubs off and the underlying black layer becomes visible. Table trays (tsuigasane) are used in Shinto shrines to hold the rice that is tossed to drive away evil, part of the “rice-throwing” ceremo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/table-tray-tsuigasane-early-17th-century-japan-in-the-medieval-period-negoro-vessels-were-used-primarily-by-monks-residing-in-buddhist-temples-and-shinto-shrines-but-aristocrats-and-high-ranking-warriors-also-used-them-negoro-ware-is-characterized-by-its-strong-wooden-core-functional-form-and-the-layered-application-of-black-and-red-lacquer-over-years-of-use-the-uppermost-layer-of-red-lacquer-rubs-off-and-the-underlying-black-layer-becomes-visible-table-trays-tsuigasane-are-used-in-shinto-shrines-to-hold-the-rice-that-is-tossed-to-drive-away-evil-part-of-the-rice-throwing-ceremo-image457829832.html
RM2HGRXHC–Table Tray (Tsuigasane) early 17th century Japan In the medieval period, Negoro vessels were used primarily by monks residing in Buddhist temples and Shinto shrines, but aristocrats and high-ranking warriors also used them. Negoro ware is characterized by its strong wooden core, functional form, and the layered application of black and red lacquer. Over years of use, the uppermost layer of red lacquer rubs off and the underlying black layer becomes visible. Table trays (tsuigasane) are used in Shinto shrines to hold the rice that is tossed to drive away evil, part of the “rice-throwing” ceremo
Ritual Wash Basin (Ashitsuki-darai) 16th century Japan This wash basin has a round body and three curving legs. Buddhist monks used this type of vessel during a monthly service of atonement and purification (fusatsu) to make amends for their sins and renew their vows. The sturdy construction and the durable surface indicates its frequent use. The basin is an example of Negoro ware, a generic term used to refer to simple, functional vessels covered in red lacquer over layers of black lacquer that are revealed where the red is rubbed off. Mostly produced for Buddhist and Shinto ceremonial use, N Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ritual-wash-basin-ashitsuki-darai-16th-century-japan-this-wash-basin-has-a-round-body-and-three-curving-legs-buddhist-monks-used-this-type-of-vessel-during-a-monthly-service-of-atonement-and-purification-fusatsu-to-make-amends-for-their-sins-and-renew-their-vows-the-sturdy-construction-and-the-durable-surface-indicates-its-frequent-use-the-basin-is-an-example-of-negoro-ware-a-generic-term-used-to-refer-to-simple-functional-vessels-covered-in-red-lacquer-over-layers-of-black-lacquer-that-are-revealed-where-the-red-is-rubbed-off-mostly-produced-for-buddhist-and-shinto-ceremonial-use-n-image458525241.html
RM2HHYHHD–Ritual Wash Basin (Ashitsuki-darai) 16th century Japan This wash basin has a round body and three curving legs. Buddhist monks used this type of vessel during a monthly service of atonement and purification (fusatsu) to make amends for their sins and renew their vows. The sturdy construction and the durable surface indicates its frequent use. The basin is an example of Negoro ware, a generic term used to refer to simple, functional vessels covered in red lacquer over layers of black lacquer that are revealed where the red is rubbed off. Mostly produced for Buddhist and Shinto ceremonial use, N
Pair of Sake Caskets. Culture: Japan. Dimensions: H. 20 in. (50.8 cm); W. 4 7/8 in. (12.4 cm); L. 15 1/4 in. (38.7 cm). Date: late 16th-early 17th century. Red lacquer utensils were produced in Japan as early as the Heian period (794-1185). During the subsequent Kamakura period (1185-1333), Buddhist monks at the Negoro-ji temple in present-day Wakayama Prefecture began producing furnishings covered in red lacquer layered over black lacquer. Wares made using lacquer in this manner later became known as Negoro wares. This pair of sake casks could be suspended by cords from the two rings at the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pair-of-sake-caskets-culture-japan-dimensions-h-20-in-508-cm-w-4-78-in-124-cm-l-15-14-in-387-cm-date-late-16th-early-17th-century-red-lacquer-utensils-were-produced-in-japan-as-early-as-the-heian-period-794-1185-during-the-subsequent-kamakura-period-1185-1333-buddhist-monks-at-the-negoro-ji-temple-in-present-day-wakayama-prefecture-began-producing-furnishings-covered-in-red-lacquer-layered-over-black-lacquer-wares-made-using-lacquer-in-this-manner-later-became-known-as-negoro-wares-this-pair-of-sake-casks-could-be-suspended-by-cords-from-the-two-rings-at-the-image213153117.html
RMPANXY9–Pair of Sake Caskets. Culture: Japan. Dimensions: H. 20 in. (50.8 cm); W. 4 7/8 in. (12.4 cm); L. 15 1/4 in. (38.7 cm). Date: late 16th-early 17th century. Red lacquer utensils were produced in Japan as early as the Heian period (794-1185). During the subsequent Kamakura period (1185-1333), Buddhist monks at the Negoro-ji temple in present-day Wakayama Prefecture began producing furnishings covered in red lacquer layered over black lacquer. Wares made using lacquer in this manner later became known as Negoro wares. This pair of sake casks could be suspended by cords from the two rings at the
Art inspired by Table Tray, 根来塗衝重, Momoyama period (1573–1615), early 17th century, Japan, Lacquered wood with black and red lacquer layers (Negoro ware), H. 14 1/2 in. (36.8 cm); W. 15 in. (38.1 cm); L. 15 in. (38.1 cm), Lacquer, In the medieval period, Negoro utensils and vessels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-table-tray-momoyama-period-15731615-early-17th-century-japan-lacquered-wood-with-black-and-red-lacquer-layers-negoro-ware-h-14-12-in-368-cm-w-15-in-381-cm-l-15-in-381-cm-lacquer-in-the-medieval-period-negoro-utensils-and-vessels-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758403.html
RF2HTTD1R–Art inspired by Table Tray, 根来塗衝重, Momoyama period (1573–1615), early 17th century, Japan, Lacquered wood with black and red lacquer layers (Negoro ware), H. 14 1/2 in. (36.8 cm); W. 15 in. (38.1 cm); L. 15 in. (38.1 cm), Lacquer, In the medieval period, Negoro utensils and vessels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bale-handled wash basin with legs, 15th century, Unknown Japanese, 6 x 13 11/16 x 14 in. (15.24 x 34.77 x 35.56 cm) (without handle extended), Negoro ware; lacquer over wood core with gilt metal fittings, Japan, Negoro, The Negoro-ware basin originally held water for rinsing hands in preparation for a Buddhist ritual ceremony of repentance performed on the fifteenth day of each month. The term negoro refers to simple but elegant objects covered with base coats of black lacquer over which red lacquer was applied. Through repeated use, the red wears away, revealing the black lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bale-handled-wash-basin-with-legs-15th-century-unknown-japanese-6-x-13-1116-x-14-in-1524-x-3477-x-3556-cm-without-handle-extended-negoro-ware-lacquer-over-wood-core-with-gilt-metal-fittings-japan-negoro-the-negoro-ware-basin-originally-held-water-for-rinsing-hands-in-preparation-for-a-buddhist-ritual-ceremony-of-repentance-performed-on-the-fifteenth-day-of-each-month-the-term-negoro-refers-to-simple-but-elegant-objects-covered-with-base-coats-of-black-lacquer-over-which-red-lacquer-was-applied-through-repeated-use-the-red-wears-away-revealing-the-black-lacquer-image573509102.html
RM2T91GKX–Bale-handled wash basin with legs, 15th century, Unknown Japanese, 6 x 13 11/16 x 14 in. (15.24 x 34.77 x 35.56 cm) (without handle extended), Negoro ware; lacquer over wood core with gilt metal fittings, Japan, Negoro, The Negoro-ware basin originally held water for rinsing hands in preparation for a Buddhist ritual ceremony of repentance performed on the fifteenth day of each month. The term negoro refers to simple but elegant objects covered with base coats of black lacquer over which red lacquer was applied. Through repeated use, the red wears away, revealing the black lacquer
Round Tray. Culture: Japan. Dimensions: Diam. 12 7/8 in. (32.7 cm). Date: 1615-1868. The underside and curved rim of this tray, with a low wide ring foot, are lacquered to a glossy black that contrasts with the red surface. Inscribed in red lacquer on the black underside is the name of the Todaiji temple. Such objects, familiarly known as 'rising sun trays' (Hinomaru-bon) after their resemblance to the Japanese national flag, are used to serve meals to monks during the two-week shuni-e ritual of purification performed annually at the Hokkedo hall in the Todaiji temple complex in Nara. The Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-tray-culture-japan-dimensions-diam-12-78-in-327-cm-date-1615-1868-the-underside-and-curved-rim-of-this-tray-with-a-low-wide-ring-foot-are-lacquered-to-a-glossy-black-that-contrasts-with-the-red-surface-inscribed-in-red-lacquer-on-the-black-underside-is-the-name-of-the-todaiji-temple-such-objects-familiarly-known-as-rising-sun-trays-hinomaru-bon-after-their-resemblance-to-the-japanese-national-flag-are-used-to-serve-meals-to-monks-during-the-two-week-shuni-e-ritual-of-purification-performed-annually-at-the-hokkedo-hall-in-the-todaiji-temple-complex-in-nara-the-image213149868.html
RMPANPR8–Round Tray. Culture: Japan. Dimensions: Diam. 12 7/8 in. (32.7 cm). Date: 1615-1868. The underside and curved rim of this tray, with a low wide ring foot, are lacquered to a glossy black that contrasts with the red surface. Inscribed in red lacquer on the black underside is the name of the Todaiji temple. Such objects, familiarly known as 'rising sun trays' (Hinomaru-bon) after their resemblance to the Japanese national flag, are used to serve meals to monks during the two-week shuni-e ritual of purification performed annually at the Hokkedo hall in the Todaiji temple complex in Nara. The
Art inspired by 桃山時代 根来指樽 一対, Pair of Sake Caskets, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Red and black lacquer (Negoro ware), H. 20 in. (50.8 cm); W. 4 7/8 in. (12.4 cm); L. 15 1/4 in. (38.7 cm), Lacquer, Red lacquer utensils were produced in Japan as early, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pair-of-sake-caskets-momoyama-period-15731615-late-16thearly-17th-century-japan-red-and-black-lacquer-negoro-ware-h-20-in-508-cm-w-4-78-in-124-cm-l-15-14-in-387-cm-lacquer-red-lacquer-utensils-were-produced-in-japan-as-early-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908901.html
RF2HW390N–Art inspired by 桃山時代 根来指樽 一対, Pair of Sake Caskets, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Red and black lacquer (Negoro ware), H. 20 in. (50.8 cm); W. 4 7/8 in. (12.4 cm); L. 15 1/4 in. (38.7 cm), Lacquer, Red lacquer utensils were produced in Japan as early, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bowl with legs, 16th century, Unknown Japanese, 5 × 13 11/16 × 13 7/16 in. (12.7 × 34.77 × 34.13 cm), Negoro ware; lacquer over wooden core, Japan, Negoro, The term for this particular type of lacquerware is derived from the name of the Buddhist temple, Negoroji. The temple stood from 1288–1585 in today’s Wakayama Prefecture, and produced lacquered items for daily use for the nearly 6,000 monks who, at its height, lived in the temple complex. However, the ware is more broadly defined as undecorated, high-quality red and black lacquered objects used in Buddhist temples from the Kamakura period Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-legs-16th-century-unknown-japanese-5-13-1116-13-716-in-127-3477-3413-cm-negoro-ware-lacquer-over-wooden-core-japan-negoro-the-term-for-this-particular-type-of-lacquerware-is-derived-from-the-name-of-the-buddhist-temple-negoroji-the-temple-stood-from-12881585-in-todays-wakayama-prefecture-and-produced-lacquered-items-for-daily-use-for-the-nearly-6000-monks-who-at-its-height-lived-in-the-temple-complex-however-the-ware-is-more-broadly-defined-as-undecorated-high-quality-red-and-black-lacquered-objects-used-in-buddhist-temples-from-the-kamakura-period-image573483445.html
RM2T90BYH–Bowl with legs, 16th century, Unknown Japanese, 5 × 13 11/16 × 13 7/16 in. (12.7 × 34.77 × 34.13 cm), Negoro ware; lacquer over wooden core, Japan, Negoro, The term for this particular type of lacquerware is derived from the name of the Buddhist temple, Negoroji. The temple stood from 1288–1585 in today’s Wakayama Prefecture, and produced lacquered items for daily use for the nearly 6,000 monks who, at its height, lived in the temple complex. However, the ware is more broadly defined as undecorated, high-quality red and black lacquered objects used in Buddhist temples from the Kamakura period
Sutra Tray. Culture: Japan. Dimensions: W.12 1/8 in. (30.8 cm); L.15 3/4 in. (40 cm). Date: 12th century. Long use as a container for sutras is indicated by the shadowy imprint of ten scrolls visible on the bright red lacquer interior of this finely made rectangular box. That it was one of a number of trays for a large set of scrolls is suggested by the number thirty-six written in red on black lacquer on one side of the exterior. Its high-quality construction--with very thin wood strengthened by a fabric layer (visible on the damaged edge) under a heavy lacquer coating of red over black--s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sutra-tray-culture-japan-dimensions-w12-18-in-308-cm-l15-34-in-40-cm-date-12th-century-long-use-as-a-container-for-sutras-is-indicated-by-the-shadowy-imprint-of-ten-scrolls-visible-on-the-bright-red-lacquer-interior-of-this-finely-made-rectangular-box-that-it-was-one-of-a-number-of-trays-for-a-large-set-of-scrolls-is-suggested-by-the-number-thirty-six-written-in-red-on-black-lacquer-on-one-side-of-the-exterior-its-high-quality-construction-with-very-thin-wood-strengthened-by-a-fabric-layer-visible-on-the-damaged-edge-under-a-heavy-lacquer-coating-of-red-over-black-s-image213315953.html
RMPB1AJW–Sutra Tray. Culture: Japan. Dimensions: W.12 1/8 in. (30.8 cm); L.15 3/4 in. (40 cm). Date: 12th century. Long use as a container for sutras is indicated by the shadowy imprint of ten scrolls visible on the bright red lacquer interior of this finely made rectangular box. That it was one of a number of trays for a large set of scrolls is suggested by the number thirty-six written in red on black lacquer on one side of the exterior. Its high-quality construction--with very thin wood strengthened by a fabric layer (visible on the damaged edge) under a heavy lacquer coating of red over black--s
Art inspired by Tray, Muromachi period (1392–1573), 16th century, Japan, Red jacquer (Negoro ware), H. 3/4 in. (1.9 cm); Diam. 16 1/4 in. (41.3 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tray-muromachi-period-13921573-16th-century-japan-red-jacquer-negoro-ware-h-34-in-19-cm-diam-16-14-in-413-cm-lacquer-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758037.html
RF2HTTCGN–Art inspired by Tray, Muromachi period (1392–1573), 16th century, Japan, Red jacquer (Negoro ware), H. 3/4 in. (1.9 cm); Diam. 16 1/4 in. (41.3 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tenmoku teabowl stand, 15th century, Unknown Japanese, 3 7/8 x 6 7/8 x 6 7/8 in. (9.84 x 17.46 x 17.46 cm), Negoro ware; lacquer over wooden core, Japan, Negoro, Lacquered stands were often imported from China together with temmoku tea bowls. These beautifully fashioned stands were appreciated as independent art objects, but they also served the practical function of supporting narrow-footed bowls. Temmoku bowls with stands were preferred in early tea gatherings which were held in palatial audience halls. The use of temmoku bowls and stands continued in later eras Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tenmoku-teabowl-stand-15th-century-unknown-japanese-3-78-x-6-78-x-6-78-in-984-x-1746-x-1746-cm-negoro-ware-lacquer-over-wooden-core-japan-negoro-lacquered-stands-were-often-imported-from-china-together-with-temmoku-tea-bowls-these-beautifully-fashioned-stands-were-appreciated-as-independent-art-objects-but-they-also-served-the-practical-function-of-supporting-narrow-footed-bowls-temmoku-bowls-with-stands-were-preferred-in-early-tea-gatherings-which-were-held-in-palatial-audience-halls-the-use-of-temmoku-bowls-and-stands-continued-in-later-eras-image573509425.html
RM2T91H3D–Tenmoku teabowl stand, 15th century, Unknown Japanese, 3 7/8 x 6 7/8 x 6 7/8 in. (9.84 x 17.46 x 17.46 cm), Negoro ware; lacquer over wooden core, Japan, Negoro, Lacquered stands were often imported from China together with temmoku tea bowls. These beautifully fashioned stands were appreciated as independent art objects, but they also served the practical function of supporting narrow-footed bowls. Temmoku bowls with stands were preferred in early tea gatherings which were held in palatial audience halls. The use of temmoku bowls and stands continued in later eras
Bowl with Three Scalloped Feet, Muromachi period (1392–1573), 16th century, Japan, Negoro ware; red lacquer over black lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bowl-with-three-scalloped-feet-muromachi-period-13921573-16th-century-162447049.html
RMKC82T9–Bowl with Three Scalloped Feet, Muromachi period (1392–1573), 16th century, Japan, Negoro ware; red lacquer over black lacquer
Tray. Culture: Japan. Dimensions: H. 3/4 in. (1.9 cm); Diam. 16 1/4 in. (41.3 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tray-culture-japan-dimensions-h-34-in-19-cm-diam-16-14-in-413-cm-date-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213176415.html
RMPAR0KB–Tray. Culture: Japan. Dimensions: H. 3/4 in. (1.9 cm); Diam. 16 1/4 in. (41.3 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Round Negoro Lacquer Tray, 朱漆高盤 (根来塗), Muromachi period (1392–1573), first half 15th century, Japan, Lacquered wood with coatings of red lacquer over black lacquer (Negoro ware), Diam. 16 3/8 in (41.6 cm), Lacquer, The pleasing proportions and lovely surface of this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-round-negoro-lacquer-tray-muromachi-period-13921573-first-half-15th-century-japan-lacquered-wood-with-coatings-of-red-lacquer-over-black-lacquer-negoro-ware-diam-16-38-in-416-cm-lacquer-the-pleasing-proportions-and-lovely-surface-of-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758395.html
RF2HTTD1F–Art inspired by Round Negoro Lacquer Tray, 朱漆高盤 (根来塗), Muromachi period (1392–1573), first half 15th century, Japan, Lacquered wood with coatings of red lacquer over black lacquer (Negoro ware), Diam. 16 3/8 in (41.6 cm), Lacquer, The pleasing proportions and lovely surface of this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pair of Candlesticks, Momoyama period (1573–1615), 16th century, Japan, Negoro ware, red lacquer, H.16 1/2 in. (41.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pair-of-candlesticks-momoyama-period-15731615-16th-century-japan-negoro-162444480.html
RMKC7YGG–Pair of Candlesticks, Momoyama period (1573–1615), 16th century, Japan, Negoro ware, red lacquer, H.16 1/2 in. (41.9 cm
Bowl with Three Scalloped Feet. Culture: Japan. Dimensions: Diam. 16 7/8 in. (43 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-three-scalloped-feet-culture-japan-dimensions-diam-16-78-in-43-cm-date-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213395794.html
RMPB50EA–Bowl with Three Scalloped Feet. Culture: Japan. Dimensions: Diam. 16 7/8 in. (43 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Storage Case (Karabitsu), Muromachi period (1392–1573), 1422, Japan, Red over black lacquer on wood with gilt bronze fittings (Negoro ware), H. 13 in. (33 cm); W. 15 3/4 in. (40 cm); L. 22 1/8 in. (56.2 cm), Lacquer, The karabitsu (literally, Chinese chest) is a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-storage-case-karabitsu-muromachi-period-13921573-1422-japan-red-over-black-lacquer-on-wood-with-gilt-bronze-fittings-negoro-ware-h-13-in-33-cm-w-15-34-in-40-cm-l-22-18-in-562-cm-lacquer-the-karabitsu-literally-chinese-chest-is-a-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758377.html
RF2HTTD0W–Art inspired by Storage Case (Karabitsu), Muromachi period (1392–1573), 1422, Japan, Red over black lacquer on wood with gilt bronze fittings (Negoro ware), H. 13 in. (33 cm); W. 15 3/4 in. (40 cm); L. 22 1/8 in. (56.2 cm), Lacquer, The karabitsu (literally, Chinese chest) is a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unknown (Japanese), Vessel for Hot Water, between late 15th and early 16th century, wood, red and black lacquer (Negoro ware), Overall: 12 5/8 inches × 11 1/2 inches × 8 inches (32.1 × 29.2 × 20.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-japanese-vessel-for-hot-water-between-late-15th-and-early-16th-century-wood-red-and-black-lacquer-negoro-ware-overall-12-58-inches-11-12-inches-8-inches-321-292-203-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349816288.html
RF2B93E6T–Unknown (Japanese), Vessel for Hot Water, between late 15th and early 16th century, wood, red and black lacquer (Negoro ware), Overall: 12 5/8 inches × 11 1/2 inches × 8 inches (32.1 × 29.2 × 20.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Footed Bowl, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Negoro ware; red lacquer over black lacquer, H. 6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-footed-bowl-momoyama-period-15731615-late-16thearly-17th-century-japan-162447050.html
RMKC82TA–Footed Bowl, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Negoro ware; red lacquer over black lacquer, H. 6
High-Footed Bowl. Culture: Japan. Dimensions: H. 7 3/8 in. (18.7 cm ); Diam. 14 3/4 in. (37.5 cm). Date: early 17th century. A taste for grandeur characteristic of the Momoyama period marks this capacious curved bowl with gracefully flared lip that was used for serving food. Its elegant hight ring foot forms a pedestal that accentuates the bounteous form and also functions to ease handling of such a large piece. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/high-footed-bowl-culture-japan-dimensions-h-7-38-in-187-cm-diam-14-34-in-375-cm-date-early-17th-century-a-taste-for-grandeur-characteristic-of-the-momoyama-period-marks-this-capacious-curved-bowl-with-gracefully-flared-lip-that-was-used-for-serving-food-its-elegant-hight-ring-foot-forms-a-pedestal-that-accentuates-the-bounteous-form-and-also-functions-to-ease-handling-of-such-a-large-piece-museum-metropolitan-museum-of-art-new-york-usa-image213210629.html
RMPATG99–High-Footed Bowl. Culture: Japan. Dimensions: H. 7 3/8 in. (18.7 cm ); Diam. 14 3/4 in. (37.5 cm). Date: early 17th century. A taste for grandeur characteristic of the Momoyama period marks this capacious curved bowl with gracefully flared lip that was used for serving food. Its elegant hight ring foot forms a pedestal that accentuates the bounteous form and also functions to ease handling of such a large piece. Museum: Metropolitan Museum of Art, New York, USA.
Ritual wash basin, Muromachi period (1392–1573), 16th century, Japan, Negoro ware, red lacquer and exposed keyaki wood, H. 5 3/4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ritual-wash-basin-muromachi-period-13921573-16th-century-japan-negoro-162444424.html
RMKC7YEG–Ritual wash basin, Muromachi period (1392–1573), 16th century, Japan, Negoro ware, red lacquer and exposed keyaki wood, H. 5 3/4
Round Tray, Edo period (1615–1868), 1615–1868, Japan, Red and black lacquer; Negoro ware, Diam. 12 7/8 in. (32.7 cm), Lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-round-tray-edo-period-16151868-16151868-japan-red-and-black-lacquer-162446972.html
RMKC82NG–Round Tray, Edo period (1615–1868), 1615–1868, Japan, Red and black lacquer; Negoro ware, Diam. 12 7/8 in. (32.7 cm), Lacquer
High-Footed Bowl, Momoyama period (1573–1615), early 17th century, Japan, Negoro ware; red lacquer on black lacquer, H. 7 3/8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-high-footed-bowl-momoyama-period-15731615-early-17th-century-japan-162447045.html
RMKC82T5–High-Footed Bowl, Momoyama period (1573–1615), early 17th century, Japan, Negoro ware; red lacquer on black lacquer, H. 7 3/8
Sutra Tray, Heian period (794–1185), 12th century, Japan, Negoro ware, red and black lacquer, W.12 1/8 in. (30.8 cm); L.15 3/4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sutra-tray-heian-period-7941185-12th-century-japan-negoro-ware-red-162446968.html
RMKC82NC–Sutra Tray, Heian period (794–1185), 12th century, Japan, Negoro ware, red and black lacquer, W.12 1/8 in. (30.8 cm); L.15 3/4
Wash basin with legs, 1353 or 1413, Unknown Japanese, 6 5/16 × 12 13/16 × 13 in. (16.03 × 32.54 × 33.02 cm), Negoro ware; red and black lacquer on zelkova (keyaki) wood, Japan, 15th century, The underside of this ceremonial wash basin (tarai), used for rinsing one’s hands in preparation for Buddhist ritual, is inscribed with the name Sanshitsubō (perhaps indicating the location at which it was used) and a cyclical date that corresponds to either 1353 or 1413 making this one of the oldest Negoro wash basins of its type in existence today Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wash-basin-with-legs-1353-or-1413-unknown-japanese-6-516-12-1316-13-in-1603-3254-3302-cm-negoro-ware-red-and-black-lacquer-on-zelkova-keyaki-wood-japan-15th-century-the-underside-of-this-ceremonial-wash-basin-tarai-used-for-rinsing-ones-hands-in-preparation-for-buddhist-ritual-is-inscribed-with-the-name-sanshitsub-perhaps-indicating-the-location-at-which-it-was-used-and-a-cyclical-date-that-corresponds-to-either-1353-or-1413-making-this-one-of-the-oldest-negoro-wash-basins-of-its-type-in-existence-today-image573486673.html
RM2T90G2W–Wash basin with legs, 1353 or 1413, Unknown Japanese, 6 5/16 × 12 13/16 × 13 in. (16.03 × 32.54 × 33.02 cm), Negoro ware; red and black lacquer on zelkova (keyaki) wood, Japan, 15th century, The underside of this ceremonial wash basin (tarai), used for rinsing one’s hands in preparation for Buddhist ritual, is inscribed with the name Sanshitsubō (perhaps indicating the location at which it was used) and a cyclical date that corresponds to either 1353 or 1413 making this one of the oldest Negoro wash basins of its type in existence today
Stem table, 1482, Unknown Japanese, 11 1/4 × 11 1/16 × 11 1/2 in. (28.58 × 28.1 × 29.21 cm), Negoro ware; wood, red and black lacquer with gold leaf inscription, Japan, 15th century, Several inscriptions on the undersides of this red lacquer table record that it was originally part of a set consisting of six large and six small tables. Produced in the spring of 1482, the tables were used during a religious ceremony honoring Shinra Myōjin, a Shintō deity associated with Onjōji (also called Miidera), an important temple-shrine complex on the shores of Lake Biwa east of Kyoto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stem-table-1482-unknown-japanese-11-14-11-116-11-12-in-2858-281-2921-cm-negoro-ware-wood-red-and-black-lacquer-with-gold-leaf-inscription-japan-15th-century-several-inscriptions-on-the-undersides-of-this-red-lacquer-table-record-that-it-was-originally-part-of-a-set-consisting-of-six-large-and-six-small-tables-produced-in-the-spring-of-1482-the-tables-were-used-during-a-religious-ceremony-honoring-shinra-myjin-a-shint-deity-associated-with-onjji-also-called-miidera-an-important-temple-shrine-complex-on-the-shores-of-lake-biwa-east-of-kyoto-image573486680.html
RM2T90G34–Stem table, 1482, Unknown Japanese, 11 1/4 × 11 1/16 × 11 1/2 in. (28.58 × 28.1 × 29.21 cm), Negoro ware; wood, red and black lacquer with gold leaf inscription, Japan, 15th century, Several inscriptions on the undersides of this red lacquer table record that it was originally part of a set consisting of six large and six small tables. Produced in the spring of 1482, the tables were used during a religious ceremony honoring Shinra Myōjin, a Shintō deity associated with Onjōji (also called Miidera), an important temple-shrine complex on the shores of Lake Biwa east of Kyoto
Tray, Muromachi period (1392–1573), 16th century, Japan, Red jacquer (Negoro ware), H. 3/4 in. (1.9 cm); Diam. 16 1/4 in. (41.3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tray-muromachi-period-13921573-16th-century-japan-red-jacquer-negoro-162446954.html
RMKC82MX–Tray, Muromachi period (1392–1573), 16th century, Japan, Red jacquer (Negoro ware), H. 3/4 in. (1.9 cm); Diam. 16 1/4 in. (41.3
Round Negoro Lacquer Tray, 朱漆高盤 (根来塗), Muromachi period (1392–1573), first half 15th century, Japan, Lacquered wood with Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-round-negoro-lacquer-tray-muromachi-period-13921573-first-half-15th-162446973.html
RMKC82NH–Round Negoro Lacquer Tray, 朱漆高盤 (根来塗), Muromachi period (1392–1573), first half 15th century, Japan, Lacquered wood with
Table Tray, 根来塗衝重, Momoyama period (1573–1615), early 17th century, Japan, Lacquered wood with black and red lacquer layers ( Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-table-tray-momoyama-period-15731615-early-17th-century-japan-lacquered-162446965.html
RMKC82N9–Table Tray, 根来塗衝重, Momoyama period (1573–1615), early 17th century, Japan, Lacquered wood with black and red lacquer layers (
Storage Case (Karabitsu), Muromachi period (1392–1573), 1422, Japan, Red over black lacquer on wood with gilt bronze fittings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-storage-case-karabitsu-muromachi-period-13921573-1422-japan-red-over-162444423.html
RMKC7YEF–Storage Case (Karabitsu), Muromachi period (1392–1573), 1422, Japan, Red over black lacquer on wood with gilt bronze fittings
Serving Tray with Angled Corners, 15th–16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-serving-tray-with-angled-corners-15th16th-century-162446969.html
RMKC82ND–Serving Tray with Angled Corners, 15th–16th century
桃山時代 根来指樽 一対, Pair of Sake Caskets, late 16th–early 17th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pair-of-sake-caskets-late-16thearly-17th-century-162447023.html
RMKC82RB–桃山時代 根来指樽 一対, Pair of Sake Caskets, late 16th–early 17th century
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