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Radha krishna painting Stock Photos and Images
Krishna and Radha. Date/Period: Ca. 1750. Painting. Opaque watercolor and gold on cotton Opaque watercolor and gold on cotton. 94.1 × 103.6 cm (37 × 40.7 in). Author: UNKNOWN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-radha-dateperiod-ca-1750-painting-opaque-watercolor-and-gold-on-cotton-opaque-watercolor-and-gold-on-cotton-941-1036-cm-37-407-in-author-unknown-image219680987.htmlRMPNB99F–Krishna and Radha. Date/Period: Ca. 1750. Painting. Opaque watercolor and gold on cotton Opaque watercolor and gold on cotton. 94.1 × 103.6 cm (37 × 40.7 in). Author: UNKNOWN.
Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna). Culture: India (Rajasthan, Mewar). Dimensions: H. 7 1/4 x W. 11 3/8 in. (18.4 x 28.9 cm). Date: ca. 1695. Vegetation and architecture divide this painting into thirds. On the right sits Radha, refusing to be comforted. From the trees, Kama, the Hindu god of love, aims arrows at Radha's heart, while at the center, Radha's friend walks through the woods to bring Krishna (left) back to his lover. Paintings executed during the reign of Maharana Jai Singh (1680-98), like this one, tend to be executed more crudely Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kama-aims-his-bow-at-radha-page-from-a-dispersed-gita-govinda-loves-of-krishna-culture-india-rajasthan-mewar-dimensions-h-7-14-x-w-11-38-in-184-x-289-cm-date-ca-1695-vegetation-and-architecture-divide-this-painting-into-thirds-on-the-right-sits-radha-refusing-to-be-comforted-from-the-trees-kama-the-hindu-god-of-love-aims-arrows-at-radhas-heart-while-at-the-center-radhas-friend-walks-through-the-woods-to-bring-krishna-left-back-to-his-lover-paintings-executed-during-the-reign-of-maharana-jai-singh-1680-98-like-this-one-tend-to-be-executed-more-crudely-image213247325.htmlRMPAX73W–Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna). Culture: India (Rajasthan, Mewar). Dimensions: H. 7 1/4 x W. 11 3/8 in. (18.4 x 28.9 cm). Date: ca. 1695. Vegetation and architecture divide this painting into thirds. On the right sits Radha, refusing to be comforted. From the trees, Kama, the Hindu god of love, aims arrows at Radha's heart, while at the center, Radha's friend walks through the woods to bring Krishna (left) back to his lover. Paintings executed during the reign of Maharana Jai Singh (1680-98), like this one, tend to be executed more crudely
Krishna and Radha, Page from a Dispersed Rasikapriya (Verses Celebrating Aspects of Love). Culture: India (Rajasthan, Bundi). Dimensions: Image: 12 3/8 in. × 7 in. (31.4 × 17.8 cm) Mat: 13 1/2 × 8 7/8 in. (34.3 × 22.5 cm). Date: ca. 1660-70. Krishna approaches Radha and a go-between who has facilitated their meeting. The open pavilion and empty bed, allusions to a possible passionate encounter, are a recurrent theme within paintings illustrating the devotional poetry of the Rasikapriya. Bundi workshops developed a refined jewel-like painting style featuring patterned architecture and a verda Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-radha-page-from-a-dispersed-rasikapriya-verses-celebrating-aspects-of-love-culture-india-rajasthan-bundi-dimensions-image-12-38-in-7-in-314-178-cm-mat-13-12-8-78-in-343-225-cm-date-ca-1660-70-krishna-approaches-radha-and-a-go-between-who-has-facilitated-their-meeting-the-open-pavilion-and-empty-bed-allusions-to-a-possible-passionate-encounter-are-a-recurrent-theme-within-paintings-illustrating-the-devotional-poetry-of-the-rasikapriya-bundi-workshops-developed-a-refined-jewel-like-painting-style-featuring-patterned-architecture-and-a-verda-image213149990.htmlRMPANPYJ–Krishna and Radha, Page from a Dispersed Rasikapriya (Verses Celebrating Aspects of Love). Culture: India (Rajasthan, Bundi). Dimensions: Image: 12 3/8 in. × 7 in. (31.4 × 17.8 cm) Mat: 13 1/2 × 8 7/8 in. (34.3 × 22.5 cm). Date: ca. 1660-70. Krishna approaches Radha and a go-between who has facilitated their meeting. The open pavilion and empty bed, allusions to a possible passionate encounter, are a recurrent theme within paintings illustrating the devotional poetry of the Rasikapriya. Bundi workshops developed a refined jewel-like painting style featuring patterned architecture and a verda
Cowherd Krishna and surprised Radha. Date/Period: 1700. Painting. Height: 255 mm (10.03 in); Width: 390 mm (15.35 in). Author: UNKNOWN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cowherd-krishna-and-surprised-radha-dateperiod-1700-painting-height-255-mm-1003-in-width-390-mm-1535-in-author-unknown-image219069889.htmlRMPMBDTH–Cowherd Krishna and surprised Radha. Date/Period: 1700. Painting. Height: 255 mm (10.03 in); Width: 390 mm (15.35 in). Author: UNKNOWN.
Krishna and Radha looking into a mirror. Date/Period: 1800. Painting. Height: 310 mm (12.20 in); Width: 220 mm (8.66 in). Author: UNKNOWN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-radha-looking-into-a-mirror-dateperiod-1800-painting-height-310-mm-1220-in-width-220-mm-866-in-author-unknown-image219072646.htmlRMPMBHB2–Krishna and Radha looking into a mirror. Date/Period: 1800. Painting. Height: 310 mm (12.20 in); Width: 220 mm (8.66 in). Author: UNKNOWN.
Krishna massaging the feet of Radha, a scene possibly from the Gita Govinda. Date/Period: 1725/1735. Painting. Ink, opaque watercolor, gold, and beetle thorax casings on paper. Width: 20.3 mm. Height: 26.7 mm (work). Author: India, Punjab Hills, Mankot School. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-massaging-the-feet-of-radha-a-scene-possibly-from-the-gita-govinda-dateperiod-17251735-painting-ink-opaque-watercolor-gold-and-beetle-thorax-casings-on-paper-width-203-mm-height-267-mm-work-author-india-punjab-hills-mankot-school-image219698010.htmlRMPNC31E–Krishna massaging the feet of Radha, a scene possibly from the Gita Govinda. Date/Period: 1725/1735. Painting. Ink, opaque watercolor, gold, and beetle thorax casings on paper. Width: 20.3 mm. Height: 26.7 mm (work). Author: India, Punjab Hills, Mankot School.
Radha Crosses a River to Interview a Hindu Sage. Artist: Chokha (Indian, active 1799-ca. 1826). Culture: India (Rajasthan, Mewar). Dimensions: 8 1/4 x 13 1/4 in. (21 x 33.7 cm). Date: ca. 1820. This horizontal painting shows a bird's-eye view of a rain-drenched landscape with a large river at center. On the left bank, Krishna stands with his steed, watching Radha, his beloved, and another woman being helped across the swirling waters. Several other figures, including a gopi with a cow and a man with a large pile of linens on his head, are making their way across. There are two small islands i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/radha-crosses-a-river-to-interview-a-hindu-sage-artist-chokha-indian-active-1799-ca-1826-culture-india-rajasthan-mewar-dimensions-8-14-x-13-14-in-21-x-337-cm-date-ca-1820-this-horizontal-painting-shows-a-birds-eye-view-of-a-rain-drenched-landscape-with-a-large-river-at-center-on-the-left-bank-krishna-stands-with-his-steed-watching-radha-his-beloved-and-another-woman-being-helped-across-the-swirling-waters-several-other-figures-including-a-gopi-with-a-cow-and-a-man-with-a-large-pile-of-linens-on-his-head-are-making-their-way-across-there-are-two-small-islands-i-image212914288.htmlRMPAB29M–Radha Crosses a River to Interview a Hindu Sage. Artist: Chokha (Indian, active 1799-ca. 1826). Culture: India (Rajasthan, Mewar). Dimensions: 8 1/4 x 13 1/4 in. (21 x 33.7 cm). Date: ca. 1820. This horizontal painting shows a bird's-eye view of a rain-drenched landscape with a large river at center. On the left bank, Krishna stands with his steed, watching Radha, his beloved, and another woman being helped across the swirling waters. Several other figures, including a gopi with a cow and a man with a large pile of linens on his head, are making their way across. There are two small islands i
Krishna and Radha in a Pavilion, page from a copy of the Sat Sai Seven Hundred Verses). India; Rajasthan, Mewar. Date: 1714-1724. Dimensions: Image: 21.1 x 17.6 cm; Border: 22.2 x 18.7 cm; Paper: 25.1 x 21.5 cm (Image: 8 1/4 x 6 7/8 in.; Border: 8 3/4 x 7 3/8 in.; Paper: 9 7/8 x 8 1/2 in.). Opaque watercolor and gold on paper. Origin: India. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-radha-in-a-pavilion-page-from-a-copy-of-the-sat-sai-seven-hundred-verses-india-rajasthan-mewar-date-1714-1724-dimensions-image-211-x-176-cm-border-222-x-187-cm-paper-251-x-215-cm-image-8-14-x-6-78-in-border-8-34-x-7-38-in-paper-9-78-x-8-12-in-opaque-watercolor-and-gold-on-paper-origin-india-museum-the-chicago-art-institute-image239908416.htmlRMRX8NHM–Krishna and Radha in a Pavilion, page from a copy of the Sat Sai Seven Hundred Verses). India; Rajasthan, Mewar. Date: 1714-1724. Dimensions: Image: 21.1 x 17.6 cm; Border: 22.2 x 18.7 cm; Paper: 25.1 x 21.5 cm (Image: 8 1/4 x 6 7/8 in.; Border: 8 3/4 x 7 3/8 in.; Paper: 9 7/8 x 8 1/2 in.). Opaque watercolor and gold on paper. Origin: India. Museum: The Chicago Art Institute.
Search Results for Radha krishna painting Stock Photos and Images (8)
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