Nicolas Poussin - Two Putti Fighting, mounted on Goats Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nicolas-poussin-two-putti-fighting-mounted-on-goats-90009876.html
RMF6C8EC–Nicolas Poussin - Two Putti Fighting, mounted on Goats
Illuminated 'O' from the 1518 Basel third edition of ‘Utopia’ by Sir Thomas More (1478–1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543) showing putti fighting. See more information below. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illuminated-o-from-the-1518-basel-third-edition-of-utopia-by-sir-thomas-176522824.html
RMM758JG–Illuminated 'O' from the 1518 Basel third edition of ‘Utopia’ by Sir Thomas More (1478–1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543) showing putti fighting. See more information below.
Two fighting putti, cupids: 'amores', 'amoretti', 'putti', fighting, Lorenzo Loli, Italy, 1622 - 1691, paper, etching, h 174 mm × w 126 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-fighting-putti-cupids-amores-amoretti-putti-fighting-lorenzo-loli-italy-1622-1691-paper-etching-h-174-mm-w-126-mm-image261403948.html
RMW57YB8–Two fighting putti, cupids: 'amores', 'amoretti', 'putti', fighting, Lorenzo Loli, Italy, 1622 - 1691, paper, etching, h 174 mm × w 126 mm
Putti Fighting. Found in the Collection of the Palazzo Doria Pamphilj, Rome. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/putti-fighting-found-in-the-collection-of-the-palazzo-doria-pamphilj-rome-image462499680.html
RM2HTCK1M–Putti Fighting. Found in the Collection of the Palazzo Doria Pamphilj, Rome.
Nicolas Poussin - Two Putti Fighting Mounted on Goats Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicolas-poussin-two-putti-fighting-mounted-on-goats-image432844503.html
RF2G45NG7–Nicolas Poussin - Two Putti Fighting Mounted on Goats
An allegorical scene with putti fighting early 17th century. 757 Karel Philips Spierincks - An allegorical scene with putti fighting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-allegorical-scene-with-putti-fighting-early-17th-century-757-karel-philips-spierincks-an-allegorical-scene-with-putti-fighting-image185818304.html
RMMP8N40–An allegorical scene with putti fighting early 17th century. 757 Karel Philips Spierincks - An allegorical scene with putti fighting
Karel Philips Spierincks - An allegorical scene with putti fighting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/karel-philips-spierincks-an-allegorical-scene-with-putti-fighting-image384226691.html
RM2D9311R–Karel Philips Spierincks - An allegorical scene with putti fighting.
relief with a scene with putto putti fighting with a ram on the wall of the classicist castle in Paezeriai near Vilkaviskis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-relief-with-a-scene-with-putto-putti-fighting-with-a-ram-on-the-wall-20867455.html
RMB5XGJ7–relief with a scene with putto putti fighting with a ram on the wall of the classicist castle in Paezeriai near Vilkaviskis
Annibale Carracci. Drunken Silenus and Decorative Sketches Studies for the Tazza Farnese (recto); Two Putti Fighting Study for the Galleria Farnese (verso). 1599–1601. Italy. Pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annibale-carracci-drunken-silenus-and-decorative-sketches-studies-for-the-tazza-farnese-recto-two-putti-fighting-study-for-the-galleria-farnese-verso-15991601-italy-pen-and-iron-gall-ink-with-brush-and-brown-wash-on-cream-laid-paper-edge-mounted-to-cream-laid-paper-recto-and-pen-and-iron-gall-ink-on-cream-laid-paper-with-decorative-border-in-pen-and-brown-ink-verso-image337927865.html
RM2AHNXC9–Annibale Carracci. Drunken Silenus and Decorative Sketches Studies for the Tazza Farnese (recto); Two Putti Fighting Study for the Galleria Farnese (verso). 1599–1601. Italy. Pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso)
John Flaxman, 1755–1826, British, Two Winged Putti Fighting for the Palm, Eros and Anteros, 1787. Graphite on medium, slightly textured, cream laid paper bound in vellum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-flaxman-17551826-british-two-winged-putti-fighting-for-the-palm-eros-and-anteros-1787-graphite-on-medium-slightly-textured-cream-laid-paper-bound-in-vellum-image398369868.html
RM2E438R8–John Flaxman, 1755–1826, British, Two Winged Putti Fighting for the Palm, Eros and Anteros, 1787. Graphite on medium, slightly textured, cream laid paper bound in vellum.
Art inspired by Two Genii with Two Dogs Fighting, 1594, Engraving, Sheet: 2 3/8 × 3 7/8 in. (6.1 × 9.9 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti against a landscape with two dogs fighting at center. Putto at left seen from behind. At bottom left a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-two-genii-with-two-dogs-fighting-1594-engraving-sheet-2-38-3-78-in-61-99-cm-nicolaes-de-bruyn-netherlandish-antwerp-15711656-rotterdam-two-putti-against-a-landscape-with-two-dogs-fighting-at-center-putto-at-left-seen-from-behind-at-bottom-left-a-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020835.html
RF2HW8BPB–Art inspired by Two Genii with Two Dogs Fighting, 1594, Engraving, Sheet: 2 3/8 × 3 7/8 in. (6.1 × 9.9 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti against a landscape with two dogs fighting at center. Putto at left seen from behind. At bottom left a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Two putti, fighting for a bird, at a plant in pot, Pietro Antonio Cotta, After Guido Reni, 1675 - 1685 print Italy paper etching cupids: 'amores', 'amoretti', 'putti'. potted plants Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-putti-fighting-for-a-bird-at-a-plant-in-pot-pietro-antonio-cotta-after-guido-reni-1675-1685-print-italy-paper-etching-cupids-amores-amoretti-putti-potted-plants-image594928985.html
RM2WFW9YN–Two putti, fighting for a bird, at a plant in pot, Pietro Antonio Cotta, After Guido Reni, 1675 - 1685 print Italy paper etching cupids: 'amores', 'amoretti', 'putti'. potted plants
Two fighting putti, cupids: 'amores', 'amoretti', 'putti', fighting, Lorenzo Loli, Italy, 1622 - 1691, paper, etching, h 174 mm × w 126 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-fighting-putti-cupids-amores-amoretti-putti-fighting-lorenzo-loli-italy-1622-1691-paper-etching-h-174-mm-w-126-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350007003.html
RF2B9C5E3–Two fighting putti, cupids: 'amores', 'amoretti', 'putti', fighting, Lorenzo Loli, Italy, 1622 - 1691, paper, etching, h 174 mm × w 126 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column - 1638) fighting snake (symbolising unbelief) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-munich-bavaria-germany-one-of-the-putti-at-the-base-of-the-mariensaule-18401431.html
RMB1X75Y–Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column - 1638) fighting snake (symbolising unbelief)
Eine der vier Heldenputten auf dem Sockel der Mariensäule auf dem Münchner Marienplatz, dieser bekämpft einen Löwen, der als Metapher für Krieg steht, 1936. One of the four heroic putti on the base of the Marian Column on Munich's Marienplatz, this one fighting a lion, a metaphor for war, 1936. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eine-der-vier-heldenputten-auf-dem-sockel-der-mariensule-auf-dem-mnchner-marienplatz-dieser-bekmpft-einen-lwen-der-als-metapher-fr-krieg-steht-1936-one-of-the-four-heroic-putti-on-the-base-of-the-marian-column-on-munichs-marienplatz-this-one-fighting-a-lion-a-metaphor-for-war-1936-image551162065.html
RM2R0KGRD–Eine der vier Heldenputten auf dem Sockel der Mariensäule auf dem Münchner Marienplatz, dieser bekämpft einen Löwen, der als Metapher für Krieg steht, 1936. One of the four heroic putti on the base of the Marian Column on Munich's Marienplatz, this one fighting a lion, a metaphor for war, 1936.
Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column, 1638) fighting Basilisk symbolising plague Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-munich-bavaria-germany-one-of-the-putti-at-the-base-of-the-mariensaule-13401394.html
RMADF3NR–Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column, 1638) fighting Basilisk symbolising plague
Nicolas Poussin - Two Putti Fighting, mounted on Goats Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nicolas-poussin-two-putti-fighting-mounted-on-goats-90009877.html
RMF6C8ED–Nicolas Poussin - Two Putti Fighting, mounted on Goats
Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column - 1638) fighting Basilisk - symbolising plague Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-munich-bavaria-germany-one-of-the-putti-at-the-base-of-the-mariensaule-18415988.html
RMB1XWNT–Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column - 1638) fighting Basilisk - symbolising plague
Two friezes, at the top a frieze with two putti fighting two monsters, the lower body of the putto on the right consists of leaf tendrils. At the bottom a frieze with leaf vines. Top left: 1st partie, top right: A. N° 24, bottom right: 109., print, print maker: Michel Liénard, (mentioned on object), publisher: Charles Claesen, (mentioned on object), Liège, 1866, paper, height, 418 mm × width, 290 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-friezes-at-the-top-a-frieze-with-two-putti-fighting-two-monsters-the-lower-body-of-the-putto-on-the-right-consists-of-leaf-tendrils-at-the-bottom-a-frieze-with-leaf-vines-top-left-1st-partie-top-right-a-n-24-bottom-right-109-print-print-maker-michel-linard-mentioned-on-object-publisher-charles-claesen-mentioned-on-object-lige-1866-paper-height-418-mm-width-290-mm-image606645795.html
RM2X6Y2W7–Two friezes, at the top a frieze with two putti fighting two monsters, the lower body of the putto on the right consists of leaf tendrils. At the bottom a frieze with leaf vines. Top left: 1st partie, top right: A. N° 24, bottom right: 109., print, print maker: Michel Liénard, (mentioned on object), publisher: Charles Claesen, (mentioned on object), Liège, 1866, paper, height, 418 mm × width, 290 mm
Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso), 1599/1601. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drunken-silenus-and-decorative-sketches-studies-for-the-tazza-farnese-recto-two-putti-fighting-study-for-the-galleria-farnese-verso-15991601-image491542518.html
RM2KFKKDX–Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso), 1599/1601.
Fighting putti, Peter van Lint, 1619 - 1690 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-putti-peter-van-lint-1619-1690-image240607219.html
RMRYCGXY–Fighting putti, Peter van Lint, 1619 - 1690
Karel Philips Spierincks - An allegorical scene with putti fighting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-karel-philips-spierincks-an-allegorical-scene-with-putti-fighting-132843095.html
RMHM3EM7–Karel Philips Spierincks - An allegorical scene with putti fighting
Fighting putti, Peter van Lint, 1619 - 1690 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-putti-peter-van-lint-1619-1690-image240607217.html
RMRYCGXW–Fighting putti, Peter van Lint, 1619 - 1690
Orazio Samacchini (Attributed to) / 'Two putti fighting'. Second half of the XVI century. Pencil, Grey-brown ink on brown paper. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orazio-samacchini-attributed-to-two-putti-fighting-second-half-of-the-xvi-century-pencil-grey-brown-ink-on-brown-paper-museum-museo-del-prado-madrid-espaa-image241821709.html
RMT1BX1H–Orazio Samacchini (Attributed to) / 'Two putti fighting'. Second half of the XVI century. Pencil, Grey-brown ink on brown paper. Museum: Museo del Prado, Madrid, España.
Frieze with putti and coat of arms, Monogrammist CB with tree, 1531 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frieze-with-putti-and-coat-of-arms-monogrammist-cb-with-tree-1531-image240589282.html
RMRYBP2A–Frieze with putti and coat of arms, Monogrammist CB with tree, 1531
Fighting putti, Peter van Lint, 1619 - 1690 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fighting-putti-peter-van-lint-1619-1690-77326643.html
RMEDPEWR–Fighting putti, Peter van Lint, 1619 - 1690
Fries met putti en wapenschild a frieze with eight putti two fighting with weapons, two with a monkey and a hoop, two instruments and two with a standard cartridge and a stick. A shield with a unicorn, also a woman and a nar. Manufacturer : printmaker: Monogrammist CB with tree (listed property) Place manufacture: Germany Date: 1531 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 47 mm × W 195 mm Subject : cupids' amores', 'amoretti' 'putti' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fries-met-putti-en-wapenschild-a-frieze-with-eight-putti-two-fighting-with-weapons-two-with-a-monkey-and-a-hoop-two-instruments-and-two-with-a-standard-cartridge-and-a-stick-a-shield-with-a-unicorn-also-a-woman-and-a-nar-manufacturer-printmaker-monogrammist-cb-with-tree-listed-property-place-manufacture-germany-date-1531-physical-features-etching-material-paper-technique-etching-dimensions-sheet-h-47-mm-w-195-mm-subject-cupids-amores-amoretti-putti-image348367290.html
RM2B6NE0X–Fries met putti en wapenschild a frieze with eight putti two fighting with weapons, two with a monkey and a hoop, two instruments and two with a standard cartridge and a stick. A shield with a unicorn, also a woman and a nar. Manufacturer : printmaker: Monogrammist CB with tree (listed property) Place manufacture: Germany Date: 1531 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 47 mm × W 195 mm Subject : cupids' amores', 'amoretti' 'putti'
Fighting putti Fight between virtue and vice, Two fighting putti in the foreground symbolize the struggle between virtue and vice. To the right is a putto with laurel wreath ready for the victor, to the left is a putto with a caduceus. In the background, a putto blows the trumpet, another putto holds a bird in his arms, figure representing a Virtue. a Vice, cupids: 'amores', 'amoretti', 'putti', Peter van Lint, 1619 - 1690, paper, etching, h 156 mm × w 126 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-putti-fight-between-virtue-and-vice-two-fighting-putti-in-the-foreground-symbolize-the-struggle-between-virtue-and-vice-to-the-right-is-a-putto-with-laurel-wreath-ready-for-the-victor-to-the-left-is-a-putto-with-a-caduceus-in-the-background-a-putto-blows-the-trumpet-another-putto-holds-a-bird-in-his-arms-figure-representing-a-virtue-a-vice-cupids-amores-amoretti-putti-peter-van-lint-1619-1690-paper-etching-h-156-mm-w-126-mm-image261397833.html
RMW57KGW–Fighting putti Fight between virtue and vice, Two fighting putti in the foreground symbolize the struggle between virtue and vice. To the right is a putto with laurel wreath ready for the victor, to the left is a putto with a caduceus. In the background, a putto blows the trumpet, another putto holds a bird in his arms, figure representing a Virtue. a Vice, cupids: 'amores', 'amoretti', 'putti', Peter van Lint, 1619 - 1690, paper, etching, h 156 mm × w 126 mm
One of the four heroic putti of the Marian column fighting the dragon, the symbol of hunger. This picture was taken before the Marian column was moved to its current location. [automated translation] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-four-heroic-putti-of-the-marian-column-fighting-the-dragon-the-symbol-of-hunger-this-picture-was-taken-before-the-marian-column-was-moved-to-its-current-location-automated-translation-image602746774.html
RM2X0HDJE–One of the four heroic putti of the Marian column fighting the dragon, the symbol of hunger. This picture was taken before the Marian column was moved to its current location. [automated translation]
Title print with text, coat of arms, ornament and putti fighting for a palm branch, Gaspare Oselli, after Francesco Terzio, After Anonymous, 1569 print Italy paper engraving cupids: 'amores', 'amoretti', 'putti'. coat of arms (symbol of sovereignty). ornaments art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-print-with-text-coat-of-arms-ornament-and-putti-fighting-for-a-palm-branch-gaspare-oselli-after-francesco-terzio-after-anonymous-1569-print-italy-paper-engraving-cupids-amores-amoretti-putti-coat-of-arms-symbol-of-sovereignty-ornaments-art-image594062989.html
RM2WEDWB9–Title print with text, coat of arms, ornament and putti fighting for a palm branch, Gaspare Oselli, after Francesco Terzio, After Anonymous, 1569 print Italy paper engraving cupids: 'amores', 'amoretti', 'putti'. coat of arms (symbol of sovereignty). ornaments art
Frieze with putti and coat of arms, Monogrammist CB with tree, 1531. Reimagined by Gibon. Classic art with a modern reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frieze-with-putti-and-coat-of-arms-monogrammist-cb-with-tree-1531-reimagined-by-gibon-classic-art-with-a-modern-reimagined-image230480252.html
RFRAY7WG–Frieze with putti and coat of arms, Monogrammist CB with tree, 1531. Reimagined by Gibon. Classic art with a modern reimagined
Nice low angle view of the Mariensäule, a Marian column located on the Marienplatz in Munich, Germany. The famous column is topped by a golden statue... Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nice-low-angle-view-of-the-mariensule-a-marian-column-located-on-the-marienplatz-in-munich-germany-the-famous-column-is-topped-by-a-golden-statue-image230620008.html
RFRB5J4T–Nice low angle view of the Mariensäule, a Marian column located on the Marienplatz in Munich, Germany. The famous column is topped by a golden statue...
A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-fine-italian-etched-glaive-circa-148090-heavy-single-edged-blade-31667008.html
RMBREFGG–A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. ,
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner. 1954 by Pietro da Cortona (Pietro Berrettini) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-with-an-eagle-fighting-with-a-serpent-and-a-putto-in-the-sky-holding-an-inscribed-banner-1954-by-pietro-da-cortona-pietro-berrettini-image575368949.html
RM2TC28Y1–Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner. 1954 by Pietro da Cortona (Pietro Berrettini)
A herm is decorated by putti with a garland. On the column of the statue the inscription: Terra. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-herm-is-decorated-by-putti-with-a-garland-on-the-column-of-the-statue-the-inscription-terra-image418882874.html
RF2F9DNAJ–A herm is decorated by putti with a garland. On the column of the statue the inscription: Terra.
Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column - 1638) fighting Basilisk - symbolising plague Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-munich-bavaria-germany-one-of-the-putti-at-the-base-of-the-mariensaule-18401411.html
RMB1X757–Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column - 1638) fighting Basilisk - symbolising plague
Sculpture of wrestling putti in the Court Gardens of the Residenz, 18th-century baroque Prince-Bishops Palace, Wurzburg, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculpture-of-wrestling-putti-in-the-court-gardens-of-the-residenz-18th-century-baroque-prince-bishops-palace-wurzburg-germany-image535045801.html
RF2P2DCAH–Sculpture of wrestling putti in the Court Gardens of the Residenz, 18th-century baroque Prince-Bishops Palace, Wurzburg, Germany
Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column, 1638) fighting Basilisk symbolising plague Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-munich-bavaria-germany-one-of-the-putti-at-the-base-of-the-mariensaule-13401330.html
RMADF3GK–Munich, Bavaria, Germany. One of the Putti at the base of the Mariensaule (column, 1638) fighting Basilisk symbolising plague
Hercules Fighting the Fury and the Discord. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-fighting-the-fury-and-the-discord-image491450810.html
RM2KFFEEJ–Hercules Fighting the Fury and the Discord.
Munich, Bavaria, Germany. One of the Putti at base of the Mariensaule (1638) fighting snake / basilisk (symbolising unbelief) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-munich-bavaria-germany-one-of-the-putti-at-base-of-the-mariensaule-77327878.html
RMEDPGDX–Munich, Bavaria, Germany. One of the Putti at base of the Mariensaule (1638) fighting snake / basilisk (symbolising unbelief)
two children fighting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-children-fighting-image3534297.html
RMA3NHDA–two children fighting
Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso). Annibale Carracci; Italian, 1560-1609. Date: 1599-1601. Dimensions: 204 x 177 mm (primary support); 284 x 177 mm (with overlays). Pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso). Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drunken-silenus-and-decorative-sketches-studies-for-the-tazza-farnese-recto-two-putti-fighting-study-for-the-galleria-farnese-verso-annibale-carracci-italian-1560-1609-date-1599-1601-dimensions-204-x-177-mm-primary-support-284-x-177-mm-with-overlays-pen-and-iron-gall-ink-with-brush-and-brown-wash-on-cream-laid-paper-edge-mounted-to-cream-laid-paper-recto-and-pen-and-iron-gall-ink-on-cream-laid-paper-with-decorative-border-in-pen-and-brown-ink-verso-origin-italy-museum-the-chicago-art-institute-image240132885.html
RMRXJYXD–Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso). Annibale Carracci; Italian, 1560-1609. Date: 1599-1601. Dimensions: 204 x 177 mm (primary support); 284 x 177 mm (with overlays). Pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso). Origin: Italy. Museum: The Chicago Art Institute.
Hameenlinna Finland 08/17/2019 Medieval festival with craftsman, knights and entertainers. Two knights in harness fighting on a dusty field. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hameenlinna-finland-08172019-medieval-festival-with-craftsman-knights-and-entertainers-two-knights-in-harness-fighting-on-a-dusty-field-image264563848.html
RFWABWTT–Hameenlinna Finland 08/17/2019 Medieval festival with craftsman, knights and entertainers. Two knights in harness fighting on a dusty field.
Saint Michael the Archangel defeats the Devil depicted in the ceiling painting by Italian Mannerist painter Agnolo Bronzino (1541) in the Cappella di Eleonora (Chapel of Eleanor) in the Apartments of Eleanor of Toledo (Quartiere di Eleonora) in the Palazzo Vecchio in Florence, Tuscany, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-michael-the-archangel-defeats-the-devil-depicted-in-the-ceiling-painting-by-italian-mannerist-painter-agnolo-bronzino-1541-in-the-cappella-di-eleonora-chapel-of-eleanor-in-the-apartments-of-eleanor-of-toledo-quartiere-di-eleonora-in-the-palazzo-vecchio-in-florence-tuscany-italy-image234621173.html
RMRHKWKH–Saint Michael the Archangel defeats the Devil depicted in the ceiling painting by Italian Mannerist painter Agnolo Bronzino (1541) in the Cappella di Eleonora (Chapel of Eleanor) in the Apartments of Eleanor of Toledo (Quartiere di Eleonora) in the Palazzo Vecchio in Florence, Tuscany, Italy.
110515-N-3154P-255 ATLANTIC OCEAN (May 15, 2011) Damage Controlman Fireman Jameal Defreitas assists a civilian embarked for a Tiger Cruise in putting on fire fighting equipment aboard the amphibious assault ship USS Kearsarge (LHD 3). Kearsarge is the command ship of the Kearsarge Amphibious Ready Group and has completed a deployment in the U.S. 5th and 6th Fleet areas of responsibility. (U.S. Navy photo by Mass Communication Specialist 3rd Class Scott Pittman/Released) US Navy 110515-N-3154P-255 Damage Controlman Fireman Jameal Defreitas assists a civilian embarked for a Tiger Cruise in putti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-110515-n-3154p-255-atlantic-ocean-may-15-2011-damage-controlman-fireman-130303693.html
RMHFYRK9–110515-N-3154P-255 ATLANTIC OCEAN (May 15, 2011) Damage Controlman Fireman Jameal Defreitas assists a civilian embarked for a Tiger Cruise in putting on fire fighting equipment aboard the amphibious assault ship USS Kearsarge (LHD 3). Kearsarge is the command ship of the Kearsarge Amphibious Ready Group and has completed a deployment in the U.S. 5th and 6th Fleet areas of responsibility. (U.S. Navy photo by Mass Communication Specialist 3rd Class Scott Pittman/Released) US Navy 110515-N-3154P-255 Damage Controlman Fireman Jameal Defreitas assists a civilian embarked for a Tiger Cruise in putti
Map of the Seventeen Provinces. Bottom right one cartouche, surrounded by three putti, a soldier and his wife. Bottom left two shell sticks cartouche with fighting soldiers and a shield: Milli Aria Germanica COMMUNIA and Milli Aria Gallica COMMUNIA. Along the edges a degree distribution. The print features a zoekrooster. Manufacturer : printmaker: anonymous printmaker Alexis Hubert Jaillot (rejected attribution) Publisher: Pieter Mortier (I) (listed building) Place manufacture: printmaker: Paris Publisher: Amsterdam Date: Characteristics 1711 Physical: etching material: paper Technique : etchi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-the-seventeen-provinces-bottom-right-one-cartouche-surrounded-by-three-putti-a-soldier-and-his-wife-bottom-left-two-shell-sticks-cartouche-with-fighting-soldiers-and-a-shield-milli-aria-germanica-communia-and-milli-aria-gallica-communia-along-the-edges-a-degree-distribution-the-print-features-a-zoekrooster-manufacturer-printmaker-anonymous-printmaker-alexis-hubert-jaillot-rejected-attribution-publisher-pieter-mortier-i-listed-building-place-manufacture-printmaker-paris-publisher-amsterdam-date-characteristics-1711-physical-etching-material-paper-technique-etchi-image348480608.html
RM2B6XJG0–Map of the Seventeen Provinces. Bottom right one cartouche, surrounded by three putti, a soldier and his wife. Bottom left two shell sticks cartouche with fighting soldiers and a shield: Milli Aria Germanica COMMUNIA and Milli Aria Gallica COMMUNIA. Along the edges a degree distribution. The print features a zoekrooster. Manufacturer : printmaker: anonymous printmaker Alexis Hubert Jaillot (rejected attribution) Publisher: Pieter Mortier (I) (listed building) Place manufacture: printmaker: Paris Publisher: Amsterdam Date: Characteristics 1711 Physical: etching material: paper Technique : etchi
Designs for ornaments and frames with fighting animals, putti on lions, lion heads, a lyre and a wreath. All objects are numbered. Top left III numbered. Print is part of an album with a series of six ornaments. Ornaments with Animals, print maker: anonymous, , Germany, after 31-Oct-1817, paper, etching, h 229 mm × w 293 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/designs-for-ornaments-and-frames-with-fighting-animals-putti-on-lions-lion-heads-a-lyre-and-a-wreath-all-objects-are-numbered-top-left-iii-numbered-print-is-part-of-an-album-with-a-series-of-six-ornaments-ornaments-with-animals-print-maker-anonymous-germany-after-31-oct-1817-paper-etching-h-229-mm-w-293-mm-image472214207.html
RM2JC7613–Designs for ornaments and frames with fighting animals, putti on lions, lion heads, a lyre and a wreath. All objects are numbered. Top left III numbered. Print is part of an album with a series of six ornaments. Ornaments with Animals, print maker: anonymous, , Germany, after 31-Oct-1817, paper, etching, h 229 mm × w 293 mm
Two Frisians, 1866 print At the top a Frisian with two putti fighting against two samples, the lower body of the putto on the right consists of leaf vines. At the bottom a Frisian with leaf vines. At the top left: 1re partie, at the top right: A. N ° 24, bottom right: 109. Liège paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-frisians-1866-print-at-the-top-a-frisian-with-two-putti-fighting-against-two-samples-the-lower-body-of-the-putto-on-the-right-consists-of-leaf-vines-at-the-bottom-a-frisian-with-leaf-vines-at-the-top-left-1re-partie-at-the-top-right-a-n-24-bottom-right-109-lige-paper-image590773325.html
RM2W941B9–Two Frisians, 1866 print At the top a Frisian with two putti fighting against two samples, the lower body of the putto on the right consists of leaf vines. At the bottom a Frisian with leaf vines. At the top left: 1re partie, at the top right: A. N ° 24, bottom right: 109. Liège paper
Fighting putti, Peter van Lint, 1619 - 169. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-putti-peter-van-lint-1619-169-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230204417.html
RFRAEM29–Fighting putti, Peter van Lint, 1619 - 169. Reimagined by Gibon. Classic art with a modern twist reimagined
Two putti, fighting to a bird, at a plant in a pot; Guido Reni's frescoes in the Loggia of the Palazzo Rospigliosi Pallavicini. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-putti-fighting-to-a-bird-at-a-plant-in-a-pot-guido-renis-frescoes-in-the-loggia-of-the-palazzo-rospigliosi-pallavicini-image432937850.html
RM2G4A0J2–Two putti, fighting to a bird, at a plant in a pot; Guido Reni's frescoes in the Loggia of the Palazzo Rospigliosi Pallavicini. .
A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-fine-italian-etched-glaive-circa-148090-heavy-single-edged-blade-31667030.html
RMBREFHA–A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. ,
Title print with text, coat of arms, ornament and putti fighting a palm branch; Title print of part 5 of Austriacae Gentis Imaginum; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-print-with-text-coat-of-arms-ornament-and-putti-fighting-a-palm-branch-title-print-of-part-5-of-austriacae-gentis-imaginum-portraits-of-members-of-the-austrian-home-austriacae-gentis-imaginum-image433124021.html
RM2G4JE31–Title print with text, coat of arms, ornament and putti fighting a palm branch; Title print of part 5 of Austriacae Gentis Imaginum; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .
St. Sebastian Cemetery, Salzburg, Austria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-sebastian-cemetery-salzburg-austria-image371049081.html
RM2CFJMTW–St. Sebastian Cemetery, Salzburg, Austria
Two Frisians. At the top of a frieze with two putti fighting against two samples, the lower body of the putto right consists of leaf raft. At the bottom of a Frisian with leaf rights. Top left is: 1RE partie, top right: A. n ° 24, bottom right: 109. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-frisians-at-the-top-of-a-frieze-with-two-putti-fighting-against-two-samples-the-lower-body-of-the-putto-right-consists-of-leaf-raft-at-the-bottom-of-a-frisian-with-leaf-rights-top-left-is-1re-partie-top-right-a-n-24-bottom-right-109-image431582655.html
RM2G24827–Two Frisians. At the top of a frieze with two putti fighting against two samples, the lower body of the putto right consists of leaf raft. At the bottom of a Frisian with leaf rights. Top left is: 1RE partie, top right: A. n ° 24, bottom right: 109.
Sculpture of wrestling putti in the Court Gardens of the Residenz, 18th-century baroque Prince-Bishops Palace, Wurzburg, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculpture-of-wrestling-putti-in-the-court-gardens-of-the-residenz-18th-century-baroque-prince-bishops-palace-wurzburg-germany-image535051135.html
RF2P2DK53–Sculpture of wrestling putti in the Court Gardens of the Residenz, 18th-century baroque Prince-Bishops Palace, Wurzburg, Germany
Two Fighting Putti, Lorenzo Loli, 1622 - 1691 print Italy paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. ficking Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-fighting-putti-lorenzo-loli-1622-1691-print-italy-paper-etching-cupids-amores-amoretti-putti-ficking-image594770643.html
RM2WFJ40K–Two Fighting Putti, Lorenzo Loli, 1622 - 1691 print Italy paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. ficking
Hercules Fighting the Fury and the Discord. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-fighting-the-fury-and-the-discord-image491509622.html
RM2KFJ5F2–Hercules Fighting the Fury and the Discord.
Two Genii with Two Dogs Fighting. Artist: Nicolaes de Bruyn (Netherlandish, Antwerp 1571-1656 Rotterdam). Dimensions: Sheet: 2 3/8 × 3 7/8 in. (6.1 × 9.9 cm). Publisher: Assuerus van Londerseel (1572-1635). Date: 1594. Two putti against a landscape with two dogs fighting at center. Putto at left seen from behind. At bottom left a frog; at top, three flying insects. From a series of six plates. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-genii-with-two-dogs-fighting-artist-nicolaes-de-bruyn-netherlandish-antwerp-1571-1656-rotterdam-dimensions-sheet-2-38-3-78-in-61-99-cm-publisher-assuerus-van-londerseel-1572-1635-date-1594-two-putti-against-a-landscape-with-two-dogs-fighting-at-center-putto-at-left-seen-from-behind-at-bottom-left-a-frog-at-top-three-flying-insects-from-a-series-of-six-plates-museum-metropolitan-museum-of-art-new-york-usa-image213318712.html
RMPB1E5C–Two Genii with Two Dogs Fighting. Artist: Nicolaes de Bruyn (Netherlandish, Antwerp 1571-1656 Rotterdam). Dimensions: Sheet: 2 3/8 × 3 7/8 in. (6.1 × 9.9 cm). Publisher: Assuerus van Londerseel (1572-1635). Date: 1594. Two putti against a landscape with two dogs fighting at center. Putto at left seen from behind. At bottom left a frog; at top, three flying insects. From a series of six plates. Museum: Metropolitan Museum of Art, New York, USA.
Hameenlinna Finland 08/17/2019 Medieval festival with craftsman, knights and entertainers. Two knights in harness fighting on a dusty field. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hameenlinna-finland-08172019-medieval-festival-with-craftsman-knights-and-entertainers-two-knights-in-harness-fighting-on-a-dusty-field-image264563829.html
RFWABWT5–Hameenlinna Finland 08/17/2019 Medieval festival with craftsman, knights and entertainers. Two knights in harness fighting on a dusty field.
Map of Seventeen ProvinciënBelgii XVII Provintiarum Universalist Tabula ad Usum Serenissimi (...) (title object) XVII Provinces des Pays-Bas (...) (title object) Object type: picture postcard Item number RP-P-AO-1-26ACatalogusreferentie: Van der Heijden 237-4 (4) Description: Map of the Seventeen Provinces. Right a cartouche with three putti, a soldier and a farmer. Bottom left two shell sticks cartouche with fighting soldiers and a shield: Milli Aria Germanica COMMUNIA and Milli Aria Gallica COMMUNIA. Along the edges of the print a degree distribution. The print features a zoekrooster. Manufa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-seventeen-provincinbelgii-xvii-provintiarum-universalist-tabula-ad-usum-serenissimi-title-object-xvii-provinces-des-pays-bas-title-object-object-type-picture-postcard-item-number-rp-p-ao-1-26acatalogusreferentie-van-der-heijden-237-4-4-description-map-of-the-seventeen-provinces-right-a-cartouche-with-three-putti-a-soldier-and-a-farmer-bottom-left-two-shell-sticks-cartouche-with-fighting-soldiers-and-a-shield-milli-aria-germanica-communia-and-milli-aria-gallica-communia-along-the-edges-of-the-print-a-degree-distribution-the-print-features-a-zoekrooster-manufa-image348480620.html
RM2B6XJGC–Map of Seventeen ProvinciënBelgii XVII Provintiarum Universalist Tabula ad Usum Serenissimi (...) (title object) XVII Provinces des Pays-Bas (...) (title object) Object type: picture postcard Item number RP-P-AO-1-26ACatalogusreferentie: Van der Heijden 237-4 (4) Description: Map of the Seventeen Provinces. Right a cartouche with three putti, a soldier and a farmer. Bottom left two shell sticks cartouche with fighting soldiers and a shield: Milli Aria Germanica COMMUNIA and Milli Aria Gallica COMMUNIA. Along the edges of the print a degree distribution. The print features a zoekrooster. Manufa
A frieze with eight putti: two fighting with weapons, two with a monkey and a hoop, two with musical instruments and two with a banner and cartouche on a stick. A coat of arms with a unicorn, next to it a woman and a jester, Frieze with putti and coat of arms, print maker: Monogrammist CB met boom, (mentioned on object), Germany, 1531, paper, etching, h 47 mm × w 195 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-frieze-with-eight-putti-two-fighting-with-weapons-two-with-a-monkey-and-a-hoop-two-with-musical-instruments-and-two-with-a-banner-and-cartouche-on-a-stick-a-coat-of-arms-with-a-unicorn-next-to-it-a-woman-and-a-jester-frieze-with-putti-and-coat-of-arms-print-maker-monogrammist-cb-met-boom-mentioned-on-object-germany-1531-paper-etching-h-47-mm-w-195-mm-image472203891.html
RM2JC6MTK–A frieze with eight putti: two fighting with weapons, two with a monkey and a hoop, two with musical instruments and two with a banner and cartouche on a stick. A coat of arms with a unicorn, next to it a woman and a jester, Frieze with putti and coat of arms, print maker: Monogrammist CB met boom, (mentioned on object), Germany, 1531, paper, etching, h 47 mm × w 195 mm
story bavaria metal munich Marienplatz german federal republic germany child Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-story-bavaria-metal-munich-marienplatz-german-federal-republic-germany-142733292.html
RFJ861NG–story bavaria metal munich Marienplatz german federal republic germany child
Battle between Purity and horniness, Arnold Houbraken, 1710 - 1719 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-between-purity-and-horniness-arnold-houbraken-1710-1719-image240610863.html
RMRYCNH3–Battle between Purity and horniness, Arnold Houbraken, 1710 - 1719
Fighting putti Fight between virtue and vice, Two fighting putti in the foreground symbolize the struggle between virtue and vice. To the right is a putto with laurel wreath ready for the victor, to the left is a putto with a caduceus. In the background, a putto blows the trumpet, another putto holds a bird in his arms, figure representing a Virtue. a Vice, cupids: 'amores', 'amoretti', 'putti', Peter van Lint, 1619 - 1690, paper, etching, h 156 mm × w 126 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-putti-fight-between-virtue-and-vice-two-fighting-putti-in-the-foreground-symbolize-the-struggle-between-virtue-and-vice-to-the-right-is-a-putto-with-laurel-wreath-ready-for-the-victor-to-the-left-is-a-putto-with-a-caduceus-in-the-background-a-putto-blows-the-trumpet-another-putto-holds-a-bird-in-his-arms-figure-representing-a-virtue-a-vice-cupids-amores-amoretti-putti-peter-van-lint-1619-1690-paper-etching-h-156-mm-w-126-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-image350000384.html
RF2B9BW1M–Fighting putti Fight between virtue and vice, Two fighting putti in the foreground symbolize the struggle between virtue and vice. To the right is a putto with laurel wreath ready for the victor, to the left is a putto with a caduceus. In the background, a putto blows the trumpet, another putto holds a bird in his arms, figure representing a Virtue. a Vice, cupids: 'amores', 'amoretti', 'putti', Peter van Lint, 1619 - 1690, paper, etching, h 156 mm × w 126 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist.
Allegory with combat between putto satyr and child as virtue and vice, Pieter de Bailliu I, Peter van Lint, 1623-1660 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-with-combat-between-putto-satyr-and-child-as-virtue-and-vice-pieter-de-bailliu-i-peter-van-lint-1623-1660-image240607238.html
RMRYCGYJ–Allegory with combat between putto satyr and child as virtue and vice, Pieter de Bailliu I, Peter van Lint, 1623-1660
A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-fine-italian-etched-glaive-circa-148090-heavy-single-edged-blade-31666935.html
RMBREFDY–A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. ,
Archangel Michael with a six-headed dragon and the Holy Trinity, The Archangel Michael fighting a six-headed dragon. Christ and God the Father sit on top of clouds, surrounded by putti. At the top center the Holy Spirit floats in the form of a dove. In the background a gate with an angel., print, print maker: Louis Gomier, (mentioned on object), after painting by: Pietro da Cortona, (mentioned on object), 1685 - 1750, paper, engraving, height, 344 mm × width, 238 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archangel-michael-with-a-six-headed-dragon-and-the-holy-trinity-the-archangel-michael-fighting-a-six-headed-dragon-christ-and-god-the-father-sit-on-top-of-clouds-surrounded-by-putti-at-the-top-center-the-holy-spirit-floats-in-the-form-of-a-dove-in-the-background-a-gate-with-an-angel-print-print-maker-louis-gomier-mentioned-on-object-after-painting-by-pietro-da-cortona-mentioned-on-object-1685-1750-paper-engraving-height-344-mm-width-238-mm-image606668467.html
RM2X703PY–Archangel Michael with a six-headed dragon and the Holy Trinity, The Archangel Michael fighting a six-headed dragon. Christ and God the Father sit on top of clouds, surrounded by putti. At the top center the Holy Spirit floats in the form of a dove. In the background a gate with an angel., print, print maker: Louis Gomier, (mentioned on object), after painting by: Pietro da Cortona, (mentioned on object), 1685 - 1750, paper, engraving, height, 344 mm × width, 238 mm
Sculpture of wrestling putti in the Court Gardens of the Residenz, 18th-century baroque Prince-Bishops Palace, Wurzburg, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculpture-of-wrestling-putti-in-the-court-gardens-of-the-residenz-18th-century-baroque-prince-bishops-palace-wurzburg-germany-image535045847.html
RF2P2DCC7–Sculpture of wrestling putti in the Court Gardens of the Residenz, 18th-century baroque Prince-Bishops Palace, Wurzburg, Germany
Title page for: R. Schutte, Fighting Humors, Amsterdam, 1777, Charles Ange Bily (Possible), 1777 print A singing angel is accompanied by three putti on lute, harp and organ. Amsterdam paper etching / letterpress printing angels singing, making music Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-for-r-schutte-fighting-humors-amsterdam-1777-charles-ange-bily-possible-1777-print-a-singing-angel-is-accompanied-by-three-putti-on-lute-harp-and-organ-amsterdam-paper-etching-letterpress-printing-angels-singing-making-music-image592921050.html
RM2WCHTRP–Title page for: R. Schutte, Fighting Humors, Amsterdam, 1777, Charles Ange Bily (Possible), 1777 print A singing angel is accompanied by three putti on lute, harp and organ. Amsterdam paper etching / letterpress printing angels singing, making music
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner., 17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-with-an-eagle-fighting-with-a-serpent-and-a-putto-in-the-sky-holding-an-inscribed-banner-17th-century-image365762902.html
RM2C71X8P–Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner., 17th century.
Disegni Varij di Polifilo Zancarli (Friezes). Artist: Polifilo Giancarli (active in Venice ca. 1600-1625); Odoardo Fialetti (Italian, Bologna 1573-1637/38 Venice). Dimensions: Plate: 4 15/16 x 17 3/8 in. (12.6 x 44.2 cm). Published in: Venice. Date: ca. 1625. Design for a frieze filled with a meandering acanthus scroll and various figures. On the right side of the frieze a male centaur whose lower body morphs into the acanthus scroll is fighting three which look somewhat like bears. In the acanthus scroll three putti have been depicted, each of which interacts with an animal. Museum: Metropol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/disegni-varij-di-polifilo-zancarli-friezes-artist-polifilo-giancarli-active-in-venice-ca-1600-1625-odoardo-fialetti-italian-bologna-1573-163738-venice-dimensions-plate-4-1516-x-17-38-in-126-x-442-cm-published-in-venice-date-ca-1625-design-for-a-frieze-filled-with-a-meandering-acanthus-scroll-and-various-figures-on-the-right-side-of-the-frieze-a-male-centaur-whose-lower-body-morphs-into-the-acanthus-scroll-is-fighting-three-which-look-somewhat-like-bears-in-the-acanthus-scroll-three-putti-have-been-depicted-each-of-which-interacts-with-an-animal-museum-metropol-image213316997.html
RMPB1C05–Disegni Varij di Polifilo Zancarli (Friezes). Artist: Polifilo Giancarli (active in Venice ca. 1600-1625); Odoardo Fialetti (Italian, Bologna 1573-1637/38 Venice). Dimensions: Plate: 4 15/16 x 17 3/8 in. (12.6 x 44.2 cm). Published in: Venice. Date: ca. 1625. Design for a frieze filled with a meandering acanthus scroll and various figures. On the right side of the frieze a male centaur whose lower body morphs into the acanthus scroll is fighting three which look somewhat like bears. In the acanthus scroll three putti have been depicted, each of which interacts with an animal. Museum: Metropol
Hameenlinna Finland 08/17/2019 Medieval festival with craftsman, knights and entertainers. Two knights in harness fighting on a dusty field. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hameenlinna-finland-08172019-medieval-festival-with-craftsman-knights-and-entertainers-two-knights-in-harness-fighting-on-a-dusty-field-image264563861.html
RFWABWW9–Hameenlinna Finland 08/17/2019 Medieval festival with craftsman, knights and entertainers. Two knights in harness fighting on a dusty field.
Hercules in gevecht met de riviergod Acheloüs om Deïanira, de dochter van de riviergod Oeneus. Acheloüs heeft de gedaante aangenomen van een serpent. Op de achtergrond links een groep nimfen, putti en zeewezens. Manufacturer : prentmaker: Giulio Bonasone (vermeld op object)naar eigen ontwerp van: Giulio Bonasone (mogelijk)Plaats manufacture: Italië Dating: 1501 - 1580 Physical kenmerken: ets en gravure Material: papier Techniek: etsen / graveren (drukprocedé) Dimensions: plaatrand: h 266 mm × b 422 mm Subject: while fighting with Hercules the river-god Achelous changes himself into a serpentNe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-in-gevecht-met-de-riviergod-achelos-om-deanira-de-dochter-van-de-riviergod-oeneus-achelos-heeft-de-gedaante-aangenomen-van-een-serpent-op-de-achtergrond-links-een-groep-nimfen-putti-en-zeewezens-manufacturer-prentmaker-giulio-bonasone-vermeld-op-objectnaar-eigen-ontwerp-van-giulio-bonasone-mogelijkplaats-manufacture-itali-dating-1501-1580-physical-kenmerken-ets-en-gravure-material-papier-techniek-etsen-graveren-drukproced-dimensions-plaatrand-h-266-mm-b-422-mm-subject-while-fighting-with-hercules-the-river-god-achelous-changes-himself-into-a-serpentne-image348432610.html
RM2B6TD9P–Hercules in gevecht met de riviergod Acheloüs om Deïanira, de dochter van de riviergod Oeneus. Acheloüs heeft de gedaante aangenomen van een serpent. Op de achtergrond links een groep nimfen, putti en zeewezens. Manufacturer : prentmaker: Giulio Bonasone (vermeld op object)naar eigen ontwerp van: Giulio Bonasone (mogelijk)Plaats manufacture: Italië Dating: 1501 - 1580 Physical kenmerken: ets en gravure Material: papier Techniek: etsen / graveren (drukprocedé) Dimensions: plaatrand: h 266 mm × b 422 mm Subject: while fighting with Hercules the river-god Achelous changes himself into a serpentNe
story bavaria metal munich Marienplatz german federal republic germany child Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-story-bavaria-metal-munich-marienplatz-german-federal-republic-germany-142733289.html
RFJ861ND–story bavaria metal munich Marienplatz german federal republic germany child
Fighting putti, Peter van Lint, 1619 - 1690. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-putti-peter-van-lint-1619-1690-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230462410.html
RFRAXD4A–Fighting putti, Peter van Lint, 1619 - 1690. Reimagined by Gibon. Classic art with a modern twist reimagined
A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-fine-italian-etched-glaive-circa-148090-heavy-single-edged-blade-31667013.html
RMBREFGN–A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. ,
Map of the Seventeen Provinces, Belgii XVII Provintiarum Universa Tabula ad Usum Serenissimi (...) (title on object), Bottom right a cartouche with three putti, a soldier and a farmer's wife. Bottom left two scale sticks in cartouche with fighting soldiers and a coat of arms: Milliaria Germanica communia and Milliaria Gallica communia. A degree division along the edges of the print. The print has a search grid., print, print maker: anonymous, print maker: Alexis Hubert Jaillot, (rejected attribution), publisher: Johannes Covens (I), (mentioned on object), print maker: Paris, publisher Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-the-seventeen-provinces-belgii-xvii-provintiarum-universa-tabula-ad-usum-serenissimi-title-on-object-bottom-right-a-cartouche-with-three-putti-a-soldier-and-a-farmers-wife-bottom-left-two-scale-sticks-in-cartouche-with-fighting-soldiers-and-a-coat-of-arms-milliaria-germanica-communia-and-milliaria-gallica-communia-a-degree-division-along-the-edges-of-the-print-the-print-has-a-search-grid-print-print-maker-anonymous-print-maker-alexis-hubert-jaillot-rejected-attribution-publisher-johannes-covens-i-mentioned-on-object-print-maker-paris-publisher-image606666339.html
RM2X7012Y–Map of the Seventeen Provinces, Belgii XVII Provintiarum Universa Tabula ad Usum Serenissimi (...) (title on object), Bottom right a cartouche with three putti, a soldier and a farmer's wife. Bottom left two scale sticks in cartouche with fighting soldiers and a coat of arms: Milliaria Germanica communia and Milliaria Gallica communia. A degree division along the edges of the print. The print has a search grid., print, print maker: anonymous, print maker: Alexis Hubert Jaillot, (rejected attribution), publisher: Johannes Covens (I), (mentioned on object), print maker: Paris, publisher
Frisian. Two fighting children, driving on goats, flanked by two children blowing on a trumpet, Nicolaes de Bruyn, 1594 print Leaf 5 of series of 6 numbered sheets. Shaded background. Netherlands (possibly) paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. goat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frisian-two-fighting-children-driving-on-goats-flanked-by-two-children-blowing-on-a-trumpet-nicolaes-de-bruyn-1594-print-leaf-5-of-series-of-6-numbered-sheets-shaded-background-netherlands-possibly-paper-engraving-cupids-amores-amoretti-putti-goat-image593807542.html
RM2WE27G6–Frisian. Two fighting children, driving on goats, flanked by two children blowing on a trumpet, Nicolaes de Bruyn, 1594 print Leaf 5 of series of 6 numbered sheets. Shaded background. Netherlands (possibly) paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. goat
Map of the southern (Austrian) Netherlands, 1719. 'Novissima et accuratissima decem Austriacarum in Belgio provinciarum tabula, ut sunt ducatus Brabantiae, Luxembergensis, Limburgensis, et Geldriae, comitatus Flandriae'. Inset top right: part of the Duchy of Luxembourg; scale in German, Spanish and English-French miles. Bottom left: dedication to Emperor Charles VI with his coat of arms and a putto fighting a harpy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-the-southern-austrian-netherlands-1719-novissima-et-accuratissima-decem-austriacarum-in-belgio-provinciarum-tabula-ut-sunt-ducatus-brabantiae-luxembergensis-limburgensis-et-geldriae-comitatus-flandriae-inset-top-right-part-of-the-duchy-of-luxembourg-scale-in-german-spanish-and-english-french-miles-bottom-left-dedication-to-emperor-charles-vi-with-his-coat-of-arms-and-a-putto-fighting-a-harpy-image565266920.html
RM2RRJ3M8–Map of the southern (Austrian) Netherlands, 1719. 'Novissima et accuratissima decem Austriacarum in Belgio provinciarum tabula, ut sunt ducatus Brabantiae, Luxembergensis, Limburgensis, et Geldriae, comitatus Flandriae'. Inset top right: part of the Duchy of Luxembourg; scale in German, Spanish and English-French miles. Bottom left: dedication to Emperor Charles VI with his coat of arms and a putto fighting a harpy.
Two Genii with Two Dogs Fighting 1594 Nicolaes de Bruyn Netherlandish Two putti against a landscape with two dogs fighting at center. Putto at left seen from behind. At bottom left a frog; at top, three flying insects. From a series of six plates.. Two Genii with Two Dogs Fighting 423662 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-genii-with-two-dogs-fighting-1594-nicolaes-de-bruyn-netherlandish-two-putti-against-a-landscape-with-two-dogs-fighting-at-center-putto-at-left-seen-from-behind-at-bottom-left-a-frog-at-top-three-flying-insects-from-a-series-of-six-plates-two-genii-with-two-dogs-fighting-423662-image458498199.html
RM2HHXB3K–Two Genii with Two Dogs Fighting 1594 Nicolaes de Bruyn Netherlandish Two putti against a landscape with two dogs fighting at center. Putto at left seen from behind. At bottom left a frog; at top, three flying insects. From a series of six plates.. Two Genii with Two Dogs Fighting 423662
Battle of Arbella (left part), Pietro Aquila, after Pietro da Cortona, 1660 - 1692 print The battle between the armies of Alexander the Great and Darius at Arbella. At the top right putti with a coat of arms. paper etching the soldier; the soldier's life. battle. fighting. warfare; military affairs (+ cavalry, horsemen). (story of) Alexander the Great. (story of) Darius, king of Persia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-arbella-left-part-pietro-aquila-after-pietro-da-cortona-1660-1692-print-the-battle-between-the-armies-of-alexander-the-great-and-darius-at-arbella-at-the-top-right-putti-with-a-coat-of-arms-paper-etching-the-soldier-the-soldiers-life-battle-fighting-warfare-military-affairs-cavalry-horsemen-story-of-alexander-the-great-story-of-darius-king-of-persia-image594248060.html
RM2WEP9D0–Battle of Arbella (left part), Pietro Aquila, after Pietro da Cortona, 1660 - 1692 print The battle between the armies of Alexander the Great and Darius at Arbella. At the top right putti with a coat of arms. paper etching the soldier; the soldier's life. battle. fighting. warfare; military affairs (+ cavalry, horsemen). (story of) Alexander the Great. (story of) Darius, king of Persia
Frieze with children. Artist: Conrad Baur (German, active 1517-32). Dimensions: Sheet (Trimmed): 1 7/8 × 7 7/8 in. (4.7 × 20 cm). Date: 1531. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frieze-with-children-artist-conrad-baur-german-active-1517-32-dimensions-sheet-trimmed-1-78-7-78-in-47-20-cm-date-1531-museum-metropolitan-museum-of-art-new-york-usa-image212936704.html
RMPAC2X8–Frieze with children. Artist: Conrad Baur (German, active 1517-32). Dimensions: Sheet (Trimmed): 1 7/8 × 7 7/8 in. (4.7 × 20 cm). Date: 1531. Museum: Metropolitan Museum of Art, New York, USA.
Gevecht tussen Reinheid en Geilheid Reinheid Geilheid (titel op object) Een-en-veertigh stuks, verscheydene Sinnebeelden (serietitel) Two fighting putti. Left the imagination of lust, his arm around a buck. He overpowers Purity lying on the ground. Print from a series of 41 zinnebeelden. Manufacturer : print maker: Arnold Houbraken To own design of: Arnold Houbraken Publisher: Leonard Schenk Place manufacture: Amsterdam Date: 1710 - 1719 Physical characteristics: etching and pen in red material: paper Technique: etching / pen Dimensions: plate edge: h 93 mm b × 114 mm Subject: angel (s) repres Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gevecht-tussen-reinheid-en-geilheid-reinheid-geilheid-titel-op-object-een-en-veertigh-stuks-verscheydene-sinnebeelden-serietitel-two-fighting-putti-left-the-imagination-of-lust-his-arm-around-a-buck-he-overpowers-purity-lying-on-the-ground-print-from-a-series-of-41-zinnebeelden-manufacturer-print-maker-arnold-houbraken-to-own-design-of-arnold-houbraken-publisher-leonard-schenk-place-manufacture-amsterdam-date-1710-1719-physical-characteristics-etching-and-pen-in-red-material-paper-technique-etching-pen-dimensions-plate-edge-h-93-mm-b-114-mm-subject-angel-s-repres-image348377749.html
RM2B6NYAD–Gevecht tussen Reinheid en Geilheid Reinheid Geilheid (titel op object) Een-en-veertigh stuks, verscheydene Sinnebeelden (serietitel) Two fighting putti. Left the imagination of lust, his arm around a buck. He overpowers Purity lying on the ground. Print from a series of 41 zinnebeelden. Manufacturer : print maker: Arnold Houbraken To own design of: Arnold Houbraken Publisher: Leonard Schenk Place manufacture: Amsterdam Date: 1710 - 1719 Physical characteristics: etching and pen in red material: paper Technique: etching / pen Dimensions: plate edge: h 93 mm b × 114 mm Subject: angel (s) repres
Fighting putti, Peter van Lint, 1619 - 1690. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-putti-peter-van-lint-1619-1690-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230462411.html
RFRAXD4B–Fighting putti, Peter van Lint, 1619 - 1690. Reimagined by Gibon. Classic art with a modern twist reimagined
A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-fine-italian-etched-glaive-circa-148090-heavy-single-edged-blade-31667025.html
RMBREFH5–A fine Italian etched glaive, circa 1480/90 Heavy single-edged blade, double-edged towards the reinforced point of diamond section. At the back an angled grappling hook. Rectangular socket retaining one intact languet. The socket and blade base bear finely etched and gilt ornamentation, at the socket a depiction of Jesus with St. George while the blade shows depictions of various prophets beneath St. Sebastian and David(?). At the base of the grappling hook, on each side cartouches with embattled putti, the hook itself with a décor of tendrils. Length 79.5 cm. ,
Ascension of the Spanish soldiers who die fighting the Turks, 1687, Ascension of the Spanish soldiers who die fighting the Turks, 1687. On the left, Spanish King Charles II kneels in his army tent watching as angels pick up the soldiers' bodies from hell and bring them to heaven. Representation centered in a monumental frame with trophies of arms, weeping putti and allegorical scenes. Below text showing that the print was commissioned by the Marquis de Gastañaga, governor of the Spanish Netherlands., print maker: Romeyn de Hooghe, (attributed to), Karel II (koning van Spanje), (mentioned on Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ascension-of-the-spanish-soldiers-who-die-fighting-the-turks-1687-ascension-of-the-spanish-soldiers-who-die-fighting-the-turks-1687-on-the-left-spanish-king-charles-ii-kneels-in-his-army-tent-watching-as-angels-pick-up-the-soldiers-bodies-from-hell-and-bring-them-to-heaven-representation-centered-in-a-monumental-frame-with-trophies-of-arms-weeping-putti-and-allegorical-scenes-below-text-showing-that-the-print-was-commissioned-by-the-marquis-de-gastaaga-governor-of-the-spanish-netherlands-print-maker-romeyn-de-hooghe-attributed-to-karel-ii-koning-van-spanje-mentioned-on-image473367568.html
RM2JE3N4G–Ascension of the Spanish soldiers who die fighting the Turks, 1687, Ascension of the Spanish soldiers who die fighting the Turks, 1687. On the left, Spanish King Charles II kneels in his army tent watching as angels pick up the soldiers' bodies from hell and bring them to heaven. Representation centered in a monumental frame with trophies of arms, weeping putti and allegorical scenes. Below text showing that the print was commissioned by the Marquis de Gastañaga, governor of the Spanish Netherlands., print maker: Romeyn de Hooghe, (attributed to), Karel II (koning van Spanje), (mentioned on
Two Genii with Two Dogs Fighting, Nicolaes de Bruyn, 1594 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-two-genii-with-two-dogs-fighting-nicolaes-de-bruyn-1594-162532021.html
RMKCBY71–Two Genii with Two Dogs Fighting, Nicolaes de Bruyn, 1594
Fighting putti, Peter van Lint, 1619 - 1690 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fighting-putti-peter-van-lint-1619-1690-104918057.html
RMG2KC1D–Fighting putti, Peter van Lint, 1619 - 1690
'Christ and John the Baptist as Children', between 1655 and 1660. Artist: Bartolomé Esteban Murillo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-john-the-baptist-as-children-between-1655-and-1660-artist-image60274315.html
RMDE1ME3–'Christ and John the Baptist as Children', between 1655 and 1660. Artist: Bartolomé Esteban Murillo
Fighting putti, Peter van Lint, 1619 - 1690 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fighting-putti-peter-van-lint-1619-1690-104918055.html
RMG2KC1B–Fighting putti, Peter van Lint, 1619 - 1690
'Cherubs - the Quarrel', statue in the gardens of Melbourne Hall, Derbyshire, 1954. Artist: GB Mason. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cherubs-the-quarrel-statue-in-the-gardens-of-melbourne-hall-derbyshire-1954-artist-gb-mason-image214406889.html
RMPCR24W–'Cherubs - the Quarrel', statue in the gardens of Melbourne Hall, Derbyshire, 1954. Artist: GB Mason.
Map of South Holland, Delflandia, Schielandia and circumjacentes insulae ut Voorna, Overflackea, Gurea, Yselmonda et aliae, ex conatibus geographicis (title on object), Map from South Holland with the west above. Middle above the scale in Dutch and French miles and warships fighting in the North Sea and the mouths of Haringvliet and the Maas. Top right the title with privilege. Bottom left putti with the arms of Jacob van der Dussen with the assignment. (1: 180 000), armorial bearing, heraldry, maps of separate countries or regions, South Holland, Jacob van der Dussen, Nicolaes Visscher (I Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-south-holland-delflandia-schielandia-and-circumjacentes-insulae-ut-voorna-overflackea-gurea-yselmonda-et-aliae-ex-conatibus-geographicis-title-on-object-map-from-south-holland-with-the-west-above-middle-above-the-scale-in-dutch-and-french-miles-and-warships-fighting-in-the-north-sea-and-the-mouths-of-haringvliet-and-the-maas-top-right-the-title-with-privilege-bottom-left-putti-with-the-arms-of-jacob-van-der-dussen-with-the-assignment-1-180-000-armorial-bearing-heraldry-maps-of-separate-countries-or-regions-south-holland-jacob-van-der-dussen-nicolaes-visscher-i-image261379265.html
RMW56RWN–Map of South Holland, Delflandia, Schielandia and circumjacentes insulae ut Voorna, Overflackea, Gurea, Yselmonda et aliae, ex conatibus geographicis (title on object), Map from South Holland with the west above. Middle above the scale in Dutch and French miles and warships fighting in the North Sea and the mouths of Haringvliet and the Maas. Top right the title with privilege. Bottom left putti with the arms of Jacob van der Dussen with the assignment. (1: 180 000), armorial bearing, heraldry, maps of separate countries or regions, South Holland, Jacob van der Dussen, Nicolaes Visscher (I
Two putti on the point to embrace each other / two fighting putti, 1656 print Leaf with two performances. Left: two fighting putti under a floating laurel wreath. Right: two putti who are about to unhelillate each other. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Cupids: 'Amores', 'Amoretti', 'Putti' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-putti-on-the-point-to-embrace-each-other-two-fighting-putti-1656-print-leaf-with-two-performances-left-two-fighting-putti-under-a-floating-laurel-wreath-right-two-putti-who-are-about-to-unhelillate-each-other-the-print-originally-belonged-to-liber-22-of-the-atlas-of-rome-by-michiel-hinloopen-schijnvoet-book-10-paper-etching-cupids-amores-amoretti-putti-image594184830.html
RM2WEKCPP–Two putti on the point to embrace each other / two fighting putti, 1656 print Leaf with two performances. Left: two fighting putti under a floating laurel wreath. Right: two putti who are about to unhelillate each other. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Cupids: 'Amores', 'Amoretti', 'Putti'
The marriage trap: an allegory of marriage, 1647. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-marriage-trap-an-allegory-of-marriage-1647-image556242719.html
RM2R8Y17B–The marriage trap: an allegory of marriage, 1647.
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