Printed in black ink on heavy wove ivory paper Stock Photos and Images
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Printed in black ink on heavy wove ivory paper Stock Photos and Images
Art inspired by Jews' Quarter, Amsterdam, 1889, Etching; cancelled plate (Glasgow); printed in black ink on heavy ivory wove paper, 5 1/8 x 8 1/2 in. (13 x 21.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-jews-quarter-amsterdam-1889-etching-cancelled-plate-glasgow-printed-in-black-ink-on-heavy-ivory-wove-paper-5-18-x-8-12-in-13-x-216-cm-prints-james-mcneill-whistler-american-lowell-massachusetts-18341903-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462971544.htmlRF2HW64X0–Art inspired by Jews' Quarter, Amsterdam, 1889, Etching; cancelled plate (Glasgow); printed in black ink on heavy ivory wove paper, 5 1/8 x 8 1/2 in. (13 x 21.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Beggars, 1879–80, Etching and drypoint; seventh state of seventeen (Glasgow); printed in black ink on heavy ivory wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-beggars-187980-etching-and-drypoint-seventh-state-of-seventeen-162491291.htmlRMKCA38B–The Beggars, 1879–80, Etching and drypoint; seventh state of seventeen (Glasgow); printed in black ink on heavy ivory wove paper
The Mast (The Venetian Mast). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 13 3/8 × 6 in. (34 × 15.3 cm) Sheet: 17 15/16 × 12 1/2 in. (45.5 × 31.7 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mast-the-venetian-mast-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-plate-13-38-6-in-34-153-cm-sheet-17-1516-12-12-in-455-317-cm-seriesportfolio-first-venice-set-venice-twelve-etchings-1880-date-1879-80-museum-metropolitan-museum-of-art-new-york-usa-image225416365.htmlRMR2MGTD–The Mast (The Venetian Mast). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 13 3/8 × 6 in. (34 × 15.3 cm) Sheet: 17 15/16 × 12 1/2 in. (45.5 × 31.7 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Beggars, 1879–80, Etching and drypoint; seventh state of seventeen (Glasgow); printed in black ink on heavy ivory wove paper, Plate: 11 15/16 × 8 1/4 in. (30.3 × 21 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-beggars-187980-etching-and-drypoint-seventh-state-of-seventeen-glasgow-printed-in-black-ink-on-heavy-ivory-wove-paper-plate-11-1516-8-14-in-303-21-cm-prints-james-mcneill-whistler-american-lowell-massachusetts-18341903-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806132.htmlRF2HTXHXC–Art inspired by The Beggars, 1879–80, Etching and drypoint; seventh state of seventeen (Glasgow); printed in black ink on heavy ivory wove paper, Plate: 11 15/16 × 8 1/4 in. (30.3 × 21 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Punt, 1861, Etching and drypoint; fourth state of six (Glasgow); printed in black ink on ivory chine mounted on heavy cream Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-punt-1861-etching-and-drypoint-fourth-state-of-six-glasgow-printed-162490959.htmlRMKCA2TF–The Punt, 1861, Etching and drypoint; fourth state of six (Glasgow); printed in black ink on ivory chine mounted on heavy cream
Street at Saverne. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 8 1/8 × 6 1/8 in. (20.6 × 15.6 cm) Sheet: 12 15/16 × 9 1/8 in. (32.9 × 23.2 cm). Series/Portfolio: French Set ('Douze eau-fortes d'apres Nature' 1858). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/street-at-saverne-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-plate-8-18-6-18-in-206-156-cm-sheet-12-1516-9-18-in-329-232-cm-seriesportfolio-french-set-douze-eau-fortes-dapres-nature-1858-date-1858-museum-metropolitan-museum-of-art-new-york-usa-image233751121.htmlRMRG87X9–Street at Saverne. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 8 1/8 × 6 1/8 in. (20.6 × 15.6 cm) Sheet: 12 15/16 × 9 1/8 in. (32.9 × 23.2 cm). Series/Portfolio: French Set ('Douze eau-fortes d'apres Nature' 1858). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Punt, 1861, Etching and drypoint; fourth state of six (Glasgow); printed in black ink on ivory chine mounted on heavy cream wove paper (chine collé), Plate: 4 3/4 x 6 7/16 in. (12.1 x 16.4 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-punt-1861-etching-and-drypoint-fourth-state-of-six-glasgow-printed-in-black-ink-on-ivory-chine-mounted-on-heavy-cream-wove-paper-chine-coll-plate-4-34-x-6-716-in-121-x-164-cm-prints-james-mcneill-whistler-american-lowell-massachusetts-1834-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806111.htmlRF2HTXHWK–Art inspired by The Punt, 1861, Etching and drypoint; fourth state of six (Glasgow); printed in black ink on ivory chine mounted on heavy cream wove paper (chine collé), Plate: 4 3/4 x 6 7/16 in. (12.1 x 16.4 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
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