Pietro da cortona pietro berrettini Stock Photos and Images
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Pietro da cortona pietro berrettini Stock Photos and Images
RM2H95FC6–Saint Martina by Pietro da Cortona (Pietro Berrettini: 1596/7-1669), oil on canvas, c.1635-40
RM2B0M0WB–Dominique Barrière, Faith, Hope, and Charity, Dominique Barrière (French, Marseille 1610–1678), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), 1630?–78, Etching and engraving, Sheet (trimmed): 10 9/16 × 8 1/8 in. (26.8 × 20.6 cm), Prints
RM2JGXRFR–Faith, Hope and Charity by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c. 1640
RF2HW571N–Art inspired by The Virgin Immaculate, 1596–1669, Red chalk., 10 1/2 x 7 3/16in. (26.7 x 18.3cm), Drawings, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2J2BYWP–Saint Cecilia by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c. 1620-25
RMPY93CB–Madonna and Child with Saints John the Baptist, Felix of Cantalice, Andrew and Catherine 1629 - 1630 by Pietro da Cortona (Pietro Berrettini) 17th Century, Italy, Italian.
RM2HA08CJ–Battle of Alexander versus Darius by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c.1644-50
RMT07YF0–'Meeting of Esau and Jacob'. Italy, 1655 (?). Dimensions: 60x90,5 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini) (circle of).
RMJ2KNNC–Romulus and Remus. Painting entitled 'Romulus and Remus Given Shelter by Faustulus' by Pietro da Cortona (Pietro Berrettini: 1597-1669), c.1643
RF2HTXC4H–Art inspired by Sea Battle, 1596–1669, Brush and brown wash, 4 3/4 x 7 1/16in. (12.1 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKDY397–Julius Caesar. Painting entitled 'Caesar Giving Cleopatra the Throne of Egypt' by Pietro da Cortona (Pietro Berrettini: 1596-1669), oil on canvas, c.1637
RMFT6CW4–Pietro Berrettini (called Pietro da Cortona) - St. Martina - Los Angeles County Museum of Art
RMHRDP1C–Pietro da Cortona (Pietro Berrettini) - Portrait of Cardinal Pietro Maria Borghese - 65.39 - Minneapolis Institute of Arts
RMP00K3G–. English: Portrait of Cardinal Pietro Maria Borghese . late 1620s – early 1630s 83 Pietro da Cortona (Pietro Berrettini) - Portrait of Cardinal Pietro Maria Borghese - 65.39 - Minneapolis Institute of Arts
RMDTKCTW–Pietro Berrettini (called Pietro da Cortona), St. Martina Circa 1635-1640. Oil on canvas. Los Angeles County Museum of Art, USA
RM2B0KXKR–Giovanni Battista Bonacina, Allegorical scene with a sacrificial lamb, Giovanni Battista Bonacina (Italian, Milan 1620–ca. 1670), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), 1640–70, Etching and engraving, Sheet (Trimmed): 13 3/4 × 11 1/8 in. (35 × 28.3 cm), Prints
RMFYBYE9–Pietro da Cortona - Pietro Berrettini, (1597-1669), View of Villa Sacchetti at Castelfusano.
RM2T90PDT–Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s, Pietro da Cortona (Pietro Berrettini), Italian (Tuscany), Italian (Tuscany), 1596–1669, 53 x 39 in. (134.62 x 99.06 cm) (canvas)63 1/4 x 49 1/2 x 3 in. (160.66 x 125.73 x 7.62 cm) (outer frame), Oil on canvas, Italy, 17th century, This inquisitive-looking cardinal, with his intelligent gaze, plump waistline, fashionable goatee and moustache, and large ear, is Pietro Maria Borghese (1599–1642), grandnephew of Pope Paul V. The elaborate silver inkwell carries his family’s coat of arms, an eagle over a dragon.
RMJM0WHJ–The Four Fountains (The Quattro Fontane), 1588-1593. The River Aniene by Pietro da Cortona (1596-1669). Rome, Italy.
RM2B0M8CE–Jean Robert Ango, The Sacrifice of Polyxena, after Pietro da Cortona, Jean Robert Ango (French, active Rome, 1759–70, died after 1773), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), ca. 1759–70, Black chalk, Sheet: 5 1/2 × 8 7/16 in. (14 × 21.5 cm), Drawings
RMH9D7Y2–Rome. Italy. Detail of Alexander the Great on horseback, from the painting 'Battle of Alexander and Darius' (1644-50), by Pietro da Cortona (1597-1669
RMT0BTJM–'Christ Appearing to Mary Magdalene'. Italy, Between 1640 and 1650. Dimensions: 55x50,5 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini).
RMKC9KRK–Sea Battle, 1596–1669, Brush and brown wash, 4 3/4 x 7 1/16in. (12.1 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini
RF2HW570P–Art inspired by Study for the Allegory of Religion, 1629–39, Red chalk, 4 13/16 x 7 1/16in. (12.2 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCFKX3–Rome. Italy. Detail of Alexander the Great on horseback, from the painting 'Battle of Alexander and Darius' (1644-50), by Pietro da Cortona (1597-1669
RMGBTJT2–fine arts, Pietro da Cortona (1596 - 1669), painting, 'The Holy Familiy resting during the flight into Egypt', oil on copper, circa 1643, Alte Pinakothek, Munich,
RMCEHD55–Pietro BERRETTINI is known as Pietro da CORTONA 1597-1669 Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian
RMJTGM3Y–Pietro da Cortona (Pietro Berrettini) Madonna and Child, Saint John the Baptist and Pope Stephen
RM2RMRBDF–Pietro da Cortona, The allume mines of Tolfa, landscape painting in oil on canvas, 1630-1640
RM2HJ109E–The Adoration of the Shepherds. 17th century Pietro da Cortona (Pietro Berrettini) Italian. The Adoration of the Shepherds. 372165
RMJM0WJ0–The Four Fountains (The Quattro Fontane), 1588-1593. The River Aniene by Pietro da Cortona (1596-1669). Rome, Italy.
RM2R1MWY4–Pietro da Cortona, or Pietro Berrettini, Italian Baroque painter and architect, 1596-1669. Pietro Beretino da Cortonna. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
RMT0BWHW–'Christ and the Woman Taken in Adultery'. Italy. Dimensions: 148x224 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini).
RMMNX0DR–. Italiano: Sacrificio di Polissena . circa 1620. Pietro da Cortona - Musei Capitolini Roma 1083 Sacrificio di Polissena - Berrettini
RF2HW570K–Art inspired by Satyrs Supporting an Ornamental Motif, 1596–1669, Pen and brown ink, 6 9/16 x 7 5/16in. (16.7 x 18.6cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW62M7–Art inspired by Christ Appearing to Mary in the Garden, before 1766, Engraving, sheet: 12 1/2 x 9 3/4 in. (31.7 x 24.7 cm), Prints, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW571X–Art inspired by God the Father with Angels Holding Symbols of the Passion, 1647–51, Black chalk, 18-1/4 x 14-1/4 in. (46.4 x 36.2 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), Full of light and movement, this monumental study offers an early, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMHYFA46–Pietro da Cortona (Pietro Berrettini) Madonna and Child, Saint John the Baptist and Pope Stephen Google Art Project
RM2F03R2M–Pietro da Cortona (Pietro Berrettini) - Madonna and Child, Saint John the Baptist and Pope Stephen
RMEFB53D–David killing Goliath by Cortona, Pietro da (Berrettini) (1596-1669) Pinacoteca Vatican Museum Rome Italy
RM2BPE0FR–Portrait of Pietro da Cortona, Italian Baroque painter and architect, 1596-1669. Pietro Berrettini called Da Cortona. Medallion shows Hagar and the Angel. Steel engraving by John Corner after a self-portrait by da Cortona from Portraits of Celebrated Painters with Medallions from their Best Performances, Longman Hurst, Rees, Orme & Brown, London, 1825.
RF2HGKG74–Pietro da Cortona (Pietro Berrettini) - Madonna and Child, Saint John the Baptist and Pope Stephen
RM2CTWMFK–The Meeting of Aeneas and Venus 1630-1635 Pietro BERRETTINI is known as Pietro da CORTONA 1597-1669 ( Venus as Huntress Appears to Aeneas )
RM2RMRBDK–Pietro da Cortona, Madonna with the Child, Saint Catherine, and, Saint John, painting in oil on canvas, 1610-1620
RMJM0WHX–The Quattro Fontane (The Four Fountains).1588-1593. The Goddes Diana, the symbol of Chastity by Pietro da Cortona (1596-1669). Rome, Italy.
RM2PHXG1X–Pietro da Cortona, Italian Baroque painter and architect, known as Pietro Berrettini, 1596-1669. Painted a chapel in the church of Santa Bibiena for Pope Urban VIII, and the ceiling in the Palazzo Barberini. Pittore e Architetto. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RMR3CH8N–St. Martina. Date/Period: Ca. 1635-1640. Painting. Oil on canvas. Height: 950 mm (37.40 in); Width: 762 mm (30 in). Author: Pietro da Cortona (Pietro Berrettini).
RMMNXKT4–. English: Reconstruction of the temple of Fortuna Primigenia at Palestrina by Pietro da Cortona. Deutsch: Rekonstruktion des Tempels der Fortuna Primigenia in Palestrina von Pietro da Cortona. . Pietro da Cortona (1596–1669) Alternative names Pietro Berretini, Pietro Berrettini da Cortona Description Italian painter and architect Date of birth/death 1 November 1596 16 May 1669 Location of birth/death Cortona (Tuscany) Cortona (Tuscany) Work period High Baroque Work location Cortona, Rome, Florence Authority control : Q333323 VIAF: 95204251 ISNI: 0000 0001 0859 4518 ULAN: 50011
![The Finding of Romulus and Remus - from the picture by Pietro da Cortona, 1850. 'The accounts which several of the classical writers of antiquity have left us of the time-honoured legend of Faustulus, the shepherd, having found a she-wolf on the Tiber's banks mildly suckling two infants, in whose veins flowed not mere human hood, but the true Olympian ichor of "the immortal gods," and who, under the names of Romulus and Remus, grew up to be first great chieftains amongst their more mortal pastoral companions, and ultimately the founders of "The City," show what a firm hold Stock Photo](https://c8.alamy.com/comp/2HT66X5/the-finding-of-romulus-and-remus-from-the-picture-by-pietro-da-cortona-1850-the-accounts-which-several-of-the-classical-writers-of-antiquity-have-left-us-of-the-time-honoured-legend-of-faustulus-the-shepherd-having-found-a-she-wolf-on-the-tibers-banks-mildly-suckling-two-infants-in-whose-veins-flowed-not-mere-human-hood-but-the-true-olympian-ichor-of-quotthe-immortal-godsquot-and-who-under-the-names-of-romulus-and-remus-grew-up-to-be-first-great-chieftains-amongst-their-more-mortal-pastoral-companions-and-ultimately-the-founders-of-quotthe-cityquot-show-what-a-firm-hold-2HT66X5.jpg "The Finding of Romulus and Remus - from the picture by Pietro da Cortona, 1850. 'The accounts which several of the classical writers of antiquity have left us of the time-honoured legend of Faustulus, the shepherd, having found a she-wolf on the Tiber's banks mildly suckling two infants, in whose veins flowed not mere human hood, but the true Olympian ichor of "the immortal gods," and who, under the names of Romulus and Remus, grew up to be first great chieftains amongst their more mortal pastoral companions, and ultimately the founders of "The City," show what a firm hold Stock Photo")
RM2HT66X5–The Finding of Romulus and Remus - from the picture by Pietro da Cortona, 1850. 'The accounts which several of the classical writers of antiquity have left us of the time-honoured legend of Faustulus, the shepherd, having found a she-wolf on the Tiber's banks mildly suckling two infants, in whose veins flowed not mere human hood, but the true Olympian ichor of "the immortal gods," and who, under the names of Romulus and Remus, grew up to be first great chieftains amongst their more mortal pastoral companions, and ultimately the founders of "The City," show what a firm hold
RF2HW571R–Art inspired by Study of a Seated Youth for the Age of Gold, 1637, Black chalk, 11-1/4 x 10-1/4 in. (28.6 x 26 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), In June 1637, Pietro da Cortona, the leading Italian Baroque painter of his time, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXC43–Art inspired by A Wind God, 1669, Black chalk, highlighted with white, on brownish paper, 7 7/16 x 13 1/8in. (18.9 x 33.3cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), This study of a youth after life served for the figure of a wind god, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW5F0J–Art inspired by St. Michael Expurging Heresy., 1596–1669, Pen and brown ink, brush and brown wash over traces of black chalk, Sheet: 14 3/4 x 10 5/16 in. (37.4 x 26.2 cm), Drawings, Attributed to Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC9KPT–Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner., Pietro da Cortona, 17th c
RF2HW72B7–Art inspired by Diana in Her Chariot (La Lune sur son char), 1633, Engraving, sheet: 10 15/16 x 7 1/2 in. (27.8 x 19 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2RMRBD6–Pope Urban VIII (Maffeo Vincenzo Barberini, 1568-1644), portrait painting in oil on canvas by Pietro da Cortona, 1624-1627
RF2HW5W9G–Art inspired by Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily, ca. 1664–79, Engraving, Sheet: 13 3/4 × 9 7/16 in. (35 × 24 cm), Prints, François Spierre (French, Nancy 1639–1681 Marseilles), After Pietro da Cortona (Pietro Berrettini) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCAAPH–Title Page, from Barberinae aulae fornix, Anonymous, Italian, 17th century, After Pietro da Cortona, ca. 1677
RF2HW75F2–Art inspired by Allegory in Honor of the Roman College Founded by the Borghese Family, 1615–88, Engraving; third state of three, sheet: 10 7/16 x 14 in. (26.5 x 35.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona (Pietro Berrettini) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HHAAHH–Satyrs Supporting an Ornamental Motif 1596–1669 Pietro da Cortona (Pietro Berrettini) Italian. Satyrs Supporting an Ornamental Motif 338543
RMT0BRY6–'Martyrdom of St Stephen'. Italy, Circa 1660. Dimensions: 260,5x149 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini). PIETRO DA CORTONA.
RF2HW571T–Art inspired by The Virgin and Child with Saint Martina, 1596–1669, Pen and brown ink, brush and brown wash, over black chalk., 9 5/8 x 12 3/8in. (24.5 x 31.5cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HH85K4–St. Michael Expurging Heresy 1596–1669 Attributed to Pietro da Cortona (Pietro Berrettini) Italian. St. Michael Expurging Heresy 344796
RF2HW64GK–Art inspired by Men Digging and Constructing a Wall., 17th century, Pen and brown ink, over black chalk, Sheet: 4 1/8 x 6 5/8 in. (10.4 x 16.8 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNT9WH–. Svenska: Pietro da Cortona studie till plafond i Palazzo Pitti i Florenz, svartkrita . 1650s. Pietro da Cortona (1596–1669) Alternative names Pietro Berretini, Pietro Berrettini da Cortona Description Italian painter and architect Date of birth/death 1 November 1596 16 May 1669 Location of birth/death Cortona (Tuscany) Cortona (Tuscany) Work period High Baroque Work location Cortona, Rome, Florence Authority control : Q333323 VIAF: 95204251 ISNI: 0000 0001 0859 4518 ULAN: 500115154 LCCN: n79109863 NLA: 36519637 WorldCat 995 Pietro da Cortona studie
Search Results for Pietro da cortona pietro berrettini Stock Photos and Images (271)
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