SAVE 40% ON SINGLE IMAGE PURCHASES - OFFER ENDS SOON, USE CODE: IMAGESAVE40%
Quick filters:
Page 1 of 4
Pietro berrettini Stock Photos and Images
The Virgin, the Infant Jesus and St. Martine 1643 Pietro Berrettini said Pietero CORTONA 1596 - 1669 Italy Italian vers 1643 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-virgin-the-infant-jesus-and-st-martine-1643-pietro-berrettini-94896497.htmlRMFEAWCH–The Virgin, the Infant Jesus and St. Martine 1643 Pietro Berrettini said Pietero CORTONA 1596 - 1669 Italy Italian vers 1643
Pietro Berrettini (called Pietro da Cortona) - St. Martina - Los Angeles County Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-berrettini-called-pietro-da-cortona-st-martina-los-angeles-100945408.htmlRMFT6CW4–Pietro Berrettini (called Pietro da Cortona) - St. Martina - Los Angeles County Museum of Art
Saint Martina by Pietro da Cortona (Pietro Berrettini: 1596/7-1669), oil on canvas, c.1635-40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-martina-by-pietro-da-cortona-pietro-berrettini-15967-1669-oil-on-canvas-c1635-40-image453123334.htmlRM2H95FC6–Saint Martina by Pietro da Cortona (Pietro Berrettini: 1596/7-1669), oil on canvas, c.1635-40
Pietro Berrettini (called Pietro da Cortona), St. Martina Circa 1635-1640. Oil on canvas. Los Angeles County Museum of Art, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-berrettini-called-pietro-da-cortona-st-martina-circa-1635-1640-image66810041.htmlRMDTKCTW–Pietro Berrettini (called Pietro da Cortona), St. Martina Circa 1635-1640. Oil on canvas. Los Angeles County Museum of Art, USA
Self portrait of Pietro Berrettini or Da Cortona (1596-1669). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-self-portrait-of-pietro-berrettini-or-da-cortona-1596-1669-33854163.htmlRMBY2597–Self portrait of Pietro Berrettini or Da Cortona (1596-1669).
Pietro BERRETTINI known as Pierre de CORTONE Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-berrettini-known-as-pierre-de-cortone-romulus-and-remus-given-43410657.htmlRMCEHEMH–Pietro BERRETTINI known as Pierre de CORTONE Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian
Dominique Barrière, Faith, Hope, and Charity, Dominique Barrière (French, Marseille 1610–1678), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), 1630?–78, Etching and engraving, Sheet (trimmed): 10 9/16 × 8 1/8 in. (26.8 × 20.6 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dominique-barrire-faith-hope-and-charity-dominique-barrire-french-marseille-16101678-after-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-163078-etching-and-engraving-sheet-trimmed-10-916-8-18-in-268-206-cm-prints-image344647111.htmlRM2B0M0WB–Dominique Barrière, Faith, Hope, and Charity, Dominique Barrière (French, Marseille 1610–1678), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), 1630?–78, Etching and engraving, Sheet (trimmed): 10 9/16 × 8 1/8 in. (26.8 × 20.6 cm), Prints
Pietro BERRETTINI is known as Pietro da CORTONA 1597-1669 Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-berrettini-is-known-as-pietro-da-cortona-1597-1669-romulus-43409441.htmlRMCEHD55–Pietro BERRETTINI is known as Pietro da CORTONA 1597-1669 Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian
Art inspired by The Virgin Immaculate, 1596–1669, Red chalk., 10 1/2 x 7 3/16in. (26.7 x 18.3cm), Drawings, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-virgin-immaculate-15961669-red-chalk-10-12-x-7-316in-267-x-183cm-drawings-after-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951265.htmlRF2HW571N–Art inspired by The Virgin Immaculate, 1596–1669, Red chalk., 10 1/2 x 7 3/16in. (26.7 x 18.3cm), Drawings, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
fine arts, Pietro da Cortona (1596 - 1669), painting, 'The Holy Familiy resting during the flight into Egypt', oil on copper, circa 1643, Alte Pinakothek, Munich, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-pietro-da-cortona-1596-1669-painting-the-holy-familiy-resting-110565058.htmlRMGBTJT2–fine arts, Pietro da Cortona (1596 - 1669), painting, 'The Holy Familiy resting during the flight into Egypt', oil on copper, circa 1643, Alte Pinakothek, Munich,
Faith, Hope and Charity by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c. 1640 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/faith-hope-and-charity-by-pietro-da-cortona-pietro-berrettini-15967-1669-oil-on-canvas-c-1640-image475103659.htmlRM2JGXRFR–Faith, Hope and Charity by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c. 1640
Pietro BERRETTINI known as Pierre de CORTONE Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-berrettini-known-as-pierre-de-cortone-romulus-and-remus-given-shelter-by-faustulus-c-1643-italy-italian-image357271281.htmlRM2BN734H–Pietro BERRETTINI known as Pierre de CORTONE Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian
Saint Cecilia by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c. 1620-25 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-cecilia-by-pietro-da-cortona-pietro-berrettini-15967-1669-oil-on-canvas-c-1620-25-image466172610.htmlRM2J2BYWP–Saint Cecilia by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c. 1620-25
'Meeting of Esau and Jacob'. Italy, 1655 (?). Dimensions: 60x90,5 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini) (circle of). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/meeting-of-esau-and-jacob-italy-1655-dimensions-60x905-cm-museum-state-hermitage-st-petersburg-author-pietro-da-cortona-pietro-berrettini-circle-of-image241120404.htmlRMT07YF0–'Meeting of Esau and Jacob'. Italy, 1655 (?). Dimensions: 60x90,5 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini) (circle of).
Battle of Alexander versus Darius by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c.1644-50 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-alexander-versus-darius-by-pietro-da-cortona-pietro-berrettini-15967-1669-oil-on-canvas-c1644-50-image453622754.htmlRM2HA08CJ–Battle of Alexander versus Darius by Pietro da Cortona ( Pietro Berrettini: 1596/7-1669), oil on canvas, c.1644-50
Birthplace of the famous painter and architect Pietro Berrettini, Cortona, Tuscany, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-birthplace-of-the-famous-painter-and-architect-pietro-berrettini-cortona-91010636.htmlRMF81TYT–Birthplace of the famous painter and architect Pietro Berrettini, Cortona, Tuscany, Italy
Romulus and Remus. Painting entitled 'Romulus and Remus Given Shelter by Faustulus' by Pietro da Cortona (Pietro Berrettini: 1597-1669), c.1643 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-romulus-and-remus-painting-entitled-romulus-and-remus-given-shelter-139346408.htmlRMJ2KNNC–Romulus and Remus. Painting entitled 'Romulus and Remus Given Shelter by Faustulus' by Pietro da Cortona (Pietro Berrettini: 1597-1669), c.1643
Art inspired by Sea Battle, 1596–1669, Brush and brown wash, 4 3/4 x 7 1/16in. (12.1 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-sea-battle-15961669-brush-and-brown-wash-4-34-x-7-116in-121-x-18cm-drawings-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801601.htmlRF2HTXC4H–Art inspired by Sea Battle, 1596–1669, Brush and brown wash, 4 3/4 x 7 1/16in. (12.1 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Julius Caesar. Painting entitled 'Caesar Giving Cleopatra the Throne of Egypt' by Pietro da Cortona (Pietro Berrettini: 1596-1669), oil on canvas, c.1637 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-julius-caesar-painting-entitled-caesar-giving-cleopatra-the-throne-163479155.htmlRMKDY397–Julius Caesar. Painting entitled 'Caesar Giving Cleopatra the Throne of Egypt' by Pietro da Cortona (Pietro Berrettini: 1596-1669), oil on canvas, c.1637
Portrait of Pietro da Cortona, Italian Baroque painter and architect, 1596-1669. Pietro Berrettini called Da Cortona. Medallion shows Hagar and the Angel. Steel engraving by John Corner after a self-portrait by da Cortona from Portraits of Celebrated Painters with Medallions from their Best Performances, Longman Hurst, Rees, Orme & Brown, London, 1825. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-pietro-da-cortona-italian-baroque-painter-and-architect-1596-1669-pietro-berrettini-called-da-cortona-medallion-shows-hagar-and-the-angel-steel-engraving-by-john-corner-after-a-self-portrait-by-da-cortona-from-portraits-of-celebrated-painters-with-medallions-from-their-best-performances-longman-hurst-rees-orme-brown-london-1825-image358037563.htmlRM2BPE0FR–Portrait of Pietro da Cortona, Italian Baroque painter and architect, 1596-1669. Pietro Berrettini called Da Cortona. Medallion shows Hagar and the Angel. Steel engraving by John Corner after a self-portrait by da Cortona from Portraits of Celebrated Painters with Medallions from their Best Performances, Longman Hurst, Rees, Orme & Brown, London, 1825.
. English: Reconstruction of the temple of Fortuna Primigenia at Palestrina by Pietro da Cortona. Deutsch: Rekonstruktion des Tempels der Fortuna Primigenia in Palestrina von Pietro da Cortona. . Pietro da Cortona (1596–1669) Alternative names Pietro Berretini, Pietro Berrettini da Cortona Description Italian painter and architect Date of birth/death 1 November 1596 16 May 1669 Location of birth/death Cortona (Tuscany) Cortona (Tuscany) Work period High Baroque Work location Cortona, Rome, Florence Authority control : Q333323 VIAF: 95204251 ISNI: 0000 0001 0859 4518 ULAN: 50011 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-reconstruction-of-the-temple-of-fortuna-primigenia-at-palestrina-by-pietro-da-cortona-deutsch-rekonstruktion-des-tempels-der-fortuna-primigenia-in-palestrina-von-pietro-da-cortona-pietro-da-cortona-15961669-alternative-names-pietro-berretini-pietro-berrettini-da-cortona-description-italian-painter-and-architect-date-of-birthdeath-1-november-1596-16-may-1669-location-of-birthdeath-cortona-tuscany-cortona-tuscany-work-period-high-baroque-work-location-cortona-rome-florence-authority-control-q333323-viaf95204251-isni0000-0001-0859-4518-ulan50011-image185597780.htmlRMMNXKT4–. English: Reconstruction of the temple of Fortuna Primigenia at Palestrina by Pietro da Cortona. Deutsch: Rekonstruktion des Tempels der Fortuna Primigenia in Palestrina von Pietro da Cortona. . Pietro da Cortona (1596–1669) Alternative names Pietro Berretini, Pietro Berrettini da Cortona Description Italian painter and architect Date of birth/death 1 November 1596 16 May 1669 Location of birth/death Cortona (Tuscany) Cortona (Tuscany) Work period High Baroque Work location Cortona, Rome, Florence Authority control : Q333323 VIAF: 95204251 ISNI: 0000 0001 0859 4518 ULAN: 50011
Pietro da Cortona, or Pietro Berrettini, Italian Baroque painter and architect, 1596-1669. Pietro Beretino da Cortonna. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-or-pietro-berrettini-italian-baroque-painter-and-architect-1596-1669-pietro-beretino-da-cortonna-copperplate-engraving-by-philipp-kilian-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image551805832.htmlRM2R1MWY4–Pietro da Cortona, or Pietro Berrettini, Italian Baroque painter and architect, 1596-1669. Pietro Beretino da Cortonna. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Pietro da Cortona (Pietro Berrettini) - Portrait of Cardinal Pietro Maria Borghese - 65.39 - Minneapolis Institute of Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-da-cortona-pietro-berrettini-portrait-of-cardinal-pietro-maria-134912328.htmlRMHRDP1C–Pietro da Cortona (Pietro Berrettini) - Portrait of Cardinal Pietro Maria Borghese - 65.39 - Minneapolis Institute of Arts
Pietro da Cortona, Italian Baroque painter and architect, known as Pietro Berrettini, 1596-1669. Painted a chapel in the church of Santa Bibiena for Pope Urban VIII, and the ceiling in the Palazzo Barberini. Pittore e Architetto. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-italian-baroque-painter-and-architect-known-as-pietro-berrettini-1596-1669-painted-a-chapel-in-the-church-of-santa-bibiena-for-pope-urban-viii-and-the-ceiling-in-the-palazzo-barberini-pittore-e-architetto-copperplate-engraving-by-pietro-campana-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image544553910.htmlRM2PHXG1X–Pietro da Cortona, Italian Baroque painter and architect, known as Pietro Berrettini, 1596-1669. Painted a chapel in the church of Santa Bibiena for Pope Urban VIII, and the ceiling in the Palazzo Barberini. Pittore e Architetto. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Pietro Berrettini (called Pietro da Cortona) - St. Martina Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-berrettini-called-pietro-da-cortona-st-martina-image413131852.htmlRM2F03NW0–Pietro Berrettini (called Pietro da Cortona) - St. Martina
Giovanni Battista Bonacina, Allegorical scene with a sacrificial lamb, Giovanni Battista Bonacina (Italian, Milan 1620–ca. 1670), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), 1640–70, Etching and engraving, Sheet (Trimmed): 13 3/4 × 11 1/8 in. (35 × 28.3 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-bonacina-allegorical-scene-with-a-sacrificial-lamb-giovanni-battista-bonacina-italian-milan-1620ca-1670-after-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-164070-etching-and-engraving-sheet-trimmed-13-34-11-18-in-35-283-cm-prints-image344645387.htmlRM2B0KXKR–Giovanni Battista Bonacina, Allegorical scene with a sacrificial lamb, Giovanni Battista Bonacina (Italian, Milan 1620–ca. 1670), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), 1640–70, Etching and engraving, Sheet (Trimmed): 13 3/4 × 11 1/8 in. (35 × 28.3 cm), Prints
Pietro Berrettini (called Pietro da Cortona) St. Martina Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-berrettini-called-pietro-da-cortona-st-martina-image152782051.htmlRMJTFR1R–Pietro Berrettini (called Pietro da Cortona) St. Martina
The Virgin Immaculate 1887 by Pietro da Cortona (Pietro Berrettini) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-virgin-immaculate-1887-by-pietro-da-cortona-pietro-berrettini-image575368948.htmlRM2TC28Y0–The Virgin Immaculate 1887 by Pietro da Cortona (Pietro Berrettini)
Pietro da Cortona - Pietro Berrettini, (1597-1669), View of Villa Sacchetti at Castelfusano. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-da-cortona-pietro-berrettini-1597-1669-view-of-villa-sacchetti-102910593.htmlRMFYBYE9–Pietro da Cortona - Pietro Berrettini, (1597-1669), View of Villa Sacchetti at Castelfusano.
Venus as a Huntress Appears to Aeneas, Berrettini, Pietro, or Pietro, 1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-venus-as-a-huntress-appears-to-aeneas-berrettini-pietro-or-pietro-176205640.htmlRMM6JT2G–Venus as a Huntress Appears to Aeneas, Berrettini, Pietro, or Pietro, 1650.
Pietro BERRETTINI known as Pierre de CORTONE Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-berrettini-known-as-pierre-de-cortone-romulus-and-remus-given-shelter-by-faustulus-c-1643-italy-italian-image357271293.htmlRM2BN7351–Pietro BERRETTINI known as Pierre de CORTONE Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian
Saint Martina Refusing to Worship Idols, Berrettini, Pietro, or Pietro, 1656. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saint-martina-refusing-to-worship-idols-berrettini-pietro-or-pietro-176206133.htmlRMM6JTM5–Saint Martina Refusing to Worship Idols, Berrettini, Pietro, or Pietro, 1656.
'Christ Appearing to Mary Magdalene'. Italy, Between 1640 and 1650. Dimensions: 55x50,5 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-appearing-to-mary-magdalene-italy-between-1640-and-1650-dimensions-55x505-cm-museum-state-hermitage-st-petersburg-author-pietro-da-cortona-pietro-berrettini-image241205964.htmlRMT0BTJM–'Christ Appearing to Mary Magdalene'. Italy, Between 1640 and 1650. Dimensions: 55x50,5 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini).
Pietro da Cortona, Chariot of Venus, painting in tempera on canvas, 1622 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-chariot-of-venus-painting-in-tempera-on-canvas-1622-image563538672.htmlRM2RMRB94–Pietro da Cortona, Chariot of Venus, painting in tempera on canvas, 1622
Via Pietro Berrettini (dedicated to the famous painter), Cortona, Tuscany, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-via-pietro-berrettini-dedicated-to-the-famous-painter-cortona-tuscany-92570135.htmlRMFAGX47–Via Pietro Berrettini (dedicated to the famous painter), Cortona, Tuscany, Italy
Pietro da Cortona painting, Faith, Hope, and Charity, oil on canvas, circa 1640 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-painting-faith-hope-and-charity-oil-on-canvas-circa-1640-image607991858.htmlRM2X94BPX–Pietro da Cortona painting, Faith, Hope, and Charity, oil on canvas, circa 1640
Art inspired by Study for the Allegory of Religion, 1629–39, Red chalk, 4 13/16 x 7 1/16in. (12.2 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-study-for-the-allegory-of-religion-162939-red-chalk-4-1316-x-7-116in-122-x-18cm-drawings-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951238.htmlRF2HW570P–Art inspired by Study for the Allegory of Religion, 1629–39, Red chalk, 4 13/16 x 7 1/16in. (12.2 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pietro da Cortona, Madonna with the Child and angels, painting in oil on canvas, 1625 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-madonna-with-the-child-and-angels-painting-in-oil-on-canvas-1625-image563538804.htmlRM2RMRBDT–Pietro da Cortona, Madonna with the Child and angels, painting in oil on canvas, 1625
The Quattro Fontane (The Four Fountains).1588-1593. The Goddes Diana, the symbol of Chastity by Pietro da Cortona (1596-1669). Rome, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-quattro-fontane-the-four-fountains1588-1593-the-goddes-diana-the-149996166.htmlRMJM0WHX–The Quattro Fontane (The Four Fountains).1588-1593. The Goddes Diana, the symbol of Chastity by Pietro da Cortona (1596-1669). Rome, Italy.
. Svenska: Pietro da Cortona studie till plafond i Palazzo Pitti i Florenz, svartkrita . 1650s. Pietro da Cortona (1596–1669) Alternative names Pietro Berretini, Pietro Berrettini da Cortona Description Italian painter and architect Date of birth/death 1 November 1596 16 May 1669 Location of birth/death Cortona (Tuscany) Cortona (Tuscany) Work period High Baroque Work location Cortona, Rome, Florence Authority control : Q333323 VIAF: 95204251 ISNI: 0000 0001 0859 4518 ULAN: 500115154 LCCN: n79109863 NLA: 36519637 WorldCat 995 Pietro da Cortona studie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/svenska-pietro-da-cortona-studie-till-plafond-i-palazzo-pitti-i-florenz-svartkrita-1650s-pietro-da-cortona-15961669-alternative-names-pietro-berretini-pietro-berrettini-da-cortona-description-italian-painter-and-architect-date-of-birthdeath-1-november-1596-16-may-1669-location-of-birthdeath-cortona-tuscany-cortona-tuscany-work-period-high-baroque-work-location-cortona-rome-florence-authority-control-q333323-viaf95204251-isni0000-0001-0859-4518-ulan500115154-lccnn79109863-nla36519637-worldcat-995-pietro-da-cortona-studie-image185546077.htmlRMMNT9WH–. Svenska: Pietro da Cortona studie till plafond i Palazzo Pitti i Florenz, svartkrita . 1650s. Pietro da Cortona (1596–1669) Alternative names Pietro Berretini, Pietro Berrettini da Cortona Description Italian painter and architect Date of birth/death 1 November 1596 16 May 1669 Location of birth/death Cortona (Tuscany) Cortona (Tuscany) Work period High Baroque Work location Cortona, Rome, Florence Authority control : Q333323 VIAF: 95204251 ISNI: 0000 0001 0859 4518 ULAN: 500115154 LCCN: n79109863 NLA: 36519637 WorldCat 995 Pietro da Cortona studie
St Martina, painting in oil on canvas by Pietro da Cortona, 1630-1631 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-martina-painting-in-oil-on-canvas-by-pietro-da-cortona-1630-1631-image570246421.htmlRM2T3MY3H–St Martina, painting in oil on canvas by Pietro da Cortona, 1630-1631
Pietro da Cortona, (Pietro Berrettini) Study of God the Father Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-da-cortona-pietro-berrettini-study-of-god-the-father-google-137390092.htmlRMHYEJD0–Pietro da Cortona, (Pietro Berrettini) Study of God the Father Google Art Project
Pietro da Cortona, The allume mines of Tolfa, landscape painting in oil on canvas, 1630-1640 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-the-allume-mines-of-tolfa-landscape-painting-in-oil-on-canvas-1630-1640-image563538795.htmlRM2RMRBDF–Pietro da Cortona, The allume mines of Tolfa, landscape painting in oil on canvas, 1630-1640
Pietro da Cortona, (Pietro Berrettini) - Study of God the Father Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-pietro-berrettini-study-of-god-the-father-image413133307.htmlRM2F03RMY–Pietro da Cortona, (Pietro Berrettini) - Study of God the Father
Claude Mellan (1598 - 1688), artist Pietro Berrettini (1596 - 1669), after, Luna on her chariot, Claude Mellan (1598 - 1688), portrait of Virginia da Vezzo, print medium: 1626, copperplate engraving, sheet size: 11.8 x 8.1 cm, inscribed around medallion 'VIRGINIA DE VEZZO DA VELLETRI PITTRICE'; inscribed below image field Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-mellan-1598-1688-artist-pietro-berrettini-1596-1669-after-luna-on-her-chariot-claude-mellan-1598-1688-portrait-of-virginia-da-vezzo-print-medium-1626-copperplate-engraving-sheet-size-118-x-81-cm-inscribed-around-medallion-virginia-de-vezzo-da-velletri-pittrice-inscribed-below-image-field-image573217237.htmlRM2T8G8C5–Claude Mellan (1598 - 1688), artist Pietro Berrettini (1596 - 1669), after, Luna on her chariot, Claude Mellan (1598 - 1688), portrait of Virginia da Vezzo, print medium: 1626, copperplate engraving, sheet size: 11.8 x 8.1 cm, inscribed around medallion 'VIRGINIA DE VEZZO DA VELLETRI PITTRICE'; inscribed below image field
Pietro da Cortona, (Pietro Berrettini) Study of God the Father Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-pietro-berrettini-study-of-god-the-father-image152762522.htmlRMJTEX4A–Pietro da Cortona, (Pietro Berrettini) Study of God the Father
Sea Battle 1964 by Pietro da Cortona (Pietro Berrettini) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sea-battle-1964-by-pietro-da-cortona-pietro-berrettini-image575368957.htmlRM2TC28Y9–Sea Battle 1964 by Pietro da Cortona (Pietro Berrettini)
Tapestry showing the Sea Battle between the Fleets of Constantine and Licinius Figural composition designed in 1635 by Pietro da Cortona (Pietro Berrettini), Italian, 1596 - 1669 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tapestry-showing-the-sea-battle-between-the-fleets-of-constantine-and-licinius-figural-composition-designed-in-1635-by-pietro-da-cortona-pietro-berrettini-italian-1596-1669-image607702254.htmlRM2X8K6BX–Tapestry showing the Sea Battle between the Fleets of Constantine and Licinius Figural composition designed in 1635 by Pietro da Cortona (Pietro Berrettini), Italian, 1596 - 1669
Pietro Berrettini (called Pietro da Cortona) - St. Martina Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-berrettini-called-pietro-da-cortona-st-martina-image457728932.htmlRF2HGK9WT–Pietro Berrettini (called Pietro da Cortona) - St. Martina
Pietro BERRETTINI known as Pierre de CORTONE Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-berrettini-known-as-pierre-de-cortone-romulus-and-remus-given-shelter-by-faustulus-c-1643-italy-italian-image357271331.htmlRM2BN736B–Pietro BERRETTINI known as Pierre de CORTONE Romulus and Remus Given Shelter by Faustulus c. 1643 Italy Italian
Saint Martina. Engraving after Pietro Berrettini da Cortona. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-martina-engraving-after-pietro-berrettini-da-cortona-image450074613.htmlRM2H46JN9–Saint Martina. Engraving after Pietro Berrettini da Cortona.
Madonna and Child with Saints John the Baptist, Felix of Cantalice, Andrew and Catherine 1629 - 1630 by Pietro da Cortona (Pietro Berrettini) 17th Century, Italy, Italian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-with-saints-john-the-baptist-felix-of-cantalice-andrew-and-catherine-1629-1630-by-pietro-da-cortona-pietro-berrettini-17th-century-italy-italian-image223320395.htmlRMPY93CB–Madonna and Child with Saints John the Baptist, Felix of Cantalice, Andrew and Catherine 1629 - 1630 by Pietro da Cortona (Pietro Berrettini) 17th Century, Italy, Italian.
'Christ and the Woman Taken in Adultery'. Italy. Dimensions: 148x224 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-woman-taken-in-adultery-italy-dimensions-148x224-cm-museum-state-hermitage-st-petersburg-author-pietro-da-cortona-pietro-berrettini-image241206725.htmlRMT0BWHW–'Christ and the Woman Taken in Adultery'. Italy. Dimensions: 148x224 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini).
Birthplace of the famous painter and architect Pietro Berrettini, Cortona, Tuscany, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-birthplace-of-the-famous-painter-and-architect-pietro-berrettini-cortona-91010644.htmlRMF81W04–Birthplace of the famous painter and architect Pietro Berrettini, Cortona, Tuscany, Italy
The Meeting of Aeneas and Venus 1630-1635 Pietro BERRETTINI is known as Pietro da CORTONA 1597-1669 ( Venus as Huntress Appears to Aeneas ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-meeting-of-aeneas-and-venus-1630-1635-pietro-berrettini-is-known-as-pietro-da-cortona-1597-1669-venus-as-huntress-appears-to-aeneas-image376734391.htmlRM2CTWMFK–The Meeting of Aeneas and Venus 1630-1635 Pietro BERRETTINI is known as Pietro da CORTONA 1597-1669 ( Venus as Huntress Appears to Aeneas )
Art inspired by Satyrs Supporting an Ornamental Motif, 1596–1669, Pen and brown ink, 6 9/16 x 7 5/16in. (16.7 x 18.6cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-satyrs-supporting-an-ornamental-motif-15961669-pen-and-brown-ink-6-916-x-7-516in-167-x-186cm-drawings-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951235.htmlRF2HW570K–Art inspired by Satyrs Supporting an Ornamental Motif, 1596–1669, Pen and brown ink, 6 9/16 x 7 5/16in. (16.7 x 18.6cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
David killing Goliath by Cortona, Pietro da (Berrettini) (1596-1669) Pinacoteca Vatican Museum Rome Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-david-killing-goliath-by-cortona-pietro-da-berrettini-1596-1669-pinacoteca-78306801.htmlRMEFB53D–David killing Goliath by Cortona, Pietro da (Berrettini) (1596-1669) Pinacoteca Vatican Museum Rome Italy
Art inspired by Christ Appearing to Mary in the Garden, before 1766, Engraving, sheet: 12 1/2 x 9 3/4 in. (31.7 x 24.7 cm), Prints, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-christ-appearing-to-mary-in-the-garden-before-1766-engraving-sheet-12-12-x-9-34-in-317-x-247-cm-prints-after-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462969815.htmlRF2HW62M7–Art inspired by Christ Appearing to Mary in the Garden, before 1766, Engraving, sheet: 12 1/2 x 9 3/4 in. (31.7 x 24.7 cm), Prints, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Portrait of Cardinal Pietro Maria Borghese . late 1620s – early 1630s 83 Pietro da Cortona (Pietro Berrettini) - Portrait of Cardinal Pietro Maria Borghese - 65.39 - Minneapolis Institute of Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-portrait-of-cardinal-pietro-maria-borghese-late-1620s-early-1630s-83-pietro-da-cortona-pietro-berrettini-portrait-of-cardinal-pietro-maria-borghese-6539-minneapolis-institute-of-arts-image206539412.htmlRMP00K3G–. English: Portrait of Cardinal Pietro Maria Borghese . late 1620s – early 1630s 83 Pietro da Cortona (Pietro Berrettini) - Portrait of Cardinal Pietro Maria Borghese - 65.39 - Minneapolis Institute of Arts
Art inspired by God the Father with Angels Holding Symbols of the Passion, 1647–51, Black chalk, 18-1/4 x 14-1/4 in. (46.4 x 36.2 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), Full of light and movement, this monumental study offers an early, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-god-the-father-with-angels-holding-symbols-of-the-passion-164751-black-chalk-18-14-x-14-14-in-464-x-362-cm-drawings-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-full-of-light-and-movement-this-monumental-study-offers-an-early-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951270.htmlRF2HW571X–Art inspired by God the Father with Angels Holding Symbols of the Passion, 1647–51, Black chalk, 18-1/4 x 14-1/4 in. (46.4 x 36.2 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), Full of light and movement, this monumental study offers an early, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pietro Berrettini (called Pietro da Cortona) St. Martina Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-berrettini-called-pietro-da-cortona-st-martina-google-art-project-137397677.htmlRMHYF03W–Pietro Berrettini (called Pietro da Cortona) St. Martina Google Art Project
Pope Urban VIII (Maffeo Vincenzo Barberini, 1568-1644), portrait painting in oil on canvas by Pietro da Cortona, 1624-1627 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pope-urban-viii-maffeo-vincenzo-barberini-1568-1644-portrait-painting-in-oil-on-canvas-by-pietro-da-cortona-1624-1627-image563538786.htmlRM2RMRBD6–Pope Urban VIII (Maffeo Vincenzo Barberini, 1568-1644), portrait painting in oil on canvas by Pietro da Cortona, 1624-1627
Pietro da Cortona (Pietro Berrettini) - Portrait of Cardinal Pietro Maria Borghese Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-pietro-berrettini-portrait-of-cardinal-pietro-maria-borghese-image413132872.htmlRM2F03R5C–Pietro da Cortona (Pietro Berrettini) - Portrait of Cardinal Pietro Maria Borghese
Pietro Testa (1612 - 1650)Pietro Berrettini (1596 - 1669), after Nicolas Poussin (1594 - 1665), after, Martyrdom of St. Erasmus, print carrier origin: 1630 - 1631, etching, duplicated, sheet size: 26.5 x 18.5 cm carrier size: 45.7 x 31.0 cm, monogrammed lower right 'PT' and inscribed lower center 'S. ERASME ORA PRO NOBIS., Allo spirito Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-testa-1612-1650pietro-berrettini-1596-1669-after-nicolas-poussin-1594-1665-after-martyrdom-of-st-erasmus-print-carrier-origin-1630-1631-etching-duplicated-sheet-size-265-x-185-cm-carrier-size-457-x-310-cm-monogrammed-lower-right-pt-and-inscribed-lower-center-s-erasme-ora-pro-nobis-allo-spirito-image573216857.htmlRM2T8G7XH–Pietro Testa (1612 - 1650)Pietro Berrettini (1596 - 1669), after Nicolas Poussin (1594 - 1665), after, Martyrdom of St. Erasmus, print carrier origin: 1630 - 1631, etching, duplicated, sheet size: 26.5 x 18.5 cm carrier size: 45.7 x 31.0 cm, monogrammed lower right 'PT' and inscribed lower center 'S. ERASME ORA PRO NOBIS., Allo spirito
Pietro da Cortona (Pietro Berrettini) Madonna and Child, Saint John the Baptist and Pope Stephen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-pietro-berrettini-madonna-and-child-saint-john-the-image152801711.htmlRMJTGM3Y–Pietro da Cortona (Pietro Berrettini) Madonna and Child, Saint John the Baptist and Pope Stephen
The Adoration of the Shepherds 2006 by Pietro da Cortona (Pietro Berrettini) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-2006-by-pietro-da-cortona-pietro-berrettini-image575368962.htmlRM2TC28YE–The Adoration of the Shepherds 2006 by Pietro da Cortona (Pietro Berrettini)
The Four Fountains (The Quattro Fontane), 1588-1593. The River Aniene by Pietro da Cortona (1596-1669). Rome, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-four-fountains-the-quattro-fontane-1588-1593-the-river-aniene-149996158.htmlRMJM0WHJ–The Four Fountains (The Quattro Fontane), 1588-1593. The River Aniene by Pietro da Cortona (1596-1669). Rome, Italy.
Tapestry showing the Sea Battle between the Fleets of Constantine and Licinius Figural composition designed in 1635 by Pietro da Cortona (Pietro Berrettini), Italian, 1596 - 1669 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tapestry-showing-the-sea-battle-between-the-fleets-of-constantine-and-licinius-figural-composition-designed-in-1635-by-pietro-da-cortona-pietro-berrettini-italian-1596-1669-image607708729.htmlRM2X8KEK5–Tapestry showing the Sea Battle between the Fleets of Constantine and Licinius Figural composition designed in 1635 by Pietro da Cortona (Pietro Berrettini), Italian, 1596 - 1669
Pietro da Cortona, (Pietro Berrettini) - Study of God the Father Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-pietro-berrettini-study-of-god-the-father-image457721554.htmlRF2HGK0EA–Pietro da Cortona, (Pietro Berrettini) - Study of God the Father
Saint Catherine. Engraving by F. de Poilly after Pietro Berrettini da Cortona. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-catherine-engraving-by-f-de-poilly-after-pietro-berrettini-da-cortona-image450079820.htmlRM2H46WB8–Saint Catherine. Engraving by F. de Poilly after Pietro Berrettini da Cortona.
Rome. Italy. Detail of Alexander the Great on horseback, from the painting 'Battle of Alexander and Darius' (1644-50), by Pietro da Cortona (1597-1669 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rome-italy-detail-of-alexander-the-great-on-horseback-from-the-painting-126296102.htmlRMH9D7Y2–Rome. Italy. Detail of Alexander the Great on horseback, from the painting 'Battle of Alexander and Darius' (1644-50), by Pietro da Cortona (1597-1669
St. Martina. Date/Period: Ca. 1635-1640. Painting. Oil on canvas. Height: 950 mm (37.40 in); Width: 762 mm (30 in). Author: Pietro da Cortona (Pietro Berrettini). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-martina-dateperiod-ca-1635-1640-painting-oil-on-canvas-height-950-mm-3740-in-width-762-mm-30-in-author-pietro-da-cortona-pietro-berrettini-image225855749.htmlRMR3CH8N–St. Martina. Date/Period: Ca. 1635-1640. Painting. Oil on canvas. Height: 950 mm (37.40 in); Width: 762 mm (30 in). Author: Pietro da Cortona (Pietro Berrettini).
Rome. Italy. Detail of Alexander the Great on horseback, from the painting 'Battle of Alexander and Darius' (1644-50), by Pietro da Cortona (1597-1669 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rome-italy-detail-of-alexander-the-great-on-horseback-from-the-painting-162614091.htmlRMKCFKX3–Rome. Italy. Detail of Alexander the Great on horseback, from the painting 'Battle of Alexander and Darius' (1644-50), by Pietro da Cortona (1597-1669
The Conversion of Saint Paul', 17th century. Artist: Pietro da Cortona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-conversion-of-saint-paul-17th-century-artist-pietro-da-cortona-image60269897.htmlRMDE1ET9–The Conversion of Saint Paul', 17th century. Artist: Pietro da Cortona
Pietro da Cortona, Italian Baroque era painter, (1825).Artist: John Corner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-da-cortona-italian-baroque-era-painter-1825artist-john-corner-11058654.htmlRMA4J39K–Pietro da Cortona, Italian Baroque era painter, (1825).Artist: John Corner
Serie degli uomini i più illustri nella pittura, scultura, e architettura : con i loro elogi, e ritratti incisi in rame cominciando dalla sua prima restaurazione fino ai tempi presenti .. . PIETRO BERRETTINI PITTORE DA CORTONA M^cc^-Fl-C /-• <H. cCe^/y- ^3 4< 4f jl... ... ? k ELOGIO D I PIETRO BERRETTINI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/serie-degli-uomini-i-pi-illustri-nella-pittura-scultura-e-architettura-con-i-loro-elogi-e-ritratti-incisi-in-rame-cominciando-dalla-sua-prima-restaurazione-fino-ai-tempi-presenti-pietro-berrettini-pittore-da-cortona-mcc-fl-c-lth-ccey-3-4lt-4f-jl-k-elogio-d-i-pietro-berrettini-image342784956.htmlRM2AWK5KT–Serie degli uomini i più illustri nella pittura, scultura, e architettura : con i loro elogi, e ritratti incisi in rame cominciando dalla sua prima restaurazione fino ai tempi presenti .. . PIETRO BERRETTINI PITTORE DA CORTONA M^cc^-Fl-C /-• <H. cCe^/y- ^3 4< 4f jl... ... ? k ELOGIO D I PIETRO BERRETTINI
![The Finding of Romulus and Remus - from the picture by Pietro da Cortona, 1850. 'The accounts which several of the classical writers of antiquity have left us of the time-honoured legend of Faustulus, the shepherd, having found a she-wolf on the Tiber's banks mildly suckling two infants, in whose veins flowed not mere human hood, but the true Olympian ichor of "the immortal gods," and who, under the names of Romulus and Remus, grew up to be first great chieftains amongst their more mortal pastoral companions, and ultimately the founders of "The City," show what a firm hold Stock Photo](https://c8.alamy.com/comp/2HT66X5/the-finding-of-romulus-and-remus-from-the-picture-by-pietro-da-cortona-1850-the-accounts-which-several-of-the-classical-writers-of-antiquity-have-left-us-of-the-time-honoured-legend-of-faustulus-the-shepherd-having-found-a-she-wolf-on-the-tibers-banks-mildly-suckling-two-infants-in-whose-veins-flowed-not-mere-human-hood-but-the-true-olympian-ichor-of-quotthe-immortal-godsquot-and-who-under-the-names-of-romulus-and-remus-grew-up-to-be-first-great-chieftains-amongst-their-more-mortal-pastoral-companions-and-ultimately-the-founders-of-quotthe-cityquot-show-what-a-firm-hold-2HT66X5.jpg "The Finding of Romulus and Remus - from the picture by Pietro da Cortona, 1850. 'The accounts which several of the classical writers of antiquity have left us of the time-honoured legend of Faustulus, the shepherd, having found a she-wolf on the Tiber's banks mildly suckling two infants, in whose veins flowed not mere human hood, but the true Olympian ichor of "the immortal gods," and who, under the names of Romulus and Remus, grew up to be first great chieftains amongst their more mortal pastoral companions, and ultimately the founders of "The City," show what a firm hold Stock Photo")
The Finding of Romulus and Remus - from the picture by Pietro da Cortona, 1850. 'The accounts which several of the classical writers of antiquity have left us of the time-honoured legend of Faustulus, the shepherd, having found a she-wolf on the Tiber's banks mildly suckling two infants, in whose veins flowed not mere human hood, but the true Olympian ichor of "the immortal gods," and who, under the names of Romulus and Remus, grew up to be first great chieftains amongst their more mortal pastoral companions, and ultimately the founders of "The City," show what a firm hold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-finding-of-romulus-and-remus-from-the-picture-by-pietro-da-cortona-1850-the-accounts-which-several-of-the-classical-writers-of-antiquity-have-left-us-of-the-time-honoured-legend-of-faustulus-the-shepherd-having-found-a-she-wolf-on-the-tibers-banks-mildly-suckling-two-infants-in-whose-veins-flowed-not-mere-human-hood-but-the-true-olympian-ichor-of-quotthe-immortal-godsquot-and-who-under-the-names-of-romulus-and-remus-grew-up-to-be-first-great-chieftains-amongst-their-more-mortal-pastoral-companions-and-ultimately-the-founders-of-quotthe-cityquot-show-what-a-firm-hold-image462358461.htmlRM2HT66X5–The Finding of Romulus and Remus - from the picture by Pietro da Cortona, 1850. 'The accounts which several of the classical writers of antiquity have left us of the time-honoured legend of Faustulus, the shepherd, having found a she-wolf on the Tiber's banks mildly suckling two infants, in whose veins flowed not mere human hood, but the true Olympian ichor of "the immortal gods," and who, under the names of Romulus and Remus, grew up to be first great chieftains amongst their more mortal pastoral companions, and ultimately the founders of "The City," show what a firm hold
. Venus as Huntress Appears to Aeneas, Oil on canvas Musée du Louvre, Paris . Unknown date. Pietro da Cortona (1596–1669) Alternative names Pietro Berretini, Pietro Berrettini da Cortona Description Italian painter and architect Date of birth/death 1 November 1596 16 May 1669 Location of birth/death Cortona (Tuscany) Cortona (Tuscany) Work period High Baroque Work location Cortona, Rome, Florence Authority control : Q333323 VIAF:?95204251 ISNI:?0000 0001 0859 4518 ULAN:?500115154 LCCN:?n79109863 NLA:?36519637 WorldCat Cortona Venus as Huntress Appears to Aeneas 01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venus-as-huntress-appears-to-aeneas-oil-on-canvas-muse-du-louvre-paris-unknown-date-pietro-da-cortona-15961669-alternative-names-pietro-berretini-pietro-berrettini-da-cortona-description-italian-painter-and-architect-date-of-birthdeath-1-november-1596-16-may-1669-location-of-birthdeath-cortona-tuscany-cortona-tuscany-work-period-high-baroque-work-location-cortona-rome-florence-authority-control-q333323-viaf95204251-isni0000-0001-0859-4518-ulan500115154-lccnn79109863-nla36519637-worldcat-cortona-venus-as-huntress-appears-to-aeneas-01-image184963514.htmlRMMMWPRP–. Venus as Huntress Appears to Aeneas, Oil on canvas Musée du Louvre, Paris . Unknown date. Pietro da Cortona (1596–1669) Alternative names Pietro Berretini, Pietro Berrettini da Cortona Description Italian painter and architect Date of birth/death 1 November 1596 16 May 1669 Location of birth/death Cortona (Tuscany) Cortona (Tuscany) Work period High Baroque Work location Cortona, Rome, Florence Authority control : Q333323 VIAF:?95204251 ISNI:?0000 0001 0859 4518 ULAN:?500115154 LCCN:?n79109863 NLA:?36519637 WorldCat Cortona Venus as Huntress Appears to Aeneas 01
Art inspired by Study of a Seated Youth for the Age of Gold, 1637, Black chalk, 11-1/4 x 10-1/4 in. (28.6 x 26 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), In June 1637, Pietro da Cortona, the leading Italian Baroque painter of his time, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-study-of-a-seated-youth-for-the-age-of-gold-1637-black-chalk-11-14-x-10-14-in-286-x-26-cm-drawings-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-in-june-1637-pietro-da-cortona-the-leading-italian-baroque-painter-of-his-time-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951267.htmlRF2HW571R–Art inspired by Study of a Seated Youth for the Age of Gold, 1637, Black chalk, 11-1/4 x 10-1/4 in. (28.6 x 26 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), In June 1637, Pietro da Cortona, the leading Italian Baroque painter of his time, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pietro da Cortona (Pietro Berrettini) Madonna and Child, Saint John the Baptist and Pope Stephen Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-da-cortona-pietro-berrettini-madonna-and-child-saint-john-the-137405526.htmlRMHYFA46–Pietro da Cortona (Pietro Berrettini) Madonna and Child, Saint John the Baptist and Pope Stephen Google Art Project
Art inspired by A Wind God, 1669, Black chalk, highlighted with white, on brownish paper, 7 7/16 x 13 1/8in. (18.9 x 33.3cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), This study of a youth after life served for the figure of a wind god, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-wind-god-1669-black-chalk-highlighted-with-white-on-brownish-paper-7-716-x-13-18in-189-x-333cm-drawings-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-this-study-of-a-youth-after-life-served-for-the-figure-of-a-wind-god-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801587.htmlRF2HTXC43–Art inspired by A Wind God, 1669, Black chalk, highlighted with white, on brownish paper, 7 7/16 x 13 1/8in. (18.9 x 33.3cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), This study of a youth after life served for the figure of a wind god, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pietro da Cortona (Pietro Berrettini) - Madonna and Child, Saint John the Baptist and Pope Stephen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-pietro-berrettini-madonna-and-child-saint-john-the-baptist-and-pope-stephen-image413132796.htmlRM2F03R2M–Pietro da Cortona (Pietro Berrettini) - Madonna and Child, Saint John the Baptist and Pope Stephen
Pietro Testa (1612 - 1650), artist Pietro Berrettini (1596 - 1669), after Nicolas Poussin (1594 - 1665), after, Martyrdom of Saint Erasmus, Pietro Testa (1612 - 1650), artist Nicolas Poussin (1594 - 1665), after Giovanni Giacomo De Rossi (1627 - 1691), editor, Martyrdom of St. Erasmus, Pietro Aquila (died 1692)Matteo Giudici (1670 around - 1692 active), editor, Adoration of the Magi, origin of the print carrier: 1665 - 1692, etching, sheet size: 18. 9 x 13.6 cm, bottom right signed and inscribed 'Pietro Aquela inventor et fecit. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-testa-1612-1650-artist-pietro-berrettini-1596-1669-after-nicolas-poussin-1594-1665-after-martyrdom-of-saint-erasmus-pietro-testa-1612-1650-artist-nicolas-poussin-1594-1665-after-giovanni-giacomo-de-rossi-1627-1691-editor-martyrdom-of-st-erasmus-pietro-aquila-died-1692matteo-giudici-1670-around-1692-active-editor-adoration-of-the-magi-origin-of-the-print-carrier-1665-1692-etching-sheet-size-18-9-x-136-cm-bottom-right-signed-and-inscribed-pietro-aquela-inventor-et-fecit-image573216848.htmlRM2T8G7X8–Pietro Testa (1612 - 1650), artist Pietro Berrettini (1596 - 1669), after Nicolas Poussin (1594 - 1665), after, Martyrdom of Saint Erasmus, Pietro Testa (1612 - 1650), artist Nicolas Poussin (1594 - 1665), after Giovanni Giacomo De Rossi (1627 - 1691), editor, Martyrdom of St. Erasmus, Pietro Aquila (died 1692)Matteo Giudici (1670 around - 1692 active), editor, Adoration of the Magi, origin of the print carrier: 1665 - 1692, etching, sheet size: 18. 9 x 13.6 cm, bottom right signed and inscribed 'Pietro Aquela inventor et fecit.
Art inspired by St. Michael Expurging Heresy., 1596–1669, Pen and brown ink, brush and brown wash over traces of black chalk, Sheet: 14 3/4 x 10 5/16 in. (37.4 x 26.2 cm), Drawings, Attributed to Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-st-michael-expurging-heresy-15961669-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-black-chalk-sheet-14-34-x-10-516-in-374-x-262-cm-drawings-attributed-to-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957506.htmlRF2HW5F0J–Art inspired by St. Michael Expurging Heresy., 1596–1669, Pen and brown ink, brush and brown wash over traces of black chalk, Sheet: 14 3/4 x 10 5/16 in. (37.4 x 26.2 cm), Drawings, Attributed to Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s, Pietro da Cortona (Pietro Berrettini), Italian (Tuscany), Italian (Tuscany), 1596–1669, 53 x 39 in. (134.62 x 99.06 cm) (canvas)63 1/4 x 49 1/2 x 3 in. (160.66 x 125.73 x 7.62 cm) (outer frame), Oil on canvas, Italy, 17th century, This inquisitive-looking cardinal, with his intelligent gaze, plump waistline, fashionable goatee and moustache, and large ear, is Pietro Maria Borghese (1599–1642), grandnephew of Pope Paul V. The elaborate silver inkwell carries his family’s coat of arms, an eagle over a dragon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-cardinal-pietro-maria-borghese-late-1620searly-1630s-pietro-da-cortona-pietro-berrettini-italian-tuscany-italian-tuscany-15961669-53-x-39-in-13462-x-9906-cm-canvas63-14-x-49-12-x-3-in-16066-x-12573-x-762-cm-outer-frame-oil-on-canvas-italy-17th-century-this-inquisitive-looking-cardinal-with-his-intelligent-gaze-plump-waistline-fashionable-goatee-and-moustache-and-large-ear-is-pietro-maria-borghese-15991642-grandnephew-of-pope-paul-v-the-elaborate-silver-inkwell-carries-his-familys-coat-of-arms-an-eagle-over-a-dragon-image573491684.htmlRM2T90PDT–Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s, Pietro da Cortona (Pietro Berrettini), Italian (Tuscany), Italian (Tuscany), 1596–1669, 53 x 39 in. (134.62 x 99.06 cm) (canvas)63 1/4 x 49 1/2 x 3 in. (160.66 x 125.73 x 7.62 cm) (outer frame), Oil on canvas, Italy, 17th century, This inquisitive-looking cardinal, with his intelligent gaze, plump waistline, fashionable goatee and moustache, and large ear, is Pietro Maria Borghese (1599–1642), grandnephew of Pope Paul V. The elaborate silver inkwell carries his family’s coat of arms, an eagle over a dragon.
A Wind God 1961 by Pietro da Cortona (Pietro Berrettini) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-wind-god-1961-by-pietro-da-cortona-pietro-berrettini-image575368946.htmlRM2TC28XX–A Wind God 1961 by Pietro da Cortona (Pietro Berrettini)
Jean Robert Ango, The Sacrifice of Polyxena, after Pietro da Cortona, Jean Robert Ango (French, active Rome, 1759–70, died after 1773), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), ca. 1759–70, Black chalk, Sheet: 5 1/2 × 8 7/16 in. (14 × 21.5 cm), Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-robert-ango-the-sacrifice-of-polyxena-after-pietro-da-cortona-jean-robert-ango-french-active-rome-175970-died-after-1773-after-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-ca-175970-black-chalk-sheet-5-12-8-716-in-14-215-cm-drawings-image344653022.htmlRM2B0M8CE–Jean Robert Ango, The Sacrifice of Polyxena, after Pietro da Cortona, Jean Robert Ango (French, active Rome, 1759–70, died after 1773), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), ca. 1759–70, Black chalk, Sheet: 5 1/2 × 8 7/16 in. (14 × 21.5 cm), Drawings
Art inspired by Diana in Her Chariot (La Lune sur son char), 1633, Engraving, sheet: 10 15/16 x 7 1/2 in. (27.8 x 19 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-diana-in-her-chariot-la-lune-sur-son-char-1633-engraving-sheet-10-1516-x-7-12-in-278-x-19-cm-prints-claude-mellan-french-abbeville-15981688-paris-after-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462991515.htmlRF2HW72B7–Art inspired by Diana in Her Chariot (La Lune sur son char), 1633, Engraving, sheet: 10 15/16 x 7 1/2 in. (27.8 x 19 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sea Battle, 1596–1669, Brush and brown wash, 4 3/4 x 7 1/16in. (12.1 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sea-battle-15961669-brush-and-brown-wash-4-34-x-7-116in-121-x-18cm-162482311.htmlRMKC9KRK–Sea Battle, 1596–1669, Brush and brown wash, 4 3/4 x 7 1/16in. (12.1 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini
Art inspired by Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily, ca. 1664–79, Engraving, Sheet: 13 3/4 × 9 7/16 in. (35 × 24 cm), Prints, François Spierre (French, Nancy 1639–1681 Marseilles), After Pietro da Cortona (Pietro Berrettini) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-martina-kneeling-before-the-virgin-and-child-as-the-child-offers-her-a-lily-ca-166479-engraving-sheet-13-34-9-716-in-35-24-cm-prints-franois-spierre-french-nancy-16391681-marseilles-after-pietro-da-cortona-pietro-berrettini-italian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462965596.htmlRF2HW5W9G–Art inspired by Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily, ca. 1664–79, Engraving, Sheet: 13 3/4 × 9 7/16 in. (35 × 24 cm), Prints, François Spierre (French, Nancy 1639–1681 Marseilles), After Pietro da Cortona (Pietro Berrettini) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Martyrdom of St Stephen'. Italy, Circa 1660. Dimensions: 260,5x149 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini). PIETRO DA CORTONA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martyrdom-of-st-stephen-italy-circa-1660-dimensions-2605x149-cm-museum-state-hermitage-st-petersburg-author-pietro-da-cortona-pietro-berrettini-pietro-da-cortona-image241205418.htmlRMT0BRY6–'Martyrdom of St Stephen'. Italy, Circa 1660. Dimensions: 260,5x149 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini). PIETRO DA CORTONA.
Art inspired by Allegory in Honor of the Roman College Founded by the Borghese Family, 1615–88, Engraving; third state of three, sheet: 10 7/16 x 14 in. (26.5 x 35.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona (Pietro Berrettini) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-allegory-in-honor-of-the-roman-college-founded-by-the-borghese-family-161588-engraving-third-state-of-three-sheet-10-716-x-14-in-265-x-355-cm-prints-claude-mellan-french-abbeville-15981688-paris-after-pietro-da-cortona-pietro-berrettini-italian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462993974.htmlRF2HW75F2–Art inspired by Allegory in Honor of the Roman College Founded by the Borghese Family, 1615–88, Engraving; third state of three, sheet: 10 7/16 x 14 in. (26.5 x 35.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona (Pietro Berrettini) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pietro da Cortona, Madonna with the Child, Saint Catherine, and, Saint John, painting in oil on canvas, 1610-1620 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-madonna-with-the-child-saint-catherine-and-saint-john-painting-in-oil-on-canvas-1610-1620-image563538799.htmlRM2RMRBDK–Pietro da Cortona, Madonna with the Child, Saint Catherine, and, Saint John, painting in oil on canvas, 1610-1620
Art inspired by The Virgin and Child with Saint Martina, 1596–1669, Pen and brown ink, brush and brown wash, over black chalk., 9 5/8 x 12 3/8in. (24.5 x 31.5cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-virgin-and-child-with-saint-martina-15961669-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-9-58-x-12-38in-245-x-315cm-drawings-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951268.htmlRF2HW571T–Art inspired by The Virgin and Child with Saint Martina, 1596–1669, Pen and brown ink, brush and brown wash, over black chalk., 9 5/8 x 12 3/8in. (24.5 x 31.5cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Four Fountains (The Quattro Fontane), 1588-1593. The River Aniene by Pietro da Cortona (1596-1669). Rome, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-four-fountains-the-quattro-fontane-1588-1593-the-river-aniene-149996168.htmlRMJM0WJ0–The Four Fountains (The Quattro Fontane), 1588-1593. The River Aniene by Pietro da Cortona (1596-1669). Rome, Italy.
Art inspired by Men Digging and Constructing a Wall., 17th century, Pen and brown ink, over black chalk, Sheet: 4 1/8 x 6 5/8 in. (10.4 x 16.8 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-men-digging-and-constructing-a-wall-17th-century-pen-and-brown-ink-over-black-chalk-sheet-4-18-x-6-58-in-104-x-168-cm-drawings-pietro-da-cortona-pietro-berrettini-italian-cortona-15961669-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462971283.htmlRF2HW64GK–Art inspired by Men Digging and Constructing a Wall., 17th century, Pen and brown ink, over black chalk, Sheet: 4 1/8 x 6 5/8 in. (10.4 x 16.8 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Martina. Engraving by G.B. Bonacina after Pietro Berrettini da Cortona. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-martina-engraving-by-gb-bonacina-after-pietro-berrettini-da-cortona-image450080729.htmlRM2H46XFN–Saint Martina. Engraving by G.B. Bonacina after Pietro Berrettini da Cortona.
Pietro da Cortona (Pietro Berrettini) - Madonna and Child, Saint John the Baptist and Pope Stephen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-cortona-pietro-berrettini-madonna-and-child-saint-john-the-baptist-and-pope-stephen-image457733896.htmlRF2HGKG74–Pietro da Cortona (Pietro Berrettini) - Madonna and Child, Saint John the Baptist and Pope Stephen
The Virgin Immaculate, After Pietro da Cortona, 1596–1669 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-virgin-immaculate-after-pietro-da-cortona-15961669-162482286.htmlRMKC9KPP–The Virgin Immaculate, After Pietro da Cortona, 1596–1669
'Head study of a woman looking up', 17th century. Artist: Pietro da Cortona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-of-a-woman-looking-up-17th-century-artist-pietro-da-cortona-image60269878.htmlRMDE1ERJ–'Head study of a woman looking up', 17th century. Artist: Pietro da Cortona
Search Results for Pietro berrettini Stock Photos and Images (305)
Page 1 of 4