Pierre-Auguste Renoir, 'Madame Monet reading', 1874, oil on canvas, 53x71 cm. France, 19th century. Author: DEGAS, EDGAR. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-madame-monet-reading-1874-oil-on-canvas-53x71-cm-france-19th-century-author-degas-edgar-image224263203.html
RMR0T203–Pierre-Auguste Renoir, 'Madame Monet reading', 1874, oil on canvas, 53x71 cm. France, 19th century. Author: DEGAS, EDGAR.
Charles Baudelaire. Artist: Étienne Carjat (French, Fareins 1828-1906 Paris). Printer: Goupil et Cie (French, active 1850-84). Date: ca. 1863. Although the great French poet Baudelaire famously declared photography to be 'the refuge of every would-be painter, every painter too ill-endowed or too lazy to complete his studies,' he posed before the camera several times. This striking portrait of the brooding poet by Carjat is perhaps the best known, for it was published in the widely distributed series entitled Galerie contemporaine, littéraire, artistique. The Galerie contemporaine is a high p Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-baudelaire-artist-tienne-carjat-french-fareins-1828-1906-paris-printer-goupil-et-cie-french-active-1850-84-date-ca-1863-although-the-great-french-poet-baudelaire-famously-declared-photography-to-be-the-refuge-of-every-would-be-painter-every-painter-too-ill-endowed-or-too-lazy-to-complete-his-studies-he-posed-before-the-camera-several-times-this-striking-portrait-of-the-brooding-poet-by-carjat-is-perhaps-the-best-known-for-it-was-published-in-the-widely-distributed-series-entitled-galerie-contemporaine-littraire-artistique-the-galerie-contemporaine-is-a-high-p-image233352107.html
RMRFJ2YR–Charles Baudelaire. Artist: Étienne Carjat (French, Fareins 1828-1906 Paris). Printer: Goupil et Cie (French, active 1850-84). Date: ca. 1863. Although the great French poet Baudelaire famously declared photography to be 'the refuge of every would-be painter, every painter too ill-endowed or too lazy to complete his studies,' he posed before the camera several times. This striking portrait of the brooding poet by Carjat is perhaps the best known, for it was published in the widely distributed series entitled Galerie contemporaine, littéraire, artistique. The Galerie contemporaine is a high p
Landscape. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: sheet: 10 x 13 3/8 in. (25.4 x 34 cm). Date: 1892. Degas undertook a series of landscape monotypes during a visit in October 1890 to the Burgundian estate of his friend, the artist Pierre-Georges Jeanniot. Over the course of the next two years, he made about fifty monotypes, a group of which he exhibited at the Durand-Ruel gallery in 1892. Although the artist called these views 'imaginary landscapes,' the present work is thought to reflect his experience traveling through Burgundy in a horse-drawn carriage. Using colo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-artist-edgar-degas-french-paris-1834-1917-paris-dimensions-sheet-10-x-13-38-in-254-x-34-cm-date-1892-degas-undertook-a-series-of-landscape-monotypes-during-a-visit-in-october-1890-to-the-burgundian-estate-of-his-friend-the-artist-pierre-georges-jeanniot-over-the-course-of-the-next-two-years-he-made-about-fifty-monotypes-a-group-of-which-he-exhibited-at-the-durand-ruel-gallery-in-1892-although-the-artist-called-these-views-imaginary-landscapes-the-present-work-is-thought-to-reflect-his-experience-traveling-through-burgundy-in-a-horse-drawn-carriage-using-colo-image213501586.html
RMPB9RCJ–Landscape. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: sheet: 10 x 13 3/8 in. (25.4 x 34 cm). Date: 1892. Degas undertook a series of landscape monotypes during a visit in October 1890 to the Burgundian estate of his friend, the artist Pierre-Georges Jeanniot. Over the course of the next two years, he made about fifty monotypes, a group of which he exhibited at the Durand-Ruel gallery in 1892. Although the artist called these views 'imaginary landscapes,' the present work is thought to reflect his experience traveling through Burgundy in a horse-drawn carriage. Using colo
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