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Pierced gallery Stock Photos and Images
Tile, Glazed, lustered and painted stonepaste, rolled and pierced silver (later mount), Eight-pointed star tile set in modern silver mounting with pierced gallery. Tile has blue border containing calligraphy surrounding floral design on brownish ground., Iran, 1301–50, ceramics, Decorative Arts, Tile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tile-glazed-lustered-and-painted-stonepaste-rolled-and-pierced-silver-later-mount-eight-pointed-star-tile-set-in-modern-silver-mounting-with-pierced-gallery-tile-has-blue-border-containing-calligraphy-surrounding-floral-design-on-brownish-ground-iran-130150-ceramics-decorative-arts-tile-image391436648.htmlRM2DMRDC8–Tile, Glazed, lustered and painted stonepaste, rolled and pierced silver (later mount), Eight-pointed star tile set in modern silver mounting with pierced gallery. Tile has blue border containing calligraphy surrounding floral design on brownish ground., Iran, 1301–50, ceramics, Decorative Arts, Tile
Tile. Eight-pointed star tile set in modern silver mounting with pierced gallery. Tile has blue border containing calligraphy surrounding floral design on brownish ground. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tile-eight-pointed-star-tile-set-in-modern-silver-mounting-with-pierced-gallery-tile-has-blue-border-containing-calligraphy-surrounding-floral-design-on-brownish-ground-image353485759.htmlRM2BF2JKB–Tile. Eight-pointed star tile set in modern silver mounting with pierced gallery. Tile has blue border containing calligraphy surrounding floral design on brownish ground.
![Chapel at Kalenberg - from His Royal Highness Prince Albert's drawing, 1845. Callenberg Castle in Germany: '...interior of the palace-chapel, with its antique carved pulpit, pierced gallery front, &c...the English spectator is surprised to see the crucifix on the altar, as in Catholic churches. But this is a very general custom in the Lutheran churches of Germany'. From "Illustrated London News", 1845, Vol VII. Stock Photo](https://c8.alamy.com/comp/2E2JB8B/chapel-at-kalenberg-from-his-royal-highness-prince-alberts-drawing-1845-callenberg-castle-in-germany-interior-of-the-palace-chapel-with-its-antique-carved-pulpit-pierced-gallery-front-ampcthe-english-spectator-is-surprised-to-see-the-crucifix-on-the-altar-as-in-catholic-churches-but-this-is-a-very-general-custom-in-the-lutheran-churches-of-germany-from-quotillustrated-london-newsquot-1845-vol-vii-2E2JB8B.jpg "Chapel at Kalenberg - from His Royal Highness Prince Albert's drawing, 1845. Callenberg Castle in Germany: '...interior of the palace-chapel, with its antique carved pulpit, pierced gallery front, &c...the English spectator is surprised to see the crucifix on the altar, as in Catholic churches. But this is a very general custom in the Lutheran churches of Germany'. From "Illustrated London News", 1845, Vol VII. Stock Photo")
Chapel at Kalenberg - from His Royal Highness Prince Albert's drawing, 1845. Callenberg Castle in Germany: '...interior of the palace-chapel, with its antique carved pulpit, pierced gallery front, &c...the English spectator is surprised to see the crucifix on the altar, as in Catholic churches. But this is a very general custom in the Lutheran churches of Germany'. From "Illustrated London News", 1845, Vol VII. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chapel-at-kalenberg-from-his-royal-highness-prince-alberts-drawing-1845-callenberg-castle-in-germany-interior-of-the-palace-chapel-with-its-antique-carved-pulpit-pierced-gallery-front-ampcthe-english-spectator-is-surprised-to-see-the-crucifix-on-the-altar-as-in-catholic-churches-but-this-is-a-very-general-custom-in-the-lutheran-churches-of-germany-from-quotillustrated-london-newsquot-1845-vol-vii-image397471771.htmlRM2E2JB8B–Chapel at Kalenberg - from His Royal Highness Prince Albert's drawing, 1845. Callenberg Castle in Germany: '...interior of the palace-chapel, with its antique carved pulpit, pierced gallery front, &c...the English spectator is surprised to see the crucifix on the altar, as in Catholic churches. But this is a very general custom in the Lutheran churches of Germany'. From "Illustrated London News", 1845, Vol VII.
Cricket cage. Rectangular cage (a) with turned corner posts terminating in pointed finials at top, ball feet; pierced gallery around top edges; hinged door at one side; rectangular, partitioned 'food trough' in cage, next to door; two red and orange ivory birds sit on flat green perch suspende Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cricket-cage-rectangular-cage-a-with-turned-corner-posts-terminating-in-pointed-finials-at-top-ball-feet-pierced-gallery-around-top-edges-hinged-door-at-one-side-rectangular-partitioned-food-trough-in-cage-next-to-door-two-red-and-orange-ivory-birds-sit-on-flat-green-perch-suspende-image353486218.htmlRM2BF2K7P–Cricket cage. Rectangular cage (a) with turned corner posts terminating in pointed finials at top, ball feet; pierced gallery around top edges; hinged door at one side; rectangular, partitioned 'food trough' in cage, next to door; two red and orange ivory birds sit on flat green perch suspende
China table ca. 1755–60 British This table, with its exquisite carving, delicate pierced gallery, and graceful curving stretchers, is close to a design by the celebrated English cabinetmaker Thomas Chippendale (1718-1779) in his influential Gentleman and Cabinetmaker's Director (1754). Listen to experts illuminate this artwork's story Listen Play or pause #2150. China Table Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. China table 203826 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-table-ca-175560-british-this-table-with-its-exquisite-carving-delicate-pierced-gallery-and-graceful-curving-stretchers-is-close-to-a-design-by-the-celebrated-english-cabinetmaker-thomas-chippendale-1718-1779-in-his-influential-gentleman-and-cabinetmakers-director-1754-listen-to-experts-illuminate-this-artworks-story-listen-play-or-pause-2150-china-table-supported-by-bloomberg-philanthropies-were-sorry-the-transcript-for-this-audio-track-is-not-available-at-this-time-we-are-working-to-make-it-available-as-soon-as-possible-china-table-203826-image458186390.htmlRM2HHC5BJ–China table ca. 1755–60 British This table, with its exquisite carving, delicate pierced gallery, and graceful curving stretchers, is close to a design by the celebrated English cabinetmaker Thomas Chippendale (1718-1779) in his influential Gentleman and Cabinetmaker's Director (1754). Listen to experts illuminate this artwork's story Listen Play or pause #2150. China Table Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. China table 203826
Water Dropper (suiteki) with Pierced Overlay Dragon-Design AC1997.273.35 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/water-dropper-suiteki-with-pierced-overlay-dragon-design-ac199727335-image64124003.htmlRMDM92PY–Water Dropper (suiteki) with Pierced Overlay Dragon-Design AC1997.273.35
Martyrdom of St. Agnes by Zampieri Domenico said the Domenichino 1581 -1641 ( The very young martyr is described as she dies pierced in the throat on the orders of Aspasio, vicar of the prefect, whose son had been rejected by Agnese already devoted to chastity.) 17th century, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martyrdom-of-st-agnes-by-zampieri-domenico-said-the-domenichino-1581-1641-the-very-young-martyr-is-described-as-she-dies-pierced-in-the-throat-on-the-orders-of-aspasio-vicar-of-the-prefect-whose-son-had-been-rejected-by-agnese-already-devoted-to-chastity-17th-century-italy-italian-image227923732.htmlRMR6PR18–Martyrdom of St. Agnes by Zampieri Domenico said the Domenichino 1581 -1641 ( The very young martyr is described as she dies pierced in the throat on the orders of Aspasio, vicar of the prefect, whose son had been rejected by Agnese already devoted to chastity.) 17th century, Italy, Italian.
Marple aqueduct, opened 1800, over the River Goyt on the Peak Forest Canal which was constructed 1794-1805 from Whaley Bridge, Derbyshire, England, to Marple, where it joined the Macclesfield Canal. The engineer was Benjamin Outram (1764-1805), civil engineer and ironmaster, and founder of Butterley Ironworks. The pierced spandrells lightened the weight of the masonry. Engraving from 'The Gallery of Nature and Art' by the Rev. Edward Polehampton (London, 1815). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marple-aqueduct-opened-1800-over-the-river-goyt-on-the-peak-forest-57291162.htmlRMD95RCX–Marple aqueduct, opened 1800, over the River Goyt on the Peak Forest Canal which was constructed 1794-1805 from Whaley Bridge, Derbyshire, England, to Marple, where it joined the Macclesfield Canal. The engineer was Benjamin Outram (1764-1805), civil engineer and ironmaster, and founder of Butterley Ironworks. The pierced spandrells lightened the weight of the masonry. Engraving from 'The Gallery of Nature and Art' by the Rev. Edward Polehampton (London, 1815).
![Hercules and Three Columns in the Sea [reverse]. Dated: 1472. Medium: bronze//Twice-pierced, with loop. Museum: National Gallery of Art, Washington DC. Author: Lodovico Corradini. Stock Photo](https://c8.alamy.com/comp/R3AYMT/hercules-and-three-columns-in-the-sea-reverse-dated-1472-medium-bronzetwice-pierced-with-loop-museum-national-gallery-of-art-washington-dc-author-lodovico-corradini-R3AYMT.jpg "Hercules and Three Columns in the Sea [reverse]. Dated: 1472. Medium: bronze//Twice-pierced, with loop. Museum: National Gallery of Art, Washington DC. Author: Lodovico Corradini. Stock Photo")
Hercules and Three Columns in the Sea [reverse]. Dated: 1472. Medium: bronze//Twice-pierced, with loop. Museum: National Gallery of Art, Washington DC. Author: Lodovico Corradini. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hercules-and-three-columns-in-the-sea-reverse-dated-1472-medium-bronzetwice-pierced-with-loop-museum-national-gallery-of-art-washington-dc-author-lodovico-corradini-image225820024.htmlRMR3AYMT–Hercules and Three Columns in the Sea [reverse]. Dated: 1472. Medium: bronze//Twice-pierced, with loop. Museum: National Gallery of Art, Washington DC. Author: Lodovico Corradini.
Later South Asian Galleries in the Metropolitan Museum of Art, NYC, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/later-south-asian-galleries-in-the-metropolitan-museum-of-art-nyc-usa-image219742451.htmlRMPNE3MK–Later South Asian Galleries in the Metropolitan Museum of Art, NYC, USA
![Pierced and molded fragmentary side of a vessel. Mr. and Mrs. Laurance P. RobertsFrom 1950s – 2001Mr. and Mrs. Laurance P. Roberts, acquired in the 1950s from Iran. [1]From 2001Freer Gallery of Art, gift of Mr. and Mrs. Laurance P. Roberts, Baltimore, Maryland. Pierced and molded fragmentary side of a vessel Stock Photo](https://c8.alamy.com/comp/2BD150M/pierced-and-molded-fragmentary-side-of-a-vessel-mr-and-mrs-laurance-p-robertsfrom-1950s-2001mr-and-mrs-laurance-p-roberts-acquired-in-the-1950s-from-iran-1-from-2001freer-gallery-of-art-gift-of-mr-and-mrs-laurance-p-roberts-baltimore-maryland-pierced-and-molded-fragmentary-side-of-a-vessel-2BD150M.jpg "Pierced and molded fragmentary side of a vessel. Mr. and Mrs. Laurance P. RobertsFrom 1950s – 2001Mr. and Mrs. Laurance P. Roberts, acquired in the 1950s from Iran. [1]From 2001Freer Gallery of Art, gift of Mr. and Mrs. Laurance P. Roberts, Baltimore, Maryland. Pierced and molded fragmentary side of a vessel Stock Photo")
Pierced and molded fragmentary side of a vessel. Mr. and Mrs. Laurance P. RobertsFrom 1950s – 2001Mr. and Mrs. Laurance P. Roberts, acquired in the 1950s from Iran. [1]From 2001Freer Gallery of Art, gift of Mr. and Mrs. Laurance P. Roberts, Baltimore, Maryland. Pierced and molded fragmentary side of a vessel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-and-molded-fragmentary-side-of-a-vessel-mr-and-mrs-laurance-p-robertsfrom-1950s-2001mr-and-mrs-laurance-p-roberts-acquired-in-the-1950s-from-iran-1-from-2001freer-gallery-of-art-gift-of-mr-and-mrs-laurance-p-roberts-baltimore-maryland-pierced-and-molded-fragmentary-side-of-a-vessel-image352223780.htmlRM2BD150M–Pierced and molded fragmentary side of a vessel. Mr. and Mrs. Laurance P. RobertsFrom 1950s – 2001Mr. and Mrs. Laurance P. Roberts, acquired in the 1950s from Iran. [1]From 2001Freer Gallery of Art, gift of Mr. and Mrs. Laurance P. Roberts, Baltimore, Maryland. Pierced and molded fragmentary side of a vessel
Pierced Form (Epidauros) 1960 Guarea Wood Sculpture at Barbara Hepworth Museum & Sculpture Garden, Barnoon Hill, Saint Ives TR26 1AD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-form-epidauros-1960-guarea-wood-sculpture-at-barbara-hepworth-museum-sculpture-garden-barnoon-hill-saint-ives-tr26-1ad-image351108245.htmlRF2BB6A45–Pierced Form (Epidauros) 1960 Guarea Wood Sculpture at Barbara Hepworth Museum & Sculpture Garden, Barnoon Hill, Saint Ives TR26 1AD
Andrea del Castagno's 'Saint Sebastian' (circa 1450): Housed in the National Gallery of Art, Washington D.C., this painting depicts Saint Sebastian, a Christian martyr, tied to a tree and pierced by arrows. Del Castagno's portrayal is noted for its dramatic intensity and the physicality of the figure, reflecting the early Renaissance interest in human anatomy and emotion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andrea-del-castagnos-saint-sebastian-circa-1450-housed-in-the-national-gallery-of-art-washington-dc-this-painting-depicts-saint-sebastian-a-christian-martyr-tied-to-a-tree-and-pierced-by-arrows-del-castagnos-portrayal-is-noted-for-its-dramatic-intensity-and-the-physicality-of-the-figure-reflecting-the-early-renaissance-interest-in-human-anatomy-and-emotion-image601211607.htmlRM2WX3FF3–Andrea del Castagno's 'Saint Sebastian' (circa 1450): Housed in the National Gallery of Art, Washington D.C., this painting depicts Saint Sebastian, a Christian martyr, tied to a tree and pierced by arrows. Del Castagno's portrayal is noted for its dramatic intensity and the physicality of the figure, reflecting the early Renaissance interest in human anatomy and emotion.
France, Eure, Aizier, Route des Chaumières loop, Saint-Pierre church and Pierced stone, also Manhole slab, monument dating from the Neolithic era, part of a collective burial site in the form of a gallery grave Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-eure-aizier-route-des-chaumires-loop-saint-pierre-church-and-pierced-stone-also-manhole-slab-monument-dating-from-the-neolithic-era-part-of-a-collective-burial-site-in-the-form-of-a-gallery-grave-image554325103.htmlRM2R5RK93–France, Eure, Aizier, Route des Chaumières loop, Saint-Pierre church and Pierced stone, also Manhole slab, monument dating from the Neolithic era, part of a collective burial site in the form of a gallery grave
'It is not about vanity but about my identity. I am proud to be black, and black is not only beautiful - it is LIFE.' Warren Masemola, Actor . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/it-is-not-about-vanity-but-about-my-identity-i-am-proud-to-be-black-and-black-is-not-only-beautiful-it-is-life-warren-masemola-actor-image447865973.htmlRM2H0J1H9–'It is not about vanity but about my identity. I am proud to be black, and black is not only beautiful - it is LIFE.' Warren Masemola, Actor .
Bowl-Shaped Vessel with Cover (Gui) and Pierced Collar, Eastern Han dynasty (25-220 A.D.), 1st century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-shaped-vessel-with-cover-gui-and-pierced-collar-eastern-han-dynasty-25-220-ad-1st-century-image457030904.htmlRM2HFFFG8–Bowl-Shaped Vessel with Cover (Gui) and Pierced Collar, Eastern Han dynasty (25-220 A.D.), 1st century.
Bowl with Revolving Scrolls late 12th century This vessel was likely molded, then pierced with tiny holes, incised with a sequence of revolving scrolls and a plaited band, then painted and glazed. By covering the holes, the glaze creates a light-through effect. While the shape and the technique speak of a shared aesthetic with Iranian ceramics of the same period, this vessel represents a distinct development attested in 12th-century Afghanistan. The bowl came to the Museum only in 1998 as a gift from the Mansour Gallery. It allegedly came from Bamiyan in present-day Afghanistan which has impor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-with-revolving-scrolls-late-12th-century-this-vessel-was-likely-molded-then-pierced-with-tiny-holes-incised-with-a-sequence-of-revolving-scrolls-and-a-plaited-band-then-painted-and-glazed-by-covering-the-holes-the-glaze-creates-a-light-through-effect-while-the-shape-and-the-technique-speak-of-a-shared-aesthetic-with-iranian-ceramics-of-the-same-period-this-vessel-represents-a-distinct-development-attested-in-12th-century-afghanistan-the-bowl-came-to-the-museum-only-in-1998-as-a-gift-from-the-mansour-gallery-it-allegedly-came-from-bamiyan-in-present-day-afghanistan-which-has-impor-image457936548.htmlRM2HH0PMM–Bowl with Revolving Scrolls late 12th century This vessel was likely molded, then pierced with tiny holes, incised with a sequence of revolving scrolls and a plaited band, then painted and glazed. By covering the holes, the glaze creates a light-through effect. While the shape and the technique speak of a shared aesthetic with Iranian ceramics of the same period, this vessel represents a distinct development attested in 12th-century Afghanistan. The bowl came to the Museum only in 1998 as a gift from the Mansour Gallery. It allegedly came from Bamiyan in present-day Afghanistan which has impor
Amulet pierced from end to end. Giovanni Dattari (1858 - 1923) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amulet-pierced-from-end-to-end-giovanni-dattari-1858-1923-image353476982.htmlRM2BF27DX–Amulet pierced from end to end. Giovanni Dattari (1858 - 1923)
Akseli Gallen-Kallela - The Youngman and his Pierced Maid - 1907 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/akseli-gallen-kallela-the-youngman-and-his-pierced-maid-1907-image467912182.htmlRF2J576NA–Akseli Gallen-Kallela - The Youngman and his Pierced Maid - 1907
Bracket, Mahogany, Against the wall, a bilaterally symmetrical pierced plaque, the piercings forming a series of extended vertical scrolls. From the vertical mid-line extends at right angles a third pierced leaf reproducing 1/2 the plaque. Supported is a rectangular molded stage having its two front corners cut and bearing a pierced gallery of alternating large and small round-headed arches., 1755–60, Decorative Arts, Bracket Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bracket-mahogany-against-the-wall-a-bilaterally-symmetrical-pierced-plaque-the-piercings-forming-a-series-of-extended-vertical-scrolls-from-the-vertical-mid-line-extends-at-right-angles-a-third-pierced-leaf-reproducing-12-the-plaque-supported-is-a-rectangular-molded-stage-having-its-two-front-corners-cut-and-bearing-a-pierced-gallery-of-alternating-large-and-small-round-headed-arches-175560-decorative-arts-bracket-image391549209.htmlRM2DN0H09–Bracket, Mahogany, Against the wall, a bilaterally symmetrical pierced plaque, the piercings forming a series of extended vertical scrolls. From the vertical mid-line extends at right angles a third pierced leaf reproducing 1/2 the plaque. Supported is a rectangular molded stage having its two front corners cut and bearing a pierced gallery of alternating large and small round-headed arches., 1755–60, Decorative Arts, Bracket
Fragment pierced. Giovanni Dattari (1858 - 1923) (C.L. F1909.1610 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-pierced-giovanni-dattari-1858-1923-cl-f19091610-image352222079.htmlRM2BD12RY–Fragment pierced. Giovanni Dattari (1858 - 1923) (C.L. F1909.1610
Hall of Childrey Down Manor-house, Berks., 1857. Interior of '...the remains of an eminent manor-house, belonging to the manor of Rampanes...in its last stage of occupation - engraved from a sketch taken almost immediately before its demolition. This includes a portion of the great hall of the mansion: its height was about forty feet, it had a gallery for minstrels, and a window of noble proportions; the walls have also been pierced with four other handsome but smaller windows...Besides the spacious hall fireplace, there were enriched chimneypieces in other apartments of the mansion, which den Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hall-of-childrey-down-manor-house-berks-1857-interior-of-the-remains-of-an-eminent-manor-house-belonging-to-the-manor-of-rampanesin-its-last-stage-of-occupation-engraved-from-a-sketch-taken-almost-immediately-before-its-demolition-this-includes-a-portion-of-the-great-hall-of-the-mansion-its-height-was-about-forty-feet-it-had-a-gallery-for-minstrels-and-a-window-of-noble-proportions-the-walls-have-also-been-pierced-with-four-other-handsome-but-smaller-windowsbesides-the-spacious-hall-fireplace-there-were-enriched-chimneypieces-in-other-apartments-of-the-mansion-which-den-image556245085.htmlRM2R8Y47W–Hall of Childrey Down Manor-house, Berks., 1857. Interior of '...the remains of an eminent manor-house, belonging to the manor of Rampanes...in its last stage of occupation - engraved from a sketch taken almost immediately before its demolition. This includes a portion of the great hall of the mansion: its height was about forty feet, it had a gallery for minstrels, and a window of noble proportions; the walls have also been pierced with four other handsome but smaller windows...Besides the spacious hall fireplace, there were enriched chimneypieces in other apartments of the mansion, which den
Bead earshaped Pierced. Giovanni Dattari (1858 - 1923) (C.L. F1909.1039 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bead-earshaped-pierced-giovanni-dattari-1858-1923-cl-f19091039-image352221965.htmlRM2BD12KW–Bead earshaped Pierced. Giovanni Dattari (1858 - 1923) (C.L. F1909.1039
Shinto Ohtake's 'Shipyard Works' sculpture at the Benesse House gallery, Naoshima, Japan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shinto-ohtakes-shipyard-works-sculpture-at-the-benesse-house-gallery-86688479.htmlRMF11013–Shinto Ohtake's 'Shipyard Works' sculpture at the Benesse House gallery, Naoshima, Japan.
Procris Pierced by Cephalus' Javelin sc443 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-procris-pierced-by-cephalus-javelin-sc443-135690225.htmlRMHTN67D–Procris Pierced by Cephalus' Javelin sc443
Martyrdom of St. Agnes by Zampieri Domenico said the Domenichino 1581 -1641 ( The very young martyr is described as she dies pierced in the throat on the orders of Aspasio, vicar of the prefect, whose son had been rejected by Agnese already devoted to chastity.) 17th century, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martyrdom-of-st-agnes-by-zampieri-domenico-said-the-domenichino-1581-1641-the-very-young-martyr-is-described-as-she-dies-pierced-in-the-throat-on-the-orders-of-aspasio-vicar-of-the-prefect-whose-son-had-been-rejected-by-agnese-already-devoted-to-chastity-17th-century-italy-italian-image227923731.htmlRMR6PR17–Martyrdom of St. Agnes by Zampieri Domenico said the Domenichino 1581 -1641 ( The very young martyr is described as she dies pierced in the throat on the orders of Aspasio, vicar of the prefect, whose son had been rejected by Agnese already devoted to chastity.) 17th century, Italy, Italian.
UK Scotland Glasgow School of Art interior roof structural timbers of Charles Rennie Mackintosh designed gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-uk-scotland-glasgow-school-of-art-interior-roof-structural-timbers-19779448.htmlRMB450TT–UK Scotland Glasgow School of Art interior roof structural timbers of Charles Rennie Mackintosh designed gallery
View through a Pierced Rock. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-through-a-pierced-rock-dated-probably-c-16451656-medium-etching-museum-national-gallery-of-art-washington-dc-author-allart-van-everdingen-image233244327.htmlRMRFD5EF–View through a Pierced Rock. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.
Later South Asian Galleries in the Metropolitan Museum of Art, NYC, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/later-south-asian-galleries-in-the-metropolitan-museum-of-art-nyc-usa-image219742176.htmlRMPNE3AT–Later South Asian Galleries in the Metropolitan Museum of Art, NYC, USA
Eros or Cupid street performer with pierced heart in Florence Italy bestows a kiss on a lucky female tourist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-eros-or-cupid-street-performer-with-pierced-heart-in-florence-italy-33828085.htmlRMBY101W–Eros or Cupid street performer with pierced heart in Florence Italy bestows a kiss on a lucky female tourist
Pierced Form (Epidauros) 1960 Guarea Wood Sculpture at Barbara Hepworth Museum & Sculpture Garden, Barnoon Hill, Saint Ives TR26 1AD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-form-epidauros-1960-guarea-wood-sculpture-at-barbara-hepworth-museum-sculpture-garden-barnoon-hill-saint-ives-tr26-1ad-image351107980.htmlRF2BB69PM–Pierced Form (Epidauros) 1960 Guarea Wood Sculpture at Barbara Hepworth Museum & Sculpture Garden, Barnoon Hill, Saint Ives TR26 1AD
A woman is burned at the stake and pierced with a sword against the backdrop of a building and landscape with people, a bridge over a stream, trees an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-is-burned-at-the-stake-and-pierced-with-a-sword-against-the-backdrop-of-a-building-and-landscape-with-people-a-bridge-over-a-stream-trees-an-image415590170.htmlRF2F43NE2–A woman is burned at the stake and pierced with a sword against the backdrop of a building and landscape with people, a bridge over a stream, trees an
stairs to the future Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stairs-to-the-future-52249098.htmlRFD10476–stairs to the future
Mold for Pierced Umbel Pendant MET 11.215.679 view 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mold-for-pierced-umbel-pendant-met-11215679-view-1-172278501.htmlRMM07XYH–Mold for Pierced Umbel Pendant MET 11.215.679 view 1
Pierced Tin Lantern, 1935/1942. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-tin-lantern-19351942-image485230337.htmlRM2K5C46W–Pierced Tin Lantern, 1935/1942.
Tilt-top table ca. 1785-90 Workshop of David Roentgen The circular top of this small table, or gueridon, has a pierced wood gallery with brass banding. It is supported by a fluted block above a pillar in the form of a stylized Ionic column with brass moldings. The top can be both turned horizontally and tipped up, and gilt-brass casters under the feet make the whole piece easy to move. The gallery is not only decorative, but it would also have prevented objects from sliding off the edge. The revolving top made it possible for a host to serve tea to a small company of guests in privacy, without Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tilt-top-table-ca-1785-90-workshop-of-david-roentgen-the-circular-top-of-this-small-table-or-gueridon-has-a-pierced-wood-gallery-with-brass-banding-it-is-supported-by-a-fluted-block-above-a-pillar-in-the-form-of-a-stylized-ionic-column-with-brass-moldings-the-top-can-be-both-turned-horizontally-and-tipped-up-and-gilt-brass-casters-under-the-feet-make-the-whole-piece-easy-to-move-the-gallery-is-not-only-decorative-but-it-would-also-have-prevented-objects-from-sliding-off-the-edge-the-revolving-top-made-it-possible-for-a-host-to-serve-tea-to-a-small-company-of-guests-in-privacy-without-image457770674.htmlRM2HGN74J–Tilt-top table ca. 1785-90 Workshop of David Roentgen The circular top of this small table, or gueridon, has a pierced wood gallery with brass banding. It is supported by a fluted block above a pillar in the form of a stylized Ionic column with brass moldings. The top can be both turned horizontally and tipped up, and gilt-brass casters under the feet make the whole piece easy to move. The gallery is not only decorative, but it would also have prevented objects from sliding off the edge. The revolving top made it possible for a host to serve tea to a small company of guests in privacy, without
London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-01-june-2019-rolf-buchholz-from-dortmund-germany-has-a-total-of-453-studs-and-rings-all-over-his-body-and-has-recently-been-acknowledged-by-guinness-as-the-most-pierced-man-in-the-worldvisiting-london-june-2019paul-quezada-neimanalamy-live-news-image255314872.htmlRMTRAGM8–London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News
Old frame house on Fair Oaks battlefield, pierced by hundreds of bullets, and used as a hospital by Hooker's Division. Brady's Album Gallery, no. 478, Entered according to Act of Congress, in the year 1862, by Barnard & Gibson, in the Clerk's Office of the District Court of the District of Columbia, Title from item, Stamped on verso: Nov. 28, 1949, source unknown, Digitized, 2014. Funding from The Center for Civil War Photography, Original glass negative may be available: LC-B815-478 (half stereo, cropped differently). Peninsular Campaign, Va, 1862, War damage, Virginia, Fair Oaks (Henrico Cou Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-frame-house-on-fair-oaks-battlefield-pierced-by-hundreds-of-bullets-and-used-as-a-hospital-by-hookers-division-bradys-album-gallery-no-478-entered-according-to-act-of-congress-in-the-year-1862-by-barnard-gibson-in-the-clerks-office-of-the-district-court-of-the-district-of-columbia-title-from-item-stamped-on-verso-nov-28-1949-source-unknown-digitized-2014-funding-from-the-center-for-civil-war-photography-original-glass-negative-may-be-available-lc-b815-478-half-stereo-cropped-differently-peninsular-campaign-va-1862-war-damage-virginia-fair-oaks-henrico-cou-image541229555.htmlRM2PCF3PY–Old frame house on Fair Oaks battlefield, pierced by hundreds of bullets, and used as a hospital by Hooker's Division. Brady's Album Gallery, no. 478, Entered according to Act of Congress, in the year 1862, by Barnard & Gibson, in the Clerk's Office of the District Court of the District of Columbia, Title from item, Stamped on verso: Nov. 28, 1949, source unknown, Digitized, 2014. Funding from The Center for Civil War Photography, Original glass negative may be available: LC-B815-478 (half stereo, cropped differently). Peninsular Campaign, Va, 1862, War damage, Virginia, Fair Oaks (Henrico Cou
Cricket cage, Ivory, silk (cord and tassel), Rectangular cage (a) with turned corner posts terminating in pointed finials at top, ball feet; pierced gallery around top edges; hinged door at one side; rectangular, partitioned 'food trough' in cage, next to door; two red and orange ivory birds sit on flat green perch suspended in cage. Orange silk cord attached to ring at top of cage, and decorated with orange and black tassel, flat ivory bird (b), and knotted green bands near tassel., Japan, India, late 19th century, containers, Decorative Arts, Cricket cage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cricket-cage-ivory-silk-cord-and-tassel-rectangular-cage-a-with-turned-corner-posts-terminating-in-pointed-finials-at-top-ball-feet-pierced-gallery-around-top-edges-hinged-door-at-one-side-rectangular-partitioned-food-trough-in-cage-next-to-door-two-red-and-orange-ivory-birds-sit-on-flat-green-perch-suspended-in-cage-orange-silk-cord-attached-to-ring-at-top-of-cage-and-decorated-with-orange-and-black-tassel-flat-ivory-bird-b-and-knotted-green-bands-near-tassel-japan-india-late-19th-century-containers-decorative-arts-cricket-cage-image391596949.htmlRM2DN2NW9–Cricket cage, Ivory, silk (cord and tassel), Rectangular cage (a) with turned corner posts terminating in pointed finials at top, ball feet; pierced gallery around top edges; hinged door at one side; rectangular, partitioned 'food trough' in cage, next to door; two red and orange ivory birds sit on flat green perch suspended in cage. Orange silk cord attached to ring at top of cage, and decorated with orange and black tassel, flat ivory bird (b), and knotted green bands near tassel., Japan, India, late 19th century, containers, Decorative Arts, Cricket cage
Albert Robida - Physeterum Pierced with Arrows - 1886 - (physetère percé de flèches) - Fish pierced with arrows Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-robida-physeterum-pierced-with-arrows-1886-physetre-perc-de-flches-fish-pierced-with-arrows-image547781975.htmlRF2PR5HDY–Albert Robida - Physeterum Pierced with Arrows - 1886 - (physetère percé de flèches) - Fish pierced with arrows
Incense burner, Silvered brass, Platform resting on four ball feet; incurving corners with leaf ornaments. Gallery which is set back of flange on platform is pierced in leaf design with solid panels at corners. On the platform are two square blocks each supporting a round column with lion masks and removable covers. Between the columns and attached to them is a globe; the lower half soiled and decorated with overlapping leaves; the upper half hinged to form a cover, has pierced pattern of circles and leaves and the portrait of a man., Mexico, 1823, metalwork, Decorative Arts, Incense burner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/incense-burner-silvered-brass-platform-resting-on-four-ball-feet-incurving-corners-with-leaf-ornaments-gallery-which-is-set-back-of-flange-on-platform-is-pierced-in-leaf-design-with-solid-panels-at-corners-on-the-platform-are-two-square-blocks-each-supporting-a-round-column-with-lion-masks-and-removable-covers-between-the-columns-and-attached-to-them-is-a-globe-the-lower-half-soiled-and-decorated-with-overlapping-leaves-the-upper-half-hinged-to-form-a-cover-has-pierced-pattern-of-circles-and-leaves-and-the-portrait-of-a-man-mexico-1823-metalwork-decorative-arts-incense-burner-image391268755.htmlRM2DMFR83–Incense burner, Silvered brass, Platform resting on four ball feet; incurving corners with leaf ornaments. Gallery which is set back of flange on platform is pierced in leaf design with solid panels at corners. On the platform are two square blocks each supporting a round column with lion masks and removable covers. Between the columns and attached to them is a globe; the lower half soiled and decorated with overlapping leaves; the upper half hinged to form a cover, has pierced pattern of circles and leaves and the portrait of a man., Mexico, 1823, metalwork, Decorative Arts, Incense burner
Admiral Lord Nelson, from the picture in the National Portrait Gallery at South Kensington, 1871. Engraving of a painting by Henry Füger. 'Oct. 21, 1805, was the day of his glorious death in the great sea-fight of Trafalgar; and it would be no unworthy errand, on either of these days, to go and look with affectionate reverence upon the hero's blue coat, enshrined in the Painted Hall of Greenwich Hospital, and pierced with the bullet-hole through which his noble life was smitten with the fatal wound. May England never want the inspiring presence of such men in the hour of battle-danger! Th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/admiral-lord-nelson-from-the-picture-in-the-national-portrait-gallery-at-south-kensington-1871-engraving-of-a-painting-by-henry-fxfcger-oct-21-1805-was-the-day-of-his-glorious-death-in-the-great-sea-fight-of-trafalgar-and-it-would-be-no-unworthy-errand-on-either-of-these-days-to-go-and-look-with-affectionate-reverence-upon-the-heros-blue-coat-enshrined-in-the-painted-hall-of-greenwich-hospital-and-pierced-with-the-bullet-hole-through-which-his-noble-life-was-smitten-with-the-fatal-wound-may-england-never-want-the-inspiring-presence-of-such-men-in-the-hour-of-battle-danger!-th-image621679937.htmlRM2Y3BY2W–Admiral Lord Nelson, from the picture in the National Portrait Gallery at South Kensington, 1871. Engraving of a painting by Henry Füger. 'Oct. 21, 1805, was the day of his glorious death in the great sea-fight of Trafalgar; and it would be no unworthy errand, on either of these days, to go and look with affectionate reverence upon the hero's blue coat, enshrined in the Painted Hall of Greenwich Hospital, and pierced with the bullet-hole through which his noble life was smitten with the fatal wound. May England never want the inspiring presence of such men in the hour of battle-danger! Th
Shinto Ohtake's 'Shipyard Works' sculpture at the Benesse House gallery, Naoshima, Japan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shinto-ohtakes-shipyard-works-sculpture-at-the-benesse-house-gallery-86688480.htmlRMF11014–Shinto Ohtake's 'Shipyard Works' sculpture at the Benesse House gallery, Naoshima, Japan.
Apples and grapes in a pierced bowl-james peale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apples-and-grapes-in-a-pierced-bowl-james-peale-132595682.htmlRMHKM742–Apples and grapes in a pierced bowl-james peale
Martyrdom of St. Agnes by Zampieri Domenico said the Domenichino 1581 -1641 ( The very young martyr is described as she dies pierced in the throat on the orders of Aspasio, vicar of the prefect, whose son had been rejected by Agnese already devoted to chastity.) 17th century, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martyrdom-of-st-agnes-by-zampieri-domenico-said-the-domenichino-1581-1641-the-very-young-martyr-is-described-as-she-dies-pierced-in-the-throat-on-the-orders-of-aspasio-vicar-of-the-prefect-whose-son-had-been-rejected-by-agnese-already-devoted-to-chastity-17th-century-italy-italian-image227923725.htmlRMR6PR11–Martyrdom of St. Agnes by Zampieri Domenico said the Domenichino 1581 -1641 ( The very young martyr is described as she dies pierced in the throat on the orders of Aspasio, vicar of the prefect, whose son had been rejected by Agnese already devoted to chastity.) 17th century, Italy, Italian.
Julius Klinger - First World War Loan - 1918 - Dragon pierced by eight arrows - Kriegsanleihe - War Bond Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/julius-klinger-first-world-war-loan-1918-dragon-pierced-by-eight-arrows-kriegsanleihe-war-bond-image543433023.htmlRF2PG3EA7–Julius Klinger - First World War Loan - 1918 - Dragon pierced by eight arrows - Kriegsanleihe - War Bond
Teller mit sinnbild und inschrift 1500 ein von einem Liebespfeil durchbohrtes Herz begeleitet die lateinische Warnung ode Aufforderung ( Denk daran ) Plate with symbol and inscription 1500 a heart pierced by a love arrow accompanies the Latin warning or request (remember) Munich Museum German, Germany, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-teller-mit-sinnbild-und-inschrift-1500-ein-von-einem-liebespfeil-durchbohrtes-125371971.htmlRMH7Y56B–Teller mit sinnbild und inschrift 1500 ein von einem Liebespfeil durchbohrtes Herz begeleitet die lateinische Warnung ode Aufforderung ( Denk daran ) Plate with symbol and inscription 1500 a heart pierced by a love arrow accompanies the Latin warning or request (remember) Munich Museum German, Germany,
![Minerva Holding a Spear and Shield [reverse]. Dated: probably 1485/1490. Medium: bronze//Four times pierced. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO DI GIORGIO MARTINI. Stock Photo](https://c8.alamy.com/comp/R306B6/minerva-holding-a-spear-and-shield-reverse-dated-probably-14851490-medium-bronzefour-times-pierced-museum-national-gallery-of-art-washington-dc-author-francesco-di-giorgio-martini-R306B6.jpg "Minerva Holding a Spear and Shield [reverse]. Dated: probably 1485/1490. Medium: bronze//Four times pierced. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO DI GIORGIO MARTINI. Stock Photo")
Minerva Holding a Spear and Shield [reverse]. Dated: probably 1485/1490. Medium: bronze//Four times pierced. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO DI GIORGIO MARTINI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minerva-holding-a-spear-and-shield-reverse-dated-probably-14851490-medium-bronzefour-times-pierced-museum-national-gallery-of-art-washington-dc-author-francesco-di-giorgio-martini-image225583770.htmlRMR306B6–Minerva Holding a Spear and Shield [reverse]. Dated: probably 1485/1490. Medium: bronze//Four times pierced. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO DI GIORGIO MARTINI.
Later South Asian Galleries in the Metropolitan Museum of Art, NYC, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/later-south-asian-galleries-in-the-metropolitan-museum-of-art-nyc-usa-image219742178.htmlRMPNE3AX–Later South Asian Galleries in the Metropolitan Museum of Art, NYC, USA
Pierced Form (Epidauros) 1960 Guarea Wood Sculpture at Barbara Hepworth Museum & Sculpture Garden, Barnoon Hill, Saint Ives TR26 1AD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-form-epidauros-1960-guarea-wood-sculpture-at-barbara-hepworth-museum-sculpture-garden-barnoon-hill-saint-ives-tr26-1ad-image351108206.htmlRF2BB6A2P–Pierced Form (Epidauros) 1960 Guarea Wood Sculpture at Barbara Hepworth Museum & Sculpture Garden, Barnoon Hill, Saint Ives TR26 1AD
Venus and Adonis 1586 by Paolo Caliari, known as Paolo Veronese (1528–1588), was an Italian Renaissance painter, Venice, Italy. ( Pierced by Cupid`s arrow, Venus Goddess of Love, had fallen in love with the handsome hunter Adonis ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-and-adonis-1586-by-paolo-caliari-known-as-paolo-veronese-15281588-was-an-italian-renaissance-painter-venice-italy-pierced-by-cupid`s-arrow-venus-goddess-of-love-had-fallen-in-love-with-the-handsome-hunter-adonis-image221298048.htmlRMPT0YWM–Venus and Adonis 1586 by Paolo Caliari, known as Paolo Veronese (1528–1588), was an Italian Renaissance painter, Venice, Italy. ( Pierced by Cupid`s arrow, Venus Goddess of Love, had fallen in love with the handsome hunter Adonis )
Photo Must Be Credited ©Alpha Press 080004 06/07/2016 Maisie Williams attends The Serpentine Summer Party 2016 at the Serpentine Gallery Kensington Gardens in London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-must-be-credited-alpha-press-080004-06072016-maisie-williams-image159480724.htmlRMK7CY84–Photo Must Be Credited ©Alpha Press 080004 06/07/2016 Maisie Williams attends The Serpentine Summer Party 2016 at the Serpentine Gallery Kensington Gardens in London
Mosque lamp 1570-1575. Ottoman dynasty Made in: Iznik Turkey Fragmented, three handles in the form of stylized serpents, with inscriptions, that on the neck being the Shahada. Made of black, cobalt, turquoise, red (bole), white painted and glazed and pierced ceramic, pottery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mosque-lamp-1570-1575-ottoman-dynasty-made-in-iznik-turkey-fragmented-137344672.htmlRMHYCGET–Mosque lamp 1570-1575. Ottoman dynasty Made in: Iznik Turkey Fragmented, three handles in the form of stylized serpents, with inscriptions, that on the neck being the Shahada. Made of black, cobalt, turquoise, red (bole), white painted and glazed and pierced ceramic, pottery.
Pierced Tin Lantern, c. 1941. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-tin-lantern-c-1941-image482102364.htmlRM2K09JDG–Pierced Tin Lantern, c. 1941.
Mold for Pierced Umbel Pendant MET 11.215.679 view 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mold-for-pierced-umbel-pendant-met-11215679-view-2-172278503.htmlRMM07XYK–Mold for Pierced Umbel Pendant MET 11.215.679 view 2
London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-01-june-2019-rolf-buchholz-from-dortmund-germany-has-a-total-of-453-studs-and-rings-all-over-his-body-and-has-recently-been-acknowledged-by-guinness-as-the-most-pierced-man-in-the-worldvisiting-london-june-2019paul-quezada-neimanalamy-live-news-image255314776.htmlRMTRAGGT–London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News
Stone mask depicting a man face. Teotihuacan, Mexico (300-650 AD). Funerary art. Museum of World Cultures. Barcelona, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stone-mask-depicting-a-man-face-teotihuacan-mexico-300-650-ad-funerary-art-museum-of-world-cultures-barcelona-spain-image376906530.htmlRM2CW5G3E–Stone mask depicting a man face. Teotihuacan, Mexico (300-650 AD). Funerary art. Museum of World Cultures. Barcelona, Spain.
H. Augustinus van Hippo; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. Hippo's sacred Augustinus, in bishop's robber, one with an arrow pierced heart in hand. He is accompanied by three angels, one of whom is the miter and the bishop's staff. Under the octagonal show a caption in Latin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/h-augustinus-van-hippo-les-plat-fonds-ou-les-tableaux-des-galleries-ceilings-or-gallery-pieces-hippos-sacred-augustinus-in-bishops-robber-one-with-an-arrow-pierced-heart-in-hand-he-is-accompanied-by-three-angels-one-of-whom-is-the-miter-and-the-bishops-staff-under-the-octagonal-show-a-caption-in-latin-image432395067.htmlRM2G3D88Y–H. Augustinus van Hippo; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. Hippo's sacred Augustinus, in bishop's robber, one with an arrow pierced heart in hand. He is accompanied by three angels, one of whom is the miter and the bishop's staff. Under the octagonal show a caption in Latin.
A dictionary of Greek and Roman antiquities.. . he wall just mentioned, which AMPHITHEATRUM. 87 was also pierced with windows. Above the outercorridor of this story is a mezzanine, or smallmiddle story, in front of which and above theinner colonnade were a few tiers of woodenbenches for the lowest class of spectators. Abovethis mezzanine was a gallery, which ran rightround the building, and the front of which is sup-posed to have been formed by a range of columns.It seems that the terrace formed by the top ofthis gallery would be also available for spectators.And, lastly, the very summit of th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dictionary-of-greek-and-roman-antiquities-he-wall-just-mentioned-which-amphitheatrum-87-was-also-pierced-with-windows-above-the-outercorridor-of-this-story-is-a-mezzanine-or-smallmiddle-story-in-front-of-which-and-above-theinner-colonnade-were-a-few-tiers-of-woodenbenches-for-the-lowest-class-of-spectators-abovethis-mezzanine-was-a-gallery-which-ran-rightround-the-building-and-the-front-of-which-is-sup-posed-to-have-been-formed-by-a-range-of-columnsit-seems-that-the-terrace-formed-by-the-top-ofthis-gallery-would-be-also-available-for-spectatorsand-lastly-the-very-summit-of-th-image339350222.htmlRM2AM2MJP–A dictionary of Greek and Roman antiquities.. . he wall just mentioned, which AMPHITHEATRUM. 87 was also pierced with windows. Above the outercorridor of this story is a mezzanine, or smallmiddle story, in front of which and above theinner colonnade were a few tiers of woodenbenches for the lowest class of spectators. Abovethis mezzanine was a gallery, which ran rightround the building, and the front of which is sup-posed to have been formed by a range of columns.It seems that the terrace formed by the top ofthis gallery would be also available for spectators.And, lastly, the very summit of th
Folding fan with double sheet of paper on which a round, cut stipple engraving depicting a seated woman surrounded by lovers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-folding-fan-with-double-sheet-of-paper-on-which-a-round-cut-stipple-77348357.htmlRMEDREH9–Folding fan with double sheet of paper on which a round, cut stipple engraving depicting a seated woman surrounded by lovers
red-backed shrike (Lanius collurio), male with caught shrew, Germany, Baden-Wuerttemberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-backed-shrike-lanius-collurio-male-with-caught-shrew-germany-baden-wuerttemberg-image344902897.htmlRM2B13K4H–red-backed shrike (Lanius collurio), male with caught shrew, Germany, Baden-Wuerttemberg
Shinto Ohtake's 'Shipyard Works' sculpture at the Benesse House gallery, Naoshima, Japan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shinto-ohtakes-shipyard-works-sculpture-at-the-benesse-house-gallery-86688481.htmlRMF11015–Shinto Ohtake's 'Shipyard Works' sculpture at the Benesse House gallery, Naoshima, Japan.
Oval Dish with Pierced Strapwork 82.9.16 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-dish-with-pierced-strapwork-82916-image64100974.htmlRMDM81CE–Oval Dish with Pierced Strapwork 82.9.16
Stone relief of bloody Mayan rite in the British Museum. Established in 1753, this is probably the largest and most famous museum in the world.Dedica Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stone-relief-of-bloody-mayan-rite-in-the-british-museum-established-in-1753-this-is-probably-the-largest-and-most-famous-museum-in-the-worlddedica-image450418807.htmlRM2H4P9NY–Stone relief of bloody Mayan rite in the British Museum. Established in 1753, this is probably the largest and most famous museum in the world.Dedica
Institut du Monde Arabe, South facade, Paris, 1987. Photosensitive window screens. Architect: Jean Nouvel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/institut-du-monde-arabe-south-facade-paris-1987-photosensitive-window-image3332891.htmlRMA1BR1C–Institut du Monde Arabe, South facade, Paris, 1987. Photosensitive window screens. Architect: Jean Nouvel
Coré (1955–6, cast 1960): Barbara Hepworth Sculpture Garden, St Ives, Cornwall, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cor-19556-cast-1960-barbara-hepworth-sculpture-garden-st-ives-cornwall-109506167.htmlRFGA4C6F–Coré (1955–6, cast 1960): Barbara Hepworth Sculpture Garden, St Ives, Cornwall, UK
Alfonso II d'Avalos, 1502-1546, Marquess of Vasto. Dimensions: overall (diameter): 6.6 cm (2 5/8 in.). Medium: lead//Four times pierced. Museum: National Gallery of Art, Washington DC. Author: Cesare da Bagno. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alfonso-ii-davalos-1502-1546-marquess-of-vasto-dimensions-overall-diameter-66-cm-2-58-in-medium-leadfour-times-pierced-museum-national-gallery-of-art-washington-dc-author-cesare-da-bagno-image225655652.htmlRMR33E2C–Alfonso II d'Avalos, 1502-1546, Marquess of Vasto. Dimensions: overall (diameter): 6.6 cm (2 5/8 in.). Medium: lead//Four times pierced. Museum: National Gallery of Art, Washington DC. Author: Cesare da Bagno.
Later South Asian Galleries in the Metropolitan Museum of Art, NYC, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/later-south-asian-galleries-in-the-metropolitan-museum-of-art-nyc-usa-image219742175.htmlRMPNE3AR–Later South Asian Galleries in the Metropolitan Museum of Art, NYC, USA
wild audience at goth rock concert dsc 5279 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wild-audience-at-goth-rock-concert-dsc-5279-image3999949.htmlRFA94TCE–wild audience at goth rock concert dsc 5279
The Metropolitan Museum of Art, NYC, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-metropolitan-museum-of-art-nyc-usa-image342077331.htmlRM2ATEY3F–The Metropolitan Museum of Art, NYC, USA
Photo Must Be Credited ©Alpha Press 080004 06/07/2016 Jamie Campbell Bower attends The Serpentine Summer Party 2016 at the Serpentine Gallery Kensington Gardens in London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-must-be-credited-alpha-press-080004-06072016-jamie-campbell-image159480649.htmlRMK7CY5D–Photo Must Be Credited ©Alpha Press 080004 06/07/2016 Jamie Campbell Bower attends The Serpentine Summer Party 2016 at the Serpentine Gallery Kensington Gardens in London
•Crucifixion of Jesus Christ and scenes from the life of Bishop Selama, Christ is offered vinegar on a sponge, his side is pierced with a spear by Longinus who rides a brown horse, the legs of crucified thief are broken. an angel collects Christ's blood. At the foot of the cross five figures are depicted (l-R) Mary, the Virgin Mary, St. John, Mary and Mary Magdalene. Below Christ's feet is the skull of Adam with Christ's blood falling into his mouth representing man's salvation through the blood of Christ. (Africa,Ethiopia,Adwa,Church of the Saviour of the World) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crucifixion-of-jesus-christ-and-scenes-from-the-life-of-bishop-selama-137514177.htmlRMHYM8MH–•Crucifixion of Jesus Christ and scenes from the life of Bishop Selama, Christ is offered vinegar on a sponge, his side is pierced with a spear by Longinus who rides a brown horse, the legs of crucified thief are broken. an angel collects Christ's blood. At the foot of the cross five figures are depicted (l-R) Mary, the Virgin Mary, St. John, Mary and Mary Magdalene. Below Christ's feet is the skull of Adam with Christ's blood falling into his mouth representing man's salvation through the blood of Christ. (Africa,Ethiopia,Adwa,Church of the Saviour of the World)
Pierced Iron Lantern, c. 1936. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-iron-lantern-c-1936-image444303465.htmlRM2GPRNGW–Pierced Iron Lantern, c. 1936.
Photo Must Be Credited ©Kate Green/Alpha Press 079965 03/02/2016 Isabella Bella Cruise Tyler Shields Decadence Private View Maddox Gallery London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-must-be-credited-kate-greenalpha-press-079965-03022016-isabella-image159578280.htmlRMK7HBM8–Photo Must Be Credited ©Kate Green/Alpha Press 079965 03/02/2016 Isabella Bella Cruise Tyler Shields Decadence Private View Maddox Gallery London
London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-01-june-2019-rolf-buchholz-from-dortmund-germany-has-a-total-of-453-studs-and-rings-all-over-his-body-and-has-recently-been-acknowledged-by-guinness-as-the-most-pierced-man-in-the-worldvisiting-london-june-2019paul-quezada-neimanalamy-live-news-image255314733.htmlRMTRAGF9–London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News
Photo Must Be Credited ©Alpha Press 080004 06/07/2016 Jamie Campbell Bower attends The Serpentine Summer Party 2016 at the Serpentine Gallery Kensington Gardens in London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-must-be-credited-alpha-press-080004-06072016-jamie-campbell-image159480643.htmlRMK7CY57–Photo Must Be Credited ©Alpha Press 080004 06/07/2016 Jamie Campbell Bower attends The Serpentine Summer Party 2016 at the Serpentine Gallery Kensington Gardens in London
London, UK. 9th February, 2015. The exhibition for Valentines includes ‘Love Struck’, a heart pierced by a crossbow bolt suspended in a sweet jar and ‘LOVE Gold’, a portfolio of love heart prints Credit: Rachel Megawhat/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-uk-9th-february-2015-the-exhibition-for-valentines-includes-78555568.htmlRMEFPEC0–London, UK. 9th February, 2015. The exhibition for Valentines includes ‘Love Struck’, a heart pierced by a crossbow bolt suspended in a sweet jar and ‘LOVE Gold’, a portfolio of love heart prints Credit: Rachel Megawhat/Alamy Live News
Photo Must Be Credited ©Kate Green/Alpha Press 079965 03/02/2016 Isabella Bella Cruise Tyler Shields Decadence Private View Maddox Gallery London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-must-be-credited-kate-greenalpha-press-079965-03022016-isabella-image159578283.htmlRMK7HBMB–Photo Must Be Credited ©Kate Green/Alpha Press 079965 03/02/2016 Isabella Bella Cruise Tyler Shields Decadence Private View Maddox Gallery London
A dictionary of Greek and Roman antiquities.. . ors in the wall just mentioned, which AMPHITHEATRUM. 87 was also pierced with windows. Above the outercorridor of this story is a mezzanine, or smallmiddle story, in front of which and above theinner colonnade were a few tiers of woodenbenches for the lowest class of spectators. Abovethis mezzanine was a gallery, which ran rightround the building, and the front of which is sup-posed to have been formed by a range of columns.It seems that the terrace formed by the top ofthis gallery would be also available for spectators.And, lastly, the very summ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dictionary-of-greek-and-roman-antiquities-ors-in-the-wall-just-mentioned-which-amphitheatrum-87-was-also-pierced-with-windows-above-the-outercorridor-of-this-story-is-a-mezzanine-or-smallmiddle-story-in-front-of-which-and-above-theinner-colonnade-were-a-few-tiers-of-woodenbenches-for-the-lowest-class-of-spectators-abovethis-mezzanine-was-a-gallery-which-ran-rightround-the-building-and-the-front-of-which-is-sup-posed-to-have-been-formed-by-a-range-of-columnsit-seems-that-the-terrace-formed-by-the-top-ofthis-gallery-would-be-also-available-for-spectatorsand-lastly-the-very-summ-image342761647.htmlRM2AWJ3YB–A dictionary of Greek and Roman antiquities.. . ors in the wall just mentioned, which AMPHITHEATRUM. 87 was also pierced with windows. Above the outercorridor of this story is a mezzanine, or smallmiddle story, in front of which and above theinner colonnade were a few tiers of woodenbenches for the lowest class of spectators. Abovethis mezzanine was a gallery, which ran rightround the building, and the front of which is sup-posed to have been formed by a range of columns.It seems that the terrace formed by the top ofthis gallery would be also available for spectators.And, lastly, the very summ
Photo Must Be Credited ©Kate Green/Alpha Press 079965 09/02/2016 Amber Le Bon Vogue 100 A Century of Style Private Opening National Portrait Gallery London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-must-be-credited-kate-greenalpha-press-079965-09022016-amber-image159578477.htmlRMK7HBY9–Photo Must Be Credited ©Kate Green/Alpha Press 079965 09/02/2016 Amber Le Bon Vogue 100 A Century of Style Private Opening National Portrait Gallery London
Shinto Ohtake's 'Shipyard Works' sculpture at the Benesse House gallery, Naoshima, Japan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shinto-ohtakes-shipyard-works-sculpture-at-the-benesse-house-gallery-86688478.htmlRMF11012–Shinto Ohtake's 'Shipyard Works' sculpture at the Benesse House gallery, Naoshima, Japan.
red-backed shrike (Lanius collurio), male with caught shrew, Germany, Baden-Wuerttemberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-backed-shrike-lanius-collurio-male-with-caught-shrew-germany-baden-wuerttemberg-image344903997.htmlRM2B13MFW–red-backed shrike (Lanius collurio), male with caught shrew, Germany, Baden-Wuerttemberg
Colonnaded loggia at Ca' d'Oro, Venice. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colonnaded-loggia-at-ca-doro-venice-73698208.htmlRME7W6PT–Colonnaded loggia at Ca' d'Oro, Venice.
A sheep with a sculpture entitled 'Three Piece Reclining Figure no. 1' by Henry Moore, Yorkshire Sculpture Park, West Yorkshire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-sheep-with-a-sculpture-entitled-three-piece-reclining-figure-no-25964191.htmlRMBE6NGF–A sheep with a sculpture entitled 'Three Piece Reclining Figure no. 1' by Henry Moore, Yorkshire Sculpture Park, West Yorkshire.
Folding fan with double sheet of paper on which a round, cut stipple engraving depicting a seated woman surrounded by reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folding-fan-with-double-sheet-of-paper-on-which-a-round-cut-stipple-engraving-depicting-a-seated-woman-surrounded-by-reimagined-image230483239.htmlRFRAYBM7–Folding fan with double sheet of paper on which a round, cut stipple engraving depicting a seated woman surrounded by reimagined
Self-Portrait. Dimensions: overall (diameter): 4.53 cm (1 13/16 in.) gross weight: 26.94 gr (0.059 lb.). Medium: bronze//Three times pierced. Museum: National Gallery of Art, Washington DC. Author: Alexander von Bruchsal. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-dimensions-overall-diameter-453-cm-1-1316-in-gross-weight-2694-gr-0059-lb-medium-bronzethree-times-pierced-museum-national-gallery-of-art-washington-dc-author-alexander-von-bruchsal-image225731109.htmlRMR36X99–Self-Portrait. Dimensions: overall (diameter): 4.53 cm (1 13/16 in.) gross weight: 26.94 gr (0.059 lb.). Medium: bronze//Three times pierced. Museum: National Gallery of Art, Washington DC. Author: Alexander von Bruchsal.
Pierced Metal Screen from Confessional, c. 1936. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-metal-screen-from-confessional-c-1936-image440326029.htmlRM2GGAG9H–Pierced Metal Screen from Confessional, c. 1936.
London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-01-june-2019-rolf-buchholz-from-dortmund-germany-has-a-total-of-453-studs-and-rings-all-over-his-body-and-has-recently-been-acknowledged-by-guinness-as-the-most-pierced-man-in-the-worldvisiting-london-june-2019paul-quezada-neimanalamy-live-news-image255314920.htmlRMTRAGP0–London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News
London, UK. 9th February, 2015. The exhibition for Valentines includes ‘Love Struck’, a heart pierced by a crossbow bolt suspended in a sweet jar and ‘LOVE Gold’, a portfolio of love heart prints Credit: Rachel Megawhat/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-uk-9th-february-2015-the-exhibition-for-valentines-includes-78555564.htmlRMEFPEBT–London, UK. 9th February, 2015. The exhibition for Valentines includes ‘Love Struck’, a heart pierced by a crossbow bolt suspended in a sweet jar and ‘LOVE Gold’, a portfolio of love heart prints Credit: Rachel Megawhat/Alamy Live News
The church in the catacombs : a description of the primitive church of Rome : illustrated by its sepulchral remains . The narrow passage of the gallery is oppositethe spectator. A more elevated vault was after-wards preferred, and a light-hole practised intimes of security. Although the ceiling thusproduced seems to furnish the original idea of a THE ORIGIN OF CHRISTIAN ART. 281. dome pierced at its summit, we must rememberthat the Pantheon had previously been constructed,exhibiting the form in question, fully developed.In fact, Michael Angelo is said to have borrowedthe idea of St. Peters fro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-church-in-the-catacombs-a-description-of-the-primitive-church-of-rome-illustrated-by-its-sepulchral-remains-the-narrow-passage-of-the-gallery-is-oppositethe-spectator-a-more-elevated-vault-was-after-wards-preferred-and-a-light-hole-practised-intimes-of-security-although-the-ceiling-thusproduced-seems-to-furnish-the-original-idea-of-a-the-origin-of-christian-art-281-dome-pierced-at-its-summit-we-must-rememberthat-the-pantheon-had-previously-been-constructedexhibiting-the-form-in-question-fully-developedin-fact-michael-angelo-is-said-to-have-borrowedthe-idea-of-st-peters-fro-image339380234.htmlRM2AM42XJ–The church in the catacombs : a description of the primitive church of Rome : illustrated by its sepulchral remains . The narrow passage of the gallery is oppositethe spectator. A more elevated vault was after-wards preferred, and a light-hole practised intimes of security. Although the ceiling thusproduced seems to furnish the original idea of a THE ORIGIN OF CHRISTIAN ART. 281. dome pierced at its summit, we must rememberthat the Pantheon had previously been constructed,exhibiting the form in question, fully developed.In fact, Michael Angelo is said to have borrowedthe idea of St. Peters fro
Photo Must Be Credited ©Kate Green/Alpha Press 079965 09/02/2016 Amber Le Bon Vogue 100 A Century of Style Private Opening National Portrait Gallery London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-must-be-credited-kate-greenalpha-press-079965-09022016-amber-image159578479.htmlRMK7HBYB–Photo Must Be Credited ©Kate Green/Alpha Press 079965 09/02/2016 Amber Le Bon Vogue 100 A Century of Style Private Opening National Portrait Gallery London
Colonnaded loggia at Ca' d'Oro, Venice. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colonnaded-loggia-at-ca-doro-venice-73698203.htmlRME7W6PK–Colonnaded loggia at Ca' d'Oro, Venice.
A sheep with a sculpture entitled 'Three Piece Reclining Figure no. 1' by Henry Moore, Yorkshire Sculpture Park, West Yorkshire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-sheep-with-a-sculpture-entitled-three-piece-reclining-figure-no-25906528.htmlRMBE4414–A sheep with a sculpture entitled 'Three Piece Reclining Figure no. 1' by Henry Moore, Yorkshire Sculpture Park, West Yorkshire.
Charles VIII, 1470-1498, King of France 1483. Dated: 1494/1495. Dimensions: overall (diameter): 9.5 cm (3 3/4 in.). Medium: bronze//Three times pierced. Museum: National Gallery of Art, Washington DC. Author: Niccolò Fiorentino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-viii-1470-1498-king-of-france-1483-dated-14941495-dimensions-overall-diameter-95-cm-3-34-in-medium-bronzethree-times-pierced-museum-national-gallery-of-art-washington-dc-author-niccol-fiorentino-image225654719.htmlRMR33CW3–Charles VIII, 1470-1498, King of France 1483. Dated: 1494/1495. Dimensions: overall (diameter): 9.5 cm (3 3/4 in.). Medium: bronze//Three times pierced. Museum: National Gallery of Art, Washington DC. Author: Niccolò Fiorentino.
Pierced Metal Screen Inside Confessional, c. 1936. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierced-metal-screen-inside-confessional-c-1936-image440326001.htmlRM2GGAG8H–Pierced Metal Screen Inside Confessional, c. 1936.
London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-01-june-2019-rolf-buchholz-from-dortmund-germany-has-a-total-of-453-studs-and-rings-all-over-his-body-and-has-recently-been-acknowledged-by-guinness-as-the-most-pierced-man-in-the-worldvisiting-london-june-2019paul-quezada-neimanalamy-live-news-image255314768.htmlRMTRAGGG–London 01 June 2019 Rolf Buchholz, from Dortmund, Germany has a total of 453 studs and rings all over his body, and has recently been acknowledged by Guinness as the most pierced man in the world.visiting London June 2019.Paul Quezada-Neiman/Alamy Live News
London, UK. 9th February, 2015. The exhibition for Valentines includes ‘Love Struck’, a heart pierced by a crossbow bolt suspended in a sweet jar and ‘LOVE Gold’, a portfolio of love heart prints Credit: Rachel Megawhat/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-uk-9th-february-2015-the-exhibition-for-valentines-includes-78555570.htmlRMEFPEC2–London, UK. 9th February, 2015. The exhibition for Valentines includes ‘Love Struck’, a heart pierced by a crossbow bolt suspended in a sweet jar and ‘LOVE Gold’, a portfolio of love heart prints Credit: Rachel Megawhat/Alamy Live News
![Chambers's encyclopaedia; a dictionary of universal knowledge for the people . of Architecture. But as the structure is not only rnucli morefrequent, but continued to be used to a much later period on the continent, we shall describeit as it may still be seen in al-most every little village alongthe banks ot the llhine. Thelowei- jiart of tlie A. is thereusually pierced by two or threerouml arched windows, often ofirregular size and height, overwhich there is invariably an ex-ternal gallery supported by pil-lars, ill the form of which therude idea of a Roman ]iillar isat once apparent; and the Stock Photo](https://c8.alamy.com/comp/2AXK317/chamberss-encyclopaedia-a-dictionary-of-universal-knowledge-for-the-people-of-architecture-but-as-the-structure-is-not-only-rnucli-morefrequent-but-continued-to-be-used-to-a-much-later-period-on-the-continent-we-shall-describeit-as-it-may-still-be-seen-in-al-most-every-little-village-alongthe-banks-ot-the-llhine-thelowei-jiart-of-tlie-a-is-thereusually-pierced-by-two-or-threerouml-arched-windows-often-ofirregular-size-and-height-overwhich-there-is-invariably-an-ex-ternal-gallery-supported-by-pil-lars-ill-the-form-of-which-therude-idea-of-a-roman-iillar-isat-once-apparent-and-the-2AXK317.jpg "Chambers's encyclopaedia; a dictionary of universal knowledge for the people . of Architecture. But as the structure is not only rnucli morefrequent, but continued to be used to a much later period on the continent, we shall describeit as it may still be seen in al-most every little village alongthe banks ot the llhine. Thelowei- jiart of tlie A. is thereusually pierced by two or threerouml arched windows, often ofirregular size and height, overwhich there is invariably an ex-ternal gallery supported by pil-lars, ill the form of which therude idea of a Roman ]iillar isat once apparent; and the Stock Photo")
Chambers's encyclopaedia; a dictionary of universal knowledge for the people . of Architecture. But as the structure is not only rnucli morefrequent, but continued to be used to a much later period on the continent, we shall describeit as it may still be seen in al-most every little village alongthe banks ot the llhine. Thelowei- jiart of tlie A. is thereusually pierced by two or threerouml arched windows, often ofirregular size and height, overwhich there is invariably an ex-ternal gallery supported by pil-lars, ill the form of which therude idea of a Roman ]iillar isat once apparent; and the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chamberss-encyclopaedia-a-dictionary-of-universal-knowledge-for-the-people-of-architecture-but-as-the-structure-is-not-only-rnucli-morefrequent-but-continued-to-be-used-to-a-much-later-period-on-the-continent-we-shall-describeit-as-it-may-still-be-seen-in-al-most-every-little-village-alongthe-banks-ot-the-llhine-thelowei-jiart-of-tlie-a-is-thereusually-pierced-by-two-or-threerouml-arched-windows-often-ofirregular-size-and-height-overwhich-there-is-invariably-an-ex-ternal-gallery-supported-by-pil-lars-ill-the-form-of-which-therude-idea-of-a-roman-iillar-isat-once-apparent-and-the-image343397523.htmlRM2AXK317–Chambers's encyclopaedia; a dictionary of universal knowledge for the people . of Architecture. But as the structure is not only rnucli morefrequent, but continued to be used to a much later period on the continent, we shall describeit as it may still be seen in al-most every little village alongthe banks ot the llhine. Thelowei- jiart of tlie A. is thereusually pierced by two or threerouml arched windows, often ofirregular size and height, overwhich there is invariably an ex-ternal gallery supported by pil-lars, ill the form of which therude idea of a Roman ]iillar isat once apparent; and the
Balcony Ca' d'Oro, Venice. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-balcony-ca-doro-venice-73697832.htmlRME7W69C–Balcony Ca' d'Oro, Venice.
Procris Pierced by Cephalus' Javelin. Dated: c. 1520/1522. Dimensions: overall: 144.1 x 123.2 cm (56 3/4 x 48 1/2 in.). Medium: fresco. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/procris-pierced-by-cephalus-javelin-dated-c-15201522-dimensions-overall-1441-x-1232-cm-56-34-x-48-12-in-medium-fresco-museum-national-gallery-of-art-washington-dc-author-bernardino-luini-image218675665.htmlRMPKNF15–Procris Pierced by Cephalus' Javelin. Dated: c. 1520/1522. Dimensions: overall: 144.1 x 123.2 cm (56 3/4 x 48 1/2 in.). Medium: fresco. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
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