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Philippe le bas Stock Photos and Images
Sweeping from Top to Bottom, Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sweeping-from-top-to-bottom-jacques-philippe-le-bas-162520648.htmlRMKCBCMT–Sweeping from Top to Bottom, Jacques Philippe Le Bas
Inspired by Morning, Nicolaes Berchem, Dutch, 1620–1683, Jacques Philippe Le Bas, French, 1707–1783, 1741, Etching, Made in Paris, France, Europe, Prints, image: 12 15/16 x 17 1/2 in. (32.9 x 44.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-morning-nicolaes-berchem-dutch-16201683-jacques-philippe-le-bas-french-17071783-1741-etching-made-in-paris-france-europe-prints-image-12-1516-x-17-12-in-329-x-445-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459281171.htmlRF2HK61PY–Inspired by Morning, Nicolaes Berchem, Dutch, 1620–1683, Jacques Philippe Le Bas, French, 1707–1783, 1741, Etching, Made in Paris, France, Europe, Prints, image: 12 15/16 x 17 1/2 in. (32.9 x 44.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Jean-Philippe Le Bas, after Hubert Drouais French school Robert Le Lorrain, (1666-1743), French Baroque sculptor Etched engraving 1730 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-philippe-le-bas-after-hubert-drouais-french-school-robert-le-113154138.htmlRMGG2H76–Jean-Philippe Le Bas, after Hubert Drouais French school Robert Le Lorrain, (1666-1743), French Baroque sculptor Etched engraving 1730
. English: Le Ballet des sens (5ème entrée) music composed by Jean-Joseph Mouret (1682 - 1738). Medium: Etching on paper . 1732. Engraver: Jacques Philippe Le Bas (1707-1783) 1098 Scene from Ballet des Sens by Mouret Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-le-ballet-des-sens-5me-entre-music-composed-by-jean-joseph-mouret-1682-1738-medium-etching-on-paper-1732-engraver-jacques-philippe-le-bas-1707-1783-1098-scene-from-ballet-des-sens-by-mouret-image185585671.htmlRMMNX4BK–. English: Le Ballet des sens (5ème entrée) music composed by Jean-Joseph Mouret (1682 - 1738). Medium: Etching on paper . 1732. Engraver: Jacques Philippe Le Bas (1707-1783) 1098 Scene from Ballet des Sens by Mouret
Panoramic view of the harbour of Marseille. From an engraving dated 1760 by engravers Charles Nicolas Cochin and Jacques-Philippe Le Bas, after the painting by Claude Joseph Vernet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panoramic-view-of-the-harbour-of-marseille-from-an-engraving-dated-1760-by-engravers-charles-nicolas-cochin-and-jacques-philippe-le-bas-after-the-painting-by-claude-joseph-vernet-image561607967.htmlRM2RHKCKB–Panoramic view of the harbour of Marseille. From an engraving dated 1760 by engravers Charles Nicolas Cochin and Jacques-Philippe Le Bas, after the painting by Claude Joseph Vernet.
Le tric-trac. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas after Charles Eisen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-tric-trac-medium-engraving-and-etching-museum-national-gallery-of-art-washington-dc-author-jacques-philippe-le-bas-after-charles-eisen-image225471226.htmlRMR2R2RP–Le tric-trac. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas after Charles Eisen.
'Le Chateau De Teniers', 1740. Creator: Jacques Philippe Le Bas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chateau-de-teniers-1740-creator-jacques-philippe-le-bas-image241346899.htmlRMT0J8C3–'Le Chateau De Teniers', 1740. Creator: Jacques Philippe Le Bas.
The Lisbon Earthquake 1755. Ruins of the Cathedral by Jacques-Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lisbon-earthquake-1755-ruins-of-the-cathedral-by-jacques-philippe-le-bas-1757-image425557902.htmlRM2FM9RCE–The Lisbon Earthquake 1755. Ruins of the Cathedral by Jacques-Philippe Le Bas, 1757
Opera do Tejo ruins by Jacques Philippe Le Bas 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-opera-do-tejo-ruins-by-jacques-philippe-le-bas-1757-134663484.htmlRMHR2CJ4–Opera do Tejo ruins by Jacques Philippe Le Bas 1757
Jacques-Philippe Le Bas - Courier de Flandres. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-philippe-le-bas-courier-de-flandres-image367348591.htmlRM2C9J4TF–Jacques-Philippe Le Bas - Courier de Flandres.
PHILIPPE LE BAS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-image236487660.htmlRFRMMXBT–PHILIPPE LE BAS
Destruction of the Irmin pillar, Irminsul or Erminsul, on the Eresburg on the Diemel, a sacred Saxon monument during the first Saxon Wars. Charles the Great ordered to the destruction to force the introduction of Christianity. This engraving comes from Paris around 1780 from the workshop of Jacques-Philippe Le Bas. As a template was used a drawing by Jean-Michel Moreau, also called Moreau le Jeune. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/destruction-of-the-irmin-pillar-irminsul-or-erminsul-on-the-eresburg-on-the-diemel-a-sacred-saxon-monument-during-the-first-saxon-wars-charles-the-great-ordered-to-the-destruction-to-force-the-introduction-of-christianity-this-engraving-comes-from-paris-around-1780-from-the-workshop-of-jacques-philippe-le-bas-as-a-template-was-used-a-drawing-by-jean-michel-moreau-also-called-moreau-le-jeune-image247150906.htmlRMTA2KE2–Destruction of the Irmin pillar, Irminsul or Erminsul, on the Eresburg on the Diemel, a sacred Saxon monument during the first Saxon Wars. Charles the Great ordered to the destruction to force the introduction of Christianity. This engraving comes from Paris around 1780 from the workshop of Jacques-Philippe Le Bas. As a template was used a drawing by Jean-Michel Moreau, also called Moreau le Jeune.
Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-philippe-le-bas-143458963.htmlRMJ9B3AB–Philippe Le Bas
![Casa da Opera = Sale de l'Opera. Author Le Bas, Jacques-Philippe 74.66.d.5. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.2 x 38 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FGJW/casa-da-opera-=-sale-de-lopera-author-le-bas-jacques-philippe-7466d5-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-292-x-38-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FGJW.jpg "Casa da Opera = Sale de l'Opera. Author Le Bas, Jacques-Philippe 74.66.d.5. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.2 x 38 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Casa da Opera = Sale de l'Opera. Author Le Bas, Jacques-Philippe 74.66.d.5. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.2 x 38 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casa-da-opera-=-sale-de-lopera-author-le-bas-jacques-philippe-7466d5-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-292-x-38-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401712721.htmlRM2E9FGJW–Casa da Opera = Sale de l'Opera. Author Le Bas, Jacques-Philippe 74.66.d.5. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.2 x 38 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Philippe Le Bas, / member of the Convention / from a sketch in pen by Louis David Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-member-of-the-convention-from-a-sketch-in-pen-by-louis-david-image349696480.htmlRM2B8X1C0–Philippe Le Bas, / member of the Convention / from a sketch in pen by Louis David
Teniers, David the Younger 15.12.1610 - 25.4.1690, Flemish painter, playing cello, with his family, coloured engraving by J. Philippe le Bas, um 1750/1760, after painting by David Teniers, private collection, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-teniers-david-the-younger-15121610-2541690-flemish-painter-playing-11918327.htmlRMA7WDTT–Teniers, David the Younger 15.12.1610 - 25.4.1690, Flemish painter, playing cello, with his family, coloured engraving by J. Philippe le Bas, um 1750/1760, after painting by David Teniers, private collection, , Artist's Copyright has not to be cleared
The End of the Fishing 1953 by Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-end-of-the-fishing-1953-by-jacques-philippe-le-bas-image591244955.htmlRM2W9WEY7–The End of the Fishing 1953 by Jacques Philippe Le Bas
Print, Le Métier à faire le Velours (The Velvet Loom); Engraved by Jacques-Philippe Le Bas (French, 1707–83); France; engraving on laid paper; 14.9 x 19.2 cm (5 7/8 x 7 9/16 in.), irregular. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-le-mtier-faire-le-velours-the-velvet-loom-engraved-by-jacques-philippe-le-bas-french-170783-france-engraving-on-laid-paper-149-x-192-cm-5-78-x-7-916-in-irregular-image546101502.htmlRM2PMD212–Print, Le Métier à faire le Velours (The Velvet Loom); Engraved by Jacques-Philippe Le Bas (French, 1707–83); France; engraving on laid paper; 14.9 x 19.2 cm (5 7/8 x 7 9/16 in.), irregular.
Portrait of Philippe-François-Joseph Le Bas (1762-1794), c. 1793. Artist: David, Jacques Louis (1748-1825) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-philippe-franois-joseph-le-bas-1762-1794-c-1793-artist-135276971.htmlRMHT2B4B–Portrait of Philippe-François-Joseph Le Bas (1762-1794), c. 1793. Artist: David, Jacques Louis (1748-1825)
Sweeping from Top to Bottom, Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sweeping-from-top-to-bottom-jacques-philippe-le-bas-162520661.htmlRMKCBCN9–Sweeping from Top to Bottom, Jacques Philippe Le Bas
Inspired by Preaching Christ (The Hundred Guilder Print), Le Seigneur guérissant les Malades, Recueil de quatre-vingt-cinq estampes originales, The print is part of an album., print maker: Jacques-Philippe Le Bas, Rembrandt van Rijn, Paris, 1717 - 1783 and/or 1807 - 1808, paper, etching, height 250, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-preaching-christ-the-hundred-guilder-print-le-seigneur-gurissant-les-malades-recueil-de-quatre-vingt-cinq-estampes-originales-the-print-is-part-of-an-album-print-maker-jacques-philippe-le-bas-rembrandt-van-rijn-paris-1717-1783-andor-1807-1808-paper-etching-height-250-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459370953.htmlRF2HKA49D–Inspired by Preaching Christ (The Hundred Guilder Print), Le Seigneur guérissant les Malades, Recueil de quatre-vingt-cinq estampes originales, The print is part of an album., print maker: Jacques-Philippe Le Bas, Rembrandt van Rijn, Paris, 1717 - 1783 and/or 1807 - 1808, paper, etching, height 250, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Jacques Philippe Le Bas, after Jacques-André-Joseph Aved French school Pierre-Jacques Cazes (1676-1754), French painter and artist Engraving 1730 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jacques-philippe-le-bas-after-jacques-andr-joseph-aved-french-school-113154066.htmlRMGG2H4J–Jacques Philippe Le Bas, after Jacques-André-Joseph Aved French school Pierre-Jacques Cazes (1676-1754), French painter and artist Engraving 1730
1078 Ruinas da Ópera do Tejo após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1078-ruinas-da-pera-do-tejo-aps-o-terramoto-de-1755-jacques-philippe-le-bas-1757-image185745913.htmlRMMP5CPH–1078 Ruinas da Ópera do Tejo após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757
Philippe-François-Joseph Le Bas, 1764 - 1794. French politician. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-franois-joseph-le-bas-1764-1794-french-politician-image402177979.htmlRM2EA8P37–Philippe-François-Joseph Le Bas, 1764 - 1794. French politician.
La comete. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas after Charles Eisen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-comete-medium-engraving-and-etching-museum-national-gallery-of-art-washington-dc-author-jacques-philippe-le-bas-after-charles-eisen-image225818135.htmlRMR3AW9B–La comete. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas after Charles Eisen.
The Good Education, 1753, (1885).Artist: Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-good-education-1753-1885artist-jacques-philippe-le-bas-11061463.htmlRMA4JBKM–The Good Education, 1753, (1885).Artist: Jacques Philippe Le Bas
The Lisbon Earthquake 1755. Ruins of the Patriarchal Church Square by Jacques-Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lisbon-earthquake-1755-ruins-of-the-patriarchal-church-square-by-jacques-philippe-le-bas-1757-image425557899.htmlRM2FM9RCB–The Lisbon Earthquake 1755. Ruins of the Patriarchal Church Square by Jacques-Philippe Le Bas, 1757
Jacques Philippe Le Bas after David Teniers the Younger Vue d'Anvers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jacques-philippe-le-bas-after-david-teniers-the-younger-vue-danvers-137442863.htmlRMHYH1NK–Jacques Philippe Le Bas after David Teniers the Younger Vue d'Anvers
Philippe Le Bas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-image410936419.htmlRM2ETFNGK–Philippe Le Bas.
![A beggar approaches a priest and gentlemen in conversation before the crumbling south side of Lisbon Cathedral. Four men clearing the rubble, fragments of capitals and columns in the foreground, with the ruins of the Church of Santo António in the background. Basilica de Santa Maria = La Cathedrale. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.4. Language: French. Stock Photo](https://c8.alamy.com/comp/R5G9B9/a-beggar-approaches-a-priest-and-gentlemen-in-conversation-before-the-crumbling-south-side-of-lisbon-cathedral-four-men-clearing-the-rubble-fragments-of-capitals-and-columns-in-the-foreground-with-the-ruins-of-the-church-of-santo-antnio-in-the-background-basilica-de-santa-maria-=-la-cathedrale-paris-jacques-philippe-le-bas-and-jacques-franois-blondel-1757-source-maps-ktop7466d4-language-french-R5G9B9.jpg "A beggar approaches a priest and gentlemen in conversation before the crumbling south side of Lisbon Cathedral. Four men clearing the rubble, fragments of capitals and columns in the foreground, with the ruins of the Church of Santo António in the background. Basilica de Santa Maria = La Cathedrale. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.4. Language: French. Stock Photo")
A beggar approaches a priest and gentlemen in conversation before the crumbling south side of Lisbon Cathedral. Four men clearing the rubble, fragments of capitals and columns in the foreground, with the ruins of the Church of Santo António in the background. Basilica de Santa Maria = La Cathedrale. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.4. Language: French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-beggar-approaches-a-priest-and-gentlemen-in-conversation-before-the-crumbling-south-side-of-lisbon-cathedral-four-men-clearing-the-rubble-fragments-of-capitals-and-columns-in-the-foreground-with-the-ruins-of-the-church-of-santo-antnio-in-the-background-basilica-de-santa-maria-=-la-cathedrale-paris-jacques-philippe-le-bas-and-jacques-franois-blondel-1757-source-maps-ktop7466d4-language-french-image227166669.htmlRMR5G9B9–A beggar approaches a priest and gentlemen in conversation before the crumbling south side of Lisbon Cathedral. Four men clearing the rubble, fragments of capitals and columns in the foreground, with the ruins of the Church of Santo António in the background. Basilica de Santa Maria = La Cathedrale. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.4. Language: French.
Court festival of the Frankish royal court under Pippin the Short, who was born around 715 AD and became king in 751 AD. King Pippin sits in the background on the left with the bishop and some followers. An engraving from Paris made around 1780 in the workshop of Jacques-Philippe Le Bas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/court-festival-of-the-frankish-royal-court-under-pippin-the-short-who-was-born-around-715-ad-and-became-king-in-751-ad-king-pippin-sits-in-the-background-on-the-left-with-the-bishop-and-some-followers-an-engraving-from-paris-made-around-1780-in-the-workshop-of-jacques-philippe-le-bas-image247160060.htmlRMTA3350–Court festival of the Frankish royal court under Pippin the Short, who was born around 715 AD and became king in 751 AD. King Pippin sits in the background on the left with the bishop and some followers. An engraving from Paris made around 1780 in the workshop of Jacques-Philippe Le Bas.
Philippe Le Bas attending the 'Make Up For Ever' Party at Yoyo in Paris, France on September 24, 2014. Photo by Jerome Domine/ABACAPRESS.COM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-attending-the-make-up-for-ever-party-at-yoyo-in-paris-france-on-september-24-2014-photo-by-jerome-domineabacapresscom-image394814452.htmlRM2DX99T4–Philippe Le Bas attending the 'Make Up For Ever' Party at Yoyo in Paris, France on September 24, 2014. Photo by Jerome Domine/ABACAPRESS.COM
![PracÃßa da Patriarchal = Place de la Patriarchale. Author Le Bas, Jacques-Philippe 74.66.d.7. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.5 x 38.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FGK0/praca-da-patriarchal-=-place-de-la-patriarchale-author-le-bas-jacques-philippe-7466d7-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-295-x-383-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FGK0.jpg "PracÃßa da Patriarchal = Place de la Patriarchale. Author Le Bas, Jacques-Philippe 74.66.d.7. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.5 x 38.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
PracÃßa da Patriarchal = Place de la Patriarchale. Author Le Bas, Jacques-Philippe 74.66.d.7. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.5 x 38.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/praca-da-patriarchal-=-place-de-la-patriarchale-author-le-bas-jacques-philippe-7466d7-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-295-x-383-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401712724.htmlRM2E9FGK0–PracÃßa da Patriarchal = Place de la Patriarchale. Author Le Bas, Jacques-Philippe 74.66.d.7. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.5 x 38.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Philippe Le Bas, / member of the Convention / from a sketch in pen by Louis David Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-member-of-the-convention-from-a-sketch-in-pen-by-louis-david-image349696508.htmlRM2B8X1D0–Philippe Le Bas, / member of the Convention / from a sketch in pen by Louis David
dance, fun fair dance in a tavern, copper engraving by J. Philippe le Bas after painting by Richard Brackenburg, 18th century, private collection, people, party, festivity, historic, historical, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dance-fun-fair-dance-in-a-tavern-copper-engraving-by-j-philippe-le-27997945.htmlRMBHFBJH–dance, fun fair dance in a tavern, copper engraving by J. Philippe le Bas after painting by Richard Brackenburg, 18th century, private collection, people, party, festivity, historic, historical, Artist's Copyright has not to be cleared
L'Assomption 1962 by Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lassomption-1962-by-jacques-philippe-le-bas-image575935779.htmlRM2TD03XY–L'Assomption 1962 by Jacques Philippe Le Bas
Defile de Philippe II Auguste (1165-1223) dans les rues de Paris, apres la victoire de l'armee francaise contre les flamands et Welfs de Othon IV lors de la bataille de Bouvines, 1214. Le roi de France tient le sceptre de l'Aigle imperial, symbole du Saint empire romain germanique. Derriere son char, Ferrand comte de Flandre (1188-1233), fait prisonnier. Gravure de Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18eme siecle. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/defile-de-philippe-ii-auguste-1165-1223-dans-les-rues-de-paris-apres-la-victoire-de-larmee-francaise-contre-les-flamands-et-welfs-de-othon-iv-lors-de-la-bataille-de-bouvines-1214-le-roi-de-france-tient-le-sceptre-de-laigle-imperial-symbole-du-saint-empire-romain-germanique-derriere-son-char-ferrand-comte-de-flandre-1188-1233-fait-prisonnier-gravure-de-jean-michel-moreau-dit-moreau-le-jeune-1741-1814-18eme-siecle-figures-de-lhistoire-de-france-dessines-par-moreau-le-jeune-lpici-et-monnet-graves-par-le-bas-avec-notices-de-labb-jean-jacques-garnier-1785-colorisat-image502759336.htmlRM2M5XJJG–Defile de Philippe II Auguste (1165-1223) dans les rues de Paris, apres la victoire de l'armee francaise contre les flamands et Welfs de Othon IV lors de la bataille de Bouvines, 1214. Le roi de France tient le sceptre de l'Aigle imperial, symbole du Saint empire romain germanique. Derriere son char, Ferrand comte de Flandre (1188-1233), fait prisonnier. Gravure de Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18eme siecle. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisat
Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), from Le Cris de Paris (The Cries of Paris), plate 3, 18th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reverse-copy-of-a-racomoder-les-vieux-souflets-mend-the-old-bellows-from-le-cris-de-paris-the-cries-of-paris-plate-3-18th-century-image349005380.htmlRM2B7PFWT–Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), from Le Cris de Paris (The Cries of Paris), plate 3, 18th century.
Pensant-ils au Raisin? (Are They Thinking About the Grape?), Jacques Philippe Le Bas, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pensant-ils-au-raisin-are-they-thinking-about-the-grape-jacques-philippe-162521393.htmlRMKCBDKD–Pensant-ils au Raisin? (Are They Thinking About the Grape?), Jacques Philippe Le Bas, 18th century
Art inspired by L'Assomption, Etching and engraving, sheet: 7 1/2 x 4 3/4 in. (19 x 12 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lassomption-etching-and-engraving-sheet-7-12-x-4-34-in-19-x-12-cm-prints-jacques-philippe-le-bas-french-paris-17071783-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462810044.htmlRF2HTXPX4–Art inspired by L'Assomption, Etching and engraving, sheet: 7 1/2 x 4 3/4 in. (19 x 12 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Students of Philippe Le Bas, vintage engraved illustration. Magasin Pittoresque 1870. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-students-of-philippe-le-bas-vintage-engraved-illustration-magasin-pittoresque-1870-image363156853.htmlRF2C2R67H–The Students of Philippe Le Bas, vintage engraved illustration. Magasin Pittoresque 1870.
1078 Ruinas da Praça da Patriarcal após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1078-ruinas-da-praa-da-patriarcal-aps-o-terramoto-de-1755-jacques-philippe-le-bas-1757-image185745908.htmlRMMP5CPC–1078 Ruinas da Praça da Patriarcal após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757
French workers' union General Confederation of Labour (CGT) Secretary-General Philippe Martinez (3rd L) and s French National Union of Students of France (UNEF) General Delegate, Lila Le Bas (1st L) attend a demonstration as part of a nationwide protest day against the government's economic and social reforms, on November 16, 2017 in Paris. (Photo by Michel Stoupak/NurPhoto) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-workers-union-general-confederation-of-labour-cgt-secretary-general-philippe-martinez-3rd-l-and-s-french-national-union-of-students-of-france-unef-general-delegate-lila-le-bas-1st-l-attend-a-demonstration-as-part-of-a-nationwide-protest-day-against-the-governments-economic-and-social-reforms-on-november-16-2017-in-paris-photo-by-michel-stoupaknurphoto-image488573645.htmlRM2KATCJN–French workers' union General Confederation of Labour (CGT) Secretary-General Philippe Martinez (3rd L) and s French National Union of Students of France (UNEF) General Delegate, Lila Le Bas (1st L) attend a demonstration as part of a nationwide protest day against the government's economic and social reforms, on November 16, 2017 in Paris. (Photo by Michel Stoupak/NurPhoto)
Gazel (Gazelle). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gazel-gazelle-medium-etching-finished-with-burin-museum-national-gallery-of-art-washington-dc-author-jacques-philippe-le-bas-and-jean-eric-rehn-after-jean-baptiste-oudry-image225583854.htmlRMR306E6–Gazel (Gazelle). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry.
Galileo Galilei, Italian astronomer and mathematician, 1609 (1747). Artist: Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/galileo-galilei-italian-astronomer-and-mathematician-1609-1747-artist-jacques-philippe-le-bas-image262740254.htmlRMW7CRTE–Galileo Galilei, Italian astronomer and mathematician, 1609 (1747). Artist: Jacques Philippe Le Bas
The Lisbon Earthquake 1755. Ruins of the Church of St Nicholas by Jacques-Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lisbon-earthquake-1755-ruins-of-the-church-of-st-nicholas-by-jacques-philippe-le-bas-1757-image425557910.htmlRM2FM9RCP–The Lisbon Earthquake 1755. Ruins of the Church of St Nicholas by Jacques-Philippe Le Bas, 1757
Ruinas da Ópera do Tejo após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ruinas-da-pera-do-tejo-aps-o-terramoto-de-1755-jacques-philippe-le-137915692.htmlRMJ0AGTC–Ruinas da Ópera do Tejo após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757
Philippe Le Bas (1762-1794). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-1762-1794-image410936394.htmlRM2ETFNFP–Philippe Le Bas (1762-1794).
![Groups of figures promenade under the destroyed pit of the Opera House in Lisbon on the left. A lady and her retinue enter the ruins from the right through a gateway secured by wooden struts propped against the walls, with the arch of the proscenium standing in the background. Casa da Opera = Sale de l'Opera. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.5. Language: French. Stock Photo](https://c8.alamy.com/comp/R5CCD2/groups-of-figures-promenade-under-the-destroyed-pit-of-the-opera-house-in-lisbon-on-the-left-a-lady-and-her-retinue-enter-the-ruins-from-the-right-through-a-gateway-secured-by-wooden-struts-propped-against-the-walls-with-the-arch-of-the-proscenium-standing-in-the-background-casa-da-opera-=-sale-de-lopera-paris-jacques-philippe-le-bas-and-jacques-franois-blondel-1757-source-maps-ktop7466d5-language-french-R5CCD2.jpg "Groups of figures promenade under the destroyed pit of the Opera House in Lisbon on the left. A lady and her retinue enter the ruins from the right through a gateway secured by wooden struts propped against the walls, with the arch of the proscenium standing in the background. Casa da Opera = Sale de l'Opera. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.5. Language: French. Stock Photo")
Groups of figures promenade under the destroyed pit of the Opera House in Lisbon on the left. A lady and her retinue enter the ruins from the right through a gateway secured by wooden struts propped against the walls, with the arch of the proscenium standing in the background. Casa da Opera = Sale de l'Opera. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.5. Language: French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/groups-of-figures-promenade-under-the-destroyed-pit-of-the-opera-house-in-lisbon-on-the-left-a-lady-and-her-retinue-enter-the-ruins-from-the-right-through-a-gateway-secured-by-wooden-struts-propped-against-the-walls-with-the-arch-of-the-proscenium-standing-in-the-background-casa-da-opera-=-sale-de-lopera-paris-jacques-philippe-le-bas-and-jacques-franois-blondel-1757-source-maps-ktop7466d5-language-french-image227081262.htmlRMR5CCD2–Groups of figures promenade under the destroyed pit of the Opera House in Lisbon on the left. A lady and her retinue enter the ruins from the right through a gateway secured by wooden struts propped against the walls, with the arch of the proscenium standing in the background. Casa da Opera = Sale de l'Opera. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.5. Language: French.
This copper engraving shows the destruction of the Irminsul (or Erminsaeule) on the Eresburg on the Diemel, a sacred Saxon monument, in the course of the Saxon Wars of Charles the Great. The aim of the Saxon Wars was the compulsory conversion of the Saxons. The engraving comes from the workshop of Jacques-Philippe Le Bas / Lebas after a drawing by Jean-Michel Moreau le Jeune from Paris around 1780. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-copper-engraving-shows-the-destruction-of-the-irminsul-or-erminsaeule-on-the-eresburg-on-the-diemel-a-sacred-saxon-monument-in-the-course-of-the-saxon-wars-of-charles-the-great-the-aim-of-the-saxon-wars-was-the-compulsory-conversion-of-the-saxons-the-engraving-comes-from-the-workshop-of-jacques-philippe-le-bas-lebas-after-a-drawing-by-jean-michel-moreau-le-jeune-from-paris-around-1780-image247182108.htmlRMTA438C–This copper engraving shows the destruction of the Irminsul (or Erminsaeule) on the Eresburg on the Diemel, a sacred Saxon monument, in the course of the Saxon Wars of Charles the Great. The aim of the Saxon Wars was the compulsory conversion of the Saxons. The engraving comes from the workshop of Jacques-Philippe Le Bas / Lebas after a drawing by Jean-Michel Moreau le Jeune from Paris around 1780.
Philippe Le Bas attending the 'Make Up For Ever' Party at Yoyo in Paris, France on September 24, 2014. Photo by Jerome Domine/ABACAPRESS.COM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-attending-the-make-up-for-ever-party-at-yoyo-in-paris-france-on-september-24-2014-photo-by-jerome-domineabacapresscom-image394814402.htmlRM2DX99PA–Philippe Le Bas attending the 'Make Up For Ever' Party at Yoyo in Paris, France on September 24, 2014. Photo by Jerome Domine/ABACAPRESS.COM
![Igreja de S. Paulo = Eglise de S. Paul. Author Le Bas, Jacques-Philippe 74.66.d.3. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.6 x 38.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FGJT/igreja-de-s-paulo-=-eglise-de-s-paul-author-le-bas-jacques-philippe-7466d3-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-296-x-383-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FGJT.jpg "Igreja de S. Paulo = Eglise de S. Paul. Author Le Bas, Jacques-Philippe 74.66.d.3. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.6 x 38.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Igreja de S. Paulo = Eglise de S. Paul. Author Le Bas, Jacques-Philippe 74.66.d.3. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.6 x 38.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-s-paulo-=-eglise-de-s-paul-author-le-bas-jacques-philippe-7466d3-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-296-x-383-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401712720.htmlRM2E9FGJT–Igreja de S. Paulo = Eglise de S. Paul. Author Le Bas, Jacques-Philippe 74.66.d.3. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.6 x 38.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Philippe Le Bas, / member of the Convention / from a sketch in pen by Louis David Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-member-of-the-convention-from-a-sketch-in-pen-by-louis-david-image349696498.htmlRM2B8X1CJ–Philippe Le Bas, / member of the Convention / from a sketch in pen by Louis David
©Sebastien Muylaert/MAXPPP - Paris 07/05/2022 Philippe Bas et Roselyne Bachelot dans la cour de l'Elysee, pour assister à la cérémonie d'investiture d'Emmanuel Macron à la présidence de la Republique, suite a sa reelection le 24 avril dernier. Paris, 07.05.2022 - France, Paris, 2022-05-07. Inauguration ceremony of the President of the French Republic, Mr Emmanuel Macron, at the Elysee Palace. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sebastien-muylaertmaxppp-paris-07052022-philippe-bas-et-roselyne-bachelot-dans-la-cour-de-lelysee-pour-assister-la-crmonie-dinvestiture-demmanuel-macron-la-prsidence-de-la-republique-suite-a-sa-reelection-le-24-avril-dernier-paris-07052022-france-paris-2022-05-07-inauguration-ceremony-of-the-president-of-the-french-republic-mr-emmanuel-macron-at-the-elysee-palace-image486576355.htmlRM2K7HD2Y– ©Sebastien Muylaert/MAXPPP - Paris 07/05/2022 Philippe Bas et Roselyne Bachelot dans la cour de l'Elysee, pour assister à la cérémonie d'investiture d'Emmanuel Macron à la présidence de la Republique, suite a sa reelection le 24 avril dernier. Paris, 07.05.2022 - France, Paris, 2022-05-07. Inauguration ceremony of the President of the French Republic, Mr Emmanuel Macron, at the Elysee Palace.
Frontispiece 1953 by Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frontispiece-1953-by-jacques-philippe-le-bas-image575935781.htmlRM2TD03Y1–Frontispiece 1953 by Jacques Philippe Le Bas
Normandy's attachment to France in 1203 - Attachement de la Normandie a la France en 1203 : gravure represente Jean Sans Terre (1167-1216) recevant la nouvelle de la conquete de Rouen par le roi de France Philippe Auguste. Gravure de Moreau le jeune, 1782. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisation digitale d'apres l'originale - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/normandys-attachment-to-france-in-1203-attachement-de-la-normandie-a-la-france-en-1203-gravure-represente-jean-sans-terre-1167-1216-recevant-la-nouvelle-de-la-conquete-de-rouen-par-le-roi-de-france-philippe-auguste-gravure-de-moreau-le-jeune-1782-figures-de-lhistoire-de-france-dessines-par-moreau-le-jeune-lpici-et-monnet-graves-par-le-bas-avec-notices-de-labb-jean-jacques-garnier-1785-colorisation-digitale-dapres-loriginale-image502759160.htmlRM2M5XJC8–Normandy's attachment to France in 1203 - Attachement de la Normandie a la France en 1203 : gravure represente Jean Sans Terre (1167-1216) recevant la nouvelle de la conquete de Rouen par le roi de France Philippe Auguste. Gravure de Moreau le jeune, 1782. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisation digitale d'apres l'originale -
The Stag Hunt, from Pastoral Hunting Scenes, Aubusson, c. 1775. Presumably woven at the workshop of Léonard Roby, France, after an engraving by Jacques Philippe Lebas after Philips Wouwerman. Detail from a larger artwork. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-stag-hunt-from-pastoral-hunting-scenes-aubusson-c-1775-presumably-woven-at-the-workshop-of-lxe9onard-roby-france-after-an-engraving-by-jacques-philippe-lebas-after-philips-wouwerman-detail-from-a-larger-artwork-image457049989.htmlRM2HFGBWW–The Stag Hunt, from Pastoral Hunting Scenes, Aubusson, c. 1775. Presumably woven at the workshop of Léonard Roby, France, after an engraving by Jacques Philippe Lebas after Philips Wouwerman. Detail from a larger artwork.
Pensant-ils au Raisin? (Are They Thinking About the Grape?), Jacques Philippe Le Bas, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pensant-ils-au-raisin-are-they-thinking-about-the-grape-jacques-philippe-162521336.htmlRMKCBDHC–Pensant-ils au Raisin? (Are They Thinking About the Grape?), Jacques Philippe Le Bas, 18th century
Art inspired by Frontispiece, Etching and Engraving, sheet: 6 1/4 x 3 9/16 in. (15.8 x 9.1 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-frontispiece-etching-and-engraving-sheet-6-14-x-3-916-in-158-x-91-cm-prints-jacques-philippe-le-bas-french-paris-17071783-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462810030.htmlRF2HTXPWJ–Art inspired by Frontispiece, Etching and Engraving, sheet: 6 1/4 x 3 9/16 in. (15.8 x 9.1 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Prom at Philippe Le Bas, vintage engraved illustration. Magasin Pittoresque 1870. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-prom-at-philippe-le-bas-vintage-engraved-illustration-magasin-pittoresque-1870-image363156981.htmlRF2C2R6C5–A Prom at Philippe Le Bas, vintage engraved illustration. Magasin Pittoresque 1870.
1078 Ruinas da Sé de Lisboa após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1078-ruinas-da-s-de-lisboa-aps-o-terramoto-de-1755-jacques-philippe-le-bas-1757-image185745910.htmlRMMP5CPE–1078 Ruinas da Sé de Lisboa após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757
The fair at Venice, 18th century. A bustling fair with charlatan selling medical potions, palmreader, pastry seller, Punch and Judy show. Foire de Venise. Lithograph after a painting by Charles Parrocel from Henry Rene d’Allemagne’s Recreations et Passe-Temps, Games and Pastimes, Hachette, Paris, 1906. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fair-at-venice-18th-century-a-bustling-fair-with-charlatan-selling-medical-potions-palmreader-pastry-seller-punch-and-judy-show-foire-de-venise-lithograph-after-a-painting-by-charles-parrocel-from-henry-rene-dallemagnes-recreations-et-passe-temps-games-and-pastimes-hachette-paris-1906-image458767458.htmlRM2HJAJG2–The fair at Venice, 18th century. A bustling fair with charlatan selling medical potions, palmreader, pastry seller, Punch and Judy show. Foire de Venise. Lithograph after a painting by Charles Parrocel from Henry Rene d’Allemagne’s Recreations et Passe-Temps, Games and Pastimes, Hachette, Paris, 1906.
Loucervier (Hyena). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loucervier-hyena-medium-etching-finished-with-burin-museum-national-gallery-of-art-washington-dc-author-jacques-philippe-le-bas-and-jean-eric-rehn-after-jean-baptiste-oudry-image225511612.htmlRMR2TXA4–Loucervier (Hyena). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry.
Drinks Vendor, Series: Cries of Paris: Second Set (Études Prises dans le Bas Peuple où les Cris de Paris: Deuxième Suite) by Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), 1737 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drinks-vendor-series-cries-of-paris-second-set-tudes-prises-dans-le-168222103.htmlRMKNK507–Drinks Vendor, Series: Cries of Paris: Second Set (Études Prises dans le Bas Peuple où les Cris de Paris: Deuxième Suite) by Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), 1737
The Lisbon Earthquake 1755. Ruins of the Patriarchal Church Square by Jacques-Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lisbon-earthquake-1755-ruins-of-the-patriarchal-church-square-by-jacques-philippe-le-bas-1757-image425557897.htmlRM2FM9RC9–The Lisbon Earthquake 1755. Ruins of the Patriarchal Church Square by Jacques-Philippe Le Bas, 1757
Ruinas da Sé de Lisboa após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ruinas-da-s-de-lisboa-aps-o-terramoto-de-1755-jacques-philippe-le-137915696.htmlRMJ0AGTG–Ruinas da Sé de Lisboa após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757
Opera do Tejo ruins by Jacques Philippe Le Bas 1757. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/opera-do-tejo-ruins-by-jacques-philippe-le-bas-1757-image405614764.htmlRM2EFW9NG–Opera do Tejo ruins by Jacques Philippe Le Bas 1757.
![A group of figures including two men dressed in Oriental costume and a priest promenade among the ruins of the Church of St. Nicholas in Lisbon, with the West façade and North side still standing and rubble scattered in the nave. Other buildings in ruins in the background. Igreja de S. Nicolau = Eglise de S. Nicolas. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.6. Language: French. Stock Photo](https://c8.alamy.com/comp/R5AYC4/a-group-of-figures-including-two-men-dressed-in-oriental-costume-and-a-priest-promenade-among-the-ruins-of-the-church-of-st-nicholas-in-lisbon-with-the-west-faade-and-north-side-still-standing-and-rubble-scattered-in-the-nave-other-buildings-in-ruins-in-the-background-igreja-de-s-nicolau-=-eglise-de-s-nicolas-paris-jacques-philippe-le-bas-and-jacques-franois-blondel-1757-source-maps-ktop7466d6-language-french-R5AYC4.jpg "A group of figures including two men dressed in Oriental costume and a priest promenade among the ruins of the Church of St. Nicholas in Lisbon, with the West façade and North side still standing and rubble scattered in the nave. Other buildings in ruins in the background. Igreja de S. Nicolau = Eglise de S. Nicolas. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.6. Language: French. Stock Photo")
A group of figures including two men dressed in Oriental costume and a priest promenade among the ruins of the Church of St. Nicholas in Lisbon, with the West façade and North side still standing and rubble scattered in the nave. Other buildings in ruins in the background. Igreja de S. Nicolau = Eglise de S. Nicolas. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.6. Language: French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-figures-including-two-men-dressed-in-oriental-costume-and-a-priest-promenade-among-the-ruins-of-the-church-of-st-nicholas-in-lisbon-with-the-west-faade-and-north-side-still-standing-and-rubble-scattered-in-the-nave-other-buildings-in-ruins-in-the-background-igreja-de-s-nicolau-=-eglise-de-s-nicolas-paris-jacques-philippe-le-bas-and-jacques-franois-blondel-1757-source-maps-ktop7466d6-language-french-image227049092.htmlRMR5AYC4–A group of figures including two men dressed in Oriental costume and a priest promenade among the ruins of the Church of St. Nicholas in Lisbon, with the West façade and North side still standing and rubble scattered in the nave. Other buildings in ruins in the background. Igreja de S. Nicolau = Eglise de S. Nicolas. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.6. Language: French.
Pippin III and his brother Carloman, Mayor of the Palace of the Kingdom of the Franks, regulate at a church meeting the legal authority of the Church. The Church is given the right to demand the tithe of its subjects. By the 6th century, the office of the mayor of the palace is endowed with more and more power, and thus more and more important in the Frankish Empire. An engraving from Paris from around 1780 from the workshop of Jacques-Philippe Le Bas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pippin-iii-and-his-brother-carloman-mayor-of-the-palace-of-the-kingdom-of-the-franks-regulate-at-a-church-meeting-the-legal-authority-of-the-church-the-church-is-given-the-right-to-demand-the-tithe-of-its-subjects-by-the-6th-century-the-office-of-the-mayor-of-the-palace-is-endowed-with-more-and-more-power-and-thus-more-and-more-important-in-the-frankish-empire-an-engraving-from-paris-from-around-1780-from-the-workshop-of-jacques-philippe-le-bas-image247120541.htmlRMTA18NH–Pippin III and his brother Carloman, Mayor of the Palace of the Kingdom of the Franks, regulate at a church meeting the legal authority of the Church. The Church is given the right to demand the tithe of its subjects. By the 6th century, the office of the mayor of the palace is endowed with more and more power, and thus more and more important in the Frankish Empire. An engraving from Paris from around 1780 from the workshop of Jacques-Philippe Le Bas.
Philippe Le Bas attending the 'Make Up For Ever' Party at Yoyo in Paris, France on September 24, 2014. Photo by Jerome Domine/ABACAPRESS.COM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philippe-le-bas-attending-the-make-up-for-ever-party-at-yoyo-in-paris-france-on-september-24-2014-photo-by-jerome-domineabacapresscom-image394814436.htmlRM2DX99RG–Philippe Le Bas attending the 'Make Up For Ever' Party at Yoyo in Paris, France on September 24, 2014. Photo by Jerome Domine/ABACAPRESS.COM
![Igreja de S. Nicolau = Eglise de S. Nicolas. Author Le Bas, Jacques-Philippe 74.66.d.6. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.2 x 38.1 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FGK4/igreja-de-s-nicolau-=-eglise-de-s-nicolas-author-le-bas-jacques-philippe-7466d6-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-292-x-381-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FGK4.jpg "Igreja de S. Nicolau = Eglise de S. Nicolas. Author Le Bas, Jacques-Philippe 74.66.d.6. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.2 x 38.1 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Igreja de S. Nicolau = Eglise de S. Nicolas. Author Le Bas, Jacques-Philippe 74.66.d.6. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.2 x 38.1 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-s-nicolau-=-eglise-de-s-nicolas-author-le-bas-jacques-philippe-7466d6-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-292-x-381-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401712728.htmlRM2E9FGK4–Igreja de S. Nicolau = Eglise de S. Nicolas. Author Le Bas, Jacques-Philippe 74.66.d.6. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.2 x 38.1 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
THE NEGLECTED OR TOILET MORNING Jacques-Philippe Le Bas (1707-1783). 'Le négligé ou toilette du matin'. Gravure. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-neglected-or-toilet-morning-jacques-philippe-le-bas-1707-1783-le-nglig-ou-toilette-du-matin-gravure-paris-muse-carnavalet-image350145332.htmlRM2B9JDXC–THE NEGLECTED OR TOILET MORNING Jacques-Philippe Le Bas (1707-1783). 'Le négligé ou toilette du matin'. Gravure. Paris, musée Carnavalet.
©PHOTOPQR/OUEST FRANCE/Thomas Brégardis ; Cherbourg ; 12/07/2019 ; Inauguration du sous-marin Suffren, bâtiment militaire de nouvelle génération de type Barracuda. Le président de la république, Emmanuel Macron salue Philippe Bas, président de la commission des Lois constitutionnelles du Sénat - new French nuclear 99-metre-long black steel monster submarine 'Suffren' in Cherbourg, north-western France, 12 July 2019. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photopqrouest-francethomas-brgardis-cherbourg-12072019-inauguration-du-sous-marin-suffren-btiment-militaire-de-nouvelle-gnration-de-type-barracuda-le-prsident-de-la-rpublique-emmanuel-macron-salue-philippe-bas-prsident-de-la-commission-des-lois-constitutionnelles-du-snat-new-french-nuclear-99-metre-long-black-steel-monster-submarine-suffren-in-cherbourg-north-western-france-12-july-2019-image486369661.htmlRM2K781D1–©PHOTOPQR/OUEST FRANCE/Thomas Brégardis ; Cherbourg ; 12/07/2019 ; Inauguration du sous-marin Suffren, bâtiment militaire de nouvelle génération de type Barracuda. Le président de la république, Emmanuel Macron salue Philippe Bas, président de la commission des Lois constitutionnelles du Sénat - new French nuclear 99-metre-long black steel monster submarine 'Suffren' in Cherbourg, north-western France, 12 July 2019.
Eleventh View of Italy 1953 by Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eleventh-view-of-italy-1953-by-jacques-philippe-le-bas-image591244957.htmlRM2W9WEY9–Eleventh View of Italy 1953 by Jacques Philippe Le Bas
Mort de Philippe de France (1116-1131), Paris, 1131 : le fils de Louis VI le Gros tombe de son cheval qui a ete effraye par un cochon. Gravure de Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18eme siecle. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisation digitale d'apres l'originale - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mort-de-philippe-de-france-1116-1131-paris-1131-le-fils-de-louis-vi-le-gros-tombe-de-son-cheval-qui-a-ete-effraye-par-un-cochon-gravure-de-jean-michel-moreau-dit-moreau-le-jeune-1741-1814-18eme-siecle-figures-de-lhistoire-de-france-dessines-par-moreau-le-jeune-lpici-et-monnet-graves-par-le-bas-avec-notices-de-labb-jean-jacques-garnier-1785-colorisation-digitale-dapres-loriginale-image502759600.htmlRM2M5XK00–Mort de Philippe de France (1116-1131), Paris, 1131 : le fils de Louis VI le Gros tombe de son cheval qui a ete effraye par un cochon. Gravure de Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18eme siecle. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisation digitale d'apres l'originale -
Gallant conversation' (Conversation galante): couples engage in conversation in a garden setting, at left a musician plays for the group, at right a woman holds a reclining lap dog, 1743. After Nicolas Lancret Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallant-conversation-conversation-galante-couples-engage-in-conversation-in-a-garden-setting-at-left-a-musician-plays-for-the-group-at-right-a-woman-holds-a-reclining-lap-dog-1743-after-nicolas-lancret-image349005371.htmlRM2B7PFWF–Gallant conversation' (Conversation galante): couples engage in conversation in a garden setting, at left a musician plays for the group, at right a woman holds a reclining lap dog, 1743. After Nicolas Lancret
View of the Surroundings of Bruges (Vue des environs de Bruges), Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-view-of-the-surroundings-of-bruges-vue-des-environs-de-bruges-jacques-162520281.htmlRMKCBC7N–View of the Surroundings of Bruges (Vue des environs de Bruges), Jacques Philippe Le Bas
Art inspired by Morning, Nicolaes Berchem, Dutch, 1620-1683, Jacques Philippe Le Bas, French, 1707-1783, 1741, Etching, Made in Paris, France, Europe, Prints, image: 12 15/16 x 17 1/2 in. (32.9 x 44.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-morning-nicolaes-berchem-dutch-1620-1683-jacques-philippe-le-bas-french-1707-1783-1741-etching-made-in-paris-france-europe-prints-image-12-1516-x-17-12-in-329-x-445-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459593223.htmlRF2HKM7RK–Art inspired by Morning, Nicolaes Berchem, Dutch, 1620-1683, Jacques Philippe Le Bas, French, 1707-1783, 1741, Etching, Made in Paris, France, Europe, Prints, image: 12 15/16 x 17 1/2 in. (32.9 x 44.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jean-Yves Le Drian ( French Foreign Affairs Minister) arrives at the Inquiry by the France's Senate Law Commission after the new revelations about Benalla Scandal. these last days the french press discover that Alexandre Benalla (Former security agentof President Macron) had used presidential encrypted phone and 5 diplomatic passports for his personal uses after his lay-off by President Macron - Jannuary 16, 2019, Paris (Photo by Daniel Pier/NurPhoto) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-yves-le-drian-french-foreign-affairs-minister-arrives-at-the-inquiry-by-the-frances-senate-law-commission-after-the-new-revelations-about-benalla-scandal-these-last-days-the-french-press-discover-that-alexandre-benalla-former-security-agentof-president-macron-had-used-presidential-encrypted-phone-and-5-diplomatic-passports-for-his-personal-uses-after-his-lay-off-by-president-macron-jannuary-16-2019-paris-photo-by-daniel-piernurphoto-image488754291.htmlRM2KB4K2B–Jean-Yves Le Drian ( French Foreign Affairs Minister) arrives at the Inquiry by the France's Senate Law Commission after the new revelations about Benalla Scandal. these last days the french press discover that Alexandre Benalla (Former security agentof President Macron) had used presidential encrypted phone and 5 diplomatic passports for his personal uses after his lay-off by President Macron - Jannuary 16, 2019, Paris (Photo by Daniel Pier/NurPhoto)
1078 Ruinas da Igreja de S. Nicolau após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1078-ruinas-da-igreja-de-s-nicolau-aps-o-terramoto-de-1755-jacques-philippe-le-bas-1757-image185745907.htmlRMMP5CPB–1078 Ruinas da Igreja de S. Nicolau após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757
Paris, France, 20th April 2018. The national front to organize a rally against the immigration policy of President Emmanuel Macron, in front of the National Assembly, with a speech by Marine Le Pen Credit: Avenir Pictures/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-france-20th-april-2018-the-national-front-to-organize-a-rally-against-the-immigration-policy-of-president-emmanuel-macron-in-front-of-the-national-assembly-with-a-speech-by-marine-le-pen-credit-avenir-picturesalamy-live-news-image180670470.htmlRMMDX70P–Paris, France, 20th April 2018. The national front to organize a rally against the immigration policy of President Emmanuel Macron, in front of the National Assembly, with a speech by Marine Le Pen Credit: Avenir Pictures/Alamy Live News
Renard (Fox). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/renard-fox-medium-etching-finished-with-burin-museum-national-gallery-of-art-washington-dc-author-jacques-philippe-le-bas-and-jean-eric-rehn-after-jean-baptiste-oudry-image225733563.htmlRMR371CY–Renard (Fox). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry.
Fish Vendor, Series: Cries of Paris: Third Set (Études Prises dans le Bas Peuple où les Cris de Paris: Troisième Suite); Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), 1738 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-fish-vendor-series-cries-of-paris-third-set-tudes-prises-dans-le-bas-168222128.htmlRMKNK514–Fish Vendor, Series: Cries of Paris: Third Set (Études Prises dans le Bas Peuple où les Cris de Paris: Troisième Suite); Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), 1738
Algues vertes se trouvant dans le bassin du lavoir Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/algues-vertes-se-trouvant-dans-le-bassin-du-lavoir-image540600220.htmlRF2PBED2M–Algues vertes se trouvant dans le bassin du lavoir
Ruinas da Praça da Patriarcal após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ruinas-da-praa-da-patriarcal-aps-o-terramoto-de-1755-jacques-philippe-137915695.htmlRMJ0AGTF–Ruinas da Praça da Patriarcal após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757
Gravé par LE BAS Jacques Philippe - Seconde vue de Beauvais, 18834 LR Recto. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grav-par-le-bas-jacques-philippe-seconde-vue-de-beauvais-18834-lr-recto-image351630083.htmlRM2BC23N7–Gravé par LE BAS Jacques Philippe - Seconde vue de Beauvais, 18834 LR Recto.
![Groups of figures, including beggars, men in Oriental costume and monks, promenade around the remains of the Church of St. Paul in Lisbon, with its lateral walls and apse still standing and rubble piled up in the nave. In the foreground, wooden struts are propped against the walls of high-rise buildings. Ruins in the background. Igreja de S. Paulo = Eglise de S. Paul. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.3. Language: French. Stock Photo](https://c8.alamy.com/comp/R54J72/groups-of-figures-including-beggars-men-in-oriental-costume-and-monks-promenade-around-the-remains-of-the-church-of-st-paul-in-lisbon-with-its-lateral-walls-and-apse-still-standing-and-rubble-piled-up-in-the-nave-in-the-foreground-wooden-struts-are-propped-against-the-walls-of-high-rise-buildings-ruins-in-the-background-igreja-de-s-paulo-=-eglise-de-s-paul-paris-jacques-philippe-le-bas-and-jacques-franois-blondel-1757-source-maps-ktop7466d3-language-french-R54J72.jpg "Groups of figures, including beggars, men in Oriental costume and monks, promenade around the remains of the Church of St. Paul in Lisbon, with its lateral walls and apse still standing and rubble piled up in the nave. In the foreground, wooden struts are propped against the walls of high-rise buildings. Ruins in the background. Igreja de S. Paulo = Eglise de S. Paul. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.3. Language: French. Stock Photo")
Groups of figures, including beggars, men in Oriental costume and monks, promenade around the remains of the Church of St. Paul in Lisbon, with its lateral walls and apse still standing and rubble piled up in the nave. In the foreground, wooden struts are propped against the walls of high-rise buildings. Ruins in the background. Igreja de S. Paulo = Eglise de S. Paul. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.3. Language: French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/groups-of-figures-including-beggars-men-in-oriental-costume-and-monks-promenade-around-the-remains-of-the-church-of-st-paul-in-lisbon-with-its-lateral-walls-and-apse-still-standing-and-rubble-piled-up-in-the-nave-in-the-foreground-wooden-struts-are-propped-against-the-walls-of-high-rise-buildings-ruins-in-the-background-igreja-de-s-paulo-=-eglise-de-s-paul-paris-jacques-philippe-le-bas-and-jacques-franois-blondel-1757-source-maps-ktop7466d3-language-french-image226910182.htmlRMR54J72–Groups of figures, including beggars, men in Oriental costume and monks, promenade around the remains of the Church of St. Paul in Lisbon, with its lateral walls and apse still standing and rubble piled up in the nave. In the foreground, wooden struts are propped against the walls of high-rise buildings. Ruins in the background. Igreja de S. Paulo = Eglise de S. Paul. [Paris] : [Jacques-Philippe Le Bas and Jacques-François Blondel], [1757]. Source: Maps K.Top.74.66.d.3. Language: French.
. Histoire des Provinces-Unies des Pays Bas. 6c la 4. nomme le Roi Philippe maître éUlrecht. PHILIPpvs Dei Gratia HISPaniarvm REX DOMINUS TRAIECTI. Philippe 10 EXPLICATION HISTORIQUE DES MEDAILLES .Ta^:. Ja^.i^ xvr. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/histoire-des-provinces-unies-des-pays-bas-6c-la-4-nomme-le-roi-philippe-matre-ulrecht-philippvs-dei-gratia-hispaniarvm-rex-dominus-traiecti-philippe-10-explication-historique-des-medailles-ta-jai-xvr-image337017902.htmlRM2AG8DNJ–. Histoire des Provinces-Unies des Pays Bas. 6c la 4. nomme le Roi Philippe maître éUlrecht. PHILIPpvs Dei Gratia HISPaniarvm REX DOMINUS TRAIECTI. Philippe 10 EXPLICATION HISTORIQUE DES MEDAILLES .Ta^:. Ja^.i^ xvr.
Frederique Bel and Philippe Le Bas attending the 'Make Up For Ever' Party at Yoyo in Paris, France on September 24, 2014. Photo by Jerome Domine/ABACAPRESS.COM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frederique-bel-and-philippe-le-bas-attending-the-make-up-for-ever-party-at-yoyo-in-paris-france-on-september-24-2014-photo-by-jerome-domineabacapresscom-image394814439.htmlRM2DX99RK–Frederique Bel and Philippe Le Bas attending the 'Make Up For Ever' Party at Yoyo in Paris, France on September 24, 2014. Photo by Jerome Domine/ABACAPRESS.COM
![Basilica de Santa Maria = La Cathedrale. Author Le Bas, Jacques-Philippe 74.66.d.4. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.6 x 38.1 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FGK7/basilica-de-santa-maria-=-la-cathedrale-author-le-bas-jacques-philippe-7466d4-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-296-x-381-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FGK7.jpg "Basilica de Santa Maria = La Cathedrale. Author Le Bas, Jacques-Philippe 74.66.d.4. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.6 x 38.1 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Basilica de Santa Maria = La Cathedrale. Author Le Bas, Jacques-Philippe 74.66.d.4. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.6 x 38.1 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/basilica-de-santa-maria-=-la-cathedrale-author-le-bas-jacques-philippe-7466d4-place-of-publication-paris-publisher-jacques-philippe-le-bas-and-jacques-francois-blondel-date-of-publication-1757-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-296-x-381-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401712731.htmlRM2E9FGK7–Basilica de Santa Maria = La Cathedrale. Author Le Bas, Jacques-Philippe 74.66.d.4. Place of publication: [Paris] Publisher: [Jacques-Philippe Le Bas and Jacques-FrancÃßois Blondel] Date of publication: [1757] Item type: 1 print Medium: engraving and etching Dimensions: sheet 29.6 x 38.1 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Jacques-Philippe Le Bas (1707-1783). 'The Assembly Jacques-Philippe Le Bas (1707-1783). 'L'Assemblée galante'. Gravure. Musée des Beaux-arts de la ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-philippe-le-bas-1707-1783-the-assembly-jacques-philippe-le-bas-1707-1783-lassemble-galante-gravure-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350209942.htmlRM2B9NC9X–Jacques-Philippe Le Bas (1707-1783). 'The Assembly Jacques-Philippe Le Bas (1707-1783). 'L'Assemblée galante'. Gravure. Musée des Beaux-arts de la ville de Paris, Petit Palais.
©Active Museu/MAXPPP - ActiveMuseum 0005737.jpg / Amedee Thierry, historien specialise dans l'histoire gauloise et du bas-Empire romain, commence une carriere politique a l'avenement de Louis-Philippe 1797 - / Jean-Leon Gerome / Peinture Active Museum / Le Pictorium 1 person ,Amedee Thierry ,Bust ,Ceremonial costume ,Clothing ,Darkness (night) ,Green Background ,Historic character ,History ,Man ,Office ,Outfit ,Pose ,Sword ,Vertical ,18th century ,Jean-Leon Gerome ,Painting , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0005737jpg-amedee-thierry-historien-specialise-dans-lhistoire-gauloise-et-du-bas-empire-romain-commence-une-carriere-politique-a-lavenement-de-louis-philippe-1797-jean-leon-gerome-peinture-active-museum-le-pictorium-1-person-amedee-thierry-bust-ceremonial-costume-clothing-darkness-night-green-background-historic-character-history-man-office-outfit-pose-sword-vertical-18th-century-jean-leon-gerome-painting-image486530735.htmlRM2K7FAWK– ©Active Museu/MAXPPP - ActiveMuseum 0005737.jpg / Amedee Thierry, historien specialise dans l'histoire gauloise et du bas-Empire romain, commence une carriere politique a l'avenement de Louis-Philippe 1797 - / Jean-Leon Gerome / Peinture Active Museum / Le Pictorium 1 person ,Amedee Thierry ,Bust ,Ceremonial costume ,Clothing ,Darkness (night) ,Green Background ,Historic character ,History ,Man ,Office ,Outfit ,Pose ,Sword ,Vertical ,18th century ,Jean-Leon Gerome ,Painting ,
The Neglige or Morning Dressing 1953 by Jacques Philippe Le Bas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-neglige-or-morning-dressing-1953-by-jacques-philippe-le-bas-image591245187.htmlRM2W9WF7F–The Neglige or Morning Dressing 1953 by Jacques Philippe Le Bas
STRASBOURG, FRANCE - OCT 3, 2013: Philippe Le Behot of France compete in Citroen C2 R2 during Super Special Stage 1 of the WRC France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/strasbourg-france-oct-3-2013-philippe-le-behot-of-france-compete-in-citroen-c2-r2-during-super-special-stage-1-of-the-wrc-france-image256702975.htmlRFTWHR7B–STRASBOURG, FRANCE - OCT 3, 2013: Philippe Le Behot of France compete in Citroen C2 R2 during Super Special Stage 1 of the WRC France
Sweeping from Top to Bottom. After Francois Boucher Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sweeping-from-top-to-bottom-after-francois-boucher-image349005394.htmlRM2B7PFXA–Sweeping from Top to Bottom. After Francois Boucher
Storming the Camp at Mount Gadan, Jacques Philippe Le Bas, 1769 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-storming-the-camp-at-mount-gadan-jacques-philippe-le-bas-1769-162401232.htmlRMKC60C0–Storming the Camp at Mount Gadan, Jacques Philippe Le Bas, 1769
Art inspired by Preaching Christ (The Hundred Guilder Print), Le Seigneur guérissant les Malades, Recueil de quatre-vingt-cinq estampes originales (series title), The print is part of an album., print maker: Jacques-Philippe Le Bas, Rembrandt van Rijn, Paris, 1717 - 1783 and/or 1807, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-preaching-christ-the-hundred-guilder-print-le-seigneur-gurissant-les-malades-recueil-de-quatre-vingt-cinq-estampes-originales-series-title-the-print-is-part-of-an-album-print-maker-jacques-philippe-le-bas-rembrandt-van-rijn-paris-1717-1783-andor-1807-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459719546.htmlRF2HKX0Y6–Art inspired by Preaching Christ (The Hundred Guilder Print), Le Seigneur guérissant les Malades, Recueil de quatre-vingt-cinq estampes originales (series title), The print is part of an album., print maker: Jacques-Philippe Le Bas, Rembrandt van Rijn, Paris, 1717 - 1783 and/or 1807, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
1078 Ruinas da Igreja de S. Paulo após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1078-ruinas-da-igreja-de-s-paulo-aps-o-terramoto-de-1755-jacques-philippe-le-bas-1757-image185745906.htmlRMMP5CPA–1078 Ruinas da Igreja de S. Paulo após o Terramoto de 1755 - Jacques Philippe Le Bas, 1757
Chamois (Chamois). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chamois-chamois-medium-etching-finished-with-burin-museum-national-gallery-of-art-washington-dc-author-jacques-philippe-le-bas-and-jean-eric-rehn-after-jean-baptiste-oudry-image225749117.htmlRMR37N8D–Chamois (Chamois). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry.
Broom Peddler, Series: Cries of Paris: Second Set (Études Prises dans le Bas Peuple où les Cris de Paris: Deuxième Suite), Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris) 1737 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-broom-peddler-series-cries-of-paris-second-set-tudes-prises-dans-le-168222126.htmlRMKNK512–Broom Peddler, Series: Cries of Paris: Second Set (Études Prises dans le Bas Peuple où les Cris de Paris: Deuxième Suite), Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris) 1737
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