Quick filters:
Page 1 of 16
Painting slavery Stock Photos and Images
The Anti-Slavery Society Convention, 1840. Painting by Benjamin Robert Haydon (1786-1846). Oil on canvas (297,2 x 383,6 cm), 1841. This painting depicts the 1840 convention of the British and Foreign Anti-Slavery Society (BFASS), founded to promote worldwide abolition. Thomas Clarkson (1760-1846), President of the Convention, addresses the meeting of the delegates. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-anti-slavery-society-convention-1840-painting-by-benjamin-robert-haydon-1786-1846-oil-on-canvas-2972-x-3836-cm-1841-this-painting-depicts-the-1840-convention-of-the-british-and-foreign-anti-slavery-society-bfass-founded-to-promote-worldwide-abolition-thomas-clarkson-1760-1846-president-of-the-convention-addresses-the-meeting-of-the-delegates-national-portrait-gallery-london-england-united-kingdom-image384949696.htmlRM2DA7Y7C–The Anti-Slavery Society Convention, 1840. Painting by Benjamin Robert Haydon (1786-1846). Oil on canvas (297,2 x 383,6 cm), 1841. This painting depicts the 1840 convention of the British and Foreign Anti-Slavery Society (BFASS), founded to promote worldwide abolition. Thomas Clarkson (1760-1846), President of the Convention, addresses the meeting of the delegates. National Portrait Gallery. London, England, United Kingdom.
AM I NOT A MAN AND A BROTHER oil painting by unknown artist about 1800 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/am-i-not-a-man-and-a-brother-oil-painting-by-unknown-artist-about-1800-image360909263.htmlRM2BY4RCF–AM I NOT A MAN AND A BROTHER oil painting by unknown artist about 1800
The Slave Market, Constantinople by Sir William Allan (1782-1850), oil on canvas, 1838 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-slave-market-constantinople-by-sir-william-allan-1782-1850-oil-on-canvas-1838-image434246179.htmlRM2G6DHC3–The Slave Market, Constantinople by Sir William Allan (1782-1850), oil on canvas, 1838
Slaves cutting the sugar cane on Antigua - William Clark, 1823 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/slaves-cutting-the-sugar-cane-on-antigua-william-clark-1823-image214575965.htmlRMPD2NR9–Slaves cutting the sugar cane on Antigua - William Clark, 1823
Salmon P Chase (1808-1873), American politician, anti slavery movement abolitionist and political reformer, portrait painting by Francis Bicknell Carpenter, 1861 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salmon-p-chase-1808-1873-american-politician-anti-slavery-movement-abolitionist-and-political-reformer-portrait-painting-by-francis-bicknell-carpenter-1861-image366614749.htmlRM2C8CMRW–Salmon P Chase (1808-1873), American politician, anti slavery movement abolitionist and political reformer, portrait painting by Francis Bicknell Carpenter, 1861
Painting depicting the slavery of women in the Babylonian Marriage Market Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-depicting-the-slavery-of-women-in-the-babylonian-marriage-104177572.htmlRMG1DKFG–Painting depicting the slavery of women in the Babylonian Marriage Market
Algeria/Netherlands: 'Council of War Aboard the ‘Queen Charlotte‘ Held by Lord of Exmouth before the Bombardment of Algiers, August 26, 1816'. Colour on panel painting by Nicolaas Baur (1767-1820), 1818. The Bombardment of Algiers (27 August 1816) was an attempt by Britain to end the slavery practices of the Dey of Algiers. An Anglo-Dutch fleet under the command of Admiral Lord Exmouth bombarded ships and the harbour defences of Algiers. It was partially successful as the Dey of Algiers freed around 3,000 slaves following the bombardment and signed a treaty against the slavery of Europeans. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/algerianetherlands-council-of-war-aboard-the-queen-charlotte-held-by-lord-of-exmouth-before-the-bombardment-of-algiers-august-26-1816-colour-on-panel-painting-by-nicolaas-baur-1767-1820-1818-the-bombardment-of-algiers-27-august-1816-was-an-attempt-by-britain-to-end-the-slavery-practices-of-the-dey-of-algiers-an-anglo-dutch-fleet-under-the-command-of-admiral-lord-exmouth-bombarded-ships-and-the-harbour-defences-of-algiers-it-was-partially-successful-as-the-dey-of-algiers-freed-around-3000-slaves-following-the-bombardment-and-signed-a-treaty-against-the-slavery-of-europeans-image344224526.htmlRM2B00NW2–Algeria/Netherlands: 'Council of War Aboard the ‘Queen Charlotte‘ Held by Lord of Exmouth before the Bombardment of Algiers, August 26, 1816'. Colour on panel painting by Nicolaas Baur (1767-1820), 1818. The Bombardment of Algiers (27 August 1816) was an attempt by Britain to end the slavery practices of the Dey of Algiers. An Anglo-Dutch fleet under the command of Admiral Lord Exmouth bombarded ships and the harbour defences of Algiers. It was partially successful as the Dey of Algiers freed around 3,000 slaves following the bombardment and signed a treaty against the slavery of Europeans.
slavery, ancient world, Roman slave market, wood engraving after painting by Gustave Boulanger, 19th century, historic, historical, trader, traders, merchant, merchants, slaves, platform, pedestal, platforms, pedestals, ancient world, people, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-slavery-ancient-world-roman-slave-market-wood-engraving-after-painting-28823771.htmlRMBJW10B–slavery, ancient world, Roman slave market, wood engraving after painting by Gustave Boulanger, 19th century, historic, historical, trader, traders, merchant, merchants, slaves, platform, pedestal, platforms, pedestals, ancient world, people,
Painting of The Anti-Slavery Society Convention in 1840 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-of-the-anti-slavery-society-convention-in-1840-image209095622.htmlRMP453GP–Painting of The Anti-Slavery Society Convention in 1840
Portrait of Harriet Beecher Stowe by American artist Alanson Fisher (1807-1884) painted in 1853. This portrait was commissioned a year after the publication of Stowe’s bestselling novel 'Uncle Tom's Cabin’ that did much to progress the abolitionist cause in 1850s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-harriet-beecher-stowe-by-american-artist-alanson-fisher-1807-1884-painted-in-1853-this-portrait-was-commissioned-a-year-after-the-publication-of-stowes-bestselling-novel-uncle-toms-cabin-that-did-much-to-progress-the-abolitionist-cause-in-1850s-image604033754.htmlRM2X2M362–Portrait of Harriet Beecher Stowe by American artist Alanson Fisher (1807-1884) painted in 1853. This portrait was commissioned a year after the publication of Stowe’s bestselling novel 'Uncle Tom's Cabin’ that did much to progress the abolitionist cause in 1850s.
The Battle of Algier on August 27, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-algier-on-august-27-1816-image262730316.htmlRMW7CB5G–The Battle of Algier on August 27, 1816.
Oil painting of the 1840 convention of the British and Foreign Anti-Slavery Society. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-painting-of-the-1840-convention-of-the-british-and-foreign-anti-slavery-society-image327692164.htmlRF2A13JKG–Oil painting of the 1840 convention of the British and Foreign Anti-Slavery Society.
Mural by Fernando Castro Pacheco titled Venta de Indios or Sale of the Indians in the Government Palace, Merida Yucatan, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mural-by-fernando-castro-pacheco-titled-venta-de-indios-or-sale-of-the-indians-in-the-government-palace-merida-yucatan-mexico-image449028023.htmlRM2H2EYR3–Mural by Fernando Castro Pacheco titled Venta de Indios or Sale of the Indians in the Government Palace, Merida Yucatan, Mexico
A Victorian pen and wash painting of a Leicester (UK) chimney sweeps festival procession in the 1850's. The sweeps carrying their tradesmen's brushes marched in procession, led by drummers and a large banner (protesting over the 'slavery' of chimney climbing boys used by less professional traders)' held by two men with top hats. Similar events took place in other places, usually in May and was often combined with Jack-in-the-Green festivities and other tradesmen (including milkmaids) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-victorian-pen-and-wash-painting-of-a-leicester-uk-chimney-sweeps-festival-procession-in-the-1850s-the-sweeps-carrying-their-tradesmens-brushes-marched-in-procession-led-by-drummers-and-a-large-banner-protesting-over-the-slavery-of-chimney-climbing-boys-used-by-less-professional-traders-held-by-two-men-with-top-hats-similar-events-took-place-in-other-places-usually-in-may-and-was-often-combined-with-jack-in-the-green-festivities-and-other-tradesmen-including-milkmaids-image346298453.htmlRM2B3B75W–A Victorian pen and wash painting of a Leicester (UK) chimney sweeps festival procession in the 1850's. The sweeps carrying their tradesmen's brushes marched in procession, led by drummers and a large banner (protesting over the 'slavery' of chimney climbing boys used by less professional traders)' held by two men with top hats. Similar events took place in other places, usually in May and was often combined with Jack-in-the-Green festivities and other tradesmen (including milkmaids)
Joseph being sold into slavery by his brothers. Die Josefslegende / The story of Joseph - from the watercolour painting by an Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-being-sold-into-slavery-by-his-brothers-die-josefslegende-the-83328709.htmlRMERFXH9–Joseph being sold into slavery by his brothers. Die Josefslegende / The story of Joseph - from the watercolour painting by an
Juan de Pareja (1606 – 1670) Spanish painter, born into slavery in Antequera, near Málaga, Spain. Detail of Velázquez's Portrait of Juan de Pareja Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juan-de-pareja-1606-1670-spanish-painter-born-into-slavery-in-antequera-near-mlaga-spain-detail-of-velzquezs-portrait-of-juan-de-pareja-image210211805.htmlRMP5YY8D–Juan de Pareja (1606 – 1670) Spanish painter, born into slavery in Antequera, near Málaga, Spain. Detail of Velázquez's Portrait of Juan de Pareja
François Auguste Biard French school Abolition of Slavery in French Colonies, 1848 L'abolition de l'esclavage dans les colonies françaises en 1848 1849 Oil on canvas (260 x 392 cm) Versailles, châteaux de Versailles et de Trianon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-franois-auguste-biard-french-school-abolition-of-slavery-in-french-113148190.htmlRMGG29JP–François Auguste Biard French school Abolition of Slavery in French Colonies, 1848 L'abolition de l'esclavage dans les colonies françaises en 1848 1849 Oil on canvas (260 x 392 cm) Versailles, châteaux de Versailles et de Trianon
Bettys Hope Antigua Sugar Mill Slaves - Boiling Sugar 19 Century Painting In Bettys Hope Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bettys-hope-antigua-sugar-mill-slaves-boiling-sugar-19-century-painting-in-bettys-hope-museum-image433833629.htmlRM2G5PR65–Bettys Hope Antigua Sugar Mill Slaves - Boiling Sugar 19 Century Painting In Bettys Hope Museum
The Slave Market, c. 1866, Clark Art Institute. Gérôme executed a very similar painting in 1857, in an ancient Greek or Roman setting Jean-Léon Gérôme Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-slave-market-c-1866-clark-art-institute-grme-executed-a-very-similar-painting-in-1857-in-an-ancient-greek-or-roman-setting-jean-lon-grme-image602113477.htmlRF2WYGHTN–The Slave Market, c. 1866, Clark Art Institute. Gérôme executed a very similar painting in 1857, in an ancient Greek or Roman setting Jean-Léon Gérôme
The Anti-Slavery Society Convention, 1840. Painting by Benjamin Robert Haydon (1786-1846). Oil on canvas (297,2 x 383,6 cm), 1841. Detail. This painting depicts the 1840 convention of the British and Foreign Anti-Slavery Society (BFASS), founded to promote worldwide abolition. Thomas Clarkson (1760-1846), President of the Convention, addresses the meeting of the delegates. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-anti-slavery-society-convention-1840-painting-by-benjamin-robert-haydon-1786-1846-oil-on-canvas-2972-x-3836-cm-1841-detail-this-painting-depicts-the-1840-convention-of-the-british-and-foreign-anti-slavery-society-bfass-founded-to-promote-worldwide-abolition-thomas-clarkson-1760-1846-president-of-the-convention-addresses-the-meeting-of-the-delegates-national-portrait-gallery-london-england-united-kingdom-image384949716.htmlRM2DA7Y84–The Anti-Slavery Society Convention, 1840. Painting by Benjamin Robert Haydon (1786-1846). Oil on canvas (297,2 x 383,6 cm), 1841. Detail. This painting depicts the 1840 convention of the British and Foreign Anti-Slavery Society (BFASS), founded to promote worldwide abolition. Thomas Clarkson (1760-1846), President of the Convention, addresses the meeting of the delegates. National Portrait Gallery. London, England, United Kingdom.
Painting and miniature of a slave ship at the International Slavery Museum at Royal Albert Dock in Liverpool Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-and-miniature-of-a-slave-ship-at-the-international-slavery-museum-at-royal-albert-dock-in-liverpool-image484400214.htmlRM2K429BJ–Painting and miniature of a slave ship at the International Slavery Museum at Royal Albert Dock in Liverpool
William Wilberforce (1759–1833), portrait painting by John Rising, oil on canvas, c. 1790 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-wilberforce-17591833-portrait-painting-by-john-rising-oil-on-canvas-c-1790-image523765414.htmlRM2NC3G3J–William Wilberforce (1759–1833), portrait painting by John Rising, oil on canvas, c. 1790
Joseph sold into Slavery in Egypt. Old Testament Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-sold-into-slavery-in-egypt-old-testament-112024713.htmlRMGE74JH–Joseph sold into Slavery in Egypt. Old Testament
James Armstrong Thome (1813-1873), Anti Slavery Abolitionist, portrait painting by Nathaniel Jocelyn, circa 1840 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-armstrong-thome-1813-1873-anti-slavery-abolitionist-portrait-painting-by-nathaniel-jocelyn-circa-1840-image344397674.htmlRM2B08JMX–James Armstrong Thome (1813-1873), Anti Slavery Abolitionist, portrait painting by Nathaniel Jocelyn, circa 1840
Harriet Beecher Stowe (1811-1896), abolitionist and American author of Uncle Tom's Cabin, from an 1853 oil painting portrait by Alanson Fisher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harriet-beecher-stowe-1811-1896-abolitionist-and-american-author-of-image153654464.htmlRMJWYFRC–Harriet Beecher Stowe (1811-1896), abolitionist and American author of Uncle Tom's Cabin, from an 1853 oil painting portrait by Alanson Fisher.
Algeria/Netherlands: 'Bombardment of Algiers, in Support of the Ultimatum to Release White Slaves, 26-27 August 1816'. Oil on canvas painting by Martinus Schouman (1770-1848), 1823. The Bombardment of Algiers (27 August 1816) was an attempt by Britain to end the slavery practices of the Dey of Algiers. An Anglo-Dutch fleet under the command of Admiral Lord Exmouth bombarded ships and the harbour defences of Algiers. It was partially successful as the Dey of Algiers freed around 3,000 slaves following the bombardment and signed a treaty against the slavery of Europeans. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/algerianetherlands-bombardment-of-algiers-in-support-of-the-ultimatum-to-release-white-slaves-26-27-august-1816-oil-on-canvas-painting-by-martinus-schouman-1770-1848-1823-the-bombardment-of-algiers-27-august-1816-was-an-attempt-by-britain-to-end-the-slavery-practices-of-the-dey-of-algiers-an-anglo-dutch-fleet-under-the-command-of-admiral-lord-exmouth-bombarded-ships-and-the-harbour-defences-of-algiers-it-was-partially-successful-as-the-dey-of-algiers-freed-around-3000-slaves-following-the-bombardment-and-signed-a-treaty-against-the-slavery-of-europeans-image344224519.htmlRM2B00NTR–Algeria/Netherlands: 'Bombardment of Algiers, in Support of the Ultimatum to Release White Slaves, 26-27 August 1816'. Oil on canvas painting by Martinus Schouman (1770-1848), 1823. The Bombardment of Algiers (27 August 1816) was an attempt by Britain to end the slavery practices of the Dey of Algiers. An Anglo-Dutch fleet under the command of Admiral Lord Exmouth bombarded ships and the harbour defences of Algiers. It was partially successful as the Dey of Algiers freed around 3,000 slaves following the bombardment and signed a treaty against the slavery of Europeans.
slavery, ancient world, Roman slave market, wood engraving after painting by Gustave Boulanger, 19th century, historic, historical, trader, traders, merchant, merchants, slaves, platform, pedestal, platforms, pedestals, ancient world, people, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-slavery-ancient-world-roman-slave-market-wood-engraving-after-painting-48026370.htmlRMCP3P3E–slavery, ancient world, Roman slave market, wood engraving after painting by Gustave Boulanger, 19th century, historic, historical, trader, traders, merchant, merchants, slaves, platform, pedestal, platforms, pedestals, ancient world, people, Additional-Rights-Clearences-Not Available
The Bombardment of Algiers by Viscount Exmouth, 1816. After George Hyde Chambers (1803-1840). The Bombardment of Algiers, on 27th August 1816, was an attempt by Britain and the Netherlands to end the slavery practices of Omar Agha, the Dey of Algiers. An Anglo-Dutch fleet under the command of Admiral Lord Exmouth bombarded ships and the harbour defences of Algiers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bombardment-of-algiers-by-viscount-exmouth-1816-after-george-hyde-chambers-1803-1840-the-bombardment-of-algiers-on-27th-august-1816-was-an-attempt-by-britain-and-the-netherlands-to-end-the-slavery-practices-of-omar-agha-the-dey-of-algiers-an-anglo-dutch-fleet-under-the-command-of-admiral-lord-exmouth-bombarded-ships-and-the-harbour-defences-of-algiers-image261852327.htmlRMW60B8R–The Bombardment of Algiers by Viscount Exmouth, 1816. After George Hyde Chambers (1803-1840). The Bombardment of Algiers, on 27th August 1816, was an attempt by Britain and the Netherlands to end the slavery practices of Omar Agha, the Dey of Algiers. An Anglo-Dutch fleet under the command of Admiral Lord Exmouth bombarded ships and the harbour defences of Algiers.
An etching from a painting of slaves loading a boat with their belongings, they are in the process of escaping slavery by traveling to a free state, men, women and children can be seen carrying belongings and animals to load on the boat, another boat full of people can be seen paddling further up the river, 1864. From the New York Public Library. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-etching-from-a-painting-of-slaves-loading-a-boat-with-their-belongings-132535228.htmlRMHKHE10–An etching from a painting of slaves loading a boat with their belongings, they are in the process of escaping slavery by traveling to a free state, men, women and children can be seen carrying belongings and animals to load on the boat, another boat full of people can be seen paddling further up the river, 1864. From the New York Public Library.
Painting depicting the construction of the pyramids in Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-depicting-the-construction-of-the-pyramids-in-egypt-104159159.htmlRMG1CT1Y–Painting depicting the construction of the pyramids in Egypt
Painting 'Joseph Sold by his Brothers' by Hungarian painter Károly Ferenczy (1900) on displаy in the Hungаrian Nаtional Gаllery (Mаgyar Nеmzeti Gаleria) in Budаpest, Hungаry. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-joseph-sold-by-his-brothers-by-hungarian-painter-kroly-ferenczy-1900-on-disply-in-the-hungrian-ntional-gllery-mgyar-nmzeti-gleria-in-budpest-hungry-image453047894.htmlRM2H9235X–Painting 'Joseph Sold by his Brothers' by Hungarian painter Károly Ferenczy (1900) on displаy in the Hungаrian Nаtional Gаllery (Mаgyar Nеmzeti Gаleria) in Budаpest, Hungаry.
The Van der Zwaan Family Colonial 1863 The Netherlands, Dutch, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-van-der-zwaan-family-colonial-1863-the-netherlands-dutch-image394069232.htmlRM2DW3B94–The Van der Zwaan Family Colonial 1863 The Netherlands, Dutch,
Watercolour of four slaves (with the mallets) beating up fern root for their masters at the village of Kororadika in New Zealand by Augustus Earl, 1827. Before the missionaries arrived it was common practice for a tribe to eventually eat their slaves. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watercolour-of-four-slaves-with-the-mallets-beating-up-fern-root-for-their-masters-at-the-village-of-kororadika-in-new-zealand-by-augustus-earl-1827-before-the-missionaries-arrived-it-was-common-practice-for-a-tribe-to-eventually-eat-their-slaves-image258829961.htmlRMW12M75–Watercolour of four slaves (with the mallets) beating up fern root for their masters at the village of Kororadika in New Zealand by Augustus Earl, 1827. Before the missionaries arrived it was common practice for a tribe to eventually eat their slaves.
We French workers warn you...defeat means slavery, starvation, death. 1942. Painting by Ben Shahn. (Office of Government Reports) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-we-french-workers-warn-youdefeat-means-slavery-starvation-death-1942-76279269.htmlRFEC2PYH–We French workers warn you...defeat means slavery, starvation, death. 1942. Painting by Ben Shahn. (Office of Government Reports)
Purchased for the Harem - painting by Volkov-Muromcov Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-purchased-for-the-harem-painting-by-volkov-muromcov-105341024.htmlRMG3AKFC–Purchased for the Harem - painting by Volkov-Muromcov
1840 Anti Slavery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1840-anti-slavery-132589287.htmlRMHKKXYK–1840 Anti Slavery
Painting of abolitionist John Brown descending stairs from the county jail. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-of-abolitionist-john-brown-descending-stairs-from-the-county-jail-image353340272.htmlRF2BET13C–Painting of abolitionist John Brown descending stairs from the county jail.
18th-century painting of Dirk Valkenburg showing plantation slaves during a Ceremonial dance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/18th-century-painting-of-dirk-valkenburg-showing-plantation-slaves-during-a-ceremonial-dance-image600234424.htmlRM2WTF13M–18th-century painting of Dirk Valkenburg showing plantation slaves during a Ceremonial dance.
The Anti-Slavery Society Convention, 1840. Painting by Benjamin Robert Haydon (1786-1846). Oil on canvas (297,2 x 383,6 cm), 1841. Detail. This painting depicts the 1840 convention of the British and Foreign Anti-Slavery Society (BFASS), founded to promote worldwide abolition. Thomas Clarkson (1760-1846), President of the Convention, addresses the meeting of the delegates. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-anti-slavery-society-convention-1840-painting-by-benjamin-robert-haydon-1786-1846-oil-on-canvas-2972-x-3836-cm-1841-detail-this-painting-depicts-the-1840-convention-of-the-british-and-foreign-anti-slavery-society-bfass-founded-to-promote-worldwide-abolition-thomas-clarkson-1760-1846-president-of-the-convention-addresses-the-meeting-of-the-delegates-national-portrait-gallery-london-england-united-kingdom-image384949705.htmlRM2DA7Y7N–The Anti-Slavery Society Convention, 1840. Painting by Benjamin Robert Haydon (1786-1846). Oil on canvas (297,2 x 383,6 cm), 1841. Detail. This painting depicts the 1840 convention of the British and Foreign Anti-Slavery Society (BFASS), founded to promote worldwide abolition. Thomas Clarkson (1760-1846), President of the Convention, addresses the meeting of the delegates. National Portrait Gallery. London, England, United Kingdom.
Slaves building a wall watched by a taskmaster, Roman. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/slaves-building-a-wall-watched-by-a-taskmaster-roman-artist-unknown-image262739112.htmlRMW7CPBM–Slaves building a wall watched by a taskmaster, Roman. Artist: Unknown
William Wilberforce (1759–1833), an English politician, philanthropist, and a leader of the movement to abolish the slave trade. Portrait painting by Anton Hickel, oil on canvas, 1794 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-wilberforce-17591833-an-english-politician-philanthropist-and-a-leader-of-the-movement-to-abolish-the-slave-trade-portrait-painting-by-anton-hickel-oil-on-canvas-1794-image523765191.htmlRM2NC3FRK–William Wilberforce (1759–1833), an English politician, philanthropist, and a leader of the movement to abolish the slave trade. Portrait painting by Anton Hickel, oil on canvas, 1794
Plantation overseers disciplining blacks - Slavery in Brazil, by Jean-Baptiste Debret Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plantation-overseers-disciplining-blacks-slavery-in-brazil-by-jean-baptiste-debret-image550729791.htmlRM2PYYWD3–Plantation overseers disciplining blacks - Slavery in Brazil, by Jean-Baptiste Debret
William Lloyd Garrison (1805-1879), Slave Trade Abolitionist, founder of the American Anti-Slavery Society, portrait painting by Nathaniel Jocelyn, 1833 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-lloyd-garrison-1805-1879-slave-trade-abolitionist-founder-of-the-american-anti-slavery-society-portrait-painting-by-nathaniel-jocelyn-1833-image344397691.htmlRM2B08JNF–William Lloyd Garrison (1805-1879), Slave Trade Abolitionist, founder of the American Anti-Slavery Society, portrait painting by Nathaniel Jocelyn, 1833
'PLANTATION LIFE' painting about 1780 of a scene on a Virginia farm with slaves making music and dancing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plantation-life-painting-about-1780-of-a-scene-on-a-virginia-farm-with-slaves-making-music-and-dancing-image600545226.htmlRM2WW15FP–'PLANTATION LIFE' painting about 1780 of a scene on a Virginia farm with slaves making music and dancing
Maritime: 'Dutch Fleet of the West India Company'. Oil on canvas painting by Ludolf Bakhuizen (1630-1708), 1677. Ludolf Bakhuizen (or Backhuysen) (December 28, 1630 – November 17, 1708) was a German-born Dutch Golden Age painter who was the leading Dutch painter of maritime subjects after the two Willem van de Veldes (father and son) left for England in 1672. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maritime-dutch-fleet-of-the-west-india-company-oil-on-canvas-painting-by-ludolf-bakhuizen-1630-1708-1677-ludolf-bakhuizen-or-backhuysen-december-28-1630-november-17-1708-was-a-german-born-dutch-golden-age-painter-who-was-the-leading-dutch-painter-of-maritime-subjects-after-the-two-willem-van-de-veldes-father-and-son-left-for-england-in-1672-image344227117.htmlRM2B00W5H–Maritime: 'Dutch Fleet of the West India Company'. Oil on canvas painting by Ludolf Bakhuizen (1630-1708), 1677. Ludolf Bakhuizen (or Backhuysen) (December 28, 1630 – November 17, 1708) was a German-born Dutch Golden Age painter who was the leading Dutch painter of maritime subjects after the two Willem van de Veldes (father and son) left for England in 1672.
slavery, labour, slaves in a Greek mine, after painting on a vessel, Corinth, 6th century BC, ancient world, ancient times, people, men, man, labour, labor, laborer, labourer, labourers, working, work, mining industry, lamp, lamps, historic, historical, ancient world, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-slavery-labour-slaves-in-a-greek-mine-after-painting-on-a-vessel-corinth-58556092.htmlRMDB7CW0–slavery, labour, slaves in a Greek mine, after painting on a vessel, Corinth, 6th century BC, ancient world, ancient times, people, men, man, labour, labor, laborer, labourer, labourers, working, work, mining industry, lamp, lamps, historic, historical, ancient world, Additional-Rights-Clearences-Not Available
The Anti-slavery Society Convention 1840 by Benjamin Robert Haydon at the National Portrait Gallery, London, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-anti-slavery-society-convention-1840-by-benjamin-robert-haydon-at-the-national-portrait-gallery-london-uk-image335282311.htmlRM2ADDC07–The Anti-slavery Society Convention 1840 by Benjamin Robert Haydon at the National Portrait Gallery, London, UK
Henry Louis Stephens Amercian school African American man reading a newpaper with the headline 'Presidential Proclamation, Slavery' which refers to President Lincoln's Emancipation Proclamation of January 1863 Watercolour Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-louis-stephens-amercian-school-african-american-man-reading-a-newpaper-with-the-headline-presidential-proclamation-slavery-which-refers-to-president-lincolns-emancipation-proclamation-of-january-1863-watercolour-image257302478.htmlRMTXH3X6–Henry Louis Stephens Amercian school African American man reading a newpaper with the headline 'Presidential Proclamation, Slavery' which refers to President Lincoln's Emancipation Proclamation of January 1863 Watercolour
Painting depicting Joseph being sold as a slave Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-depicting-joseph-being-sold-as-a-slave-104149336.htmlRMG1CBF4–Painting depicting Joseph being sold as a slave
Portrait of Monsieur de St George, a prominent musician born from the union of a plantation owner and his African slave, 1788. From the New York Public Library. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-monsieur-de-st-george-a-prominent-musician-born-from-the-union-of-a-plantation-owner-and-his-african-slave-1788-from-the-new-york-public-library-image178229678.htmlRMM9Y1NJ–Portrait of Monsieur de St George, a prominent musician born from the union of a plantation owner and his African slave, 1788. From the New York Public Library. ()
Massacres at Chios Greek Families Awaiting Death or Slavery 1824 by Eugène DELACROIX 1798 –1863 French France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-massacres-at-chios-greek-families-awaiting-death-or-slavery-1824-by-48040492.htmlRMCP4C3T–Massacres at Chios Greek Families Awaiting Death or Slavery 1824 by Eugène DELACROIX 1798 –1863 French France
Story of Virginia: The Decemvir Condems Virginia to slavery. By Filippo Lippi (1406-1469). Quattrocento. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-story-of-virginia-the-decemvir-condems-virginia-to-slavery-by-filippo-95134771.htmlRMFENNAB–Story of Virginia: The Decemvir Condems Virginia to slavery. By Filippo Lippi (1406-1469). Quattrocento.
The betrothal of Jacob and Rachel in the Bible. Jacobi et Rahelis Desponsatio. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-betrothal-of-jacob-and-rachel-in-the-bible-jacobi-et-rahelis-desponsatio-copperplate-engraving-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image551393170.htmlRM2R123H6–The betrothal of Jacob and Rachel in the Bible. Jacobi et Rahelis Desponsatio. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
UNSIGNED CONTEMPORARY PAINTING SHOWING THE BLACK AFRICAN SLAVES CUTTING SUGAR CANE ON THE OLD PLANTATION IN LOS INGENIOS VALLEY, LISTED AS A WORLD HERITAGE SITE BY UNESCO, CUBA, THE CARIBBEAN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unsigned-contemporary-painting-showing-the-black-african-slaves-cutting-image64945744.htmlRMDNJEXT–UNSIGNED CONTEMPORARY PAINTING SHOWING THE BLACK AFRICAN SLAVES CUTTING SUGAR CANE ON THE OLD PLANTATION IN LOS INGENIOS VALLEY, LISTED AS A WORLD HERITAGE SITE BY UNESCO, CUBA, THE CARIBBEAN
Caricature Slavery 1738 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caricature-slavery-1738-132663572.htmlRMHKR9MM–Caricature Slavery 1738
A 1780 painting of George Washington by American artist John Trumbull. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-1780-painting-of-george-washington-by-american-artist-john-trumbull-image431658353.htmlRF2G27MHN–A 1780 painting of George Washington by American artist John Trumbull.
A Roman Slave Market, c. 1884, Walters Art Museum Jean-Léon Gérôme Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-roman-slave-market-c-1884-walters-art-museum-jean-lon-grme-image602113486.htmlRF2WYGHW2–A Roman Slave Market, c. 1884, Walters Art Museum Jean-Léon Gérôme
William Murray, 1st Earl of Mansfield (1705-1793). English jurist. In a pioneering judgement in 1772, he held that English Law did not recognise the state of slavery. Portrait by John Singleton Copley (1737-1815). Murray wearing his Peer's robes. Oil on canvas (227,6 x 149 cm), exhibited 1783. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-murray-1st-earl-of-mansfield-1705-1793-english-jurist-in-a-pioneering-judgement-in-1772-he-held-that-english-law-did-not-recognise-the-state-of-slavery-portrait-by-john-singleton-copley-1737-1815-murray-wearing-his-peers-robes-oil-on-canvas-2276-x-149-cm-exhibited-1783-national-portrait-gallery-london-england-united-kingdom-image384998038.htmlRM2DAA4WX–William Murray, 1st Earl of Mansfield (1705-1793). English jurist. In a pioneering judgement in 1772, he held that English Law did not recognise the state of slavery. Portrait by John Singleton Copley (1737-1815). Murray wearing his Peer's robes. Oil on canvas (227,6 x 149 cm), exhibited 1783. National Portrait Gallery. London, England, United Kingdom.
A member of staff walks between portraits of slave trader George Hibbert (right) and a modern reconstructed laserchrome photograph on aluminium portrait of Lloyd Gordon as Robert Wedderburn, at the 'London, Sugar & Slavery' at The Museum in Docklands, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-member-of-staff-walks-between-portraits-of-slave-trader-george-hibbert-109698957.htmlRMGAD63W–A member of staff walks between portraits of slave trader George Hibbert (right) and a modern reconstructed laserchrome photograph on aluminium portrait of Lloyd Gordon as Robert Wedderburn, at the 'London, Sugar & Slavery' at The Museum in Docklands, London.
The First Meeting of the Anti-Slavery Society Convention by Benjamin Haydon (1786-1846), oil on unlined canvas, 1840/41 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-first-meeting-of-the-anti-slavery-society-convention-by-benjamin-haydon-1786-1846-oil-on-unlined-canvas-184041-image491264128.htmlRM2KF70BC–The First Meeting of the Anti-Slavery Society Convention by Benjamin Haydon (1786-1846), oil on unlined canvas, 1840/41
Slaves working in a mine. Corinthian terracotta plaque painting, 5th century BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/slaves-working-in-a-mine-corinthian-terracotta-plaque-painting-5th-century-bc-image238001393.htmlRMRR5W5N–Slaves working in a mine. Corinthian terracotta plaque painting, 5th century BC
Richard Ansdell, The Hunted Slaves, painting, 1861 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-ansdell-the-hunted-slaves-painting-1861-image245029778.htmlRMT6J1YE–Richard Ansdell, The Hunted Slaves, painting, 1861
ERASMUS DARWIN (1731-1802) English physician, abolitionist and inventor, father of Charles Darwin. Engraving after painting by Joseph Wright about 1792 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/erasmus-darwin-1731-1802-english-physician-abolitionist-and-inventor-father-of-charles-darwin-engraving-after-painting-by-joseph-wright-about-1792-image221057516.htmlRMPRJ138–ERASMUS DARWIN (1731-1802) English physician, abolitionist and inventor, father of Charles Darwin. Engraving after painting by Joseph Wright about 1792
South Africa: 'Cape Coloureds'. Watercolour painting by Charles Davidson Bell (1813-1882), mid-19th century. The term Cape Coloureds refers to the modern-day descendants of slave labourers imported into South Africa by Dutch settlers as well as to other groups of mixed ancestry originating in the present-day Western Cape. They are the predominant population group found in the Western Cape Province. Their population size is roughly 4 million, and most Cape Coloureds are mother tongue Afrikaans speakers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/south-africa-cape-coloureds-watercolour-painting-by-charles-davidson-bell-1813-1882-mid-19th-century-the-term-cape-coloureds-refers-to-the-modern-day-descendants-of-slave-labourers-imported-into-south-africa-by-dutch-settlers-as-well-as-to-other-groups-of-mixed-ancestry-originating-in-the-present-day-western-cape-they-are-the-predominant-population-group-found-in-the-western-cape-province-their-population-size-is-roughly-4-million-and-most-cape-coloureds-are-mother-tongue-afrikaans-speakers-image344227087.htmlRM2B00W4F–South Africa: 'Cape Coloureds'. Watercolour painting by Charles Davidson Bell (1813-1882), mid-19th century. The term Cape Coloureds refers to the modern-day descendants of slave labourers imported into South Africa by Dutch settlers as well as to other groups of mixed ancestry originating in the present-day Western Cape. They are the predominant population group found in the Western Cape Province. Their population size is roughly 4 million, and most Cape Coloureds are mother tongue Afrikaans speakers.
slavery, Syrian slaves during construction work, temple of Amon, Thebes, after painting from a tomb, 18th dynasty, historic, historical, construction, building, under construction, working man, workman, working men, workmen, construction worker, construction workers, slave labour, people, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-slavery-syrian-slaves-during-construction-work-temple-of-amon-thebes-47942693.htmlRMCNYYB1–slavery, Syrian slaves during construction work, temple of Amon, Thebes, after painting from a tomb, 18th dynasty, historic, historical, construction, building, under construction, working man, workman, working men, workmen, construction worker, construction workers, slave labour, people, Additional-Rights-Clearences-Not Available
A painting showing barefooted slaves in Egypt and Nubia, by David Roberts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-painting-showing-barefooted-slaves-in-egypt-and-nubia-by-david-roberts-image503786462.htmlRM2M7HCNJ–A painting showing barefooted slaves in Egypt and Nubia, by David Roberts
Mural depicting slavery painted on a cinderblock wall on a Caribbean Island; Virgin Gorda, British Virgin Islands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mural-depicting-slavery-painted-on-a-cinderblock-wall-on-a-caribbean-island-virgin-gorda-british-virgin-islands-image522464154.htmlRM2NA08A2–Mural depicting slavery painted on a cinderblock wall on a Caribbean Island; Virgin Gorda, British Virgin Islands
Painting depicting a slave resting by the feet of a Roman Officer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-depicting-a-slave-resting-by-the-feet-of-a-roman-officer-104177557.htmlRMG1DKF1–Painting depicting a slave resting by the feet of a Roman Officer
England, London, Painting of Sir John Hawkins dated 1581 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/england-london-painting-of-sir-john-hawkins-dated-1581-image187542428.htmlRMMW387T–England, London, Painting of Sir John Hawkins dated 1581
Agbodrafo. La Maison des Esclaves (House of Slaves). Painting. Togo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-agbodrafo-la-maison-des-esclaves-house-of-slaves-painting-togo-148171915.htmlRFJH1PP3–Agbodrafo. La Maison des Esclaves (House of Slaves). Painting. Togo.
The Greek slave market at Phanagoria. After the painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-greek-slave-market-at-phanagoria-after-the-painting-by-ws-bagdatopoulus-164321572.htmlRMKF9DRG–The Greek slave market at Phanagoria. After the painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915.
Portrait of Harriet Beecher Stowe (Cropped) by American artist Alanson Fisher (1807-1884) painted in 1853. This portrait was commissioned a year after the publication of Stowe’s bestselling novel 'Uncle Tom's Cabin’ that did much to progress the abolitionist cause in 1850s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-harriet-beecher-stowe-cropped-by-american-artist-alanson-fisher-1807-1884-painted-in-1853-this-portrait-was-commissioned-a-year-after-the-publication-of-stowes-bestselling-novel-uncle-toms-cabin-that-did-much-to-progress-the-abolitionist-cause-in-1850s-image604033753.htmlRM2X2M361–Portrait of Harriet Beecher Stowe (Cropped) by American artist Alanson Fisher (1807-1884) painted in 1853. This portrait was commissioned a year after the publication of Stowe’s bestselling novel 'Uncle Tom's Cabin’ that did much to progress the abolitionist cause in 1850s.
UNSIGNED CONTEMPORARY PAINTING SHOWING THE CONSTRUCTION OF THE VILLAGE AND THE TORRE DE MANACA IGNAZA (44 METRES HIGH), SURVEILLANCE TOWER FOR WATCHING THE BLACK AFRICAN SLAVES ON THE OLD SUGAR CANE PLANTATION, LOS INGENIOS VALLEY, LISTED AS A WORLD HERIT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unsigned-contemporary-painting-showing-the-construction-of-the-village-image64945748.htmlRMDNJEY0–UNSIGNED CONTEMPORARY PAINTING SHOWING THE CONSTRUCTION OF THE VILLAGE AND THE TORRE DE MANACA IGNAZA (44 METRES HIGH), SURVEILLANCE TOWER FOR WATCHING THE BLACK AFRICAN SLAVES ON THE OLD SUGAR CANE PLANTATION, LOS INGENIOS VALLEY, LISTED AS A WORLD HERIT
Leopolski In the Cossack slavery 1876 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-leopolski-in-the-cossack-slavery-1876-132440677.htmlRMHKD5C5–Leopolski In the Cossack slavery 1876
wall painting Goree Island Senegal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wall-painting-goree-island-senegal-11845771.htmlRMA7HNXM–wall painting Goree Island Senegal
Jean-Léon Gérôme - Slave Market in Rome 1884 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-lon-grme-slave-market-in-rome-1884-image597715994.htmlRM2WMC8RP–Jean-Léon Gérôme - Slave Market in Rome 1884
An etching from a painting of a slave auction, a black man stands next to a black woman holding her child on top of a raised platform, two other black men are seen leaning and sitting on the edges of the platform, a white auctioneer addresses the crowd of white men from the platform, the other men are standing and conversing throughout the room, Virginia, 1861. From the New York Public Library. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-an-etching-from-a-painting-of-a-slave-auction-a-black-man-stands-next-166776444.htmlRMKK991G–An etching from a painting of a slave auction, a black man stands next to a black woman holding her child on top of a raised platform, two other black men are seen leaning and sitting on the edges of the platform, a white auctioneer addresses the crowd of white men from the platform, the other men are standing and conversing throughout the room, Virginia, 1861. From the New York Public Library.
Slave market in Arabia, several customers examine a young woman, after a painting by Jean-Leon Gerome, Historical, digitally restored reproduction from a 19th century original / Sklavenmarkt in Arabien, mehrere Kunden begutachten eine junge Frau, nach einem Gemälde von Jean-Leon Gerome, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/slave-market-in-arabia-several-customers-examine-a-young-woman-after-a-painting-by-jean-leon-gerome-historical-digitally-restored-reproduction-from-a-19th-century-original-sklavenmarkt-in-arabien-mehrere-kunden-begutachten-eine-junge-frau-nach-einem-gemlde-von-jean-leon-gerome-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image551821205.htmlRF2R1NHG5–Slave market in Arabia, several customers examine a young woman, after a painting by Jean-Leon Gerome, Historical, digitally restored reproduction from a 19th century original / Sklavenmarkt in Arabien, mehrere Kunden begutachten eine junge Frau, nach einem Gemälde von Jean-Leon Gerome, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
Portrait of the American statesman, Charles Sumner (1811-1874) by Edgar Parker, oil on canvas, 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-american-statesman-charles-sumner-1811-1874-by-edgar-parker-oil-on-canvas-1874-image463373487.htmlRM2HWTDH3–Portrait of the American statesman, Charles Sumner (1811-1874) by Edgar Parker, oil on canvas, 1874
Slaves working on a plantation - Planting the sugar cane. Circa 1823 - William Clark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/slaves-working-on-a-plantation-planting-the-sugar-cane-circa-1823-william-clark-image219532733.htmlRMPN4G6N–Slaves working on a plantation - Planting the sugar cane. Circa 1823 - William Clark
William Gilmore Simms (1806-1870), American writer and politician from the American South a staunch defender of slavery, portrait painting in oil on canvas before 1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-gilmore-simms-1806-1870-american-writer-and-politician-from-the-american-south-a-staunch-defender-of-slavery-portrait-painting-in-oil-on-canvas-before-1870-image479825112.htmlRM2JTHWR4–William Gilmore Simms (1806-1870), American writer and politician from the American South a staunch defender of slavery, portrait painting in oil on canvas before 1870
Pedra do Sal ( 'Rock of Salt' ), a historical and religious site in Rio de Janeiro, in the neighborhood of Saude. The site was originally a quilombo village. It is a place with special significance for Cariocas of African descent and fans of samba and choro music. It is considered the center of the area known locally as 'Little Africa', which was full of collective houses of escaped and freed slaves. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pedra-do-sal-rock-of-salt-a-historical-and-religious-site-in-rio-de-image66198408.htmlRMDRKGMT–Pedra do Sal ( 'Rock of Salt' ), a historical and religious site in Rio de Janeiro, in the neighborhood of Saude. The site was originally a quilombo village. It is a place with special significance for Cariocas of African descent and fans of samba and choro music. It is considered the center of the area known locally as 'Little Africa', which was full of collective houses of escaped and freed slaves.
Italy: 'Christopher Columbus (1451-1506) in audience with Queen Isabella of Spain'. Oil on canvas painting by Emanuel Leutze (1816-1868), 1843. Christopher Columbus (c. 31 October 1451-20 May 1506) was a navigator, colonizer, and explorer from Genoa, Italy, whose voyages across the Atlantic Ocean led to general European awareness of the American continents in the Western Hemisphere. Isabella I (22 April 1451-26 November 1504) was Queen of Castile and Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-christopher-columbus-1451-1506-in-audience-with-queen-isabella-of-spain-oil-on-canvas-painting-by-emanuel-leutze-1816-1868-1843-christopher-columbus-c-31-october-1451-20-may-1506-was-a-navigator-colonizer-and-explorer-from-genoa-italy-whose-voyages-across-the-atlantic-ocean-led-to-general-european-awareness-of-the-american-continents-in-the-western-hemisphere-isabella-i-22-april-1451-26-november-1504-was-queen-of-castile-and-spain-image344223443.htmlRM2B00MEB–Italy: 'Christopher Columbus (1451-1506) in audience with Queen Isabella of Spain'. Oil on canvas painting by Emanuel Leutze (1816-1868), 1843. Christopher Columbus (c. 31 October 1451-20 May 1506) was a navigator, colonizer, and explorer from Genoa, Italy, whose voyages across the Atlantic Ocean led to general European awareness of the American continents in the Western Hemisphere. Isabella I (22 April 1451-26 November 1504) was Queen of Castile and Spain.
fine arts, ancient world, Egypt, painting, wallpainting, servant handing a bowl of perfume to a lady, Tomb of Nebamun, West Thebes, 18th dynasty, circa 1500 BC), British Museum, London, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-ancient-world-egypt-painting-wallpainting-servant-handing-111300065.htmlRMGD24A9–fine arts, ancient world, Egypt, painting, wallpainting, servant handing a bowl of perfume to a lady, Tomb of Nebamun, West Thebes, 18th dynasty, circa 1500 BC), British Museum, London, Artist's Copyright has not to be cleared
Abraham Lincoln portrait painting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abraham-lincoln-portrait-painting-93233777.htmlRMFBK4HN–Abraham Lincoln portrait painting
Commwijne district a painting showing the first free slaves at the museum new Amsterdam Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/commwijne-district-a-painting-showing-the-first-free-slaves-at-the-image9682936.htmlRMAXYPR9–Commwijne district a painting showing the first free slaves at the museum new Amsterdam
The Capture of the Slaver Formidable by HMS Buzzard, 17 December 1834 by Edward Duncan after the Oil painting by William Huggins Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-capture-of-the-slaver-formidable-by-hms-buzzard-17-december-1834-104952906.htmlRMG2N0E2–The Capture of the Slaver Formidable by HMS Buzzard, 17 December 1834 by Edward Duncan after the Oil painting by William Huggins
A Slave Market Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-slave-market-135041062.htmlRMHRKJ72–A Slave Market
Agbodrafo. La Maison des Esclaves (House of Slaves). Painting. Togo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-agbodrafo-la-maison-des-esclaves-house-of-slaves-painting-togo-148171913.htmlRFJH1PP1–Agbodrafo. La Maison des Esclaves (House of Slaves). Painting. Togo.
Phoenician traders kidnapping maidens on the coast of Greece to sell as slaves in Egypt. After the painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-phoenician-traders-kidnapping-maidens-on-the-coast-of-greece-to-sell-160105526.htmlRMK8DC6E–Phoenician traders kidnapping maidens on the coast of Greece to sell as slaves in Egypt. After the painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915.
Bettys Hope Antigua Artwork of Slavery at Sugar Mill and Plantation Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bettys-hope-antigua-artwork-of-slavery-at-sugar-mill-and-plantation-image469409739.htmlRM2J7KCWF–Bettys Hope Antigua Artwork of Slavery at Sugar Mill and Plantation
UNSIGNED CONTEMPORARY PAINTING REPRESENTING SUGAR CANE FARMING, THE HACIENDA, THE SUGAR FACTORY AND THE TORRE DE MANACA IGNAZA (44 METRES HIGH), SURVEILLANCE TOWER FOR WATCHING THE BLACK AFRICAN SLAVES ON THE OLD SUGAR CANE PLANTATION, LOS INGENIOS VALLEY Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unsigned-contemporary-painting-representing-sugar-cane-farming-the-image64945743.htmlRMDNJEXR–UNSIGNED CONTEMPORARY PAINTING REPRESENTING SUGAR CANE FARMING, THE HACIENDA, THE SUGAR FACTORY AND THE TORRE DE MANACA IGNAZA (44 METRES HIGH), SURVEILLANCE TOWER FOR WATCHING THE BLACK AFRICAN SLAVES ON THE OLD SUGAR CANE PLANTATION, LOS INGENIOS VALLEY
CaptCharlesStuartBetweenScalesandJeremieAtThe Anti-Slavery Society Convention, 1840 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-captcharlesstuartbetweenscalesandjeremieatthe-anti-slavery-society-132663191.htmlRMHKR973–CaptCharlesStuartBetweenScalesandJeremieAtThe Anti-Slavery Society Convention, 1840
wall painting Goree Island Senegal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wall-painting-goree-island-senegal-11845768.htmlRMA7HNXH–wall painting Goree Island Senegal
Slave Market in Ancient Rome, c. 1884, Hermitage Museum Jean-Léon Gérôme Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/slave-market-in-ancient-rome-c-1884-hermitage-museum-jean-lon-grme-image602113570.htmlRF2WYGJ02–Slave Market in Ancient Rome, c. 1884, Hermitage Museum Jean-Léon Gérôme
Peasants Reading the Emancipation Manifesto, an 1873 painting by Grigory Myasoyedov Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peasants-reading-the-emancipation-manifesto-an-1873-painting-by-grigory-myasoyedov-image504211361.htmlRM2M88PMH–Peasants Reading the Emancipation Manifesto, an 1873 painting by Grigory Myasoyedov
Painting of Dogs titled 'Uncle Tom' by Edwin Landseer dated 1857 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-of-dogs-titled-uncle-tom-by-edwin-landseer-dated-1857-image565307229.htmlRM2RRKY3W–Painting of Dogs titled 'Uncle Tom' by Edwin Landseer dated 1857
William Wilberforce (1759–1833), an English politician, philanthropist, and a leader of the movement to abolish the slave trade. Detail from an unfinished portrait by Sir Thomas Lawrence, oil on canvas, 1828. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-wilberforce-17591833-an-english-politician-philanthropist-and-a-leader-of-the-movement-to-abolish-the-slave-trade-detail-from-an-unfinished-portrait-by-sir-thomas-lawrence-oil-on-canvas-1828-image455357643.htmlRM2HCR98Y–William Wilberforce (1759–1833), an English politician, philanthropist, and a leader of the movement to abolish the slave trade. Detail from an unfinished portrait by Sir Thomas Lawrence, oil on canvas, 1828.
Children of Jacob sell their brother Joseph - Konstantin Flavitsky, circa 1855 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/children-of-jacob-sell-their-brother-joseph-konstantin-flavitsky-circa-1855-image219274951.htmlRMPMMRC7–Children of Jacob sell their brother Joseph - Konstantin Flavitsky, circa 1855
John Brooks Henderson (1826-1913), United States senator from Missouri and a co-author of the Thirteenth Amendment to the United States Constitution which abolished slavery, portrait painting in oil on canvas by Jean Joseph Benjamin-Constant, 1895 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-brooks-henderson1826-1913-united-states-senatorfrom-missouriand-a-co-author-of-thethirteenth-amendment-to-the-united-states-constitution-which-abolished-slavery-portrait-painting-in-oil-on-canvas-by-jean-joseph-benjamin-constant-1895-image479825193.htmlRM2JTHWX1–John Brooks Henderson (1826-1913), United States senator from Missouri and a co-author of the Thirteenth Amendment to the United States Constitution which abolished slavery, portrait painting in oil on canvas by Jean Joseph Benjamin-Constant, 1895
Search Results for Painting slavery Stock Photos and Images (1,514)
Page 1 of 16