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Painting by muhammad qasim Stock Photos and Images

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Painting by muhammad qasim Stock Photos and Images

Chastisement of a Pupil, Painting by Muhammad Qasim, dated 114 (A.H. 1014/ A.D. 1605–6 Stock Photo
RMKC68GH–Chastisement of a Pupil, Painting by Muhammad Qasim, dated 114 (A.H. 1014/ A.D. 1605–6
Iran/Persia: A young man reading a letter. Miniature painting by Muhammad Qasim (-1659), 1629. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are the best-known form of Persian painting. Stock Photo
RM2B01KWJ–Iran/Persia: A young man reading a letter. Miniature painting by Muhammad Qasim (-1659), 1629. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are the best-known form of Persian painting.
Chastisement of a Pupil. Artist: Painting by Muhammad Qasim (active ca. 1600-d. 1659). Dimensions: Painting: H. 9 3/4 in. (24.8 cm) W. 6 5/16 in. (16 cm) Page: H. 13 5/8 in. (34.6 cm) W. 9 in. (22.9 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm) Frame: H. 21 5/8 in. (55 cm) W. 16 3/4 in. (42.5 cm) D. 1 3/16 in. (3 cm). Date: dated 114 (A.H. 1014/ A.D. 1605-6). In this drawing, two elderly dervishes witness a boy's chastisement. School scenes such as this example often include figures burnishing paper and practicing calligraphy. The artist, Muhammad Qasim, was one of the pr Stock Photo
RMPAJNKN–Chastisement of a Pupil. Artist: Painting by Muhammad Qasim (active ca. 1600-d. 1659). Dimensions: Painting: H. 9 3/4 in. (24.8 cm) W. 6 5/16 in. (16 cm) Page: H. 13 5/8 in. (34.6 cm) W. 9 in. (22.9 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm) Frame: H. 21 5/8 in. (55 cm) W. 16 3/4 in. (42.5 cm) D. 1 3/16 in. (3 cm). Date: dated 114 (A.H. 1014/ A.D. 1605-6). In this drawing, two elderly dervishes witness a boy's chastisement. School scenes such as this example often include figures burnishing paper and practicing calligraphy. The artist, Muhammad Qasim, was one of the pr
Art inspired by Chastisement of a Pupil, dated 114 (A.H. 1014/ A.D. 1605–6), Attributed to Iran, Mashhad, Ink, watercolor, and gold on paper, Painting: H. 9 3/4 in. (24.8 cm), Codices, Painting by Muhammad Qasim (active ca. 1600–d. 1659), In this drawing, two elderly dervishes witness, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8KN8–Art inspired by Chastisement of a Pupil, dated 114 (A.H. 1014/ A.D. 1605–6), Attributed to Iran, Mashhad, Ink, watercolor, and gold on paper, Painting: H. 9 3/4 in. (24.8 cm), Codices, Painting by Muhammad Qasim (active ca. 1600–d. 1659), In this drawing, two elderly dervishes witness, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
India: Zahir ud-din Muhammad Babur (1483-1530) the first Mughal Emperor, is welcomed to Kabul by Qāsim Beg, the city qadi, along with his retinue. Miniature painting from the Baburnama, late 16th century. Bāburnāma (literally: 'Book of Babur' or 'Letters of Babur'; alternatively known as Tuzk-e Babri) is the name given to the memoirs of Ẓahīr ud-Dīn Muḥammad Bābur, founder of the Mughal Empire and a great-great-great-grandson of Timur. It is an autobiographical work, originally written in the Chagatai language, known to Babur as 'Turki' (meaning Turkic). Stock Photo
RM2B01ENR–India: Zahir ud-din Muhammad Babur (1483-1530) the first Mughal Emperor, is welcomed to Kabul by Qāsim Beg, the city qadi, along with his retinue. Miniature painting from the Baburnama, late 16th century. Bāburnāma (literally: 'Book of Babur' or 'Letters of Babur'; alternatively known as Tuzk-e Babri) is the name given to the memoirs of Ẓahīr ud-Dīn Muḥammad Bābur, founder of the Mughal Empire and a great-great-great-grandson of Timur. It is an autobiographical work, originally written in the Chagatai language, known to Babur as 'Turki' (meaning Turkic).
Chastisement of a Pupil dated A.H. 1014/ A.D. 1605–6 Painting by Muhammad Qasim In this drawing, two elderly dervishes witness a boy’s chastisement. School scenes such as this example often include figures burnishing paper and practicing calligraphy. The artist, Muhammad Qasim, was one of the proponents of the style developed by Riza‑yi 'Abbasi, known for its innovative use of line and wash colors.. Chastisement of a Pupil 446180 Stock Photo
RM2HH8E65–Chastisement of a Pupil dated A.H. 1014/ A.D. 1605–6 Painting by Muhammad Qasim In this drawing, two elderly dervishes witness a boy’s chastisement. School scenes such as this example often include figures burnishing paper and practicing calligraphy. The artist, Muhammad Qasim, was one of the proponents of the style developed by Riza‑yi 'Abbasi, known for its innovative use of line and wash colors.. Chastisement of a Pupil 446180
Iran/Persia: Portrait of a girl smoking, Muhammad Qasim Musavvir (c. 1575-1659), Isfahan, 17th century. Muhammad Qasim Musavvir, one of the famous artists of the Isfahan School, was born in Tabriz. Although his style is quite individual, it has something of the manner of Riza Abbasi, head of the painters' workshop of Shah Abbas I between 1603 and 1605. Muhammad Qasim was responsible for a number of paintings for albums, portraits of dervishes, young women, cup bearers and princes. He also illustrated a copy of Firdawsi's Book of Kings dated 1648, now at Windsor Castle. Stock Photo
RM2B01E86–Iran/Persia: Portrait of a girl smoking, Muhammad Qasim Musavvir (c. 1575-1659), Isfahan, 17th century. Muhammad Qasim Musavvir, one of the famous artists of the Isfahan School, was born in Tabriz. Although his style is quite individual, it has something of the manner of Riza Abbasi, head of the painters' workshop of Shah Abbas I between 1603 and 1605. Muhammad Qasim was responsible for a number of paintings for albums, portraits of dervishes, young women, cup bearers and princes. He also illustrated a copy of Firdawsi's Book of Kings dated 1648, now at Windsor Castle.
fine arts, islamic, painting, caravan of pilgrims on the way to Mecca, miniature by Yahya ibn Mahmud al Wasiti to 'Maqamat' of Abu Muhammad al Qasim ibn Ali al-Hariri (1054 - 1122), published in Bagdad, 1237 AD, National Library, Paris, , Stock Photo
RMAG3TK5–fine arts, islamic, painting, caravan of pilgrims on the way to Mecca, miniature by Yahya ibn Mahmud al Wasiti to 'Maqamat' of Abu Muhammad al Qasim ibn Ali al-Hariri (1054 - 1122), published in Bagdad, 1237 AD, National Library, Paris, ,
Iraq: The Wedding Banquet, Maqamat al-Hariri by al-Hariri of Basra (1054 - 10 September 1122), c. 1225-1235. The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammad al-Qasim ibn Ali al-Hariri of Basra the following century. Al-Hariri was an Arab poet and scholar, and a high government official of the Seljuks. His best known work was his Maqamat al-Hariri, a collection of over 50 stories. Stock Photo
RM2B01FY4–Iraq: The Wedding Banquet, Maqamat al-Hariri by al-Hariri of Basra (1054 - 10 September 1122), c. 1225-1235. The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammad al-Qasim ibn Ali al-Hariri of Basra the following century. Al-Hariri was an Arab poet and scholar, and a high government official of the Seljuks. His best known work was his Maqamat al-Hariri, a collection of over 50 stories.
Muhammad (Abu al Kasim Muhammad ibn Abdallah), circa 570 - 8.6.632, Arabian Prophet, founder of Islam, with flame head and caliph and archangel Gabriel, Islamic miniature, Artist's Copyright has not to be cleared Stock Photo
RMBA814M–Muhammad (Abu al Kasim Muhammad ibn Abdallah), circa 570 - 8.6.632, Arabian Prophet, founder of Islam, with flame head and caliph and archangel Gabriel, Islamic miniature, Artist's Copyright has not to be cleared
Muhammad Qasim 1600 Stock Photo
RMJ46D1R–Muhammad Qasim 1600
Muhammad Qasim Bride Stock Photo
RMHN27J9–Muhammad Qasim Bride
'Zahhak is Told His Fate', Folio 29v from the Shahnama (Book of Kings) of Shah Tahmasp ca. 1524 Abu'l Qasim Firdausi The evil king Zahhak faints when his wise men reveal the meaning of his nightmare: that one Faridun, as yet unborn, will justly bring about his downfall and death. The logical disposition of figures in space reflects the influence of the late Timurid Herat School of painting, whereas the bending rosebush and snail-like clouds at the right derive from Turkmen painting as practiced at Tabriz. The animated characterizations, however, are typical of the work of Sultan Muhammad, head Stock Photo
RM2HH9RK5–'Zahhak is Told His Fate', Folio 29v from the Shahnama (Book of Kings) of Shah Tahmasp ca. 1524 Abu'l Qasim Firdausi The evil king Zahhak faints when his wise men reveal the meaning of his nightmare: that one Faridun, as yet unborn, will justly bring about his downfall and death. The logical disposition of figures in space reflects the influence of the late Timurid Herat School of painting, whereas the bending rosebush and snail-like clouds at the right derive from Turkmen painting as practiced at Tabriz. The animated characterizations, however, are typical of the work of Sultan Muhammad, head
His father was the elder son of Ali ibn Abi Talib and Fatima. Qasim was thus a great-grandson of the Prophet Muhammad, who was the father of Fatima. Stock Photo
RF2JM1755–His father was the elder son of Ali ibn Abi Talib and Fatima. Qasim was thus a great-grandson of the Prophet Muhammad, who was the father of Fatima.
Tahmuras Defeats the Divs, Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525. Stock Photo
RM2BT26F7–Tahmuras Defeats the Divs, Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525.
'Nushirvan Greets the Khaqan's Daughter', Folio 633v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Dust Muhammad. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 3/8 x W. 7 in. (H. 18.7 x W. 17.8 cm) Entire Page: H. 18 5/8 x W. 12 7/16 in. (H. 47.3 x W. 31.6 cm). Date: ca. 1530-35. When the Khaqan of Chin became aware of the greatness and power of the Iranian shah, he determined to form an alliance and offered one of his daughters in marriage to cement it. Nushirvan accepted the offer, but sent a wise envoy to choose the best of the Kha Stock Photo
RMPB1HP6–'Nushirvan Greets the Khaqan's Daughter', Folio 633v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Dust Muhammad. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 3/8 x W. 7 in. (H. 18.7 x W. 17.8 cm) Entire Page: H. 18 5/8 x W. 12 7/16 in. (H. 47.3 x W. 31.6 cm). Date: ca. 1530-35. When the Khaqan of Chin became aware of the greatness and power of the Iranian shah, he determined to form an alliance and offered one of his daughters in marriage to cement it. Nushirvan accepted the offer, but sent a wise envoy to choose the best of the Kha
Muhammad Qasim 1600 Stock Photo
RMHX7N1R–Muhammad Qasim 1600
The Feast of Sada, Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525. Stock Photo
RM2BT280T–The Feast of Sada, Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525.
'The Iranians Mourn Farud and Jarira', Folio 236r from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to 'Abd al-'Aziz (active first half 16th century); Painting attributed to Mirza Muhammad Qabahat. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 1/4 x W. 7 5/16 in. (H. 28.6 x W. 18.6 cm) Entire Page: H. 18 5/8 x W. 12 1/2 in. (H. 47.3 x W. 31.8 cm). Date: ca. 1525-30. The Shahnama is filled with tragic events and moments of intense drama. On the page illustrated here, the painters have depicted the mourning of Iranians over the tragic destiny Stock Photo
RMPA99WW–'The Iranians Mourn Farud and Jarira', Folio 236r from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to 'Abd al-'Aziz (active first half 16th century); Painting attributed to Mirza Muhammad Qabahat. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 1/4 x W. 7 5/16 in. (H. 28.6 x W. 18.6 cm) Entire Page: H. 18 5/8 x W. 12 1/2 in. (H. 47.3 x W. 31.8 cm). Date: ca. 1525-30. The Shahnama is filled with tragic events and moments of intense drama. On the page illustrated here, the painters have depicted the mourning of Iranians over the tragic destiny
The Four Knights of Kai Khusrau in the Mountains, Folio from a Shahnama (Book of Kings), dated A.H. 741/A.D. 1341. Stock Photo
RM2BT280X–The Four Knights of Kai Khusrau in the Mountains, Folio from a Shahnama (Book of Kings), dated A.H. 741/A.D. 1341.
'Tahmuras Defeats the Divs', Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Sultan Muhammad (active first half 16th century). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 1/8 (28.3 cm) W. 7 5/16 in. (18.6 cm) Entire Page: H. 18 1/2 in. (47 cm) W. 12 5/8 in. (32.1 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm). Date: ca. 1525. Tahmuras, shown here galloping across a meadow, defeated the divs (demons); in exchange for their lives, they taught him the art of writing. This work is attributed to Sultan Muhammad, the mas Stock Photo
RMPB135G–'Tahmuras Defeats the Divs', Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Sultan Muhammad (active first half 16th century). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 1/8 (28.3 cm) W. 7 5/16 in. (18.6 cm) Entire Page: H. 18 1/2 in. (47 cm) W. 12 5/8 in. (32.1 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm). Date: ca. 1525. Tahmuras, shown here galloping across a meadow, defeated the divs (demons); in exchange for their lives, they taught him the art of writing. This work is attributed to Sultan Muhammad, the mas
The Iranians Mourn Farud and Jarira, Folio 236r from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525-30. Stock Photo
RM2BT2883–The Iranians Mourn Farud and Jarira, Folio 236r from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525-30.
'Bahrum Gur Before His Father, Yazdigird I', Folio 551v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Dust Muhammad. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 3/16 x W. 6 11/16 in. (H. 18.2 x W. 17 cm) Entire Page: H. 18 5/8 x W. 12 5/8 in. (H. 47.3 x W. 32.1 cm). Date: ca. 1530-35. Munzir, Bahram's Arab host, sends a painting of him to his father,Yazdigird I, who is so struck by his son's handsome physique and hunting prowess that he asks Munzir to send him to Iran. Bahram arrives and greatly impresses his father with his manly a Stock Photo
RMPAXNJR–'Bahrum Gur Before His Father, Yazdigird I', Folio 551v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Dust Muhammad. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 3/16 x W. 6 11/16 in. (H. 18.2 x W. 17 cm) Entire Page: H. 18 5/8 x W. 12 5/8 in. (H. 47.3 x W. 32.1 cm). Date: ca. 1530-35. Munzir, Bahram's Arab host, sends a painting of him to his father,Yazdigird I, who is so struck by his son's handsome physique and hunting prowess that he asks Munzir to send him to Iran. Bahram arrives and greatly impresses his father with his manly a
Shahnama (Book of Kings) of Firdausi, A.H. 1014/A.D. 1605-7. Stock Photo
RM2BT24WT–Shahnama (Book of Kings) of Firdausi, A.H. 1014/A.D. 1605-7.
'The Coup against Usurper Shah', Folio 745v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Dust Muhammad. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 3/16 x W. 10 7/16 in. (H. 18.2 x W. 26.5 cm) Entire Page: H. 18 1/2 x W. 12 1/4 in. (H. 47 x W. 31.1 cm). Date: ca. 1530-35. In the year 630, during a fifty-day reign, Shah Farain Guraz completely dissipated the entire royal treasury. Because of this greed and injustice, the army soon turned against the shah and swore to rid Iran of the usurper. One day while on a hunt, the leader of th Stock Photo
RMPAAA5M–'The Coup against Usurper Shah', Folio 745v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Dust Muhammad. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 3/16 x W. 10 7/16 in. (H. 18.2 x W. 26.5 cm) Entire Page: H. 18 1/2 x W. 12 1/4 in. (H. 47 x W. 31.1 cm). Date: ca. 1530-35. In the year 630, during a fifty-day reign, Shah Farain Guraz completely dissipated the entire royal treasury. Because of this greed and injustice, the army soon turned against the shah and swore to rid Iran of the usurper. One day while on a hunt, the leader of th
Nushirvan Greets the Khaqan's Daughter, Folio 633v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35. Stock Photo
RM2BT210F–Nushirvan Greets the Khaqan's Daughter, Folio 633v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35.
'The Combat of Rustam and Ashkabus', Folio 268v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Mirza Muhammad Qabahat. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 9 3/8 x W. 7 5/8 in. (H. 23.8 x W. 19.4 cm) Entire Page: H. 18 5/8 x W. 12 5/8 in. (H. 47.3 x W. 32.1 cm). Workshop director: 'Abd al-'Aziz (active first half 16th century). Date: ca. 1525-30. With daylight the battle resumes. Before the armies can clash, Ashkabus rides out from the Turanian side and starts to abuse the Iranians. After Ruhham tries unsuccessfully to shoot Ash Stock Photo
RMPB1N2K–'The Combat of Rustam and Ashkabus', Folio 268v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Mirza Muhammad Qabahat. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 9 3/8 x W. 7 5/8 in. (H. 23.8 x W. 19.4 cm) Entire Page: H. 18 5/8 x W. 12 5/8 in. (H. 47.3 x W. 32.1 cm). Workshop director: 'Abd al-'Aziz (active first half 16th century). Date: ca. 1525-30. With daylight the battle resumes. Before the armies can clash, Ashkabus rides out from the Turanian side and starts to abuse the Iranians. After Ruhham tries unsuccessfully to shoot Ash
Zal Consults the Magi, Folio 73v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35. Stock Photo
RM2BT2CAE–Zal Consults the Magi, Folio 73v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35.
'Zal Consults the Magi', Folio 73v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Sultan Muhammad (active first half 16th century) , assisted by 'Abd al-'Aziz. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 1/16 x W. 7 1/4 in. (H. 28.1 x W. 18.4 cm) Entire Page: H. 18 9/16 x W. 12 1/2 in. (H. 47.1 x W. 31.8 cm). Workshop director: Sultan Muhammad (active first half 16th century). Date: ca. 1530-35. In this painting, Zal is depicted enthroned as he consults his magi, or Zoroastrian wise men, on how to win his father's approval to marry Stock Photo
RMPAM3K6–'Zal Consults the Magi', Folio 73v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Sultan Muhammad (active first half 16th century) , assisted by 'Abd al-'Aziz. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 1/16 x W. 7 1/4 in. (H. 28.1 x W. 18.4 cm) Entire Page: H. 18 9/16 x W. 12 1/2 in. (H. 47.1 x W. 31.8 cm). Workshop director: Sultan Muhammad (active first half 16th century). Date: ca. 1530-35. In this painting, Zal is depicted enthroned as he consults his magi, or Zoroastrian wise men, on how to win his father's approval to marry
The Coup against Usurper Shah, Folio 745v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35. Stock Photo
RM2BT27G3–The Coup against Usurper Shah, Folio 745v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35.
'The Feast of Sada', Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Sultan Muhammad (active first half 16th century). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 9 1/2 in. (24.1 cm) W. 9 1/16 in. (23 cm) Page: H. 18 1/2 in. (47 cm) W.12 1/2 in. (31.8 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm). Date: ca. 1525. In the reign of Hushang, grandson of Gayumars, the world came to understand the usefulness of minerals and the arts of smithery, agriculture, and irrigation. One day, Hushang spied a dragon lurking behind the Stock Photo
RMPA9KPK–'The Feast of Sada', Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Sultan Muhammad (active first half 16th century). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 9 1/2 in. (24.1 cm) W. 9 1/16 in. (23 cm) Page: H. 18 1/2 in. (47 cm) W.12 1/2 in. (31.8 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm). Date: ca. 1525. In the reign of Hushang, grandson of Gayumars, the world came to understand the usefulness of minerals and the arts of smithery, agriculture, and irrigation. One day, Hushang spied a dragon lurking behind the
The Combat of Rustam and Ashkabus, Folio 268v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525-30. Stock Photo
RM2BH3BC2–The Combat of Rustam and Ashkabus, Folio 268v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525-30.
'Iranian and Turanian Armies in Combat', Folio from a Shahnama (Book of Kings). Author: Abu'l Qasim Firdausi (935-1020). Calligrapher: Hasan ibn Muhammad ibn `Ali ibn (?) Husaini, known as al-Mausili. Dimensions: Painting with Text Block: H. 11 3/8 in. (28.9 cm) W. 9 9/16 in. (24.3 cm) Page: H. 13 7/8 in. (35.2 cm) W. 11 7/16 in. (29.1 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Patron: Commissioned by al-Hasan Qawam al-Daula wa'l-Din (ca. 1303-57). Date: A.H. 741/A.D. 1341. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA82E5–'Iranian and Turanian Armies in Combat', Folio from a Shahnama (Book of Kings). Author: Abu'l Qasim Firdausi (935-1020). Calligrapher: Hasan ibn Muhammad ibn `Ali ibn (?) Husaini, known as al-Mausili. Dimensions: Painting with Text Block: H. 11 3/8 in. (28.9 cm) W. 9 9/16 in. (24.3 cm) Page: H. 13 7/8 in. (35.2 cm) W. 11 7/16 in. (29.1 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Patron: Commissioned by al-Hasan Qawam al-Daula wa'l-Din (ca. 1303-57). Date: A.H. 741/A.D. 1341. Museum: Metropolitan Museum of Art, New York, USA.
Firdausi's Parable of the Ship of Shi'ism, Folio 18v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35. Stock Photo
RM2BT1PC7–Firdausi's Parable of the Ship of Shi'ism, Folio 18v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35.
'Rustam Discoursing with Isfandiyar', Folio from a Shahnama (Book of Kings). Author: Abu'l Qasim Firdausi (935-1020). Calligrapher: Hasan ibn Muhammad ibn `Ali ibn (?) Husaini, known as al-Mausili. Dimensions: Painting with Text Block: H.11 1/2 in. (29.2 cm) W. 9 1/2 in. (24.1 cm) Page: H.14 5/8 in. (37.1 cm) W. 11 3/4 in. (29.8 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Patron: Commissioned by al-Hasan Qawam al-Daula wa'l-Din (ca. 1303-57). Date: dated A.H. 741/A.D. 1341. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPANK1D–'Rustam Discoursing with Isfandiyar', Folio from a Shahnama (Book of Kings). Author: Abu'l Qasim Firdausi (935-1020). Calligrapher: Hasan ibn Muhammad ibn `Ali ibn (?) Husaini, known as al-Mausili. Dimensions: Painting with Text Block: H.11 1/2 in. (29.2 cm) W. 9 1/2 in. (24.1 cm) Page: H.14 5/8 in. (37.1 cm) W. 11 3/4 in. (29.8 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Patron: Commissioned by al-Hasan Qawam al-Daula wa'l-Din (ca. 1303-57). Date: dated A.H. 741/A.D. 1341. Museum: Metropolitan Museum of Art, New York, USA.
Kharrad Recognizes the Princess" as being an Automaton", Folio from a Shahnama (Book of Kings), dated A.H. 741/A.D. 1341. Stock Photo
RM2BT1X29–Kharrad Recognizes the Princess" as being an Automaton", Folio from a Shahnama (Book of Kings), dated A.H. 741/A.D. 1341.
Iranian and Turanian Armies in Combat, Folio from a Shahnama (Book of Kings), dated A.H. 741/A.D. 1341. Stock Photo
RM2BT1WA1–Iranian and Turanian Armies in Combat, Folio from a Shahnama (Book of Kings), dated A.H. 741/A.D. 1341.
Faridun Embraces Manuchihr, Folio 59v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525. Stock Photo
RM2BT1P7K–Faridun Embraces Manuchihr, Folio 59v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525.
Bahram Gur Before His Father, Yazdigird I, Folio 551v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35. Stock Photo
RM2BT13W9–Bahram Gur Before His Father, Yazdigird I, Folio 551v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530-35.
Three Men Before a Castle, Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din, ca. 1476-86. Stock Photo
RM2C71XNJ–Three Men Before a Castle, Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din, ca. 1476-86.
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