Textile, Medium: cotton Technique: woven, Two lengths of sheer cotton seamed down longest edge. Spaced bands of lozenges and triangles inlaid with heavier cotton thread. Deep borders edged with openwork bands at either end. Twisted warp fringe., Albania, late 19th–early 20th century, woven textiles, Textile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-medium-cotton-technique-woven-two-lengths-of-sheer-cotton-seamed-down-longest-edge-spaced-bands-of-lozenges-and-triangles-inlaid-with-heavier-cotton-thread-deep-borders-edged-with-openwork-bands-at-either-end-twisted-warp-fringe-albania-late-19thearly-20th-century-woven-textiles-textile-image391764153.html
RM2DNAB4W–Textile, Medium: cotton Technique: woven, Two lengths of sheer cotton seamed down longest edge. Spaced bands of lozenges and triangles inlaid with heavier cotton thread. Deep borders edged with openwork bands at either end. Twisted warp fringe., Albania, late 19th–early 20th century, woven textiles, Textile
Cap streamer. Cap streamer of Point d'Alençcon in a design of openwork bands in V-shapes with vine motifs and floral sprays worked in ornamental stitches. Louis XV style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-streamer-cap-streamer-of-point-dalencon-in-a-design-of-openwork-bands-in-v-shapes-with-vine-motifs-and-floral-sprays-worked-in-ornamental-stitches-louis-xv-style-image353529612.html
RM2BF4JHG–Cap streamer. Cap streamer of Point d'Alençcon in a design of openwork bands in V-shapes with vine motifs and floral sprays worked in ornamental stitches. Louis XV style.
Collar of mixed lace with bouquets and insects, Collar of natural-colored mixed lace: needle lace - Brussels gauze lace - in combination with a cloaked drochel soil. The pattern has loose bouquets with insects and swinging openwork bands on a clenched soil. The band motif is partly in sleeves of needle lace and spiders of bobbin lace. Motifs with contour threads., anonymous, Brussels (possibly), c. 1725 - c. 1749, linen (material), Brussels point de gaze, d 46.5 cm × w 4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collar-of-mixed-lace-with-bouquets-and-insects-collar-of-natural-colored-mixed-lace-needle-lace-brussels-gauze-lace-in-combination-with-a-cloaked-drochel-soil-the-pattern-has-loose-bouquets-with-insects-and-swinging-openwork-bands-on-a-clenched-soil-the-band-motif-is-partly-in-sleeves-of-needle-lace-and-spiders-of-bobbin-lace-motifs-with-contour-threads-anonymous-brussels-possibly-c-1725-c-1749-linen-material-brussels-point-de-gaze-d-465-cm-w-4-cm-image261352466.html
RMW55HMJ–Collar of mixed lace with bouquets and insects, Collar of natural-colored mixed lace: needle lace - Brussels gauze lace - in combination with a cloaked drochel soil. The pattern has loose bouquets with insects and swinging openwork bands on a clenched soil. The band motif is partly in sleeves of needle lace and spiders of bobbin lace. Motifs with contour threads., anonymous, Brussels (possibly), c. 1725 - c. 1749, linen (material), Brussels point de gaze, d 46.5 cm × w 4 cm
A large German strongbox,circa 1700. Rectangular sheet iron chest set with riveted bands. A false keyhole on the front with a richly embossed,decorative escutcheon,painted in colour. Hinged lid with a central keyhole. Key missing. Mechanism with nine latches,of which three are defective/incomplete. Elaborate openwork cover plate finished in colour with a two-headed eagle motif. Two hasps in front,and two moveable handles on the short sides. Dimensions 92 x 56.5 x 60.5 cm,historic,historical,18th century,dagger,daggers,thrusting,thrustings,baton,we,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-large-german-strongboxcirca-1700-rectangular-sheet-iron-chest-set-51644011.html
RMD00GCY–A large German strongbox,circa 1700. Rectangular sheet iron chest set with riveted bands. A false keyhole on the front with a richly embossed,decorative escutcheon,painted in colour. Hinged lid with a central keyhole. Key missing. Mechanism with nine latches,of which three are defective/incomplete. Elaborate openwork cover plate finished in colour with a two-headed eagle motif. Two hasps in front,and two moveable handles on the short sides. Dimensions 92 x 56.5 x 60.5 cm,historic,historical,18th century,dagger,daggers,thrusting,thrustings,baton,we,Additional-Rights-Clearences-Not Available
Trimming, Medium: linen Technique: bobbin lace, Brussels style, Curving branches and bands of openwork., Belgium, late 18th century, lace, Trimming Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trimming-medium-linen-technique-bobbin-lace-brussels-style-curving-branches-and-bands-of-openwork-belgium-late-18th-century-lace-trimming-image391457460.html
RM2DMTBYG–Trimming, Medium: linen Technique: bobbin lace, Brussels style, Curving branches and bands of openwork., Belgium, late 18th century, lace, Trimming
Inspired by Strip of bobbin lace with lobed circular scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork circular scallop with seven lobes around it. The motifs are made in linen stitching, the lobes with curved bands of square, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-strip-of-bobbin-lace-with-lobed-circular-scallop-with-star-or-flower-in-it-strip-of-natural-colored-bobbin-lace-russian-lace-the-pattern-consists-of-an-openwork-circular-scallop-with-seven-lobes-around-it-the-motifs-are-made-in-linen-stitching-the-lobes-with-curved-bands-of-square-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459391995.html
RF2HKB34Y–Inspired by Strip of bobbin lace with lobed circular scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork circular scallop with seven lobes around it. The motifs are made in linen stitching, the lobes with curved bands of square, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Earring, One of a Pair. Dimensions: Diam. 2 3/8 in. (6.1 cm). Date: 11th-12th century. This pair of crescent-shaped earrings (see also 2006.273b) is constructed entirely with gold wire and filigree; details of the decoration are achieved through the openwork filigree and fine granulation. The earring has a crescent-shaped body created as a box-construction: on top and bottom, stripes of gold with granulation at the edges hold two openwork filigree bands on the sides, each containing a row of ten small decorative medallions. Two confronted birds conjoined by their beaks and chests stand on tin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/earring-one-of-a-pair-dimensions-diam-2-38-in-61-cm-date-11th-12th-century-this-pair-of-crescent-shaped-earrings-see-also-2006273b-is-constructed-entirely-with-gold-wire-and-filigree-details-of-the-decoration-are-achieved-through-the-openwork-filigree-and-fine-granulation-the-earring-has-a-crescent-shaped-body-created-as-a-box-construction-on-top-and-bottom-stripes-of-gold-with-granulation-at-the-edges-hold-two-openwork-filigree-bands-on-the-sides-each-containing-a-row-of-ten-small-decorative-medallions-two-confronted-birds-conjoined-by-their-beaks-and-chests-stand-on-tin-image213109314.html
RMPAKY2X–Earring, One of a Pair. Dimensions: Diam. 2 3/8 in. (6.1 cm). Date: 11th-12th century. This pair of crescent-shaped earrings (see also 2006.273b) is constructed entirely with gold wire and filigree; details of the decoration are achieved through the openwork filigree and fine granulation. The earring has a crescent-shaped body created as a box-construction: on top and bottom, stripes of gold with granulation at the edges hold two openwork filigree bands on the sides, each containing a row of ten small decorative medallions. Two confronted birds conjoined by their beaks and chests stand on tin
Comble in Spanish. Openwork plant pattern stylized and scrolls that invest the space in vertical bands. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/comble-in-spanish-openwork-plant-pattern-stylized-and-scrolls-that-invest-the-space-in-vertical-bands-image596740351.html
RM2WJRTBB–Comble in Spanish. Openwork plant pattern stylized and scrolls that invest the space in vertical bands.
Illustrated catalogue of the art and literary property collected by the late Henry GMarquand . ge yellow. Markunderneath foot, De Drie Klokken, 1671. 737 — Large Canton Punch Bowl. Sonorous texture. Decoration of Chinese interior and garden scenes in brilliant enamels and gilding. Borders and bands of birds, flowers, and fruits on gold ground. Carved teakwood stand. Diameter, 16 inches. 738 — Thirteen Dresden Plates. Pure white hard paste. Pastoral subjects, finely painted in centres. Openwork and gilt borders. Diameter, q% inches. 739 — Thirteen Old Sevres Plates. Pate tendre. The decoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrated-catalogue-of-the-art-and-literary-property-collected-by-the-late-henry-gmarquand-ge-yellow-markunderneath-foot-de-drie-klokken-1671-737-large-canton-punch-bowl-sonorous-texture-decoration-of-chinese-interior-and-garden-scenes-in-brilliant-enamels-and-gilding-borders-and-bands-of-birds-flowers-and-fruits-on-gold-ground-carved-teakwood-stand-diameter-16-inches-738-thirteen-dresden-plates-pure-white-hard-paste-pastoral-subjects-finely-painted-in-centres-openwork-and-gilt-borders-diameter-q-inches-739-thirteen-old-sevres-plates-pate-tendre-the-decoration-image340025362.html
RM2AN5DPX–Illustrated catalogue of the art and literary property collected by the late Henry GMarquand . ge yellow. Markunderneath foot, De Drie Klokken, 1671. 737 — Large Canton Punch Bowl. Sonorous texture. Decoration of Chinese interior and garden scenes in brilliant enamels and gilding. Borders and bands of birds, flowers, and fruits on gold ground. Carved teakwood stand. Diameter, 16 inches. 738 — Thirteen Dresden Plates. Pure white hard paste. Pastoral subjects, finely painted in centres. Openwork and gilt borders. Diameter, q% inches. 739 — Thirteen Old Sevres Plates. Pate tendre. The decoration
Ritual Censer 15th–16th century Tibet Tibetan metalsmiths were especially renowned for working in iron, typically with intricate openwork designs heightened with inlaid precious metals. Here gold was applied to the foliate lotus design with intertwined dragons and damascened to create the key and lozenge bands on the rims.. Ritual Censer 39399 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ritual-censer-15th16th-century-tibet-tibetan-metalsmiths-were-especially-renowned-for-working-in-iron-typically-with-intricate-openwork-designs-heightened-with-inlaid-precious-metals-here-gold-was-applied-to-the-foliate-lotus-design-with-intertwined-dragons-and-damascened-to-create-the-key-and-lozenge-bands-on-the-rims-ritual-censer-39399-image458118503.html
RM2HH92R3–Ritual Censer 15th–16th century Tibet Tibetan metalsmiths were especially renowned for working in iron, typically with intricate openwork designs heightened with inlaid precious metals. Here gold was applied to the foliate lotus design with intertwined dragons and damascened to create the key and lozenge bands on the rims.. Ritual Censer 39399
Beaker late 16th century Simon Kontz The engraved pattern of elongated leaf motifs on this beaker belong to the ornamental language of the Renaissance, while the openwork and robe bands are reminiscent of ornament from the late Gothic period. Two similar Hungarian beakers were excavated together with an Ottoman bowl and gold coins in 1910 at Makó. They are now in the Hungarian National Museum in Budapest.LiteratureJudit H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, p. 29, no. 7.ReferencesElemér Kőszeghy. Magyarországi ötvösjegyek a középkortól 1867-ig / Merkzeichen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beaker-late-16th-century-simon-kontz-the-engraved-pattern-of-elongated-leaf-motifs-on-this-beaker-belong-to-the-ornamental-language-of-the-renaissance-while-the-openwork-and-robe-bands-are-reminiscent-of-ornament-from-the-late-gothic-period-two-similar-hungarian-beakers-were-excavated-together-with-an-ottoman-bowl-and-gold-coins-in-1910-at-mak-they-are-now-in-the-hungarian-national-museum-in-budapestliteraturejudit-h-kolba-hungarian-silver-the-nicolas-m-salgo-collection-london-1996-p-29-no-7referenceselemr-kszeghy-magyarorszgi-tvsjegyek-a-kzpkortl-1867-ig-merkzeichen-image458511981.html
RM2HHY0KW–Beaker late 16th century Simon Kontz The engraved pattern of elongated leaf motifs on this beaker belong to the ornamental language of the Renaissance, while the openwork and robe bands are reminiscent of ornament from the late Gothic period. Two similar Hungarian beakers were excavated together with an Ottoman bowl and gold coins in 1910 at Makó. They are now in the Hungarian National Museum in Budapest.LiteratureJudit H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, p. 29, no. 7.ReferencesElemér Kőszeghy. Magyarországi ötvösjegyek a középkortól 1867-ig / Merkzeichen
Openwork furniture plaque with a 'woman at the window' ca. 8th century B.C. Assyrian On this fragmentary plaque, four bands nestled inside one another, preserved on one side, frame the head of a female figure who peers out toward the viewer over a balustrade supported by columns with volute capitals. A number of other furniture inlay plaques with this imagery, a motif known as the 'woman at the window,' have been found in a storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. This plaq Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/openwork-furniture-plaque-with-a-woman-at-the-window-ca-8th-century-bc-assyrian-on-this-fragmentary-plaque-four-bands-nestled-inside-one-another-preserved-on-one-side-frame-the-head-of-a-female-figure-who-peers-out-toward-the-viewer-over-a-balustrade-supported-by-columns-with-volute-capitals-a-number-of-other-furniture-inlay-plaques-with-this-imagery-a-motif-known-as-the-woman-at-the-window-have-been-found-in-a-storeroom-at-fort-shalmaneser-a-royal-building-at-nimrud-that-was-probably-used-to-store-tribute-and-booty-collected-by-the-assyrians-while-on-military-campaign-this-plaq-image458627315.html
RM2HJ47PY–Openwork furniture plaque with a 'woman at the window' ca. 8th century B.C. Assyrian On this fragmentary plaque, four bands nestled inside one another, preserved on one side, frame the head of a female figure who peers out toward the viewer over a balustrade supported by columns with volute capitals. A number of other furniture inlay plaques with this imagery, a motif known as the 'woman at the window,' have been found in a storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. This plaq
Musket, anonymous, c. 1625 - c. 1650 matchlock rifle Musket with wick lock: flat, narrow and rectangular lock plate, fixed with two lock screws. Loop is octagonal, with visor (tube) and openwork grain. On the drawer leaf decoration of inlaid brass wire and pieces of mother -of -pearl. Two dense brass drawer bands. On the flask leaf rank decoration of inlaid brass wire and pieces of mother -of -pearl, the largest of which with engraved branches. Kolfplaat. Marked lock plate. Renewed tractor bracket. Low Countries iron (metal). walnut (hardwood). brass (alloy). mother of pearl forging / cutting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/musket-anonymous-c-1625-c-1650-matchlock-rifle-musket-with-wick-lock-flat-narrow-and-rectangular-lock-plate-fixed-with-two-lock-screws-loop-is-octagonal-with-visor-tube-and-openwork-grain-on-the-drawer-leaf-decoration-of-inlaid-brass-wire-and-pieces-of-mother-of-pearl-two-dense-brass-drawer-bands-on-the-flask-leaf-rank-decoration-of-inlaid-brass-wire-and-pieces-of-mother-of-pearl-the-largest-of-which-with-engraved-branches-kolfplaat-marked-lock-plate-renewed-tractor-bracket-low-countries-iron-metal-walnut-hardwood-brass-alloy-mother-of-pearl-forging-cutting-image590757121.html
RM2W938MH–Musket, anonymous, c. 1625 - c. 1650 matchlock rifle Musket with wick lock: flat, narrow and rectangular lock plate, fixed with two lock screws. Loop is octagonal, with visor (tube) and openwork grain. On the drawer leaf decoration of inlaid brass wire and pieces of mother -of -pearl. Two dense brass drawer bands. On the flask leaf rank decoration of inlaid brass wire and pieces of mother -of -pearl, the largest of which with engraved branches. Kolfplaat. Marked lock plate. Renewed tractor bracket. Low Countries iron (metal). walnut (hardwood). brass (alloy). mother of pearl forging / cutting
Textile. Research in ProgressTwo lengths of sheer cotton seamed down longest edge. Spaced bands of lozenges and triangles inlaid with heavier cotton thread. Deep borders edged with openwork bands at either end. Twisted warp fringe. Textile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-research-in-progresstwo-lengths-of-sheer-cotton-seamed-down-longest-edge-spaced-bands-of-lozenges-and-triangles-inlaid-with-heavier-cotton-thread-deep-borders-edged-with-openwork-bands-at-either-end-twisted-warp-fringe-textile-image352192238.html
RM2BCYMP6–Textile. Research in ProgressTwo lengths of sheer cotton seamed down longest edge. Spaced bands of lozenges and triangles inlaid with heavier cotton thread. Deep borders edged with openwork bands at either end. Twisted warp fringe. Textile
A large German strongbox,circa 1700. Rectangular sheet iron chest set with riveted bands. A false keyhole on the front with a richly embossed,decorative escutcheon,painted in colour. Hinged lid with a central keyhole. Key missing. Mechanism with nine latches,of which three are defective/incomplete. Elaborate openwork cover plate finished in colour with a two-headed eagle motif. Two hasps in front,and two moveable handles on the short sides. Dimensions 92 x 56.5 x 60.5 cm,historic,historical,18th century,dagger,daggers,thrusting,thrustings,baton,we,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-large-german-strongboxcirca-1700-rectangular-sheet-iron-chest-set-51644019.html
RMD00GD7–A large German strongbox,circa 1700. Rectangular sheet iron chest set with riveted bands. A false keyhole on the front with a richly embossed,decorative escutcheon,painted in colour. Hinged lid with a central keyhole. Key missing. Mechanism with nine latches,of which three are defective/incomplete. Elaborate openwork cover plate finished in colour with a two-headed eagle motif. Two hasps in front,and two moveable handles on the short sides. Dimensions 92 x 56.5 x 60.5 cm,historic,historical,18th century,dagger,daggers,thrusting,thrustings,baton,we,Additional-Rights-Clearences-Not Available
Trimming, Medium: linen Technique: appliqué on net, bobbin lace, Curving branches and bands of openwork., Belgium, late 18th century, lace, Trimming Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trimming-medium-linen-technique-appliqu-on-net-bobbin-lace-curving-branches-and-bands-of-openwork-belgium-late-18th-century-lace-trimming-image391431393.html
RM2DMR6MH–Trimming, Medium: linen Technique: appliqué on net, bobbin lace, Curving branches and bands of openwork., Belgium, late 18th century, lace, Trimming
Inspired by Strip of bobbin lace with lobed oval scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork oval scallop with nine lobes around it. The motifs are made in linen stitch, the lobes with curved bands of square mesh. In the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-strip-of-bobbin-lace-with-lobed-oval-scallop-with-star-or-flower-in-it-strip-of-natural-colored-bobbin-lace-russian-lace-the-pattern-consists-of-an-openwork-oval-scallop-with-nine-lobes-around-it-the-motifs-are-made-in-linen-stitch-the-lobes-with-curved-bands-of-square-mesh-in-the-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459392068.html
RF2HKB37G–Inspired by Strip of bobbin lace with lobed oval scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork oval scallop with nine lobes around it. The motifs are made in linen stitch, the lobes with curved bands of square mesh. In the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Sampler, Medium: cotton, linen Technique: embroidered, Horizontal sampler with two wide and two narrow bands of openwork techniques in white., Mexico, 19th century, embroidery & stitching, Sampler Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sampler-medium-cotton-linen-technique-embroidered-horizontal-sampler-with-two-wide-and-two-narrow-bands-of-openwork-techniques-in-white-mexico-19th-century-embroidery-stitching-sampler-image391183060.html
RM2DMBWYG–Sampler, Medium: cotton, linen Technique: embroidered, Horizontal sampler with two wide and two narrow bands of openwork techniques in white., Mexico, 19th century, embroidery & stitching, Sampler
Mbejn. Culture: Fang people. Dimensions: Height: 42 5/8 in. (108.3 cm) Diameter (Of head): 11 7/16 in. (29 cm). Maker: Fang people. Date: 19th century. Mbejns are characterized by a carved openwork 'arcade' base, decorative sections separated by bosses or lozenge (cowrie-shell) pattern bands, triangular and hemispherical devices, and alternating use of white, black, rust, or natural wood colors. Typically the head's tuning and attachment system relies on wedges to tighten or relax the tension of the skin. This type of drum, made in several sizes and used in pairs, is played in an upright pos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mbejn-culture-fang-people-dimensions-height-42-58-in-1083-cm-diameter-of-head-11-716-in-29-cm-maker-fang-people-date-19th-century-mbejns-are-characterized-by-a-carved-openwork-arcade-base-decorative-sections-separated-by-bosses-or-lozenge-cowrie-shell-pattern-bands-triangular-and-hemispherical-devices-and-alternating-use-of-white-black-rust-or-natural-wood-colors-typically-the-heads-tuning-and-attachment-system-relies-on-wedges-to-tighten-or-relax-the-tension-of-the-skin-this-type-of-drum-made-in-several-sizes-and-used-in-pairs-is-played-in-an-upright-pos-image213206191.html
RMPATAJR–Mbejn. Culture: Fang people. Dimensions: Height: 42 5/8 in. (108.3 cm) Diameter (Of head): 11 7/16 in. (29 cm). Maker: Fang people. Date: 19th century. Mbejns are characterized by a carved openwork 'arcade' base, decorative sections separated by bosses or lozenge (cowrie-shell) pattern bands, triangular and hemispherical devices, and alternating use of white, black, rust, or natural wood colors. Typically the head's tuning and attachment system relies on wedges to tighten or relax the tension of the skin. This type of drum, made in several sizes and used in pairs, is played in an upright pos
Textile, Medium: cotton Technique: woven knotted net patterned by embroidery, tie-dyed, Sheer openwork fabric with embroidery forming diagonal bands containing interlocked shapes. Piece has been tied and dyed reddish brown., Peru, ca. 1300, woven textiles, Textile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-medium-cotton-technique-woven-knotted-net-patterned-by-embroidery-tie-dyed-sheer-openwork-fabric-with-embroidery-forming-diagonal-bands-containing-interlocked-shapes-piece-has-been-tied-and-dyed-reddish-brown-peru-ca-1300-woven-textiles-textile-image391612088.html
RM2DN3D60–Textile, Medium: cotton Technique: woven knotted net patterned by embroidery, tie-dyed, Sheer openwork fabric with embroidery forming diagonal bands containing interlocked shapes. Piece has been tied and dyed reddish brown., Peru, ca. 1300, woven textiles, Textile
A small, polychrome German war chest, circa 1700, Rectangular body of sheet iron with wide bands. The obverse with false keyhole with chased escutcheon, beside two hasps for padlocks. Movable handle at either side. Hinged lid, the key hole with spring-loaded cover. Lock mechanism with four bolts, added hollow shank key. Cover openwork plate of tinned sheet iron decorated with acanthus leaves and bands. The obverse and both lateral fields with unusually well preserved polychrome decoration of scrolling leaves, blossoms and pomegranates. The fields, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-small-polychrome-german-war-chest-circa-1700-rectangular-body-of-sheet-iron-with-wide-bands-the-obverse-with-false-keyhole-with-chased-escutcheon-beside-two-hasps-for-padlocks-movable-handle-at-either-side-hinged-lid-the-key-hole-with-spring-loaded-cover-lock-mechanism-with-four-bolts-added-hollow-shank-key-cover-openwork-plate-of-tinned-sheet-iron-decorated-with-acanthus-leaves-and-bands-the-obverse-and-both-lateral-fields-with-unusually-well-preserved-polychrome-decoration-of-scrolling-leaves-blossoms-and-pomegranates-the-fields-additional-rights-clearance-info-not-available-image247875246.html
RMTB7KBA–A small, polychrome German war chest, circa 1700, Rectangular body of sheet iron with wide bands. The obverse with false keyhole with chased escutcheon, beside two hasps for padlocks. Movable handle at either side. Hinged lid, the key hole with spring-loaded cover. Lock mechanism with four bolts, added hollow shank key. Cover openwork plate of tinned sheet iron decorated with acanthus leaves and bands. The obverse and both lateral fields with unusually well preserved polychrome decoration of scrolling leaves, blossoms and pomegranates. The fields, Additional-Rights-Clearance-Info-Not-Available
Cap streamers, Medium: linen Technique: bobbin lace, Mechlin style, Mechlin lace with diagonally placed bands of openwork with flowering sprays. Seam at center shows that two pieces have been joined to form one strip with rounded ends., Belgium, 18th century, lace, Cap streamers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-streamers-medium-linen-technique-bobbin-lace-mechlin-style-mechlin-lace-with-diagonally-placed-bands-of-openwork-with-flowering-sprays-seam-at-center-shows-that-two-pieces-have-been-joined-to-form-one-strip-with-rounded-ends-belgium-18th-century-lace-cap-streamers-image391178760.html
RM2DMBME0–Cap streamers, Medium: linen Technique: bobbin lace, Mechlin style, Mechlin lace with diagonally placed bands of openwork with flowering sprays. Seam at center shows that two pieces have been joined to form one strip with rounded ends., Belgium, 18th century, lace, Cap streamers
Illustrated catalogue of the art and literary property collected by the late Henry GMarquand . ge yellow. Markunderneath foot, De Drie Klokken, 1671. 737 — Large Canton Punch Bowl. Sonorous texture. Decoration of Chinese interior and garden scenes in brilliant enamels and gilding. Borders and bands of birds, flowers, and fruits on gold ground. Carved teakwood stand. Diameter, 16 inches. 738 — Thirteen Dresden Plates. Pure white hard paste. Pastoral subjects, finely painted in centres. Openwork and gilt borders. Diameter, q% inches. 739 — Thirteen Old Sevres Plates. Pate tendre. The decoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrated-catalogue-of-the-art-and-literary-property-collected-by-the-late-henry-gmarquand-ge-yellow-markunderneath-foot-de-drie-klokken-1671-737-large-canton-punch-bowl-sonorous-texture-decoration-of-chinese-interior-and-garden-scenes-in-brilliant-enamels-and-gilding-borders-and-bands-of-birds-flowers-and-fruits-on-gold-ground-carved-teakwood-stand-diameter-16-inches-738-thirteen-dresden-plates-pure-white-hard-paste-pastoral-subjects-finely-painted-in-centres-openwork-and-gilt-borders-diameter-q-inches-739-thirteen-old-sevres-plates-pate-tendre-the-decoration-image340025927.html
RM2AN5EF3–Illustrated catalogue of the art and literary property collected by the late Henry GMarquand . ge yellow. Markunderneath foot, De Drie Klokken, 1671. 737 — Large Canton Punch Bowl. Sonorous texture. Decoration of Chinese interior and garden scenes in brilliant enamels and gilding. Borders and bands of birds, flowers, and fruits on gold ground. Carved teakwood stand. Diameter, 16 inches. 738 — Thirteen Dresden Plates. Pure white hard paste. Pastoral subjects, finely painted in centres. Openwork and gilt borders. Diameter, q% inches. 739 — Thirteen Old Sevres Plates. Pate tendre. The decoration
Bell jar with two superimposed bands and eleven openwork rosettes, Slim conical bell jar of undecorated faience, with two superimposed bands, eleven openwork rosettes and a c-shaped ear on top., anonymous, Delft (possibly), c. 1680 - c. 1760, earthenware, tin glaze, h 17.3 cm d 16.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bell-jar-with-two-superimposed-bands-and-eleven-openwork-rosettes-slim-conical-bell-jar-of-undecorated-faience-with-two-superimposed-bands-eleven-openwork-rosettes-and-a-c-shaped-ear-on-top-anonymous-delft-possibly-c-1680-c-1760-earthenware-tin-glaze-h-173-cm-d-165-cm-image261329220.html
RMW54G2C–Bell jar with two superimposed bands and eleven openwork rosettes, Slim conical bell jar of undecorated faience, with two superimposed bands, eleven openwork rosettes and a c-shaped ear on top., anonymous, Delft (possibly), c. 1680 - c. 1760, earthenware, tin glaze, h 17.3 cm d 16.5 cm
Fragment bobbin with straw pattern of velvet dots, anonymous, c. 1850 - c. 1899 fragment Fragment black bobbin, cluny side or possibly Le Puy side. The pattern includes a diamond -shaped field filled with a mesh ground, a tuler floor, with a thickened dot in the center that is built with beads velvet. Such dots occur as a spreading pattern over the entire fragment. In addition to the diamond -shaped field, this pattern consists of a fan -shaped motif on one of the points of the window. Along the opposite diamond point there are two elongated and openwork Spitsovalen, made with three bands that Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-bobbin-with-straw-pattern-of-velvet-dots-anonymous-c-1850-c-1899-fragment-fragment-black-bobbin-cluny-side-or-possibly-le-puy-side-the-pattern-includes-a-diamond-shaped-field-filled-with-a-mesh-ground-a-tuler-floor-with-a-thickened-dot-in-the-center-that-is-built-with-beads-velvet-such-dots-occur-as-a-spreading-pattern-over-the-entire-fragment-in-addition-to-the-diamond-shaped-field-this-pattern-consists-of-a-fan-shaped-motif-on-one-of-the-points-of-the-window-along-the-opposite-diamond-point-there-are-two-elongated-and-openwork-spitsovalen-made-with-three-bands-that-image590901902.html
RM2W99WBA–Fragment bobbin with straw pattern of velvet dots, anonymous, c. 1850 - c. 1899 fragment Fragment black bobbin, cluny side or possibly Le Puy side. The pattern includes a diamond -shaped field filled with a mesh ground, a tuler floor, with a thickened dot in the center that is built with beads velvet. Such dots occur as a spreading pattern over the entire fragment. In addition to the diamond -shaped field, this pattern consists of a fan -shaped motif on one of the points of the window. Along the opposite diamond point there are two elongated and openwork Spitsovalen, made with three bands that
Strip of a climbing side with drip-shaped motif. Strip natural colosside, sling. The repeating and symmetrical pattern consists of a drip-shaped motif. The successive drops touch each other. In the openwork center of each drop is a stylized flower with twelve oval petals, which are connected to the flower heart with braids. The points of the drops provide triangular fields along the top of the strip, which are filled with a mesh soil, a twisted cross bands land. The largest part of the drop is made in slurbase, petals and flower heart are made linen. The top of the strip is straight finished. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-a-climbing-side-with-drip-shaped-motif-strip-natural-colosside-sling-the-repeating-and-symmetrical-pattern-consists-of-a-drip-shaped-motif-the-successive-drops-touch-each-other-in-the-openwork-center-of-each-drop-is-a-stylized-flower-with-twelve-oval-petals-which-are-connected-to-the-flower-heart-with-braids-the-points-of-the-drops-provide-triangular-fields-along-the-top-of-the-strip-which-are-filled-with-a-mesh-soil-a-twisted-cross-bands-land-the-largest-part-of-the-drop-is-made-in-slurbase-petals-and-flower-heart-are-made-linen-the-top-of-the-strip-is-straight-finished-image432751782.html
RM2G41F8P–Strip of a climbing side with drip-shaped motif. Strip natural colosside, sling. The repeating and symmetrical pattern consists of a drip-shaped motif. The successive drops touch each other. In the openwork center of each drop is a stylized flower with twelve oval petals, which are connected to the flower heart with braids. The points of the drops provide triangular fields along the top of the strip, which are filled with a mesh soil, a twisted cross bands land. The largest part of the drop is made in slurbase, petals and flower heart are made linen. The top of the strip is straight finished.
Bonheur du Jour with under and middle leaf and with recoiled attachment with two doors. Openwork cornice. Leaf of white marble. Adhesive with different types of wood. Bonheur du jour glued with satin and amaranthood, with gold-plated bronze pearl, braid, egg and profile bands. The chassis consisting of a lower and middle leaf and a tray, rest on conical legs, at the top of decorated with a coach-shaped batter. The recovery attachment has two doors, with curtains behind the windows, and separate plated bronze articulated columns as angle styles. The hole bent corn list, as well as the two sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonheur-du-jour-with-under-and-middle-leaf-and-with-recoiled-attachment-with-two-doors-openwork-cornice-leaf-of-white-marble-adhesive-with-different-types-of-wood-bonheur-du-jour-glued-with-satin-and-amaranthood-with-gold-plated-bronze-pearl-braid-egg-and-profile-bands-the-chassis-consisting-of-a-lower-and-middle-leaf-and-a-tray-rest-on-conical-legs-at-the-top-of-decorated-with-a-coach-shaped-batter-the-recovery-attachment-has-two-doors-with-curtains-behind-the-windows-and-separate-plated-bronze-articulated-columns-as-angle-styles-the-hole-bent-corn-list-as-well-as-the-two-sheet-image432441479.html
RM2G3FBEF–Bonheur du Jour with under and middle leaf and with recoiled attachment with two doors. Openwork cornice. Leaf of white marble. Adhesive with different types of wood. Bonheur du jour glued with satin and amaranthood, with gold-plated bronze pearl, braid, egg and profile bands. The chassis consisting of a lower and middle leaf and a tray, rest on conical legs, at the top of decorated with a coach-shaped batter. The recovery attachment has two doors, with curtains behind the windows, and separate plated bronze articulated columns as angle styles. The hole bent corn list, as well as the two sheet
Trimming. Curving branches and bands of openwork. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trimming-curving-branches-and-bands-of-openwork-image353535828.html
RM2BF4XFG–Trimming. Curving branches and bands of openwork.
Art inspired by Strip of bobbin lace with lobed oval scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork oval scallop with nine lobes around it. The motifs are made in linen stitch, the lobes with curved bands of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-strip-of-bobbin-lace-with-lobed-oval-scallop-with-star-or-flower-in-it-strip-of-natural-colored-bobbin-lace-russian-lace-the-pattern-consists-of-an-openwork-oval-scallop-with-nine-lobes-around-it-the-motifs-are-made-in-linen-stitch-the-lobes-with-curved-bands-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459729250.html
RF2HKXD9P–Art inspired by Strip of bobbin lace with lobed oval scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork oval scallop with nine lobes around it. The motifs are made in linen stitch, the lobes with curved bands of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Openwork furniture plaque with a 'woman at the window', Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.83 x 2.72 x 0.31 in. (7.19 x 6.91 x 0.79 cm), Ivory/Bone-Reliefs, On this fragmentary plaque, four bands nestled inside, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-openwork-furniture-plaque-with-a-woman-at-the-window-neo-assyrian-ca-8th-century-bc-mesopotamia-nimrud-ancient-kalhu-assyrian-ivory-283-x-272-x-031-in-719-x-691-x-079-cm-ivorybone-reliefs-on-this-fragmentary-plaque-four-bands-nestled-inside-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462944833.html
RF2HW4XT1–Art inspired by Openwork furniture plaque with a 'woman at the window', Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.83 x 2.72 x 0.31 in. (7.19 x 6.91 x 0.79 cm), Ivory/Bone-Reliefs, On this fragmentary plaque, four bands nestled inside, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Strip of bobbin lace with lobed circular scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork circular scallop with seven lobes around it. The motifs are made in linen stitching, the lobes with curved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-strip-of-bobbin-lace-with-lobed-circular-scallop-with-star-or-flower-in-it-strip-of-natural-colored-bobbin-lace-russian-lace-the-pattern-consists-of-an-openwork-circular-scallop-with-seven-lobes-around-it-the-motifs-are-made-in-linen-stitching-the-lobes-with-curved-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459729253.html
RF2HKXD9W–Art inspired by Strip of bobbin lace with lobed circular scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork circular scallop with seven lobes around it. The motifs are made in linen stitching, the lobes with curved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A small, polychrome German war chest, circa 1700, Rectangular body of sheet iron with wide bands. The obverse with false keyhole with chased escutcheon, beside two hasps for padlocks. Movable handle at either side. Hinged lid, the key hole with spring-loaded cover. Lock mechanism with four bolts, added hollow shank key. Cover openwork plate of tinned sheet iron decorated with acanthus leaves and bands. The obverse and both lateral fields with unusually well preserved polychrome decoration of scrolling leaves, blossoms and pomegranates. The fields, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-small-polychrome-german-war-chest-circa-1700-rectangular-body-of-sheet-iron-with-wide-bands-the-obverse-with-false-keyhole-with-chased-escutcheon-beside-two-hasps-for-padlocks-movable-handle-at-either-side-hinged-lid-the-key-hole-with-spring-loaded-cover-lock-mechanism-with-four-bolts-added-hollow-shank-key-cover-openwork-plate-of-tinned-sheet-iron-decorated-with-acanthus-leaves-and-bands-the-obverse-and-both-lateral-fields-with-unusually-well-preserved-polychrome-decoration-of-scrolling-leaves-blossoms-and-pomegranates-the-fields-additional-rights-clearance-info-not-available-image247875248.html
RMTB7KBC–A small, polychrome German war chest, circa 1700, Rectangular body of sheet iron with wide bands. The obverse with false keyhole with chased escutcheon, beside two hasps for padlocks. Movable handle at either side. Hinged lid, the key hole with spring-loaded cover. Lock mechanism with four bolts, added hollow shank key. Cover openwork plate of tinned sheet iron decorated with acanthus leaves and bands. The obverse and both lateral fields with unusually well preserved polychrome decoration of scrolling leaves, blossoms and pomegranates. The fields, Additional-Rights-Clearance-Info-Not-Available
Art inspired by Pair of Earrings, 11th–12th century, Attributed to Iran, Gold; filigree and granulation, Jewelry, This pair of crescent-shaped earrings is constructed entirely with gold wire and filigree; details of the decoration are achieved through the openwork filigree and fine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pair-of-earrings-11th12th-century-attributed-to-iran-gold-filigree-and-granulation-jewelry-this-pair-of-crescent-shaped-earrings-is-constructed-entirely-with-gold-wire-and-filigree-details-of-the-decoration-are-achieved-through-the-openwork-filigree-and-fine-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462823626.html
RF2HTYC76–Art inspired by Pair of Earrings, 11th–12th century, Attributed to Iran, Gold; filigree and granulation, Jewelry, This pair of crescent-shaped earrings is constructed entirely with gold wire and filigree; details of the decoration are achieved through the openwork filigree and fine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Oval dish of hard-fired earthenware, Spode ware, creamware, with an open-worked edge. The dish belongs to a fruit basket. The openwork border is decorated with light green enameled relief bands. A brown-painted leaf edge runs inside. The dish is marked with a blind stamp: Spode., Spode, Stoke-on-Trent, c. 1790 - c. 1820, earthenware, d 25.4 cm × w 25.2 cm × h 2.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-dish-of-hard-fired-earthenware-spode-ware-creamware-with-an-open-worked-edge-the-dish-belongs-to-a-fruit-basket-the-openwork-border-is-decorated-with-light-green-enameled-relief-bands-a-brown-painted-leaf-edge-runs-inside-the-dish-is-marked-with-a-blind-stamp-spode-spode-stoke-on-trent-c-1790-c-1820-earthenware-d-254-cm-w-252-cm-h-22-cm-image261364079.html
RMW564FB–Oval dish of hard-fired earthenware, Spode ware, creamware, with an open-worked edge. The dish belongs to a fruit basket. The openwork border is decorated with light green enameled relief bands. A brown-painted leaf edge runs inside. The dish is marked with a blind stamp: Spode., Spode, Stoke-on-Trent, c. 1790 - c. 1820, earthenware, d 25.4 cm × w 25.2 cm × h 2.2 cm
Collar of mixed lace with bouquets and insects, Collar of natural-colored mixed lace: needle lace - Brussels gauze lace - in combination with a cloaked drochel soil. The pattern has loose bouquets with insects and swinging openwork bands on a clenched soil. The band motif is partly in sleeves of needle lace and spiders of bobbin lace. Motifs with contour threads., anonymous, Brussels (possibly), c. 1725 - c. 1749, linen (material), Brussels point de gaze, d 46.5 cm × w 4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collar-of-mixed-lace-with-bouquets-and-insects-collar-of-natural-colored-mixed-lace-needle-lace-brussels-gauze-lace-in-combination-with-a-cloaked-drochel-soil-the-pattern-has-loose-bouquets-with-insects-and-swinging-openwork-bands-on-a-clenched-soil-the-band-motif-is-partly-in-sleeves-of-needle-lace-and-spiders-of-bobbin-lace-motifs-with-contour-threads-anonymous-brussels-possibly-c-1725-c-1749-linen-material-brussels-point-de-gaze-d-465-cm-w-4-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-image349963110.html
RF2B9A5EE–Collar of mixed lace with bouquets and insects, Collar of natural-colored mixed lace: needle lace - Brussels gauze lace - in combination with a cloaked drochel soil. The pattern has loose bouquets with insects and swinging openwork bands on a clenched soil. The band motif is partly in sleeves of needle lace and spiders of bobbin lace. Motifs with contour threads., anonymous, Brussels (possibly), c. 1725 - c. 1749, linen (material), Brussels point de gaze, d 46.5 cm × w 4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with
. Catalogue of the extremely valuable and highly artistic property belonging to the American Art Association [electronic resource]. Openwork design on slender scroll-shapesupports. Chased and repousse ornamentation Has twelveplain spoons. MO Empire Smielere. Swans head handle, and chased bands of foliated and beaded design.it 7 ICnipiri- Bom Winer Bwer and Dl*li. Gold Jilt, Chased ornamentation of fleur de lis and other designs. Dragon handle. i xi.i.i-n, na ten, itamax, and dutch 107 2is i.oufK Fourteenth Hnlller. Repousse. With chasedaudpiereed ornuineulalim] ur*wun>. ilouers, and foliage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalogue-of-the-extremely-valuable-and-highly-artistic-property-belonging-to-the-american-art-association-electronic-resource-openwork-design-on-slender-scroll-shapesupports-chased-and-repousse-ornamentation-has-twelveplain-spoons-mo-empire-smielere-swans-head-handle-and-chased-bands-of-foliated-and-beaded-designit-7-icnipiri-bom-winer-bwer-and-dlli-gold-jilt-chased-ornamentation-of-fleur-de-lis-and-other-designs-dragon-handle-i-xiii-n-na-ten-itamax-and-dutch-107-2is-ioufk-fourteenth-hnlller-repousse-with-chasedaudpiereed-ornuineulalim-urwungt-ilouers-and-foliage-image336683022.html
RM2AFN6HJ–. Catalogue of the extremely valuable and highly artistic property belonging to the American Art Association [electronic resource]. Openwork design on slender scroll-shapesupports. Chased and repousse ornamentation Has twelveplain spoons. MO Empire Smielere. Swans head handle, and chased bands of foliated and beaded design.it 7 ICnipiri- Bom Winer Bwer and Dl*li. Gold Jilt, Chased ornamentation of fleur de lis and other designs. Dragon handle. i xi.i.i-n, na ten, itamax, and dutch 107 2is i.oufK Fourteenth Hnlller. Repousse. With chasedaudpiereed ornuineulalim] ur*wun>. ilouers, and foliage
Trimming. Curving branches and bands of openwork. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trimming-curving-branches-and-bands-of-openwork-image353537464.html
RM2BF50J0–Trimming. Curving branches and bands of openwork.
Sampler. Horizontal sampler with two wide and two narrow bands of openwork techniques in white. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sampler-horizontal-sampler-with-two-wide-and-two-narrow-bands-of-openwork-techniques-in-white-image353467659.html
RM2BF1RGY–Sampler. Horizontal sampler with two wide and two narrow bands of openwork techniques in white.
Panel. Research in ProgressOrnament arranged in horizontal bands of openwork and embroidery in stylized designs. Panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-research-in-progressornament-arranged-in-horizontal-bands-of-openwork-and-embroidery-in-stylized-designs-panel-image352196633.html
RM2BCYXB5–Panel. Research in ProgressOrnament arranged in horizontal bands of openwork and embroidery in stylized designs. Panel
Cap Streamers. Mechlin lace with diagonally placed bands of openwork with flowering sprays. Seam at center shows that two pieces have been joined to form one strip with rounded ends. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-streamers-mechlin-lace-with-diagonally-placed-bands-of-openwork-with-flowering-sprays-seam-at-center-shows-that-two-pieces-have-been-joined-to-form-one-strip-with-rounded-ends-image353456085.html
RM2BF18RH–Cap Streamers. Mechlin lace with diagonally placed bands of openwork with flowering sprays. Seam at center shows that two pieces have been joined to form one strip with rounded ends.
Square. Central octogon surrounded by borders. Embroidery showing eight-pointed stars, diamonds, etc. in counted satin stitch with conventionalized trees, hexagons, and bands of openwork stitches. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/square-central-octogon-surrounded-by-borders-embroidery-showing-eight-pointed-stars-diamonds-etc-in-counted-satin-stitch-with-conventionalized-trees-hexagons-and-bands-of-openwork-stitches-image353469102.html
RM2BF1WCE–Square. Central octogon surrounded by borders. Embroidery showing eight-pointed stars, diamonds, etc. in counted satin stitch with conventionalized trees, hexagons, and bands of openwork stitches.
A small, polychrome German war chest, circa 1700, Rectangular body of sheet iron with wide bands. The obverse with false keyhole with chased escutcheon, beside two hasps for padlocks. Movable handle at either side. Hinged lid, the key hole with spring-loaded cover. Lock mechanism with four bolts, added hollow shank key. Cover openwork plate of tinned sheet iron decorated with acanthus leaves and bands. The obverse and both lateral fields with unusually well preserved polychrome decoration of scrolling leaves, blossoms and pomegranates. The fields, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-small-polychrome-german-war-chest-circa-1700-rectangular-body-of-sheet-iron-with-wide-bands-the-obverse-with-false-keyhole-with-chased-escutcheon-beside-two-hasps-for-padlocks-movable-handle-at-either-side-hinged-lid-the-key-hole-with-spring-loaded-cover-lock-mechanism-with-four-bolts-added-hollow-shank-key-cover-openwork-plate-of-tinned-sheet-iron-decorated-with-acanthus-leaves-and-bands-the-obverse-and-both-lateral-fields-with-unusually-well-preserved-polychrome-decoration-of-scrolling-leaves-blossoms-and-pomegranates-the-fields-additional-rights-clearance-info-not-available-image247875247.html
RMTB7KBB–A small, polychrome German war chest, circa 1700, Rectangular body of sheet iron with wide bands. The obverse with false keyhole with chased escutcheon, beside two hasps for padlocks. Movable handle at either side. Hinged lid, the key hole with spring-loaded cover. Lock mechanism with four bolts, added hollow shank key. Cover openwork plate of tinned sheet iron decorated with acanthus leaves and bands. The obverse and both lateral fields with unusually well preserved polychrome decoration of scrolling leaves, blossoms and pomegranates. The fields, Additional-Rights-Clearance-Info-Not-Available
Sand shaker with pierced top, Sand shaker made of stoneware with a cylindrical body, flared edge for placing in the holder and openwork top. The border is with dots and bands in cobalt blue. Westerwald., anonymous, Westerwald, c. 1750 - c. 1799, stoneware, glaze, cobalt (mineral), vitrification, h 4.9 cm d 5 cm d 3.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sand-shaker-with-pierced-top-sand-shaker-made-of-stoneware-with-a-cylindrical-body-flared-edge-for-placing-in-the-holder-and-openwork-top-the-border-is-with-dots-and-bands-in-cobalt-blue-westerwald-anonymous-westerwald-c-1750-c-1799-stoneware-glaze-cobalt-mineral-vitrification-h-49-cm-d-5-cm-d-33-cm-image261357069.html
RMW55RH1–Sand shaker with pierced top, Sand shaker made of stoneware with a cylindrical body, flared edge for placing in the holder and openwork top. The border is with dots and bands in cobalt blue. Westerwald., anonymous, Westerwald, c. 1750 - c. 1799, stoneware, glaze, cobalt (mineral), vitrification, h 4.9 cm d 5 cm d 3.3 cm
A small South German cabinet casket, probably Augsburg, late 16th century, The rectangular casket made of softwood and entirely covered with fine marquetry of maple, walnut, oak and ebonised wood. The exterior decorated with panels and ornamental bands. The inside of the cover and the front drawers feature architectural scenery. An iron carrying handle on the top. Intricately worked lock with openwork cover plate. The original hollow shank key with trefoil bow. The interior comprises eight drawers. Dimensions 14.5 x 17 x 13 cm. handicrafts, handc, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-small-south-german-cabinet-casket-probably-augsburg-late-16th-century-the-rectangular-casket-made-of-softwood-and-entirely-covered-with-fine-marquetry-of-maple-walnut-oak-and-ebonised-wood-the-exterior-decorated-with-panels-and-ornamental-bands-the-inside-of-the-cover-and-the-front-drawers-feature-architectural-scenery-an-iron-carrying-handle-on-the-top-intricately-worked-lock-with-openwork-cover-plate-the-original-hollow-shank-key-with-trefoil-bow-the-interior-comprises-eight-drawers-dimensions-145-x-17-x-13-cm-handicrafts-handc-additional-rights-clearance-info-not-available-image247782714.html
RMTB3DAJ–A small South German cabinet casket, probably Augsburg, late 16th century, The rectangular casket made of softwood and entirely covered with fine marquetry of maple, walnut, oak and ebonised wood. The exterior decorated with panels and ornamental bands. The inside of the cover and the front drawers feature architectural scenery. An iron carrying handle on the top. Intricately worked lock with openwork cover plate. The original hollow shank key with trefoil bow. The interior comprises eight drawers. Dimensions 14.5 x 17 x 13 cm. handicrafts, handc, Additional-Rights-Clearance-Info-Not-Available
Bell jar with two superimposed bands and eleven openwork rosettes, Slim conical bell jar of undecorated faience, with two superimposed bands, eleven openwork rosettes and a c-shaped ear on top., anonymous, Delft (possibly), c. 1680 - c. 1760, earthenware, tin glaze, h 17.3 cm d 16.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bell-jar-with-two-superimposed-bands-and-eleven-openwork-rosettes-slim-conical-bell-jar-of-undecorated-faience-with-two-superimposed-bands-eleven-openwork-rosettes-and-a-c-shaped-ear-on-top-anonymous-delft-possibly-c-1680-c-1760-earthenware-tin-glaze-h-173-cm-d-165-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349946621.html
RF2B99CDH–Bell jar with two superimposed bands and eleven openwork rosettes, Slim conical bell jar of undecorated faience, with two superimposed bands, eleven openwork rosettes and a c-shaped ear on top., anonymous, Delft (possibly), c. 1680 - c. 1760, earthenware, tin glaze, h 17.3 cm d 16.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Illustrated catalogue of the beautiful old Chinese porcelains comprising the extraordinary private collection formed by Mr. S. S. Carvalho of New York [electronic resource] : to be sold at unrestricted public sale at the American Art Galleries on the dates herein stated. 398—Two Cylindrical Bu k and Wiutk Vases (Knng-hsi) ^ Decorated with various bands and bor-ders, scrolls and foliations; in the centera band of mottled cobalt ground withShih-Lung dragons mining fungus-formsand nebula1 in reserve Height, II inches. 399—Bli f. and Wiutk Ginger Jar (Kang-hii) Witli carved openwork tcakwood cov Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrated-catalogue-of-the-beautiful-old-chinese-porcelains-comprising-the-extraordinary-private-collection-formed-by-mr-s-s-carvalho-of-new-york-electronic-resource-to-be-sold-at-unrestricted-public-sale-at-the-american-art-galleries-on-the-dates-herein-stated-398two-cylindrical-bu-k-and-wiutk-vases-knng-hsi-decorated-with-various-bands-and-bor-ders-scrolls-and-foliations-in-the-centera-band-of-mottled-cobalt-ground-withshih-lung-dragons-mining-fungus-formsand-nebula1-in-reserve-height-ii-inches-399bli-f-and-wiutk-ginger-jar-kang-hii-witli-carved-openwork-tcakwood-cov-image336710162.html
RM2AFPD6X–. Illustrated catalogue of the beautiful old Chinese porcelains comprising the extraordinary private collection formed by Mr. S. S. Carvalho of New York [electronic resource] : to be sold at unrestricted public sale at the American Art Galleries on the dates herein stated. 398—Two Cylindrical Bu k and Wiutk Vases (Knng-hsi) ^ Decorated with various bands and bor-ders, scrolls and foliations; in the centera band of mottled cobalt ground withShih-Lung dragons mining fungus-formsand nebula1 in reserve Height, II inches. 399—Bli f. and Wiutk Ginger Jar (Kang-hii) Witli carved openwork tcakwood cov
Candlestick of tin, Candlestick of tin. The square base is scalloped at the bottom. On it is a square base with an openwork frieze, with a bust in the center of a rocaille ornament on each side. The cylindrical trunk has a profiled band on the lower half. The candlestick is slightly flared at the top and is decorated with profiled bands., J. van Giessen (attributed to), Heusden, c. 1750 - c. 1800, tin (metal), founding, h 22.9 cm l 8.9 cm × w 8.8 cm d 3.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/candlestick-of-tin-candlestick-of-tin-the-square-base-is-scalloped-at-the-bottom-on-it-is-a-square-base-with-an-openwork-frieze-with-a-bust-in-the-center-of-a-rocaille-ornament-on-each-side-the-cylindrical-trunk-has-a-profiled-band-on-the-lower-half-the-candlestick-is-slightly-flared-at-the-top-and-is-decorated-with-profiled-bands-j-van-giessen-attributed-to-heusden-c-1750-c-1800-tin-metal-founding-h-229-cm-l-89-cm-w-88-cm-d-39-cm-image261367598.html
RMW56912–Candlestick of tin, Candlestick of tin. The square base is scalloped at the bottom. On it is a square base with an openwork frieze, with a bust in the center of a rocaille ornament on each side. The cylindrical trunk has a profiled band on the lower half. The candlestick is slightly flared at the top and is decorated with profiled bands., J. van Giessen (attributed to), Heusden, c. 1750 - c. 1800, tin (metal), founding, h 22.9 cm l 8.9 cm × w 8.8 cm d 3.9 cm
A small South German cabinet casket, probably Augsburg, late 16th century, The rectangular casket made of softwood and entirely covered with fine marquetry of maple, walnut, oak and ebonised wood. The exterior decorated with panels and ornamental bands. The inside of the cover and the front drawers feature architectural scenery. An iron carrying handle on the top. Intricately worked lock with openwork cover plate. The original hollow shank key with trefoil bow. The interior comprises eight drawers. Dimensions 14.5 x 17 x 13 cm. handicrafts, handc, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-small-south-german-cabinet-casket-probably-augsburg-late-16th-century-the-rectangular-casket-made-of-softwood-and-entirely-covered-with-fine-marquetry-of-maple-walnut-oak-and-ebonised-wood-the-exterior-decorated-with-panels-and-ornamental-bands-the-inside-of-the-cover-and-the-front-drawers-feature-architectural-scenery-an-iron-carrying-handle-on-the-top-intricately-worked-lock-with-openwork-cover-plate-the-original-hollow-shank-key-with-trefoil-bow-the-interior-comprises-eight-drawers-dimensions-145-x-17-x-13-cm-handicrafts-handc-additional-rights-clearance-info-not-available-image247782783.html
RMTB3DD3–A small South German cabinet casket, probably Augsburg, late 16th century, The rectangular casket made of softwood and entirely covered with fine marquetry of maple, walnut, oak and ebonised wood. The exterior decorated with panels and ornamental bands. The inside of the cover and the front drawers feature architectural scenery. An iron carrying handle on the top. Intricately worked lock with openwork cover plate. The original hollow shank key with trefoil bow. The interior comprises eight drawers. Dimensions 14.5 x 17 x 13 cm. handicrafts, handc, Additional-Rights-Clearance-Info-Not-Available
Oval dish of hard-fired earthenware, Spode ware, creamware, with an open-worked edge. The dish belongs to a fruit basket. The openwork border is decorated with light green enameled relief bands. A brown-painted leaf edge runs inside. The dish is marked with a blind stamp: Spode., Spode, Stoke-on-Trent, c. 1790 - c. 1820, earthenware, d 25.4 cm × w 25.2 cm × h 2.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-dish-of-hard-fired-earthenware-spode-ware-creamware-with-an-open-worked-edge-the-dish-belongs-to-a-fruit-basket-the-openwork-border-is-decorated-with-light-green-enameled-relief-bands-a-brown-painted-leaf-edge-runs-inside-the-dish-is-marked-with-a-blind-stamp-spode-spode-stoke-on-trent-c-1790-c-1820-earthenware-d-254-cm-w-252-cm-h-22-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-spe-image349970968.html
RF2B9AFF4–Oval dish of hard-fired earthenware, Spode ware, creamware, with an open-worked edge. The dish belongs to a fruit basket. The openwork border is decorated with light green enameled relief bands. A brown-painted leaf edge runs inside. The dish is marked with a blind stamp: Spode., Spode, Stoke-on-Trent, c. 1790 - c. 1820, earthenware, d 25.4 cm × w 25.2 cm × h 2.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe
Art inspired by Beaker, late 16th century, Hungarian, Nagyszeben, Silver, partly gilded, Overall: 4 x 3 1/4 in. (10.2 x 8.2 cm), Metalwork-Silver, The engraved pattern of elongated leaf motifs on this beaker belong to the ornamental language of the Renaissance, while the openwork and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-beaker-late-16th-century-hungarian-nagyszeben-silver-partly-gilded-overall-4-x-3-14-in-102-x-82-cm-metalwork-silver-the-engraved-pattern-of-elongated-leaf-motifs-on-this-beaker-belong-to-the-ornamental-language-of-the-renaissance-while-the-openwork-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462779283.html
RF2HTWBKF–Art inspired by Beaker, late 16th century, Hungarian, Nagyszeben, Silver, partly gilded, Overall: 4 x 3 1/4 in. (10.2 x 8.2 cm), Metalwork-Silver, The engraved pattern of elongated leaf motifs on this beaker belong to the ornamental language of the Renaissance, while the openwork and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Ritual Censer, 15th–16th century, Tibet, Iron inlaid with gold, H. (incl. cover): 6 11/16 in. (17 cm), Metalwork, Tibetan metalsmiths were especially renowned for working in iron, typically with intricate openwork designs heightened with inlaid precious metals. Here, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ritual-censer-15th16th-century-tibet-iron-inlaid-with-gold-h-incl-cover-6-1116-in-17-cm-metalwork-tibetan-metalsmiths-were-especially-renowned-for-working-in-iron-typically-with-intricate-openwork-designs-heightened-with-inlaid-precious-metals-here-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462757957.html
RF2HTTCDW–Art inspired by Ritual Censer, 15th–16th century, Tibet, Iron inlaid with gold, H. (incl. cover): 6 11/16 in. (17 cm), Metalwork, Tibetan metalsmiths were especially renowned for working in iron, typically with intricate openwork designs heightened with inlaid precious metals. Here, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sand shaker with pierced top, Sand shaker made of stoneware with a cylindrical body, flared edge for placing in the holder and openwork top. The border is with dots and bands in cobalt blue. Westerwald., anonymous, Westerwald, c. 1750 - c. 1799, stoneware, glaze, cobalt (mineral), vitrification, h 4.9 cm d 5 cm d 3.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sand-shaker-with-pierced-top-sand-shaker-made-of-stoneware-with-a-cylindrical-body-flared-edge-for-placing-in-the-holder-and-openwork-top-the-border-is-with-dots-and-bands-in-cobalt-blue-westerwald-anonymous-westerwald-c-1750-c-1799-stoneware-glaze-cobalt-mineral-vitrification-h-49-cm-d-5-cm-d-33-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349966671.html
RF2B9AA1K–Sand shaker with pierced top, Sand shaker made of stoneware with a cylindrical body, flared edge for placing in the holder and openwork top. The border is with dots and bands in cobalt blue. Westerwald., anonymous, Westerwald, c. 1750 - c. 1799, stoneware, glaze, cobalt (mineral), vitrification, h 4.9 cm d 5 cm d 3.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Candlestick from tin, Candlestick from tin. The square base is scalloped at the bottom. On it is a square base with an openwork frieze, with a bust in the center of a rocaille ornament on each side. The cylindrical trunk has a profiled band on the lower half. The candlestick is slightly flared at the top and is decorated with profiled bands., J. van Giessen (attributed to), Heusden, c. 1750 - c. 1800, tin (metal), founding, h 22.7 cm l 8.9 cm × w 8.8 cm d 3.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/candlestick-from-tin-candlestick-from-tin-the-square-base-is-scalloped-at-the-bottom-on-it-is-a-square-base-with-an-openwork-frieze-with-a-bust-in-the-center-of-a-rocaille-ornament-on-each-side-the-cylindrical-trunk-has-a-profiled-band-on-the-lower-half-the-candlestick-is-slightly-flared-at-the-top-and-is-decorated-with-profiled-bands-j-van-giessen-attributed-to-heusden-c-1750-c-1800-tin-metal-founding-h-227-cm-l-89-cm-w-88-cm-d-39-cm-image261367605.html
RMW56919–Candlestick from tin, Candlestick from tin. The square base is scalloped at the bottom. On it is a square base with an openwork frieze, with a bust in the center of a rocaille ornament on each side. The cylindrical trunk has a profiled band on the lower half. The candlestick is slightly flared at the top and is decorated with profiled bands., J. van Giessen (attributed to), Heusden, c. 1750 - c. 1800, tin (metal), founding, h 22.7 cm l 8.9 cm × w 8.8 cm d 3.9 cm
A small South German cabinet casket, probably Augsburg, late 16th century, The rectangular casket made of softwood and entirely covered with fine marquetry of maple, walnut, oak and ebonised wood. The exterior decorated with panels and ornamental bands. The inside of the cover and the front drawers feature architectural scenery. An iron carrying handle on the top. Intricately worked lock with openwork cover plate. The original hollow shank key with trefoil bow. The interior comprises eight drawers. Dimensions 14.5 x 17 x 13 cm. handicrafts, handc, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-small-south-german-cabinet-casket-probably-augsburg-late-16th-century-the-rectangular-casket-made-of-softwood-and-entirely-covered-with-fine-marquetry-of-maple-walnut-oak-and-ebonised-wood-the-exterior-decorated-with-panels-and-ornamental-bands-the-inside-of-the-cover-and-the-front-drawers-feature-architectural-scenery-an-iron-carrying-handle-on-the-top-intricately-worked-lock-with-openwork-cover-plate-the-original-hollow-shank-key-with-trefoil-bow-the-interior-comprises-eight-drawers-dimensions-145-x-17-x-13-cm-handicrafts-handc-additional-rights-clearance-info-not-available-image247782660.html
RMTB3D8M–A small South German cabinet casket, probably Augsburg, late 16th century, The rectangular casket made of softwood and entirely covered with fine marquetry of maple, walnut, oak and ebonised wood. The exterior decorated with panels and ornamental bands. The inside of the cover and the front drawers feature architectural scenery. An iron carrying handle on the top. Intricately worked lock with openwork cover plate. The original hollow shank key with trefoil bow. The interior comprises eight drawers. Dimensions 14.5 x 17 x 13 cm. handicrafts, handc, Additional-Rights-Clearance-Info-Not-Available
A French silver-mounted small-sword, circa 1780, Gilt blade of triangular section, slightly stained, etched and blued. Silver hilt with part-openwork design and flower ornaments in fine relief, grip elaborately wrapped with wire and bands both made of silver. Velvet-covered scabbard with smooth silver fittings and suspension chain with belt clasp, the clasp with monogram 'JB'. Length 102 cm. sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, me, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-french-silver-mounted-small-sword-circa-1780-gilt-blade-of-triangular-section-slightly-stained-etched-and-blued-silver-hilt-with-part-openwork-design-and-flower-ornaments-in-fine-relief-grip-elaborately-wrapped-with-wire-and-bands-both-made-of-silver-velvet-covered-scabbard-with-smooth-silver-fittings-and-suspension-chain-with-belt-clasp-the-clasp-with-monogram-jb-length-102-cm-sword-swords-weapons-arms-weapon-arm-fighting-device-military-militaria-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-me-additional-rights-clearance-info-not-available-image247875746.html
RMTB7M16–A French silver-mounted small-sword, circa 1780, Gilt blade of triangular section, slightly stained, etched and blued. Silver hilt with part-openwork design and flower ornaments in fine relief, grip elaborately wrapped with wire and bands both made of silver. Velvet-covered scabbard with smooth silver fittings and suspension chain with belt clasp, the clasp with monogram 'JB'. Length 102 cm. sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, me, Additional-Rights-Clearance-Info-Not-Available
. Catalogue of the extremely valuable and highly artistic property belonging to the American Art Association [electronic resource]. iititincrpviit lumd!<•*•. Bunds of nn-bosued dolphin- mid c-undihibra.Chased border of foliage. Withtruy. i <i Bmpfre Cop nnd IMnie. Chased bands of swan? midph*yinfj Fountains. Scroll ban-dies or vine • - i *il I limp In*SiktIit. Openwork design, with chased figures of sphinxes. Cover surmounted by figure of dove. With twelve gilt spoons.•J I 9 lCmpfrc Cafetlere. Ara- Iihora htiapo, with three claw feel. Chased band* and leaf or n amen is. DngVhend spont, b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalogue-of-the-extremely-valuable-and-highly-artistic-property-belonging-to-the-american-art-association-electronic-resource-iititincrpviit-lumd!lt-bunds-of-nn-bosued-dolphin-mid-c-undihibrachased-border-of-foliage-withtruy-i-lti-bmpfre-cop-nnd-imnie-chased-bands-of-swan-midphyinfj-fountains-scroll-ban-dies-or-vine-i-il-i-limp-insiktiit-openwork-design-with-chased-figures-of-sphinxes-cover-surmounted-by-figure-of-dove-with-twelve-gilt-spoonsj-i-9-lcmpfrc-cafetlere-ara-iihora-htiapo-with-three-claw-feel-chased-band-and-leaf-or-n-amen-is-dngvhend-spont-b-image336683576.html
RM2AFN79C–. Catalogue of the extremely valuable and highly artistic property belonging to the American Art Association [electronic resource]. iititincrpviit lumd!<•*•. Bunds of nn-bosued dolphin- mid c-undihibra.Chased border of foliage. Withtruy. i <i Bmpfre Cop nnd IMnie. Chased bands of swan? midph*yinfj Fountains. Scroll ban-dies or vine • - i *il I limp In*SiktIit. Openwork design, with chased figures of sphinxes. Cover surmounted by figure of dove. With twelve gilt spoons.•J I 9 lCmpfrc Cafetlere. Ara- Iihora htiapo, with three claw feel. Chased band* and leaf or n amen is. DngVhend spont, b
A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-significant-french-strong-box-1st-half-of-the-18th-century-rectangular-body-of-robust-sheet-iron-with-closely-mounted-heavy-band-fittings-the-bands-applied-with-globular-rivets-hinged-lid-bronze-key-hole-cover-in-the-form-of-a-lying-cupid-on-the-front-of-the-lid-two-movable-handles-the-interior-with-extremely-intricate-lock-mechanism-with-17-bolts-two-screws-missing-solid-central-octagonal-chaplet-with-elaborate-ward-the-original-key-with-ring-bow-and-rare-star-shaped!-blade-lock-cover-of-tinned-sheet-iron-with-rich-openwork-acanth-additional-rights-clearance-info-not-available-image245936148.html
RMT83A1T–A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available
A German painted iron casket, circa 1740, The rectangular casket of sheet iron, with riveted strap fittings, on four ball feet. A false keyhole at the front, the lock plate with rocaille decoration. A movable carrying handle on each side. The lid hinged, the lockable keyhole cover with a hidden mechanism. Hollow shank key, the lock mechanism with ten latches, the openwork cover plate adorned with scrolling bands. A folding lid rest on the side. The exterior painted in the original colouring, with green decorative tendrils on an ochre ground, the , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-painted-iron-casket-circa-1740-the-rectangular-casket-of-sheet-iron-with-riveted-strap-fittings-on-four-ball-feet-a-false-keyhole-at-the-front-the-lock-plate-with-rocaille-decoration-a-movable-carrying-handle-on-each-side-the-lid-hinged-the-lockable-keyhole-cover-with-a-hidden-mechanism-hollow-shank-key-the-lock-mechanism-with-ten-latches-the-openwork-cover-plate-adorned-with-scrolling-bands-a-folding-lid-rest-on-the-side-the-exterior-painted-in-the-original-colouring-with-green-decorative-tendrils-on-an-ochre-ground-the-additional-rights-clearance-info-not-available-image247854185.html
RMTB6MF5–A German painted iron casket, circa 1740, The rectangular casket of sheet iron, with riveted strap fittings, on four ball feet. A false keyhole at the front, the lock plate with rocaille decoration. A movable carrying handle on each side. The lid hinged, the lockable keyhole cover with a hidden mechanism. Hollow shank key, the lock mechanism with ten latches, the openwork cover plate adorned with scrolling bands. A folding lid rest on the side. The exterior painted in the original colouring, with green decorative tendrils on an ochre ground, the , Additional-Rights-Clearance-Info-Not-Available
Strip of spool lace cartouches between slanted turned tires, Strip of natural Brussels spool lace. The pattern consists of three arches of slanted twisted bands topped by a lobed cartridge and connected at the bottom by a bell-shaped cartridge. After the three arcs, the twisted bands turn into concatenated ovals that also form an arc and are cut by flowers and leaves from the bottom of the strip. A flower branch hangs down from the cartouche in each arch. Three separate flower branches hang between the arches. The motifs are largely made in linen with openwork edges, but otherwise with few rec Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-spool-lace-cartouches-between-slanted-turned-tires-strip-of-natural-brussels-spool-lace-the-pattern-consists-of-three-arches-of-slanted-twisted-bands-topped-by-a-lobed-cartridge-and-connected-at-the-bottom-by-a-bell-shaped-cartridge-after-the-three-arcs-the-twisted-bands-turn-into-concatenated-ovals-that-also-form-an-arc-and-are-cut-by-flowers-and-leaves-from-the-bottom-of-the-strip-a-flower-branch-hangs-down-from-the-cartouche-in-each-arch-three-separate-flower-branches-hang-between-the-arches-the-motifs-are-largely-made-in-linen-with-openwork-edges-but-otherwise-with-few-rec-image349950121.html
RF2B99GXH–Strip of spool lace cartouches between slanted turned tires, Strip of natural Brussels spool lace. The pattern consists of three arches of slanted twisted bands topped by a lobed cartridge and connected at the bottom by a bell-shaped cartridge. After the three arcs, the twisted bands turn into concatenated ovals that also form an arc and are cut by flowers and leaves from the bottom of the strip. A flower branch hangs down from the cartouche in each arch. Three separate flower branches hang between the arches. The motifs are largely made in linen with openwork edges, but otherwise with few rec
Strip of spool lace cartouches between slanted turned tires, Strip of natural Brussels spool lace. The pattern consists of three arches of slanted twisted bands topped by a lobed cartridge and connected at the bottom by a bell-shaped cartridge. After the three arcs, the twisted bands turn into concatenated ovals that also form an arc and are cut by flowers and leaves from the bottom of the strip. A flower branch hangs down from the cartouche in each arch. Three separate flower branches hang between the arches. The motifs are largely made in linen with openwork edges, but otherwise with few Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-spool-lace-cartouches-between-slanted-turned-tires-strip-of-natural-brussels-spool-lace-the-pattern-consists-of-three-arches-of-slanted-twisted-bands-topped-by-a-lobed-cartridge-and-connected-at-the-bottom-by-a-bell-shaped-cartridge-after-the-three-arcs-the-twisted-bands-turn-into-concatenated-ovals-that-also-form-an-arc-and-are-cut-by-flowers-and-leaves-from-the-bottom-of-the-strip-a-flower-branch-hangs-down-from-the-cartouche-in-each-arch-three-separate-flower-branches-hang-between-the-arches-the-motifs-are-largely-made-in-linen-with-openwork-edges-but-otherwise-with-few-image261334308.html
RMW54PG4–Strip of spool lace cartouches between slanted turned tires, Strip of natural Brussels spool lace. The pattern consists of three arches of slanted twisted bands topped by a lobed cartridge and connected at the bottom by a bell-shaped cartridge. After the three arcs, the twisted bands turn into concatenated ovals that also form an arc and are cut by flowers and leaves from the bottom of the strip. A flower branch hangs down from the cartouche in each arch. Three separate flower branches hang between the arches. The motifs are largely made in linen with openwork edges, but otherwise with few
A German painted iron casket, circa 1740, The rectangular casket of sheet iron, with riveted strap fittings, on four ball feet. A false keyhole at the front, the lock plate with rocaille decoration. A movable carrying handle on each side. The lid hinged, the lockable keyhole cover with a hidden mechanism. Hollow shank key, the lock mechanism with ten latches, the openwork cover plate adorned with scrolling bands. A folding lid rest on the side. The exterior painted in the original colouring, with green decorative tendrils on an ochre ground, the , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-painted-iron-casket-circa-1740-the-rectangular-casket-of-sheet-iron-with-riveted-strap-fittings-on-four-ball-feet-a-false-keyhole-at-the-front-the-lock-plate-with-rocaille-decoration-a-movable-carrying-handle-on-each-side-the-lid-hinged-the-lockable-keyhole-cover-with-a-hidden-mechanism-hollow-shank-key-the-lock-mechanism-with-ten-latches-the-openwork-cover-plate-adorned-with-scrolling-bands-a-folding-lid-rest-on-the-side-the-exterior-painted-in-the-original-colouring-with-green-decorative-tendrils-on-an-ochre-ground-the-additional-rights-clearance-info-not-available-image247854183.html
RMTB6MF3–A German painted iron casket, circa 1740, The rectangular casket of sheet iron, with riveted strap fittings, on four ball feet. A false keyhole at the front, the lock plate with rocaille decoration. A movable carrying handle on each side. The lid hinged, the lockable keyhole cover with a hidden mechanism. Hollow shank key, the lock mechanism with ten latches, the openwork cover plate adorned with scrolling bands. A folding lid rest on the side. The exterior painted in the original colouring, with green decorative tendrils on an ochre ground, the , Additional-Rights-Clearance-Info-Not-Available
Brisé fan Brisé fan, Brisé fan with 26 legs. Openwork ivory with floral scrolls against a background of very fine vertical lines. Above the ribbon alternately a bird, a flower branch and a mushroom. Under the ribbon, fields are painted in the decoration that are painted. In the middle field two women and a man, in the two smaller fields on the other side a woman. The cartouches are surrounded by gold-plated ornamental bands. The fields on the back are painted with flower sprays. The closed legs are decorated with embossed pavilions in a landscape, ornament, cartouche, lovers' meeting, Kanton, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bris-fan-bris-fan-bris-fan-with-26-legs-openwork-ivory-with-floral-scrolls-against-a-background-of-very-fine-vertical-lines-above-the-ribbon-alternately-a-bird-a-flower-branch-and-a-mushroom-under-the-ribbon-fields-are-painted-in-the-decoration-that-are-painted-in-the-middle-field-two-women-and-a-man-in-the-two-smaller-fields-on-the-other-side-a-woman-the-cartouches-are-surrounded-by-gold-plated-ornamental-bands-the-fields-on-the-back-are-painted-with-flower-sprays-the-closed-legs-are-decorated-with-embossed-pavilions-in-a-landscape-ornament-cartouche-lovers-meeting-kanton-image349942137.html
RF2B996ND–Brisé fan Brisé fan, Brisé fan with 26 legs. Openwork ivory with floral scrolls against a background of very fine vertical lines. Above the ribbon alternately a bird, a flower branch and a mushroom. Under the ribbon, fields are painted in the decoration that are painted. In the middle field two women and a man, in the two smaller fields on the other side a woman. The cartouches are surrounded by gold-plated ornamental bands. The fields on the back are painted with flower sprays. The closed legs are decorated with embossed pavilions in a landscape, ornament, cartouche, lovers' meeting, Kanton,
Brisé fan Brisé fan, Brisé fan with 26 legs. Openwork ivory with floral scrolls against a background of very fine vertical lines. Above the ribbon alternately a bird, a flower branch and a mushroom. Under the ribbon, fields are painted in the decoration that are painted. In the middle field two women and a man, in the two smaller fields on the other side a woman. The cartouches are surrounded by gold-plated ornamental bands. The fields on the back are painted with flower sprays. The closed legs are decorated with embossed pavilions in a landscape, ornament, cartouche, lovers' meeting, Kanton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bris-fan-bris-fan-bris-fan-with-26-legs-openwork-ivory-with-floral-scrolls-against-a-background-of-very-fine-vertical-lines-above-the-ribbon-alternately-a-bird-a-flower-branch-and-a-mushroom-under-the-ribbon-fields-are-painted-in-the-decoration-that-are-painted-in-the-middle-field-two-women-and-a-man-in-the-two-smaller-fields-on-the-other-side-a-woman-the-cartouches-are-surrounded-by-gold-plated-ornamental-bands-the-fields-on-the-back-are-painted-with-flower-sprays-the-closed-legs-are-decorated-with-embossed-pavilions-in-a-landscape-ornament-cartouche-lovers-meeting-kanton-image261323002.html
RMW5484A–Brisé fan Brisé fan, Brisé fan with 26 legs. Openwork ivory with floral scrolls against a background of very fine vertical lines. Above the ribbon alternately a bird, a flower branch and a mushroom. Under the ribbon, fields are painted in the decoration that are painted. In the middle field two women and a man, in the two smaller fields on the other side a woman. The cartouches are surrounded by gold-plated ornamental bands. The fields on the back are painted with flower sprays. The closed legs are decorated with embossed pavilions in a landscape, ornament, cartouche, lovers' meeting, Kanton
A German painted iron casket, circa 1740, The rectangular casket of sheet iron, with riveted strap fittings, on four ball feet. A false keyhole at the front, the lock plate with rocaille decoration. A movable carrying handle on each side. The lid hinged, the lockable keyhole cover with a hidden mechanism. Hollow shank key, the lock mechanism with ten latches, the openwork cover plate adorned with scrolling bands. A folding lid rest on the side. The exterior painted in the original colouring, with green decorative tendrils on an ochre ground, the , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-painted-iron-casket-circa-1740-the-rectangular-casket-of-sheet-iron-with-riveted-strap-fittings-on-four-ball-feet-a-false-keyhole-at-the-front-the-lock-plate-with-rocaille-decoration-a-movable-carrying-handle-on-each-side-the-lid-hinged-the-lockable-keyhole-cover-with-a-hidden-mechanism-hollow-shank-key-the-lock-mechanism-with-ten-latches-the-openwork-cover-plate-adorned-with-scrolling-bands-a-folding-lid-rest-on-the-side-the-exterior-painted-in-the-original-colouring-with-green-decorative-tendrils-on-an-ochre-ground-the-additional-rights-clearance-info-not-available-image247854184.html
RMTB6MF4–A German painted iron casket, circa 1740, The rectangular casket of sheet iron, with riveted strap fittings, on four ball feet. A false keyhole at the front, the lock plate with rocaille decoration. A movable carrying handle on each side. The lid hinged, the lockable keyhole cover with a hidden mechanism. Hollow shank key, the lock mechanism with ten latches, the openwork cover plate adorned with scrolling bands. A folding lid rest on the side. The exterior painted in the original colouring, with green decorative tendrils on an ochre ground, the , Additional-Rights-Clearance-Info-Not-Available
Candlestick of tin, Candlestick of tin. The square base is scalloped at the bottom. On it is a square base with an openwork frieze, with a bust in the center of a rocaille ornament on each side. The cylindrical trunk has a profiled band on the lower half. The candlestick is slightly flared at the top and is decorated with profiled bands., J. van Giessen (attributed to), Heusden, c. 1750 - c. 1800, tin (metal), founding, h 22.9 cm l 8.9 cm × w 8.8 cm d 3.9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/candlestick-of-tin-candlestick-of-tin-the-square-base-is-scalloped-at-the-bottom-on-it-is-a-square-base-with-an-openwork-frieze-with-a-bust-in-the-center-of-a-rocaille-ornament-on-each-side-the-cylindrical-trunk-has-a-profiled-band-on-the-lower-half-the-candlestick-is-slightly-flared-at-the-top-and-is-decorated-with-profiled-bands-j-van-giessen-attributed-to-heusden-c-1750-c-1800-tin-metal-founding-h-229-cm-l-89-cm-w-88-cm-d-39-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-image349973532.html
RF2B9AJPM–Candlestick of tin, Candlestick of tin. The square base is scalloped at the bottom. On it is a square base with an openwork frieze, with a bust in the center of a rocaille ornament on each side. The cylindrical trunk has a profiled band on the lower half. The candlestick is slightly flared at the top and is decorated with profiled bands., J. van Giessen (attributed to), Heusden, c. 1750 - c. 1800, tin (metal), founding, h 22.9 cm l 8.9 cm × w 8.8 cm d 3.9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist.
Oval dish with a bouquet, ornamental borders and a pierced rim, Oval porcelain dish with an openwork edge, painted on the glaze in red, pink, green, yellow, purple, black and gold. On the shelf a small bouquet with flowers, two narrow decorative bands on the edge. Famille rose., anonymous, China, c. 1775 - c. 1799, Qing-dynasty (1644-1912) / Qianlong-period (1736-1795) / Jiaqing-period (1796-1820), porcelain (material), glaze, gold (metal), vitrification, h 3.7 cm l 28.5 cm × w 25.4 cm l 15.3 cm × w 12.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-dish-with-a-bouquet-ornamental-borders-and-a-pierced-rim-oval-porcelain-dish-with-an-openwork-edge-painted-on-the-glaze-in-red-pink-green-yellow-purple-black-and-gold-on-the-shelf-a-small-bouquet-with-flowers-two-narrow-decorative-bands-on-the-edge-famille-rose-anonymous-china-c-1775-c-1799-qing-dynasty-1644-1912-qianlong-period-1736-1795-jiaqing-period-1796-1820-porcelain-material-glaze-gold-metal-vitrification-h-37-cm-l-285-cm-w-254-cm-l-153-cm-w-123-cm-image261320201.html
RMW544G9–Oval dish with a bouquet, ornamental borders and a pierced rim, Oval porcelain dish with an openwork edge, painted on the glaze in red, pink, green, yellow, purple, black and gold. On the shelf a small bouquet with flowers, two narrow decorative bands on the edge. Famille rose., anonymous, China, c. 1775 - c. 1799, Qing-dynasty (1644-1912) / Qianlong-period (1736-1795) / Jiaqing-period (1796-1820), porcelain (material), glaze, gold (metal), vitrification, h 3.7 cm l 28.5 cm × w 25.4 cm l 15.3 cm × w 12.3 cm
A German painted iron casket, circa 1740, The rectangular casket of sheet iron, with riveted strap fittings, on four ball feet. A false keyhole at the front, the lock plate with rocaille decoration. A movable carrying handle on each side. The lid hinged, the lockable keyhole cover with a hidden mechanism. Hollow shank key, the lock mechanism with ten latches, the openwork cover plate adorned with scrolling bands. A folding lid rest on the side. The exterior painted in the original colouring, with green decorative tendrils on an ochre ground, the , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-painted-iron-casket-circa-1740-the-rectangular-casket-of-sheet-iron-with-riveted-strap-fittings-on-four-ball-feet-a-false-keyhole-at-the-front-the-lock-plate-with-rocaille-decoration-a-movable-carrying-handle-on-each-side-the-lid-hinged-the-lockable-keyhole-cover-with-a-hidden-mechanism-hollow-shank-key-the-lock-mechanism-with-ten-latches-the-openwork-cover-plate-adorned-with-scrolling-bands-a-folding-lid-rest-on-the-side-the-exterior-painted-in-the-original-colouring-with-green-decorative-tendrils-on-an-ochre-ground-the-additional-rights-clearance-info-not-available-image243941572.html
RMT4TDY0–A German painted iron casket, circa 1740, The rectangular casket of sheet iron, with riveted strap fittings, on four ball feet. A false keyhole at the front, the lock plate with rocaille decoration. A movable carrying handle on each side. The lid hinged, the lockable keyhole cover with a hidden mechanism. Hollow shank key, the lock mechanism with ten latches, the openwork cover plate adorned with scrolling bands. A folding lid rest on the side. The exterior painted in the original colouring, with green decorative tendrils on an ochre ground, the , Additional-Rights-Clearance-Info-Not-Available
Candlestick from tin, Candlestick from tin. The square base is scalloped at the bottom. On it is a square base with an openwork frieze, with a bust in the center of a rocaille ornament on each side. The cylindrical trunk has a profiled band on the lower half. The candlestick is slightly flared at the top and is decorated with profiled bands., J. van Giessen (attributed to), Heusden, c. 1750 - c. 1800, tin (metal), founding, h 22.7 cm l 8.9 cm × w 8.8 cm d 3.9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/candlestick-from-tin-candlestick-from-tin-the-square-base-is-scalloped-at-the-bottom-on-it-is-a-square-base-with-an-openwork-frieze-with-a-bust-in-the-center-of-a-rocaille-ornament-on-each-side-the-cylindrical-trunk-has-a-profiled-band-on-the-lower-half-the-candlestick-is-slightly-flared-at-the-top-and-is-decorated-with-profiled-bands-j-van-giessen-attributed-to-heusden-c-1750-c-1800-tin-metal-founding-h-227-cm-l-89-cm-w-88-cm-d-39-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twi-image349973534.html
RF2B9AJPP–Candlestick from tin, Candlestick from tin. The square base is scalloped at the bottom. On it is a square base with an openwork frieze, with a bust in the center of a rocaille ornament on each side. The cylindrical trunk has a profiled band on the lower half. The candlestick is slightly flared at the top and is decorated with profiled bands., J. van Giessen (attributed to), Heusden, c. 1750 - c. 1800, tin (metal), founding, h 22.7 cm l 8.9 cm × w 8.8 cm d 3.9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twi
A French silver-mounted small-sword, circa 1780, Gilt blade of triangular section, slightly stained, etched and blued. Silver hilt with part-openwork design and flower ornaments in fine relief, grip elaborately wrapped with wire and bands both made of silver. Velvet-covered scabbard with smooth silver fittings and suspension chain with belt clasp, the clasp with monogram 'JB'. Length 102 cm. sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, me, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-french-silver-mounted-small-sword-circa-1780-gilt-blade-of-triangular-section-slightly-stained-etched-and-blued-silver-hilt-with-part-openwork-design-and-flower-ornaments-in-fine-relief-grip-elaborately-wrapped-with-wire-and-bands-both-made-of-silver-velvet-covered-scabbard-with-smooth-silver-fittings-and-suspension-chain-with-belt-clasp-the-clasp-with-monogram-jb-length-102-cm-sword-swords-weapons-arms-weapon-arm-fighting-device-military-militaria-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-me-additional-rights-clearance-info-not-available-image247875747.html
RMTB7M17–A French silver-mounted small-sword, circa 1780, Gilt blade of triangular section, slightly stained, etched and blued. Silver hilt with part-openwork design and flower ornaments in fine relief, grip elaborately wrapped with wire and bands both made of silver. Velvet-covered scabbard with smooth silver fittings and suspension chain with belt clasp, the clasp with monogram 'JB'. Length 102 cm. sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, me, Additional-Rights-Clearance-Info-Not-Available
Strip of bobbin lace with decorative bands and hanging carnation, Strip of natural-colored bobbin lace, Binche lace. The repeating pattern consists of decorative bands that create two different lobed fields. In one field there is a loose, curved branch, with a large hanging carnation, two upward-facing rosette flowers and a bunch of five berries. In the other field, from a halved fan-shaped flower, a calyx flower hangs down the top of a curved stalk. The motifs are connected by a lattice ground, a five-hole ground. The motifs are made in linen with cutouts and openwork edges. Two different Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-decorative-bands-and-hanging-carnation-strip-of-natural-colored-bobbin-lace-binche-lace-the-repeating-pattern-consists-of-decorative-bands-that-create-two-different-lobed-fields-in-one-field-there-is-a-loose-curved-branch-with-a-large-hanging-carnation-two-upward-facing-rosette-flowers-and-a-bunch-of-five-berries-in-the-other-field-from-a-halved-fan-shaped-flower-a-calyx-flower-hangs-down-the-top-of-a-curved-stalk-the-motifs-are-connected-by-a-lattice-ground-a-five-hole-ground-the-motifs-are-made-in-linen-with-cutouts-and-openwork-edges-two-different-image261336002.html
RMW54TMJ–Strip of bobbin lace with decorative bands and hanging carnation, Strip of natural-colored bobbin lace, Binche lace. The repeating pattern consists of decorative bands that create two different lobed fields. In one field there is a loose, curved branch, with a large hanging carnation, two upward-facing rosette flowers and a bunch of five berries. In the other field, from a halved fan-shaped flower, a calyx flower hangs down the top of a curved stalk. The motifs are connected by a lattice ground, a five-hole ground. The motifs are made in linen with cutouts and openwork edges. Two different
Strip of bobbin lace with decorative bands and hanging carnation, Strip of natural-colored bobbin lace, Binche lace. The repeating pattern consists of decorative bands that create two different lobed fields. In one field there is a loose, curved branch, with a large hanging carnation, two upward-facing rosette flowers and a bunch of five berries. In the other field, from a halved fan-shaped flower, a calyx flower hangs down the top of a curved stalk. The motifs are connected by a lattice ground, a five-hole ground. The motifs are made in linen with cutouts and openwork edges. Two different dec Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-decorative-bands-and-hanging-carnation-strip-of-natural-colored-bobbin-lace-binche-lace-the-repeating-pattern-consists-of-decorative-bands-that-create-two-different-lobed-fields-in-one-field-there-is-a-loose-curved-branch-with-a-large-hanging-carnation-two-upward-facing-rosette-flowers-and-a-bunch-of-five-berries-in-the-other-field-from-a-halved-fan-shaped-flower-a-calyx-flower-hangs-down-the-top-of-a-curved-stalk-the-motifs-are-connected-by-a-lattice-ground-a-five-hole-ground-the-motifs-are-made-in-linen-with-cutouts-and-openwork-edges-two-different-dec-image349951272.html
RF2B99JBM–Strip of bobbin lace with decorative bands and hanging carnation, Strip of natural-colored bobbin lace, Binche lace. The repeating pattern consists of decorative bands that create two different lobed fields. In one field there is a loose, curved branch, with a large hanging carnation, two upward-facing rosette flowers and a bunch of five berries. In the other field, from a halved fan-shaped flower, a calyx flower hangs down the top of a curved stalk. The motifs are connected by a lattice ground, a five-hole ground. The motifs are made in linen with cutouts and openwork edges. Two different dec
A French silver-mounted small-sword, circa 1780, Gilt blade of triangular section, slightly stained, etched and blued. Silver hilt with part-openwork design and flower ornaments in fine relief, grip elaborately wrapped with wire and bands both made of silver. Velvet-covered scabbard with smooth silver fittings and suspension chain with belt clasp, the clasp with monogram 'JB'. Length 102 cm. sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, me, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-french-silver-mounted-small-sword-circa-1780-gilt-blade-of-triangular-section-slightly-stained-etched-and-blued-silver-hilt-with-part-openwork-design-and-flower-ornaments-in-fine-relief-grip-elaborately-wrapped-with-wire-and-bands-both-made-of-silver-velvet-covered-scabbard-with-smooth-silver-fittings-and-suspension-chain-with-belt-clasp-the-clasp-with-monogram-jb-length-102-cm-sword-swords-weapons-arms-weapon-arm-fighting-device-military-militaria-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-me-additional-rights-clearance-info-not-available-image247875764.html
RMTB7M1T–A French silver-mounted small-sword, circa 1780, Gilt blade of triangular section, slightly stained, etched and blued. Silver hilt with part-openwork design and flower ornaments in fine relief, grip elaborately wrapped with wire and bands both made of silver. Velvet-covered scabbard with smooth silver fittings and suspension chain with belt clasp, the clasp with monogram 'JB'. Length 102 cm. sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, me, Additional-Rights-Clearance-Info-Not-Available
A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-significant-french-strong-box-1st-half-of-the-18th-century-rectangular-body-of-robust-sheet-iron-with-closely-mounted-heavy-band-fittings-the-bands-applied-with-globular-rivets-hinged-lid-bronze-key-hole-cover-in-the-form-of-a-lying-cupid-on-the-front-of-the-lid-two-movable-handles-the-interior-with-extremely-intricate-lock-mechanism-with-17-bolts-two-screws-missing-solid-central-octagonal-chaplet-with-elaborate-ward-the-original-key-with-ring-bow-and-rare-star-shaped!-blade-lock-cover-of-tinned-sheet-iron-with-rich-openwork-acanth-additional-rights-clearance-info-not-available-image245936143.html
RMT83A1K–A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available
Strip of bobbin lace with lobed oval scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork oval scallop with nine lobes around it. The motifs are made in linen stitch, the lobes with curved bands of square mesh. In the center of the scallop, a flower or star is made with triangles made with braids and surrounding them triangles made in shaped stitch. The top of the strip is finished straight. The lobes around the scallop are finished with picots., anonymous, Russia, c. 1890 - c. 1899, linen (material), bobbin lace, Russian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-lobed-oval-scallop-with-star-or-flower-in-it-strip-of-natural-colored-bobbin-lace-russian-lace-the-pattern-consists-of-an-openwork-oval-scallop-with-nine-lobes-around-it-the-motifs-are-made-in-linen-stitch-the-lobes-with-curved-bands-of-square-mesh-in-the-center-of-the-scallop-a-flower-or-star-is-made-with-triangles-made-with-braids-and-surrounding-them-triangles-made-in-shaped-stitch-the-top-of-the-strip-is-finished-straight-the-lobes-around-the-scallop-are-finished-with-picots-anonymous-russia-c-1890-c-1899-linen-material-bobbin-lace-russian-image454366715.html
RM2HB65AK–Strip of bobbin lace with lobed oval scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork oval scallop with nine lobes around it. The motifs are made in linen stitch, the lobes with curved bands of square mesh. In the center of the scallop, a flower or star is made with triangles made with braids and surrounding them triangles made in shaped stitch. The top of the strip is finished straight. The lobes around the scallop are finished with picots., anonymous, Russia, c. 1890 - c. 1899, linen (material), bobbin lace, Russian
Oval dish with a bouquet, ornamental borders and a pierced rim, Oval porcelain dish with an openwork edge, painted on the glaze in red, pink, green, yellow, purple, black and gold. On the shelf a small bouquet with flowers, two narrow decorative bands on the edge. Famille rose., anonymous, China, c. 1775 - c. 1799, Qing-dynasty (1644-1912) / Qianlong-period (1736-1795) / Jiaqing-period (1796-1820), porcelain (material), glaze, gold (metal), vitrification, h 3.7 cm l 28.5 cm × w 25.4 cm l 15.3 cm × w 12.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-dish-with-a-bouquet-ornamental-borders-and-a-pierced-rim-oval-porcelain-dish-with-an-openwork-edge-painted-on-the-glaze-in-red-pink-green-yellow-purple-black-and-gold-on-the-shelf-a-small-bouquet-with-flowers-two-narrow-decorative-bands-on-the-edge-famille-rose-anonymous-china-c-1775-c-1799-qing-dynasty-1644-1912-qianlong-period-1736-1795-jiaqing-period-1796-1820-porcelain-material-glaze-gold-metal-vitrification-h-37-cm-l-285-cm-w-254-cm-l-153-cm-w-123-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radi-image349940317.html
RF2B994CD–Oval dish with a bouquet, ornamental borders and a pierced rim, Oval porcelain dish with an openwork edge, painted on the glaze in red, pink, green, yellow, purple, black and gold. On the shelf a small bouquet with flowers, two narrow decorative bands on the edge. Famille rose., anonymous, China, c. 1775 - c. 1799, Qing-dynasty (1644-1912) / Qianlong-period (1736-1795) / Jiaqing-period (1796-1820), porcelain (material), glaze, gold (metal), vitrification, h 3.7 cm l 28.5 cm × w 25.4 cm l 15.3 cm × w 12.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radi
A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-significant-french-strong-box-1st-half-of-the-18th-century-rectangular-body-of-robust-sheet-iron-with-closely-mounted-heavy-band-fittings-the-bands-applied-with-globular-rivets-hinged-lid-bronze-key-hole-cover-in-the-form-of-a-lying-cupid-on-the-front-of-the-lid-two-movable-handles-the-interior-with-extremely-intricate-lock-mechanism-with-17-bolts-two-screws-missing-solid-central-octagonal-chaplet-with-elaborate-ward-the-original-key-with-ring-bow-and-rare-star-shaped!-blade-lock-cover-of-tinned-sheet-iron-with-rich-openwork-acanth-additional-rights-clearance-info-not-available-image245936008.html
RMT839TT–A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available
A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-significant-french-strong-box-1st-half-of-the-18th-century-rectangular-body-of-robust-sheet-iron-with-closely-mounted-heavy-band-fittings-the-bands-applied-with-globular-rivets-hinged-lid-bronze-key-hole-cover-in-the-form-of-a-lying-cupid-on-the-front-of-the-lid-two-movable-handles-the-interior-with-extremely-intricate-lock-mechanism-with-17-bolts-two-screws-missing-solid-central-octagonal-chaplet-with-elaborate-ward-the-original-key-with-ring-bow-and-rare-star-shaped!-blade-lock-cover-of-tinned-sheet-iron-with-rich-openwork-acanth-additional-rights-clearance-info-not-available-image245936006.html
RMT839TP–A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available
Strip of bobbin lace with lobed circular scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork circular scallop with seven lobes around it. The motifs are made in linen stitching, the lobes with curved bands of square mesh. In the center of the scallop is a flower or star made with lozenges made with picotized braids. The top of the strip is finished straight. The lobes around the scallop are finished with picots., anonymous, Russia, c. 1890 - c. 1899, linen (material), bobbin lace, Russian lace, length 10.5 cm × width 6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-lobed-circular-scallop-with-star-or-flower-in-it-strip-of-natural-colored-bobbin-lace-russian-lace-the-pattern-consists-of-an-openwork-circular-scallop-with-seven-lobes-around-it-the-motifs-are-made-in-linen-stitching-the-lobes-with-curved-bands-of-square-mesh-in-the-center-of-the-scallop-is-a-flower-or-star-made-with-lozenges-made-with-picotized-braids-the-top-of-the-strip-is-finished-straight-the-lobes-around-the-scallop-are-finished-with-picots-anonymous-russia-c-1890-c-1899-linen-material-bobbin-lace-russian-lace-length-105-cm-width-6-cm-image454366722.html
RM2HB65AX–Strip of bobbin lace with lobed circular scallop with star or flower in it, Strip of natural-colored bobbin lace, Russian lace. The pattern consists of an openwork circular scallop with seven lobes around it. The motifs are made in linen stitching, the lobes with curved bands of square mesh. In the center of the scallop is a flower or star made with lozenges made with picotized braids. The top of the strip is finished straight. The lobes around the scallop are finished with picots., anonymous, Russia, c. 1890 - c. 1899, linen (material), bobbin lace, Russian lace, length 10.5 cm × width 6 cm
Openwork furniture plaque with a 'woman at the window', ca. 8th century B.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-openwork-furniture-plaque-with-a-woman-at-the-window-ca-8th-century-162402776.html
RMKC62B4–Openwork furniture plaque with a 'woman at the window', ca. 8th century B.C
Strip of bobbin lace with slanting bands of concatenated cartouches, Strip of natural-colored Brussels bobbin lace. The symmetrical pattern consists of slanted bands of a few connected cartouches. Two of these bands with rocaille-like cartouches form a V-shape in the middle of the strip. In parallel, three full cartouches form an oblique band with a bunch of forget-me-nots at the end and a bunch with double calyx flowers at the bottom. The pattern on the underside is furthermore formed by a concatenation of ovals, rosette flowers and four cartouches. This pattern continues in the short sides Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-slanting-bands-of-concatenated-cartouches-strip-of-natural-colored-brussels-bobbin-lace-the-symmetrical-pattern-consists-of-slanted-bands-of-a-few-connected-cartouches-two-of-these-bands-with-rocaille-like-cartouches-form-a-v-shape-in-the-middle-of-the-strip-in-parallel-three-full-cartouches-form-an-oblique-band-with-a-bunch-of-forget-me-nots-at-the-end-and-a-bunch-with-double-calyx-flowers-at-the-bottom-the-pattern-on-the-underside-is-furthermore-formed-by-a-concatenation-of-ovals-rosette-flowers-and-four-cartouches-this-pattern-continues-in-the-short-sides-image261338192.html
RMW54YET–Strip of bobbin lace with slanting bands of concatenated cartouches, Strip of natural-colored Brussels bobbin lace. The symmetrical pattern consists of slanted bands of a few connected cartouches. Two of these bands with rocaille-like cartouches form a V-shape in the middle of the strip. In parallel, three full cartouches form an oblique band with a bunch of forget-me-nots at the end and a bunch with double calyx flowers at the bottom. The pattern on the underside is furthermore formed by a concatenation of ovals, rosette flowers and four cartouches. This pattern continues in the short sides
Strip of bobbin lace with slanting bands of concatenated cartouches, Strip of natural-colored Brussels bobbin lace. The symmetrical pattern consists of slanted bands of a few connected cartouches. Two of these bands with rocaille-like cartouches form a V-shape in the middle of the strip. In parallel, three full cartouches form an oblique band with a bunch of forget-me-nots at the end and a bunch with double calyx flowers at the bottom. The pattern on the underside is furthermore formed by a concatenation of ovals, rosette flowers and four cartouches. This pattern continues in the short sides. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-slanting-bands-of-concatenated-cartouches-strip-of-natural-colored-brussels-bobbin-lace-the-symmetrical-pattern-consists-of-slanted-bands-of-a-few-connected-cartouches-two-of-these-bands-with-rocaille-like-cartouches-form-a-v-shape-in-the-middle-of-the-strip-in-parallel-three-full-cartouches-form-an-oblique-band-with-a-bunch-of-forget-me-nots-at-the-end-and-a-bunch-with-double-calyx-flowers-at-the-bottom-the-pattern-on-the-underside-is-furthermore-formed-by-a-concatenation-of-ovals-rosette-flowers-and-four-cartouches-this-pattern-continues-in-the-short-sides-image349952900.html
RF2B99MDT–Strip of bobbin lace with slanting bands of concatenated cartouches, Strip of natural-colored Brussels bobbin lace. The symmetrical pattern consists of slanted bands of a few connected cartouches. Two of these bands with rocaille-like cartouches form a V-shape in the middle of the strip. In parallel, three full cartouches form an oblique band with a bunch of forget-me-nots at the end and a bunch with double calyx flowers at the bottom. The pattern on the underside is furthermore formed by a concatenation of ovals, rosette flowers and four cartouches. This pattern continues in the short sides.
A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-significant-french-strong-box-1st-half-of-the-18th-century-rectangular-body-of-robust-sheet-iron-with-closely-mounted-heavy-band-fittings-the-bands-applied-with-globular-rivets-hinged-lid-bronze-key-hole-cover-in-the-form-of-a-lying-cupid-on-the-front-of-the-lid-two-movable-handles-the-interior-with-extremely-intricate-lock-mechanism-with-17-bolts-two-screws-missing-solid-central-octagonal-chaplet-with-elaborate-ward-the-original-key-with-ring-bow-and-rare-star-shaped!-blade-lock-cover-of-tinned-sheet-iron-with-rich-openwork-acanth-additional-rights-clearance-info-not-available-image245936005.html
RMT839TN–A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available
A German iron casket, 2nd half of the 17th century Body of sheet iron with curved base, the edges reinforced with riveted bands and decorated with likewise riveted chased rosettes. False lock with openwork escutcheon at front. Hinged lid with central keyhole, original(?) key and four latches. Inside drawer on the lower left. Two movable side handles. Size 36 x 23 x 16 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, 17th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-iron-casket-2nd-half-of-the-17th-century-body-of-sheet-iron-with-curved-base-the-edges-reinforced-with-riveted-bands-and-decorated-with-likewise-riveted-chased-rosettes-false-lock-with-openwork-escutcheon-at-front-hinged-lid-with-central-keyhole-original-key-and-four-latches-inside-drawer-on-the-lower-left-two-movable-side-handles-size-36-x-23-x-16-cm-historic-historical-handicrafts-handcraft-craft-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-17th-century-additional-rights-clearance-info-not-available-image246053334.html
RMT88KF2–A German iron casket, 2nd half of the 17th century Body of sheet iron with curved base, the edges reinforced with riveted bands and decorated with likewise riveted chased rosettes. False lock with openwork escutcheon at front. Hinged lid with central keyhole, original(?) key and four latches. Inside drawer on the lower left. Two movable side handles. Size 36 x 23 x 16 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, 17th century, Additional-Rights-Clearance-Info-Not-Available
Strip of needle lace with volute bands forming a sun, Strip of natural-colored sun side (needle side): Tenerife side. Four square squares placed next to each other have a repeating and symmetrical pattern of a 'sun' that is made up of narrow volute bands. In the center of the square field is a round flower around which the volute bands form a four-lobed motif. Other volute bands form a circle around the four-lobed motif. In the corners of the square field, which is almost completely filled by the sun, there is a slanting s-volute. The top of the strip is finished with a narrow border of linen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-needle-lace-with-volute-bands-forming-a-sun-strip-of-natural-colored-sun-side-needle-side-tenerife-side-four-square-squares-placed-next-to-each-other-have-a-repeating-and-symmetrical-pattern-of-a-sun-that-is-made-up-of-narrow-volute-bands-in-the-center-of-the-square-field-is-a-round-flower-around-which-the-volute-bands-form-a-four-lobed-motif-other-volute-bands-form-a-circle-around-the-four-lobed-motif-in-the-corners-of-the-square-field-which-is-almost-completely-filled-by-the-sun-there-is-a-slanting-s-volute-the-top-of-the-strip-is-finished-with-a-narrow-border-of-linen-image261360886.html
RMW560DA–Strip of needle lace with volute bands forming a sun, Strip of natural-colored sun side (needle side): Tenerife side. Four square squares placed next to each other have a repeating and symmetrical pattern of a 'sun' that is made up of narrow volute bands. In the center of the square field is a round flower around which the volute bands form a four-lobed motif. Other volute bands form a circle around the four-lobed motif. In the corners of the square field, which is almost completely filled by the sun, there is a slanting s-volute. The top of the strip is finished with a narrow border of linen
Fragment, Medium: linen Technique: bobbin lace (Brussels-style), Fragment of a border has a design of flowers and leaves with curving bands of openwork and star-shaped mesh., Belgium, 19th century, lace, Fragment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-medium-linen-technique-bobbin-lace-brussels-style-fragment-of-a-border-has-a-design-of-flowers-and-leaves-with-curving-bands-of-openwork-and-star-shaped-mesh-belgium-19th-century-lace-fragment-image391144049.html
RM2DMA469–Fragment, Medium: linen Technique: bobbin lace (Brussels-style), Fragment of a border has a design of flowers and leaves with curving bands of openwork and star-shaped mesh., Belgium, 19th century, lace, Fragment
Panel, Medium: silk embroidery on linen foundation Technique: embroidered in counted satin, darning and double running stitches on plain weave, Ornament arranged in horizontal bands of openwork and embroidery in stylized designs., Mytilene, Greece, 18th century, embroidery & stitching, Panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-medium-silk-embroidery-on-linen-foundation-technique-embroidered-in-counted-satin-darning-and-double-running-stitches-on-plain-weave-ornament-arranged-in-horizontal-bands-of-openwork-and-embroidery-in-stylized-designs-mytilene-greece-18th-century-embroidery-stitching-panel-image391733568.html
RM2DN904G–Panel, Medium: silk embroidery on linen foundation Technique: embroidered in counted satin, darning and double running stitches on plain weave, Ornament arranged in horizontal bands of openwork and embroidery in stylized designs., Mytilene, Greece, 18th century, embroidery & stitching, Panel
Strip of needle lace with volute bands forming a sun, Strip of natural-colored sun side (needle side): Tenerife side. Four square squares placed next to each other have a repeating and symmetrical pattern of a 'sun' that is made up of narrow volute bands. In the center of the square field is a round flower around which the volute bands form a four-lobed motif. Other volute bands form a circle around the four-lobed motif. In the corners of the square field, which is almost completely filled by the sun, there is a slanting s-volute. The top of the strip is finished with a narrow border of linen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-needle-lace-with-volute-bands-forming-a-sun-strip-of-natural-colored-sun-side-needle-side-tenerife-side-four-square-squares-placed-next-to-each-other-have-a-repeating-and-symmetrical-pattern-of-a-sun-that-is-made-up-of-narrow-volute-bands-in-the-center-of-the-square-field-is-a-round-flower-around-which-the-volute-bands-form-a-four-lobed-motif-other-volute-bands-form-a-circle-around-the-four-lobed-motif-in-the-corners-of-the-square-field-which-is-almost-completely-filled-by-the-sun-there-is-a-slanting-s-volute-the-top-of-the-strip-is-finished-with-a-narrow-border-of-linen-image349969139.html
RF2B9AD5R–Strip of needle lace with volute bands forming a sun, Strip of natural-colored sun side (needle side): Tenerife side. Four square squares placed next to each other have a repeating and symmetrical pattern of a 'sun' that is made up of narrow volute bands. In the center of the square field is a round flower around which the volute bands form a four-lobed motif. Other volute bands form a circle around the four-lobed motif. In the corners of the square field, which is almost completely filled by the sun, there is a slanting s-volute. The top of the strip is finished with a narrow border of linen
A German iron casket, 2nd half of the 17th century Body of sheet iron with curved base, the edges reinforced with riveted bands and decorated with likewise riveted chased rosettes. False lock with openwork escutcheon at front. Hinged lid with central keyhole, original(?) key and four latches. Inside drawer on the lower left. Two movable side handles. Size 36 x 23 x 16 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, 17th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-iron-casket-2nd-half-of-the-17th-century-body-of-sheet-iron-with-curved-base-the-edges-reinforced-with-riveted-bands-and-decorated-with-likewise-riveted-chased-rosettes-false-lock-with-openwork-escutcheon-at-front-hinged-lid-with-central-keyhole-original-key-and-four-latches-inside-drawer-on-the-lower-left-two-movable-side-handles-size-36-x-23-x-16-cm-historic-historical-handicrafts-handcraft-craft-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-17th-century-additional-rights-clearance-info-not-available-image246053337.html
RMT88KF5–A German iron casket, 2nd half of the 17th century Body of sheet iron with curved base, the edges reinforced with riveted bands and decorated with likewise riveted chased rosettes. False lock with openwork escutcheon at front. Hinged lid with central keyhole, original(?) key and four latches. Inside drawer on the lower left. Two movable side handles. Size 36 x 23 x 16 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, 17th century, Additional-Rights-Clearance-Info-Not-Available
A German oaken casket with iron fittings, 18th Century Square casket of oak wood with cambered lid and iron strap fittings. Openwork decorative iron bands along the edges. The lid with a moveable carrying handle. Lock with a hasp, small hollow-shank double-bitted key. Dimensions 24.5 x 14.5 x 15.5 cm. historic, historical, 18th century, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, storage, box, boxes, cabinet, chest, cabinets, chests, piece of furniture, pieces of furniture, furnishings, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-german-oaken-casket-with-iron-fittings-18th-century-square-casket-31665340.html
RMBREDD0–A German oaken casket with iron fittings, 18th Century Square casket of oak wood with cambered lid and iron strap fittings. Openwork decorative iron bands along the edges. The lid with a moveable carrying handle. Lock with a hasp, small hollow-shank double-bitted key. Dimensions 24.5 x 14.5 x 15.5 cm. historic, historical, 18th century, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, storage, box, boxes, cabinet, chest, cabinets, chests, piece of furniture, pieces of furniture, furnishings,
Square, Medium: silk embroidery on linen foundation Technique: embroidered, Central octogon surrounded by borders. Embroidery showing eight-pointed stars, diamonds, etc. in counted satin stitch with conventionalized trees, hexagons, and bands of openwork stitches., Asia, 19th century, embroidery & stitching, Square Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/square-medium-silk-embroidery-on-linen-foundation-technique-embroidered-central-octogon-surrounded-by-borders-embroidery-showing-eight-pointed-stars-diamonds-etc-in-counted-satin-stitch-with-conventionalized-trees-hexagons-and-bands-of-openwork-stitches-asia-19th-century-embroidery-stitching-square-image391538531.html
RM2DN03AY–Square, Medium: silk embroidery on linen foundation Technique: embroidered, Central octogon surrounded by borders. Embroidery showing eight-pointed stars, diamonds, etc. in counted satin stitch with conventionalized trees, hexagons, and bands of openwork stitches., Asia, 19th century, embroidery & stitching, Square
Pieter van der Werff, Portrait of Jacob Dane (1638-1699), portrait painting visual material linen oil painting canvas, Oval portrait of man representing Jacob Dane VOC director Halfway face to face to the right. Gray allonge wig. Openwork lace bands dark garment Frontside cloth left center: P.v.Werff fecit Anno 1700 Dutch East India Company VOC Rotterdam City Triangle Boompjes governor Kralingen This portrait originally hung in the Oost-Indischhuis at the Boompjes in Rotterdam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-van-der-werff-portrait-of-jacob-dane-1638-1699-portrait-painting-visual-material-linen-oil-painting-canvas-oval-portrait-of-man-representing-jacob-dane-voc-director-halfway-face-to-face-to-the-right-gray-allonge-wig-openwork-lace-bands-dark-garment-frontside-cloth-left-center-pvwerff-fecit-anno-1700-dutch-east-india-company-voc-rotterdam-city-triangle-boompjes-governor-kralingen-this-portrait-originally-hung-in-the-oost-indischhuis-at-the-boompjes-in-rotterdam-image350099478.html
RF2B9GBCP–Pieter van der Werff, Portrait of Jacob Dane (1638-1699), portrait painting visual material linen oil painting canvas, Oval portrait of man representing Jacob Dane VOC director Halfway face to face to the right. Gray allonge wig. Openwork lace bands dark garment Frontside cloth left center: P.v.Werff fecit Anno 1700 Dutch East India Company VOC Rotterdam City Triangle Boompjes governor Kralingen This portrait originally hung in the Oost-Indischhuis at the Boompjes in Rotterdam
chest, Anonymous, 15th century, General: 19 x 24.3 x 15.6cm (190 x 243 x 156mm), Rectangular chest with semicircular, convex lid. The box stands on four small, equally protruding legs, openwork with 3-step. Five smooth bands over the lid, which are riveted to the box with diamond-shaped nails. The three elongated robberies are connected to the upper bands with hinges. The sides of the lid have three openwork edges. The side handles are curved in heart shape, 1951 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chest-anonymous-15th-century-general-19-x-243-x-156cm-190-x-243-x-156mm-rectangular-chest-with-semicircular-convex-lid-the-box-stands-on-four-small-equally-protruding-legs-openwork-with-3-step-five-smooth-bands-over-the-lid-which-are-riveted-to-the-box-with-diamond-shaped-nails-the-three-elongated-robberies-are-connected-to-the-upper-bands-with-hinges-the-sides-of-the-lid-have-three-openwork-edges-the-side-handles-are-curved-in-heart-shape-1951-image387989185.html
RM2DF6C4H–chest, Anonymous, 15th century, General: 19 x 24.3 x 15.6cm (190 x 243 x 156mm), Rectangular chest with semicircular, convex lid. The box stands on four small, equally protruding legs, openwork with 3-step. Five smooth bands over the lid, which are riveted to the box with diamond-shaped nails. The three elongated robberies are connected to the upper bands with hinges. The sides of the lid have three openwork edges. The side handles are curved in heart shape, 1951
A German oaken casket with iron fittings, 18th Century Square casket of oak wood with cambered lid and iron strap fittings. Openwork decorative iron bands along the edges. The lid with a moveable carrying handle. Lock with a hasp, small hollow-shank double-bitted key. Dimensions 24.5 x 14.5 x 15.5 cm. historic, historical, 18th century, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, storage, box, boxes, cabinet, chest, cabinets, chests, piece of furniture, pieces of furniture, furnishings, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-german-oaken-casket-with-iron-fittings-18th-century-square-casket-31665264.html
RMBREDA8–A German oaken casket with iron fittings, 18th Century Square casket of oak wood with cambered lid and iron strap fittings. Openwork decorative iron bands along the edges. The lid with a moveable carrying handle. Lock with a hasp, small hollow-shank double-bitted key. Dimensions 24.5 x 14.5 x 15.5 cm. historic, historical, 18th century, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, storage, box, boxes, cabinet, chest, cabinets, chests, piece of furniture, pieces of furniture, furnishings,
Elisaveta Petrovna Romanova (1709 - 1761), a hunting dog collar for the Imperial Court, Tula 1752 Heavy dog collar for hunting bear of brass covered with red velvet (worn). Hinged with a riveted iron latch with a pendant later lock. 'Tula 1752' is engraved on the inside of the hasp of the latch. The edges are reinforced with riveted brass bands. Finely engraved openwork mountings with the Tsarina's cipher 'EP' on one side, and hounds fighting a bear depicted on the other. A movable brass ring for the leash next to the hinge. The inside is lined w, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisaveta-petrovna-romanova-1709-1761-a-hunting-dog-collar-for-the-imperial-court-tula-1752-heavy-dog-collar-for-hunting-bear-of-brass-covered-with-red-velvet-worn-hinged-with-a-riveted-iron-latch-with-a-pendant-later-lock-tula-1752-is-engraved-on-the-inside-of-the-hasp-of-the-latch-the-edges-are-reinforced-with-riveted-brass-bands-finely-engraved-openwork-mountings-with-the-tsarinas-cipher-ep-on-one-side-and-hounds-fighting-a-bear-depicted-on-the-other-a-movable-brass-ring-for-the-leash-next-to-the-hinge-the-inside-is-lined-w-additional-rights-clearance-info-not-available-image243137844.html
RMT3FTPC–Elisaveta Petrovna Romanova (1709 - 1761), a hunting dog collar for the Imperial Court, Tula 1752 Heavy dog collar for hunting bear of brass covered with red velvet (worn). Hinged with a riveted iron latch with a pendant later lock. 'Tula 1752' is engraved on the inside of the hasp of the latch. The edges are reinforced with riveted brass bands. Finely engraved openwork mountings with the Tsarina's cipher 'EP' on one side, and hounds fighting a bear depicted on the other. A movable brass ring for the leash next to the hinge. The inside is lined w, Additional-Rights-Clearance-Info-Not-Available
Embroidered linen insert with lace embroidery in a pane between crosses, Natural embroidery embroidered linen insert - white work - with lace embroidery: carved work. The embroidery pattern consists of a diamond that is created between two crosses. Both the crosses and the diamond are made with decorative bands embroidered with geometric flowers, surrounded by countless very small recesses. The openwork center of the window consists of squares that have been cut out of the linen and the cutting edges are tied off with festoon stitches., anonymous, Italy (possibly), c. 1700 - c. 1899, linen (ma Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embroidered-linen-insert-with-lace-embroidery-in-a-pane-between-crosses-natural-embroidery-embroidered-linen-insert-white-work-with-lace-embroidery-carved-work-the-embroidery-pattern-consists-of-a-diamond-that-is-created-between-two-crosses-both-the-crosses-and-the-diamond-are-made-with-decorative-bands-embroidered-with-geometric-flowers-surrounded-by-countless-very-small-recesses-the-openwork-center-of-the-window-consists-of-squares-that-have-been-cut-out-of-the-linen-and-the-cutting-edges-are-tied-off-with-festoon-stitches-anonymous-italy-possibly-c-1700-c-1899-linen-ma-image349952897.html
RF2B99MDN–Embroidered linen insert with lace embroidery in a pane between crosses, Natural embroidery embroidered linen insert - white work - with lace embroidery: carved work. The embroidery pattern consists of a diamond that is created between two crosses. Both the crosses and the diamond are made with decorative bands embroidered with geometric flowers, surrounded by countless very small recesses. The openwork center of the window consists of squares that have been cut out of the linen and the cutting edges are tied off with festoon stitches., anonymous, Italy (possibly), c. 1700 - c. 1899, linen (ma
chest, Anonymous, 15th century, General: 19 x 24.3 x 15.6cm (190 x 243 x 156mm), Rectangular chest with semicircular, convex lid. The box stands on four small, equally protruding legs, openwork with 3-step. Five smooth bands over the lid, which are riveted to the box with diamond-shaped nails. The three elongated robberies are connected to the upper bands with hinges. The sides of the lid have three openwork edges. The side handles are curved in heart shape, 1951 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chest-anonymous-15th-century-general-19-x-243-x-156cm-190-x-243-x-156mm-rectangular-chest-with-semicircular-convex-lid-the-box-stands-on-four-small-equally-protruding-legs-openwork-with-3-step-five-smooth-bands-over-the-lid-which-are-riveted-to-the-box-with-diamond-shaped-nails-the-three-elongated-robberies-are-connected-to-the-upper-bands-with-hinges-the-sides-of-the-lid-have-three-openwork-edges-the-side-handles-are-curved-in-heart-shape-1951-image387989200.html
RM2DF6C54–chest, Anonymous, 15th century, General: 19 x 24.3 x 15.6cm (190 x 243 x 156mm), Rectangular chest with semicircular, convex lid. The box stands on four small, equally protruding legs, openwork with 3-step. Five smooth bands over the lid, which are riveted to the box with diamond-shaped nails. The three elongated robberies are connected to the upper bands with hinges. The sides of the lid have three openwork edges. The side handles are curved in heart shape, 1951
Elisaveta Petrovna Romanova (1709 - 1761), a hunting dog collar for the Imperial Court, Tula 1752 Heavy dog collar for hunting bear of brass covered with red velvet (worn). Hinged with a riveted iron latch with a pendant later lock. 'Tula 1752' is engraved on the inside of the hasp of the latch. The edges are reinforced with riveted brass bands. Finely engraved openwork mountings with the Tsarina's cipher 'EP' on one side, and hounds fighting a bear depicted on the other. A movable brass ring for the leash next to the hinge. The inside is lined w, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisaveta-petrovna-romanova-1709-1761-a-hunting-dog-collar-for-the-imperial-court-tula-1752-heavy-dog-collar-for-hunting-bear-of-brass-covered-with-red-velvet-worn-hinged-with-a-riveted-iron-latch-with-a-pendant-later-lock-tula-1752-is-engraved-on-the-inside-of-the-hasp-of-the-latch-the-edges-are-reinforced-with-riveted-brass-bands-finely-engraved-openwork-mountings-with-the-tsarinas-cipher-ep-on-one-side-and-hounds-fighting-a-bear-depicted-on-the-other-a-movable-brass-ring-for-the-leash-next-to-the-hinge-the-inside-is-lined-w-additional-rights-clearance-info-not-available-image243137993.html
RMT3FTYN–Elisaveta Petrovna Romanova (1709 - 1761), a hunting dog collar for the Imperial Court, Tula 1752 Heavy dog collar for hunting bear of brass covered with red velvet (worn). Hinged with a riveted iron latch with a pendant later lock. 'Tula 1752' is engraved on the inside of the hasp of the latch. The edges are reinforced with riveted brass bands. Finely engraved openwork mountings with the Tsarina's cipher 'EP' on one side, and hounds fighting a bear depicted on the other. A movable brass ring for the leash next to the hinge. The inside is lined w, Additional-Rights-Clearance-Info-Not-Available
Strip of bobbin lace with flying insects between flower sprays, Strip of natural-colored Brussels bobbin lace. The pattern consists of flying insects between flower sprays with different larger and smaller flowers. Along the underside, the pattern consists of a variety of curly leaves, fruits, rosette flowers and decorative bands that form asymmetrical cartouches. The motifs are connected to each other by a fine mesh soil, a drizzle soil. The full work is largely made of linen with openwork edges and recesses. Some (flower) leaves and insect wings are made in net stroke. Most motifs are provid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-flying-insects-between-flower-sprays-strip-of-natural-colored-brussels-bobbin-lace-the-pattern-consists-of-flying-insects-between-flower-sprays-with-different-larger-and-smaller-flowers-along-the-underside-the-pattern-consists-of-a-variety-of-curly-leaves-fruits-rosette-flowers-and-decorative-bands-that-form-asymmetrical-cartouches-the-motifs-are-connected-to-each-other-by-a-fine-mesh-soil-a-drizzle-soil-the-full-work-is-largely-made-of-linen-with-openwork-edges-and-recesses-some-flower-leaves-and-insect-wings-are-made-in-net-stroke-most-motifs-are-provid-image349970994.html
RF2B9AFG2–Strip of bobbin lace with flying insects between flower sprays, Strip of natural-colored Brussels bobbin lace. The pattern consists of flying insects between flower sprays with different larger and smaller flowers. Along the underside, the pattern consists of a variety of curly leaves, fruits, rosette flowers and decorative bands that form asymmetrical cartouches. The motifs are connected to each other by a fine mesh soil, a drizzle soil. The full work is largely made of linen with openwork edges and recesses. Some (flower) leaves and insect wings are made in net stroke. Most motifs are provid
chest, Anonymous, 15th century, General: 19 x 24.3 x 15.6cm (190 x 243 x 156mm), Rectangular chest with semicircular, convex lid. The box stands on four small, equally protruding legs, openwork with 3-step. Five smooth bands over the lid, which are riveted to the box with diamond-shaped nails. The three elongated robberies are connected to the upper bands with hinges. The sides of the lid have three openwork edges. The side handles are curved in heart shape, 1951 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chest-anonymous-15th-century-general-19-x-243-x-156cm-190-x-243-x-156mm-rectangular-chest-with-semicircular-convex-lid-the-box-stands-on-four-small-equally-protruding-legs-openwork-with-3-step-five-smooth-bands-over-the-lid-which-are-riveted-to-the-box-with-diamond-shaped-nails-the-three-elongated-robberies-are-connected-to-the-upper-bands-with-hinges-the-sides-of-the-lid-have-three-openwork-edges-the-side-handles-are-curved-in-heart-shape-1951-image387989173.html
RM2DF6C45–chest, Anonymous, 15th century, General: 19 x 24.3 x 15.6cm (190 x 243 x 156mm), Rectangular chest with semicircular, convex lid. The box stands on four small, equally protruding legs, openwork with 3-step. Five smooth bands over the lid, which are riveted to the box with diamond-shaped nails. The three elongated robberies are connected to the upper bands with hinges. The sides of the lid have three openwork edges. The side handles are curved in heart shape, 1951
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