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Oil painting victorian Stock Photos and Images
VICTORIAN INTERIOR I, by Horace Pippin, 1945, African-America painting, oil on canvas. In WW1, Pippin served in the 369th infantry, Harlem Hellfighters, when his right arm was serious wounded by a sniper. He could no longer work in manual labor, and became a successful painter (BSLOC 2017 16 5) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-victorian-interior-i-by-horace-pippin-1945-african-america-painting-170559717.htmlRMKWDJJD–VICTORIAN INTERIOR I, by Horace Pippin, 1945, African-America painting, oil on canvas. In WW1, Pippin served in the 369th infantry, Harlem Hellfighters, when his right arm was serious wounded by a sniper. He could no longer work in manual labor, and became a successful painter (BSLOC 2017 16 5)
'The Last Muster' 1875 oil painting by Sir Hubert von Herkomer 1849-1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-muster-1875-oil-painting-by-sir-hubert-von-herkomer-1849-1914-image239481220.htmlRFRWH8MM–'The Last Muster' 1875 oil painting by Sir Hubert von Herkomer 1849-1914
Portrait of the renowned Victorian art critic John Ruskin (1819-1900) by John Everett Millais (1829-1896), oil on canvas, 1854. Detail from a larger painting, M5HBPD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-the-renowned-victorian-art-critic-john-ruskin-1819-1900-175559396.htmlRMM5HBPC–Portrait of the renowned Victorian art critic John Ruskin (1819-1900) by John Everett Millais (1829-1896), oil on canvas, 1854. Detail from a larger painting, M5HBPD
Victorian London: Tottenham Court Road, London, late 19th Century oil on panel street scene painting by Paolo Sala, before 1899 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victorian-london-tottenham-court-road-london-late-19th-century-oil-on-panel-street-scene-painting-by-paolo-sala-before-1899-image462533284.htmlRM2HTE5WT–Victorian London: Tottenham Court Road, London, late 19th Century oil on panel street scene painting by Paolo Sala, before 1899
Gold framed Victorian beach scene in striking sunlight Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gold-framed-victorian-beach-scene-in-striking-sunlight-13944949.htmlRMAFGWDX–Gold framed Victorian beach scene in striking sunlight
Fruits Victorian oil painting still life of variety of lush luxury rare fruits including grapes pineapple pomegranates and apples Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fruits-victorian-oil-painting-still-life-of-variety-of-lush-luxury-image62800318.htmlRMDJ4PCE–Fruits Victorian oil painting still life of variety of lush luxury rare fruits including grapes pineapple pomegranates and apples
The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari. Painting by Jerry Barrett (1824-1906). Oil on canvas (147 x 218,2 cm), 1857. Detail. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mission-of-mercy-florence-nightingale-receiving-the-wounded-at-scutari-painting-by-jerry-barrett-1824-1906-oil-on-canvas-147-x-2182-cm-1857-detail-national-portrait-gallery-london-england-united-kingdom-image439959405.htmlRM2GFNTKW–The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari. Painting by Jerry Barrett (1824-1906). Oil on canvas (147 x 218,2 cm), 1857. Detail. National Portrait Gallery. London, England, United Kingdom.
still life oil painting victorian antique vintage china set porcelain americana old art lace Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-still-life-oil-painting-victorian-antique-vintage-china-set-porcelain-31237376.htmlRMBPPYGG–still life oil painting victorian antique vintage china set porcelain americana old art lace
Oil painting on panel of the 1841 fire in the Tower of London, from the south bank of the Thames, mid 19th century, Britain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-painting-on-panel-of-the-1841-fire-in-the-tower-of-london-from-the-south-bank-of-the-thames-mid-19th-century-britain-image588486822.htmlRM2W5BTXE–Oil painting on panel of the 1841 fire in the Tower of London, from the south bank of the Thames, mid 19th century, Britain
Lilium Auratum, 1871 By John Frederick Lewis, Girl, Victorian, Oil Painting, Flower, Orientalism Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lilium-auratum-1871-by-john-frederick-lewis-girl-victorian-oil-painting-flower-orientalism-image387022192.htmlRM2DDJAN4–Lilium Auratum, 1871 By John Frederick Lewis, Girl, Victorian, Oil Painting, Flower, Orientalism
Daily Life - A Family Group, 1864. Painting by James Hayllar Oil on canvas. James Hayllar 1829 - 1920 British artist.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daily-life-a-family-group-1864-painting-by-james-hayllar-oil-on-canvas-james-hayllar-1829-1920-british-artist-image268853041.htmlRMWHB8P9–Daily Life - A Family Group, 1864. Painting by James Hayllar Oil on canvas. James Hayllar 1829 - 1920 British artist..
VICTORIAN INTERIOR I, by Horace Pippin, 1945, African-America painting, oil on canvas. In WW1, Pippin served in the 369th infantry, Harlem Hellfighters, when his right arm was serious wounded by a sniper. He could no longer work in manual labor, and became a successful painter (BSLOC 2017 16 5) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-victorian-interior-i-by-horace-pippin-1945-african-america-painting-170561029.htmlRMKWDM99–VICTORIAN INTERIOR I, by Horace Pippin, 1945, African-America painting, oil on canvas. In WW1, Pippin served in the 369th infantry, Harlem Hellfighters, when his right arm was serious wounded by a sniper. He could no longer work in manual labor, and became a successful painter (BSLOC 2017 16 5)
Victorian chivalry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-victorian-chivalry-132451223.htmlRMHKDJTR–Victorian chivalry
A thief has walked off with a 500,000 painting from the back of a delivery van. Scotland Yard does not know if the taking of the 27' x 24' oil painting by Victorian artist Sir Edward Burne-Jones was an opportunist crime or if it was a pre-planned theft to order, they said the painting, Two Girls with a Viol and Music, had been taken from Heathrow by shipping agents and was stolen from their van in Old Brompton Road as another item was being dropped off on Tuesday. See PA Story POLICE Painting. PA Photos. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-thief-has-walked-off-with-a-500000-painting-from-the-back-of-a-delivery-105838299.htmlRMG459R7–A thief has walked off with a 500,000 painting from the back of a delivery van. Scotland Yard does not know if the taking of the 27' x 24' oil painting by Victorian artist Sir Edward Burne-Jones was an opportunist crime or if it was a pre-planned theft to order, they said the painting, Two Girls with a Viol and Music, had been taken from Heathrow by shipping agents and was stolen from their van in Old Brompton Road as another item was being dropped off on Tuesday. See PA Story POLICE Painting. PA Photos.
George Frederic Watts English school Hope 1886 Oil on canvas (142.2 x 111.8 cm) London, Tate Britain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-frederic-watts-english-school-hope-1886-oil-on-canvas-1422-x-1118-cm-london-tate-britain-image483535059.htmlRM2K2JWW7–George Frederic Watts English school Hope 1886 Oil on canvas (142.2 x 111.8 cm) London, Tate Britain
Portrait of Lieutenant Colonel James C Hyde by Emma Brownlow. Emma Brownlow (1832-1905) a Victorian era artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-lieutenant-colonel-james-c-hyde-by-emma-brownlow-emma-brownlow-1832-1905-a-victorian-era-artist-image328352715.htmlRM2A25N6K–Portrait of Lieutenant Colonel James C Hyde by Emma Brownlow. Emma Brownlow (1832-1905) a Victorian era artist.
John Atkinson Grimshaw artwork entitled Reflections on the Thames, Westminster. Iconic painting of the River Thames with the Houses of Parliament. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-atkinson-grimshaw-artwork-entitled-reflections-on-the-thames-westminster-iconic-painting-of-the-river-thames-with-the-houses-of-parliament-image433892414.htmlRF2G5WE5J–John Atkinson Grimshaw artwork entitled Reflections on the Thames, Westminster. Iconic painting of the River Thames with the Houses of Parliament.
AJAXNETPHOTO. 2012. SOUTHAMPTON, ENGLAND. - HENRIE PITCHER ART - SEASCAPE MARINE OIL ON CANVAS DEPICTING SMALL GAFF RIGGED CUTTER REACHING UNDER FULL SAIL IN ROUGH SEA OFF THE COAST WITH GULLS AND ANOTHER VESSEL DISTANT. SIGNED BY THE ARTIST AND DATED '13. EARLY 20TH CENTURY BRITISH SCHOOL. ACTIVE 1880-1904. SOURCE:PRIVATE COLLECTION. PHOTO:JONATHAN EASTLAND/AJAX REF:GR71320 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ajaxnetphoto-2012-southampton-england-henrie-pitcher-art-seascape-marine-oil-on-canvas-depicting-small-gaff-rigged-cutter-reaching-under-full-sail-in-rough-sea-off-the-coast-with-gulls-and-another-vessel-distant-signed-by-the-artist-and-dated-13-early-20th-century-british-school-active-1880-1904-sourceprivate-collection-photojonathan-eastlandajax-refgr71320-image234563212.htmlRMRHH7NG–AJAXNETPHOTO. 2012. SOUTHAMPTON, ENGLAND. - HENRIE PITCHER ART - SEASCAPE MARINE OIL ON CANVAS DEPICTING SMALL GAFF RIGGED CUTTER REACHING UNDER FULL SAIL IN ROUGH SEA OFF THE COAST WITH GULLS AND ANOTHER VESSEL DISTANT. SIGNED BY THE ARTIST AND DATED '13. EARLY 20TH CENTURY BRITISH SCHOOL. ACTIVE 1880-1904. SOURCE:PRIVATE COLLECTION. PHOTO:JONATHAN EASTLAND/AJAX REF:GR71320
Oil paints and panama hat on old garden chair Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oil-paints-and-panama-hat-on-old-garden-chair-15844049.htmlRMAPPNGJ–Oil paints and panama hat on old garden chair
Mr Pawlett with his Leicester Sheep, 19th century. Winners at the first Royal Show, 1839. The Royal Show was an annual agricultural show held by the Royal Agricultural Society of England every year from 1839 to 2009. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mr-pawlett-with-his-leicester-sheep-19th-century-winners-at-the-first-royal-show-1839-the-royal-show-was-an-annual-agricultural-show-held-by-the-royal-agricultural-society-of-england-every-year-from-1839-to-2009-image349588526.htmlRM2B8N3ME–Mr Pawlett with his Leicester Sheep, 19th century. Winners at the first Royal Show, 1839. The Royal Show was an annual agricultural show held by the Royal Agricultural Society of England every year from 1839 to 2009.
Spring Flowers, 1851. Creator: George Smith (1829-1901). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spring-flowers-1851-creator-george-smith-1829-1901-image228931003.htmlRMR8CKR7–Spring Flowers, 1851. Creator: George Smith (1829-1901).
The Victorian Chair by the American impressionist artist, Childe Hassam (1859-1935), oil on wood, 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-victorian-chair-by-the-american-impressionist-artist-childe-hassam-1859-1935-oil-on-wood-1906-image462745667.htmlRM2HTRTPY–The Victorian Chair by the American impressionist artist, Childe Hassam (1859-1935), oil on wood, 1906
Childe Hassam, painting, The Victorian Chair, 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/childe-hassam-painting-the-victorian-chair-1906-image364533678.htmlRM2C51XBX–Childe Hassam, painting, The Victorian Chair, 1906
Émile Zola (1840-1902) French author and journalist. Oil painting by Édouard Manet (1832-1883) painted in 1868. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mile-zola-1840-1902-french-author-and-journalist-oil-painting-by-douard-manet-1832-1883-painted-in-1868-image335494348.htmlRM2ADR2D0–Émile Zola (1840-1902) French author and journalist. Oil painting by Édouard Manet (1832-1883) painted in 1868.
The Victorian Chair. Date/Period: 1906. Painting. Oil on wood Oil on wood. Height: 762 mm (30 in); Width: 635 mm (25 in). Author: Childe Hassam. Hassam, Childe. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-victorian-chair-dateperiod-1906-painting-oil-on-wood-oil-on-wood-height-762-mm-30-in-width-635-mm-25-in-author-childe-hassam-hassam-childe-image219725016.htmlRMPND9E0–The Victorian Chair. Date/Period: 1906. Painting. Oil on wood Oil on wood. Height: 762 mm (30 in); Width: 635 mm (25 in). Author: Childe Hassam. Hassam, Childe.
The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari. Painting by Jerry Barrett (1824-1906). Oil on canvas (147 x 218,2 cm), 1857. Detail. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mission-of-mercy-florence-nightingale-receiving-the-wounded-at-scutari-painting-by-jerry-barrett-1824-1906-oil-on-canvas-147-x-2182-cm-1857-detail-national-portrait-gallery-london-england-united-kingdom-image439959408.htmlRM2GFNTM0–The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari. Painting by Jerry Barrett (1824-1906). Oil on canvas (147 x 218,2 cm), 1857. Detail. National Portrait Gallery. London, England, United Kingdom.
Inspired by Égalité, Henry Bacon, American, 1839-1912, Oil on canvas, 1889, 33 1/4 x 46 in., 84.5 x 116.8 cm, 1889, carriage, cityscape, double-decker, Equality, hats, horse-drawn carriage, horses, ndd, painting, Pantheon, Victorian, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-galit-henry-bacon-american-1839-1912-oil-on-canvas-1889-33-14-x-46-in-845-x-1168-cm-1889-carriage-cityscape-double-decker-equality-hats-horse-drawn-carriage-horses-ndd-painting-pantheon-victorian-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459251295.htmlRF2HK4KKY–Inspired by Égalité, Henry Bacon, American, 1839-1912, Oil on canvas, 1889, 33 1/4 x 46 in., 84.5 x 116.8 cm, 1889, carriage, cityscape, double-decker, Equality, hats, horse-drawn carriage, horses, ndd, painting, Pantheon, Victorian, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Vintage page of Victorian newspaper adverts, Sweet Lavender, Cod liver oil, Soap, Hair Curlers, 1891 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-page-of-victorian-newspaper-adverts-sweet-lavender-cod-liver-oil-soap-hair-curlers-1891-19th-century-image563949636.htmlRM2RNE3EC–Vintage page of Victorian newspaper adverts, Sweet Lavender, Cod liver oil, Soap, Hair Curlers, 1891 19th Century
To Brighton and Back for Three and Sixpence, 1859 By Charles Rossiter, Victorian, Oil Painting, Genre painting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/to-brighton-and-back-for-three-and-sixpence-1859-by-charles-rossiter-victorian-oil-painting-genre-painting-image387023387.htmlRM2DDJC7R–To Brighton and Back for Three and Sixpence, 1859 By Charles Rossiter, Victorian, Oil Painting, Genre painting
Showing a Preference, . Painting by John Callcott Horsley RA signed 1860. Oil on canvas. A young naval officer escorts two young ladies through a cornfield. He favours the one on the right and neglects the other. A Victorian genre painting.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/showing-a-preference-painting-by-john-callcott-horsley-ra-signed-1860-oil-on-canvas-a-young-naval-officer-escorts-two-young-ladies-through-a-cornfield-he-favours-the-one-on-the-right-and-neglects-the-other-a-victorian-genre-painting-image268853036.htmlRMWHB8P4–Showing a Preference, . Painting by John Callcott Horsley RA signed 1860. Oil on canvas. A young naval officer escorts two young ladies through a cornfield. He favours the one on the right and neglects the other. A Victorian genre painting..
Oil painting of a red-haired girl in Victorian costume, with rural Irish background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-painting-of-a-red-haired-girl-in-victorian-costume-with-rural-irish-background-image569599592.htmlRM2T2KE2G–Oil painting of a red-haired girl in Victorian costume, with rural Irish background.
2 Cape Towns Victorian Station 1892 Cape Archives Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-2-cape-towns-victorian-station-1892-cape-archives-132432829.htmlRMHKCRBW–2 Cape Towns Victorian Station 1892 Cape Archives
A 1902 advertisement promoting “Winsor & Newton’s ‘Stiff’ Oil Colours” paint “A Selected Palette of 23 Stiffly-Ground Colours”. The company’s office was based in Rathbone Place, London, W. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-1902-advertisement-promoting-winsor-newtons-stiff-oil-colours-paint-a-selected-palette-of-23-stiffly-ground-colours-the-companys-office-was-based-in-rathbone-place-london-w-image449266081.htmlRM2H2WRD5–A 1902 advertisement promoting “Winsor & Newton’s ‘Stiff’ Oil Colours” paint “A Selected Palette of 23 Stiffly-Ground Colours”. The company’s office was based in Rathbone Place, London, W.
SECOND CLASS-THE PARTING oil painting about 1855 by Solomon Abraham Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-second-class-the-parting-oil-painting-about-1855-by-solomon-abraham-56599442.htmlRMD8294J–SECOND CLASS-THE PARTING oil painting about 1855 by Solomon Abraham
Painting of William Wordsworth at Wordsworth House Cockermouth Cumbria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-of-william-wordsworth-at-wordsworth-house-cockermouth-cumbria-image1240962.htmlRMAJEF83–Painting of William Wordsworth at Wordsworth House Cockermouth Cumbria
Oil on canvas portrait of Napoleon Bonaparte on the gangway of the HMS Bellerophon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-on-canvas-portrait-of-napoleon-bonaparte-on-the-gangway-of-the-hms-bellerophon-image353340212.htmlRF2BET118–Oil on canvas portrait of Napoleon Bonaparte on the gangway of the HMS Bellerophon.
AJAXNETPHOTO. 2019. ENGLAND. - ARTHUR PERCIVAL ART - VIEW OF SHOREHAM HARBOUR AT SOUTHWICK PAINTED BY ARTHUR PERCIVAL. ENGLISH SCHOOL. SIGNED AND DATED INDISTINCTLY BY THE ARTIST. PAINTING DEPICTS KINGSTON BUCI LIGHTHOUSE WHICH WAS BUILT IN 1842 MODIFIED IN 1880. PAINTING DATES FROM 18(XX?) POSSIBLY 1859 BUT INDISTINCT. MID 19TH CENTURY. PHOTO:© IN THIS DIGITAL COPY OF THE ORIGINAL WORK/AJAX NEWS & FEATURE SERVICE. SOURCE: PRIVATE COLLECTION. REF:GX191702 987 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ajaxnetphoto-2019-england-arthur-percival-art-view-of-shoreham-harbour-at-southwick-painted-by-arthur-percival-english-school-signed-and-dated-indistinctly-by-the-artist-painting-depicts-kingston-buci-lighthouse-which-was-built-in-1842-modified-in-1880-painting-dates-from-18xx-possibly-1859-but-indistinct-mid-19th-century-photo-in-this-digital-copy-of-the-original-workajax-news-feature-service-source-private-collection-refgx191702-987-image237115784.htmlRMRNNFGT–AJAXNETPHOTO. 2019. ENGLAND. - ARTHUR PERCIVAL ART - VIEW OF SHOREHAM HARBOUR AT SOUTHWICK PAINTED BY ARTHUR PERCIVAL. ENGLISH SCHOOL. SIGNED AND DATED INDISTINCTLY BY THE ARTIST. PAINTING DEPICTS KINGSTON BUCI LIGHTHOUSE WHICH WAS BUILT IN 1842 MODIFIED IN 1880. PAINTING DATES FROM 18(XX?) POSSIBLY 1859 BUT INDISTINCT. MID 19TH CENTURY. PHOTO:© IN THIS DIGITAL COPY OF THE ORIGINAL WORK/AJAX NEWS & FEATURE SERVICE. SOURCE: PRIVATE COLLECTION. REF:GX191702 987
Gilt framed oil paintings above fireplace in dining room of Grade I listed, Victorian Gothic Carlton Towers, East Riding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gilt-framed-oil-paintings-above-fireplace-in-dining-room-of-grade-110853796.htmlRMGC9R44–Gilt framed oil paintings above fireplace in dining room of Grade I listed, Victorian Gothic Carlton Towers, East Riding
Windsor Castle, c19th century. Windsor Castle is a royal residence in Windsor, Berkshire, England. The original castle was built in the 11th century, after the Norman invasion of England by William the Conqueror. Since the time of Henry I, it has been used by the reigning monarch and is the longest occupied palace in Europe. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/windsor-castle-c19th-century-windsor-castle-is-a-royal-residence-in-windsor-berkshire-england-the-original-castle-was-built-in-the-11th-century-after-the-norman-invasion-of-england-by-william-the-conqueror-since-the-time-of-henry-i-it-has-been-used-by-the-reigning-monarch-and-is-the-longest-occupied-palace-in-europe-image568855829.htmlRM2T1DHBH–Windsor Castle, c19th century. Windsor Castle is a royal residence in Windsor, Berkshire, England. The original castle was built in the 11th century, after the Norman invasion of England by William the Conqueror. Since the time of Henry I, it has been used by the reigning monarch and is the longest occupied palace in Europe.
Abstract Colorful Painting Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abstract-colorful-painting-art-43604138.htmlRMCEX9EJ–Abstract Colorful Painting Art
Victorian Bouquet by Severin Roesen (c. 1815 - c. 1872), oil on canvas, c. 1850-55 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victorian-bouquet-by-severin-roesen-c-1815-c-1872-oil-on-canvas-c-1850-55-image454192164.htmlRM2HAX6MM–Victorian Bouquet by Severin Roesen (c. 1815 - c. 1872), oil on canvas, c. 1850-55
Victorian London: Parliament Street, London, late 19th Century oil on panel street scene painting by Paolo Sala, before 1899 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victorian-london-parliament-street-london-late-19th-century-oil-on-panel-street-scene-painting-by-paolo-sala-before-1899-image462533315.htmlRM2HTE5XY–Victorian London: Parliament Street, London, late 19th Century oil on panel street scene painting by Paolo Sala, before 1899
Sir Arthur Conan Doyle (1859-1930) British writer and creator of fictional detective Sherlock Holmes. Detail from an oil painting by Sidney Paget (1860-1908) who illustrated the Sherlock Holmes stories when first serialised in The Strand Magazine. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-arthur-conan-doyle-1859-1930-british-writer-and-creator-of-fictional-detective-sherlock-holmes-detail-from-an-oil-painting-by-sidney-paget-1860-1908-who-illustrated-the-sherlock-holmes-stories-when-first-serialised-in-the-strand-magazine-image327948367.htmlRM2A1F9DK–Sir Arthur Conan Doyle (1859-1930) British writer and creator of fictional detective Sherlock Holmes. Detail from an oil painting by Sidney Paget (1860-1908) who illustrated the Sherlock Holmes stories when first serialised in The Strand Magazine.
Victorian Bouquet. Date/Period: Ca. 1850-1855. Painting. Oil on canvas. Height: 917.70 mm (36.13 in); Width: 736.60 mm (29 in). Author: Severin Roesen. Roesen, Severin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victorian-bouquet-dateperiod-ca-1850-1855-painting-oil-on-canvas-height-91770-mm-3613-in-width-73660-mm-29-in-author-severin-roesen-roesen-severin-image219729534.htmlRMPNDF7A–Victorian Bouquet. Date/Period: Ca. 1850-1855. Painting. Oil on canvas. Height: 917.70 mm (36.13 in); Width: 736.60 mm (29 in). Author: Severin Roesen. Roesen, Severin.
Daniel Maclise (1806-1870). Irish painter. Portrait by Edward Matthew Ward (1816-1879). Oil on panel (45,7 x 35,2 cm), 1846. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daniel-maclise-1806-1870-irish-painter-portrait-by-edward-matthew-ward-1816-1879-oil-on-panel-457-x-352-cm-1846-national-portrait-gallery-london-england-united-kingdom-image440315585.htmlRM2GGA30H–Daniel Maclise (1806-1870). Irish painter. Portrait by Edward Matthew Ward (1816-1879). Oil on panel (45,7 x 35,2 cm), 1846. National Portrait Gallery. London, England, United Kingdom.
Art inspired by Égalité, Henry Bacon, American, 1839-1912, Oil on canvas, 1889, 33 1/4 x 46 in., 84.5 x 116.8 cm, 1889, carriage, cityscape, double-decker, Equality, hats, horse-drawn carriage, horses, ndd, painting, Pantheon, Victorian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-galit-henry-bacon-american-1839-1912-oil-on-canvas-1889-33-14-x-46-in-845-x-1168-cm-1889-carriage-cityscape-double-decker-equality-hats-horse-drawn-carriage-horses-ndd-painting-pantheon-victorian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567278.htmlRF2HKK2N2–Art inspired by Égalité, Henry Bacon, American, 1839-1912, Oil on canvas, 1889, 33 1/4 x 46 in., 84.5 x 116.8 cm, 1889, carriage, cityscape, double-decker, Equality, hats, horse-drawn carriage, horses, ndd, painting, Pantheon, Victorian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of S.J. Whawell in Landsknecht armour by Seymour Lucas. British, 1871-1899, late 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-sj-whawell-in-landsknecht-armour-by-seymour-lucas-british-1871-1899-late-19th-century-image594200922.htmlRM2WEM59E–Portrait of S.J. Whawell in Landsknecht armour by Seymour Lucas. British, 1871-1899, late 19th century
Garden Flowers (Making a Posy), 1855-1856 By William Powell Frith, Costume, Hat, Bonnet, Victorian, Oil Painting, Women, Flower, Portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/garden-flowers-making-a-posy-1855-1856-by-william-powell-frith-costume-hat-bonnet-victorian-oil-painting-women-flower-portrait-image387017852.htmlRM2DDJ564–Garden Flowers (Making a Posy), 1855-1856 By William Powell Frith, Costume, Hat, Bonnet, Victorian, Oil Painting, Women, Flower, Portrait
OIl painting Found Set of two by John Sanderson Wells. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-painting-found-set-of-two-by-john-sanderson-wells-image268855488.htmlRMWHBBWM–OIl painting Found Set of two by John Sanderson Wells.
Crimean War. The Relief of the Light Brigade by Richard Caton Woodville, Jr., oil on canvas, 1896. The painting depicts the Charge of the Light Brigade during the Battle of Balaclava on 25 October 1854 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crimean-war-the-relief-of-the-light-brigade-by-richard-caton-woodville-jr-oil-on-canvas-1896-the-painting-depicts-the-charge-of-the-light-brigade-during-the-battle-of-balaclava-on-25-october-1854-image451469671.htmlRF2H6E64R–Crimean War. The Relief of the Light Brigade by Richard Caton Woodville, Jr., oil on canvas, 1896. The painting depicts the Charge of the Light Brigade during the Battle of Balaclava on 25 October 1854
Blamire Young VIIth Australian Light Horse Victorian Mounted Rifles Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blamire-young-viith-australian-light-horse-victorian-mounted-rifles-132411011.htmlRMHKBRGK–Blamire Young VIIth Australian Light Horse Victorian Mounted Rifles
Paul César Helleu French school Female 1902 Oil on canvas Private collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-csar-helleu-french-school-female-1902-oil-on-canvas-private-collection-image483534838.htmlRM2K2JWHA–Paul César Helleu French school Female 1902 Oil on canvas Private collection
Digital painting of an old nineteenth century Staffordshire Rural Sanitary Authority stone public drinking well in the Staffordshire Moorlands. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digital-painting-of-an-old-nineteenth-century-staffordshire-rural-sanitary-authority-stone-public-drinking-well-in-the-staffordshire-moorlands-image544288121.htmlRF2PHED1D–Digital painting of an old nineteenth century Staffordshire Rural Sanitary Authority stone public drinking well in the Staffordshire Moorlands.
A composition of some Victorian drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-composition-of-some-victorian-drawings-image471209480.htmlRF2JAHCE0–A composition of some Victorian drawings
Interior of a Victorian Mansion Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-interior-of-a-victorian-mansion-41660885.htmlRMCBNPTN–Interior of a Victorian Mansion
AJAXNETPHOTO. CIRCA 1910. HASTINGS, ENGLAND. - J. WILLIAMSON ART - VIEW OF HASTINGS FORESHORE EARLY MORNING PAINTED BY J. WILLIAMSON. ENGLISH SCHOOL. OIL ON CANVAS. INSCRIBED VERSO. EARLY 20TH CENTURY. PHOTO:JONATHAN EASTLAND/AJAX REF:GX8 191003 35 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ajaxnetphoto-circa-1910-hastings-england-j-williamson-art-view-of-hastings-foreshore-early-morning-painted-by-j-williamson-english-school-oil-on-canvas-inscribed-verso-early-20th-century-photojonathan-eastlandajax-refgx8-191003-35-image482807279.htmlRM2K1DNH3–AJAXNETPHOTO. CIRCA 1910. HASTINGS, ENGLAND. - J. WILLIAMSON ART - VIEW OF HASTINGS FORESHORE EARLY MORNING PAINTED BY J. WILLIAMSON. ENGLISH SCHOOL. OIL ON CANVAS. INSCRIBED VERSO. EARLY 20TH CENTURY. PHOTO:JONATHAN EASTLAND/AJAX REF:GX8 191003 35
London, UK. 2 November 2023. Contemporary artist Florence Houston with her works 'Oranges In Plastic', 'Drowned In Oil' and 'Cosmos' at a photocall for Juicy!, her inaugural solo exhibition which features paintings around the theme of Victorian jellies. The exhibition runs at J/M Gallery, Portobello Road to 7 November. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-2-november-2023-contemporary-artist-florence-houston-with-her-works-oranges-in-plastic-drowned-in-oil-and-cosmos-at-a-photocall-for-juicy!-her-inaugural-solo-exhibition-which-features-paintings-around-the-theme-of-victorian-jellies-the-exhibition-runs-at-jm-gallery-portobello-road-to-7-november-credit-stephen-chung-alamy-live-news-image571005264.htmlRM2T4YF14–London, UK. 2 November 2023. Contemporary artist Florence Houston with her works 'Oranges In Plastic', 'Drowned In Oil' and 'Cosmos' at a photocall for Juicy!, her inaugural solo exhibition which features paintings around the theme of Victorian jellies. The exhibition runs at J/M Gallery, Portobello Road to 7 November. Credit: Stephen Chung / Alamy Live News
One of the Family, 1880. By Frederick George Cotman (1850-1920). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-family-1880-by-frederick-george-cotman-1850-1920-image245208462.htmlRMT6X5W2–One of the Family, 1880. By Frederick George Cotman (1850-1920).
Yellow Autumn Painting Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-yellow-autumn-painting-art-43604304.htmlRMCEX9MG–Yellow Autumn Painting Art
Painting entitled 'Reflections on the Thames, Westminster' by John Atkinson Grimshaw (1836-1893), oil on canvas, 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-entitled-reflections-on-the-thames-westminster-by-john-atkinson-grimshaw-1836-1893-oil-on-canvas-1880-image603275984.htmlRM2X1DGJT–Painting entitled 'Reflections on the Thames, Westminster' by John Atkinson Grimshaw (1836-1893), oil on canvas, 1880
Frederic Leighton, 1st Baron Leighton (1830-1896), Self Portrait painting of the British Victorian painter, draughtsman, and sculptor, oil on canvas, 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frederic-leighton-1st-baron-leighton-1830-1896-self-portrait-painting-of-the-british-victorian-painter-draughtsman-and-sculptor-oil-on-canvas-1880-image567128754.htmlRM2RXJXEA–Frederic Leighton, 1st Baron Leighton (1830-1896), Self Portrait painting of the British Victorian painter, draughtsman, and sculptor, oil on canvas, 1880
Sir Arthur Conan Doyle (1859-1930) British writer and creator of fictional detective Sherlock Holmes. Photograph of oil painting by Sidney Paget (1860-1908) who illustrated the Sherlock Holmes stories when first serialised in The Strand Magazine. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-arthur-conan-doyle-1859-1930-british-writer-and-creator-of-fictional-detective-sherlock-holmes-photograph-of-oil-painting-by-sidney-paget-1860-1908-who-illustrated-the-sherlock-holmes-stories-when-first-serialised-in-the-strand-magazine-image327948514.htmlRM2A1F9JX–Sir Arthur Conan Doyle (1859-1930) British writer and creator of fictional detective Sherlock Holmes. Photograph of oil painting by Sidney Paget (1860-1908) who illustrated the Sherlock Holmes stories when first serialised in The Strand Magazine.
Emma Brownlow (1832-1905), 'The Sick Room', 1864; Oil on canvas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emma-brownlow-1832-1905-the-sick-room-1864-oil-on-canvas-image328361700.htmlRM2A264KG–Emma Brownlow (1832-1905), 'The Sick Room', 1864; Oil on canvas.
George Frederic Watts (1817-1904). English painter and sculptor. Self-portrait. Oil on panel (61 x 50,2 cm), ca.1860. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-frederic-watts-1817-1904-english-painter-and-sculptor-self-portrait-oil-on-panel-61-x-502-cm-ca1860-national-portrait-gallery-london-england-united-kingdom-image440315583.htmlRM2GGA30F–George Frederic Watts (1817-1904). English painter and sculptor. Self-portrait. Oil on panel (61 x 50,2 cm), ca.1860. National Portrait Gallery. London, England, United Kingdom.
Inspired by John Caflin Southwick, Jr., George Augustus Baker Jr., American, 1821-1880, Oil on canvas, 1870, 21 x 17in., 53.3 x 43.2cm, 1870, 19th Century, American, Boy, Child, George Augustus Baker Jr., John Caflin Southwick, Jr, little boy, Oil, Oval, Painting, Portrait, somber, victorian, ÿoung, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-john-caflin-southwick-jr-george-augustus-baker-jr-american-1821-1880-oil-on-canvas-1870-21-x-17in-533-x-432cm-1870-19th-century-american-boy-child-george-augustus-baker-jr-john-caflin-southwick-jr-little-boy-oil-oval-painting-portrait-somber-victorian-oung-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248692.htmlRF2HK4GB0–Inspired by John Caflin Southwick, Jr., George Augustus Baker Jr., American, 1821-1880, Oil on canvas, 1870, 21 x 17in., 53.3 x 43.2cm, 1870, 19th Century, American, Boy, Child, George Augustus Baker Jr., John Caflin Southwick, Jr, little boy, Oil, Oval, Painting, Portrait, somber, victorian, ÿoung, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A taxidermy display case hangs on wall above a Victorian estate desk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-taxidermy-display-case-hangs-on-wall-above-a-victorian-estate-desk-71578230.htmlRME4CJNA–A taxidermy display case hangs on wall above a Victorian estate desk
Grace Rose, Frederick Sandys, 1829–1904, British, 1866, Oil on panel, Support (PTG): 22 x 17 7/8 inches (55.9 x 45.4 cm), botany, bracelet, coat of arms, collar, costume, crest, decorative, earrings, figures, flowers (plants), Japanese, jewels, leaves, necklace, painting (visual work), pearls, portrait, ring, roses (plant), science, smooth, vase, Victorian, woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grace-rose-frederick-sandys-18291904-british-1866-oil-on-panel-support-ptg-22-x-17-78-inches-559-x-454-cm-botany-bracelet-coat-of-arms-collar-costume-crest-decorative-earrings-figures-flowers-plants-japanese-jewels-leaves-necklace-painting-visual-work-pearls-portrait-ring-roses-plant-science-smooth-vase-victorian-woman-image389620666.htmlRM2DHTN3P–Grace Rose, Frederick Sandys, 1829–1904, British, 1866, Oil on panel, Support (PTG): 22 x 17 7/8 inches (55.9 x 45.4 cm), botany, bracelet, coat of arms, collar, costume, crest, decorative, earrings, figures, flowers (plants), Japanese, jewels, leaves, necklace, painting (visual work), pearls, portrait, ring, roses (plant), science, smooth, vase, Victorian, woman
OIl painting A Bad Finish Set of two by John Sanderson Wells. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-painting-a-bad-finish-set-of-two-by-john-sanderson-wells-image268855646.htmlRMWHBC3A–OIl painting A Bad Finish Set of two by John Sanderson Wells.
Mrs John Thomas. Date/Period: 1858. Painting,oil on canvas. Height: 916 mm (36.06 in); Width: 712 mm (28.03 in). Author: RICHARD NOBLE. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-john-thomas-dateperiod-1858-paintingoil-on-canvas-height-916-mm-3606-in-width-712-mm-2803-in-author-richard-noble-image219724030.htmlRMPND86P–Mrs John Thomas. Date/Period: 1858. Painting,oil on canvas. Height: 916 mm (36.06 in); Width: 712 mm (28.03 in). Author: RICHARD NOBLE.
Cope, Charles West - News from Sebastapol - 1875 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cope-charles-west-news-from-sebastapol-1875-132672969.htmlRMHKRNM9–Cope, Charles West - News from Sebastapol - 1875
Landscape with rainbow, oil painting by William Glackens ca 1859 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-rainbow-oil-painting-by-william-glackens-ca-1859-image562714229.htmlRM2RKDRMN–Landscape with rainbow, oil painting by William Glackens ca 1859
Painting entitled FAIR SHARES by J Emile Saintin at Hinton Ampner Hampshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-entitled-fair-shares-by-j-emile-saintin-at-hinton-ampner-image1240958.htmlRMAJEF7F–Painting entitled FAIR SHARES by J Emile Saintin at Hinton Ampner Hampshire
A composition of some Victorian drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-composition-of-some-victorian-drawings-image471209475.htmlRF2JAHCDR–A composition of some Victorian drawings
Old Lady in Victorian Parlor Sitting in front of Roaring Fire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-lady-in-victorian-parlor-sitting-in-front-of-roaring-fire-48778169.htmlRMCRA11D–Old Lady in Victorian Parlor Sitting in front of Roaring Fire
AJAXNETPHOTO. 2019. ENGLAND. - ARTHUR PERCIVAL ART - VIEW OF ROTTINGDEAN PAINTED BY ARTHUR PERCIVAL. 19TH CENTURY ENGLISH SCHOOL. SIGNED AND DATED INDISTINCTLY BY THE ARTIST AND INSCRIBED VERSO 'ROTTINGDEAN NR BRIGHTON FROM THE SHORE, SUSSEX, PAINTED FROM NATURE BY - A.P. 18(XX?).' POSSIBLY 1859 BUT INDISTINCT. MID 19TH CENTURY. PHOTO:© IN THIS DIGITAL COPY OF THE ORIGINAL WORK/AJAX NEWS & FEATURE SERVICE. SOURCE: PRIVATE COLLECTION. REF:GX191702 986 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ajaxnetphoto-2019-england-arthur-percival-art-view-of-rottingdean-painted-by-arthur-percival-19th-century-english-school-signed-and-dated-indistinctly-by-the-artist-and-inscribed-verso-rottingdean-nr-brighton-from-the-shore-sussex-painted-from-nature-by-ap-18xx-possibly-1859-but-indistinct-mid-19th-century-photo-in-this-digital-copy-of-the-original-workajax-news-feature-service-source-private-collection-refgx191702-986-image237115742.htmlRMRNNFFA–AJAXNETPHOTO. 2019. ENGLAND. - ARTHUR PERCIVAL ART - VIEW OF ROTTINGDEAN PAINTED BY ARTHUR PERCIVAL. 19TH CENTURY ENGLISH SCHOOL. SIGNED AND DATED INDISTINCTLY BY THE ARTIST AND INSCRIBED VERSO 'ROTTINGDEAN NR BRIGHTON FROM THE SHORE, SUSSEX, PAINTED FROM NATURE BY - A.P. 18(XX?).' POSSIBLY 1859 BUT INDISTINCT. MID 19TH CENTURY. PHOTO:© IN THIS DIGITAL COPY OF THE ORIGINAL WORK/AJAX NEWS & FEATURE SERVICE. SOURCE: PRIVATE COLLECTION. REF:GX191702 986
London, UK. 2 November 2023. Contemporary artist Florence Houston with her works 'Oranges In Plastic', 'Drowned In Oil' and 'Cosmos' at a photocall for Juicy!, her inaugural solo exhibition which features paintings around the theme of Victorian jellies. The exhibition runs at J/M Gallery, Portobello Road to 7 November. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-2-november-2023-contemporary-artist-florence-houston-with-her-works-oranges-in-plastic-drowned-in-oil-and-cosmos-at-a-photocall-for-juicy!-her-inaugural-solo-exhibition-which-features-paintings-around-the-theme-of-victorian-jellies-the-exhibition-runs-at-jm-gallery-portobello-road-to-7-november-credit-stephen-chung-alamy-live-news-image571005278.htmlRM2T4YF1J–London, UK. 2 November 2023. Contemporary artist Florence Houston with her works 'Oranges In Plastic', 'Drowned In Oil' and 'Cosmos' at a photocall for Juicy!, her inaugural solo exhibition which features paintings around the theme of Victorian jellies. The exhibition runs at J/M Gallery, Portobello Road to 7 November. Credit: Stephen Chung / Alamy Live News
Dante and Beatrice, 1883. By Henry Holiday (1839-1927). The painting is based on Dante's autobiographical work La Vita Nuova which describes his love for Beatrice Portinari (1265-1290). Dante Alighieri (c1265-1321) concealed his love by pretending to be attracted to other women. The painting depicts an incident when Beatrice, having heard rumours relating to Dante's infatuation with her, refuses to speak to him. The painting shows Beatrice (wearing white), her friend Mona Vanna followed by Beatrice's maidservant walking past Dante on the Santa Trinita Bridge in Florence, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dante-and-beatrice-1883-by-henry-holiday-1839-1927-the-painting-is-based-on-dantes-autobiographical-work-la-vita-nuova-which-describes-his-love-for-beatrice-portinari-1265-1290-dante-alighieri-c1265-1321-concealed-his-love-by-pretending-to-be-attracted-to-other-women-the-painting-depicts-an-incident-when-beatrice-having-heard-rumours-relating-to-dantes-infatuation-with-her-refuses-to-speak-to-him-the-painting-shows-beatrice-wearing-white-her-friend-mona-vanna-followed-by-beatrices-maidservant-walking-past-dante-on-the-santa-trinita-bridge-in-florence-italy-image245209795.htmlRMT6X7GK–Dante and Beatrice, 1883. By Henry Holiday (1839-1927). The painting is based on Dante's autobiographical work La Vita Nuova which describes his love for Beatrice Portinari (1265-1290). Dante Alighieri (c1265-1321) concealed his love by pretending to be attracted to other women. The painting depicts an incident when Beatrice, having heard rumours relating to Dante's infatuation with her, refuses to speak to him. The painting shows Beatrice (wearing white), her friend Mona Vanna followed by Beatrice's maidservant walking past Dante on the Santa Trinita Bridge in Florence, Italy.
Red Autumn Painting Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-red-autumn-painting-art-43604449.htmlRMCEX9WN–Red Autumn Painting Art
Painting entitled 'Leeds Bridge' by John Atkinson Grimshaw (1836-1893), oil on card mounted on canvas, 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-entitled-leeds-bridge-by-john-atkinson-grimshaw-1836-1893-oil-on-card-mounted-on-canvas-1880-image603275975.htmlRM2X1DGJF–Painting entitled 'Leeds Bridge' by John Atkinson Grimshaw (1836-1893), oil on card mounted on canvas, 1880
The Lady of Shalott, painting in oil on canvas by John Atkinson Grimshaw, circa 1875 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lady-of-shalott-painting-in-oil-on-canvas-by-john-atkinson-grimshaw-circa-1875-image568564845.htmlRM2T10A79–The Lady of Shalott, painting in oil on canvas by John Atkinson Grimshaw, circa 1875
The Fighting Temeraire tugged to her last berth to be broken up by J. M. W. Turner (c.1775-1851) painted in 1838. Credit: The National Gallery, London / Universal Art Archive Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fighting-temeraire-tugged-to-her-last-berth-to-be-broken-up-by-j-m-w-turner-c1775-1851-painted-in-1838-credit-the-national-gallery-london-universal-art-archive-image599425536.htmlRM2WR65AT–The Fighting Temeraire tugged to her last berth to be broken up by J. M. W. Turner (c.1775-1851) painted in 1838. Credit: The National Gallery, London / Universal Art Archive
At the Seaside. An nineteenth century oil painting by Thomas Falcon Marshall depicting a group of people at the beach, with cockle collectors. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/at-the-seaside-an-nineteenth-century-oil-painting-by-thomas-falcon-marshall-depicting-a-group-of-people-at-the-beach-with-cockle-collectors-image425572986.htmlRM2FMAEK6–At the Seaside. An nineteenth century oil painting by Thomas Falcon Marshall depicting a group of people at the beach, with cockle collectors.
Private View of the Old Masters Exhibition, Royal Academy, 1888. Painting by Henry Jamyn Brooks (1839-1925). Oil on canvas, 1889 (154,5 x 271,5 cm). National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/private-view-of-the-old-masters-exhibition-royal-academy-1888-painting-by-henry-jamyn-brooks-1839-1925-oil-on-canvas-1889-1545-x-2715-cm-national-portrait-gallery-london-england-united-kingdom-image440410208.htmlRM2GGEBM0–Private View of the Old Masters Exhibition, Royal Academy, 1888. Painting by Henry Jamyn Brooks (1839-1925). Oil on canvas, 1889 (154,5 x 271,5 cm). National Portrait Gallery. London, England, United Kingdom.
Art inspired by John Caflin Southwick, Jr., George Augustus Baker Jr., American, 1821-1880, Oil on canvas, 1870, 21 x 17in., 53.3 x 43.2cm, 1870, 19th Century, American, Boy, Child, George Augustus Baker Jr., John Caflin Southwick, Jr, little boy, Oil, Oval, Painting, Portrait, somber, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-john-caflin-southwick-jr-george-augustus-baker-jr-american-1821-1880-oil-on-canvas-1870-21-x-17in-533-x-432cm-1870-19th-century-american-boy-child-george-augustus-baker-jr-john-caflin-southwick-jr-little-boy-oil-oval-painting-portrait-somber-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566153.htmlRF2HKK18W–Art inspired by John Caflin Southwick, Jr., George Augustus Baker Jr., American, 1821-1880, Oil on canvas, 1870, 21 x 17in., 53.3 x 43.2cm, 1870, 19th Century, American, Boy, Child, George Augustus Baker Jr., John Caflin Southwick, Jr, little boy, Oil, Oval, Painting, Portrait, somber, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of a woman, painting style, vintage retro, victorian photography, old style, clair-obscure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-painting-style-vintage-retro-victorian-photography-old-style-clair-obscure-image569904380.htmlRM2T35ART–Portrait of a woman, painting style, vintage retro, victorian photography, old style, clair-obscure
Égalité, Henry Bacon, American, 1839-1912, Oil on canvas, 1889, 33 1/4 x 46 in., 84.5 x 116.8 cm, 1889, carriage, cityscape, double-decker, Equality, hats, horse-drawn carriage, horses, ndd, painting, Pantheon, Victorian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/galit-henry-bacon-american-1839-1912-oil-on-canvas-1889-33-14-x-46-in-845-x-1168-cm-1889-carriage-cityscape-double-decker-equality-hats-horse-drawn-carriage-horses-ndd-painting-pantheon-victorian-image454271919.htmlRM2HB1TD3–Égalité, Henry Bacon, American, 1839-1912, Oil on canvas, 1889, 33 1/4 x 46 in., 84.5 x 116.8 cm, 1889, carriage, cityscape, double-decker, Equality, hats, horse-drawn carriage, horses, ndd, painting, Pantheon, Victorian
Daily Life -Painting by Eyre Crowe (1824-1910) - Bench by the Sea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daily-life-painting-by-eyre-crowe-1824-1910-bench-by-the-sea-image268853005.htmlRMWHB8N1–Daily Life -Painting by Eyre Crowe (1824-1910) - Bench by the Sea.
Steeplechasing: At the Start. Date/Period: 1869. Painting. Oil on canvas. Height: 121 mm (4.76 in); Width: 248 mm (9.76 in). Author: William J. Shayer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/steeplechasing-at-the-start-dateperiod-1869-painting-oil-on-canvas-height-121-mm-476-in-width-248-mm-976-in-author-william-j-shayer-image219743303.htmlRMPNE4R3–Steeplechasing: At the Start. Date/Period: 1869. Painting. Oil on canvas. Height: 121 mm (4.76 in); Width: 248 mm (9.76 in). Author: William J. Shayer.
Charles Dickens 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-dickens-1850-132451235.htmlRMHKDJW7–Charles Dickens 1850
Victorian style dining room. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-victorian-style-dining-room-136911880.htmlRMHXMTE0–Victorian style dining room.
Captain of the Eleven by Philip Hermogenes Calderon 1889 Presented with Pears Christmas Annual 1898 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/captain-of-the-eleven-by-philip-hermogenes-calderon-1889-presented-with-pears-christmas-annual-1898-image398084220.htmlRM2E3J8DG–Captain of the Eleven by Philip Hermogenes Calderon 1889 Presented with Pears Christmas Annual 1898
A composition of some Victorian drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-composition-of-some-victorian-drawings-image471209470.htmlRF2JAHCDJ–A composition of some Victorian drawings
'The Sun of Venice Going to Sea', 1843. Artist: JMW Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sun-of-venice-going-to-sea-1843-artist-jmw-turner-image262727686.htmlRMW7C7RJ–'The Sun of Venice Going to Sea', 1843. Artist: JMW Turner
Alfy (unfinished) From an experimental oil painting by Kate Greenaway from the book ' Kate Greenaway ' by Marion Harry Spielmann, 1858-1948; and George Somes Layard, Published by G.P. Putnam's Sons in New York and A and C. Black in London in 1905 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alfy-unfinished-from-an-experimental-oil-painting-by-kate-greenaway-from-the-book-kate-greenaway-by-marion-harry-spielmann-1858-1948-and-george-somes-layard-published-by-gp-putnams-sons-in-new-york-and-a-and-c-black-in-london-in-1905-image502247746.htmlRF2M53A3E–Alfy (unfinished) From an experimental oil painting by Kate Greenaway from the book ' Kate Greenaway ' by Marion Harry Spielmann, 1858-1948; and George Somes Layard, Published by G.P. Putnam's Sons in New York and A and C. Black in London in 1905
London, UK. 2 November 2023. Contemporary artist Florence Houston with her works 'Oranges In Plastic', 'Drowned In Oil' and 'Cosmos' at a photocall for Juicy!, her inaugural solo exhibition which features paintings around the theme of Victorian jellies. The exhibition runs at J/M Gallery, Portobello Road to 7 November. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-2-november-2023-contemporary-artist-florence-houston-with-her-works-oranges-in-plastic-drowned-in-oil-and-cosmos-at-a-photocall-for-juicy!-her-inaugural-solo-exhibition-which-features-paintings-around-the-theme-of-victorian-jellies-the-exhibition-runs-at-jm-gallery-portobello-road-to-7-november-credit-stephen-chung-alamy-live-news-image571005272.htmlRM2T4YF1C–London, UK. 2 November 2023. Contemporary artist Florence Houston with her works 'Oranges In Plastic', 'Drowned In Oil' and 'Cosmos' at a photocall for Juicy!, her inaugural solo exhibition which features paintings around the theme of Victorian jellies. The exhibition runs at J/M Gallery, Portobello Road to 7 November. Credit: Stephen Chung / Alamy Live News
'Crusaders on the March' by Sir John Gilbert (1817-1897). Gilbert's paintings of historical and literary scenes display a theatrical romanticism that appealed greatly to Victorian taste. The term 'Crusade' is used to describe religious military campaigns conducted between the 11th and 16th centuries, predominately but not exclusively against Muslims in the near east. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crusaders-on-the-march-by-sir-john-gilbert-1817-1897-gilberts-paintings-of-historical-and-literary-scenes-display-a-theatrical-romanticism-that-appealed-greatly-to-victorian-taste-the-term-crusade-is-used-to-describe-religious-military-campaigns-conducted-between-the-11th-and-16th-centuries-predominately-but-not-exclusively-against-muslims-in-the-near-east-image247321031.htmlRMTAACDY–'Crusaders on the March' by Sir John Gilbert (1817-1897). Gilbert's paintings of historical and literary scenes display a theatrical romanticism that appealed greatly to Victorian taste. The term 'Crusade' is used to describe religious military campaigns conducted between the 11th and 16th centuries, predominately but not exclusively against Muslims in the near east.
Oil painting on canvas of three young Victorian boys flying kites by the sea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-painting-on-canvas-of-three-young-victorian-boys-flying-kites-by-the-sea-image554295695.htmlRF2R5P9PR–Oil painting on canvas of three young Victorian boys flying kites by the sea.
Painting entitled 'Reflections on the Aire - on strike' by John Atkinson Grimshaw (1836-1893), oil on canvas, 1879 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-entitled-reflections-on-the-aire-on-strike-by-john-atkinson-grimshaw-1836-1893-oil-on-canvas-1879-image603275979.htmlRM2X1DGJK–Painting entitled 'Reflections on the Aire - on strike' by John Atkinson Grimshaw (1836-1893), oil on canvas, 1879
Bath, Berkeley Place, oil on panel landscape painting by Telemaco Signorini, circa 1881 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bath-berkeley-place-oil-on-panel-landscape-painting-by-telemaco-signorini-circa-1881-image461329973.htmlRM2HPFB2D–Bath, Berkeley Place, oil on panel landscape painting by Telemaco Signorini, circa 1881
Lady Agnew of Lochnaw portrait by John Singer Sargent (1856-1925) painted in 1892. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-agnew-of-lochnaw-portrait-by-john-singer-sargent-1856-1925-painted-in-1892-image461250543.htmlRM2HPBNNK–Lady Agnew of Lochnaw portrait by John Singer Sargent (1856-1925) painted in 1892.
Search Results for Oil painting victorian Stock Photos and Images (2,158)
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