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O 11 8 cm Stock Photos and Images
RF2HW5M1D–Art inspired by Echo of the Concours Galland (Echo du Concours Galland), 19th century, Pen and black ink, blue wax crayon, and graphite, 6 7/8 x 11 1/16 in. (17.4 x 28.1 cm), Drawings, O. Deleiderrier (Swiss (?), 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B0CGKP–Netherlands Roman period, bowl, fragment, earthenware, ø: 11.4 cm h: 5.8 cm, roman 15-30 AD, Netherlands, Noord-Holland, Velsen, Velsen, Velsen I
RF2HW4FDG–Art inspired by Karnak (Thèbes), Enciente du Palais - Détails de Sculptures au Point O, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.5 x 30.2 cm. (9 5/8 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B0DXXB–Egypt, shard, pot, pottery, No. 1: 14.5 x 5.6 cm, Ø = 11, No. 2, 7.8 x 6.0 cm, Ø = 13, No. 3, 11 x 5.2, Ø = 10, No. 4, 11.5, x 5.3, Ø = 21, No. 5, 5.6 x 5.1, Ø = 18, No. 6, 12.3 x 3.7, Ø = 17, No. 7, 13 x 4.4, Ø = 19, No. 8, 8.0 x 6.1 cm, Ø =, 13, No. 9, 5.6 x 3.5, Ø = 18, No. 10, 10.4 x 5.9, Ø = 11.5, Meroitic Period, 2nd-4th century AD, Egypt
RMPAB2H7–Echo of the Concours Galland (Echo du Concours Galland). Artist: O. Deleiderrier (Swiss (?), 19th century). Dimensions: 6 7/8 x 11 1/16 in. (17.4 x 28.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW90C6–Art inspired by The Road to Calvary, ca. 1440, Made in Middle Rhineland, Germany, German, Alabaster, 7 3/8 × 11 7/16 × 13/16 in. (18.8 × 29 × 2 cm), Sculpture-Stone, Follower of the Master of the Lorsch Calvary, The power of this devotional image of Jesus bearing the Cross and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNP1JD–. English: Accession Number: 1965.94.1 Display Artist: Katsushika Hokusai Display Title: One View with Seven Bridges Series Title: One-hundred Views of Mount Fuji Suite Name: Fugaku hyakkei Creation Date: 1834-1835 Medium: Woodblock Height: 7 1/8 in. Width: 9 7/8 in. Display Dimensions: 7 1/8 in. x 9 7/8 in. (18.1 cm x 25.08 cm) Publisher: Nishamuraya Yuzo Credit Line: Gift of Mrs. Harold Rhody Witherbee Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 27 May 2011, 11:45:00. English: thesandiegomuseumofartcollection 942 O
RF2HW7C2D–Art inspired by Three goats climbing a vine in the shape of a backwards 'S', from 'Ornaments or Grotesques' (Ornamenti o Grottesche), ca. 1650–56, Etching, Sheet: 6 7/8 × 2 11/16 in. (17.4 × 6.8 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Old Quarry near Plymouth. Visual Material information: Title: Old Quarry near Plymouth. 11.84.o Date of publication: [between 1790-1810] Item type: 1 drawing Medium: watercolour with gum arabic Dimensions: sheet 16.9 x 21.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HA6K/old-quarry-near-plymouth-visual-material-information-title-old-quarry-near-plymouth-1184o-date-of-publication-between-1790-1810-item-type-1-drawing-medium-watercolour-with-gum-arabic-dimensions-sheet-169-x-218-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HA6K.jpg "Old Quarry near Plymouth. Visual Material information: Title: Old Quarry near Plymouth. 11.84.o Date of publication: [between 1790-1810] Item type: 1 drawing Medium: watercolour with gum arabic Dimensions: sheet 16.9 x 21.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HA6K–Old Quarry near Plymouth. Visual Material information: Title: Old Quarry near Plymouth. 11.84.o Date of publication: [between 1790-1810] Item type: 1 drawing Medium: watercolour with gum arabic Dimensions: sheet 16.9 x 21.8 cm Former owner: George III, King of Great Britain, 1738-1820
RMT3CRFB–Benito Mussolini, two identifications A membership card for the Milan province war veteran's group, red cover with the symbols of the Associazione Nazionale Combattenti. It has a photograph of Mussolini in a black party uniform, date he joined: '7 November 1919', his profession, 'Publicist', his rank, 'Bersaglieri NCO' in 1st World War, and his decorations, 'Croce al merito di Guerra, 'Cav. O.S.-SS Annuziata.' Issued 1924, Tessera (Identity Card) No.'93', 'Foro Bonaparte 32 - Gruppo Garibaldi'. Dimensions 10.7 x 6.8 cm. Benito Mussolini volunteered in August 1915 for the 11, Editorial-Use-Only
RM2B6N6DN–Fragment kom uit VOC-schip de 'Witte Leeuw' Fragment kom uit V.O.C.-schip de 'Witte Leeuw'. Manufacturer : anoniemPlaats manufacture: Jingdezhen Dating: voor 1613 Material: porselein Dimensions: h 6,4 cm. × b 8,2 cm. × d 11,4 cm. Date: 1613 - 1613
RF2B0EYAA–Projection für Alle - Der Weltkrieg: Siegreiche Führer. Serie 60. No. 11. Im Hauptquartier v. Hindenburgs. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg.
RM2B6T3Y2–Halve kokosnoot gevuld met vet uit VOC-schip de 'Witte Leeuw' Halve kokosnoot gevuld met vet uit V.O.C.-schip de 'Witte Leeuw'. Manufacturer : anoniem Dating: 1613 Material: kokosnoot vet Dimensions: h 5,9 cm. × d 11,8 cm. Date: 1601 - 1613
RM2PMC6KD–Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 13 x 11.3 cm (5 1/8 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)
RMKNNRM6–Glass beaker MET DP107063 252994 Roman, Glass beaker, ca. A.D. 40?100, Glass, H.: 5 1/2 in. (14 cm) Diam.: 2 11/16 in. (6.8 cm). The Metropolitan Museum of Art, New York. H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929 (29.100.80)
![. Damage prog[r]ession on rubble-mound breakwaters. Rubble mound breakwaters; Breakwaters; Coastal engineering; Flumes; Hydrodynamics. wave heights measured with the structure in place were used, as they were more accurate than those measured without the structure in place. jE 0.6 3 0.4 o af 0.2 0.2 f^/f. Wave 2 —-— Wave 3 Figure 4.6. Wave height variation throughout Waves 1,2, and 3 at 11.9 cm toe depth. Figure 4.7. Wave height variation throughout Waves 4,5, and 6 at 15.8 cm toe depth 71. Please note that these images are extracted from scanned page images that may have been digitally enhanc Stock Photo](https://c8.alamy.com/comp/PFJ5C4/damage-prog-r-ession-on-rubble-mound-breakwaters-rubble-mound-breakwaters-breakwaters-coastal-engineering-flumes-hydrodynamics-wave-heights-measured-with-the-structure-in-place-were-used-as-they-were-more-accurate-than-those-measured-without-the-structure-in-place-je-06-3-04-o-af-02-02-ff-wave-2-wave-3-figure-46-wave-height-variation-throughout-waves-12-and-3-at-119-cm-toe-depth-figure-47-wave-height-variation-throughout-waves-45-and-6-at-158-cm-toe-depth-71-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanc-PFJ5C4.jpg ". Damage prog[r]ession on rubble-mound breakwaters. Rubble mound breakwaters; Breakwaters; Coastal engineering; Flumes; Hydrodynamics. wave heights measured with the structure in place were used, as they were more accurate than those measured without the structure in place. jE 0.6 3 0.4 o af 0.2 0.2 f^/f. Wave 2 —-— Wave 3 Figure 4.6. Wave height variation throughout Waves 1,2, and 3 at 11.9 cm toe depth. Figure 4.7. Wave height variation throughout Waves 4,5, and 6 at 15.8 cm toe depth 71. Please note that these images are extracted from scanned page images that may have been digitally enhanc Stock Photo")
RMPFJ5C4–. Damage prog[r]ession on rubble-mound breakwaters. Rubble mound breakwaters; Breakwaters; Coastal engineering; Flumes; Hydrodynamics. wave heights measured with the structure in place were used, as they were more accurate than those measured without the structure in place. jE 0.6 3 0.4 o af 0.2 0.2 f^/f. Wave 2 —-— Wave 3 Figure 4.6. Wave height variation throughout Waves 1,2, and 3 at 11.9 cm toe depth. Figure 4.7. Wave height variation throughout Waves 4,5, and 6 at 15.8 cm toe depth 71. Please note that these images are extracted from scanned page images that may have been digitally enhanc
RMW0R9T7–Archive image from page 334 of Der waldbau (1898). Der waldbau derwaldba00gaye Year: 1898 gig. 11. m-12- meift nur bie benarbte obere Sobenfdidt ah unb ma(en eine ebene glatte 3urcien[o§te, Ser 3Uein a nn'ffe Wm (ig- 13) ift '' t)öl3erner 9{äberpfljtg, et Jriegt 145 kg, arbeitet ftctig unb fieser, trirft fyurdjen Don 45 cm SBreite unb 15 cm 2;tefe auf unb flappt bu tJurcfcnitte nac beiben eiten um. Sin einem 3lrbeit§tage (8 tunben) läfet fic mit bemfetben eine ebene gleiche öon etnja 2 ha bei 4pferbi9er ißefpannung üoüftänbig umpflügen.') Ser 9iüberSborfer 5Pflug(gig. 14) ift ein einfa(e§ ola
RM2B0DXXN–Egypt, shard, pot, pottery, No. 1, 7 x 4.2 cm, Ø = 12, No. 2, 11.8 x 4.1 cm, Ø = 20.5, No. 3, 6.9 x 6.0 cm, Ø = 24, No., 4, 5.8 x 5.5 cm, Ø = 16, No. 5, 5.0 x 4.5 cm, Ø = 10, No. 6, 4.0 x 4.2 cm, Ø = 12, No. 7, 5.0 x 4.8 cm, Ø = 14, No. 8, 4.5 x 2.8 cm, Ø = 9, No. 9, 4.4 x 2.6 cm, Ø = 14, No. 10, 3.2 x, Meroitic Period, 2nd-4th century AD, Egypt
RMRFCH10–A hunting trophy, two wild boar heads above, two deer heads below, a from 'Ornaments or Grotesques' (Ornamenti o Grottesche). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 6 9/16 × 2 11/16 in. (16.7 × 6.8 cm). Series/Portfolio: 'Ornaments or Grotesques' (Ornamenti o Grottesche). Date: ca. 1650-56. Museum: Metropolitan Museum of Art, New York, USA. Author: STEFANO DELLA BELLA. Etched by Stefano della Bella.
![Dyma ddarlun o fy hunan [graphic].. 1 negative : glass, dry plate, b&w ; 8.5 x 11 cm. circa 1885. Thomas, John, 487 Dyma ddarlun o fy hunan NLW3362730 Stock Photo](https://c8.alamy.com/comp/P5XT3K/dyma-ddarlun-o-fy-hunan-graphic-1-negative-glass-dry-plate-bw-85-x-11-cm-circa-1885-thomas-john-487-dyma-ddarlun-o-fy-hunan-nlw3362730-P5XT3K.jpg "Dyma ddarlun o fy hunan [graphic].. 1 negative : glass, dry plate, b&w ; 8.5 x 11 cm. circa 1885. Thomas, John, 487 Dyma ddarlun o fy hunan NLW3362730 Stock Photo")
RMP5XT3K–Dyma ddarlun o fy hunan [graphic].. 1 negative : glass, dry plate, b&w ; 8.5 x 11 cm. circa 1885. Thomas, John, 487 Dyma ddarlun o fy hunan NLW3362730
RF2HW7C2K–Art inspired by A hunting trophy, two wild boar heads above, two deer heads below, a from 'Ornaments or Grotesques' (Ornamenti o Grottesche), ca. 1650–56, Etching, Sheet: 6 9/16 × 2 11/16 in. (16.7 × 6.8 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Elevation, in outline, of the west front and tower of Christ Church Spitalfields . Author Hawksmoor, Nicholas 23.11.o. Date of publication: [between 1714-1720] Item type: 1 drawing Medium: pen and black ink Dimensions: sheet 69.8 x 34.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HFK9/elevation-in-outline-of-the-west-front-and-tower-of-christ-church-spitalfields-author-hawksmoor-nicholas-2311o-date-of-publication-between-1714-1720-item-type-1-drawing-medium-pen-and-black-ink-dimensions-sheet-698-x-346-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HFK9.jpg "Elevation, in outline, of the west front and tower of Christ Church Spitalfields . Author Hawksmoor, Nicholas 23.11.o. Date of publication: [between 1714-1720] Item type: 1 drawing Medium: pen and black ink Dimensions: sheet 69.8 x 34.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HFK9–Elevation, in outline, of the west front and tower of Christ Church Spitalfields . Author Hawksmoor, Nicholas 23.11.o. Date of publication: [between 1714-1720] Item type: 1 drawing Medium: pen and black ink Dimensions: sheet 69.8 x 34.6 cm Former owner: George III, King of Great Britain, 1738-1820
RF2HW3GN4–Art inspired by Ito Chujo tekidan o mite shi warau suru zu, Vice Admiral Ito Mocks, Points and Looks at the Enemy Bullets, Meiji period (1868–1912), ca. 1894, Japan, Polychrome woodblock print; ink and color on paper, 6 11/16 x 9 1/8 in. (17 x 23.2 cm), Prints, Mizuno Toshikata (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMT3CREP–Benito Mussolini, two identifications A membership card for the Milan province war veteran's group, red cover with the symbols of the Associazione Nazionale Combattenti. It has a photograph of Mussolini in a black party uniform, date he joined: '7 November 1919', his profession, 'Publicist', his rank, 'Bersaglieri NCO' in 1st World War, and his decorations, 'Croce al merito di Guerra, 'Cav. O.S.-SS Annuziata.' Issued 1924, Tessera (Identity Card) No.'93', 'Foro Bonaparte 32 - Gruppo Garibaldi'. Dimensions 10.7 x 6.8 cm. Benito Mussolini volunteered in August 1915 for the 11, Editorial-Use-Only
RF2HW06PH–Art inspired by Harness Ornaments, 200–400, Made in Thrace (possibly), Late Roman or Byzantine, Copper alloy, champlevé enamel, a: 14.3 x 9.7 x 1.6 cm; b: 14.1 x 9.5 x 1.5 cm; c: 12.9 x 11.2 x 11.6 cm; d: 11.2 x 8.6 x 6.6 cm; e: 11.2 x 8.9 x 6.2 cm; f: 13.6 x 10.4 x 3.2 cm; g: 13.7 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMCYRM2J–A commemoration gift from naval defense Stavanger,dated 5 November 1941 Silver-plated Viking ship with characteristical dragon's heads and side-mounted shields,one side with engraved inscription 'Zur Erinnerung an den 5.11.41 - U.O.Korps Germania-Kaserne Stavanger'(In memory of 5th November 1941 - NCOs of Gemania-barracks Stavanger).Cruciform base with dolphins,maker's mark and serial number '846'.Length 35.5 cm,height 22.8 cm.The commanding officer of naval defense Stavanger was not only in command of a flotilla but also of art,Additional-Rights-Clearences-Not Available
RF2HW3TN3–Art inspired by Moses presenting the tablets of law, 1532, French, Lorraine, Metz, Stained glass, H. 9' 11 3/8 x W. 66 1/4 in. (303.2 x 168.3 cm.) a-o only, Glass-Stained, Valentin Bousch (French, active 1514–41, died 1541), This window comes from a series of seven windows made for the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B6NB80–Fragmenten kom uit VOC-schip de 'Witte Leeuw' Fragmenten kom uit V.O.C.-schip de 'Witte Leeuw'. Manufacturer : anoniemPlaats manufacture: Jingdezhen Dating: voor 1613 Material: porselein Dimensions: h 4,6 cm. (grootste) × b 11 cm. × d 10,5 cm. × h 3,8 cm. (kleinste) × b 4,3 cm. × d 0,6 cm. Date: 1613 - 1613
RM2PMC892–Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 13 x 11.2 cm (5 1/8 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)
RMKP1F10–Glass beaker MET DP107064 252995 Roman, Glass beaker, 1st century A.D., Glass, H.: 3 13/16 in. (9.7 cm) Diam.: 2 11/16 in. (6.8 cm). The Metropolitan Museum of Art, New York. H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929 (29.100.81)
RF2B92YF6–The Comedian, 1903, 3, etching on zinc, proof, sheet: 24 x 32.3 cm |, Plate: 11.8 x 16.1 cm, Monogrammed in plate r.u .: PK, designates r.o .: m.St ., dated r.u .: Aug 03 Bern, inscribed middle below: The comedian, inscribed in pencil l.u .: first version of the comedian, signed r.u .: Klee, Paul Klee, Münchenbuchsee/Bern 1879–1940 Muralto b. Locarno/Tessin, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and re
RMPFX4CD–. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru. Pottery -- Viru Valley, Peru; Mounds -- Peru Viru Valley; Viru Valley, Peru -- Antiquities. SITES AND EXC.WATIOXS 75. Fig. 36. Tomaval pottt-ry from '-302. A, Burial 8; B and C, Burial 9; D and H, Burial 11; E, Burial 13; F, I, and J, Burial 15; G, purchased vessel from near Santa Elena; K, Burial 14. Burial 11. Depth 125 cm. Adult, position uncertain. (a) Sausalito Black-on-W'hite miniature double jar representing two fruits or vege- tables, with spout and flat loop handle (ht. 8.5 cm., fig. 36, H). All o
RMT0CXTT–The Eastern Bering Sea Shelf The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder easternberingsea00hood Year: 1981 Acartia longiremis (0 CM E 0) n in E O 3 ^' z X CM Calanus plumchrus Eucalanus bungii bungii 2 3 4 5 6 Stations 7 8 9 10 11 12 13 14 1516 17 18 19
RM2B0DX59–Egypt, fragment, cup, earthenware, 1, 8.5 xh 6.5 cm, Ø = 4, base, 2 t, m 4, h 6 cm, Ø = 11.5, Ø = 12 xh 8, 5 cm, 6: 10.5 x 2.5 cm, Ø = 11, Meroitic Period, 2nd-4th century AD, Egypt
RMRFDFA0–Waves on Moonlight. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 in. (27.9 cm); W. 8 in. (20.3 cm). Date: ca. 1768. An 'oiran' stands in a house by the sea, trning to look thrugh the open 'shoji' at the rippling waves while the seated woman fans the fire in a hibachi to make a teakettle boil. Above is an ode by Minamoto Shitago from Juishu #171: Mizu no omo ni teru tsukinami o kazofureba koyoi zo aki no monaka narikeru. When we count the moons on the waves We know that it is mid-autumn. Museum: Metropolitan Museum of Art, New York, USA.
RM2A2NYMA–The Comedian, 1903, 3, etching on zinc, proof, sheet: 24 x 32.3 cm |, Plate: 11.8 x 16.1 cm, Monogrammed in plate r.u .: PK, designates r.o .: m.St ., dated r.u .: Aug 03 Bern, inscribed middle below: The comedian, inscribed in pencil l.u .: first version of the comedian, signed r.u .: Klee, Paul Klee, Münchenbuchsee/Bern 1879–1940 Muralto b. Locarno/Tessin
![Eos Ceiriog, Sef Casgliad o Ber Ganiadau Huw Morus .. [graphic].. 1 negative : glass, dry plate, b&w ; 11 x 8.5 cm. circa 1885. Thomas, John, 520 Eos Ceiriog, Sef Casgliad o Ber Ganiadau Huw Morus .. NLW3362731 Stock Photo](https://c8.alamy.com/comp/P5Y52Y/eos-ceiriog-sef-casgliad-o-ber-ganiadau-huw-morus-graphic-1-negative-glass-dry-plate-bw-11-x-85-cm-circa-1885-thomas-john-520-eos-ceiriog-sef-casgliad-o-ber-ganiadau-huw-morus-nlw3362731-P5Y52Y.jpg "Eos Ceiriog, Sef Casgliad o Ber Ganiadau Huw Morus .. [graphic].. 1 negative : glass, dry plate, b&w ; 11 x 8.5 cm. circa 1885. Thomas, John, 520 Eos Ceiriog, Sef Casgliad o Ber Ganiadau Huw Morus .. NLW3362731 Stock Photo")
RMP5Y52Y–Eos Ceiriog, Sef Casgliad o Ber Ganiadau Huw Morus .. [graphic].. 1 negative : glass, dry plate, b&w ; 11 x 8.5 cm. circa 1885. Thomas, John, 520 Eos Ceiriog, Sef Casgliad o Ber Ganiadau Huw Morus .. NLW3362731
RM2B0DXJA–Egypt, shard, earthenware, 1, 6 x 3.5 cm, 2, 6 x 3 cm, 3, 3.5 x 4 cm, Ø = 8, 4, 3 x 6.5 cm, 5, 3, , 5 x 3.5 cm, Ø = 10, 6, 3.5 x 3 cm, Ø = 10, 7, and 11, 5 x 3 cm, Ø = 8, 8, 7 x 5 cm, 9, 4 x, 2.5 cm, Ø = 8, 10, 3.5 x 4 cm, 12, 5.5 x 4 cm, Ø = 9, Meroitic Period, 2nd-4th century AD, Egypt
![To the Gentlemen of the Exeter Literary Society, This View of the INTERIOR OF EXETER CATHEDRAL, is respectfully dedicated by their much obliged obedt Servant, F. Nash. Author Malton, Thomas 11.69.o. Place of publication: [London] Publisher: Published May 30th 1803 by T. Malton, 103 Long Acre., Date of publication: [May 30 1803] Item type: 1 print Medium: aquatint and etching Dimensions: platemark 41.7 x 53.8 cm, on sheet 43.6 x 57 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G1FY/to-the-gentlemen-of-the-exeter-literary-society-this-view-of-the-interior-of-exeter-cathedral-is-respectfully-dedicated-by-their-much-obliged-obedt-servant-f-nash-author-malton-thomas-1169o-place-of-publication-london-publisher-published-may-30th-1803-by-t-malton-103-long-acre-date-of-publication-may-30-1803-item-type-1-print-medium-aquatint-and-etching-dimensions-platemark-417-x-538-cm-on-sheet-436-x-57-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G1FY.jpg "To the Gentlemen of the Exeter Literary Society, This View of the INTERIOR OF EXETER CATHEDRAL, is respectfully dedicated by their much obliged obedt Servant, F. Nash. Author Malton, Thomas 11.69.o. Place of publication: [London] Publisher: Published May 30th 1803 by T. Malton, 103 Long Acre., Date of publication: [May 30 1803] Item type: 1 print Medium: aquatint and etching Dimensions: platemark 41.7 x 53.8 cm, on sheet 43.6 x 57 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9G1FY–To the Gentlemen of the Exeter Literary Society, This View of the INTERIOR OF EXETER CATHEDRAL, is respectfully dedicated by their much obliged obedt Servant, F. Nash. Author Malton, Thomas 11.69.o. Place of publication: [London] Publisher: Published May 30th 1803 by T. Malton, 103 Long Acre., Date of publication: [May 30 1803] Item type: 1 print Medium: aquatint and etching Dimensions: platemark 41.7 x 53.8 cm, on sheet 43.6 x 57 cm Former owner: George III, King of Great Britain, 1738-1820
RM2HHE17X–Spools 1814 Kubo Shunman Japanese. Spools 54823 Artist: Kubo Shunman, Japanese, 1757?1820, Spools, 1814, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 11 3/16 in. (21.1 x 28.4 cm). The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP2050)
RMCYRM32–A commemoration gift from naval defense Stavanger,dated 5 November 1941 Silver-plated Viking ship with characteristical dragon's heads and side-mounted shields,one side with engraved inscription 'Zur Erinnerung an den 5.11.41 - U.O.Korps Germania-Kaserne Stavanger'(In memory of 5th November 1941 - NCOs of Gemania-barracks Stavanger).Cruciform base with dolphins,maker's mark and serial number '846'.Length 35.5 cm,height 22.8 cm.The commanding officer of naval defense Stavanger was not only in command of a flotilla but also of art,Additional-Rights-Clearences-Not Available
RM2PMCAB9–Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 13.6 x 11.3 cm (5 3/8 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)
RMKP1F0Y–Glass beaker MET DP107063 252994 Roman, Glass beaker, ca. A.D. 40?100, Glass, H.: 5 1/2 in. (14 cm) Diam.: 2 11/16 in. (6.8 cm). The Metropolitan Museum of Art, New York. H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929 (29.100.80)
RF2B9CT9D–Initial O: The Adoration of the Magi, Paris, France, about 1320 - 1325, Tempera colors, gold leaf, and ink on parchment, Leaf: 16.7 x 11.1 cm (6 9,16 x 4 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPF9DTF–. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions; Antarctica. a) Kopfteil. b) Kürpermitte.. c) Schwanz. Testfigur 8. Leptocephalus mauritianus. 2 Exemplare von 14,5 und 11,5 cm Länge, sehr gut erhalten (Formalinkonservierung). Fundort : Indischer Ozean, 14. Mai 1903, südlich von Mauritius unter 25° 0' s. Br. und 57° 7' ö. L. Die Art scheint dem von J. Schmidt — Contribution to the biology of some North Atlantic species of eels, in Vidensk. Meddel. Naturhist. Foren. Kobenhavn Bd. 64, 15, 3, 1912, 8° — in Fig. 5 abgebildeten
RMT3W5W7–Archive image from page 239 of Die Schmetterlinge Europas (1908). Die Schmetterlinge Europas dieschmetterling01hofm Year: 1908 100 Dii'irna, Tagfalter. Netröceia. Höckern vom 5.—8. Ringe, zwischen denen eine dunkel- grüne oder rote Mittellinie steht; auf dem 11. Ringe sitzt ein pyramidenförmiger Höcker. Die Luftlöcher weiß, schwarz gerandet; Bauch und Bauchfüße gelbgrau. Kopf gelbbraun mit dunkleren Winkelstrichen. 4 cm. Sie lebt der gedehnten Entwickhnigszeit des Falters ent- sprechend, von Juni bis in den Herbst an Ahorn (Acer campöstre). Die Puppe, Fig. 13c, ist schwarzbraun. — O. .H. .5.
RMPANYR6–Raw amethyst. Dimensions: a) l. 5.5 cm (2 3/16 in); b) l. 5.7 cm (2 1/4 in); c) l. 4.9 cm (1 15/16 in); d) l. 4 cm (1 9/16 in); e) l. 3.5 cm (1 3/8 in); f) not measured; g) l. 2.8 cm (1 1/8 in); h) l. 4 cm (1 9/16 in); i) not measured; j) l. 2.8 cm (1 1/8 in); k) l. 2.4 cm (15/16 in); l) l. 2.7 cm (1 1/16 in); m) l. 3 cm (1 3/16 in); n) l. 3.1 cm (1 1/4 in); o) l. 2.7 cm (1 1/16 in); p) l. 2 cm (13/16 in); q) l. 2.2 cm (7/8 in); r) l. 2 cm (13/16 in); u) 2.8 cm (1 1/8 in); v) l. 1.8 cm (11/16 in); w) l. 1cm (3/8 in); x) l. 1.5 cm (9/16 in). Dynasty: Dynasty 13-18, early. Date: ca. 1802-145
RMMPATR2–. Polski: MŁYNÓW. Pałac Chodkiewiczów. Widok fasady i elewacji bocznej. Z lewej strony fragment dwukondygnacjowej oficyny; z prawej pawilon o zróżnicowanej bryle, z tarasem na arkadach i rotundą w narożu. Napis: Młynów; napis na podkładzie: Wołyń Młynów - pałac. 1862-1876. Rys. ołówkiem podmalowany akwarelą. 22,8 x 31,2 cm. Muzem Narodowe, Kraków. III-r.a. 4207 (Teka Wołyń). between 1862 and 1876. Napoleon Orda Napoleon Orda (1807–1883) Description Polish painter and composer Date of birth/death 11 February 1807 26 April 1883 Location of birth/death Varatsevichy, Russian Empire Warsaw
RM2B0DX58–Egypt, fragment, bowl, earthenware, 1, 8 x 10.5 cm, Ø = 15, 2, 6 xh 2 cm, Ø =, base, 4, 3, 6 x 7 cm, Ø = 7, 4, , 7 x 1.5 cm, Ø = 5.5, 5 t, 9, 15 x 11.1, Ø = 6, base, 7, 7 x 3.5 cm, 10, 8.5 x h 2 cm, Ø = 5.5, 11, 2.5 x, 5, Ø = 7; 12, 5 x 1 cm, Ø = 3.5, Meroitic Period, 2nd-4th century AD, Egypt
RM2HJ4CP6–Wine-Set 19th century Ryūryūkyo Shinsai Japanese. Wine-Set 54767 Artist: Ryuryukyo Shinsai, Japanese, active ca. 1799?1823, Wine-Set, 19th century, Polychrome woodblock print (surimono); ink and color on paper, 8 5/8 x 11 1/4 in. (21.9 x 28.6 cm). The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP2018)
RMCYRM38–A commemoration gift from naval defense Stavanger,dated 5 November 1941 Silver-plated Viking ship with characteristical dragon's heads and side-mounted shields,one side with engraved inscription 'Zur Erinnerung an den 5.11.41 - U.O.Korps Germania-Kaserne Stavanger'(In memory of 5th November 1941 - NCOs of Gemania-barracks Stavanger).Cruciform base with dolphins,maker's mark and serial number '846'.Length 35.5 cm,height 22.8 cm.The commanding officer of naval defense Stavanger was not only in command of a flotilla but also of art,Additional-Rights-Clearences-Not Available
RM2WP35MB–It rains '; Scholtz, Julius (1825-1893); 1857 (1844-00-00-1844-00-00); the Muse of the National Museum in Warsaw was downloaded from the system; painting / paint / watercolor, drawing / o with wtkiens / paper; height 14.9 cm, width 11.8 cm; fig. nm.xix 896 MNW; all rights reservation.Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - Dar, Biedermeier (style), rain, children, women with children, German drawings
RMT406NW–DEUXIEME GUERRE MONDIALE ET FRANCE OCCUPEE, Lot de six insignes à francisque, époque Régime de Vichy, Motif à la francisque tricolore sur un écu à fond blanc, émaillé. Deux insignes de boutonnière marqués 'OA 11' et poincon au revers, idem muni d'une épingle verticale (poincon sur boléro et 'OA'), idem de plus grande taille 'OA 269 8' (poincon sur boléro. Hauteur 3 cm), insigne avec passant vertical au revers marqué 'O.A 20.029' (éclat, cheveux dans l'émail), insigne - en aluminium peint - au revers 'A. Augis Lyon, OA 2, Offert par le Maréchal'. On joint deux fabrications r, Editorial-Use-Only
RM2WPD2GB–O Yka (Olica, Ukraine). Radziwi Castle - general view from the front; around 1916 (negative); around 1916-1927 (Print (1915-00-00-1927-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic printing; products from Wzkien / Paper / photo paper, products from W Paper / cardboard; photo printing: height 11.7 cm, width 16.8 cm, pod Adka: height 35.2 cm, width 25.6 cm; di 17313 MNW; all rights reservations.
RMKNNRM8–Glass beaker MET DP107064 252995 Roman, Glass beaker, 1st century A.D., Glass, H.: 3 13/16 in. (9.7 cm) Diam.: 2 11/16 in. (6.8 cm). The Metropolitan Museum of Art, New York. H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929 (29.100.81)
RM2H0Y9H2–Virgin and Child, late 1200s. Mosan (Valley of the Meuse), Liège(?), late 13th century. Wood (oak) with polychromy and gilding; overall: 83 x 24 x 20 cm (32 11/16 x 9 7/16 x 7 7/8 in.). This sculpture is a rare survival in wood from the valley of the Meuse River (modern Belgium and Holland), an important region for the production of ecclesiastical art in the 1100s and 1200s. The elegantly draped figure is remarkable for the preservation of much of its original paint and gilding, including the Virgin's gilded mantle highlighted with decorative bands of geometric patterns and the green dragon o
RM2PMF37C–Print, From a Series of Naval Battles for Wedding Festivities of Cosimo Il de'Medici, Jason's Ship; Etched by Remigio Cantagallina (Italian, ca. 1582–1656); After Giulio Parigi (Italian, 1571–1635); Patron: Cosimo II de' Medici (Italian, 1590 – 1621); Italy; etching on paper; 26.8 x 40.7 cm (10 9/16 in. x 16 in.) Platemark: 19.5 x 27 cm (7 11/16 x 10 5/8 in.)
RM2H0YBXK–Elles: The Seated Clown, Mlle Cha-u-Ka-o , 1896. Henri de Toulouse-Lautrec (French, 1864-1901), printed by Auguste Clot. Color lithograph; sheet: 52.6 x 40.3 cm (20 11/16 x 15 7/8 in.). The French publisher Gustave Pellet, hoping to attract new customers, persuaded Lautrec to make a series of ten prints, plus frontispiece and cover, depicting brothels. Although it was not unusual to see prostitutes pictured in the popular press, Lautrec was the first well-known, successful artist to tackle this subject. The set was a commercial failure when it first appeared, perhaps because the scenes are no
RF2B9CW8C–Initial O: The Trinity, Workshop of Gerard Horenbout (Flemish, 1465 - 1541), Ghent (illuminated, probably), Belgium, about 1500, Tempera colors and gold paint on parchment, Leaf: 15.2 x 11.1 cm (6 x 4 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2H0Y686–Flowers of a Hundred Worlds (Momoyogusa): Woodcutter (Shomu), 1910-11. Kamisaka Sekka (Japanese, 1866-1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This print from a set of three woodblock printed albums displays the graphic design prowess of Kamisaka Sekka. The images were first distributed one by one to subscribers to the series but later were reissued in bound form, like this book, for mass consumers. Each print features a vignette taken from nature or Japanese literature. Many of the scenes have a long history in Japan, originating in the 900s o
RMPF9FRJ–. Deutsche Garten-Zeitung. Gardening. 56o. Fig. 110. Aster Comet. volle Halbkugel bilden. Die Pflanzen bringen bei guter Kultur stets 25 bis 30 Blumen, welche einen Durchmesser von 8 bis 12 cm erreichen und sehr dicht gefüllt sind. Die Farbe ist ein sehr schönes Zartrosa mit weiss bandirt. Diese neue Rasse unterscheidet sich von den bis jetzt bekannten Astern ebenso auffallend, wie die japanesischen Chry- santhemum von den gewöhnlichen gross- blumigen Sorten. Die 11. Versammlung Deutscher Po- mologen und ObstzUchter in Meissen vom 29. Sept. bis 3. Okt. 1886. Von L. Wittmack. 3. Sitzung am 2. O
RMPART76–Wine cooler (one of a pair). Culture: Austrian, Vienna. Dimensions: Overall (wt confirmed): 11 15/16 x 9 7/8 in., 6000g (30.3 x 25.1 cm, 6kg). Maker: Ignaz Joseph Würth (Austrian, first mentioned 1769, died 1792). Date: 1781. The wine coolers formed part of the now dispersed so-called Second Duke of Sachsen-Teschen Service, which originally included all kinds of silver tableware as befit the splendor of royal dining. The overall style is indebted to French Neoclassical designs and encapsulates the strong appreciation of contemporary French art and culture by the patrons, Duke Albert Casimir o
RMT1H6RW–Distribution of suspended particulate matter Distribution of suspended particulate matter off the California coast from San Francisco Bay to Cape San MartΓin. distributionofsu00didd Year: 1975 vO in — z o M H OS <fr H CM W z z o ptf w Cm H Z 3 eg 3 o H 2 3 E-2 0.2 i 1 1 1 r 0.4 0.6 0.8 1.0 1.2 LOG PARTICLE DIAMETER IN MICRONS 7*7 Figure 11. Type 5, Line E, 0 m, Cruise 27 to 31 October 1973 41
RMMY38A7–. English: 'Vamana, the Dwarf Avatar of Vishnu Page from a dispersed series of the Bhagavata Purana (Story of the Lord Vishnu) Made in Mankot, Jammu and Kashmir, India c. 1700-25 Artist/maker unknown, India, Jammu and Kashmir, Mankot Opaque watercolor, gold, and silver-colored paint on paper 11 5/16 x 8 13/16 inches (28.7 x 22.4 cm) Currently not on view 2004-149-32 Alvin O. Bellak Collection, 2004 Label Through intensive religious rituals, the demon king Bali conquered the gods. The god Vishnu came to earth as Vamana, his fifth avatar, to defeat him. Vamana appeared as a dwarflike Brahmin. Wh
RM2B0DXDR–Egypt, shard, earthenware, 1, 3.5 x 3 cm, Ø = 8, 2, 5.5 x 4 cm, Ø = 14, 3, 3 x 3.5 cm, Ø = 8, 4, 3.5 x 2 cm, 5, 4.5 x 3.5 cm, 6, 3 x 5 cm, 7, 5 x 6.5 cm, 8, 6.5 x 6 cm, 9, 6.5 x 12, , 5 cm, 10, 5 x 6.5 cm, 11, 5.5 x 6.5 cm, Meroitic Period, 2nd-4th century AD, Egypt
RMT406NR–DEUXIEME GUERRE MONDIALE ET FRANCE OCCUPEE, Lot de six insignes à francisque, époque Régime de Vichy, Motif à la francisque tricolore sur un écu à fond blanc, émaillé. Deux insignes de boutonnière marqués 'OA 11' et poincon au revers, idem muni d'une épingle verticale (poincon sur boléro et 'OA'), idem de plus grande taille 'OA 269 8' (poincon sur boléro. Hauteur 3 cm), insigne avec passant vertical au revers marqué 'O.A 20.029' (éclat, cheveux dans l'émail), insigne - en aluminium peint - au revers 'A. Augis Lyon, OA 2, Offert par le Maréchal'. On joint deux fabrications r, Editorial-Use-Only
RMKP3KR3–Drawing of the Clyde (Liber Studiorum, part IV, plate 18) MET DP821397 383000 Artist: Design and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Charles Turner, British, Woodstock, Oxfordshire 1774?1857 London, Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809, Etching and mezzotint; first state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 1/4 x 11 9/16 in. (21 x 29.4 cm). The Metropolitan Museum of Art, New York. H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929 (29.107.115)
RM2PME18A–Print, From a Series of Naval Battles for Wedding Festivities of Cosimo Il de'Medici, Ship of Heracles; Etched by Remigio Cantagallina (Italian, ca. 1582–1656); After Giulio Parigi (Italian, 1571–1635); Patron: Cosimo II de' Medici (Italian, 1590 – 1621); Italy; black ink on white paper; 26.9 x 40.6 cm (10 9/16 in. x 16 in.) Platemark: 20.8 x 28.3 cm (8 3/16 x 11 1/8 in.)
RF2B9CW8F–Initial O: The Crowning with Thorns, Workshop of Gerard Horenbout (Flemish, 1465 - 1541), Cologne (written), Germany, about 1500, Tempera colors and gold paint on parchment, Leaf: 15.2 x 11.1 cm (6 x 4 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2H0Y69K–Flowers of a Hundred Worlds (Momoyogusa): Hydrangea (Ajisai), 1909-10. Kamisaka Sekka (Japanese, 1866-1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This print from a set of three woodblock printed albums displays the graphic design prowess of Kamisaka Sekka. The images were first distributed one by one to subscribers to the series but later were reissued in bound form, like this book, for mass consumers. Each print features a vignette taken from nature or Japanese literature. Many of the scenes have a long history in Japan, originating in the 900s o
RMPFC15J–. Der Tropenpflanzer; zeitschrift fr tropische landwirtschaft. Tropical plants; Tropical crops. der Anzug W. 5,25 GestrJaymi-Flanell - i.5,5ö [ngl. Oifd - i. 8,25 Gestr. kk. M â i. 11,00 Preise giltig für normale Grössen. Schlaf-Anzüge in jeder Preislage. Unterkleid der Zukunft Geeigneteste Unterkleidung für die TrojDen. â Poröses Oewebe â. Weisser Tropen-Anzug â vorscliriftsmässig â für die Offiziers - Chargen der Kaiserlichen Marine. Weisser, extrastarker Kutil in den Oberweiten ss â104 cm der Anzug Mk. O^^S» Grössere Nummern der Anzug Mk. 10,00. Auf Wunsch jede andere beliebige F
RMPAT46M–Key. Culture: German. Dimensions: Overall: 4 7/16 x 1 1/4 x 5/8 in. (11.2 x 3.2 x 1.6 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, o
RM2H0Y314–A Serpent Protects Vasudeva Taking His Infant Son Krishna to Safety, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Watercolor, graphite, ink, and tin on paper; painting only: 45 x 27.7 cm (17 11/16 x 10 7/8 in.). In the dead of night, Krishna was born to parents who were imprisoned by his evil uncle, the usurper king Kamsa. While a goddess compelled the guards to sleep, Krishna’s father Vasudeva, in the middle of a storm, spirited the newborn to safety in a cowherd village, where he exchanged Krishna for another infant. In the morning, Kamsa murdered the infant he thought was the child o
RMMW2AWB–. English: 'Vamana, the Dwarf Avatar of Vishnu Page from a dispersed series of the Bhagavata Purana (Story of the Lord Vishnu) Made in Mankot, Jammu and Kashmir, India c. 1700-25 Artist/maker unknown, India, Jammu and Kashmir, Mankot Opaque watercolor, gold, and silver-colored paint on paper 11 5/16 x 8 13/16 inches (28.7 x 22.4 cm) Currently not on view 2004-149-32 Alvin O. Bellak Collection, 2004 Label Through intensive religious rituals, the demon king Bali conquered the gods. The god Vishnu came to earth as Vamana, his fifth avatar, to defeat him. Vamana appeared as a dwarflike Brahmin. Wh
RM2B0DXKR–Egypt, shard, pot, pottery, 1, 8 x 8.5 cm, Ø = 10, 2, 6.5 x 4.5 cm, Ø = 10, 3, 7 x 9.5 cm, Ø =, 12, 4, 8 x 10 cm, Ø = 15, 5, 9.5 x 13 cm, Ø = 11, 6, 4.5 x 11 cm, Ø = 14, 7, 5.5 x 14.5 cm, Ø = 14, 8, 9 x 11 cm, Ø = 10, 9, 8 x 12 cm, Ø = 10, 10, 9.5 x 15 cm, Ø = 14, Meroitic Period, 2nd-4th century AD, Egypt
RM2H0XYPT–Half Angel: Angel Slaying a Dragon (obverse); Ship with Shield of Arms (reverse), 1526–44. England, Henry VIII, 1509-1547. Gold; diameter: 2.2 cm (7/8 in.). During his life Henry VII had accumulated enormous wealth, and it took his son, Henry VIII, until 1542 to squander it. Henry knew the English coinage had been debased in the past and did not see why it should not be debased again, this time for his personal benefit. Full debasement began officially in 1544. The angel varied in value from 6 shillings 8 pence to 11 shillings between Edward's reign and the time of James I. During the reign o
RMRYF5P5–Effects of recreational activity and livestock grazing on habitat use by breeding birds in Cottonwood Forests along the South Fork Snake River effectsofrecreat48saab Year: 1998 2-5 cm > 5-8 cm B 8 7 6 (IS JZ 00 o o o CO w CO z LU Q ^ LU h- co 5 - 4 3 2 1 - 0 'P=0.39F 'WWW A1AVAW 8-23 cm >23-38 cm >38cm STEM SIZE CLASS Fig. 7. Average stem densities for small stems (A) per 5-m radius (0.008 ha) sampling station, and large stems (B) per 11.3-m radius (0.04 ha) sampling station within each land-use type. Vertical lines represent 1 SE. Within each stem size class, different lower-cas
RMKNW5D9–Drawing of the Clyde (Liber Studiorum, part IV, plate 18) MET DP821397 383000 Artist: Design and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Charles Turner, British, Woodstock, Oxfordshire 1774?1857 London, Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809, Etching and mezzotint; first state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 1/4 x 11 9/16 in. (21 x 29.4 cm). The Metropolitan Museum of Art, New York. H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929 (29.107.115)
RM2AG63XW–. Antike Bronzestatuetten. u. O. 8. Behelmter Jünglinp. Ausder Umgegend von Candia.Candia, Museum. Hohe 11,5 cm. (S. 2.V) y. Betender Mann. Aus lylissos, Kreta. Candia, Museum. Höhe 25 cm. Nach geiöntem Gipsabguß. (S. 22.)
RF2B9CW8K–Initial O: A Woman Receiving Communion, Workshop of Gerard Horenbout (Flemish, 1465 - 1541), Ghent (illuminated, probably), Belgium, about 1500, Tempera colors and gold paint on parchment, Leaf: 15.2 x 11.1 cm (6 x 4 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![. Der waldbau. . gig. 11. m-12- meift nur bie benarbte obere Sobenfd^id^t ah unb ma(^en eine ebene glatte 3^urci^en[o§te, S^er 3Uein a nn'ff^e Wm (^ig- 13) ift "" t)öl3erner 9{äberpfljtg, et Jriegt 145 kg, arbeitet ftctig unb fieser, trirft fyurdjen Don 45 cm SBreite unb 15 cm 2;tefe auf unb flappt bu tJurc^fc^nitte nac^ beiben ©eiten um. Sin einem 3lrbeit§tage (8 ©tunben) läfet fic^ mit bemfetben eine ebene gleiche öon etnja 2 ha bei 4pferbi9er ißefpannung üoüftänbig umpflügen.') S^er 9iüberSborfer 5Pflug(gig. 14) ift ein einfa(^e§ ^olagefteü, an Webern bie cinjctncn Slrbeitsteite b Stock Photo](https://c8.alamy.com/comp/PFBH72/der-waldbau-gig-11-m-12-meift-nur-bie-benarbte-obere-sobenfdidt-ah-unb-maen-eine-ebene-glatte-3urcien-ote-ser-3uein-a-nnffe-wm-ig-13-ift-quotquot-tl3erner-9berpfljtg-et-jriegt-145-kg-arbeitet-ftctig-unb-fieser-trirft-fyurdjen-don-45-cm-sbreite-unb-15-cm-2tefe-auf-unb-flappt-bu-tjurcfcnitte-nac-beiben-eiten-um-sin-einem-3lrbeittage-8-tunben-lfet-fic-mit-bemfetben-eine-ebene-gleiche-on-etnja-2-ha-bei-4pferbi9er-iefpannung-oftnbig-umpflgen-ser-9ibersborfer-5pfluggig-14-ift-ein-einfae-olagefte-an-webern-bie-cinjctncn-slrbeitsteite-b-PFBH72.jpg ". Der waldbau. . gig. 11. m-12- meift nur bie benarbte obere Sobenfd^id^t ah unb ma(^en eine ebene glatte 3^urci^en[o§te, S^er 3Uein a nn'ff^e Wm (^ig- 13) ift "" t)öl3erner 9{äberpfljtg, et Jriegt 145 kg, arbeitet ftctig unb fieser, trirft fyurdjen Don 45 cm SBreite unb 15 cm 2;tefe auf unb flappt bu tJurc^fc^nitte nac^ beiben ©eiten um. Sin einem 3lrbeit§tage (8 ©tunben) läfet fic^ mit bemfetben eine ebene gleiche öon etnja 2 ha bei 4pferbi9er ißefpannung üoüftänbig umpflügen.') S^er 9iüberSborfer 5Pflug(gig. 14) ift ein einfa(^e§ ^olagefteü, an Webern bie cinjctncn Slrbeitsteite b Stock Photo")
RMPFBH72–. Der waldbau. . gig. 11. m-12- meift nur bie benarbte obere Sobenfd^id^t ah unb ma(^en eine ebene glatte 3^urci^en[o§te, S^er 3Uein a nn'ff^e Wm (^ig- 13) ift "" t)öl3erner 9{äberpfljtg, et Jriegt 145 kg, arbeitet ftctig unb fieser, trirft fyurdjen Don 45 cm SBreite unb 15 cm 2;tefe auf unb flappt bu tJurc^fc^nitte nac^ beiben ©eiten um. Sin einem 3lrbeit§tage (8 ©tunben) läfet fic^ mit bemfetben eine ebene gleiche öon etnja 2 ha bei 4pferbi9er ißefpannung üoüftänbig umpflügen.') S^er 9iüberSborfer 5Pflug(gig. 14) ift ein einfa(^e§ ^olagefteü, an Webern bie cinjctncn Slrbeitsteite b
RMPB1KEE–Pair of Percussion Target Pistols Made for Display at the Crystal Palace Exhibition in London, 1851. Barrelsmith: Barrels by Léopold Bernard (French, Paris, active 1832-70). Culture: French, Paris. Designer: Designed by Michel Liénard (French, La Bouille 1810-1870 Brussels). Dimensions: L. of each pistol 17 1/4 in. (44 cm); L. of each barrel 11 3/8 in. (28.8 cm); Cal. of each barrel .46 in. (12 mm). Gunsmith: Signed by Alfred Gauvain (French, Paris 1801-1889 Paris). Date: dated 1851. Made by the Parisian gunsmith Alfred Gauvain (1801-1889) for display at the Great Exhibition of the Industry o
RMMWW87N–. English: 'Vamana, the Dwarf Avatar of Vishnu Page from a dispersed series of the Bhagavata Purana (Story of the Lord Vishnu) Made in Mankot, Jammu and Kashmir, India c. 1700-25 Artist/maker unknown, India, Jammu and Kashmir, Mankot Opaque watercolor, gold, and silver-colored paint on paper 11 5/16 x 8 13/16 inches (28.7 x 22.4 cm) Currently not on view 2004-149-32 Alvin O. Bellak Collection, 2004 Label Through intensive religious rituals, the demon king Bali conquered the gods. The god Vishnu came to earth as Vamana, his fifth avatar, to defeat him. Vamana appeared as a dwarflike Brahmin. Wh
RM2B0DXK8–Egypt, border shards, pot, earthenware, 1, 9 x 8 cm, Ø = 14, 2, 6.5 x 9.5 cm, Ø = 14, 3, 4.5 x 8 cm, Ø = 12, 4, 11.5 x 12 cm, 5, 4 x 6.5 cm, 6, 3.5 x 4 cm, Ø = 20, 7, 4.5 x 7.5 cm, Ø = 16, 8, 8 x, 9 cm, Ø = 12, 9, 6.5 x 13.5 cm, Ø = 12, 10, 4.5 x 6.5 cm, Ø = 16, Meroitic Period, 2nd-4th century AD, Egypt
RM2H10719–Hanger (Hunting Sword), late 1600s. Jaspar Bongen the Younger (German, active late 1600s). Steel; gold and silver damascened hilt; overall: 73 cm (28 3/4 in.); blade: 57.7 cm (22 11/16 in.); quillions: 17.5 cm (6 7/8 in.). Damascening, the technique of hammering gold and silver wires into grooves cut to receive them, enlivens this sword's hilt. Further texture was added with wires to improve the user's grip, which allowed him to hunt with more control and accuracy. Hunting was a popular sport among the wealthy and many nobles owned tracts of forest, but peasants were prohibited from hunting o
RMRX8HHR–Eesti Looduseuurijate Seltsi aastaraamat (1976) Eesti Looduseuurijate Seltsi aastaraamat eestilooduseuuri2123eest Year: 1976 LIII CD CD CÖ CD CÖ <j .5 tj su w a cö - cö P- Ph i Sh i- o Ph cö s-* fiö S g . s-t EH 8 O CM Oi o Oi »—H CM Oi Oi 00 Oi CM o Oi CM co* Oi O Oi 00 CM iO o Oi o 00 o Oi Ph H . cö t-H Ph ^ rf'^ CD CD loa 3'? Ph cö 11 S ^ tH X CD « CD Oh 0 Oh CC QQ O Oh O Oh CD Ph.£ CD Z §1 O :CÖ Oh r-^ cö §1 a cö VO ö Oh Ph S Ph Ph ' Ph EH CD -Oh Oh g Oh X X X o . bfl W .2 .Oh o Ph « Oh i -1 te ^ X
RM2M9315Y–Out Hunting for Teeth (A caza de dientes) Francisco de Goya y Lucientes (Spanish, 1746-1828). Out Hunting for Teeth (A caza de dientes), 1797-1798. Etching, aquatint, and burin on laid paper, Sheet (Uneven): 11 7/8 x 8 in. (30.2 x 20.3 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museum’s rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values o
RM2H0Y68C–Flowers of a Hundred Worlds (Momoyogusa): Susuki Grass in Moonlight (Obana ni tsuki), 1909-10. Kamisaka Sekka (Japanese, 1866-1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This print from a set of three woodblock printed albums displays the graphic design prowess of Kamisaka Sekka. The images were first distributed one by one to subscribers to the series but later were reissued in bound form, like this book, for mass consumers. Each print features a vignette taken from nature or Japanese literature. Many of the scenes have a long history in Japan, o
RM2H0Y657–Flowers of a Hundred Worlds (Momoyogusa), vols. 1-3, 1909-10. Kamisaka Sekka (Japanese, 1866-1942). Woodblock prints, ink, color, gold, and silver on paper; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This set of three woodblock printed albums displays the graphic design prowess of Kamisaka Sekka. The images were first distributed one by one to subscribers to the series but later were reissued in bound form, like these books, for mass consumers. Each print features a vignette taken from nature or Japanese literature. Many of the scenes have a long history in Japan, originating in the 900s o
RM2M9314N–Out Hunting for Teeth (A caza de dientes) Francisco de Goya y Lucientes (Spanish, 1746-1828). Out Hunting for Teeth (A caza de dientes), 1797-1798. Etching, aquatint, and burin on laid paper, Sheet (Uneven): 11 7/8 x 8 in. (30.2 x 20.3 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museum’s rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values o
![[Calendrier des bergers :] Kalendrier et compost des bergiers . CO ?r- ad u> t p-> CvJ o 7 8 9 10 11 12 13 14 i il cm 1 6 8 9 10 11 12 13 14 15OEXV4SUP35. 4 Stock Photo](https://c8.alamy.com/comp/2AN1PWN/calendrier-des-bergers-kalendrier-et-compost-des-bergiers-co-r-ad-ugt-t-p-gt-cvj-o-7-8-9-10-11-12-13-14-i-il-cm-1-6-8-9-10-11-12-13-14-15oexv4sup35-4-2AN1PWN.jpg "[Calendrier des bergers :] Kalendrier et compost des bergiers . CO ?r- ad u> t p-> CvJ o 7 8 9 10 11 12 13 14 i il cm 1 6 8 9 10 11 12 13 14 15OEXV4SUP35. 4 Stock Photo")
RM2AN1PWN–[Calendrier des bergers :] Kalendrier et compost des bergiers . CO ?r- ad u> t p-> CvJ o 7 8 9 10 11 12 13 14 i il cm 1 6 8 9 10 11 12 13 14 15OEXV4SUP35. 4
RF2B9CW8A–Initial O: A Woman on her Deathbed with the Virgin and Child and Devils, Workshop of Gerard Horenbout (Flemish, 1465 - 1541), Cologne (written), Germany, about 1500, Tempera colors and gold paint on parchment, Leaf: 15.2 x 11.1 cm (6 x 4 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![. Der waldbau. gig. 11. m-12- meift nur bie benarbte obere Sobenfd^id^t ah unb ma(^en eine ebene glatte 3^urci^en[o§te, S^er 3Uein a nn'ff^e Wm (^ig- 13) ift "" t)öl3erner 9{äberpfljtg, et Jriegt 145 kg, arbeitet ftctig unb fieser, trirft fyurdjen Don 45 cm SBreite unb 15 cm 2;tefe auf unb flappt bu tJurc^fc^nitte nac^ beiben ©eiten um. Sin einem 3lrbeit§tage (8 ©tunben) läfet fic^ mit bemfetben eine ebene gleiche öon etnja 2 ha bei 4pferbi9er ißefpannung üoüftänbig umpflügen.') S^er 9iüberSborfer 5Pflug(gig. 14) ift ein einfa(^e§ ^olagefteü, an Webern bie cinjctncn Slrbeitsteite bef Stock Photo](https://c8.alamy.com/comp/PFBH6X/der-waldbau-gig-11-m-12-meift-nur-bie-benarbte-obere-sobenfdidt-ah-unb-maen-eine-ebene-glatte-3urcien-ote-ser-3uein-a-nnffe-wm-ig-13-ift-quotquot-tl3erner-9berpfljtg-et-jriegt-145-kg-arbeitet-ftctig-unb-fieser-trirft-fyurdjen-don-45-cm-sbreite-unb-15-cm-2tefe-auf-unb-flappt-bu-tjurcfcnitte-nac-beiben-eiten-um-sin-einem-3lrbeittage-8-tunben-lfet-fic-mit-bemfetben-eine-ebene-gleiche-on-etnja-2-ha-bei-4pferbi9er-iefpannung-oftnbig-umpflgen-ser-9ibersborfer-5pfluggig-14-ift-ein-einfae-olagefte-an-webern-bie-cinjctncn-slrbeitsteite-bef-PFBH6X.jpg ". Der waldbau. gig. 11. m-12- meift nur bie benarbte obere Sobenfd^id^t ah unb ma(^en eine ebene glatte 3^urci^en[o§te, S^er 3Uein a nn'ff^e Wm (^ig- 13) ift "" t)öl3erner 9{äberpfljtg, et Jriegt 145 kg, arbeitet ftctig unb fieser, trirft fyurdjen Don 45 cm SBreite unb 15 cm 2;tefe auf unb flappt bu tJurc^fc^nitte nac^ beiben ©eiten um. Sin einem 3lrbeit§tage (8 ©tunben) läfet fic^ mit bemfetben eine ebene gleiche öon etnja 2 ha bei 4pferbi9er ißefpannung üoüftänbig umpflügen.') S^er 9iüberSborfer 5Pflug(gig. 14) ift ein einfa(^e§ ^olagefteü, an Webern bie cinjctncn Slrbeitsteite bef Stock Photo")
RMPFBH6X–. Der waldbau. gig. 11. m-12- meift nur bie benarbte obere Sobenfd^id^t ah unb ma(^en eine ebene glatte 3^urci^en[o§te, S^er 3Uein a nn'ff^e Wm (^ig- 13) ift "" t)öl3erner 9{äberpfljtg, et Jriegt 145 kg, arbeitet ftctig unb fieser, trirft fyurdjen Don 45 cm SBreite unb 15 cm 2;tefe auf unb flappt bu tJurc^fc^nitte nac^ beiben ©eiten um. Sin einem 3lrbeit§tage (8 ©tunben) läfet fic^ mit bemfetben eine ebene gleiche öon etnja 2 ha bei 4pferbi9er ißefpannung üoüftänbig umpflügen.') S^er 9iüberSborfer 5Pflug(gig. 14) ift ein einfa(^e§ ^olagefteü, an Webern bie cinjctncn Slrbeitsteite bef
RMPAMC33–There's no denying it's me!..., from 'The public at the exhibition,' published in Le Petit Journal pour Rire, June 18, 1864. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 8 13/16 × 8 11/16 in. (22.4 × 22 cm) Sheet: 17 7/16 × 12 1/16 in. (44.3 × 30.7 cm). Series/Portfolio: 'The public at the exhibition' (Le public à l'exposition). Date: June 18, 1864. 'There is no denying it's me, those are certainly my fine contours, but I'll always be sorry that the artist stubbornly refused to put in my glasses and my detachable collar!'. Museum: Metropolitan Museum o
RMP790TF–Bilibin, Ivan (Jean Bilibine) Two Costumes to the Miracle DEYSTVO O TEOFILE ('The Miracle of Theophilus') 1907 Medium: Gouache and pencil on paper Size in inches: a) 8-7/8' x 4-3/8'; b) 8-7/8' x 5-5/8' Size in centimeters: a) 22.5 x 11.1 cm; b) 22.5 x 14.3 cm Comments: Artist: Ivan Yakovlevich Bilibin (1876-1942). Initials and date on front of one costume. Unframed. DEYSTVO O TEOFILE ('The Miracle of Theophilus'): Text by Rutebeuf. Translation by Aleksandr Aleksandrovich Blok (1880-1921). STARINNY TEATR ('Antique Theater') of Nikolay Nikolaevich Evreinov (1879-1953) and Baron N. V. Drizen. Pro
RM2B0DX8G–Egypt, shard, earthenware, 1, 7 x 7 cm, 2, 5 x 8.5 cm, 3, 4 x 4.5 cm, Ø = 14, 4, 7 x 6.5 cm; 5, 9, x 10.5 cm, 6, 6.5 x 5 cm, Ø = 15, 7: 5.5 x3, Ø = 3.5 cm, 8, 3 x 3.5 cm, 9, 3 x 2 cm, 10, 2, x 2 cm, 11: 3 x 3.5 cm, 12, 1.5 x 2 cm, 13, 2.5 x 3.5 cm, Ø = 15, Meroitic Period, 2nd-4th century AD, Egypt
RMT03992–Dr. L. Rabenhorst's Kryptogamen-Flora von Deutschland, Oesterreich und der Schweiz . drlrabenhorstskr0601rabe Year: 1906 Fimhriaria. 273 den T li a 1111 s e n d G n S p i t z e 11 a n li ä n ^ s 0 1 kegelförmig, mit 3—4 li e s o 11 d 0 r s ;2: r o ß e n . g r a u ^v e i 13 e n mit gekci-btem Jland. O 1 n f 1 o r e s c e ii z Kapseln, auf 0,5 cm langem Träger, der unten von einem dichten Kranz 1 a n z e 111 i c h e r bis . fadenförmiger, langer, wasser- M'^i§-^^ heller 8 ch u p p e n um geben ist. Perianth eiförmig, ab- A'ärts gerichtet, in 6 — 8 an der Spitze zusammenhängende, ziemlich breit
RM2M9316E–Out Hunting for Teeth (A caza de dientes) Francisco de Goya y Lucientes (Spanish, 1746-1828). Out Hunting for Teeth (A caza de dientes), 1797-1798. Etching, aquatint, and burin on laid paper, Sheet (Uneven): 11 7/8 x 8 in. (30.2 x 20.3 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museum’s rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values o
RM2H10D67–His Perfumed Highness from Album of Illustrations for the Tale of Genji, 1600s. Japan, Edo period (1615-1868). Accordion album; ink, light color, and gold on paper; each leaf: 26.3 x 22 cm (10 3/8 x 8 11/16 in.); painting only: 17 x 20.6 cm (6 11/16 x 8 1/8 in.). This album contains illustrations for the classic literary work the Tale of Genji, authored in the 1000s by Murasaki Shikibu, an aristocrat of the Heian period (794–1185) court. The scenes are painted in the “white drawing” (hakuby?) mode, in which a fine ink line is used to depict figures and spaces with great subtlety, punctuated o
Search Results for O 11 8 cm Stock Photos and Images (625)
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