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Number 49 Stock Photos and Images
RM2JE53GY–Design and plan of altar with rocaille ornaments. Publisher number 49., Altar designs for altars (series title), print maker: anonymous, intermediary draughtsman: Franz Xaver Habermann, (mentioned on object), publisher: Johann Georg Hertel (I), (mentioned on object), Augsburg, 1740 - 1745, paper, engraving, h 330 mm × w 215 mm
RM2T8M0RK–Profile head of a bald old monk to the left, Anonymous, Drawing, Pencil; stone chalk; Red chalk, 26 x 21 cm, l.l. Duke Albert of Saxe-Teschen, lower left in pencil 'Hans Holbein'; Old chalk number '49' lower right
RM2JE44W8–Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, A mathematical figure. Below, a firefight between horsemen near a town (Moyenvic). In the upper right corner the number 49 (= the number of the page in the book against which the illustration is placed)., print maker: Romeyn de Hooghe, Romeyn de Hooghe, Amsterdam, 1672, paper, etching, h 186 mm × w 111 mm
RM2JE53GX–Design and plan of altar with rocaille ornaments. Left and right Paul with sword and book and Peter with key. At the top of the all-seeing eye surrounded by rays. Publisher number 49., Altar with Peter and Paul Designs for altars (series title), print maker: anonymous, intermediary draughtsman: Franz Xaver Habermann, (mentioned on object), publisher: Johann Georg Hertel (I), (mentioned on object), Augsburg, 1740 - 1745, paper, engraving, h 329 mm × w 214 mm
RM2JE53KF–Design and plan of altar with rocaille ornaments. Left and right a female saint with palm branch and sword and a man with helmet, armour and lance with flag. Publisher number 49., Altar with woman and man Design for altars (series title), print maker: anonymous, intermediary draughtsman: Franz Xaver Habermann, (mentioned on object), publisher: Johann Georg Hertel (I), (mentioned on object), Augsburg, 1740 - 1745, paper, engraving, h 331 mm × w 216 mm
RM2T8HNYJ–FRIEDRICH MOOSBRUGGER, family playing cards, sheet, 109 x 155 mm, pencil on vellum paper, family playing cards, FRIEDRICH MOOSBRUGGER, page, adhesive album of Marie Auguste Emilie Freiin von Günderrode, page 49, part number / total, 1 / 2, 19TH CENTURY, DRAWING, pencil on vellum paper, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PENCIL DRAWING, GERMAN, FIGURE STUDY, COMPOSITION STUDY, Not labeled
RM2T8M1NP–The punishment of the intemperate in hell, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1579, drawing, pen, brown and red wash, 49 x 73.5 cm, l.l. Duke Albert of Saxe-Teschen, lower center 'Zucaro'; Quill number '160' lower right
RM2T8MEN8–In Florence, Leopold II awards Archdukes Franz and Ferdinand the Order of Toison d'or, Caspar Franz Sambach (Breslau 1715 - 1795 Vienna), drawing, pen, grey-brown wash, passe-partout: 53.9 x 49 cm, r.r. Duke Albert of Saxe-Teschen, counting number from 1-14 above the individual heads
RM2T8NG5E–Vienna I, Hofburg, overall plan, 3rd floor, floor plan, with subsequent drawing of the ceremonial hall, 1776-1826, plan, chalk (preliminary drawing); pen and ink in black; red and brown pen, pencil; multicolored wash, sheet: 49.1 x 70.6 cm, recto: room numbers, verso: 'Stadt 185.'; 'Number 10
RM2T8HFXK–CARL THEODOR REIFFENSTEIN, piece of lawn, July 24, 1890, sheet, 157 x 113 mm, pencil on paper, piece of lawn, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 42, page 49, part number / total, 2 / 2, ELTVILLE AM RHEIN, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, PLANT STUDY, TRAVEL STUDY, Dated and inscribed top right, in pencil, Eltville 24 July 90
RM2T8HDGD–CARL THEODOR REIFFENSTEIN, Cond, July 26, 1881, sheet, 158 x 228 mm, pencil on paper, Cond, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 37, page 49, part number / total, 1 / 2, COND, COCHEM, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, LANDSCAPE STUDY, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower left, in pencil, Cond. July 26, 1881., Numbered on the page above the drawing, in pencil, 1
RM2T8HA88–CARL THEODOR REIFFENSTEIN, building with tower in Dietersheim, August 14, 1873, sheet, 97 x 125 mm, pencil on paper, building with tower in Dietersheim, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 31, page 49, part number / total, 2 / 3, DIETERSHEIM, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Dietesheim 14 Aug 1873., Numbered on the page to the right of the drawing, with pen in black
RM2T8HFDB–CARL THEODOR REIFFENSTEIN, building ensemble in Hirschhorn, August 3, 1887, sheet, 158 x 117 mm, pencil on paper, building ensemble in Hirschhorn, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 41, page 49, part number / total, 2 / 2, HIRSCHHORN, NECKAR, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower left, in pencil, Hirschhorn 3 Aug 1887, Numbered on the page below the drawing, with pen in black
RM2T8HFXX–CARL THEODOR REIFFENSTEIN, The cover of an ice cellar or well in Eltville, July 27, 1890, sheet, 154 x 113 mm, pencil on paper, The cover of an ice cellar or well in Eltville, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 42, page 49, part number / total, 1 / 2, ELTVILLE AM RHEIN, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, PLANT STUDY, TRAVEL STUDY, Dated and inscribed lower left, in pencil, Eltville. July 27th. 1890
RM2T8HA7W–CARL THEODOR REIFFENSTEIN, house entrance in Sobernheim, August 24, 1873, sheet, 108 x 84 mm, pencil on paper, house entrance in Sobernheim, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 31, page 49, part number / total, 3 / 3, BAD SOBERNHEIM, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, SKETCH, Dated and inscribed lower left, in pencil, Sobernheim 24 Aug 1873, Numbered on the page to the right of the drawing, with pen in black
RM2T8H96E–CARL THEODOR REIFFENSTEIN, tracery window of the fountain chapel of the Maulbronn monastery, August 12, 1871, sheet, 151 x 115 mm, pencil, watercolored, on paper, tracery window of the fountain chapel of the Maulbronn monastery, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 30, page 49, part number / total, 2 / 3, MAULBRONN MONASTERY, 19TH CENTURY, DRAWING, pencil, watercolored, on paper, GRAPHITE-CLAY MIXTURE, WATERCOLOR, PAPER, PENCIL DRAWING, WATERCOLOR, GERMAN, ARCHITECTURAL STUDY, TRACING, TRAVEL STUDY, dated and inscribed bottom right, with pencil, Maulbronn. Brunnenkapelle
RM2T8H8JD–CARL THEODOR REIFFENSTEIN, Kahler Baum bei Friedrichshafen, August 7, 1869, sheet, 109 x 140 mm, pencil on paper, Kahler Baum bei Friedrichshafen, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 29, page 49, part number / total, 3 / 3, FRIEDRICHSHAFEN, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, TREE STUDY, TRAVEL STUDY, STUDY, Dated and inscribed lower left, in pencil, Friedrichshafen 7 Aug 1869, Numbered on the Page above the drawing, with pen in black
RM2T8H96Y–CARL THEODOR REIFFENSTEIN, fountain chapel in the cloister of the Maulbronn monastery, August 11, 1871, sheet, 118 x 156 mm, pencil on paper, fountain chapel in the cloister of the Maulbronn monastery, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 30, page 49, part number / overall, 3 / 3, MAULBRONN MONASTERY, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Maulbronn Aug 11, 1871 ., Numbered on the page below the drawing, in pencil, 3
RM2T8HDG4–CARL THEODOR REIFFENSTEIN, shore area of the Wolfgangsee with a tower, September 20, 1881, sheet, 110 x 151 mm, pencil on paper, shore area of the Wolfgangsee with a tower, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 37, page 49, part number / overall, 2 / 2, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, LANDSCAPE STUDY, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Wolfgang See 20 Sept 1881., Numbered on the page below the drawing, in pencil, 2
RM2T8H8KH–CARL THEODOR REIFFENSTEIN, Transition between Meersburg Castle and New Castle, Lake Constance in the background, August 8, 1869, sheet, 157 x 119 mm, pencil, watercolored, on paper, Transition between Meersburg Castle and New Castle, Lake Constance in the background, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 29, page 49, part number / total, 2 / 3, MEERSBURG, 19TH CENTURY, DRAWING, pencil, watercolored, on paper, GRAPHITE-CLAY MIXTURE, WATERCOLOR, PAPER, PENCIL DRAWING, WATERCOLOR, GERMAN, ARCHITECTURAL STUDY, LANDSCAPE STUDY, TRAVEL STUDY, Dated and inscribed lower left, in
RM2T8HE3F–CARL THEODOR REIFFENSTEIN, arched frieze at the church in Marienhausen, September 4, 1883, sheet, 135 x 117 mm, pencil on paper, arched frieze at the church in Marienhausen, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 38, page 49, part number / overall, 1 / 2, NEUWIED, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, ORNAMENT STUDY, TRAVEL STUDY, Dated and inscribed lower left, in pencil, Marienhausen. Church. 4 Aug. 1883., Numbered on the page above the drawing, in black pen
RM2T8HCRH–CARL THEODOR REIFFENSTEIN, tree next to a bridge, August 3, 1880, sheet, 132 x 94 mm, pencil on paper, tree next to a bridge, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 36, page 49, part number / total, 2 / 3, BAD SALZSCHLIRFUmkreis, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, TREE STUDY, ARCHITECTURAL STUDY, TRAVEL STUDY, STUDY, Dated and inscribed lower right, in pencil, Salzschlirf 3 Aug 1880., Numbered on the page above the drawing, with pen in black
RM2T8HCT4–CARL THEODOR REIFFENSTEIN, tree next to a bridge, August 8, 1880, sheet, 167 x 238 mm, pencil on paper, tree next to a bridge, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 36, page 49, part number / total, 3 / 3, BAD SALZSCHLIRFUmkreis, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, TREE STUDY, ARCHITECTURAL STUDY, LANDSCAPE STUDY, TRAVEL STUDY, STUDY, Dated and inscribed lower right, in pencil, Salzschlirf 8 Aug . 1880, numbered on the page below the drawing, with pen in black
RM2T8H97M–CARL THEODOR REIFFENSTEIN, tracery window of the fountain chapel of the Maulbronn monastery, August 12, 1871, sheet, 152 x 115 mm, pencil, watercolored, on paper, tracery window of the fountain chapel of the Maulbronn monastery, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 30, page 49, part number / total, 1 / 3, MAULBRONN MONASTERY, 19TH CENTURY, DRAWING, pencil, watercolored, on paper, GRAPHITE-CLAY MIXTURE, WATERCOLOR, PAPER, PENCIL DRAWING, WATERCOLOR, GERMAN, ARCHITECTURAL STUDY, TRACING, TRAVEL STUDY, Dated lower left, in pencil, Aug 12, 1871.; Inscribed lower right
RM2T8HCTC–CARL THEODOR REIFFENSTEIN, tree next to a bridge, August 2, 1880, sheet, 107 x 86 mm, pencil on paper, tree next to a bridge, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 36, page 49, part number / total, 1 / 3, BAD SALZSCHLIRFUmkreis, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, TREE STUDY, ARCHITECTURAL STUDY, TRAVEL STUDY, STUDY, Dated and inscribed lower left, in pencil, Salzschlirf 2 Aug. 1880 ., Numbered on the page above the drawing, with pen in black
RM2T8H8JM–CARL THEODOR REIFFENSTEIN, The facade of the Gredhaus in Meersburg, August 8, 1869, sheet, 153 x 112 mm, pencil, yellow-brown wash, on paper, The facade of the Gredhaus in Meersburg, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 29, page 49, part number / total, 1 / 3, MEERSBURG, 19TH CENTURY, DRAWING, pencil, yellow-brown wash, on paper, GRAPHITE-CLAY MIXTURE, INK?, INK?, PAPER, PENCIL DRAWING, WASH, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower left, in pencil, Meersburg 8 Aug 1869, numbered on the page above the drawing, in black pen
RM2T8HBNN–CARL THEODOR REIFFENSTEIN, building ensemble in Falkenstein, August 27, 1877, sheet, 118 x 150 mm, pencil on vellum paper, building ensemble in Falkenstein, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 34, page 49, part number / total, 1 / 2, KÖNIGSTEIN-FALKENSTEIN, 19TH CENTURY, DRAWING, pencil on vellum paper, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Falkenstein. Aug 27, 1877, Numbered on the page to the right of the drawing, in black pen, Inscribed on the page to the right of
RM2T8HA85–CARL THEODOR REIFFENSTEIN, building and decorative elements with a floral pattern in the Disibodenberg monastery, August 24, 1873, sheet, 117 x 156 mm, pencil on paper, building and decorative elements with a floral pattern in the Disibodenberg monastery, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, Volume 31, page 49, part number / total, 1 / 3, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, STUDY AFTER A ROOM DECOR, TRAVEL STUDY, Dated and inscribed lower left, with pencil, Dissibodenberg 24 Aug 1873.; inscribed above
RM2T8HBNE–CARL THEODOR REIFFENSTEIN, building ensemble in Falkenstein, July 31, 1877, sheet, 119 x 153 mm, pencil on vellum paper, building ensemble in Falkenstein, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 34, page 49, part number / total, 2 / 2, KÖNIGSTEIN-FALKENSTEIN, 19TH CENTURY, DRAWING, pencil on vellum paper, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower left, in pencil, Falkenstein 31 July 1877, numbered on the right side next to the drawing, in black pen, labeled on the page to the right of the
RM2T8MH34–Jesus among the scribes, Anonymous, Drawing, pen; washed; assembled from at least four pieces; severe damage to the edges; holes; bad condition, 49.0 x 73.0 cm, i.d.Mi. in the base in old pen 'Titien' and in the same pen on the left '10'; the word 'Titiano' in brutal pencil writing; on the left piece left and right old nib number '4'; on the lower right piece old pen number in mirror writing lower left, upside down '3'; to the right in the book, which the scribe is holding on his knee in the front right, 'Tizian ..' in old pen
RM2T8HNYB–FRIEDRICH MOOSBRUGGER, donkey ride, bridal couple on a donkey and three other figures, sheet, 93 x 120 mm, pen and brown over pencil, traces, on vellum paper, donkey ride, bridal couple on a donkey and three other figures, FRIEDRICH MOOSBRUGGER, page, Adhesive album of Marie Auguste Emilie Freiin von Günderrode, page 49, part number / total, 2 / 2, 19th CENTURY, DRAWING, brown pen over pencil, traces, on vellum paper, INK?, INK?, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PEN DRAWING, PENCIL DRAWING, GERMAN, FIGURE STUDY, MOVEMENT STUDY, COMPOSITION STUDY, SKETCH, Verso inscribed across the sheet
RM2T8HE44–CARL THEODOR REIFFENSTEIN, baptismal font in the Rüdesheim-Eibingen monastery, August 15, 1883, sheet, 111 x 118 mm, pencil, yellow-brown wash, on paper, baptismal font in the Rüdesheim-Eibingen monastery, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 38, page 49, part number / total, 2 / 2, RÜDESHEIM-EIBINGEN, 19TH CENTURY, DRAWING, pencil, yellow-brown wash, on paper, GRAPHITE-CLAY MIXTURE, INK?, INK?, PAPER, PENCIL DRAWING, WASH, GERMAN, STUDY AFTER A SCULPTURAL WORK, TRAVEL STUDY, dated and inscribed lower left, in pencil, Monastery. 15 Aug 1883.; Inscribed top left, in
RM2T8HFD7–CARL THEODOR REIFFENSTEIN, bush in front of a window of the Kettenhof near Frankfurt am Main, July 11, 1887, sheet, 157 x 118 mm, pencil on paper, bush in front of a window of the Kettenhof near Frankfurt am Main, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, Volume 41, page 49, part number / total, 1 / 2, FRANKFURT AM MAIN, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, PLANT STUDY, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed below left, with pencil, Kettenhof. July 11, 1887, numbered on the page above the drawing, in black pen
RM2T8HEMF–CARL THEODOR REIFFENSTEIN, weather vane with a crucifixion scene in Boppard, August 2, 1885, sheet, 93 x 87 mm, pencil on paper, weather vane with a crucifixion scene in Boppard, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 40, page 49, part number / overall, 2 / 33, BOPPARD, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, STUDY AFTER A CRAFT, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Boppard Aug. 2, 1885.; Inscribed lower left, in pencil, 1655. / On a private house., Numbered on the page to the
RM2T8HEMW–CARL THEODOR REIFFENSTEIN, door hinge in Boppard, July 17, 1885, sheet, 117 x 93 mm, pencil, yellow-brown and blue-gray wash, on paper, door hinge in Boppard, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 40, page 49, part number / overall, 3 / 3, BOPPARD, 19TH CENTURY, DRAWING, pencil, yellow-brown and blue-gray wash, on paper, GRAPHITE-CLAY MIXTURE, INK?, WASH?, PAPER, PENCIL DRAWING, WASH, GERMAN, ARCHITECTURAL STUDY, STUDY AFTER A CRAFT, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Boppard July 17, 1885., Numbered on the page below the drawing, in black pen
RM2T8HHJ6–GASPARE DIZIANI, after SEBASTIANO RICCI, liberation of Peter from prison, sheet, min. 310 x min. 294 mm, height max, 318 mm, width max, 297 mm, pen in dark brown, brown wash, heightened in white, traces, border line on all sides in black, on brownish handmade paper, Peter's liberation from prison, GASPARE DIZIANI, inventor, after SEBASTIANO RICCI, part number / total, 49 / 126, 18TH CENTURY 17TH CENTURY, BAROQUE, DRAWING, pen in dark brown, brown wash, heightened with white, Traces, border line on all sides in black, on brownish handmade paper, INK?, INK?, OPERATION COLOR, HANDMADE PAPER
RM2T8HEN4–CARL THEODOR REIFFENSTEIN, door lintel in Boppard, August 5, 1885, sheet, 113 x 112 mm, pencil, yellow-brown wash, on paper, door lintel in Boppard, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 40, page 49, part number / total, 1 / 3, BOPPARD, 19TH CENTURY, DRAWING, pencil, yellow-brown wash, on paper, GRAPHITE-CLAY MIXTURE, INK?, INK?, PAPER, PENCIL DRAWING, WASH, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, dated and inscribed lower left, in pencil, Boppard 5 Aug 1885.; Inscribed at the top center, in pencil, 98, numbered on the page above the drawing, in black pen
RM2T91DWE–The Northern Hemisphere of the Celestial Globe, 1515 (probably printed 17th century), Albrecht Dürer, German, 1471–1528, 19 9/16 x 18 3/8 in. (49.69 x 46.67 cm) (sheet), Woodcut, Germany, 16th century, Albrecht Dürer's renowned celestial maps of the northern and southern hemisphere were the first star charts ever to be printed. The 48 classical constellations-the twelve signs of the zodiac, Orion, the Great Bear, and so on-that make of up core of these charts were carefully catalogued by Ptolemy in his Almagest. There were a number of drawn precedents of celestial maps found in Arabic
RM2T911HA–Standing Buddha, 8th century, Unknown Korean, 6 1/4 x 1 3/8 in. (15.88 x 3.49 cm), Gilt bronze, Korea, 8th century, During the Unified Silla period (668–935), Buddhism was promoted not only for the salvation of individual worshippers but also for the Korean nation as a whole. Buddhist temples proliferated and bronze images were cast in great number. Artists created small statues like this for use on family altars. While earlier images reflect sculptural styles prevalent in China, the somewhat blocky proportions, stern expression, and simplified drapery pattern of this Buddha
RM2T9157E–Chest of drawers, c. 1825, 43 1/2 x 47 x 23 1/4 in. (110.49 x 119.38 x 59.06 cm), Bird's eye and tiger maple, pine, tulip, United States, 19th century, Chests of drawers with bowed fronts flanked by caryatid figures or columns, such as this one, are often attributed to the Philadelphia area, where a significant number are known to have been owned and made. The form reflects a strong influence from the French Empire, or Neoclassical style. This example differs from most in that it is made of maple with rosewood details, more commonly found on Biedermeier style furniture made at this time
RM2T8EWFX–Portrait of Thorvaldsen, Rudolph Suhrlandt, 1781-1862, 1810, Painting, Portrait, The German painter Rudolph Suhrlandt was in Rome 1808-1816. While there he painted the portraits of a number of artists belonging to the German artists’ colony, but also one of Thorvaldsen, who is here portrayed as a dynamic, self-assured figure. Nor had Thorvaldsen any reason to hide his light under a bushel. He had in 1805 been given the title of professor in the Royal Danish Academy of Fine Arts at Copenhagen and in 1808 in the S. Luca Academy in Rome., Textile, Canvas, Color, Oil paint, Painted
Search Results for Number 49 Stock Photos and Images (41)
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