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Nineteent Stock Photos and Images
Pioneers in the great religious reformation of the nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pioneers-in-the-great-religious-reformation-of-the-nineteent-83184770.htmlRMER9B0J–Pioneers in the great religious reformation of the nineteent
. Català: Literatura de canya i cordill. Els fulls impresos es mostraven agafats per pinces en cordills perquè el comprador pogués triar. Parada de romanços al costat del convent de Sant Agustí (Barri de la Ribera, Barcelona) segons el gravat que acompanya un sainet publicat el 1850. Español: Literatura de caña y cordel. Las hojas impresas se mostraban sujetas por pinzas en cordeles para que el comprador pudiera elegir. Tienda de 'romanços' junto al convento de San Agustín (Barrio de la Ribera, Barcelona) según el grabado en un sainete publicado en 1850. 1850. Unknown. Anonymous from nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catal-literatura-de-canya-i-cordill-els-fulls-impresos-es-mostraven-agafats-per-pinces-en-cordills-perqu-el-comprador-pogus-triar-parada-de-romanos-al-costat-del-convent-de-sant-agust-barri-de-la-ribera-barcelona-segons-el-gravat-que-acompanya-un-sainet-publicat-el-1850-espaol-literatura-de-caa-y-cordel-las-hojas-impresas-se-mostraban-sujetas-por-pinzas-en-cordeles-para-que-el-comprador-pudiera-elegir-tienda-de-romanos-junto-al-convento-de-san-agustn-barrio-de-la-ribera-barcelona-segn-el-grabado-en-un-sainete-publicado-en-1850-1850-unknown-anonymous-from-nineteent-image188352235.htmlRMMXC55F–. Català: Literatura de canya i cordill. Els fulls impresos es mostraven agafats per pinces en cordills perquè el comprador pogués triar. Parada de romanços al costat del convent de Sant Agustí (Barri de la Ribera, Barcelona) segons el gravat que acompanya un sainet publicat el 1850. Español: Literatura de caña y cordel. Las hojas impresas se mostraban sujetas por pinzas en cordeles para que el comprador pudiera elegir. Tienda de 'romanços' junto al convento de San Agustín (Barrio de la Ribera, Barcelona) según el grabado en un sainete publicado en 1850. 1850. Unknown. Anonymous from nineteent
Sydney, Australia - July 24 2023: Interior view of the richly decorated classic Queen Victoria Building shopping arcade that dates from late-nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sydney-australia-july-24-2023-interior-view-of-the-richly-decorated-classic-queen-victoria-building-shopping-arcade-that-dates-from-late-nineteent-image612426555.htmlRF2XGAC8Y–Sydney, Australia - July 24 2023: Interior view of the richly decorated classic Queen Victoria Building shopping arcade that dates from late-nineteent
The Zeke Dustin Place home site cellar hole along Sandwich Notch Road in Sandwich, New Hampshire USA. During the early nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-zeke-dustin-place-home-site-cellar-hole-along-sandwich-notch-road-87815080.htmlRMF2T90T–The Zeke Dustin Place home site cellar hole along Sandwich Notch Road in Sandwich, New Hampshire USA. During the early nineteent
The Devil Speaks, 1893-94. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-devil-speaks-1893-94-image349007688.htmlRM2B7PJT8–The Devil Speaks, 1893-94.
Troop C, Ninth U.S. Cavalry, Captain Taylor leading the charge at The Battle of San Juan Hill, 1 July 1898, aka the battle for the San Juan Heights, during the Spanish-American War. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-troop-c-ninth-us-cavalry-captain-taylor-leading-the-charge-at-the-119311128.htmlRMGX32FM–Troop C, Ninth U.S. Cavalry, Captain Taylor leading the charge at The Battle of San Juan Hill, 1 July 1898, aka the battle for the San Juan Heights, during the Spanish-American War.
The Judas Kiss. (Matthew, Chapter XXVI, verses 48 to 54). Drawing by G. Dore and engraved by Pannemaker. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-judas-kiss-matthew-chapter-xxvi-verses-48-to-54-drawing-by-g-dore-27236712.htmlRMBG8MKM–The Judas Kiss. (Matthew, Chapter XXVI, verses 48 to 54). Drawing by G. Dore and engraved by Pannemaker.
The Lincoln year book : axioms and aphorisms from the great emancipator . MAY. SIX TEENT H One poor man, colored though he be,with God on his side, is stronger againstus than the hosts of the Rebellion. S EVENTEENTH Never fear, victory will come. EIG HTEENT H The Lord has not deserted me thusfar, and He is not going to now. NINETEENT H I remember my mothers prayers and^^ they have always followed me. Theyhave clung to me all my life. TWEN TIETH Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lincoln-year-book-axioms-and-aphorisms-from-the-great-emancipator-may-six-teent-h-one-poor-man-colored-though-he-bewith-god-on-his-side-is-stronger-againstus-than-the-hosts-of-the-rebellion-s-eventeenth-never-fear-victory-will-come-eig-hteent-h-the-lord-has-not-deserted-me-thusfar-and-he-is-not-going-to-now-nineteent-h-i-remember-my-mothers-prayers-and-they-have-always-followed-me-theyhave-clung-to-me-all-my-life-twen-tieth-image338359473.htmlRM2AJDGXW–The Lincoln year book : axioms and aphorisms from the great emancipator . MAY. SIX TEENT H One poor man, colored though he be,with God on his side, is stronger againstus than the hosts of the Rebellion. S EVENTEENTH Never fear, victory will come. EIG HTEENT H The Lord has not deserted me thusfar, and He is not going to now. NINETEENT H I remember my mothers prayers and^^ they have always followed me. Theyhave clung to me all my life. TWEN TIETH
IN THE SPANISH BLACK COUNTRY, IN AN ANDALUSIAN LEAD MINING DISTRICT, 1876: Interior of a Miner's Cavern, Civil Guard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-in-the-spanish-black-country-in-an-andalusian-lead-mining-district-77355312.htmlRMEDRRDM–IN THE SPANISH BLACK COUNTRY, IN AN ANDALUSIAN LEAD MINING DISTRICT, 1876: Interior of a Miner's Cavern, Civil Guard
!['A game of Political Shuttlecock', 1831. Prime Minister Charles Grey: 'Keep it up B[rougham] I'd never be able to play the Game without you'. Charles Vane, 3rd Marquess of Londonderry (the shuttlecock): 'What an agreeable sensation!'. Lord Chancellor Henry Brougham: 'I never played with a Shuttlecock that bears such hard hitting as this'. Satirical cartoon on British politics by 'H.B.' (John Doyle). [Thomas McLean, London, 1831] Stock Photo](https://c8.alamy.com/comp/2A8E709/a-game-of-political-shuttlecock-1831-prime-minister-charles-grey-keep-it-up-b-rougham-id-never-be-able-to-play-the-game-without-you-charles-vane-3rd-marquess-of-londonderry-the-shuttlecock-what-an-agreeable-sensation!-lord-chancellor-henry-brougham-i-never-played-with-a-shuttlecock-that-bears-such-hard-hitting-as-this-satirical-cartoon-on-british-politics-by-hb-john-doyle-thomas-mclean-london-1831-2A8E709.jpg "'A game of Political Shuttlecock', 1831. Prime Minister Charles Grey: 'Keep it up B[rougham] I'd never be able to play the Game without you'. Charles Vane, 3rd Marquess of Londonderry (the shuttlecock): 'What an agreeable sensation!'. Lord Chancellor Henry Brougham: 'I never played with a Shuttlecock that bears such hard hitting as this'. Satirical cartoon on British politics by 'H.B.' (John Doyle). [Thomas McLean, London, 1831] Stock Photo")
'A game of Political Shuttlecock', 1831. Prime Minister Charles Grey: 'Keep it up B[rougham] I'd never be able to play the Game without you'. Charles Vane, 3rd Marquess of Londonderry (the shuttlecock): 'What an agreeable sensation!'. Lord Chancellor Henry Brougham: 'I never played with a Shuttlecock that bears such hard hitting as this'. Satirical cartoon on British politics by 'H.B.' (John Doyle). [Thomas McLean, London, 1831] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-game-of-political-shuttlecock-1831-prime-minister-charles-grey-keep-it-up-b-rougham-id-never-be-able-to-play-the-game-without-you-charles-vane-3rd-marquess-of-londonderry-the-shuttlecock-what-an-agreeable-sensation!-lord-chancellor-henry-brougham-i-never-played-with-a-shuttlecock-that-bears-such-hard-hitting-as-this-satirical-cartoon-on-british-politics-by-hb-john-doyle-thomas-mclean-london-1831-image332227065.htmlRM2A8E709–'A game of Political Shuttlecock', 1831. Prime Minister Charles Grey: 'Keep it up B[rougham] I'd never be able to play the Game without you'. Charles Vane, 3rd Marquess of Londonderry (the shuttlecock): 'What an agreeable sensation!'. Lord Chancellor Henry Brougham: 'I never played with a Shuttlecock that bears such hard hitting as this'. Satirical cartoon on British politics by 'H.B.' (John Doyle). [Thomas McLean, London, 1831]
THE EXPLOSION AT THE OFFICE OF THE LOCAL GOVERNMENT BOARD, WHITEHALL, LONDON, UK, 1883: 1. The Shattered Doorway Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-explosion-at-the-office-of-the-local-government-board-whitehall-77355248.htmlRMEDRRBC–THE EXPLOSION AT THE OFFICE OF THE LOCAL GOVERNMENT BOARD, WHITEHALL, LONDON, UK, 1883: 1. The Shattered Doorway
ROUEN, FRANCE - JUNE Circa, 2019. At Armada exhibition, part of the spanish two masts schooner Atyla, using Esteban Vicente Jimenez designs, nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rouen-france-june-circa-2019-at-armada-exhibition-part-of-the-spanish-two-masts-schooner-atyla-using-esteban-vicente-jimenez-designs-nineteent-image377764483.htmlRF2CXGJCK–ROUEN, FRANCE - JUNE Circa, 2019. At Armada exhibition, part of the spanish two masts schooner Atyla, using Esteban Vicente Jimenez designs, nineteent
AN OLD LONDON MANSION, 'COWFIELDS,' 30, OLD BURLINGTON STREET, UK, 1886: PAINTED CEILINGS TO DRAWING ROOMS, MANTELPIECE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-old-london-mansion-cowfields-30-old-burlington-street-uk-1886-painted-77356545.htmlRMEDRW1N–AN OLD LONDON MANSION, 'COWFIELDS,' 30, OLD BURLINGTON STREET, UK, 1886: PAINTED CEILINGS TO DRAWING ROOMS, MANTELPIECE
Belper North Mill, also known as Strutt's North Mill circa 1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-belper-north-mill-also-known-as-strutts-north-mill-circa-1800-74172050.htmlRFE8JR5P–Belper North Mill, also known as Strutt's North Mill circa 1800
LAUNCH OF THE NEW IRONCLAD 'INFLEXIBLE' AT PORTSMOUTH, UK, 1876: 1. H.R.H. The Princess Louise Examining the Launching Apparatus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-launch-of-the-new-ironclad-inflexible-at-portsmouth-uk-1876-1-hrh-77355886.htmlRMEDRT66–LAUNCH OF THE NEW IRONCLAD 'INFLEXIBLE' AT PORTSMOUTH, UK, 1876: 1. H.R.H. The Princess Louise Examining the Launching Apparatus
Oxburgh Hall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-oxburgh-hall-22700317.htmlRMB8X2DH–Oxburgh Hall
plaque marking the site of the grange, an 1867 to 1898 home of artist edward burne-jones, kensington, london, england Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plaque-marking-the-site-of-the-grange-an-1867-to-1898-home-of-artist-70272238.htmlRME294XP–plaque marking the site of the grange, an 1867 to 1898 home of artist edward burne-jones, kensington, london, england
Madame de Montespan, Françoise Athénaïs de Rochechouart de Mortemart, marquise of Montespan, 1640-1707, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madame-de-montespan-franoise-athnas-de-rochechouart-de-mortemart-marquise-72125244.htmlRME59GDG–Madame de Montespan, Françoise Athénaïs de Rochechouart de Mortemart, marquise of Montespan, 1640-1707,
Old Bethpage, New York, USA. December 26, 2014. At night, the historic, sweeping rustic grounds of Old Bethpage Village Restoration are transformed by candlelight and Christmas decorations into a Nineteenth Century holiday experience for Long Island visitors. Family fun included recreations of 1800's music with a trio of singers in an open front tent, seen in this panoramic view. Candlelight Evenings are held until December 30th. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-bethpage-new-york-usa-december-26-2014-at-night-the-historic-sweeping-76945040.htmlRMED5454–Old Bethpage, New York, USA. December 26, 2014. At night, the historic, sweeping rustic grounds of Old Bethpage Village Restoration are transformed by candlelight and Christmas decorations into a Nineteenth Century holiday experience for Long Island visitors. Family fun included recreations of 1800's music with a trio of singers in an open front tent, seen in this panoramic view. Candlelight Evenings are held until December 30th.
IN THE SPANISH BLACK COUNTRY, IN AN ANDALUSIAN LEAD MINING DISTRICT, 1876: Interior of a Miner's Cavern, Civil Guard reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-the-spanish-black-country-in-an-andalusian-lead-mining-district-1876-interior-of-a-miners-cavern-civil-guard-reimagined-image230402337.htmlRFRARMEW–IN THE SPANISH BLACK COUNTRY, IN AN ANDALUSIAN LEAD MINING DISTRICT, 1876: Interior of a Miner's Cavern, Civil Guard reimagined
. Català: Literatura de canya i cordill. Els fulls impresos es mostraven agafats per pinces en cordills perquè el comprador pogués triar. Parada de romanços al costat del convent de Sant Agustí (Barri de la Ribera, Barcelona) segons el gravat que acompanya un sainet publicat el 1850. Español: Literatura de caña y cordel. Las hojas impresas se mostraban sujetas por pinzas en cordeles para que el comprador pudiera elegir. Tienda de 'romanços' junto al convento de San Agustín (Barrio de la Ribera, Barcelona) según el grabado en un sainete publicado en 1850. 1850. Unknown. Anonymous from nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catal-literatura-de-canya-i-cordill-els-fulls-impresos-es-mostraven-agafats-per-pinces-en-cordills-perqu-el-comprador-pogus-triar-parada-de-romanos-al-costat-del-convent-de-sant-agust-barri-de-la-ribera-barcelona-segons-el-gravat-que-acompanya-un-sainet-publicat-el-1850-espaol-literatura-de-caa-y-cordel-las-hojas-impresas-se-mostraban-sujetas-por-pinzas-en-cordeles-para-que-el-comprador-pudiera-elegir-tienda-de-romanos-junto-al-convento-de-san-agustn-barrio-de-la-ribera-barcelona-segn-el-grabado-en-un-sainete-publicado-en-1850-1850-unknown-anonymous-from-nineteent-image189117307.htmlRMMYK11F–. Català: Literatura de canya i cordill. Els fulls impresos es mostraven agafats per pinces en cordills perquè el comprador pogués triar. Parada de romanços al costat del convent de Sant Agustí (Barri de la Ribera, Barcelona) segons el gravat que acompanya un sainet publicat el 1850. Español: Literatura de caña y cordel. Las hojas impresas se mostraban sujetas por pinzas en cordeles para que el comprador pudiera elegir. Tienda de 'romanços' junto al convento de San Agustín (Barrio de la Ribera, Barcelona) según el grabado en un sainete publicado en 1850. 1850. Unknown. Anonymous from nineteent
Sydney, Australia - July 24 2023: Interior view of the richly decorated classic Queen Victoria Building shopping arcade that dates from late-nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sydney-australia-july-24-2023-interior-view-of-the-richly-decorated-classic-queen-victoria-building-shopping-arcade-that-dates-from-late-nineteent-image612426514.htmlRF2XGAC7E–Sydney, Australia - July 24 2023: Interior view of the richly decorated classic Queen Victoria Building shopping arcade that dates from late-nineteent
la Orana Maria, 1894-95. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-orana-maria-1894-95-image349007693.htmlRM2B7PJTD–la Orana Maria, 1894-95.
. Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers. ous but the constituentmaterials (carl)on, hydrogen and oxygen) are always the same andin the same proportions. Linen and cotton rags consist of such fibresfrom which the inqjurities are easily eliminated, but wood, straw andesparto re(|uire elaborate chemical treatment with great heat. Untilthe middle of the nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decorative-textiles-an-illustrated-book-on-coverings-for-furniture-walls-and-floors-including-damasks-brocades-and-velvets-tapestries-laces-embroideries-chintzes-cretones-drapery-and-furniture-trimmings-wall-papers-carpets-and-rugs-tooled-and-illuminated-leathers-ous-but-the-constituentmaterials-carlon-hydrogen-and-oxygen-are-always-the-same-andin-the-same-proportions-linen-and-cotton-rags-consist-of-such-fibresfrom-which-the-inqjurities-are-easily-eliminated-but-wood-straw-andesparto-reuire-elaborate-chemical-treatment-with-great-heat-untilthe-middle-of-the-nineteent-image336675329.htmlRM2AFMTPW–. Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers. ous but the constituentmaterials (carl)on, hydrogen and oxygen) are always the same andin the same proportions. Linen and cotton rags consist of such fibresfrom which the inqjurities are easily eliminated, but wood, straw andesparto re(|uire elaborate chemical treatment with great heat. Untilthe middle of the nineteent
ROUEN, FRANCE - JUNE Circa, 2019. At Armada exhibition, part of the spanish two masts schooner Atyla, using Esteban Vicente Jimenez designs, nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rouen-france-june-circa-2019-at-armada-exhibition-part-of-the-spanish-two-masts-schooner-atyla-using-esteban-vicente-jimenez-designs-nineteent-image377769466.htmlRF2CXGTPJ–ROUEN, FRANCE - JUNE Circa, 2019. At Armada exhibition, part of the spanish two masts schooner Atyla, using Esteban Vicente Jimenez designs, nineteent
THE AMERICAN CENTENNIAL EXHIBITION: HOTEL LIFE AT PHILADELPHIA: THE ELEVATOR, US, U.S., U.S.A., UNITED STATES Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-american-centennial-exhibition-hotel-life-at-philadelphia-the-77356078.htmlRMEDRTD2–THE AMERICAN CENTENNIAL EXHIBITION: HOTEL LIFE AT PHILADELPHIA: THE ELEVATOR, US, U.S., U.S.A., UNITED STATES
MAJOR-GENERAL SIR GEORGE POMEROY COLLEY, K.C.S.I., C. B., C.M.G. Commander-in-Chief of the British Forces in the Transvaal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-major-general-sir-george-pomeroy-colley-kcsi-c-b-cmg-commander-in-77309653.htmlRMEDNN71–MAJOR-GENERAL SIR GEORGE POMEROY COLLEY, K.C.S.I., C. B., C.M.G. Commander-in-Chief of the British Forces in the Transvaal
plaque marking the site of the grange, an 1867 to 1898 home of artist edward burne-jones, kensington, london, england Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plaque-marking-the-site-of-the-grange-an-1867-to-1898-home-of-artist-70272234.htmlRME294XJ–plaque marking the site of the grange, an 1867 to 1898 home of artist edward burne-jones, kensington, london, england
THE EXPLOSION AT THE OFFICE OF THE LOCAL GOVERNMENT BOARD, WHITEHALL, LONDON, UK, 1883: 1. The Shattered Doorway. 2 reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-explosion-at-the-office-of-the-local-government-board-whitehall-london-uk-1883-1-the-shattered-doorway-2-reimagined-image230419395.htmlRFRATE83–THE EXPLOSION AT THE OFFICE OF THE LOCAL GOVERNMENT BOARD, WHITEHALL, LONDON, UK, 1883: 1. The Shattered Doorway. 2 reimagined
. Català: Literatura de canya i cordill. Els fulls impresos es mostraven agafats per pinces en cordills perquè el comprador pogués triar. Parada de romanços al costat del convent de Sant Agustí (Barri de la Ribera, Barcelona) segons el gravat que acompanya un sainet publicat el 1850. Español: Literatura de caña y cordel. Las hojas impresas se mostraban sujetas por pinzas en cordeles para que el comprador pudiera elegir. Tienda de 'romanços' junto al convento de San Agustín (Barrio de la Ribera, Barcelona) según el grabado en un sainete publicado en 1850. 1850. Unknown. Anonymous from nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catal-literatura-de-canya-i-cordill-els-fulls-impresos-es-mostraven-agafats-per-pinces-en-cordills-perqu-el-comprador-pogus-triar-parada-de-romanos-al-costat-del-convent-de-sant-agust-barri-de-la-ribera-barcelona-segons-el-gravat-que-acompanya-un-sainet-publicat-el-1850-espaol-literatura-de-caa-y-cordel-las-hojas-impresas-se-mostraban-sujetas-por-pinzas-en-cordeles-para-que-el-comprador-pudiera-elegir-tienda-de-romanos-junto-al-convento-de-san-agustn-barrio-de-la-ribera-barcelona-segn-el-grabado-en-un-sainete-publicado-en-1850-1850-unknown-anonymous-from-nineteent-image187828227.htmlRMMWG8PY–. Català: Literatura de canya i cordill. Els fulls impresos es mostraven agafats per pinces en cordills perquè el comprador pogués triar. Parada de romanços al costat del convent de Sant Agustí (Barri de la Ribera, Barcelona) segons el gravat que acompanya un sainet publicat el 1850. Español: Literatura de caña y cordel. Las hojas impresas se mostraban sujetas por pinzas en cordeles para que el comprador pudiera elegir. Tienda de 'romanços' junto al convento de San Agustín (Barrio de la Ribera, Barcelona) según el grabado en un sainete publicado en 1850. 1850. Unknown. Anonymous from nineteent
Sydney, Australia - July 24 2023: Interior view of the richly decorated classic Queen Victoria Building shopping arcade that dates from late-nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sydney-australia-july-24-2023-interior-view-of-the-richly-decorated-classic-queen-victoria-building-shopping-arcade-that-dates-from-late-nineteent-image612426530.htmlRF2XGAC82–Sydney, Australia - July 24 2023: Interior view of the richly decorated classic Queen Victoria Building shopping arcade that dates from late-nineteent
Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate), 1854-55. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bearded-man-in-soldiers-cap-from-sketches-on-the-coast-survey-plate-1854-55-image349005476.htmlRM2B7PG18–Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate), 1854-55.
American homes and gardens . EASTOVER (Miniature). THE GARDEN FRONTFrom American Renaissance This book is a carefully prepared historyof American Domestic Architecture fromColonial days, illustrated in the most elab-orate manner and worthy a place in everyarchitectural library, and should be read byevery one who desires to familiarize him-self with Colonial architecture and its effecton the architecture of to-day. CONTENTS.—Chapter I., Ethics; IT., Artand Commercialism; III., The AncientRegime—Andrew Jackson; IV., HumbleBeginnings of a National School; V., TheGrand Epoch; VI., Earlv Nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-homes-and-gardens-eastover-miniature-the-garden-frontfrom-american-renaissance-this-book-is-a-carefully-prepared-historyof-american-domestic-architecture-fromcolonial-days-illustrated-in-the-most-elab-orate-manner-and-worthy-a-place-in-everyarchitectural-library-and-should-be-read-byevery-one-who-desires-to-familiarize-him-self-with-colonial-architecture-and-its-effecton-the-architecture-of-to-day-contentschapter-i-ethics-it-artand-commercialism-iii-the-ancientregimeandrew-jackson-iv-humblebeginnings-of-a-national-school-v-thegrand-epoch-vi-earlv-nineteent-image338449626.htmlRM2AJHKXJ–American homes and gardens . EASTOVER (Miniature). THE GARDEN FRONTFrom American Renaissance This book is a carefully prepared historyof American Domestic Architecture fromColonial days, illustrated in the most elab-orate manner and worthy a place in everyarchitectural library, and should be read byevery one who desires to familiarize him-self with Colonial architecture and its effecton the architecture of to-day. CONTENTS.—Chapter I., Ethics; IT., Artand Commercialism; III., The AncientRegime—Andrew Jackson; IV., HumbleBeginnings of a National School; V., TheGrand Epoch; VI., Earlv Nineteent
ROUEN, FRANCE - JUNE Circa, 2019. At Armada exhibition, part of the spanish two masts schooner Atyla, using Esteban Vicente Jimenez designs, nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rouen-france-june-circa-2019-at-armada-exhibition-part-of-the-spanish-two-masts-schooner-atyla-using-esteban-vicente-jimenez-designs-nineteent-image377765078.htmlRF2CXGK5X–ROUEN, FRANCE - JUNE Circa, 2019. At Armada exhibition, part of the spanish two masts schooner Atyla, using Esteban Vicente Jimenez designs, nineteent
LAUNCH OF THE NEW IRONCLAD 'INFLEXIBLE' AT PORTSMOUTH, UK, 1876: 1. H.R.H. The Princess Louise Examining the reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/launch-of-the-new-ironclad-inflexible-at-portsmouth-uk-1876-1-hrh-the-princess-louise-examining-the-reimagined-image230402614.htmlRFRARMTP–LAUNCH OF THE NEW IRONCLAD 'INFLEXIBLE' AT PORTSMOUTH, UK, 1876: 1. H.R.H. The Princess Louise Examining the reimagined
Sydney, Australia - July 24 2023: Interior view of the richly decorated classic Queen Victoria Building shopping arcade that dates from late-nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sydney-australia-july-24-2023-interior-view-of-the-richly-decorated-classic-queen-victoria-building-shopping-arcade-that-dates-from-late-nineteent-image612426498.htmlRF2XGAC6X–Sydney, Australia - July 24 2023: Interior view of the richly decorated classic Queen Victoria Building shopping arcade that dates from late-nineteent
Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), April 23, 1812. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rispah-2nd-book-of-samuel-chapter-21-liber-studiorum-part-ix-plate-46-april-23-1812-image349006478.htmlRM2B7PH92–Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), April 23, 1812.
Palatial homes in the city of New York and dwellers there in ..arranged for the convenience of the passer-by . 3ax Wamm nnh (ilihtm Dresses for breakfasts, and dinners, and balls;Dresses to sit in, and stand in, and walk in;Dresses to dance in, and flirt in, and talk in;Dresses in which to do nothing at all. Muslins, embroideries, worked underclothes,Handkerchiefs, scarfs, and such trifles as those;Apparel of every sort of material.Inexpensive, substantial, and very ethereal. IN THE SHOPS OF ALICE MAYNAR D 381 and 510 Fifth Avenue SHOES EXCLUSIVELY ANDREW ALEXANDER SIXTH AVENUE AT NINETEENT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palatial-homes-in-the-city-of-new-york-and-dwellers-there-in-arranged-for-the-convenience-of-the-passer-by-3ax-wamm-nnh-ilihtm-dresses-for-breakfasts-and-dinners-and-ballsdresses-to-sit-in-and-stand-in-and-walk-indresses-to-dance-in-and-flirt-in-and-talk-indresses-in-which-to-do-nothing-at-all-muslins-embroideries-worked-underclotheshandkerchiefs-scarfs-and-such-trifles-as-thoseapparel-of-every-sort-of-materialinexpensive-substantial-and-very-ethereal-in-the-shops-of-alice-maynar-d-381-and-510-fifth-avenue-shoes-exclusively-andrew-alexander-sixth-avenue-at-nineteent-image343298660.htmlRM2AXEGXC–Palatial homes in the city of New York and dwellers there in ..arranged for the convenience of the passer-by . 3ax Wamm nnh (ilihtm Dresses for breakfasts, and dinners, and balls;Dresses to sit in, and stand in, and walk in;Dresses to dance in, and flirt in, and talk in;Dresses in which to do nothing at all. Muslins, embroideries, worked underclothes,Handkerchiefs, scarfs, and such trifles as those;Apparel of every sort of material.Inexpensive, substantial, and very ethereal. IN THE SHOPS OF ALICE MAYNAR D 381 and 510 Fifth Avenue SHOES EXCLUSIVELY ANDREW ALEXANDER SIXTH AVENUE AT NINETEENT
Pleated Fan; paper leaf with gilded and hand-colored lithograph; carved and pierced ivory (or bone) sticks Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pleated-fan-paper-leaf-with-gilded-and-hand-colored-lithograph-carved-and-pierced-ivory-or-bone-sticks-image546082125.htmlRM2PMC591–Pleated Fan; paper leaf with gilded and hand-colored lithograph; carved and pierced ivory (or bone) sticks
. Art in France. must always have one and the same object,which is to aid in the increase of riches. The conflicting move-ments which agitated superficial France must not be allowed to hidethat deep current, the slow pressure of which nothing can resist.Every day, a rather larger number of men achieve a little ease, or inother words, a relative prosperitv and an average intellectual cul-ture. This was the great social event of the nineteenth centurv.and modern art was to manifest this indefinite enfranchisement ofthe middle classes after its fashion. We should be less contemptuous of nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-in-france-must-always-have-one-and-the-same-objectwhich-is-to-aid-in-the-increase-of-riches-the-conflicting-move-ments-which-agitated-superficial-france-must-not-be-allowed-to-hidethat-deep-current-the-slow-pressure-of-which-nothing-can-resistevery-day-a-rather-larger-number-of-men-achieve-a-little-ease-or-inother-words-a-relative-prosperitv-and-an-average-intellectual-cul-ture-this-was-the-great-social-event-of-the-nineteenth-centurvand-modern-art-was-to-manifest-this-indefinite-enfranchisement-ofthe-middle-classes-after-its-fashion-we-should-be-less-contemptuous-of-nineteent-image370463597.htmlRM2CEM22N–. Art in France. must always have one and the same object,which is to aid in the increase of riches. The conflicting move-ments which agitated superficial France must not be allowed to hidethat deep current, the slow pressure of which nothing can resist.Every day, a rather larger number of men achieve a little ease, or inother words, a relative prosperitv and an average intellectual cul-ture. This was the great social event of the nineteenth centurv.and modern art was to manifest this indefinite enfranchisement ofthe middle classes after its fashion. We should be less contemptuous of nineteent
THE AMERICAN CENTENNIAL EXHIBITION: HOTEL LIFE AT PHILADELPHIA: THE ELEVATOR, US, U.S., U.S.A., UNITED STATES, UNITED reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-american-centennial-exhibition-hotel-life-at-philadelphia-the-elevator-us-us-usa-united-states-united-reimagined-image230402762.htmlRFRARN22–THE AMERICAN CENTENNIAL EXHIBITION: HOTEL LIFE AT PHILADELPHIA: THE ELEVATOR, US, U.S., U.S.A., UNITED STATES, UNITED reimagined
Berthe Morisot (In Black), 1872-74. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/berthe-morisot-in-black-1872-74-image349002048.htmlRM2B7PBJT–Berthe Morisot (In Black), 1872-74.
. Rod and gun . ompson won two quail nicelymounted, and presented by D. Konkle, with ascore of nineteen out of twenty-five. The scores • made were: Shot at. Hit•J. Oompf 45 30 E. Konkle 35 23 H. Robinson 70 49 T. W. Barnes 75 50 C. Luey 35 21 J. Zimmerman 35 26 J. Hunter 75 ,50 H. Culp .55 33 1). Glover 45 27 J. Crooks 25 19 S. Russ 45 30 W. Luev 45 30 W. Wark 35 24 J. S. Culp 45 30 D. Konkle 45 35 C. Graham 75 48 W. Merritt 45 30 A. McGregor 35 20 C. Thomson 75 56 C Prudhomnie 45 25 L. Franks 20 12 BALMY BEACH Tlic Balmy Beach (lun Clulj cut loose from theirregular shoot on February nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rod-and-gun-ompson-won-two-quail-nicelymounted-and-presented-by-d-konkle-with-ascore-of-nineteen-out-of-twenty-five-the-scores-made-were-shot-at-hitj-oompf-45-30-e-konkle-35-23-h-robinson-70-49-t-w-barnes-75-50-c-luey-35-21-j-zimmerman-35-26-j-hunter-75-50-h-culp-55-33-1-glover-45-27-j-crooks-25-19-s-russ-45-30-w-luev-45-30-w-wark-35-24-j-s-culp-45-30-d-konkle-45-35-c-graham-75-48-w-merritt-45-30-a-mcgregor-35-20-c-thomson-75-56-c-prudhomnie-45-25-l-franks-20-12-balmy-beach-tlic-balmy-beach-lun-clulj-cut-loose-from-theirregular-shoot-on-february-nineteent-image369780893.htmlRM2CDGY8D–. Rod and gun . ompson won two quail nicelymounted, and presented by D. Konkle, with ascore of nineteen out of twenty-five. The scores • made were: Shot at. Hit•J. Oompf 45 30 E. Konkle 35 23 H. Robinson 70 49 T. W. Barnes 75 50 C. Luey 35 21 J. Zimmerman 35 26 J. Hunter 75 ,50 H. Culp .55 33 1). Glover 45 27 J. Crooks 25 19 S. Russ 45 30 W. Luev 45 30 W. Wark 35 24 J. S. Culp 45 30 D. Konkle 45 35 C. Graham 75 48 W. Merritt 45 30 A. McGregor 35 20 C. Thomson 75 56 C Prudhomnie 45 25 L. Franks 20 12 BALMY BEACH Tlic Balmy Beach (lun Clulj cut loose from theirregular shoot on February nineteent
AN OLD LONDON MANSION, 'COWFIELDS,' 30, OLD BURLINGTON STREET, UK, 1886: PAINTED CEILINGS TO DRAWING ROOMS reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-london-mansion-cowfields-30-old-burlington-street-uk-1886-painted-ceilings-to-drawing-rooms-reimagined-image230420426.htmlRFRATFGX–AN OLD LONDON MANSION, 'COWFIELDS,' 30, OLD BURLINGTON STREET, UK, 1886: PAINTED CEILINGS TO DRAWING ROOMS reimagined
Portrait of Louis Robert, 1873. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-louis-robert-1873-image349002158.htmlRM2B7PBPP–Portrait of Louis Robert, 1873.
![. Birds in Kansas. Birds -- Kansas Identification. An adult American Swallow-tailed Kite (Elanoides forficatus). Photograph by Marvin D. Schwilling, courtesy Kansas Department of Wildlife and Parks. Kites American Swallow-tailed Kite Elanoides forficatus (Linnaeus) Status: The American Swallow-tailed Kite, formerly "an irregular summer resident in east, some seasons common, others rare" (Goss 1891), was extirpated and is now a vagrant. It has been recorded west to Riley and Greenwood counties. Period of Occurrence: The four specimens and few available sight records from the nineteent Stock Photo](https://c8.alamy.com/comp/RHJMCX/birds-in-kansas-birds-kansas-identification-an-adult-american-swallow-tailed-kite-elanoides-forficatus-photograph-by-marvin-d-schwilling-courtesy-kansas-department-of-wildlife-and-parks-kites-american-swallow-tailed-kite-elanoides-forficatus-linnaeus-status-the-american-swallow-tailed-kite-formerly-quotan-irregular-summer-resident-in-east-some-seasons-common-others-rarequot-goss-1891-was-extirpated-and-is-now-a-vagrant-it-has-been-recorded-west-to-riley-and-greenwood-counties-period-of-occurrence-the-four-specimens-and-few-available-sight-records-from-the-nineteent-RHJMCX.jpg ". Birds in Kansas. Birds -- Kansas Identification. An adult American Swallow-tailed Kite (Elanoides forficatus). Photograph by Marvin D. Schwilling, courtesy Kansas Department of Wildlife and Parks. Kites American Swallow-tailed Kite Elanoides forficatus (Linnaeus) Status: The American Swallow-tailed Kite, formerly "an irregular summer resident in east, some seasons common, others rare" (Goss 1891), was extirpated and is now a vagrant. It has been recorded west to Riley and Greenwood counties. Period of Occurrence: The four specimens and few available sight records from the nineteent Stock Photo")
. Birds in Kansas. Birds -- Kansas Identification. An adult American Swallow-tailed Kite (Elanoides forficatus). Photograph by Marvin D. Schwilling, courtesy Kansas Department of Wildlife and Parks. Kites American Swallow-tailed Kite Elanoides forficatus (Linnaeus) Status: The American Swallow-tailed Kite, formerly "an irregular summer resident in east, some seasons common, others rare" (Goss 1891), was extirpated and is now a vagrant. It has been recorded west to Riley and Greenwood counties. Period of Occurrence: The four specimens and few available sight records from the nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/birds-in-kansas-birds-kansas-identification-an-adult-american-swallow-tailed-kite-elanoides-forficatus-photograph-by-marvin-d-schwilling-courtesy-kansas-department-of-wildlife-and-parks-kites-american-swallow-tailed-kite-elanoides-forficatus-linnaeus-status-the-american-swallow-tailed-kite-formerly-quotan-irregular-summer-resident-in-east-some-seasons-common-others-rarequot-goss-1891-was-extirpated-and-is-now-a-vagrant-it-has-been-recorded-west-to-riley-and-greenwood-counties-period-of-occurrence-the-four-specimens-and-few-available-sight-records-from-the-nineteent-image234595114.htmlRMRHJMCX–. Birds in Kansas. Birds -- Kansas Identification. An adult American Swallow-tailed Kite (Elanoides forficatus). Photograph by Marvin D. Schwilling, courtesy Kansas Department of Wildlife and Parks. Kites American Swallow-tailed Kite Elanoides forficatus (Linnaeus) Status: The American Swallow-tailed Kite, formerly "an irregular summer resident in east, some seasons common, others rare" (Goss 1891), was extirpated and is now a vagrant. It has been recorded west to Riley and Greenwood counties. Period of Occurrence: The four specimens and few available sight records from the nineteent
Formation of Guerrilla Bands (from Confederate War Etchings), 1861-63. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/formation-of-guerrilla-bands-from-confederate-war-etchings-1861-63-image348993890.htmlRM2B7P17E–Formation of Guerrilla Bands (from Confederate War Etchings), 1861-63.
![. Birds in Kansas. Birds -- Kansas Identification. An adult American Swallow-tailed Kite (Elanoides forficatus). Photograph by Marvin D. Schwilling, courtesy Kansas Department of Wildlife and Parks. Kites American Swallow-tailed Kite Elanoides forficatus (Linnaeus) Status: The American Swallow-tailed Kite, formerly "an irregular summer resident in east, some seasons common, others rare" (Goss 1891), was extirpated and is now a vagrant. It has been recorded west to Riley and Greenwood counties. Period of Occurrence: The four specimens and few available sight records from the nineteent Stock Photo](https://c8.alamy.com/comp/RHJMDC/birds-in-kansas-birds-kansas-identification-an-adult-american-swallow-tailed-kite-elanoides-forficatus-photograph-by-marvin-d-schwilling-courtesy-kansas-department-of-wildlife-and-parks-kites-american-swallow-tailed-kite-elanoides-forficatus-linnaeus-status-the-american-swallow-tailed-kite-formerly-quotan-irregular-summer-resident-in-east-some-seasons-common-others-rarequot-goss-1891-was-extirpated-and-is-now-a-vagrant-it-has-been-recorded-west-to-riley-and-greenwood-counties-period-of-occurrence-the-four-specimens-and-few-available-sight-records-from-the-nineteent-RHJMDC.jpg ". Birds in Kansas. Birds -- Kansas Identification. An adult American Swallow-tailed Kite (Elanoides forficatus). Photograph by Marvin D. Schwilling, courtesy Kansas Department of Wildlife and Parks. Kites American Swallow-tailed Kite Elanoides forficatus (Linnaeus) Status: The American Swallow-tailed Kite, formerly "an irregular summer resident in east, some seasons common, others rare" (Goss 1891), was extirpated and is now a vagrant. It has been recorded west to Riley and Greenwood counties. Period of Occurrence: The four specimens and few available sight records from the nineteent Stock Photo")
. Birds in Kansas. Birds -- Kansas Identification. An adult American Swallow-tailed Kite (Elanoides forficatus). Photograph by Marvin D. Schwilling, courtesy Kansas Department of Wildlife and Parks. Kites American Swallow-tailed Kite Elanoides forficatus (Linnaeus) Status: The American Swallow-tailed Kite, formerly "an irregular summer resident in east, some seasons common, others rare" (Goss 1891), was extirpated and is now a vagrant. It has been recorded west to Riley and Greenwood counties. Period of Occurrence: The four specimens and few available sight records from the nineteent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/birds-in-kansas-birds-kansas-identification-an-adult-american-swallow-tailed-kite-elanoides-forficatus-photograph-by-marvin-d-schwilling-courtesy-kansas-department-of-wildlife-and-parks-kites-american-swallow-tailed-kite-elanoides-forficatus-linnaeus-status-the-american-swallow-tailed-kite-formerly-quotan-irregular-summer-resident-in-east-some-seasons-common-others-rarequot-goss-1891-was-extirpated-and-is-now-a-vagrant-it-has-been-recorded-west-to-riley-and-greenwood-counties-period-of-occurrence-the-four-specimens-and-few-available-sight-records-from-the-nineteent-image234595128.htmlRMRHJMDC–. Birds in Kansas. Birds -- Kansas Identification. An adult American Swallow-tailed Kite (Elanoides forficatus). Photograph by Marvin D. Schwilling, courtesy Kansas Department of Wildlife and Parks. Kites American Swallow-tailed Kite Elanoides forficatus (Linnaeus) Status: The American Swallow-tailed Kite, formerly "an irregular summer resident in east, some seasons common, others rare" (Goss 1891), was extirpated and is now a vagrant. It has been recorded west to Riley and Greenwood counties. Period of Occurrence: The four specimens and few available sight records from the nineteent
![Furnishing Fabric, France, 1827/40. 'Leceister visitant Amy Robsart, [Robert Dudley, 1st Earl of Leicester visiting Amy Robsiart]. Marie Stuart et son secretaire, [Mary, Queen of Scots and her secretary David Rizzio], Belinde a sa toilette [Belinda at her toilette], Othello racontant l'histoire de sa vie [Othello telling the story of his life]. Designed by Philippe Wyngaert after engravings by Jean-Pierre-Marie Jazet and paintings by Henri Jean-Baptiste Fradelle. Detail from a larger artwork. Stock Photo](https://c8.alamy.com/comp/2J3MY23/furnishing-fabric-france-182740-leceister-visitant-amy-robsart-robert-dudley-1st-earl-of-leicester-visiting-amy-robsiart-marie-stuart-et-son-secretaire-mary-queen-of-scots-and-her-secretary-david-rizzio-belinde-a-sa-toilette-belinda-at-her-toilette-othello-racontant-lhistoire-de-sa-vie-othello-telling-the-story-of-his-life-designed-by-philippe-wyngaert-after-engravings-by-jean-pierre-marie-jazet-and-paintings-by-henri-jean-baptiste-fradelle-detail-from-a-larger-artwork-2J3MY23.jpg "Furnishing Fabric, France, 1827/40. 'Leceister visitant Amy Robsart, [Robert Dudley, 1st Earl of Leicester visiting Amy Robsiart]. Marie Stuart et son secretaire, [Mary, Queen of Scots and her secretary David Rizzio], Belinde a sa toilette [Belinda at her toilette], Othello racontant l'histoire de sa vie [Othello telling the story of his life]. Designed by Philippe Wyngaert after engravings by Jean-Pierre-Marie Jazet and paintings by Henri Jean-Baptiste Fradelle. Detail from a larger artwork. Stock Photo")
Furnishing Fabric, France, 1827/40. 'Leceister visitant Amy Robsart, [Robert Dudley, 1st Earl of Leicester visiting Amy Robsiart]. Marie Stuart et son secretaire, [Mary, Queen of Scots and her secretary David Rizzio], Belinde a sa toilette [Belinda at her toilette], Othello racontant l'histoire de sa vie [Othello telling the story of his life]. Designed by Philippe Wyngaert after engravings by Jean-Pierre-Marie Jazet and paintings by Henri Jean-Baptiste Fradelle. Detail from a larger artwork. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/furnishing-fabric-france-182740-leceister-visitant-amy-robsart-robert-dudley-1st-earl-of-leicester-visiting-amy-robsiart-marie-stuart-et-son-secretaire-mary-queen-of-scots-and-her-secretary-david-rizzio-belinde-a-sa-toilette-belinda-at-her-toilette-othello-racontant-lhistoire-de-sa-vie-othello-telling-the-story-of-his-life-designed-by-philippe-wyngaert-after-engravings-by-jean-pierre-marie-jazet-and-paintings-by-henri-jean-baptiste-fradelle-detail-from-a-larger-artwork-image466984171.htmlRM2J3MY23–Furnishing Fabric, France, 1827/40. 'Leceister visitant Amy Robsart, [Robert Dudley, 1st Earl of Leicester visiting Amy Robsiart]. Marie Stuart et son secretaire, [Mary, Queen of Scots and her secretary David Rizzio], Belinde a sa toilette [Belinda at her toilette], Othello racontant l'histoire de sa vie [Othello telling the story of his life]. Designed by Philippe Wyngaert after engravings by Jean-Pierre-Marie Jazet and paintings by Henri Jean-Baptiste Fradelle. Detail from a larger artwork.
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