Nimbuses hi-res stock photography and images

Rainbow over a windmill, Freiwalde, Germany Stock Photo

RMBY12T3–Rainbow over a windmill, Freiwalde, Germany

RF2J0ETY4–Icon with the image of saint of nikolaya wonder-worker

A view of Start Point and Start Point Lighthouse on the South Devon Coast UK with large cumulo nimbus cloud Stock Photo

RMFXM9G3–A view of Start Point and Start Point Lighthouse on the South Devon Coast UK with large cumulo nimbus cloud

RF2J0ETMD–Icon with the image of saint of nikolaya wonder-worker

w de worde 1512 15 feb voragine jacobus de legenda aurea the crucifixion the three marys and john all without nimbuses and all l Stock Photo

RFBDWW4H–w de worde 1512 15 feb voragine jacobus de legenda aurea the crucifixion the three marys and john all without nimbuses and all l

Happy Easter lettering. Text with a-shaped eggs with nimbuses Stock Vector

RFM575XA–Happy Easter lettering. Text with a-shaped eggs with nimbuses

The nimbuses and the rosettes Stock Photo

RM2JP712H–The nimbuses and the rosettes

Detail of the chapel of Virgen del Rosario Santo Domingo Hotel Antigua Guatemala Stock Photo

RFAA93Y3–Detail of the chapel of Virgen del Rosario Santo Domingo Hotel Antigua Guatemala

Silver Gospels, Portrait of the Evangelist Mark, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back Stock Photo

RM2T903Y8–Silver Gospels, Portrait of the Evangelist Mark, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

. A new history of painting in Italy, from the II to the XVI century; . CHAPEL OF THE ARENA AT PADUA 235 No. 24. The Raising of Lazarus. No. 25. The Entrance into Jerusalem. Much damaged, particu-larly in the blues of drapery and sky. Two or three heads are quitegone. No. 26. Christ Expelling the Pharisees from the Temple, Thecomposition does not lack beauty, but the vulgarity of certain headsis remarkable. No. 27. The Hiring of Judas, A demon behind the traitor graspshis shoulder. No. 28. The Last Supper, Here the blue draperies have all dis-appeared, and the nimbuses, with the exception of t Stock Photo

RM2CDHF0E–. A new history of painting in Italy, from the II to the XVI century; . CHAPEL OF THE ARENA AT PADUA 235 No. 24. The Raising of Lazarus. No. 25. The Entrance into Jerusalem. Much damaged, particu-larly in the blues of drapery and sky. Two or three heads are quitegone. No. 26. Christ Expelling the Pharisees from the Temple, Thecomposition does not lack beauty, but the vulgarity of certain headsis remarkable. No. 27. The Hiring of Judas, A demon behind the traitor graspshis shoulder. No. 28. The Last Supper, Here the blue draperies have all dis-appeared, and the nimbuses, with the exception of t

w de worde 1512 15 feb voragine jacobus de legenda aurea the crucifixion the tree marys and john all without nimbuses and all lo Stock Photo

RMBDWW2N–w de worde 1512 15 feb voragine jacobus de legenda aurea the crucifixion the tree marys and john all without nimbuses and all lo

w de worde 1506 thordynary of crysten men saints in glory nine figures with nimbuses many more indicated mary crowned but not ni Stock Photo

RMBDWW1R–w de worde 1506 thordynary of crysten men saints in glory nine figures with nimbuses many more indicated mary crowned but not ni

RFAA93Y5–Detail of the chapel of Virgen del Rosario Santo Domingo Hotel Antigua Guatemala

j notary 1503 1504 16 febuary voragine jacobus de legenda aurea descent of the holy ghost five desciples one seated mary standin Stock Photo

RFBDWWW7–j notary 1503 1504 16 febuary voragine jacobus de legenda aurea descent of the holy ghost five desciples one seated mary standin

Silver Gospels, Portrait of John and Prochoros, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back Stock Photo

RM2T903P1–Silver Gospels, Portrait of John and Prochoros, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

j notary 1503 1504 16 febuary voragine jacobus de legenda aurea the ascencion seven disciples kneeling the footprints of jesus r Stock Photo

RMBDWWWB–j notary 1503 1504 16 febuary voragine jacobus de legenda aurea the ascencion seven disciples kneeling the footprints of jesus r

Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back Stock Photo

RM2T903N6–Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

w de worde 1495 st jerome vitas patrum st jerome seated on a dias turning the leaves of a book on a desk a cardinals hat is at h Stock Photo

RFBDWTTE–w de worde 1495 st jerome vitas patrum st jerome seated on a dias turning the leaves of a book on a desk a cardinals hat is at h

RM2T903N8–Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

RM2T903Y7–Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

RM2T903Y0–Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

Silver Gospels, Portrait of the Evangelist Luke, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back Stock Photo

RM2T903NA–Silver Gospels, Portrait of the Evangelist Luke, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

Silver Gospels, Portrait of the Evangelist Matthew, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back Stock Photo

RM2T903Y5–Silver Gospels, Portrait of the Evangelist Matthew, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

Silver Gospels, Opening of Matthew's Gospel, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back Stock Photo

RM2T903YA–Silver Gospels, Opening of Matthew's Gospel, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

RM2T903Y6–Silver Gospels, Opening of Matthew's Gospel, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

RM2T903Y9–Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

RM2T903N0–Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

RM2T903N1–Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

RM2T903N9–Silver Gospels, Canon Table, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

Silver Gospels, Decorated page with image of Eusebius, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back Stock Photo

RM2T903N4–Silver Gospels, Decorated page with image of Eusebius, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

Silver Gospels, Decorated page with image of Carpianus, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back Stock Photo

RM2T903Y1–Silver Gospels, Decorated page with image of Carpianus, This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back

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