Street scene at St Germain, Paris, 1789 by Thomas Charles Naudet, 1773–1810, French artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/street-scene-at-st-germain-paris-1789-by-thomas-charles-naudet-17731810-french-artist-image328356585.html
RM2A25X4W–Street scene at St Germain, Paris, 1789 by Thomas Charles Naudet, 1773–1810, French artist
JOSEPH NAUDET Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-naudet-105323415.html
RMG39W2F–JOSEPH NAUDET
Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10/3/94., Alphonse Bertillon, 1894 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-naudet-gervais-40-ans-n-echaleau-cte-dor-menuisier-anarchiste-10394-162434377.html
RMKC7EKN–Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10/3/94., Alphonse Bertillon, 1894
Art inspired by Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-naudet-gervais-40-ans-n-echaleau-cte-dor-menuisier-anarchiste-10394-1894-albumen-silver-print-from-glass-negative-105-x-7-x-05-cm-4-18-x-2-34-x-316-in-each-photographs-alphonse-bertillon-french-18531914-born-into-a-distinguished-family-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462943189.html
RF2HW4TN9–Art inspired by Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Battle of Friedland. A Charge of the Russian Leib Guard on 14 June 1807, 1808. Artist: Naudet, Thomas Charles (1773-1810) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-friedland-a-charge-of-the-russian-leib-guard-on-14-june-image66579608.html
RMDT8XY4–The Battle of Friedland. A Charge of the Russian Leib Guard on 14 June 1807, 1808. Artist: Naudet, Thomas Charles (1773-1810)
. One of the Battles (at Montmirail) in 6-day campain in France (February, 1814), won by Napoleon. Lithographie. before middle XIX c. artist Naudet, sc. Lebeau 76 Battle of Napoleon 6-day-war 1814 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-battles-at-montmirail-in-6-day-campain-in-france-february-1814-won-by-napoleon-lithographie-before-middle-xix-c-artist-naudet-sc-lebeau-76-battle-of-napoleon-6-day-war-1814-image188239788.html
RMMX71NG–. One of the Battles (at Montmirail) in 6-day campain in France (February, 1814), won by Napoleon. Lithographie. before middle XIX c. artist Naudet, sc. Lebeau 76 Battle of Napoleon 6-day-war 1814
Battle of Leipzig by Naudet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-leipzig-by-naudet-image218135229.html
Triumphant entry of the French into the city of Berlin, 27 October 1806, (1921). 'Entrée Triomphante des Français dans la ville de Berlin le 27 Octobre 1806'. French Emperor Napoleon I and his army invade the capital of Prussia. Engraving by Le Beau after Thomas Charles Naudet. From "Napoleon", by Raymond Guyot, [H. Floury, Paris, 1921] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triumphant-entry-of-the-french-into-the-city-of-berlin-27-october-1806-1921-entrxe9e-triomphante-des-franxe7ais-dans-la-ville-de-berlin-le-27-octobre-1806-french-emperor-napoleon-i-and-his-army-invade-the-capital-of-prussia-engraving-by-le-beau-after-thomas-charles-naudet-from-quotnapoleonquot-by-raymond-guyot-h-floury-paris-1921-image329498468.html
RM2A41XJC–Triumphant entry of the French into the city of Berlin, 27 October 1806, (1921). 'Entrée Triomphante des Français dans la ville de Berlin le 27 Octobre 1806'. French Emperor Napoleon I and his army invade the capital of Prussia. Engraving by Le Beau after Thomas Charles Naudet. From "Napoleon", by Raymond Guyot, [H. Floury, Paris, 1921]
Portugal Oporto Porto Palacio da Bolsa Rua Ferreira Borges stock exchange 1842 Tribunal do Commercio Commercial Tribunal Patio das Nacoes detail Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portugal-oporto-porto-palacio-da-bolsa-rua-ferreira-borges-stock-exchange-1842-tribunal-do-commercio-commercial-tribunal-patio-das-nacoes-detail-image264484536.html
RFWA88M8–Portugal Oporto Porto Palacio da Bolsa Rua Ferreira Borges stock exchange 1842 Tribunal do Commercio Commercial Tribunal Patio das Nacoes detail
Battle of Leipzig by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battle-of-leipzig-by-naudet-132606062.html
RMHKMMAP–Battle of Leipzig by Naudet
Le Mariage de Figaro (The Marriage of Figaro). Designed by Jean Baptiste Huet (French, 1745-1811) after illustrations by Charles Naudet (French, c. 1773-1810); Manufactured by Oberkampf Manufactory (French, 1738-1815); France, Jouy-en-Josas. Date: 1785-1800. Dimensions: 76.8 × 91 cm (30 1/4 × 35 3/4 in.). Cotton, plain weave; copperplate printed. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-mariage-de-figaro-the-marriage-of-figaro-designed-by-jean-baptiste-huet-french-1745-1811-after-illustrations-by-charles-naudet-french-c-1773-1810-manufactured-by-oberkampf-manufactory-french-1738-1815-france-jouy-en-josas-date-1785-1800-dimensions-768-91-cm-30-14-35-34-in-cotton-plain-weave-copperplate-printed-origin-france-museum-the-chicago-art-institute-image240108140.html
RMRXHTAM–Le Mariage de Figaro (The Marriage of Figaro). Designed by Jean Baptiste Huet (French, 1745-1811) after illustrations by Charles Naudet (French, c. 1773-1810); Manufactured by Oberkampf Manufactory (French, 1738-1815); France, Jouy-en-Josas. Date: 1785-1800. Dimensions: 76.8 × 91 cm (30 1/4 × 35 3/4 in.). Cotton, plain weave; copperplate printed. Origin: France. Museum: The Chicago Art Institute.
T. C. NAUDET - LE CHATELET Thomas Charles Naudet (1778-1810). 'Le Châtelet'. Dessin. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/t-c-naudet-le-chatelet-thomas-charles-naudet-1778-1810-le-chtelet-dessin-paris-muse-carnavalet-image349951967.html
RM2B99K8F–T. C. NAUDET - LE CHATELET Thomas Charles Naudet (1778-1810). 'Le Châtelet'. Dessin. Paris, musée Carnavalet.
Cannes, France. 21st May, 2024. Gedeon Naudet, Tony Estanguet, and Jules Naudet are attending the ''Marcello Mio'' Red Carpet at the 77th annual Cannes Film Festival at Palais des Festivals in Cannes, France, on May 21, 2024. (Photo by Stefanos Kyriazis/NurPhoto) Credit: NurPhoto SRL/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cannes-france-21st-may-2024-gedeon-naudet-tony-estanguet-and-jules-naudet-are-attending-the-marcello-mio-red-carpet-at-the-77th-annual-cannes-film-festival-at-palais-des-festivals-in-cannes-france-on-may-21-2024-photo-by-stefanos-kyriazisnurphoto-credit-nurphoto-srlalamy-live-news-image607281409.html
RM2X801HN–Cannes, France. 21st May, 2024. Gedeon Naudet, Tony Estanguet, and Jules Naudet are attending the ''Marcello Mio'' Red Carpet at the 77th annual Cannes Film Festival at Palais des Festivals in Cannes, France, on May 21, 2024. (Photo by Stefanos Kyriazis/NurPhoto) Credit: NurPhoto SRL/Alamy Live News
DVD Cover. '9/11'. Documentary. Jules and Gedeon Naudet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dvd-cover-911-documentary-jules-and-gedeon-naudet-image460666248.html
RM2HND4E0–DVD Cover. '9/11'. Documentary. Jules and Gedeon Naudet.
François Joseph Hubert Ponscarme (1827-1903). 'Naudet'. Plaster. Paris, Carnavalet museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franois-joseph-hubert-ponscarme-1827-1903-naudet-plaster-paris-carnavalet-museum-image596791667.html
RM2WJX5T3–François Joseph Hubert Ponscarme (1827-1903). 'Naudet'. Plaster. Paris, Carnavalet museum.
Cannes, France. 21st May, 2024. Tony Estanguet, Jules Naudet, Gedeon Naudet attend the 'Marcello Mio' Red Carpet at the 77th annual Cannes Film Festival at Palais des Festivals on May 21, 2024 in Cannes, France. Photo: DGP/imageSPACE Credit: Imagespace/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cannes-france-21st-may-2024-tony-estanguet-jules-naudet-gedeon-naudet-attend-the-marcello-mio-red-carpet-at-the-77th-annual-cannes-film-festival-at-palais-des-festivals-on-may-21-2024-in-cannes-france-photo-dgpimagespace-credit-imagespacealamy-live-news-image607253341.html
RM2X7XNR9–Cannes, France. 21st May, 2024. Tony Estanguet, Jules Naudet, Gedeon Naudet attend the 'Marcello Mio' Red Carpet at the 77th annual Cannes Film Festival at Palais des Festivals on May 21, 2024 in Cannes, France. Photo: DGP/imageSPACE Credit: Imagespace/Alamy Live News
Cannes, France. 21st May, 2024. Tony Estanguet, Jules Naudet, Gedeon Naudet attend the 'Marcello Mio' Red Carpet at the 77th annual Cannes Film Festival at Palais des Festivals on May 21, 2024 in Cannes, France. Photo: DGP/imageSPACE /Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cannes-france-21st-may-2024-tony-estanguet-jules-naudet-gedeon-naudet-attend-the-marcello-mio-red-carpet-at-the-77th-annual-cannes-film-festival-at-palais-des-festivals-on-may-21-2024-in-cannes-france-photo-dgpimagespace-sipa-usa-credit-sipa-usaalamy-live-news-image607256756.html
RM2X7XX58–Cannes, France. 21st May, 2024. Tony Estanguet, Jules Naudet, Gedeon Naudet attend the 'Marcello Mio' Red Carpet at the 77th annual Cannes Film Festival at Palais des Festivals on May 21, 2024 in Cannes, France. Photo: DGP/imageSPACE /Sipa USA Credit: Sipa USA/Alamy Live News
Gazette des beaux-arts . e lusage et le sym-bolisme des crosses à lexcellent mémoire, accompagné de planchesnombreuses, que le R. P. Martin a publié dans le tome IV des Mélangesdarchéologie et dhistoire. 1. Cette plaque a été publiée avec le plus grand soin et décrite par M. Didron dansles Annales archéologiques. Elle est également reproduite à leau-forte dans Y Albumde mademoiselle Naudet, pi. XXTI. 2. On appelle léonins des vers, fort usités au xus siècle, dans lesquels lhémisticherime avec la fin du vers. LA COLLECTION SOLTYKOFF. 293 Quelles soient dérivées ou non de lancien bâton augurai, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gazette-des-beaux-arts-e-lusage-et-le-sym-bolisme-des-crosses-lexcellent-mmoire-accompagn-de-planchesnombreuses-que-le-r-p-martin-a-publi-dans-le-tome-iv-des-mlangesdarchologie-et-dhistoire-1-cette-plaque-a-t-publie-avec-le-plus-grand-soin-et-dcrite-par-m-didron-dansles-annales-archologiques-elle-est-galement-reproduite-leau-forte-dans-y-albumde-mademoiselle-naudet-pi-xxti-2-on-appelle-lonins-des-vers-fort-usits-au-xus-sicle-dans-lesquels-lhmisticherime-avec-la-fin-du-vers-la-collection-soltykoff-293-quelles-soient-drives-ou-non-de-lancien-bton-augurai-image338076205.html
RM2AJ0KJ5–Gazette des beaux-arts . e lusage et le sym-bolisme des crosses à lexcellent mémoire, accompagné de planchesnombreuses, que le R. P. Martin a publié dans le tome IV des Mélangesdarchéologie et dhistoire. 1. Cette plaque a été publiée avec le plus grand soin et décrite par M. Didron dansles Annales archéologiques. Elle est également reproduite à leau-forte dans Y Albumde mademoiselle Naudet, pi. XXTI. 2. On appelle léonins des vers, fort usités au xus siècle, dans lesquels lhémisticherime avec la fin du vers. LA COLLECTION SOLTYKOFF. 293 Quelles soient dérivées ou non de lancien bâton augurai,
Joseph Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-naudet-image7117415.html
RMA9XGP8–Joseph Naudet
Le Mariage de Figaro (The Marriage of Figaro), after 1785, Designed by Jean Baptiste Huet (French, 1745–1811) after illustrations by Charles Naudet (French, c. 1773–1810), Manufactured by Oberkampf Manufactory (French, 1738–1815), France, Jouy-en-Josas, France, Cotton, plain weave, copperplate printed, 76.8 × 91 cm (30 1/4 × 35 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-mariage-de-figaro-the-marriage-of-figaro-after-1785-designed-by-jean-baptiste-huet-french-17451811-after-illustrations-by-charles-naudet-french-c-17731810-manufactured-by-oberkampf-manufactory-french-17381815-france-jouy-en-josas-france-cotton-plain-weave-copperplate-printed-768-91-cm-30-14-35-34-in-image328650368.html
RM2A2K8W4–Le Mariage de Figaro (The Marriage of Figaro), after 1785, Designed by Jean Baptiste Huet (French, 1745–1811) after illustrations by Charles Naudet (French, c. 1773–1810), Manufactured by Oberkampf Manufactory (French, 1738–1815), France, Jouy-en-Josas, France, Cotton, plain weave, copperplate printed, 76.8 × 91 cm (30 1/4 × 35 3/4 in
Le Mariage de Figaro (The Marriage of Figaro), after 1785, Designed by Jean Baptiste Huet (French, 1745–1811) after illustrations by Charles Naudet (French, c. 1773–1810), Manufactured by Oberkampf Manufactory (French, 1738–1815), France, Jouy-en-Josas, France, Cotton, plain weave, copperplate printed, 76.8 × 91 cm (30 1/4 × 35 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-mariage-de-figaro-the-marriage-of-figaro-after-1785-designed-by-jean-baptiste-huet-french-17451811-after-illustrations-by-charles-naudet-french-c-17731810-manufactured-by-oberkampf-manufactory-french-17381815-france-jouy-en-josas-france-cotton-plain-weave-copperplate-printed-768-91-cm-30-14-35-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349730249.html
RF2B8YGE1–Le Mariage de Figaro (The Marriage of Figaro), after 1785, Designed by Jean Baptiste Huet (French, 1745–1811) after illustrations by Charles Naudet (French, c. 1773–1810), Manufactured by Oberkampf Manufactory (French, 1738–1815), France, Jouy-en-Josas, France, Cotton, plain weave, copperplate printed, 76.8 × 91 cm (30 1/4 × 35 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. One of the Battles (at Montmirail) in 6-day campain in France (February, 1814), won by Napoleon. Lithographie. before middle XIX c. artist Naudet, sc. Lebeau 66 Battle of Napoleon 6-day-war 1814 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-battles-at-montmirail-in-6-day-campain-in-france-february-1814-won-by-napoleon-lithographie-before-middle-xix-c-artist-naudet-sc-lebeau-66-battle-of-napoleon-6-day-war-1814-image188943108.html
RMMYB2T4–. One of the Battles (at Montmirail) in 6-day campain in France (February, 1814), won by Napoleon. Lithographie. before middle XIX c. artist Naudet, sc. Lebeau 66 Battle of Napoleon 6-day-war 1814
Battle of Dresden by Naudet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-dresden-by-naudet-image218134995.html
RMPJTWBF–Battle of Dresden by Naudet.
Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battle-of-dresden-by-naudet-139537732.html
RMJ30DPC–Battle of Dresden by Naudet
'Rétablissement du culte catholique', 1802, (1921). The restoration of Catholic worship - First Consul Napoleon Bonaparte (1769-1821) presides as bishops haul upright the cross with Christ crucified surrounded by angels. The Concordat of 1801 was an agreement between Napoleon and Pope Pius VII that reestablished the Roman Catholic Church in France. Engraving by Thomas-Charles Naudet. From "Napoleon", by Raymond Guyot, [H. Floury, Paris, 1921] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rxe9tablissement-du-culte-catholique-1802-1921-the-restoration-of-catholic-worship-first-consul-napoleon-bonaparte-1769-1821-presides-as-bishops-haul-upright-the-cross-with-christ-crucified-surrounded-by-angels-the-concordat-of-1801-was-an-agreement-between-napoleon-and-pope-pius-vii-that-reestablished-the-roman-catholic-church-in-france-engraving-by-thomas-charles-naudet-from-quotnapoleonquot-by-raymond-guyot-h-floury-paris-1921-image329498324.html
RM2A41XD8–'Rétablissement du culte catholique', 1802, (1921). The restoration of Catholic worship - First Consul Napoleon Bonaparte (1769-1821) presides as bishops haul upright the cross with Christ crucified surrounded by angels. The Concordat of 1801 was an agreement between Napoleon and Pope Pius VII that reestablished the Roman Catholic Church in France. Engraving by Thomas-Charles Naudet. From "Napoleon", by Raymond Guyot, [H. Floury, Paris, 1921]
Portugal Oporto Porto Palacio da Bolsa Rua Ferreira Borges stock exchange 1842 Tribunal do Commercio Commercial Tribunal Patio das Nacoes detail Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portugal-oporto-porto-palacio-da-bolsa-rua-ferreira-borges-stock-exchange-1842-tribunal-do-commercio-commercial-tribunal-patio-das-nacoes-detail-image264484539.html
RFWA88MB–Portugal Oporto Porto Palacio da Bolsa Rua Ferreira Borges stock exchange 1842 Tribunal do Commercio Commercial Tribunal Patio das Nacoes detail
Battle of Brienne by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battle-of-brienne-by-naudet-132459659.html
RMHKE1J3–Battle of Brienne by Naudet
The Battle of Friedland. A Charge of the Russian Leib Guard on 14 June 1807. Museum: PRIVATE COLLECTION. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-friedland-a-charge-of-the-russian-leib-guard-on-14-june-1807-museum-private-collection-image212325508.html
RMP9C79T–The Battle of Friedland. A Charge of the Russian Leib Guard on 14 June 1807. Museum: PRIVATE COLLECTION.
Battle of Fleurus, ISSUE 29 Naudet, Le Beau. 'Bataille de Fleurus, numéro 29 (26 juin 1794)'. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-fleurus-issue-29-naudet-le-beau-bataille-de-fleurus-numro-29-26-juin-1794-paris-muse-carnavalet-image349611839.html
RM2B8P5D3–Battle of Fleurus, ISSUE 29 Naudet, Le Beau. 'Bataille de Fleurus, numéro 29 (26 juin 1794)'. Paris, musée Carnavalet.
A perspective of the World Trade Center from Lispenard St. in 1999. This vantage point was made famous by Jules Naudet's filming of American Airlines Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-perspective-of-the-world-trade-center-from-lispenard-st-in-1999-this-vantage-point-was-made-famous-by-jules-naudets-filming-of-american-airlines-image384348087.html
RM2D98FWB–A perspective of the World Trade Center from Lispenard St. in 1999. This vantage point was made famous by Jules Naudet's filming of American Airlines
Recorded the French in Vienna in 1805. Thomas Charles Naudet (1773-1810), drawer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/recorded-the-french-in-vienna-in-1805-thomas-charles-naudet-1773-1810-drawer-image471074307.html
RM2JAB82B–Recorded the French in Vienna in 1805. Thomas Charles Naudet (1773-1810), drawer
. Storia dell'Italia antica. innicantati alla gloria dei Cesari, dai quali ebbe in ricom-penso un amaro esilio in barbara terra. Era nato, come dice egli stesso, ai 20 marzo del 711di antica e agiata famiglia equestre, tra gli antichi Pe-ligni nella fredda Sulmona , presso alla quale per tradi- () Tibullo, I.*10, H, 1. Coni. Virgilio, Ed. V, le, ili, 77, Georg, J,345, e Festo alle voci Opima spolia e Ambarvalis. Per maggiori parti-colarità sulla vita e sui versi di lui, vedi Spohn, De A. Tibùlli vita etr.arminibus, Lipsiae 1819; Naudet, Vie de Tibnlle, ììeWa. Biographie Uni-versclle ; Oestling Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/storia-dellitalia-antica-innicantati-alla-gloria-dei-cesari-dai-quali-ebbe-in-ricom-penso-un-amaro-esilio-in-barbara-terra-era-nato-come-dice-egli-stesso-ai-20-marzo-del-711di-antica-e-agiata-famiglia-equestre-tra-gli-antichi-pe-ligni-nella-fredda-sulmona-presso-alla-quale-per-tradi-tibullo-i10-h-1-coni-virgilio-ed-v-le-ili-77-georg-j345-e-festo-alle-voci-opima-spolia-e-ambarvalis-per-maggiori-parti-colarit-sulla-vita-e-sui-versi-di-lui-vedi-spohn-de-a-tiblli-vita-etrarminibus-lipsiae-1819-naudet-vie-de-tibnlle-ewa-biographie-uni-versclle-oestling-image336935372.html
RM2AG4ME4–. Storia dell'Italia antica. innicantati alla gloria dei Cesari, dai quali ebbe in ricom-penso un amaro esilio in barbara terra. Era nato, come dice egli stesso, ai 20 marzo del 711di antica e agiata famiglia equestre, tra gli antichi Pe-ligni nella fredda Sulmona , presso alla quale per tradi- () Tibullo, I.*10, H, 1. Coni. Virgilio, Ed. V, le, ili, 77, Georg, J,345, e Festo alle voci Opima spolia e Ambarvalis. Per maggiori parti-colarità sulla vita e sui versi di lui, vedi Spohn, De A. Tibùlli vita etr.arminibus, Lipsiae 1819; Naudet, Vie de Tibnlle, ììeWa. Biographie Uni-versclle ; Oestling
Portrait of Rudolf of France, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-rudolf-of-france-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-image473372278.html
RM2JE3Y4P–Portrait of Rudolf of France, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842
Translation de Voltaire au Panthéon Français, 1817. After Jean Jacques Lagrenée Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/translation-de-voltaire-au-panthxe9on-franxe7ais-1817-after-jean-jacques-lagrenxe9e-image349009103.html
RM2B7PMJR–Translation de Voltaire au Panthéon Français, 1817. After Jean Jacques Lagrenée
. One of the Battles (at Montmirail) in 6-day campain in France (February, 1814), won by Napoleon. Lithographie. before middle XIX c. artist Naudet, sc. Lebeau 75 Battle of Napoleon 6-day-war 1814 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-battles-at-montmirail-in-6-day-campain-in-france-february-1814-won-by-napoleon-lithographie-before-middle-xix-c-artist-naudet-sc-lebeau-75-battle-of-napoleon-6-day-war-1814-image187663145.html
RMMW8P75–. One of the Battles (at Montmirail) in 6-day campain in France (February, 1814), won by Napoleon. Lithographie. before middle XIX c. artist Naudet, sc. Lebeau 75 Battle of Napoleon 6-day-war 1814
Battle of Brienne by Naudet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-brienne-by-naudet-image218116753.html
RMPJT241–Battle of Brienne by Naudet.
Battle of Brienne by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battle-of-brienne-by-naudet-139510717.html
RMJ2Y79H–Battle of Brienne by Naudet
Generals Bonaparte and Augereau storm the bridge at Arcola, November 1796, (1921). 'Passage du Pont d'Arcole par les Généraux Bonaparte et Augereau'. Napoleon Bonaparte (1769-1821) and Pierre Augereau (1757-1816) lead the French army against the Austrians at Arcole near Verona in Italy. Engraving after Thomas-Charles Naudet. From "Napoleon", by Raymond Guyot. [H. Floury, Paris, 1921] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/generals-bonaparte-and-augereau-storm-the-bridge-at-arcola-november-1796-1921-passage-du-pont-darcole-par-les-gxe9nxe9raux-bonaparte-et-augereau-napoleon-bonaparte-1769-1821-and-pierre-augereau-1757-1816-lead-the-french-army-against-the-austrians-at-arcole-near-verona-in-italy-engraving-after-thomas-charles-naudet-from-quotnapoleonquot-by-raymond-guyot-h-floury-paris-1921-image329498348.html
RM2A41XE4–Generals Bonaparte and Augereau storm the bridge at Arcola, November 1796, (1921). 'Passage du Pont d'Arcole par les Généraux Bonaparte et Augereau'. Napoleon Bonaparte (1769-1821) and Pierre Augereau (1757-1816) lead the French army against the Austrians at Arcole near Verona in Italy. Engraving after Thomas-Charles Naudet. From "Napoleon", by Raymond Guyot. [H. Floury, Paris, 1921]
Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battle-of-dresden-by-naudet-132434199.html
RMHKCW4R–Battle of Dresden by Naudet
MARKET TO INNOCENT 1800 Thomas Charles Naudet (1778-1810). 'Le Marché des Innocents vers 1800'. Gouache. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/market-to-innocent-1800-thomas-charles-naudet-1778-1810-le-march-des-innocents-vers-1800-gouache-paris-muse-carnavalet-image349988724.html
RM2B9BA58–MARKET TO INNOCENT 1800 Thomas Charles Naudet (1778-1810). 'Le Marché des Innocents vers 1800'. Gouache. Paris, musée Carnavalet.
Henri d'Artois, anonymous, veuve Delpech (Naudet), in or after 1824 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henri-dartois-anonymous-veuve-delpech-naudet-in-or-after-1824-in-or-before-1842-print-paris-paper-historical-persons-image592767003.html
RM2WCATA3–Henri d'Artois, anonymous, veuve Delpech (Naudet), in or after 1824 - in or before 1842 print Paris paper historical persons
Le génie du peuple . RCE DUN GENTILHOMME I73 Et faisons fête solennelleDe ma Damoyselle et Lison! LA DAMOYSELLE Ha ! que ce fol a de blason ! LE GENTILHOMME Nen parlons plus, et nous taisons!Tenir me veux à la maison,Puisquon vient à ma DamoyselleTandis que je suis à Lison. N A u D E T Bah ! gardez votre seigneurie Et Naudet sa naudeterie. Ne venez plus naudetiser. Je nirai plus seigneuriser; Et afin quil vous en souvienne, Croyez-moi quil faut, mon ami, A trompeur trompeur et demi. Pourtant, que plus ne vous advienne ! Ce dénouement satisfaisait tout le monde aubon vieux temps ; il paraissait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-gnie-du-peuple-rce-dun-gentilhomme-i73-et-faisons-fte-solennellede-ma-damoyselle-et-lison!-la-damoyselle-ha-!-que-ce-fol-a-de-blason-!-le-gentilhomme-nen-parlons-plus-et-nous-taisons!tenir-me-veux-la-maisonpuisquon-vient-ma-damoyselletandis-que-je-suis-lison-n-a-u-d-e-t-bah-!-gardez-votre-seigneurie-et-naudet-sa-naudeterie-ne-venez-plus-naudetiser-je-nirai-plus-seigneuriser-et-afin-quil-vous-en-souvienne-croyez-moi-quil-faut-mon-ami-a-trompeur-trompeur-et-demi-pourtant-que-plus-ne-vous-advienne-!-ce-dnouement-satisfaisait-tout-le-monde-aubon-vieux-temps-il-paraissait-image338474810.html
RM2AJJT22–Le génie du peuple . RCE DUN GENTILHOMME I73 Et faisons fête solennelleDe ma Damoyselle et Lison! LA DAMOYSELLE Ha ! que ce fol a de blason ! LE GENTILHOMME Nen parlons plus, et nous taisons!Tenir me veux à la maison,Puisquon vient à ma DamoyselleTandis que je suis à Lison. N A u D E T Bah ! gardez votre seigneurie Et Naudet sa naudeterie. Ne venez plus naudetiser. Je nirai plus seigneuriser; Et afin quil vous en souvienne, Croyez-moi quil faut, mon ami, A trompeur trompeur et demi. Pourtant, que plus ne vous advienne ! Ce dénouement satisfaisait tout le monde aubon vieux temps ; il paraissait
Gredin the sort, print maker: Horace Vernet, printer: veuve Delpech (Naudet), 1799 - 1863, paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gredin-the-sort-print-maker-horace-vernet-printer-veuve-delpech-naudet-1799-1863-paper-image472231800.html
RM2JC80DC–Gredin the sort, print maker: Horace Vernet, printer: veuve Delpech (Naudet), 1799 - 1863, paper
. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 66 Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-cavalry-attack-in-the-battle-of-dresden-27-august-1813-pennington-catalogue-p-3011-engraving-before-middle-xix-c-thomas-charles-naudet-french-historical-artist-1773-1810-66-battle-of-dresden-by-naudet-image188943027.html
RMMYB2N7–. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 66 Battle of Dresden by Naudet
Naudet Fête de l'être Suprême 8 juin 1794. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/naudet-fte-de-ltre-suprme-8-juin-1794-image402229160.html
RM2EAB3B4–Naudet Fête de l'être Suprême 8 juin 1794.
Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10-3-94. MET DP290670 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-naudet-gervais-40-ans-n-echaleau-cte-dor-menuisier-anarchiste-10-3-172484902.html
RMM0HA72–Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10-3-94. MET DP290670
THE HOUSE OF PEACE IN THE GARDEN OF tribuneship Thomas Charles Naudet (1773-1810). 'Le pavillon de la Paix dans le jardin du tribunat'. Estampe. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-house-of-peace-in-the-garden-of-tribuneship-thomas-charles-naudet-1773-1810-le-pavillon-de-la-paix-dans-le-jardin-du-tribunat-estampe-paris-muse-carnavalet-image350113371.html
RM2B9H14Y–THE HOUSE OF PEACE IN THE GARDEN OF tribuneship Thomas Charles Naudet (1773-1810). 'Le pavillon de la Paix dans le jardin du tribunat'. Estampe. Paris, musée Carnavalet.
Portret van Pierre Rayer, Grégoire and Deneux (Awarded to), widow Delpech (Naudet), 1818 - 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-pierre-rayer-grgoire-and-deneux-awarded-to-widow-delpech-naudet-1818-1842-print-paris-paper-historical-persons-image593712406.html
RM2WDWX6E–Portret van Pierre Rayer, Grégoire and Deneux (Awarded to), widow Delpech (Naudet), 1818 - 1842 print Paris paper historical persons
Portrait of Michel Regnaud de Saint-Jean d'Angély, anonymous, veuve Delpech (Naudet) (possibly), after François Gérard, in or after 1818 - in or before 1842 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-michel-regnaud-de-saint-jean-dangly-anonymous-veuve-delpech-naudet-possibly-after-franois-grard-in-or-after-1818-in-or-before-1842-image473372287.html
RM2JE3Y53–Portrait of Michel Regnaud de Saint-Jean d'Angély, anonymous, veuve Delpech (Naudet) (possibly), after François Gérard, in or after 1818 - in or before 1842
. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-cavalry-attack-in-the-battle-of-dresden-27-august-1813-pennington-catalogue-p-3011-engraving-before-middle-xix-c-thomas-charles-naudet-french-historical-artist-1773-1810-75-battle-of-dresden-by-naudet-image188239662.html
RMMX71H2–. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet
Arnaud - Recueil de tombeaux des quatre cimetières de Paris - Naudet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arnaud-recueil-de-tombeaux-des-quatre-cimetires-de-paris-naudet-image215279273.html
RMPE6PWD–Arnaud - Recueil de tombeaux des quatre cimetières de Paris - Naudet.
Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10-3-94. MET DP290681 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-naudet-gervais-40-ans-n-echaleau-cte-dor-menuisier-anarchiste-10-3-172484903.html
RMM0HA73–Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10-3-94. MET DP290681
FESTIVAL 1ST VENDEMIAIRE: PLAY MAT COCAGNE Thomas-Charles Naudet (1778-1810). 'Fête du 1er Vendémiaire, an 10 : jeu du mât de cocagne'. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/festival-1st-vendemiaire-play-mat-cocagne-thomas-charles-naudet-1778-1810-fte-du-1er-vendmiaire-an-10-jeu-du-mt-de-cocagne-paris-muse-carnavalet-image349611944.html
RM2B8P5GT–FESTIVAL 1ST VENDEMIAIRE: PLAY MAT COCAGNE Thomas-Charles Naudet (1778-1810). 'Fête du 1er Vendémiaire, an 10 : jeu du mât de cocagne'. Paris, musée Carnavalet.
Portret Van Marion Delorme, Anonymous, widow Delpech (Naudet), 1830 print Under numbered: 53. Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-marion-delorme-anonymous-widow-delpech-naudet-1830-print-under-numbered-53-paris-paper-historical-persons-image593664355.html
RM2WDRMXB–Portret Van Marion Delorme, Anonymous, widow Delpech (Naudet), 1830 print Under numbered: 53. Paris paper historical persons
Joseph Naudet (1786-1878), French scholar and historian, Ponscarme, François Joseph Hubert, Medal engraver, Numismatic, Medal, Diameter: 5.1 cm, Weight (type size): 37.11 g Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-naudet-1786-1878-french-scholar-and-historian-ponscarme-franois-joseph-hubert-medal-engraver-numismatic-medal-diameter-51-cm-weight-type-size-3711-g-image573422865.html
RM2T8WJM1–Joseph Naudet (1786-1878), French scholar and historian, Ponscarme, François Joseph Hubert, Medal engraver, Numismatic, Medal, Diameter: 5.1 cm, Weight (type size): 37.11 g
. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-cavalry-attack-in-the-battle-of-dresden-27-august-1813-pennington-catalogue-p-3011-engraving-before-middle-xix-c-thomas-charles-naudet-french-historical-artist-1773-1810-75-battle-of-dresden-by-naudet-image187663038.html
RMMW8P3A–. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet
Arnaud - Recueil de tombeaux des quatre cimetières de Paris - Naudet (colored). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arnaud-recueil-de-tombeaux-des-quatre-cimetires-de-paris-naudet-colored-image215279269.html
RMPE6PW9–Arnaud - Recueil de tombeaux des quatre cimetières de Paris - Naudet (colored).
Arnaud - Recueil de tombeaux des quatre cimetières de Paris - Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arnaud-recueil-de-tombeaux-des-quatre-cimetires-de-paris-naudet-147485002.html
RMJFXEHE–Arnaud - Recueil de tombeaux des quatre cimetières de Paris - Naudet
FOR EXTERNAL SAINT-GERMAIN The AUXERROIS, CIRCA 1800 Thomas Charles Naudet (1778-1810). 'Vue extérieure de Saint-Germain l'Auxerrois, vers 1800'. Gouache, aquarelle. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/for-external-saint-germain-the-auxerrois-circa-1800-thomas-charles-naudet-1778-1810-vue-extrieure-de-saint-germain-lauxerrois-vers-1800-gouache-aquarelle-paris-muse-carnavalet-image349766555.html
RM2B916PK–FOR EXTERNAL SAINT-GERMAIN The AUXERROIS, CIRCA 1800 Thomas Charles Naudet (1778-1810). 'Vue extérieure de Saint-Germain l'Auxerrois, vers 1800'. Gouache, aquarelle. Paris, musée Carnavalet.
Portret van Bilichilde, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-bilichilde-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-print-paris-paper-historical-persons-image592765829.html
RM2WCAPT5–Portret van Bilichilde, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons
Portrait of Jean Cruveilhier, Cruveilhier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1838, paper, height 356 mm × width 277 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jean-cruveilhier-cruveilhier-title-on-object-print-maker-nicolas-maurin-printer-veuve-delpech-naudet-paris-1838-paper-height-356-mm-width-277-mm-print-image599462348.html
RM2WR7T9G–Portrait of Jean Cruveilhier, Cruveilhier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1838, paper, height 356 mm × width 277 mm, print
75 Battle of Brienne by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/75-battle-of-brienne-by-naudet-image214222710.html
RMPCEK72–75 Battle of Brienne by Naudet
Senlis (60), remparts et tour César, par Naudet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/senlis-60-remparts-et-tour-csar-par-naudet-image457440456.html
RM2HG65Y4–Senlis (60), remparts et tour César, par Naudet.
Joseph Naudet (1786-1878), scholar and historian French François Joseph Hubert Ponscarme (1827-1903). Joseph Naudet (1786-1878), érudit et historien français. Bronze. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-naudet-1786-1878-scholar-and-historian-french-franois-joseph-hubert-ponscarme-1827-1903-joseph-naudet-1786-1878-rudit-et-historien-franais-bronze-paris-muse-carnavalet-image350163048.html
RM2B9K8F4–Joseph Naudet (1786-1878), scholar and historian French François Joseph Hubert Ponscarme (1827-1903). Joseph Naudet (1786-1878), érudit et historien français. Bronze. Paris, musée Carnavalet.
Portret van Bathilde, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-bathilde-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-print-paris-paper-historical-persons-image592766179.html
RM2WCAR8K–Portret van Bathilde, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons
Portrait of Paul Barras, Barras (title on object), print maker: Antoine Maurin, printer: veuve Delpech (Naudet), Paris, 1826, paper, height 491 mm × width 333 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-paul-barras-barras-title-on-object-print-maker-antoine-maurin-printer-veuve-delpech-naudet-paris-1826-paper-height-491-mm-width-333-mm-print-image599462332.html
RM2WR7T90–Portrait of Paul Barras, Barras (title on object), print maker: Antoine Maurin, printer: veuve Delpech (Naudet), Paris, 1826, paper, height 491 mm × width 333 mm, print
75 Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/75-battle-of-dresden-by-naudet-image214222721.html
RMPCEK7D–75 Battle of Dresden by Naudet
VIEW TUILERIES TAKE PLACE BEFORE THE CONCORDE 1799 Thomas-Charles Naudet (1778-1810). 'Vue des Tuileries prise de la place de la Concorde avant 1799'. Aquarelle avec rehauts de gouache. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-tuileries-take-place-before-the-concorde-1799-thomas-charles-naudet-1778-1810-vue-des-tuileries-prise-de-la-place-de-la-concorde-avant-1799-aquarelle-avec-rehauts-de-gouache-paris-muse-carnavalet-image349952006.html
RM2B99K9X–VIEW TUILERIES TAKE PLACE BEFORE THE CONCORDE 1799 Thomas-Charles Naudet (1778-1810). 'Vue des Tuileries prise de la place de la Concorde avant 1799'. Aquarelle avec rehauts de gouache. Paris, musée Carnavalet.
Portret van Bertrude, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-bertrude-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-print-paris-paper-historical-persons-image592765750.html
RM2WCAPNA–Portret van Bertrude, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons
Portrait of Auguste Cullerier, Cullerier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1839, paper, height 360 mm × width 272 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-auguste-cullerier-cullerier-title-on-object-print-maker-nicolas-maurin-printer-veuve-delpech-naudet-paris-1839-paper-height-360-mm-width-272-mm-print-image599462345.html
RM2WR7T9D–Portrait of Auguste Cullerier, Cullerier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1839, paper, height 360 mm × width 272 mm, print
919 Naudet Fête de l'être Suprême 8 juin 1794 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/919-naudet-fte-de-ltre-suprme-8-juin-1794-image185868838.html
RMMPB1GP–919 Naudet Fête de l'être Suprême 8 juin 1794
Portrait of Joseph Naudet (1786-1878), scholar and director of the National Biblitohèque. Portrait de Joseph Naudet (1786-1878), érudit et directeur de la Biblitohèque Nationale. Carte de visite (recto). Photographie de Charles Reutlinger (1816-1880). Tirage sur papier albuminé. 1860-1890. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-joseph-naudet-1786-1878-scholar-and-director-of-the-national-biblitohque-portrait-de-joseph-naudet-1786-1878-rudit-et-directeur-de-la-biblitohque-nationale-carte-de-visite-recto-photographie-de-charles-reutlinger-1816-1880-tirage-sur-papier-albumin-1860-1890-paris-muse-carnavalet-image349618615.html
RM2B8PE33–Portrait of Joseph Naudet (1786-1878), scholar and director of the National Biblitohèque. Portrait de Joseph Naudet (1786-1878), érudit et directeur de la Biblitohèque Nationale. Carte de visite (recto). Photographie de Charles Reutlinger (1816-1880). Tirage sur papier albuminé. 1860-1890. Paris, musée Carnavalet.
Portrait of Louis of France, Anonymous, Veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-louis-of-france-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-print-paris-paper-historical-persons-image592762527.html
RM2WCAJJ7–Portrait of Louis of France, Anonymous, Veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons
Portrait of Georges Cuvier, Cuvier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 424 mm × width 309 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-georges-cuvier-cuvier-title-on-object-print-maker-nicolas-maurin-printer-veuve-delpech-naudet-paris-1825-1842-paper-height-424-mm-width-309-mm-print-image599462339.html
RM2WR7T97–Portrait of Georges Cuvier, Cuvier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 424 mm × width 309 mm, print
. The Battle of Leipzig. Еngraving, hand-coloured, Pennington Catalogue p. 1350. . 19th century. sc. LE BEAU, Pierre Adrien after NAUDET Battle of Leipzig by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-leipzig-ngraving-hand-coloured-pennington-catalogue-p-1350-19th-century-sc-le-beau-pierre-adrien-after-naudet-battle-of-leipzig-by-naudet-image184912055.html
RMMMRD5Y–. The Battle of Leipzig. Еngraving, hand-coloured, Pennington Catalogue p. 1350. . 19th century. sc. LE BEAU, Pierre Adrien after NAUDET Battle of Leipzig by Naudet
TROOPS PARADE OF THE GREAT PARADE TO THE FIRST CONSUL BONAPARTE AND THE STATE OF THE COURT MAJORDANS CHATEAU DES Tuileries J.B.M. Auguste Blanchard (1792-1849) d'après Naudet. 'Défilé des troupes à la grande parade, devant le premier consul Bonaparte et l'état major dans la cour du château des Tuilleries'. Eau-forte aquarellée. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/troops-parade-of-the-great-parade-to-the-first-consul-bonaparte-and-the-state-of-the-court-majordans-chateau-des-tuileries-jbm-auguste-blanchard-1792-1849-daprs-naudet-dfil-des-troupes-la-grande-parade-devant-le-premier-consul-bonaparte-et-ltat-major-dans-la-cour-du-chteau-des-tuilleries-eau-forte-aquarelle-paris-muse-carnavalet-image350015911.html
RM2B9CGT7–TROOPS PARADE OF THE GREAT PARADE TO THE FIRST CONSUL BONAPARTE AND THE STATE OF THE COURT MAJORDANS CHATEAU DES Tuileries J.B.M. Auguste Blanchard (1792-1849) d'après Naudet. 'Défilé des troupes à la grande parade, devant le premier consul Bonaparte et l'état major dans la cour du château des Tuilleries'. Eau-forte aquarellée. Paris, musée Carnavalet.
Portret van Molière, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-molire-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-print-paris-paper-historical-persons-image592761223.html
RM2WCAGYK–Portret van Molière, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons
Portrait of Anthelme Richerand, Richerand (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 357 mm × width 272 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-anthelme-richerand-richerand-title-on-object-print-maker-nicolas-maurin-printer-veuve-delpech-naudet-paris-1825-1842-paper-height-357-mm-width-272-mm-print-image599462556.html
RM2WR7TH0–Portrait of Anthelme Richerand, Richerand (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 357 mm × width 272 mm, print
. One of the Battles (at Montmirail) in 6-day campain in France (February, 1814), won by Napoleon. Lithographie. . before middle XIX c. artist Naudet, sc. Lebeau 75 Battle of Napoleon 6-day-war 1814 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-battles-at-montmirail-in-6-day-campain-in-france-february-1814-won-by-napoleon-lithographie-before-middle-xix-c-artist-naudet-sc-lebeau-75-battle-of-napoleon-6-day-war-1814-image184859066.html
RMMMN1HE–. One of the Battles (at Montmirail) in 6-day campain in France (February, 1814), won by Napoleon. Lithographie. . before middle XIX c. artist Naudet, sc. Lebeau 75 Battle of Napoleon 6-day-war 1814
THE FEAST OF THE SUPREME BEING FIELD ON 20 MARCH PRAIRIAL YEAR II (8 June 1794) Thomas-Charles Naudet (1778-1810). 'La fête de l'Etre Suprême au Champ de Mars, le 20 prairial An II (8 juin 1794) : statue du peuple sous les traits d'Hercule, le char de cérès trainé par des boeufs'. Aquarelle, gouache et pastel sur trait de plume et de mine de plomb'. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-feast-of-the-supreme-being-field-on-20-march-prairial-year-ii-8-june-1794-thomas-charles-naudet-1778-1810-la-fte-de-letre-suprme-au-champ-de-mars-le-20-prairial-an-ii-8-juin-1794-statue-du-peuple-sous-les-traits-dhercule-le-char-de-crs-train-par-des-boeufs-aquarelle-gouache-et-pastel-sur-trait-de-plume-et-de-mine-de-plomb-paris-muse-carnavalet-image349939758.html
RM2B993ME–THE FEAST OF THE SUPREME BEING FIELD ON 20 MARCH PRAIRIAL YEAR II (8 June 1794) Thomas-Charles Naudet (1778-1810). 'La fête de l'Etre Suprême au Champ de Mars, le 20 prairial An II (8 juin 1794) : statue du peuple sous les traits d'Hercule, le char de cérès trainé par des boeufs'. Aquarelle, gouache et pastel sur trait de plume et de mine de plomb'. Paris, musée Carnavalet.
Portret van Chlodio, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-chlodio-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-print-paris-paper-historical-persons-image592764990.html
RM2WCANP6–Portret van Chlodio, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons
Portrait of Georges Cuvier, Cuvier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 358 mm × width 272 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-georges-cuvier-cuvier-title-on-object-print-maker-nicolas-maurin-printer-veuve-delpech-naudet-paris-1825-1842-paper-height-358-mm-width-272-mm-print-image599462313.html
RM2WR7T89–Portrait of Georges Cuvier, Cuvier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 358 mm × width 272 mm, print
. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. . before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-cavalry-attack-in-the-battle-of-dresden-27-august-1813-pennington-catalogue-p-3011-engraving-before-middle-xix-c-thomas-charles-naudet-french-historical-artist-1773-1810-75-battle-of-dresden-by-naudet-image184858999.html
RMMMN1F3–. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. . before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet
Portret van Eudoxie, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-eudoxie-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-print-paris-paper-historical-persons-image592760701.html
RM2WCAG91–Portret van Eudoxie, anonymous, veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons
Portrait of Jean Civiale, Civiale (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 360 mm × width 273 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jean-civiale-civiale-title-on-object-print-maker-nicolas-maurin-printer-veuve-delpech-naudet-paris-1825-1842-paper-height-360-mm-width-273-mm-print-image599462344.html
RM2WR7T9C–Portrait of Jean Civiale, Civiale (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 360 mm × width 273 mm, print
. The Battle of Brienne, 29 January 1814. Brienne castle in background being defended successfully by the French from russians. Engraving, Pennington Catalogue p. 3027. middle XIX c. engraver BRUNELLIÈRE, Prosper Aimée Marie (1803-?) after Naudet 75 Battle of Brienne by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-brienne-29-january-1814-brienne-castle-in-background-being-defended-successfully-by-the-french-from-russians-engraving-pennington-catalogue-p-3027-middle-xix-c-engraver-brunellire-prosper-aime-marie-1803-after-naudet-75-battle-of-brienne-by-naudet-image188239650.html
RMMX71GJ–. The Battle of Brienne, 29 January 1814. Brienne castle in background being defended successfully by the French from russians. Engraving, Pennington Catalogue p. 3027. middle XIX c. engraver BRUNELLIÈRE, Prosper Aimée Marie (1803-?) after Naudet 75 Battle of Brienne by Naudet
This post is part of a folder with six prenten. Manufacturer : printmaker Charles Aubry (listed building) printer: veuve Delpech (Naudet) (listed building ) Place manufacture: Paris Date: 1824 Physical features: lithograph, hand-colored material: paper Technique: crayon lithograph / hand color dimensions: sheet: h 379 mm × W 281 mm Subject: child (at home) childmischief-making playdog Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-post-is-part-of-a-folder-with-six-prenten-manufacturer-printmaker-charles-aubry-listed-building-printer-veuve-delpech-naudet-listed-building-place-manufacture-paris-date-1824-physical-features-lithograph-hand-colored-material-paper-technique-crayon-lithograph-hand-color-dimensions-sheet-h-379-mm-w-281-mm-subject-child-at-home-childmischief-making-playdog-image348318345.html
RM2B6K7GW–This post is part of a folder with six prenten. Manufacturer : printmaker Charles Aubry (listed building) printer: veuve Delpech (Naudet) (listed building ) Place manufacture: Paris Date: 1824 Physical features: lithograph, hand-colored material: paper Technique: crayon lithograph / hand color dimensions: sheet: h 379 mm × W 281 mm Subject: child (at home) childmischief-making playdog
Portret van René Descartes, Anonymous, widow Delpech (Naudet), After Frans Hals, 1818 - 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-ren-descartes-anonymous-widow-delpech-naudet-after-frans-hals-1818-1842-print-paris-paper-historical-persons-image592756762.html
RM2WCAB8A–Portret van René Descartes, Anonymous, widow Delpech (Naudet), After Frans Hals, 1818 - 1842 print Paris paper historical persons
Portrait of Georges Cuvier, Cuvier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 479 mm × width 311 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-georges-cuvier-cuvier-title-on-object-print-maker-nicolas-maurin-printer-veuve-delpech-naudet-paris-1825-1842-paper-height-479-mm-width-311-mm-print-image599462346.html
RM2WR7T9E–Portrait of Georges Cuvier, Cuvier (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 479 mm × width 311 mm, print
. The Battle of Brienne, 29 January 1814. Brienne castle in background being defended successfully by the French from russians. Engraving, Pennington Catalogue p. 3027. . middle XIX c. engraver BRUNELLIÈRE, Prosper Aimée Marie (1803-?) after Naudet 75 Battle of Brienne by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-brienne-29-january-1814-brienne-castle-in-background-being-defended-successfully-by-the-french-from-russians-engraving-pennington-catalogue-p-3027-middle-xix-c-engraver-brunellire-prosper-aime-marie-1803-after-naudet-75-battle-of-brienne-by-naudet-image184858991.html
RMMMN1ER–. The Battle of Brienne, 29 January 1814. Brienne castle in background being defended successfully by the French from russians. Engraving, Pennington Catalogue p. 3027. . middle XIX c. engraver BRUNELLIÈRE, Prosper Aimée Marie (1803-?) after Naudet 75 Battle of Brienne by Naudet
Using RP-P-1959-94 A wooden bridge over a small river, with two stone pillars. Two figures on brug. Manufacturer : printmaker Louis Gabriel Moreau (listed building) in its design: Louis Gabriel Moreau Publisher: Naudet (listed property) Place manufacture: Paris Date: 1770 - 1825 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 130 mm × W 192 mm Subject: landscape with bridge, viaduct or aqueduct Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/using-rp-p-1959-94-a-wooden-bridge-over-a-small-river-with-two-stone-pillars-two-figures-on-brug-manufacturer-printmaker-louis-gabriel-moreau-listed-building-in-its-design-louis-gabriel-moreau-publisher-naudet-listed-property-place-manufacture-paris-date-1770-1825-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-130-mm-w-192-mm-subject-landscape-with-bridge-viaduct-or-aqueduct-image348236572.html
RM2B6FF8C–Using RP-P-1959-94 A wooden bridge over a small river, with two stone pillars. Two figures on brug. Manufacturer : printmaker Louis Gabriel Moreau (listed building) in its design: Louis Gabriel Moreau Publisher: Naudet (listed property) Place manufacture: Paris Date: 1770 - 1825 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 130 mm × W 192 mm Subject: landscape with bridge, viaduct or aqueduct
Portrait of Victoire of France, Anonymous, Veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-victoire-of-france-anonymous-veuve-delpech-naudet-in-or-after-1818-in-or-before-1842-print-paris-paper-historical-persons-image592772856.html
RM2WCB3R4–Portrait of Victoire of France, Anonymous, Veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons
Portrait of Guillaume Dupuytren, Dupuytren (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 360 mm × width 276 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-guillaume-dupuytren-dupuytren-title-on-object-print-maker-nicolas-maurin-printer-veuve-delpech-naudet-paris-1825-1842-paper-height-360-mm-width-276-mm-print-image599462316.html
RM2WR7T8C–Portrait of Guillaume Dupuytren, Dupuytren (title on object), print maker: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 360 mm × width 276 mm, print
. The Battle of Brienne, 29 January 1814. Brienne castle in background being defended successfully by the French from russians. Engraving, Pennington Catalogue p. 3027. middle XIX c. engraver BRUNELLIÈRE, Prosper Aimée Marie (1803-?) after Naudet 66 Battle of Brienne by Naudet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-brienne-29-january-1814-brienne-castle-in-background-being-defended-successfully-by-the-french-from-russians-engraving-pennington-catalogue-p-3027-middle-xix-c-engraver-brunellire-prosper-aime-marie-1803-after-naudet-66-battle-of-brienne-by-naudet-image188943012.html
RMMYB2MM–. The Battle of Brienne, 29 January 1814. Brienne castle in background being defended successfully by the French from russians. Engraving, Pennington Catalogue p. 3027. middle XIX c. engraver BRUNELLIÈRE, Prosper Aimée Marie (1803-?) after Naudet 66 Battle of Brienne by Naudet
A horse turned left standing. Caption: Ali / cheval arabe / Envoyé par le Sultan Muscat à Mr. le Baron de Capellen ... Governor General des Grandes Indes / à Batavia Property type: picture Item number: RP-P-1888-A-13733 Manufacturer : printmaker: Carle Vernetdrukker: veuve Delpech (Naudet) Dated: 1768 - 1836 Physical features: lithography material: paper technique: lithography (technique) Subject: horses and kindred animalsWie: Godart Alexander baron Gerard Philip van der Capelle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-horse-turned-left-standing-caption-ali-cheval-arabe-envoy-par-le-sultan-muscat-mr-le-baron-de-capellen-governor-general-des-grandes-indes-batavia-property-type-picture-item-number-rp-p-1888-a-13733-manufacturer-printmaker-carle-vernetdrukker-veuve-delpech-naudet-dated-1768-1836-physical-features-lithography-material-paper-technique-lithography-technique-subject-horses-and-kindred-animalswie-godart-alexander-baron-gerard-philip-van-der-capelle-image348328298.html
RM2B6KM8A–A horse turned left standing. Caption: Ali / cheval arabe / Envoyé par le Sultan Muscat à Mr. le Baron de Capellen ... Governor General des Grandes Indes / à Batavia Property type: picture Item number: RP-P-1888-A-13733 Manufacturer : printmaker: Carle Vernetdrukker: veuve Delpech (Naudet) Dated: 1768 - 1836 Physical features: lithography material: paper technique: lithography (technique) Subject: horses and kindred animalsWie: Godart Alexander baron Gerard Philip van der Capelle
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation