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Multum Stock Photos and Images
Remittuntur Eipeccata Multa Quoniam Dilexit Multum, Engraving on paper, Europe, before 1896, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/remittuntur-eipeccata-multa-quoniam-dilexit-multum-engraving-on-paper-europe-before-1896-print-image391546639.htmlRM2DN0DMF–Remittuntur Eipeccata Multa Quoniam Dilexit Multum, Engraving on paper, Europe, before 1896, Print
Art inspired by Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 7/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-horizontal-landscape-with-the-remains-of-the-nymphaeum-mistakenly-identified-as-the-temple-of-minerva-medica-in-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-5-78-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008759.htmlRF2HW7TB3–Art inspired by Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 7/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mary Magdalene in the wilderness Dilexit multum (title on object), Mary Magdalene in the wilderness, sitting with her eyes closed and a crucifix in her hand. Next to her are a skull, a book, and an ointment canister. Presentation in an oval. In the lower margin text in Italian, the penitent harlot Mary Magdalene, possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge, Faustino Anderloni (mentioned on object), 1837 - 1847, paper, engraving, h 295 mm × w 215 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-magdalene-in-the-wilderness-dilexit-multum-title-on-object-mary-magdalene-in-the-wilderness-sitting-with-her-eyes-closed-and-a-crucifix-in-her-hand-next-to-her-are-a-skull-a-book-and-an-ointment-canister-presentation-in-an-oval-in-the-lower-margin-text-in-italian-the-penitent-harlot-mary-magdalene-possible-attributes-book-or-scroll-crown-crown-of-thorns-crucifix-jar-of-ointment-mirror-musical-instrument-palm-branch-rosary-scourge-faustino-anderloni-mentioned-on-object-1837-1847-paper-engraving-h-295-mm-w-215-mm-image261400082.htmlRMW57PD6–Mary Magdalene in the wilderness Dilexit multum (title on object), Mary Magdalene in the wilderness, sitting with her eyes closed and a crucifix in her hand. Next to her are a skull, a book, and an ointment canister. Presentation in an oval. In the lower margin text in Italian, the penitent harlot Mary Magdalene, possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge, Faustino Anderloni (mentioned on object), 1837 - 1847, paper, engraving, h 295 mm × w 215 mm
Green`s 8 inch Multum in Parvo lawnmower, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-green`s-8-inch-multum-in-parvo-lawnmower-uk-17830327.htmlRMB106NB–Green`s 8 inch Multum in Parvo lawnmower, UK
Cartoon of Fred MacCabe, actor -- Multum in Parvo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartoon-of-fred-maccabe-actor-multum-in-parvo-image504808002.htmlRM2M97YN6–Cartoon of Fred MacCabe, actor -- Multum in Parvo.
A horse bolts through a gate during a foxhunt, 19th century. Riders in hunting pinks and a pack of foxhounds watch as the huntsman tries to regain control. One of Multum in Parvos going days. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees Mr. Sponges Sporting Tour, Bradbury and Evans., London, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-horse-bolts-through-a-gate-during-a-foxhunt-19th-century-riders-in-hunting-pinks-and-a-pack-of-foxhounds-watch-as-the-huntsman-tries-to-regain-control-one-of-multum-in-parvos-going-days-handcoloured-steel-engraving-after-an-illustration-by-john-leech-from-robert-smith-surtees-mr-sponges-sporting-tour-bradbury-and-evans-london-1853-image571836050.htmlRM2T69AM2–A horse bolts through a gate during a foxhunt, 19th century. Riders in hunting pinks and a pack of foxhounds watch as the huntsman tries to regain control. One of Multum in Parvos going days. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees Mr. Sponges Sporting Tour, Bradbury and Evans., London, 1853.
Cartoon of Charles Reade (1814-1884), novelist and dramatist. Multum-in-Parvo Champion. An author of few words, but many grievances. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartoon-of-charles-reade-1814-1884-novelist-and-dramatist-multum-in-parvo-champion-an-author-of-few-words-but-many-grievances-image504806776.htmlRM2M97X5C–Cartoon of Charles Reade (1814-1884), novelist and dramatist. Multum-in-Parvo Champion. An author of few words, but many grievances.
One of Multum n Parvo's 'going' days. Handcoloured steel engraving by John Leech from Robert Smith Surtees’ Mr. Sponge’s Sporting Tour,, circa 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-multum-n-parvos-going-days-handcoloured-steel-engraving-by-john-leech-from-robert-smith-surtees-mr-sponges-sporting-tour-circa-1850-image467062714.htmlRM2J3TF76–One of Multum n Parvo's 'going' days. Handcoloured steel engraving by John Leech from Robert Smith Surtees’ Mr. Sponge’s Sporting Tour,, circa 1850
A horse bolts through a gate during a foxhunt, 19th century. Riders in hunting pinks and a pack of foxhounds watch as the huntsman tries to regain control. One of Multum in Parvo’s going days. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees’ Mr. Sponge’s Sporting Tour, Bradbury and Evans., London, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-horse-bolts-through-a-gate-during-a-foxhunt-19th-century-riders-in-hunting-pinks-and-a-pack-of-foxhounds-watch-as-the-huntsman-tries-to-regain-control-one-of-multum-in-parvos-going-days-handcoloured-steel-engraving-after-an-illustration-by-john-leech-from-robert-smith-surtees-mr-sponges-sporting-tour-bradbury-and-evans-london-1853-image364857309.htmlRM2C5GK65–A horse bolts through a gate during a foxhunt, 19th century. Riders in hunting pinks and a pack of foxhounds watch as the huntsman tries to regain control. One of Multum in Parvo’s going days. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees’ Mr. Sponge’s Sporting Tour, Bradbury and Evans., London, 1853.
Rheam Henry Meynell - Quia Multum Amavit - the Spirit of Christianity Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rheam-henry-meynell-quia-multum-amavit-the-spirit-of-christianity-image187107431.htmlRFMTBDC7–Rheam Henry Meynell - Quia Multum Amavit - the Spirit of Christianity
Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-172223778.htmlRMM05D56–Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073
Rheam Henry Meynell - Quia Multum Amavit - the Spirit of Christianity - British School - 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rheam-henry-meynell-quia-multum-amavit-the-spirit-of-christianity-british-school-19th-century-image371623549.htmlRM2CGGWHH–Rheam Henry Meynell - Quia Multum Amavit - the Spirit of Christianity - British School - 19th Century
1 1625, Haage in Hollandt - Multum valet deprecatio justi efficax. Daniël Meisner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1-1625-haage-in-hollandt-multum-valet-deprecatio-justi-efficax-danil-meisner-image214029213.htmlRMPC5TCD–1 1625, Haage in Hollandt - Multum valet deprecatio justi efficax. Daniël Meisner
'One of Multum in Parvo's going days', 1865. Artists: John Leech, Hablot Knight Browne. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-multum-in-parvos-going-days-1865-artists-john-leech-hablot-knight-browne-image262782321.htmlRMW7ENEW–'One of Multum in Parvo's going days', 1865. Artists: John Leech, Hablot Knight Browne.
Remittuntur Eipeccata Multa Quoniam Dilexit Multum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/remittuntur-eipeccata-multa-quoniam-dilexit-multum-image353539625.htmlRM2BF53B5–Remittuntur Eipeccata Multa Quoniam Dilexit Multum.
'One of Multum in Parvo's going days', 1865. Artists: John Leech, Hablot Knight Browne. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-of-multum-in-parvos-going-days-1865-artists-john-leech-hablot-135250905.htmlRMHT15WD–'One of Multum in Parvo's going days', 1865. Artists: John Leech, Hablot Knight Browne.
Belgian Sara Maes of Multum Accountants Ladies Cycling Team celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belgian-sara-maes-of-multum-accountants-ladies-cycling-team-celebrates-on-the-podium-after-becoming-belgium-champion-u23-at-the-womens-elite-race-at-the-belgian-cycling-championships-a-120km-race-in-middelkerke-sunday-26-june-2022-belga-photo-kurt-desplenter-image473489850.htmlRM2JE993P–Belgian Sara Maes of Multum Accountants Ladies Cycling Team celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER
Works. Greek . ... quæ extant opera. Gr. Annotationes H. Stephani, multum locupletatæ Upper cover (682i3) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-works-greek-qu-extant-opera-gr-annotationes-h-stephani-multum-locupletat-114809328.htmlRMGJP0D4–Works. Greek . ... quæ extant opera. Gr. Annotationes H. Stephani, multum locupletatæ Upper cover (682i3)
Print, Remittuntur Eipeccata Multa Quoniam Dilexit Multum; engraving on paper; Bequest of George Campbell Cooper; 1896-3-231 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-remittuntur-eipeccata-multa-quoniam-dilexit-multum-engraving-on-paper-bequest-of-george-campbell-cooper-1896-3-231-image546220947.htmlRM2PMJEAY–Print, Remittuntur Eipeccata Multa Quoniam Dilexit Multum; engraving on paper; Bequest of George Campbell Cooper; 1896-3-231
Engraving - Allins Cabinet of Curiosities & Clothes Warehouse, Birmingham. Attributed to: Felix Jones. Engraving, Printed From Copper Plate, (1944V265.1). Three storey shop with crenellations & small clock tower. Inscr to shop walls: 'Multum In Parvo/ Allins/ Cheap Clothes & York Shoe-Warehouse. Wholesale & Retail.. An Exhibition For The Curious Observer of Natural Phaenomena'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-allins-cabinet-of-curiosities-clothes-warehouse-birmingham-attributed-to-felix-jones-engraving-printed-from-copper-plate-1944v2651-three-storey-shop-with-crenellations-small-clock-tower-inscr-to-shop-walls-multum-in-parvo-allins-cheap-clothes-york-shoe-warehouse-wholesale-retail-an-exhibition-for-the-curious-observer-of-natural-phaenomena-image551020571.htmlRM2R0D4A3–Engraving - Allins Cabinet of Curiosities & Clothes Warehouse, Birmingham. Attributed to: Felix Jones. Engraving, Printed From Copper Plate, (1944V265.1). Three storey shop with crenellations & small clock tower. Inscr to shop walls: 'Multum In Parvo/ Allins/ Cheap Clothes & York Shoe-Warehouse. Wholesale & Retail.. An Exhibition For The Curious Observer of Natural Phaenomena'.
Art inspired by Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 1/4 × 5 11/16 in. (18.4 × 14.4 cm), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-vertical-landscape-with-the-ruins-of-the-temple-of-venus-and-roma-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-7-14-5-1116-in-184-144-cm-lambert-suavius-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463009386.htmlRF2HW7W5E–Art inspired by Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 1/4 × 5 11/16 in. (18.4 × 14.4 cm), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Washing of Christ's feet by Mary Magdalene, Remittuntur ei peccata multa, quia dilexit multum (title on object), Seven sacraments (series title), print maker: Nicolas Bazin, after design by: L. Licherie, after painting by: L. Licherie, publisher: Paris, France, 1676 - 1703, paper, etching, engraving, height 477 mm × width 604 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washing-of-christs-feet-by-mary-magdalene-remittuntur-ei-peccata-multa-quia-dilexit-multum-title-on-object-seven-sacraments-series-title-print-maker-nicolas-bazin-after-design-by-l-licherie-after-painting-by-l-licherie-publisher-paris-france-1676-1703-paper-etching-engraving-height-477-mm-width-604-mm-print-image599537667.htmlRM2WRB8BF–Washing of Christ's feet by Mary Magdalene, Remittuntur ei peccata multa, quia dilexit multum (title on object), Seven sacraments (series title), print maker: Nicolas Bazin, after design by: L. Licherie, after painting by: L. Licherie, publisher: Paris, France, 1676 - 1703, paper, etching, engraving, height 477 mm × width 604 mm, print
Green`s 8 inch Multum in Parvo lawnmower, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-green`s-8-inch-multum-in-parvo-lawnmower-uk-17824649.htmlRMB0YYEH–Green`s 8 inch Multum in Parvo lawnmower, UK
![Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the so-called ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building Stock Photo](https://c8.alamy.com/comp/2HHC9NX/cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-cross-section-of-a-building-said-to-be-the-so-called-pinaculu-termar-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-surrounded-by-an-ambulatory-the-coffered-ceiling-is-interrupted-at-top-by-an-oculus-while-it-has-been-suggested-that-the-building-may-represent-the-church-of-santa-costanza-in-rome-the-interior-and-exterior-features-of-the-building-2HHC9NX.jpg "Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the so-called ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building Stock Photo")
Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the so-called ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-cross-section-of-a-building-said-to-be-the-so-called-pinaculu-termar-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-surrounded-by-an-ambulatory-the-coffered-ceiling-is-interrupted-at-top-by-an-oculus-while-it-has-been-suggested-that-the-building-may-represent-the-church-of-santa-costanza-in-rome-the-interior-and-exterior-features-of-the-building-image458189814.htmlRM2HHC9NX–Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the so-called ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building
Horse and drunk huntsman crashing through a shop window, 19th century. Caingey Thornton in hunting pinks on Hercules, followed by Mr. Sponge on Multum in Parvo. Shopclerks and customers at Messrs Frippery and Flummery look up in shock. Hercules takes a drapers shop. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees Mr. Sponges Sporting Tour, Bradbury and Evans., London, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-and-drunk-huntsman-crashing-through-a-shop-window-19th-century-caingey-thornton-in-hunting-pinks-on-hercules-followed-by-mr-sponge-on-multum-in-parvo-shopclerks-and-customers-at-messrs-frippery-and-flummery-look-up-in-shock-hercules-takes-a-drapers-shop-handcoloured-steel-engraving-after-an-illustration-by-john-leech-from-robert-smith-surtees-mr-sponges-sporting-tour-bradbury-and-evans-london-1853-image571912484.htmlRM2T6CT5T–Horse and drunk huntsman crashing through a shop window, 19th century. Caingey Thornton in hunting pinks on Hercules, followed by Mr. Sponge on Multum in Parvo. Shopclerks and customers at Messrs Frippery and Flummery look up in shock. Hercules takes a drapers shop. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees Mr. Sponges Sporting Tour, Bradbury and Evans., London, 1853.
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-image349006594.htmlRM2B7PHD6–Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554.
One of Multum n Parvo's 'going' days. Handcoloured steel engraving by John Leech from Robert Smith Surtees’ Mr. Sponge’s Sporting Tour,, circa 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-multum-n-parvos-going-days-handcoloured-steel-engraving-by-john-leech-from-robert-smith-surtees-mr-sponges-sporting-tour-circa-1850-image467062710.htmlRM2J3TF72–One of Multum n Parvo's 'going' days. Handcoloured steel engraving by John Leech from Robert Smith Surtees’ Mr. Sponge’s Sporting Tour,, circa 1850
Horse and drunk huntsman crashing through a shop window, 19th century. Caingey Thornton in hunting pinks on Hercules, followed by Mr. Sponge on Multum in Parvo. Shopclerks and customers at Messrs Frippery and Flummery look up in shock. Hercules takes a draper’s shop. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees’ Mr. Sponge’s Sporting Tour, Bradbury and Evans., London, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-and-drunk-huntsman-crashing-through-a-shop-window-19th-century-caingey-thornton-in-hunting-pinks-on-hercules-followed-by-mr-sponge-on-multum-in-parvo-shopclerks-and-customers-at-messrs-frippery-and-flummery-look-up-in-shock-hercules-takes-a-drapers-shop-handcoloured-steel-engraving-after-an-illustration-by-john-leech-from-robert-smith-surtees-mr-sponges-sporting-tour-bradbury-and-evans-london-1853-image364857277.htmlRM2C5GK51–Horse and drunk huntsman crashing through a shop window, 19th century. Caingey Thornton in hunting pinks on Hercules, followed by Mr. Sponge on Multum in Parvo. Shopclerks and customers at Messrs Frippery and Flummery look up in shock. Hercules takes a draper’s shop. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees’ Mr. Sponge’s Sporting Tour, Bradbury and Evans., London, 1853.
Loano, Italy. 05th Mar, 2024. GRIT ILSE (NED) Team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loano-italy-05th-mar-2024-grit-ilse-ned-team-dd-groupe-multum-accountants-during-femminile-trofeo-ponente-rosa-loanoloano-street-cycling-race-in-loano-italy-march-05-2024-credit-independent-photo-agencyalamy-live-news-image598795282.htmlRM2WP5DDP–Loano, Italy. 05th Mar, 2024. GRIT ILSE (NED) Team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News
Begin. Incipit Dialogus, etc. (Tractatulus multum utilis ad covincendum judeos de errore suo. quem habent de messia adhuc venturo. observantia legis mosaice.) G.L. Upper cover (IB30653) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-begin-incipit-dialogus-etc-tractatulus-multum-utilis-ad-covincendum-170069990.htmlRMKTKA06–Begin. Incipit Dialogus, etc. (Tractatulus multum utilis ad covincendum judeos de errore suo. quem habent de messia adhuc venturo. observantia legis mosaice.) G.L. Upper cover (IB30653)
EICKHOF Juliët of MULTUM ACCOUNTANTS LADIES CYCLING TEAM During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eickhof-julit-of-multum-accountants-ladies-cycling-team-during-tech-the-uci-chrono-des-nations-team-arka-samsic-cycling-race-on-october-16-2022-in-les-herbiers-france-photo-laurent-lairys-dppi-image486886528.htmlRF2K83GMG–EICKHOF Juliët of MULTUM ACCOUNTANTS LADIES CYCLING TEAM During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPI
-Works. Greek - . ... quæextant opera. Gr. Annotationes H. Stephani, multum locupletatæ- Upper cover (682i3) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-works-greek-quextant-opera-gr-annotationes-h-stephani-multum-locupletat-147716023.htmlRMJG9187–-Works. Greek - . ... quæextant opera. Gr. Annotationes H. Stephani, multum locupletatæ- Upper cover (682i3)
An early 1900's pictorial advert for lawn mowers & rollers made by Thomas Green & Sons, Smithfield Ironworks, Leeds and New Surrey Works, Southwark Street, London, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-early-1900s-pictorial-advert-for-lawn-mowers-rollers-made-by-thomas-green-sons-smithfield-ironworks-leeds-and-new-surrey-works-southwark-street-london-uk-image265421324.htmlRMWBPYH0–An early 1900's pictorial advert for lawn mowers & rollers made by Thomas Green & Sons, Smithfield Ironworks, Leeds and New Surrey Works, Southwark Street, London, UK
Gebouw met een halve maan op het dak Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles (serietitel) building with a pointed roof and a crescent on top. Left a statue with crook and shield on a pillar. In the foreground, a few figuren. Manufacturer : print maker: Lambertus Suaviusuitgever: Gerard de JodePlaats manufacture: Antwerpen Date: 1560 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: 153 mm × H 136 b mm Subject: civic architecture; edifices; dwellingsarchitecture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gebouw-met-een-halve-maan-op-het-dak-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-serietitel-building-with-a-pointed-roof-and-a-crescent-on-top-left-a-statue-with-crook-and-shield-on-a-pillar-in-the-foreground-a-few-figuren-manufacturer-print-maker-lambertus-suaviusuitgever-gerard-de-jodeplaats-manufacture-antwerpen-date-1560-physical-characteristics-etching-material-paper-technique-etching-dimensions-sheet-153-mm-h-136-b-mm-subject-civic-architecture-edifices-dwellingsarchitecture-image348371119.htmlRM2B6NJWK–Gebouw met een halve maan op het dak Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles (serietitel) building with a pointed roof and a crescent on top. Left a statue with crook and shield on a pillar. In the foreground, a few figuren. Manufacturer : print maker: Lambertus Suaviusuitgever: Gerard de JodePlaats manufacture: Antwerpen Date: 1560 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: 153 mm × H 136 b mm Subject: civic architecture; edifices; dwellingsarchitecture
Half of Building -Templum Saturni- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823062 408631 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-building-templum-saturni-from-the-series-ruinarum-variarum-168432212.htmlRMKP0N04–Half of Building -Templum Saturni- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823062 408631
Belgian Sara Maes of Multum Accountants Ladies Cycling Team celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belgian-sara-maes-of-multum-accountants-ladies-cycling-team-celebrates-on-the-podium-after-becoming-belgium-champion-u23-at-the-womens-elite-race-at-the-belgian-cycling-championships-a-120km-race-in-middelkerke-sunday-26-june-2022-belga-photo-kurt-desplenter-image473489848.htmlRM2JE993M–Belgian Sara Maes of Multum Accountants Ladies Cycling Team celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER
The logo of the Romney, Hythe & Dymchurch Railway on the side of a train. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-logo-of-the-romney-hythe-dymchurch-railway-on-the-side-of-a-train-image154327435.htmlRMJY2663–The logo of the Romney, Hythe & Dymchurch Railway on the side of a train.
Pictures of life & character . SPORTING EXTRAORDINARY—THE OLD DOG POINTS CAPITALLY. I tell yer what it is, Sam! if this fool of a dog is going to stand still like this here in every field he comes to,we may as well shut up shop, for we shant find no partridges. 152. ^%.:-^ One of Multum in Parvos going days.—From • Mr. Sponges Sportiin; Tour. 153 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pictures-of-life-character-sporting-extraordinarythe-old-dog-points-capitally-i-tell-yer-what-it-is-sam!-if-this-fool-of-a-dog-is-going-to-stand-still-like-this-here-in-every-field-he-comes-towe-may-as-well-shut-up-shop-for-we-shant-find-no-partridges-152-one-of-multum-in-parvos-going-daysfrom-mr-sponges-sportiin-tour-153-image340033123.htmlRM2AN5RM3–Pictures of life & character . SPORTING EXTRAORDINARY—THE OLD DOG POINTS CAPITALLY. I tell yer what it is, Sam! if this fool of a dog is going to stand still like this here in every field he comes to,we may as well shut up shop, for we shant find no partridges. 152. ^%.:-^ One of Multum in Parvos going days.—From • Mr. Sponges Sportiin; Tour. 153
head of pug dog Old English pugg short muzzled face Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-head-of-pug-dog-old-english-pugg-short-muzzled-face-21999543.htmlRMB7P4HY–head of pug dog Old English pugg short muzzled face
Art inspired by Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm), Lambert Suavius (Netherlandish, ca. 1510–by 1576), Vertical plate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-7-1116-x-6-in-196-x-152-cm-lambert-suavius-netherlandish-ca-1510by-1576-vertical-plate-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008864.htmlRF2HW7TET–Art inspired by Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm), Lambert Suavius (Netherlandish, ca. 1510–by 1576), Vertical plate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christ in Simon's House in Bethany, Remittuntur ei peccata multa quia dilexit multum (title on object), Seven Sacraments (series title), Sacrament of Penance and Reconciliation., print, print maker: Jean Pesne, (mentioned on object), after painting by: Nicolas Poussin, (mentioned on object), publisher: Jean Pesne, (mentioned on object), France, 1633 - 1700, paper, etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-simons-house-in-bethany-remittuntur-ei-peccata-multa-quia-dilexit-multum-title-on-object-seven-sacraments-series-title-sacrament-of-penance-and-reconciliation-print-print-maker-jean-pesne-mentioned-on-object-after-painting-by-nicolas-poussin-mentioned-on-object-publisher-jean-pesne-mentioned-on-object-france-1633-1700-paper-etching-image606664780.htmlRM2X6YY38–Christ in Simon's House in Bethany, Remittuntur ei peccata multa quia dilexit multum (title on object), Seven Sacraments (series title), Sacrament of Penance and Reconciliation., print, print maker: Jean Pesne, (mentioned on object), after painting by: Nicolas Poussin, (mentioned on object), publisher: Jean Pesne, (mentioned on object), France, 1633 - 1700, paper, etching
Pug at the 23rd All India All Breeds Open Dog Show held at Chandra Sekharan Nair Stadium, Thiruvananthapuram, Kerala, India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pug-at-the-23rd-all-india-all-breeds-open-dog-show-held-at-chandra-31678957.htmlRMBRF2R9–Pug at the 23rd All India All Breeds Open Dog Show held at Chandra Sekharan Nair Stadium, Thiruvananthapuram, Kerala, India
![Ruin of a round Temple [Templum Idor Egito], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is sim Stock Photo](https://c8.alamy.com/comp/2HHGPFG/ruin-of-a-round-temple-templum-idor-egito-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-cross-section-of-a-building-said-to-be-the-templum-idor-egito-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-of-three-stories-high-surrounded-by-an-ambulatory-that-reaches-up-to-the-second-floor-both-the-walls-of-the-nave-and-the-ambulatory-are-characterized-by-arches-that-are-open-to-the-exterior-the-nave-is-crowned-by-an-oculus-the-building-is-sim-2HHGPFG.jpg "Ruin of a round Temple [Templum Idor Egito], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is sim Stock Photo")
Ruin of a round Temple [Templum Idor Egito], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is sim Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruin-of-a-round-temple-templum-idor-egito-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-cross-section-of-a-building-said-to-be-the-templum-idor-egito-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-of-three-stories-high-surrounded-by-an-ambulatory-that-reaches-up-to-the-second-floor-both-the-walls-of-the-nave-and-the-ambulatory-are-characterized-by-arches-that-are-open-to-the-exterior-the-nave-is-crowned-by-an-oculus-the-building-is-sim-image458287636.htmlRM2HHGPFG–Ruin of a round Temple [Templum Idor Egito], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival cross section of a building, said to be the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is sim
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of a basilica (?), likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Ant Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-of-a-basilica-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-dimensions-plate-7-1116-x-6-in-196-x-152-cm-date-ca-1572-vertical-plate-with-a-side-view-of-the-ruins-of-a-basilica-likely-based-on-an-in-situ-observation-of-the-structure-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-is-a-print-series-published-by-gerard-de-jode-containing-depictions-of-buildings-from-classical-ant-image213261397.htmlRMPAXW2D–Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of a basilica (?), likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Ant
![Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a temple, referred to as the ‘Mercurii Templum’, set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay are marked by an aedicula, indicating that it might have functioned as an altar. A temple of Mercury is referenced in Medieval descriptions of Rome, although the precise location nor Stock Photo](https://c8.alamy.com/comp/2HH81G1/partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-right-half-of-a-temple-referred-to-as-the-mercurii-templum-set-in-a-stylized-landscape-curiously-the-building-does-not-appear-to-have-an-entrance-but-both-the-central-and-right-bay-are-marked-by-an-aedicula-indicating-that-it-might-have-functioned-as-an-altar-a-temple-of-mercury-is-referenced-in-medieval-descriptions-of-rome-although-the-precise-location-nor-2HH81G1.jpg "Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a temple, referred to as the ‘Mercurii Templum’, set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay are marked by an aedicula, indicating that it might have functioned as an altar. A temple of Mercury is referenced in Medieval descriptions of Rome, although the precise location nor Stock Photo")
Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a temple, referred to as the ‘Mercurii Templum’, set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay are marked by an aedicula, indicating that it might have functioned as an altar. A temple of Mercury is referenced in Medieval descriptions of Rome, although the precise location nor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-monument-mercurii-templum-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-the-right-half-of-a-temple-referred-to-as-the-mercurii-templum-set-in-a-stylized-landscape-curiously-the-building-does-not-appear-to-have-an-entrance-but-both-the-central-and-right-bay-are-marked-by-an-aedicula-indicating-that-it-might-have-functioned-as-an-altar-a-temple-of-mercury-is-referenced-in-medieval-descriptions-of-rome-although-the-precise-location-nor-image458095569.htmlRM2HH81G1–Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of the right half of a temple, referred to as the ‘Mercurii Templum’, set in a stylized landscape. Curiously, the building does not appear to have an entrance, but both the central and right bay are marked by an aedicula, indicating that it might have functioned as an altar. A temple of Mercury is referenced in Medieval descriptions of Rome, although the precise location nor
![Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photo](https://c8.alamy.com/comp/2B7PHBW/half-of-building-templum-saturni-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-2B7PHBW.jpg "Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photo")
Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-building-templum-saturni-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-image349006557.htmlRM2B7PHBW–Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554.
Pug Dog Portraits Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pug-dog-portraits-18183647.htmlRFB1G9BY–Pug Dog Portraits
Loano, Italy. 05th Mar, 2024. MOERMAN TESS (BEL) Team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loano-italy-05th-mar-2024-moerman-tess-bel-team-dd-groupe-multum-accountants-during-femminile-trofeo-ponente-rosa-loanoloano-street-cycling-race-in-loano-italy-march-05-2024-credit-independent-photo-agencyalamy-live-news-image598794568.htmlRM2WP5CG8–Loano, Italy. 05th Mar, 2024. MOERMAN TESS (BEL) Team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News
A young Chinese fawn and black pug is laying on a tan leather cushion with it's paw over it's mouth with teary eyes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-young-chinese-fawn-and-black-pug-is-laying-on-a-tan-leather-cushion-50702003.htmlRMCXDJWR–A young Chinese fawn and black pug is laying on a tan leather cushion with it's paw over it's mouth with teary eyes.
EICKHOF Juliët of MULTUM ACCOUNTANTS LADIES CYCLING TEAM During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eickhof-julit-of-multum-accountants-ladies-cycling-team-during-tech-the-uci-chrono-des-nations-team-arka-samsic-cycling-race-on-october-16-2022-in-les-herbiers-france-photo-laurent-lairys-dppi-image486886533.htmlRF2K83GMN–EICKHOF Juliët of MULTUM ACCOUNTANTS LADIES CYCLING TEAM During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPI
A badge portraying the flag of the English county of Rutland pictured over the England flag. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-badge-portraying-the-flag-of-the-english-county-of-rutland-pictured-over-the-england-flag-image356186106.htmlRF2BKDK0A–A badge portraying the flag of the English county of Rutland pictured over the England flag.
Archive image from page 39 of Die Fauna südwest-Australiens Ergebnisse der. Die Fauna südwest-Australiens. Ergebnisse der Hamburger südwest-australischen Forschungsreise 1905 diefaunasdwest040104mich Year: 1912 38 G. BUDDE-LUNU, anterior inferior quam pars posterior; pars anterior laevis, pars posterior tuberculis in serie transversa disposita; epimera omnia laevia. Oculi parvi, oblongi; ocelli minuti, saepe occulti, c. 10, inter se longe distantes procul a margine laterali capitis positi. Epistoma margine superiore frontem multum superans, ante supra in medio trianguli excavatum, infra in m Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-39-of-die-fauna-sdwest-australiens-ergebnisse-der-die-fauna-sdwest-australiens-ergebnisse-der-hamburger-sdwest-australischen-forschungsreise-1905-diefaunasdwest040104mich-year-1912-38-g-budde-lunu-anterior-inferior-quam-pars-posterior-pars-anterior-laevis-pars-posterior-tuberculis-in-serie-transversa-disposita-epimera-omnia-laevia-oculi-parvi-oblongi-ocelli-minuti-saepe-occulti-c-10-inter-se-longe-distantes-procul-a-margine-laterali-capitis-positi-epistoma-margine-superiore-frontem-multum-superans-ante-supra-in-medio-trianguli-excavatum-infra-in-m-image258172247.htmlRMW00N9B–Archive image from page 39 of Die Fauna südwest-Australiens Ergebnisse der. Die Fauna südwest-Australiens. Ergebnisse der Hamburger südwest-australischen Forschungsreise 1905 diefaunasdwest040104mich Year: 1912 38 G. BUDDE-LUNU, anterior inferior quam pars posterior; pars anterior laevis, pars posterior tuberculis in serie transversa disposita; epimera omnia laevia. Oculi parvi, oblongi; ocelli minuti, saepe occulti, c. 10, inter se longe distantes procul a margine laterali capitis positi. Epistoma margine superiore frontem multum superans, ante supra in medio trianguli excavatum, infra in m
OAKHAM, RUTLAND, ENGLAND – December 31 2020: Rutland County Council coronavirus hand sanitising point in Oakham High Street Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oakham-rutland-england-december-31-2020-rutland-county-council-coronavirus-hand-sanitising-point-in-oakham-high-street-image397952418.htmlRF2E3C8AA–OAKHAM, RUTLAND, ENGLAND – December 31 2020: Rutland County Council coronavirus hand sanitising point in Oakham High Street
Half of an Arch -Porta Antonae- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823059 408627 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-168432206.htmlRMKP0MYX–Half of an Arch -Porta Antonae- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823059 408627
Belgian Sara Maes of Multum Accountants Ladies Cycling Team celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belgian-sara-maes-of-multum-accountants-ladies-cycling-team-celebrates-on-the-podium-after-becoming-belgium-champion-u23-at-the-womens-elite-race-at-the-belgian-cycling-championships-a-120km-race-in-middelkerke-sunday-26-june-2022-belga-photo-kurt-desplenter-image473489860.htmlRM2JE9944–Belgian Sara Maes of Multum Accountants Ladies Cycling Team celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER
. E. Fred Washburn's amateur cultivator's guide to the flower & kitchen garden for 1880 . ^ASKBUKN'S Per pkt PEA, Multum in Parvo. This pea closely resembles the Little Gem; gro»vs 18 inches high, and bears large pods 15 Edible Podded Wrinkled. A novelty of great merit. The pods should be cooked whole after having the back strings taken off. A delicious addi- tion to the dinner-table. Per qt. .50 10 — Easte's Kentish Invicta* A handsome blue pea, with straight, well-filled pods. Earlier than Daniel O'Rourke, and of finer flavor than any white pea 10 — Popular. A decided improvement on Cham Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/e-fred-washburns-amateur-cultivators-guide-to-the-flower-amp-kitchen-garden-for-1880-askbukns-per-pkt-pea-multum-in-parvo-this-pea-closely-resembles-the-little-gem-grovs-18-inches-high-and-bears-large-pods-15-edible-podded-wrinkled-a-novelty-of-great-merit-the-pods-should-be-cooked-whole-after-having-the-back-strings-taken-off-a-delicious-addi-tion-to-the-dinner-table-per-qt-50-10-eastes-kentish-invicta-a-handsome-blue-pea-with-straight-well-filled-pods-earlier-than-daniel-orourke-and-of-finer-flavor-than-any-white-pea-10-popular-a-decided-improvement-on-cham-image178418409.htmlRMMA7JE1–. E. Fred Washburn's amateur cultivator's guide to the flower & kitchen garden for 1880 . ^ASKBUKN'S Per pkt PEA, Multum in Parvo. This pea closely resembles the Little Gem; gro»vs 18 inches high, and bears large pods 15 Edible Podded Wrinkled. A novelty of great merit. The pods should be cooked whole after having the back strings taken off. A delicious addi- tion to the dinner-table. Per qt. .50 10 — Easte's Kentish Invicta* A handsome blue pea, with straight, well-filled pods. Earlier than Daniel O'Rourke, and of finer flavor than any white pea 10 — Popular. A decided improvement on Cham
Pictures of life & character . ^%.:-^ One of Multum in Parvos going days.—From • Mr. Sponges Sportiin; Tour. 153. DOMESTIC BLISS. Head of the Fatnilv For what we are going to receive, make ustruly thankful.—Hem! cold mutton again! Wife of his Bttssitm. And a very good dinner too, Alexander. Some-body must be economical. People cant expect to have Richmond andGreenwich dinners out of the httle housekeeping money I have. 154 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pictures-of-life-character-one-of-multum-in-parvos-going-daysfrom-mr-sponges-sportiin-tour-153-domestic-bliss-head-of-the-fatnilv-for-what-we-are-going-to-receive-make-ustruly-thankfulhem!-cold-mutton-again!-wife-of-his-bttssitm-and-a-very-good-dinner-too-alexander-some-body-must-be-economical-people-cant-expect-to-have-richmond-andgreenwich-dinners-out-of-the-httle-housekeeping-money-i-have-154-image340032847.htmlRM2AN5RA7–Pictures of life & character . ^%.:-^ One of Multum in Parvos going days.—From • Mr. Sponges Sportiin; Tour. 153. DOMESTIC BLISS. Head of the Fatnilv For what we are going to receive, make ustruly thankful.—Hem! cold mutton again! Wife of his Bttssitm. And a very good dinner too, Alexander. Some-body must be economical. People cant expect to have Richmond andGreenwich dinners out of the httle housekeeping money I have. 154
pug dog othello The Pug is a small breed of dog with a wrinkly, short muzzled face . The word 'pug' may have come from the Old E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pug-dog-othello-the-pug-is-a-small-breed-of-dog-with-a-wrinkly-short-21999094.htmlRMB7P41X–pug dog othello The Pug is a small breed of dog with a wrinkly, short muzzled face . The word 'pug' may have come from the Old E
Art inspired by Half of Building Templum Saturni from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 3/16 × 4 7/16 in. (18.3 × 11.3 cm) left edge of the plate is not straight, Lambert, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-half-of-building-templum-saturni-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-7-316-4-716-in-183-113-cm-left-edge-of-the-plate-is-not-straight-lambert-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008810.htmlRF2HW7TCX–Art inspired by Half of Building Templum Saturni from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 3/16 × 4 7/16 in. (18.3 × 11.3 cm) left edge of the plate is not straight, Lambert, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christ in Simon's House in Bethany, Remittuntur ei peccata multa quia dilexit multum (title on object), Seven Sacraments (series title), Sacrament of Penance and Reconciliation., print, print maker: Jean Pesne, (mentioned on object), after painting by: Nicolas Poussin, (mentioned on object), publisher: Gérard Audran, (mentioned on object), publisher: Paris, France, 1680 - 1694, paper, etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-simons-house-in-bethany-remittuntur-ei-peccata-multa-quia-dilexit-multum-title-on-object-seven-sacraments-series-title-sacrament-of-penance-and-reconciliation-print-print-maker-jean-pesne-mentioned-on-object-after-painting-by-nicolas-poussin-mentioned-on-object-publisher-grard-audran-mentioned-on-object-publisher-paris-france-1680-1694-paper-etching-image606664772.htmlRM2X6YY30–Christ in Simon's House in Bethany, Remittuntur ei peccata multa quia dilexit multum (title on object), Seven Sacraments (series title), Sacrament of Penance and Reconciliation., print, print maker: Jean Pesne, (mentioned on object), after painting by: Nicolas Poussin, (mentioned on object), publisher: Gérard Audran, (mentioned on object), publisher: Paris, France, 1680 - 1694, paper, etching
Pug at the 23rd All India All Breeds Open Dog Show held at Chandra Sekharan Nair Stadium, Thiruvananthapuram, Kerala, India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pug-at-the-23rd-all-india-all-breeds-open-dog-show-held-at-chandra-31678151.htmlRMBRF1PF–Pug at the 23rd All India All Breeds Open Dog Show held at Chandra Sekharan Nair Stadium, Thiruvananthapuram, Kerala, India
Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 5 7/8 x 3 7/8 in. (15 x 9.9 cm). Date: ca. 1572. Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horizontal-landscape-with-the-remains-of-the-nymphaeum-mistakenly-identified-as-the-temple-of-minerva-medica-in-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-dimensions-plate-5-78-x-3-78-in-15-x-99-cm-date-ca-1572-horizontal-plate-with-a-depiction-of-the-remains-of-a-nymphaeum-historically-mistaken-for-the-temple-of-minerva-medica-in-rome-the-building-is-depicted-as-seen-from-the-south-from-what-is-now-the-via-giovanni-giolitti-its-foundat-image213320357.htmlRMPB1G85–Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 5 7/8 x 3 7/8 in. (15 x 9.9 cm). Date: ca. 1572. Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundat
Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundations are partially burried and the building is covered in plants. The dome of the building is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horizontal-landscape-with-the-remains-of-the-nymphaeum-mistakenly-identified-as-the-temple-of-minerva-medica-in-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-horizontal-plate-with-a-depiction-of-the-remains-of-a-nymphaeum-historically-mistaken-for-the-temple-of-minerva-medica-in-rome-the-building-is-depicted-as-seen-from-the-south-from-what-is-now-the-via-giovanni-giolitti-its-foundations-are-partially-burried-and-the-building-is-covered-in-plants-the-dome-of-the-building-is-image458098127.htmlRM2HH84RB–Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundations are partially burried and the building is covered in plants. The dome of the building is
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vertical-landscape-with-the-ruins-of-the-temple-of-venus-and-roma-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-image349006593.htmlRM2B7PHD5–Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554.
Pug Dog Portraits Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pug-dog-portraits-18183632.htmlRFB1G9BC–Pug Dog Portraits
Loano, Italy. 05th Mar, 2024. STOCKMAN JULIE (BEL) team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loano-italy-05th-mar-2024-stockman-julie-bel-team-dd-groupe-multum-accountants-during-femminile-trofeo-ponente-rosa-loanoloano-street-cycling-race-in-loano-italy-march-05-2024-credit-independent-photo-agencyalamy-live-news-image598794745.htmlRM2WP5CPH–Loano, Italy. 05th Mar, 2024. STOCKMAN JULIE (BEL) team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News
EICKHOF Juliët of MULTUM ACCOUNTANTS LADIES CYCLING TEAM During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eickhof-julit-of-multum-accountants-ladies-cycling-team-during-tech-the-uci-chrono-des-nations-team-arka-samsic-cycling-race-on-october-16-2022-in-les-herbiers-france-photo-laurent-lairys-dppi-image486886531.htmlRF2K83GMK–EICKHOF Juliët of MULTUM ACCOUNTANTS LADIES CYCLING TEAM During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPI
A badge portraying the flag of the English county of Rutland pictured over the England flag. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-badge-portraying-the-flag-of-the-english-county-of-rutland-pictured-over-the-england-flag-image356185884.htmlRF2BKDJMC–A badge portraying the flag of the English county of Rutland pictured over the England flag.
Archive image from page 45 of Die Fauna Südwest-Australiens; Ergebnisse, hrsg. Die Fauna Südwest-Australiens; Ergebnisse, hrsg. von W. Michaelsen und R. Hartmeyer diefaunasdwest04hamb Year: 1907 38 G. BUDDE-LUNI>, anterior inferior quam pars posterior; pars anterior laevis, pars posterior tuberculis in serie transversa disposita; epimera omnia laevia. Oculi parvi, oblongi; ocelli minuti, saepe occulti, c. 10, inter se longe distantes procul a margine laterali capitis positi. Epistoma margine superiore frontem multum superans, ante supra in medio trianguli excavatum, infra in medio carinul Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-45-of-die-fauna-sdwest-australiens-ergebnisse-hrsg-die-fauna-sdwest-australiens-ergebnisse-hrsg-von-w-michaelsen-und-r-hartmeyer-diefaunasdwest04hamb-year-1907-38-g-budde-lunigt-anterior-inferior-quam-pars-posterior-pars-anterior-laevis-pars-posterior-tuberculis-in-serie-transversa-disposita-epimera-omnia-laevia-oculi-parvi-oblongi-ocelli-minuti-saepe-occulti-c-10-inter-se-longe-distantes-procul-a-margine-laterali-capitis-positi-epistoma-margine-superiore-frontem-multum-superans-ante-supra-in-medio-trianguli-excavatum-infra-in-medio-carinul-image258174512.htmlRMW00T68–Archive image from page 45 of Die Fauna Südwest-Australiens; Ergebnisse, hrsg. Die Fauna Südwest-Australiens; Ergebnisse, hrsg. von W. Michaelsen und R. Hartmeyer diefaunasdwest04hamb Year: 1907 38 G. BUDDE-LUNI>, anterior inferior quam pars posterior; pars anterior laevis, pars posterior tuberculis in serie transversa disposita; epimera omnia laevia. Oculi parvi, oblongi; ocelli minuti, saepe occulti, c. 10, inter se longe distantes procul a margine laterali capitis positi. Epistoma margine superiore frontem multum superans, ante supra in medio trianguli excavatum, infra in medio carinul
Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 408684 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-168432404.htmlRMKP0N70–Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 408684
Belgian Sara Maes of Multum Accountants Ladies Cycling Team celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belgian-sara-maes-of-multum-accountants-ladies-cycling-team-celebrates-on-the-podium-after-becoming-belgium-champion-u23-at-the-womens-elite-race-at-the-belgian-cycling-championships-a-120km-race-in-middelkerke-sunday-26-june-2022-belga-photo-kurt-desplenter-image473489842.htmlRM2JE993E–Belgian Sara Maes of Multum Accountants Ladies Cycling Team celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER
X-ray . RICHARD EDWARD FLOYD, Jr, Multum in Parvo.Virginia Stop ! Look ! Listen ! Our genial friend materialized February3, 1889, at Nassawadox, Va. After cavorting about the Indian moundsof his native heath, was corralled, and pre-pared for his chosen vocation, the finish-ing touches being applied at the Franktownand Nassawadox High Schools. His lifeis governed by Simmons Regulator. Dickis a Fellow of the Midnight Oil BurnersClub, and a deep student of Osteology. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/x-ray-richard-edward-floyd-jr-multum-in-parvovirginia-stop-!-look-!-listen-!-our-genial-friend-materialized-february3-1889-at-nassawadox-va-after-cavorting-about-the-indian-moundsof-his-native-heath-was-corralled-and-pre-pared-for-his-chosen-vocation-the-finish-ing-touches-being-applied-at-the-franktownand-nassawadox-high-schools-his-lifeis-governed-by-simmons-regulator-dickis-a-fellow-of-the-midnight-oil-burnersclub-and-a-deep-student-of-osteology-image339376638.htmlRM2AM3XA6–X-ray . RICHARD EDWARD FLOYD, Jr, Multum in Parvo.Virginia Stop ! Look ! Listen ! Our genial friend materialized February3, 1889, at Nassawadox, Va. After cavorting about the Indian moundsof his native heath, was corralled, and pre-pared for his chosen vocation, the finish-ing touches being applied at the Franktownand Nassawadox High Schools. His lifeis governed by Simmons Regulator. Dickis a Fellow of the Midnight Oil BurnersClub, and a deep student of Osteology.
Art inspired by Partial view of a Building Sepulchrum Adriani from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-partial-view-of-a-building-sepulchrum-adriani-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-5-12-3-18-in-139-8-cm-lambert-suavius-netherlandish-ca-1510by-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008857.htmlRF2HW7TEH–Art inspired by Partial view of a Building Sepulchrum Adriani from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm), Lambert Suavius (Netherlandish, ca. 1510–by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Quote from Seneca 'NON EXIGUUM TEMPORIS HABEMUS, SED MULTUM PERDIMUS' (we lack no time, but often squander it) in cartouche. At top left and right is a child whose buttocks protrude through the scrollwork. On the cartouche are four mascarons. Shaded background. From series of title page and 12 sheets of cartouches with quotations from classical writers in a frame of scrollwork with grotesques, mascarons and garlands, Square cartouche with a quotation from Seneca Variarum protractionum (...) (series title), print maker: Frans Huys, Hans Vredeman de Vries, publisher: Gerard de Jode, Netherlands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quote-from-seneca-non-exiguum-temporis-habemus-sed-multum-perdimus-we-lack-no-time-but-often-squander-it-in-cartouche-at-top-left-and-right-is-a-child-whose-buttocks-protrude-through-the-scrollwork-on-the-cartouche-are-four-mascarons-shaded-background-from-series-of-title-page-and-12-sheets-of-cartouches-with-quotations-from-classical-writers-in-a-frame-of-scrollwork-with-grotesques-mascarons-and-garlands-square-cartouche-with-a-quotation-from-seneca-variarum-protractionum-series-title-print-maker-frans-huys-hans-vredeman-de-vries-publisher-gerard-de-jode-netherlands-image472148866.htmlRM2JC46KE–Quote from Seneca 'NON EXIGUUM TEMPORIS HABEMUS, SED MULTUM PERDIMUS' (we lack no time, but often squander it) in cartouche. At top left and right is a child whose buttocks protrude through the scrollwork. On the cartouche are four mascarons. Shaded background. From series of title page and 12 sheets of cartouches with quotations from classical writers in a frame of scrollwork with grotesques, mascarons and garlands, Square cartouche with a quotation from Seneca Variarum protractionum (...) (series title), print maker: Frans Huys, Hans Vredeman de Vries, publisher: Gerard de Jode, Netherlands
Pug at the 23rd All India All Breeds Open Dog Show held at Chandra Sekharan Nair Stadium, Thiruvananthapuram, Kerala, India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pug-at-the-23rd-all-india-all-breeds-open-dog-show-held-at-chandra-31666124.htmlRMBREED0–Pug at the 23rd All India All Breeds Open Dog Show held at Chandra Sekharan Nair Stadium, Thiruvananthapuram, Kerala, India
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 1/4 × 5 11/16 in. (18.4 × 14.4 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of the Temple of Venus and Roma on the Velian Hill in Rome. The building is recognizable by its prominent apsis that still stands today. The angle of the building, as seen from the South, varies from most other early modern depiction, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vertical-landscape-with-the-ruins-of-the-temple-of-venus-and-roma-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-dimensions-plate-7-14-5-1116-in-184-144-cm-date-ca-1572-vertical-plate-with-a-side-view-of-the-ruins-of-the-temple-of-venus-and-roma-on-the-velian-hill-in-rome-the-building-is-recognizable-by-its-prominent-apsis-that-still-stands-today-the-angle-of-the-building-as-seen-from-the-south-varies-from-most-other-early-modern-depiction-image213149644.htmlRMPANPF8–Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: Plate: 7 1/4 × 5 11/16 in. (18.4 × 14.4 cm). Date: ca. 1572. Vertical plate with a side view of the ruins of the Temple of Venus and Roma on the Velian Hill in Rome. The building is recognizable by its prominent apsis that still stands today. The angle of the building, as seen from the South, varies from most other early modern depiction,
![Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilas Stock Photo](https://c8.alamy.com/comp/2HH7T0G/partial-view-of-a-building-templum-iovis-ultoris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-a-temple-suggested-to-be-the-tenplum-sic-iovis-ultoris-the-building-is-characterized-by-its-central-plan-and-placed-on-podium-with-three-steps-which-follows-the-shape-of-the-buildings-circular-floorplan-the-building-has-two-main-floors-the-ground-floor-is-marked-by-a-portico-while-the-second-has-rectangular-windows-crowned-by-pediments-and-flanked-by-pilas-2HH7T0G.jpg "Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilas Stock Photo")
Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-view-of-a-building-templum-iovis-ultoris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-depiction-of-a-temple-suggested-to-be-the-tenplum-sic-iovis-ultoris-the-building-is-characterized-by-its-central-plan-and-placed-on-podium-with-three-steps-which-follows-the-shape-of-the-buildings-circular-floorplan-the-building-has-two-main-floors-the-ground-floor-is-marked-by-a-portico-while-the-second-has-rectangular-windows-crowned-by-pediments-and-flanked-by-pilas-image458091216.htmlRM2HH7T0G–Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilas
![Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHC8/building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHC8.jpg "Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006568.htmlRM2B7PHC8–Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
![The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of a building, described as the ‘Teatrum Bordeos’ in the model for this print, but changed in a later state to ‘Transitorium Caesaris’. The depiction shows the building in a ruined state and focuses on the entrance gate and the left side of the arcade of the amphitheater. The architecture does not closely resemble the ruins of the building in Bordeaux, an Stock Photo](https://c8.alamy.com/comp/2HHAF9K/the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-view-of-a-building-described-as-the-teatrum-bordeos-in-the-model-for-this-print-but-changed-in-a-later-state-to-transitorium-caesaris-the-depiction-shows-the-building-in-a-ruined-state-and-focuses-on-the-entrance-gate-and-the-left-side-of-the-arcade-of-the-amphitheater-the-architecture-does-not-closely-resemble-the-ruins-of-the-building-in-bordeaux-an-2HHAF9K.jpg "The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of a building, described as the ‘Teatrum Bordeos’ in the model for this print, but changed in a later state to ‘Transitorium Caesaris’. The depiction shows the building in a ruined state and focuses on the entrance gate and the left side of the arcade of the amphitheater. The architecture does not closely resemble the ruins of the building in Bordeaux, an Stock Photo")
The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of a building, described as the ‘Teatrum Bordeos’ in the model for this print, but changed in a later state to ‘Transitorium Caesaris’. The depiction shows the building in a ruined state and focuses on the entrance gate and the left side of the arcade of the amphitheater. The architecture does not closely resemble the ruins of the building in Bordeaux, an Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-perspectival-view-of-a-building-described-as-the-teatrum-bordeos-in-the-model-for-this-print-but-changed-in-a-later-state-to-transitorium-caesaris-the-depiction-shows-the-building-in-a-ruined-state-and-focuses-on-the-entrance-gate-and-the-left-side-of-the-arcade-of-the-amphitheater-the-architecture-does-not-closely-resemble-the-ruins-of-the-building-in-bordeaux-an-image458150271.htmlRM2HHAF9K–The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Perspectival view of a building, described as the ‘Teatrum Bordeos’ in the model for this print, but changed in a later state to ‘Transitorium Caesaris’. The depiction shows the building in a ruined state and focuses on the entrance gate and the left side of the arcade of the amphitheater. The architecture does not closely resemble the ruins of the building in Bordeaux, an
Loano, Italy. 05th Mar, 2024. LACOMPTE AMBER (BEL) - Team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loano-italy-05th-mar-2024-lacompte-amber-bel-team-dd-groupe-multum-accountants-during-femminile-trofeo-ponente-rosa-loanoloano-street-cycling-race-in-loano-italy-march-05-2024-credit-independent-photo-agencyalamy-live-news-image598837535.htmlRM2WP7BAR–Loano, Italy. 05th Mar, 2024. LACOMPTE AMBER (BEL) - Team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News
Pug Dog Portraits Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pug-dog-portraits-18184068.htmlRFB1G9Y0–Pug Dog Portraits
LABASTUGUE Jade of CC MARMANDAIS During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPILABASTUGUE Jade of MULTUM ACCOUNTANTS LADIES CYCLING TEAM During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/labastugue-jade-of-cc-marmandais-during-tech-the-uci-chrono-des-nations-team-arka-samsic-cycling-race-on-october-16-2022-in-les-herbiers-france-photo-laurent-lairys-dppilabastugue-jade-of-multum-accountants-ladies-cycling-team-during-tech-the-uci-chrono-des-nations-team-arka-samsic-cycling-race-on-october-16-2022-in-les-herbiers-france-photo-laurent-lairys-dppi-image486886525.htmlRF2K83GMD–LABASTUGUE Jade of CC MARMANDAIS During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPILABASTUGUE Jade of MULTUM ACCOUNTANTS LADIES CYCLING TEAM During Tech the UCI Chrono des Nations Team Arkéa Samsic, Cycling race on October 16, 2022 in Les Herbiers, France - Photo Laurent Lairys / DPPI
A badge portraying the flag of the English county of Rutland pictured over the England flag. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-badge-portraying-the-flag-of-the-english-county-of-rutland-pictured-over-the-england-flag-image356186102.htmlRF2BKDK06–A badge portraying the flag of the English county of Rutland pictured over the England flag.
E Fred Washburn's amateur cultivator's E. Fred Washburn's amateur cultivator's guide to the flower & kitchen garden for 1880 . efredwashburnsam1880wash Year: 1880 ^ASKBUKN'S Per pkt PEA, Multum in Parvo. This pea closely resembles the Little Gem; gro»vs 18 inches high, and bears large pods 15 Edible Podded Wrinkled. A novelty of great merit. The pods should be cooked whole after having the back strings taken off. A delicious addi- tion to the dinner-table. Per qt. .50 10 — Easte's Kentish Invicta* A handsome blue pea, with straight, well-filled pods. Earlier than Daniel O'Rourke, and of finer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/e-fred-washburns-amateur-cultivators-e-fred-washburns-amateur-cultivators-guide-to-the-flower-kitchen-garden-for-1880-efredwashburnsam1880wash-year-1880-askbukns-per-pkt-pea-multum-in-parvo-this-pea-closely-resembles-the-little-gem-grovs-18-inches-high-and-bears-large-pods-15-edible-podded-wrinkled-a-novelty-of-great-merit-the-pods-should-be-cooked-whole-after-having-the-back-strings-taken-off-a-delicious-addi-tion-to-the-dinner-table-per-qt-50-10-eastes-kentish-invicta-a-handsome-blue-pea-with-straight-well-filled-pods-earlier-than-daniel-orourke-and-of-finer-image240837913.htmlRMRYR361–E Fred Washburn's amateur cultivator's E. Fred Washburn's amateur cultivator's guide to the flower & kitchen garden for 1880 . efredwashburnsam1880wash Year: 1880 ^ASKBUKN'S Per pkt PEA, Multum in Parvo. This pea closely resembles the Little Gem; gro»vs 18 inches high, and bears large pods 15 Edible Podded Wrinkled. A novelty of great merit. The pods should be cooked whole after having the back strings taken off. A delicious addi- tion to the dinner-table. Per qt. .50 10 — Easte's Kentish Invicta* A handsome blue pea, with straight, well-filled pods. Earlier than Daniel O'Rourke, and of finer
Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 408684 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-building-aerarii-publici-rome-from-the-series-ruinarum-variarum-fabricarum-168272852.htmlRMKNNDMM–Building -Aerarii Publici Rome- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823073 408684
Belgian Sara Maes of Multum Accountants Ladies Cycling Team (C) celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belgian-sara-maes-of-multum-accountants-ladies-cycling-team-c-celebrates-on-the-podium-after-becoming-belgium-champion-u23-at-the-womens-elite-race-at-the-belgian-cycling-championships-a-120km-race-in-middelkerke-sunday-26-june-2022-belga-photo-kurt-desplenter-image473490296.htmlRM2JE99KM–Belgian Sara Maes of Multum Accountants Ladies Cycling Team (C) celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER
The golden days of the early English church : from the arrival of Theodore to the death of Bede . extant in two eleventh-century MSS.3 He was succeeded by Eadfrid, who became apriest at the age of thirty, spent the rest of hislife in writing books, and was greatly devoted to St.Cuthberht. In regard to this, Symeons words are :• Multum fervens amore. The author of the an-onymous life of Cuthberht dedicated it to Eadfridand to the family at Lindisfarne, at whose instancehe said he had written it. His fame rests verylargely on his having been the scribe of the mostinteresting and beautiful of all Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-golden-days-of-the-early-english-church-from-the-arrival-of-theodore-to-the-death-of-bede-extant-in-two-eleventh-century-mss3-he-was-succeeded-by-eadfrid-who-became-apriest-at-the-age-of-thirty-spent-the-rest-of-hislife-in-writing-books-and-was-greatly-devoted-to-stcuthberht-in-regard-to-this-symeons-words-are-multum-fervens-amore-the-author-of-the-an-onymous-life-of-cuthberht-dedicated-it-to-eadfridand-to-the-family-at-lindisfarne-at-whose-instancehe-said-he-had-written-it-his-fame-rests-verylargely-on-his-having-been-the-scribe-of-the-mostinteresting-and-beautiful-of-all-image343177606.htmlRM2AX92F2–The golden days of the early English church : from the arrival of Theodore to the death of Bede . extant in two eleventh-century MSS.3 He was succeeded by Eadfrid, who became apriest at the age of thirty, spent the rest of hislife in writing books, and was greatly devoted to St.Cuthberht. In regard to this, Symeons words are :• Multum fervens amore. The author of the an-onymous life of Cuthberht dedicated it to Eadfridand to the family at Lindisfarne, at whose instancehe said he had written it. His fame rests verylargely on his having been the scribe of the mostinteresting and beautiful of all
Art inspired by Cross-Section of Round Temple Pinaculu Termar, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-4-34-x-5-78-in-12-x-149-cm-uneven-plate-lambert-suavius-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008758.htmlRF2HW7TB2–Art inspired by Cross-Section of Round Temple Pinaculu Termar, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Engraving, Allins Cabinet of Curiosities & Clothes Warehouse, Birmingham Attributed to: Felix Jones Engraving, Printed From Copper Plate, (1944V265.1). Three storey shop with crenellations & small clock tower. Inscr to shop walls: 'Multum In Parvo, Allins, Cheap Clothes & York Shoe-Warehouse. Wholesale & Retail. An Exhibition For The Curious Observer of Natural Phaenomena'., Topographical Views, Shop, Printing, Engraving, Birmingham history Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-allins-cabinet-of-curiosities-clothes-warehouse-birmingham-attributed-to-felix-jones-engraving-printed-from-copper-plate-1944v2651-three-storey-shop-with-crenellations-small-clock-tower-inscr-to-shop-walls-multum-in-parvo-allins-cheap-clothes-york-shoe-warehouse-wholesale-retail-an-exhibition-for-the-curious-observer-of-natural-phaenomena-topographical-views-shop-printing-engraving-birmingham-history-image387017774.htmlRM2DDJ53A–Engraving, Allins Cabinet of Curiosities & Clothes Warehouse, Birmingham Attributed to: Felix Jones Engraving, Printed From Copper Plate, (1944V265.1). Three storey shop with crenellations & small clock tower. Inscr to shop walls: 'Multum In Parvo, Allins, Cheap Clothes & York Shoe-Warehouse. Wholesale & Retail. An Exhibition For The Curious Observer of Natural Phaenomena'., Topographical Views, Shop, Printing, Engraving, Birmingham history
![Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate). Date: ca. 1572. Perspectival cross section of a building, said to be the so-called 'Pinaculu Termar'. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered Stock Photo](https://c8.alamy.com/comp/PAX7TR/cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-4-34-x-5-78-in-12-x-149-cm-uneven-plate-date-ca-1572-perspectival-cross-section-of-a-building-said-to-be-the-so-called-pinaculu-termar-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-surrounded-by-an-ambulatory-the-coffered-PAX7TR.jpg "Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate). Date: ca. 1572. Perspectival cross section of a building, said to be the so-called 'Pinaculu Termar'. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered Stock Photo")
Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate). Date: ca. 1572. Perspectival cross section of a building, said to be the so-called 'Pinaculu Termar'. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cross-section-of-round-temple-pinaculu-termar-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-artist-lambert-suavius-netherlandish-ca-1510-by-1576-after-a-print-previously-attributed-to-the-master-ga-italian-active-ca-1535-dimensions-plate-4-34-x-5-78-in-12-x-149-cm-uneven-plate-date-ca-1572-perspectival-cross-section-of-a-building-said-to-be-the-so-called-pinaculu-termar-the-building-has-a-circular-floor-plan-and-consists-of-a-central-round-nave-surrounded-by-an-ambulatory-the-coffered-image213247911.htmlRMPAX7TR–Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576); After a print previously attributed to the Master G.A. (Italian, active ca. 1535). Dimensions: Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate). Date: ca. 1572. Perspectival cross section of a building, said to be the so-called 'Pinaculu Termar'. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered
![Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo](https://c8.alamy.com/comp/2B7PHDB/half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-2B7PHDB.jpg "Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photo")
Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-after-a-print-previously-attributed-to-master-ga-italian-active-ca-1535-image349006599.htmlRM2B7PHDB–Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', 1554. After a print previously attributed to Master G.A (Italian, active ca 1535).
![Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this Stock Photo](https://c8.alamy.com/comp/2HJ1J56/ruin-of-a-palace-facade-palatium-m-agrippa-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-frontal-view-of-the-faade-of-a-palace-said-to-be-that-of-emperor-marcus-agrippa-the-rusticated-faade-consists-of-three-stories-crowned-by-an-attica-with-arches-and-small-round-windows-the-faade-is-divided-in-four-bays-each-with-a-window-or-door-open-to-the-exterior-double-doric-pillars-flank-the-windows-along-the-sides-and-top-of-the-building-damage-is-visible-it-is-not-clear-whether-this-2HJ1J56.jpg "Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this Stock Photo")
Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruin-of-a-palace-facade-palatium-m-agrippa-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-1554-lambert-suavius-netherlandish-frontal-view-of-the-faade-of-a-palace-said-to-be-that-of-emperor-marcus-agrippa-the-rusticated-faade-consists-of-three-stories-crowned-by-an-attica-with-arches-and-small-round-windows-the-faade-is-divided-in-four-bays-each-with-a-window-or-door-open-to-the-exterior-double-doric-pillars-flank-the-windows-along-the-sides-and-top-of-the-building-damage-is-visible-it-is-not-clear-whether-this-image458569586.htmlRM2HJ1J56–Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' 1554 Lambert Suavius Netherlandish Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this
Loano, Italy. 05th Mar, 2024. MAES MARIE (BEL) - team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loano-italy-05th-mar-2024-maes-marie-bel-team-dd-groupe-multum-accountants-during-femminile-trofeo-ponente-rosa-loanoloano-street-cycling-race-in-loano-italy-march-05-2024-credit-independent-photo-agencyalamy-live-news-image598794496.htmlRM2WP5CDM–Loano, Italy. 05th Mar, 2024. MAES MARIE (BEL) - team DD GROUPE-MULTUM ACCOUNTANTS during Femminile - Trofeo Ponente Rosa - Loano/Loano, Street Cycling race in Loano, Italy, March 05 2024 Credit: Independent Photo Agency/Alamy Live News
Pug Dog Portraits Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pug-dog-portraits-18185331.htmlRFB1GBG3–Pug Dog Portraits
A badge portraying the flag of the English county of Rutland pictured over the England flag. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-badge-portraying-the-flag-of-the-english-county-of-rutland-pictured-over-the-england-flag-image356185887.htmlRF2BKDJMF–A badge portraying the flag of the English county of Rutland pictured over the England flag.
Half of an Arch -Porta Antonae- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823059 408627 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-half-of-an-arch-porta-antonae-from-the-series-ruinarum-variarum-fabricarum-168272633.htmlRMKNNDCW–Half of an Arch -Porta Antonae- from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' MET DP823059 408627
Belgian Sara Maes of Multum Accountants Ladies Cycling Team (C) celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belgian-sara-maes-of-multum-accountants-ladies-cycling-team-c-celebrates-on-the-podium-after-becoming-belgium-champion-u23-at-the-womens-elite-race-at-the-belgian-cycling-championships-a-120km-race-in-middelkerke-sunday-26-june-2022-belga-photo-kurt-desplenter-image473491303.htmlRM2JE9AYK–Belgian Sara Maes of Multum Accountants Ladies Cycling Team (C) celebrates on the podium after becoming Belgium Champion U23, at the women's elite race at the Belgian cycling championships, a 120km race in Middelkerke, Sunday 26 June 2022. BELGA PHOTO KURT DESPLENTER
Oculus artificialis teledioptricus, sive, Telescopium : ex abditis rerum naturalium & artificialium principiis protractum novâ methodo, eâque solidâ explicatum ac comprimis è triplici fundamento physico seu naturali, mathematico dioptrico et mechanico, seu practico stabilitum ... . uaU hincprobe liEvoreafticipofllint, fcd etiam calx inignccontumaci:rs&prcfljiasadha:ret,acquodvismetallum apteperomnesmoduliparres pr^tcipitari finit, ardequemoduU figuram prehenderefacit, utquivis expe-rientia facile adclifcet. Lac eriam recens& adhucdulce calcifuperhtumobconten-tam in fe pinguedinem multum ad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oculus-artificialis-teledioptricus-sive-telescopium-ex-abditis-rerum-naturalium-artificialium-principiis-protractum-nova-methodo-eaque-solida-explicatum-ac-comprimis-e-triplici-fundamento-physico-seu-naturali-mathematico-dioptrico-et-mechanico-seu-practico-stabilitum-uau-hincprobe-lievoreafticipofllint-fcd-etiam-calx-inignccontumacirsprcfljiasadharetacquodvismetallum-apteperomnesmoduliparres-prtcipitari-finit-ardequemoduu-figuram-prehenderefacit-utquivis-expe-rientia-facile-adclifcet-lac-eriam-recens-adhucdulce-calcifuperhtumobconten-tam-in-fe-pinguedinem-multum-ad-image339377289.htmlRM2AM3Y5D–Oculus artificialis teledioptricus, sive, Telescopium : ex abditis rerum naturalium & artificialium principiis protractum novâ methodo, eâque solidâ explicatum ac comprimis è triplici fundamento physico seu naturali, mathematico dioptrico et mechanico, seu practico stabilitum ... . uaU hincprobe liEvoreafticipofllint, fcd etiam calx inignccontumaci:rs&prcfljiasadha:ret,acquodvismetallum apteperomnesmoduliparres pr^tcipitari finit, ardequemoduU figuram prehenderefacit, utquivis expe-rientia facile adclifcet. Lac eriam recens& adhucdulce calcifuperhtumobconten-tam in fe pinguedinem multum ad
Art inspired by The Amphitheater in Bordeaux Teatrum Bordeos; Transitorium Caesaris, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 3 7/16 x 5 5/16 in. (8.8 x 13.5 cm), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-amphitheater-in-bordeaux-teatrum-bordeos-transitorium-caesaris-from-the-series-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-ca-1572-etching-plate-3-716-x-5-516-in-88-x-135-cm-lambert-suavius-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008790.htmlRF2HW7TC6–Art inspired by The Amphitheater in Bordeaux Teatrum Bordeos; Transitorium Caesaris, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 3 7/16 x 5 5/16 in. (8.8 x 13.5 cm), Lambert Suavius (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ruin with colonnade, Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles (series title), print maker: Lambertus Suavius, (attributed to), publisher: Gerard de Jode, Antwerp, 1560, paper, engraving, height 86 mm × width 136 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruin-with-colonnade-ruinarum-variarum-fabricarum-delineationes-pictoribus-caeterisque-id-genus-artificibus-multum-utiles-series-title-print-maker-lambertus-suavius-attributed-to-publisher-gerard-de-jode-antwerp-1560-paper-engraving-height-86-mm-width-136-mm-image473292683.htmlRM2JE09J3–Ruin with colonnade, Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles (series title), print maker: Lambertus Suavius, (attributed to), publisher: Gerard de Jode, Antwerp, 1560, paper, engraving, height 86 mm × width 136 mm
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