Mount potalaka hi-res stock photography and images

The Bodhisattva sitting on Mount Potalaka painted and gilded wood China Sung or Jin dynasty 960-1269 AD Chinese Stock Photo

RMD6E009–The Bodhisattva sitting on Mount Potalaka painted and gilded wood China Sung or Jin dynasty 960-1269 AD Chinese

The Bodhisattva Avalokiteśvara with Acolytes Sudhanakumāra and Nāgakanyā at Mount Potalaka, Chinese, Ming dynasty, 1368–1644, Wanli period, 1573–1619, early 17th century, Bronze with jewel inlay and gilding, Made in China, Asia, Metalwork, sculpture, 17 x 16 7/8 x 9 in. (43.2 x 42.9 x 22.9 cm Stock Photo

RM2HB2W08–The Bodhisattva Avalokiteśvara with Acolytes Sudhanakumāra and Nāgakanyā at Mount Potalaka, Chinese, Ming dynasty, 1368–1644, Wanli period, 1573–1619, early 17th century, Bronze with jewel inlay and gilding, Made in China, Asia, Metalwork, sculpture, 17 x 16 7/8 x 9 in. (43.2 x 42.9 x 22.9 cm

Inspired by The Bodhisattva Avalokiteśvara with Acolytes Sudhanakumāra and Nāgakanyā at Mount Potalaka, Chinese, Ming dynasty, 1368–1644, Wanli period, 1573–1619, early 17th century, Bronze with jewel inlay and gilding, Made in China, Asia, Metalwork, sculpture, 17 x 16 7/8 x 9 in. (43.2 x 42.9 x, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK67XB–Inspired by The Bodhisattva Avalokiteśvara with Acolytes Sudhanakumāra and Nāgakanyā at Mount Potalaka, Chinese, Ming dynasty, 1368–1644, Wanli period, 1573–1619, early 17th century, Bronze with jewel inlay and gilding, Made in China, Asia, Metalwork, sculpture, 17 x 16 7/8 x 9 in. (43.2 x 42.9 x, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

-2438 Bodhisattva Guanyin Inhabiting Mount Potalaka (Moon-Water Guanyin). Stock Photo

RM2BGG3KT–-2438 Bodhisattva Guanyin Inhabiting Mount Potalaka (Moon-Water Guanyin).

Bodhisattva Avalokiteshvara in Water Moon Form (Shuiyue Guanyin) 11th century China After the tenth century, one of the more prominent representations of Avalokiteshvara shows the bodhisattva seated with the right knee raised and the left leg crossed before the body. The posture represents the Water Moon manifestation, understood as a depiction of the divinity in his Pure Land, or personal paradise. Known as Mount Potalaka, Avalokiteshvara’s Pure Land was originally thought to be located on an island somewhere south of India. By the Ming dynasty (1368–1644), this mythical paradise had been ide Stock Photo

RM2HH6GKB–Bodhisattva Avalokiteshvara in Water Moon Form (Shuiyue Guanyin) 11th century China After the tenth century, one of the more prominent representations of Avalokiteshvara shows the bodhisattva seated with the right knee raised and the left leg crossed before the body. The posture represents the Water Moon manifestation, understood as a depiction of the divinity in his Pure Land, or personal paradise. Known as Mount Potalaka, Avalokiteshvara’s Pure Land was originally thought to be located on an island somewhere south of India. By the Ming dynasty (1368–1644), this mythical paradise had been ide

Eleven-Headed Kannon on Mount Fudaraka, 十一面観音影向図, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink, color Stock Photo

RMKC859Y–Eleven-Headed Kannon on Mount Fudaraka, 十一面観音影向図, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink, color

RM2B87HAE–Potala Palace, Lhasa, Tibet

Tibet. Lhasa. Potala Palace. Stock Photo

RMAK3R5T–Tibet. Lhasa. Potala Palace.

Artist: Yena Yuanxian, Chinese, active 16th century, Bodhisattva Avalokiteshvara in the White-Robed Manifestation (Baiyi Guanyin), 16th century, Hanging scroll, ink and color on silk, without mounting: 83 7/16 × 29 15/16 in. (212 × 76 cm), Known in Chinese as Guanyin, the Bodhisattva Avalokiteshvara—the embodiment of compassion, the highest virtue in Buddhism—can take many manifestations, including a Chinese form that features the bodhisattva wearing a white robe that covers his head. Stock Photo

RM2DRHAHD–Artist: Yena Yuanxian, Chinese, active 16th century, Bodhisattva Avalokiteshvara in the White-Robed Manifestation (Baiyi Guanyin), 16th century, Hanging scroll, ink and color on silk, without mounting: 83 7/16 × 29 15/16 in. (212 × 76 cm), Known in Chinese as Guanyin, the Bodhisattva Avalokiteshvara—the embodiment of compassion, the highest virtue in Buddhism—can take many manifestations, including a Chinese form that features the bodhisattva wearing a white robe that covers his head.

The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising Stock Photo

RM2K284ET–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising

View of the Potala Palace, Lhasa, Tibet Autonomous Region - Aug 2014 Stock Photo

RF2GHJW36–View of the Potala Palace, Lhasa, Tibet Autonomous Region - Aug 2014

CHINA - CIRCA 1952: A stamp printed in China dedicated to 'peaceful liberation of Tibet' shows panoramic views of the Potala Pal Stock Photo

RMG8FY7W–CHINA - CIRCA 1952: A stamp printed in China dedicated to 'peaceful liberation of Tibet' shows panoramic views of the Potala Pal

The Potala Palace is a dzong fortress in Lhasa, capital of the Tibet Autonomous Region in China & was the winter palace of the Dalai Lamas. Stock Photo

RM2WM2R1J–The Potala Palace is a dzong fortress in Lhasa, capital of the Tibet Autonomous Region in China & was the winter palace of the Dalai Lamas.

RMRD3GH3–gilt stupa's in Lhasa Tibet

The Bodhisattva sitting on Mount Potalaka limestone Sung dynasty 960-1269 AD Calaire China Chinese Stock Photo

RMCEHY22–The Bodhisattva sitting on Mount Potalaka limestone Sung dynasty 960-1269 AD Calaire China Chinese

Art inspired by The Bodhisattva Avalokiteśvara with Acolytes Sudhanakumāra and Nāgakanyā at Mount Potalaka, Chinese, Ming dynasty, 1368-1644, Wanli period, 1573-1619, early 17th century, Bronze with jewel inlay and gilding, Made in China, Asia, Metalwork, sculpture, 17 x 16 7/8 x 9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKMF96–Art inspired by The Bodhisattva Avalokiteśvara with Acolytes Sudhanakumāra and Nāgakanyā at Mount Potalaka, Chinese, Ming dynasty, 1368-1644, Wanli period, 1573-1619, early 17th century, Bronze with jewel inlay and gilding, Made in China, Asia, Metalwork, sculpture, 17 x 16 7/8 x 9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Eleven-Headed Kannon on Mount Fudaraka, 十一面観音影向図, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 42 1/2 × 16 1/8 in. (108 × 41 cm), Paintings, Described in the sutras as a mountainous island in the southern sea, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTGT4–Art inspired by Eleven-Headed Kannon on Mount Fudaraka, 十一面観音影向図, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 42 1/2 × 16 1/8 in. (108 × 41 cm), Paintings, Described in the sutras as a mountainous island in the southern sea, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Eleven-Headed Kannon on Mount Fudaraku 13th century Japan The Eleven-Headed Kannon is worshipped for his ability to provide the faithful with relief from suffering. He is pictured seated atop a high, rocky outcropping dotted with springs and colorful trees in the midst of a vast sea, a setting in keeping with descriptions in Buddhist scripture of Kannon’s paradisical abode, Fudaraku (Sanskrit: Potalaka). In Japan, several mountainous locales came to be associated with Kannon and his paradise, including Mount Kasuga, in the city of Nara, and Nachi Waterfall, in the Kumano region, sites to which Stock Photo

RM2HH88FG–Eleven-Headed Kannon on Mount Fudaraku 13th century Japan The Eleven-Headed Kannon is worshipped for his ability to provide the faithful with relief from suffering. He is pictured seated atop a high, rocky outcropping dotted with springs and colorful trees in the midst of a vast sea, a setting in keeping with descriptions in Buddhist scripture of Kannon’s paradisical abode, Fudaraku (Sanskrit: Potalaka). In Japan, several mountainous locales came to be associated with Kannon and his paradise, including Mount Kasuga, in the city of Nara, and Nachi Waterfall, in the Kumano region, sites to which

RM2B87HAY–Potala Palace, Lhasa, Tibet

RM2K2849X–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising

View of Potala Palace taken from Central Beijing Road, Lhasa, Tibet Autonomous Region - Aug 2014 Stock Photo

RF2GHJW08–View of Potala Palace taken from Central Beijing Road, Lhasa, Tibet Autonomous Region - Aug 2014

RM2WM2R13–The Potala Palace is a dzong fortress in Lhasa, capital of the Tibet Autonomous Region in China & was the winter palace of the Dalai Lamas.

Cough on a wall in Lhasa Tibet Stock Photo

RMRD58TD–Cough on a wall in Lhasa Tibet

RMCEHY33–The Bodhisattva sitting on Mount Potalaka painted and gilded wood China Sung or Jin dynasty 960-1269 AD Chinese

Monks praying at Potala Palace, Lhasa, Tibet Stock Photo

RM2B87HAK–Monks praying at Potala Palace, Lhasa, Tibet

RM2K284FT–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising

Naiqiong Temple near Lhasa Tibet Stock Photo

RMRD3GGG–Naiqiong Temple near Lhasa Tibet

Monk praying at Potala Palace, Lhasa, Tibet Stock Photo

RM2B87HAT–Monk praying at Potala Palace, Lhasa, Tibet

RM2K2846E–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising

RMRD48GY–Naiqiong Temple near Lhasa Tibet

RM2K28417–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising

RMRD4928–Naiqiong Temple near Lhasa Tibet

RM2K284DD–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising

RMRD491K–Door at a temple in Lhasa

RM2K284GF–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising

RMRD499K–griffin on a stupa in Tibet

RM2K2843F–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising

deities on temples in Lhasa Tibet Stock Photo

RMRD59KB–deities on temples in Lhasa Tibet

RM2K34R73–The Potala Palace in Lhasa, Tibet, was the chief residence of the current Dalai Lama until His Holiness fled to India during the 1959 Tibetan uprising