RM2DNRTDN–Tile arch, ceramics, underglazed decoration, Total: Height: 170.00 cm; Width: 230.00 cm, architectural decoration, ceramics, plant ornaments, The Iznik ceramics is famous for its bright colors. The plant decoration combines fantasy and observation of nature. The arch probably comes from the building complex of the Piyale Pasha Mosque of Sinan in Istanbul
RM2A2WCGH–Gōkei in Bichū Province (48), Utagawa Hiroshige 歌川広重 (Japanese, 1797-1858), Edo, about 1854-1856, color woodblock print, 13-3/4 x 9-1/4 in., Artist's signature Hiroshige hitsu, series, Famous Places in the Sixty-odd Provinces (Rokujūyoshū meisho zue), Asian Art
RMRYD89P–Peterborough Cathedral, Properly the Cathedral Church of St Peter, St Paul and St Andrew, Also Known As Saint Peter's Cathedral is the Seat of the Bishop of Peterborough, Dedicated to Saint Peter, Saint Paul and Saint Andrew, Whose Statues Look Down from the Three High Gables of the Famous West Front. Founded in the Anglo-Saxon Period, the Architecture is Mainly Norman, Following a Rebuilding in the 12th Century. UK
RM2DNRRC4–Kertscher Pelike (Achill and Penthesilea), clay, quickly turned, painted (ceramic), alternately fired, clay, painted and fired, total: height: 29.5 cm; diameter: 21 cm, Ceramics, Archilles kills Penthesilea, who rushes to the aid of the Trojans, Egg staff, the Trojan War, Late Classicism (Greek antiquity), This Kertscher Pelike shows on side A one of the famous scenes of the Trojan War, the battle of Achilles with the Amazon queen Penthesilea. Both the pictures on sides A and B and the edge of the mouth plate are decorated with a fine egg stick.
RM2DNT0N1–Bust of the god Sarapis, Marble, chiseled, Marble, chiseled, Total: Height: 48,50 cm; Width: 34,50 cm; Depth: 20,00 cm, Three-dimensional sculptures, Serapis, Egyptian gods, demigods, heroes, Middle Empire, Roman copy after a Greek original. Originally intended for a niche installation, this sculpture reproduces one of the most frequently copied works of antique sculpture in a bust cutout and in a strong reduction: The famous large cult statue in the Alexandrian sanctuary of Sarapis, dating from around 300 B.C.
RM2DNT2D5–Domenico Cesare Borsari del Buonpetri, spinet, mother-of-pearl, ivory, horn, Total: length: 1610 mm (back); length: 909 mm (front); weight: 14 kg (instrument only); width: 490 mm, inscription: on the back of the endpapered board: D. Cesar Domini Sari q:m Petri sibi hoc fecit A.D. MDCXVIII, Venetiae, Keyboard Instruments, History of Ariadne, Baroque, The spinet with its triangular base in characteristic form is the second oldest surviving instrument of this type of construction. This type became famous in the 17th century.
RM2DNT3C7–Vase with incised plant decoration, Stoneware, glazed, celadon, Total: Height: 21.8 cm; Diameter: 10.6 cm; Diameter: 7 cm (foot); Weight: 640 g, Ceramics, Ornamental objects, Plant ornaments, Northern Song Dynasty, The vase represents a famous type of green glazed ceramics in China. The green to blue iron oxide glazes are called celadon in the western world (named after the main character of a famous French play, who was always dressed in green). The center of celadon production in northern China was the kilns in the city of Yaozhou.
RM2DNT8YA–Kelmscott Press, Edward Burne-Jones, William Morris, Kelmscott Chaucer, paper, leather, letterpress, white pigskin binding on wooden covers with silver clasps, total (book cover): height: 43.40 cm; width: 28.80 cm, book illustrations, plant ornaments, Art Nouveau, The edition of Geoffrey Chaucer's works, which was published in folio format in 1896, is probably the most famous print of the Kelmscott Press and a monument to the new book art movement.
RMRY6RT9–Anchor for Steam Ploughing
RMRY6RT3–M. Durenne's Traction Engine
RMRY6RTK–Macadam Compressor
RMRY6RT2–Cross Section of the Hearth and the Crossed Boiler Reboiler of M. Hermann-Lachapelle's Industrial Traction Engine
RMKC5WH4–Lotto Carpet, 17th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Textile: L. 62 in. (15
RMKCDR7G–Small Lobed Bowl, 9th–10th century, Possibly from Central Asia, Rock crystal; carved, relief-cut, 5 x 10 in. (12.7 x 25.4 cm
RMRYB740–Testimonial to Henry Kelley, the Champion Sculler, 1866
RM2DNRXXJ–Tilman Riemenschneider, Mother of God on the crescent moon, lime tree, lime wood with remains of old setting, Total: Height: 139 cm, Sculptures, Mary with Christ Child (Madonna), Immaculata (Mary on the crescent moon), Medieval art, Tilman Riemenschneider shows the Mother of God standing on a crescent moon, a popular representation in the late Gothic period, which goes back to the description of the apocalyptic wife of John the Evangelist (Rev 12,1).
RM2DNT03M–Dexamenos, chamois (grazing fallow deer), Chalcedon, cut, drilled, Chalcedon, Total: Height: 2.2 cm; Width: 2.85 cm; Depth: 1.07 cm, Body ornamentation, Glyptic, Stag, High Classical (Greek antiquity), Rich style, The intaglio is scarabaeoid Holes on the sides indicate that it was used as a ring. The picture field shows a fallow deer in side view on a fine baseline. In the area of the head and the antlers there is a shell-shaped eruption; smaller defects are also visible on the opposite edge. The depiction is extremely delicate, muscles, tendons and joints are indicated.
RM2DNT9AP–Anton Koberger, Wilhelm Pleydenwurff, Hartmann Schedel, Michael Wolgemut, Schedel's World Chronicle, paper, woodcut, Total: Height: 44,00 cm; Width: 32,00 cm; Depth: 8,50 cm, printed matter, town, city view (veduta), city maps, Renaissance, A highlight in book illustration on the threshold between the Middle Ages and modern times is the so-called Schedel's World Chronicle. The Nuremberg city physician and humanist Hartmann Schedel published a Latin and a German edition of his chronicle in 1493.
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