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Mosaic fragments Stock Photos and Images
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600232676.htmlRM2WTEXW8–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Emilia-Romagna Ferrara Argenta S. Giorgio7. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio7-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600221457.htmlRM2WTECGH–Emilia-Romagna Ferrara Argenta S. Giorgio7. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600247164.htmlRM2WTFHAM–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600172625.htmlRM2WTC68H–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Emilia-Romagna Ferrara Argenta S. Giorgio5. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio5-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600234848.htmlRM2WTF1JT–Emilia-Romagna Ferrara Argenta S. Giorgio5. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio3. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio3-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600244415.htmlRM2WTFDTF–Emilia-Romagna Ferrara Argenta S. Giorgio3. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio4. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio4-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600172624.htmlRM2WTC68G–Emilia-Romagna Ferrara Argenta S. Giorgio4. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600234521.htmlRM2WTF175–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Emilia-Romagna Ferrara Argenta S. Giorgio1. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio1-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600185899.htmlRM2WTCR6K–Emilia-Romagna Ferrara Argenta S. Giorgio1. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio1. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio1-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600156710.htmlRM2WTBE06–Emilia-Romagna Ferrara Argenta S. Giorgio1. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio0. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio0-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600210963.htmlRM2WTDY5R–Emilia-Romagna Ferrara Argenta S. Giorgio0. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio9. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio9-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600226225.htmlRM2WTEJJW–Emilia-Romagna Ferrara Argenta S. Giorgio9. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio6. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio6-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600208173.htmlRM2WTDRJ5–Emilia-Romagna Ferrara Argenta S. Giorgio6. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio8. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio8-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600230945.htmlRM2WTETKD–Emilia-Romagna Ferrara Argenta S. Giorgio8. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600239442.htmlRM2WTF7EX–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600233454.htmlRM2WTEYW2–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600244647.htmlRM2WTFE4R–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Emilia-Romagna Ferrara Argenta S. Giorgio2. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio2-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600232992.htmlRM2WTEY8G–Emilia-Romagna Ferrara Argenta S. Giorgio2. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600227255.htmlRM2WTEKYK–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Emilia-Romagna Ferrara Argenta S. Giorgio0. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio0-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-art-image600156884.htmlRM2WTBE6C–Emilia-Romagna Ferrara Argenta S. Giorgio0. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Art
Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emilia-romagna-ferrara-argenta-s-giorgio-hutzel-max-1960-1990-medieval-built-during-period-of-ravennas-influence-dating-back-to-the-6th-century-of-special-interest-are-the-romanesque-doors-of-1122-depicting-labours-of-the-month-and-the-martyrdom-of-s-giorgio-also-7th-century-marble-altar-remains-of-the-decoration-and-mosaic-are-housed-in-the-pinacoteca-object-notes-see-pinacoteca-for-mosaic-fragments-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-image600238674.htmlRM2WTF6FE–Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte
Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa3-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600174862.htmlRM2WTC94E–Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa9-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600057419.htmlRM2WT6YA3–Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa9-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600184878.htmlRM2WTCNX6–Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa9-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600231992.htmlRM2WTEX0T–Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa7-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600058001.htmlRM2WT702W–Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa4-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600188201.htmlRM2WTCX4W–Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa3-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600208984.htmlRM2WTDTK4–Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa6-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600130816.htmlRM2WTA8YC–Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa0-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600157362.htmlRM2WTBERE–Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa1-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600147401.htmlRM2WTB23N–Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa0-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600202881.htmlRM2WTDGW5–Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600210871.htmlRM2WTDY2F–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa5-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600184279.htmlRM2WTCN4R–Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa6-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600190766.htmlRM2WTD1CE–Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa2-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600202253.htmlRM2WTDG2N–Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600148831.htmlRM2WTB3XR–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa5-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600149090.htmlRM2WTB482–Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa1-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600127639.htmlRM2WTA4WY–Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600175472.htmlRM2WTC9X8–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa4-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600108765.htmlRM2WT98RW–Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa5-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600021887.htmlRM2WT5A13–Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa3-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600227518.htmlRM2WTEM92–Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa0-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600147648.htmlRM2WTB2CG–Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa7-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600243036.htmlRM2WTFC38–Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa4-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600212890.htmlRM2WTE1JJ–Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600173639.htmlRM2WTC7GR–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa8-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600104866.htmlRM2WT93TJ–Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa3-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600194517.htmlRM2WTD66D–Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa0-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600231249.htmlRM2WTEW29–Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa8-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600239121.htmlRM2WTF73D–Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa0-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600155119.htmlRM2WTBBYB–Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa2-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600125493.htmlRM2WTA259–Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600234523.htmlRM2WTF177–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa5-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600199283.htmlRM2WTDC8K–Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa4-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600236416.htmlRM2WTF3JT–Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa2-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600238082.htmlRM2WTF5PA–Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa5-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600160583.htmlRM2WTBJXF–Lazio Frosinone Anagni Chiesa5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600206087.htmlRM2WTDMYK–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa7-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600154959.htmlRM2WTBBNK–Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa1-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600121377.htmlRM2WT9TX9–Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa6-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600213094.htmlRM2WTE1WX–Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa6-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600221164.htmlRM2WTEC64–Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa7-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600184278.htmlRM2WTCN4P–Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa8-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600235035.htmlRM2WTF1WF–Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa9-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600189496.htmlRM2WTCYR4–Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa2-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600186888.htmlRM2WTCTE0–Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa2-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600221923.htmlRM2WTED57–Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa8-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600189179.htmlRM2WTCYBR–Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa8-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600104131.htmlRM2WT92XB–Lazio Frosinone Anagni Chiesa8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa1-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600215011.htmlRM2WTE4AB–Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600158705.htmlRM2WTBGFD–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa4-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600148390.htmlRM2WTB3B2–Lazio Frosinone Anagni Chiesa4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa0-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600200878.htmlRM2WTDE9J–Lazio Frosinone Anagni Chiesa0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa9-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600146381.htmlRM2WTB0R9–Lazio Frosinone Anagni Chiesa9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600109049.htmlRM2WT9961–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa6-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600210499.htmlRM2WTDXH7–Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa1-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600213498.htmlRM2WTE2CA–Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa2-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600221985.htmlRM2WTED7D–Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa3-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600127309.htmlRM2WTA4E5–Lazio Frosinone Anagni Chiesa3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa7-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600171145.htmlRM2WTC4BN–Lazio Frosinone Anagni Chiesa7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa1-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-a-image600186961.htmlRM2WTCTGH–Lazio Frosinone Anagni Chiesa1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well a
Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-frosinone-anagni-chiesa-hutzel-max-1960-1990-medieval-architecture-architectural-sculpture-cosmati-pavement-fresco-fragments-views-of-the-exterior-and-interior-especially-of-the-damaged-frescoes-and-mosaic-floors-owner-chiesa-dei-cappuccini-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-arte-minore-is-thorough-documentation-of-art-historical-development-in-italy-up-to-the-18th-century-including-objects-of-the-etruscans-and-the-romans-as-well-as-image600156474.htmlRM2WTBDKP–Lazio Frosinone Anagni Chiesa. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as
Lazio Roma Grottaferrata S. Maria1. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria1-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600073938.htmlRM2WT7MC2–Lazio Roma Grottaferrata S. Maria1. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria16. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria16-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600213501.htmlRM2WTE2CD–Lazio Roma Grottaferrata S. Maria16. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria6. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria6-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600167026.htmlRM2WTBY4J–Lazio Roma Grottaferrata S. Maria6. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria34. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria34-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600160766.htmlRM2WTBK52–Lazio Roma Grottaferrata S. Maria34. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria0. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria0-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600161008.htmlRM2WTBKDM–Lazio Roma Grottaferrata S. Maria0. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto A Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-a-image600079066.htmlRM2WT7XY6–Lazio Roma Grottaferrata S. Maria. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto A
Lazio Roma Grottaferrata S. Maria15. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria15-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600210543.htmlRM2WTDXJR–Lazio Roma Grottaferrata S. Maria15. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria3. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria3-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600066736.htmlRM2WT7B6T–Lazio Roma Grottaferrata S. Maria3. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria5. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria5-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600176031.htmlRM2WTCAJ7–Lazio Roma Grottaferrata S. Maria5. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria8. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria8-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600138532.htmlRM2WTAJR0–Lazio Roma Grottaferrata S. Maria8. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria6. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria6-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600027935.htmlRM2WT5HN3–Lazio Roma Grottaferrata S. Maria6. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria54. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria54-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600213109.htmlRM2WTE1XD–Lazio Roma Grottaferrata S. Maria54. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria5. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria5-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600005143.htmlRM2WT4GK3–Lazio Roma Grottaferrata S. Maria5. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria19. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria19-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600246873.htmlRM2WTFH09–Lazio Roma Grottaferrata S. Maria19. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria4. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria4-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600057229.htmlRM2WT6Y39–Lazio Roma Grottaferrata S. Maria4. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria4. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria4-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600157030.htmlRM2WTBEBJ–Lazio Roma Grottaferrata S. Maria4. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
Lazio Roma Grottaferrata S. Maria0. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lazio-roma-grottaferrata-s-maria0-hutzel-max-1960-1990-medieval-baptismal-urn-10-11th-centuries-architecture-architectural-sculpture-11th-century-and-later-post-medieval-architecture-architectural-sculpture-frescoes-mosaic-pavement-antiquities-fragments-of-friezes-and-inscriptions-object-notes-contains-cappella-s-nilo-there-are-two-sets-of-prints-and-negatives-and-some-prints-are-filed-in-medieval-german-born-photographer-and-scholar-max-hutzel-1911-1988-photographed-in-italy-from-the-early-1960s-until-his-death-the-result-of-this-project-referred-to-by-hutzel-as-foto-image600218618.htmlRM2WTE8Y6–Lazio Roma Grottaferrata S. Maria0. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto
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