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Masonic lodge 18th century Stock Photos and Images

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Masonic lodge 18th century Stock Photos and Images

Freemasonry. Masonic lodge meeting in the initiation ceremony of a new member. Engraving. 18th century. Stock Photo
RMG3YDNC–Freemasonry. Masonic lodge meeting in the initiation ceremony of a new member. Engraving. 18th century.
freemason, Masonic lodge, new membership, ritual of the candidate, swearing, coloured copper engraving, circa 1750, Additional-Rights-Clearences-Not Available Stock Photo
RMCP01ER–freemason, Masonic lodge, new membership, ritual of the candidate, swearing, coloured copper engraving, circa 1750, Additional-Rights-Clearences-Not Available
J.Ph. Le Bras Inauguration of an Apprentice in a Lodge Mid 18th century Colour printed panel, by 'Gabanon' (25 cm x 35.5 cm) Musée de la Franc-Maçonnerie, Paris Stock Photo
RMTXG261–J.Ph. Le Bras Inauguration of an Apprentice in a Lodge Mid 18th century Colour printed panel, by 'Gabanon' (25 cm x 35.5 cm) Musée de la Franc-Maçonnerie, Paris
freemason, Masonic lodge, master ennoblement, ritual, coloured copper engraving, 18th century, historic, historical, ceremony, ceremonial, master degree, secret society, secret societies, people, Additional-Rights-Clearences-Not Available Stock Photo
RMCP00ND–freemason, Masonic lodge, master ennoblement, ritual, coloured copper engraving, 18th century, historic, historical, ceremony, ceremonial, master degree, secret society, secret societies, people, Additional-Rights-Clearences-Not Available
Freemason's meeting for the Entered Apprentice of new members. Candidate entrance to the Lodge. Engraving of the 18th century. Stock Photo
RM2BAE5KK–Freemason's meeting for the Entered Apprentice of new members. Candidate entrance to the Lodge. Engraving of the 18th century.
Master Mason Apron, 18th century. Artist: Anonymous Stock Photo
RMDE6A8P–Master Mason Apron, 18th century. Artist: Anonymous
The skeleton of Death, Freund Hans, guides an initiate to a ceremony at a Masonic Lodge, 18th century. The initiate is blindfolded and enters a room with many men sitting around a table with candles. The Masonic lodge. Die Loge der Verschwiegenheit. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musaus’s Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803. Stock Photo
RM2DFHCY0–The skeleton of Death, Freund Hans, guides an initiate to a ceremony at a Masonic Lodge, 18th century. The initiate is blindfolded and enters a room with many men sitting around a table with candles. The Masonic lodge. Die Loge der Verschwiegenheit. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musaus’s Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803.
The skeleton of Death, Freund Hans, guides an initiate to a ceremony at a Masonic Lodge, 18th century. The initiate is blindfolded and enters a room with many men sitting around a table with candles. The Masonic lodge. Die Loge der Verschwiegenheit. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musauss Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803. Stock Photo
RM2T68NA8–The skeleton of Death, Freund Hans, guides an initiate to a ceremony at a Masonic Lodge, 18th century. The initiate is blindfolded and enters a room with many men sitting around a table with candles. The Masonic lodge. Die Loge der Verschwiegenheit. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musauss Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803.
The skeleton of Death guides an initiate to a ceremony at a Masonic Lodge, 18th century. The initiate is blindfolded and enters a room with many men sitting around a table with candles. The Masonic lodge. Signature in mirror writing. Die Loge der Verschwiegenheit. Copperplate engraving by drawn and engraved by Johann Rudolf Schellenberg from Johan Karl Musaus’s Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein), Heinrich Steiner, Winterthur, 1785. Stock Photo
RM2WJE3K0–The skeleton of Death guides an initiate to a ceremony at a Masonic Lodge, 18th century. The initiate is blindfolded and enters a room with many men sitting around a table with candles. The Masonic lodge. Signature in mirror writing. Die Loge der Verschwiegenheit. Copperplate engraving by drawn and engraved by Johann Rudolf Schellenberg from Johan Karl Musaus’s Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein), Heinrich Steiner, Winterthur, 1785.
Masonic token, Friends of Peace Lodge, NAR, Medal engraver, In 1789, 4th quarter of the 18th century, Numismatic, Token (numismatic), Pewter, Dimensions - Worked: Diameter: 2.9 cm, Weight (type dimension): 8.5 g Stock Photo
RM2T8WHA7–Masonic token, Friends of Peace Lodge, NAR, Medal engraver, In 1789, 4th quarter of the 18th century, Numismatic, Token (numismatic), Pewter, Dimensions - Worked: Diameter: 2.9 cm, Weight (type dimension): 8.5 g
Elevation to Master I Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century. Preparations before the applicant enters the lodge. Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2P7–Elevation to Master I Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century. Preparations before the applicant enters the lodge. Paris, musée de la Franc-Maçonnerie
Masonic Arms. The Arms borne by Grand Lodge of All England, circa 1725. Stock Photo
RMA8WHNG–Masonic Arms. The Arms borne by Grand Lodge of All England, circa 1725.
Plan of the Master's Lodge End of 18th century Lithograph (39.5 cm x 26 cm) The image presents a type of Tracing board used for the 3rd degree of the French Rite in the 18th and 19th centuries, with shaded footprints. Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2AP–Plan of the Master's Lodge End of 18th century Lithograph (39.5 cm x 26 cm) The image presents a type of Tracing board used for the 3rd degree of the French Rite in the 18th and 19th centuries, with shaded footprints. Paris, musée de la Franc-Maçonnerie
United States. Masonic funeral in Boston of Provincial Grand Master Joseph Warren (1740-1775). Engraving by Beck. Stock Photo
RMJ0F7GA–United States. Masonic funeral in Boston of Provincial Grand Master Joseph Warren (1740-1775). Engraving by Beck.
The New Idol - The Count of Calimasse End of 18th century Engraving This curious composition that mixes drawings and written comments, mocks the magus freemason Cagliostro, a renowned character in the 1780's notably in Lyon where he created La Sagesse Triomphante Lodge in 1785. Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2AB–The New Idol - The Count of Calimasse End of 18th century Engraving This curious composition that mixes drawings and written comments, mocks the magus freemason Cagliostro, a renowned character in the 1780's notably in Lyon where he created La Sagesse Triomphante Lodge in 1785. Paris, musée de la Franc-Maçonnerie
'Meeting of the Masonic Lodge, Vienna', 18th century. Artist: Anon Stock Photo
RMAJ7XWA–'Meeting of the Masonic Lodge, Vienna', 18th century. Artist: Anon
Ink drawing of a Tracing board (65 cm x 37 cm) End of 18th century Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG26R–Ink drawing of a Tracing board (65 cm x 37 cm) End of 18th century Paris, musée de la Franc-Maçonnerie
History. 18th century. Freemasonery. Funeral of a companion. Engraving. Colored. Stock Photo
RMDF701H–History. 18th century. Freemasonery. Funeral of a companion. Engraving. Colored.
J.Ph. Le Bras Elevation to Master Mid 18th century Colour printed panel, by 'Gabanon' (25 cm x 35.5 cm) Musée de la franc-Maçonnerie, Paris Stock Photo
RMTXG2A1–J.Ph. Le Bras Elevation to Master Mid 18th century Colour printed panel, by 'Gabanon' (25 cm x 35.5 cm) Musée de la franc-Maçonnerie, Paris
Washington in masonic attire, holding scroll, and trowel. Portraits of Lafayette and Jackson in corners. He joined the Masonic Lodge in Fredericksburg, Virginia at the age of 20 in 1752. At his first inauguration in 1791, President Washington took his oat Stock Photo
RMG16AFT–Washington in masonic attire, holding scroll, and trowel. Portraits of Lafayette and Jackson in corners. He joined the Masonic Lodge in Fredericksburg, Virginia at the age of 20 in 1752. At his first inauguration in 1791, President Washington took his oat
Statue depicting Benjamin Franklin and George Washington outside of the Masonic Museum and Library in Philadelphia, USA. Stock Photo
RM2E26AHD–Statue depicting Benjamin Franklin and George Washington outside of the Masonic Museum and Library in Philadelphia, USA.
Freemasonry - Templar-mason symbols from an 18th century illustration Stock Photo
RMKGB7K0–Freemasonry - Templar-mason symbols from an 18th century illustration
freemason, Masonic lodge, symbols, 18th century, historic, historical, coterie, compasses, freemasonry, Masonry, jewellery, insignia, secret society, secret societies, The Eye of God, Providence, all-seeing eye, legend, Stock Photo
RMBJNDWH–freemason, Masonic lodge, symbols, 18th century, historic, historical, coterie, compasses, freemasonry, Masonry, jewellery, insignia, secret society, secret societies, The Eye of God, Providence, all-seeing eye, legend,
Freemason's meeting for the Entered Apprentice of new members. Candidate entrance to the Lodge. Engraving of the 18th century. Stock Photo
RM2BAE5PG–Freemason's meeting for the Entered Apprentice of new members. Candidate entrance to the Lodge. Engraving of the 18th century.
The French Freemasons initiation ceremony, 18th century. Artist: Anonymous Stock Photo
RMDE6A4X–The French Freemasons initiation ceremony, 18th century. Artist: Anonymous
freemason, Masonic lodge, symbols, 'The compass of the sages', from 'Die Freimaurer' by Lennhoff, 1779, Stock Photo
RMBJNFFG–freemason, Masonic lodge, symbols, 'The compass of the sages', from 'Die Freimaurer' by Lennhoff, 1779,
Secret Societies. Masonry. 18th century. Parade of the members of a Masonic lodge with its banner. Engraving. Stock Photo
RMP7F80A–Secret Societies. Masonry. 18th century. Parade of the members of a Masonic lodge with its banner. Engraving.
freemasonry, rituals, initiation of a apprentice in a lodge, copper engraving, 18th century, freemasons, ceremony, ceremonies, secret society, secret society, secret societies, Masonic lodge, lodges, people, historic, historical, Artist's Copyright has not to be cleared Stock Photo
RMDB4K67–freemasonry, rituals, initiation of a apprentice in a lodge, copper engraving, 18th century, freemasons, ceremony, ceremonies, secret society, secret society, secret societies, Masonic lodge, lodges, people, historic, historical, Artist's Copyright has not to be cleared
Masonic token, Friends of Peace Lodge, NAR, Medal engraver, In 1789, 4th quarter of the 18th century, Numismatic, Token (numismatic), Pewter, Dimensions - Worked: Diameter: 2.9 cm, Weight (type dimension): 8.5 g Stock Photo
RM2T8WHA8–Masonic token, Friends of Peace Lodge, NAR, Medal engraver, In 1789, 4th quarter of the 18th century, Numismatic, Token (numismatic), Pewter, Dimensions - Worked: Diameter: 2.9 cm, Weight (type dimension): 8.5 g
A deserted Freemasons' Hall in London during the lockdown. Stock Photo
RM2BHRKXY–A deserted Freemasons' Hall in London during the lockdown.
Honorand: Benjamin Franklin, American, 1706–1790, M.A., 1753, Engraver: J. Bernier, French, Publisher: Masonic Lodge des neuf Soeurs, Paris, Uniface lead strike with portrait of Benjamin Frnaklin, Bronze, 9.58 g, 12:00, 31 mm, Made in United States, American, 18th century, Numismatics Stock Photo
RM2DRBGT6–Honorand: Benjamin Franklin, American, 1706–1790, M.A., 1753, Engraver: J. Bernier, French, Publisher: Masonic Lodge des neuf Soeurs, Paris, Uniface lead strike with portrait of Benjamin Frnaklin, Bronze, 9.58 g, 12:00, 31 mm, Made in United States, American, 18th century, Numismatics
Masonic Arms. Banner in the possession of the Lodge of York, circa 1776. Stock Photo
RMA8WHMX–Masonic Arms. Banner in the possession of the Lodge of York, circa 1776.
The English masonic lodges in London and provincial areas, c.1730 Stock Photo
RM2AX1F3T–The English masonic lodges in London and provincial areas, c.1730
J.Ph. Le Bras Elevation to Master III Mid 18th century Colour printed panel, by 'Gabanon' (25 cm x 35.5 cm) Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG25M–J.Ph. Le Bras Elevation to Master III Mid 18th century Colour printed panel, by 'Gabanon' (25 cm x 35.5 cm) Paris, musée de la Franc-Maçonnerie
Washington in masonic attire, holding scroll, and trowel. Portraits of Lafayette and Jackson in corners. He joined the Masonic Lodge in Fredericksburg, Virginia at the age of 20 in 1752. At his first inauguration in 1791, President Washington took his oat Stock Photo
RMG16AFR–Washington in masonic attire, holding scroll, and trowel. Portraits of Lafayette and Jackson in corners. He joined the Masonic Lodge in Fredericksburg, Virginia at the age of 20 in 1752. At his first inauguration in 1791, President Washington took his oat
Statue depicting Benjamin Franklin and George Washington outside of the Masonic Museum and Library in Philadelphia, USA. Stock Photo
RM2E26AHK–Statue depicting Benjamin Franklin and George Washington outside of the Masonic Museum and Library in Philadelphia, USA.
The Masonic Values, 18th century. Artist: Anonymous Stock Photo
RMDE6A51–The Masonic Values, 18th century. Artist: Anonymous
Freemasonry. Masonic lodge meeting in the iniciation ceremony of a new member. Engraving. 18th century. Stock Photo
RMP7F9G6–Freemasonry. Masonic lodge meeting in the iniciation ceremony of a new member. Engraving. 18th century.
J.Ph. Le Bras Elevation to Master II Mid 18th century Colour printed panel, by 'Gabanon' (25 cm x 35.5 cm) Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG284–J.Ph. Le Bras Elevation to Master II Mid 18th century Colour printed panel, by 'Gabanon' (25 cm x 35.5 cm) Paris, musée de la Franc-Maçonnerie
Inauguration of an Apprentice II Early 19th century English lithograph (25 cm x 39) after the French engravers known as 'Gabanon' in the middle of the 18th century. The applicant is lead into the temple blindfolded. Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2RJ–Inauguration of an Apprentice II Early 19th century English lithograph (25 cm x 39) after the French engravers known as 'Gabanon' in the middle of the 18th century. The applicant is lead into the temple blindfolded. Paris, musée de la Franc-Maçonnerie
Statue depicting Benjamin Franklin and George Washington outside of the Masonic Museum and Library in Philadelphia, USA. Stock Photo
RM2E26AH6–Statue depicting Benjamin Franklin and George Washington outside of the Masonic Museum and Library in Philadelphia, USA.
Inauguration of an Apprentice I Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century. The applicant is lead into the temple blindfolded. Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2PG–Inauguration of an Apprentice I Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century. The applicant is lead into the temple blindfolded. Paris, musée de la Franc-Maçonnerie
Elevation to Master II Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century The candidate is tested by the sign of his grade. Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2PP–Elevation to Master II Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century The candidate is tested by the sign of his grade. Paris, musée de la Franc-Maçonnerie
The French Freemasons initiation ceremony, 18th century. Artist: Anonymous Stock Photo
RMDE6A4R–The French Freemasons initiation ceremony, 18th century. Artist: Anonymous
St Pancras Old Church, central London, 18th century. Norman church rebuilt in the Late Tudor era with tower, nave, chancel and porch. Graveyard with headstones. View of the church of St. Pancrass in Middlesex. Copperplate engraving by Lodge from William Thorntons New, Complete and Universal History of the City of London, Alexander Hogg, King's Arms, No. 16 Paternoster Row, London, 1784. Stock Photo
RM2T6CN2X–St Pancras Old Church, central London, 18th century. Norman church rebuilt in the Late Tudor era with tower, nave, chancel and porch. Graveyard with headstones. View of the church of St. Pancrass in Middlesex. Copperplate engraving by Lodge from William Thorntons New, Complete and Universal History of the City of London, Alexander Hogg, King's Arms, No. 16 Paternoster Row, London, 1784.
Elevation to Master V Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century The candidate being lifted up after the five points of Mastery Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2R0–Elevation to Master V Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century The candidate being lifted up after the five points of Mastery Paris, musée de la Franc-Maçonnerie
Masonic Certificate, 1796 (printed 1954). Stock Photo
RM2MBF7X4–Masonic Certificate, 1796 (printed 1954).
Infographic about the Masonic Temple, its symbology, ceremonial rites and participants in the meetings. Masonry appeared in Europe between the end of the 17th century and beginning of 18th. [Adobe InDesign (.indd); 4960x3188]. Stock Photo
RM2NEC25K–Infographic about the Masonic Temple, its symbology, ceremonial rites and participants in the meetings. Masonry appeared in Europe between the end of the 17th century and beginning of 18th. [Adobe InDesign (.indd); 4960x3188].
Elevation to Master IV Early 19th century English lithography (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century. The applicant is laid on the ground with his face covered with a bloodsoaked cloth. Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2TF–Elevation to Master IV Early 19th century English lithography (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century. The applicant is laid on the ground with his face covered with a bloodsoaked cloth. Paris, musée de la Franc-Maçonnerie
Basilica of Santa Maria Maggiore. Initiated in the 5th century, was enlarged and reformed until the 18th century. Main facade, 1741-1743, by Ferdinando Fuga (1699-1781). Rome. Italy. Stock Photo
RMP50H8A–Basilica of Santa Maria Maggiore. Initiated in the 5th century, was enlarged and reformed until the 18th century. Main facade, 1741-1743, by Ferdinando Fuga (1699-1781). Rome. Italy.
Elevation to Master III Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century The applicant witnesses the murder of a Master Architect and is given a symbolic tap on the forehead with a mallet. Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2XH–Elevation to Master III Early 19th century English lithograph (25 cm x 39 cm) after the French engravers known as 'Gabanon' in the mid 18th century The applicant witnesses the murder of a Master Architect and is given a symbolic tap on the forehead with a mallet. Paris, musée de la Franc-Maçonnerie
Augustin Calmet View of all the buildings of the Temple of Solomon from the South side 1749 Lithograph (26 cm x 39 cm) Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2BP–Augustin Calmet View of all the buildings of the Temple of Solomon from the South side 1749 Lithograph (26 cm x 39 cm) Paris, musée de la Franc-Maçonnerie
Ornamental Design for a Loggia or Frieze (?). Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 6 1/8 x 13 5/8 in. (15.6 x 34.6 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAB5N7–Ornamental Design for a Loggia or Frieze (?). Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 6 1/8 x 13 5/8 in. (15.6 x 34.6 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.
Augustin Calmet The Foundations of the Temple of Solomon 1749 Lithograph (26 cm x 39 cm) Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG26W–Augustin Calmet The Foundations of the Temple of Solomon 1749 Lithograph (26 cm x 39 cm) Paris, musée de la Franc-Maçonnerie
Masonic Armchair. Culture: American. Dimensions: 50 1/2 x 25 5/8 x 24 3/4 in. (128.3 x 65.1 x 62.9 cm). Date: 1775-90. The seat and legs of this example are typical of the best Boston Rococo chairs, but the back is unusual. It is made up of Masonic symbols: fluted columns (referring to King Solomon's temple), a rusticated arch (arch of heaven), a compass and square (faith and reason), a mason's level (equality), a serpent swallowing its tail (rebirth), and a trowel (cement of brotherly love). The chair was probably made for the senior warden of an as-yet-unidentified Massachusetts lodge. Muse Stock Photo
RMPAAYB8–Masonic Armchair. Culture: American. Dimensions: 50 1/2 x 25 5/8 x 24 3/4 in. (128.3 x 65.1 x 62.9 cm). Date: 1775-90. The seat and legs of this example are typical of the best Boston Rococo chairs, but the back is unusual. It is made up of Masonic symbols: fluted columns (referring to King Solomon's temple), a rusticated arch (arch of heaven), a compass and square (faith and reason), a mason's level (equality), a serpent swallowing its tail (rebirth), and a trowel (cement of brotherly love). The chair was probably made for the senior warden of an as-yet-unidentified Massachusetts lodge. Muse
Augustin Calmet Cross section of the Temple of Solomon and its frameworks from the Western side 1749 Lithograph (40 cm x 46 cm) Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG29F–Augustin Calmet Cross section of the Temple of Solomon and its frameworks from the Western side 1749 Lithograph (40 cm x 46 cm) Paris, musée de la Franc-Maçonnerie
ORLEANS, Louis Philippe Joseph, Duke of Montpensier and Orleans (1747-1793), called Philippe Egalite since 1792. French Prince, grandson of the Regent Philippe d'Orleans. Nineteenth-century engraving. Stock Photo
RMPPB0G6–ORLEANS, Louis Philippe Joseph, Duke of Montpensier and Orleans (1747-1793), called Philippe Egalite since 1792. French Prince, grandson of the Regent Philippe d'Orleans. Nineteenth-century engraving.
Augustin Calmet Oriental door opening onto the forecourt towards the Temple (of Solomon) 1749 Lithograph (26 cm x 39) Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG29N–Augustin Calmet Oriental door opening onto the forecourt towards the Temple (of Solomon) 1749 Lithograph (26 cm x 39) Paris, musée de la Franc-Maçonnerie
GRABADO - LOGIA DE GENOVESES - CASAS NACIONALES DE EXTRANJEROS - BRUJAS (BELGICA). Location: PRIVATE COLLECTION. MADRID. SPAIN. Stock Photo
RMR4DF4X–GRABADO - LOGIA DE GENOVESES - CASAS NACIONALES DE EXTRANJEROS - BRUJAS (BELGICA). Location: PRIVATE COLLECTION. MADRID. SPAIN.
Peronaud Portrait of Camille Desmoulin, member of the Les Neuf Sœurs lodge 1776 Mid 19th century (16 cm x 11 cm) Paris, musée de la Franc-Maçonnerie Stock Photo
RMTXG2AD–Peronaud Portrait of Camille Desmoulin, member of the Les Neuf Sœurs lodge 1776 Mid 19th century (16 cm x 11 cm) Paris, musée de la Franc-Maçonnerie
A Capriccio of Palaces and a Loggia Facing a Classical Bridge. Dated: c. 1765. Dimensions: overall: 29.6 x 47.2 cm (11 5/8 x 18 9/16 in.). Medium: pen and black ink over graphite on two joined sheets of laid paper. Museum: National Gallery of Art, Washington DC. Author: BERNARDO BELLOTTO. Stock Photo
RMR35GPK–A Capriccio of Palaces and a Loggia Facing a Classical Bridge. Dated: c. 1765. Dimensions: overall: 29.6 x 47.2 cm (11 5/8 x 18 9/16 in.). Medium: pen and black ink over graphite on two joined sheets of laid paper. Museum: National Gallery of Art, Washington DC. Author: BERNARDO BELLOTTO.
Diploma of the Freemasons of Bordeaux. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 15 3/8 x 10 5/8 in. (39.1 x 27 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA99DR–Diploma of the Freemasons of Bordeaux. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 15 3/8 x 10 5/8 in. (39.1 x 27 cm). Museum: Metropolitan Museum of Art, New York, USA.
Design for a Trompe L'Oeil Ceiling with a Loggia. Artist: Faustino Trebbi (Italian, Budrio [Bologna] 1761-1836 Bologna); After Girolamo Curti detto 'Dentone' (Italian, Bologna, 1570-1632). Dimensions: 11-1/4 x 7-1/4 in. (28.6 x 18.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB0KF5–Design for a Trompe L'Oeil Ceiling with a Loggia. Artist: Faustino Trebbi (Italian, Budrio [Bologna] 1761-1836 Bologna); After Girolamo Curti detto 'Dentone' (Italian, Bologna, 1570-1632). Dimensions: 11-1/4 x 7-1/4 in. (28.6 x 18.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Baldassare Aloisi, or Baldassare Galanino, Italian history and portrait painter and engraver, 1578-1638. Painted religious and history subjects and engraved Raphael's works in the Loggia. Also known as Il Galanino. Baldassarre Aloisi, detto Galanino, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2T69BJF–Baldassare Aloisi, or Baldassare Galanino, Italian history and portrait painter and engraver, 1578-1638. Painted religious and history subjects and engraved Raphael's works in the Loggia. Also known as Il Galanino. Baldassarre Aloisi, detto Galanino, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Design Elevation for an Interior Door in the Loggia of Pope Julius [III.]. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 16-3/8 x 11-1/4 in. (41.6 x 28.5 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA8BR2–Design Elevation for an Interior Door in the Loggia of Pope Julius [III.]. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 16-3/8 x 11-1/4 in. (41.6 x 28.5 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.
Design for the Entrance of the Loggia of the Villa of Pope Julius. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 11-9/16 x 17-5/8 in. (29.3 x 44.8 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA94A8–Design for the Entrance of the Loggia of the Villa of Pope Julius. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 11-9/16 x 17-5/8 in. (29.3 x 44.8 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.
Section of the Loggia in the Villa of Pope Julius [III.]. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 12-1/4 x 15-7/8 in. (31.1 x 40.4 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA92WB–Section of the Loggia in the Villa of Pope Julius [III.]. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 12-1/4 x 15-7/8 in. (31.1 x 40.4 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.
Franc ois-Paul Brueys d'Aigalliers, count of Brueys (1753-1798). French commander. Engraving of The Universal History, 1885. Stock Photo
RMP5ME36–Franc ois-Paul Brueys d'Aigalliers, count of Brueys (1753-1798). French commander. Engraving of The Universal History, 1885.
François-Paul Brueys d'Aigalliers, count of Brueys (1753-1798). French commander. Colored engraving of The Universal History, 1885. Stock Photo
RMP5TFRD–François-Paul Brueys d'Aigalliers, count of Brueys (1753-1798). French commander. Colored engraving of The Universal History, 1885.
Diploma for the Freemasons of Bordeaux, after François Boucher. Artist: Pierre Philippe Choffard (French, Paris 1730-1809 Paris). Dimensions: 16 3/16 x 11 5/16 in. (41.1 x 28.7 cm). Date: 1766. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAABAD–Diploma for the Freemasons of Bordeaux, after François Boucher. Artist: Pierre Philippe Choffard (French, Paris 1730-1809 Paris). Dimensions: 16 3/16 x 11 5/16 in. (41.1 x 28.7 cm). Date: 1766. Museum: Metropolitan Museum of Art, New York, USA.
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