Mary heveningham hi-res stock photography and images

Mary Shelton, Lady Heveningham, wife of Sir Anthony Anthony Heveningham of Ketteringham, mistress of King Henry VIII. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. Stock Photo

RMKHR8MR–Mary Shelton, Lady Heveningham, wife of Sir Anthony Anthony Heveningham of Ketteringham, mistress of King Henry VIII. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

'Mary, Lady Heveningham', c1532-1543 (1945). Artist: Hans Holbein the Younger. Stock Photo

RMHT3XP4–'Mary, Lady Heveningham', c1532-1543 (1945). Artist: Hans Holbein the Younger.

RMW7F94T–'Mary, Lady Heveningham', c1532-1543 (1945). Artist: Hans Holbein the Younger.

RMPPCR1B–Mary Shelton, Lady Heveningham, wife of Sir Anthony Anthony Heveningham of Ketteringham, mistress of King Henry VIII. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Mary Shelton, Lady Heveningham, circa 1510–1563, wife of Sir Anthony Heveningham of Ketteringham, mistress of King Henry VIII. Editor of The Devonshire Manuscript. In gable hood headdress. The Lady Henegham. Handcoloured copperplate stipple engraving by Marie Anne Bourlier after a portrait by Hans Holbein the Younger from Imitations of Original Drawings by Hans Holbein, John Chamberlaine, London, 1812. Stock Photo

RM2G3K5CD–Mary Shelton, Lady Heveningham, circa 1510–1563, wife of Sir Anthony Heveningham of Ketteringham, mistress of King Henry VIII. Editor of The Devonshire Manuscript. In gable hood headdress. The Lady Henegham. Handcoloured copperplate stipple engraving by Marie Anne Bourlier after a portrait by Hans Holbein the Younger from Imitations of Original Drawings by Hans Holbein, John Chamberlaine, London, 1812.

Mary, Lady Heveningham by Hans Holbein the Younger Stock Photo

RMHN206D–Mary, Lady Heveningham by Hans Holbein the Younger

. English: The sitter has been speculatively identified with Agnes Widmerpole, the wife of John Godsalve, and with Mary, Lady Heveningham, who looks somewhat similar in Holbein's possible drawing of her. Art historian John Rowlands, however, does not believe these identifications are convincing. The portrait is damaged and has been much overpainted by other hands, particularly around the neck. However, Holbein's fine work is clear in the material of the sleeves and in the agate brooch. English: Portrait of an English Lady . ca. 1533–1536. English Lady, by Hans Holbein the Younger Stock Photo

RMMMXB8A–. English: The sitter has been speculatively identified with Agnes Widmerpole, the wife of John Godsalve, and with Mary, Lady Heveningham, who looks somewhat similar in Holbein's possible drawing of her. Art historian John Rowlands, however, does not believe these identifications are convincing. The portrait is damaged and has been much overpainted by other hands, particularly around the neck. However, Holbein's fine work is clear in the material of the sleeves and in the agate brooch. English: Portrait of an English Lady . ca. 1533–1536. English Lady, by Hans Holbein the Younger

RM2E4RN04–Mary, Lady Heveningham by Hans Holbein the Younger.

RMF267X3–Huntingfield Church Suffolk

RM2T6CNJ8–Mary Shelton, Lady Heveningham, circa 15101563, wife of Sir Anthony Heveningham of Ketteringham, mistress of King Henry VIII. Editor of The Devonshire Manuscript. In gable hood headdress. The Lady Henegham. Handcoloured copperplate stipple engraving by Marie Anne Bourlier after a portrait by Hans Holbein the Younger from Imitations of Original Drawings by Hans Holbein, John Chamberlaine, London, 1812.

RMHN1RJY–Mary, Lady Heveningham, by Hans Holbein the Younger

. English: Portrait of Mary, Lady Heveningham. Coloured chalks, pen and Indian ink, wash, white bodycolour, 30.3 × 21.1 cm, Royal Collection, Windsor Castle. This drawing has been reworked by other hands than Holbein's. Art historian K. T. Parker called the black fall of the headdress 'daubed over' (Parker, p.46). The drawing has also been heavily rubbed. Parker detected Holbein's remaining strokes in the outline of the décolletage and in the sleeves. The sitter has been speculated as the same as that in Holbein's English Lady at Winterthur, but the connection is doubtful. Lady Heveningham's i Stock Photo

RMMPA3P5–. English: Portrait of Mary, Lady Heveningham. Coloured chalks, pen and Indian ink, wash, white bodycolour, 30.3 × 21.1 cm, Royal Collection, Windsor Castle. This drawing has been reworked by other hands than Holbein's. Art historian K. T. Parker called the black fall of the headdress 'daubed over' (Parker, p.46). The drawing has also been heavily rubbed. Parker detected Holbein's remaining strokes in the outline of the décolletage and in the sleeves. The sitter has been speculated as the same as that in Holbein's English Lady at Winterthur, but the connection is doubtful. Lady Heveningham's i

RM2E4RN08–Mary, Lady Heveningham, by Hans Holbein the Younger.

RMF267X4–Huntingfield Church Suffolk

The Lady Henegham. Francesco Bartolozzi (Italian, 1727-1815); after Hans Holbein the younger (German, 1497-1543). Date: 1796. Dimensions: 308 x 206 mm (image); 355 x 238 mm (plate); 461 x 311 mm (sheet). Stipple engraving on ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photo

RMRXHFD1–The Lady Henegham. Francesco Bartolozzi (Italian, 1727-1815); after Hans Holbein the younger (German, 1497-1543). Date: 1796. Dimensions: 308 x 206 mm (image); 355 x 238 mm (plate); 461 x 311 mm (sheet). Stipple engraving on ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute.

RMMPA3P3–. English: Portrait of Mary, Lady Heveningham. Coloured chalks, pen and Indian ink, wash, white bodycolour, 30.3 × 21.1 cm, Royal Collection, Windsor Castle. This drawing has been reworked by other hands than Holbein's. Art historian K. T. Parker called the black fall of the headdress 'daubed over' (Parker, p.46). The drawing has also been heavily rubbed. Parker detected Holbein's remaining strokes in the outline of the décolletage and in the sleeves. The sitter has been speculated as the same as that in Holbein's English Lady at Winterthur, but the connection is doubtful. Lady Heveningham's i

RMF267XT–Huntingfield Church Suffolk

. English: This drawing by Hans Holbein is of Mary Shelton who was the daughter of Sir John Shelton and his wife, Lady Anne Boleyn. Mary was first cousin to Queen Anne Boleyn. She married her cousin, Sir Anthony Heveningham of Ketteringham c. 1546 and was the mother of Sir Arthur Heveningham. After the death of Sir Anthony Heveningham in 1557, Mary married Philip Appleyard, Esq., Her sister, Madge (Margaret) Shelton attended Anne Boleyn on the scaffold. circa 1532–1543. Hans Holbein (1497/1498–1543) Alternative names Hans Holbein der Jüngere, Hans Holbein Description German painter a Stock Photo

RMMPA3RR–. English: This drawing by Hans Holbein is of Mary Shelton who was the daughter of Sir John Shelton and his wife, Lady Anne Boleyn. Mary was first cousin to Queen Anne Boleyn. She married her cousin, Sir Anthony Heveningham of Ketteringham c. 1546 and was the mother of Sir Arthur Heveningham. After the death of Sir Anthony Heveningham in 1557, Mary married Philip Appleyard, Esq., Her sister, Madge (Margaret) Shelton attended Anne Boleyn on the scaffold. circa 1532–1543. Hans Holbein (1497/1498–1543) Alternative names Hans Holbein der Jüngere, Hans Holbein Description German painter a