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Marthe marie tronchin Stock Photos and Images
Portrait of Marthe Marie Tronchin, 1758/61, Jean-Etienne Liotard, Swiss, 1702-1789, Switzerland, Pastel on vellum, 610 × 470 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-marthe-marie-tronchin-175861-jean-etienne-liotard-swiss-1702-1789-switzerland-pastel-on-vellum-610-470-mm-image328652842.htmlRM2A2KC1E–Portrait of Marthe Marie Tronchin, 1758/61, Jean-Etienne Liotard, Swiss, 1702-1789, Switzerland, Pastel on vellum, 610 × 470 mm
Portrait of Marthe Marie Tronchin, 1758/61. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-marthe-marie-tronchin-175861-image469801061.htmlRM2J89819–Portrait of Marthe Marie Tronchin, 1758/61.
Portrait of Marthe Marie Tronchin. Jean-Etienne Liotard; Swiss, 1702-1789. Date: 1758-1761. Dimensions: 610 × 470 mm. Pastel on vellum. Origin: Switzerland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-marthe-marie-tronchin-jean-etienne-liotard-swiss-1702-1789-date-1758-1761-dimensions-610-470-mm-pastel-on-vellum-origin-switzerland-museum-the-chicago-art-institute-image240109987.htmlRMRXHXMK–Portrait of Marthe Marie Tronchin. Jean-Etienne Liotard; Swiss, 1702-1789. Date: 1758-1761. Dimensions: 610 × 470 mm. Pastel on vellum. Origin: Switzerland. Museum: The Chicago Art Institute.
Portrait of Marthe Marie Tronchin 1758 by Jean-Étienne Liotard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-marthe-marie-tronchin-1758-by-jean-tienne-liotard-image557612639.htmlRM2RB5CH3–Portrait of Marthe Marie Tronchin 1758 by Jean-Étienne Liotard
Jean Etienne Liotard. Portrait of Marthe Marie Tronchin. 1758–1761. Switzerland. Pastel on vellum An admirer of Rosalba Carriera, Liotard evolved a highly personal, realist style that was not well received by the Academicians in Paris, but was welcomed in England, Holland, and his native Geneva. This portrait was made at the height of Liotard’s career in Geneva, during a period (c. 1757-63) in which he portrayed the most politically and intellectually vital individuals in that city. Liotard depicted no less than eight members of the Tronchin family, one of the most important and influential dy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-etienne-liotard-portrait-of-marthe-marie-tronchin-17581761-switzerland-pastel-on-vellum-an-admirer-of-rosalba-carriera-liotard-evolved-a-highly-personal-realist-style-that-was-not-well-received-by-the-academicians-in-paris-but-was-welcomed-in-england-holland-and-his-native-geneva-this-portrait-was-made-at-the-height-of-liotards-career-in-geneva-during-a-period-c-1757-63-in-which-he-portrayed-the-most-politically-and-intellectually-vital-individuals-in-that-city-liotard-depicted-no-less-than-eight-members-of-the-tronchin-family-one-of-the-most-important-and-influential-dy-image337920092.htmlRM2AHNGEM–Jean Etienne Liotard. Portrait of Marthe Marie Tronchin. 1758–1761. Switzerland. Pastel on vellum An admirer of Rosalba Carriera, Liotard evolved a highly personal, realist style that was not well received by the Academicians in Paris, but was welcomed in England, Holland, and his native Geneva. This portrait was made at the height of Liotard’s career in Geneva, during a period (c. 1757-63) in which he portrayed the most politically and intellectually vital individuals in that city. Liotard depicted no less than eight members of the Tronchin family, one of the most important and influential dy
Portrait of Marthe Marie Tronchin, c. 1758 (Art Institute Chicago) Jean-Étienne Liotard (1702-1789) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-marthe-marie-tronchin-c1758-art-institute-chicago-jean-tienne-liotard-1702-1789-image605733839.htmlRM2X5DFKB–Portrait of Marthe Marie Tronchin, c. 1758 (Art Institute Chicago) Jean-Étienne Liotard (1702-1789)
Portrait of Marthe Marie Tronchin, 1758/61, Jean-Etienne Liotard, Swiss, 1702-1789, Switzerland, Pastel on vellum, 610 × 470 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-marthe-marie-tronchin-175861-jean-etienne-liotard-swiss-1702-1789-switzerland-pastel-on-vellum-610-470-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349734820.htmlRF2B8YP98–Portrait of Marthe Marie Tronchin, 1758/61, Jean-Etienne Liotard, Swiss, 1702-1789, Switzerland, Pastel on vellum, 610 × 470 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Jean Etienne Liotard. Portrait of a Man Holding a Book, Turned to the Right. 1758–1762. Switzerland. Black and white chalk, with traces of red chalk, on blue laid paper, rubbed on the verso with vermillion and traced with a stylus Liotard was internationally famous in the mid-18th century for his incisive and resplendent pastel portraits,such as the Art Institute’s Portrait of Marthe-Marie Tronchin (1758/62; gallery 216a). This rare preliminary study of an unknown gentleman reveals some of the artist’s working method he rubbed the back of the sheet of blue paper with a lush vermilion pastel, t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-etienne-liotard-portrait-of-a-man-holding-a-book-turned-to-the-right-17581762-switzerland-black-and-white-chalk-with-traces-of-red-chalk-on-blue-laid-paper-rubbed-on-the-verso-with-vermillion-and-traced-with-a-stylus-liotard-was-internationally-famous-in-the-mid-18th-century-for-his-incisive-and-resplendent-pastel-portraitssuch-as-the-art-institutes-portrait-of-marthe-marie-tronchin-175862-gallery-216a-this-rare-preliminary-study-of-an-unknown-gentleman-reveals-some-of-the-artists-working-method-he-rubbed-the-back-of-the-sheet-of-blue-paper-with-a-lush-vermilion-pastel-t-image337955021.htmlRM2AHR525–Jean Etienne Liotard. Portrait of a Man Holding a Book, Turned to the Right. 1758–1762. Switzerland. Black and white chalk, with traces of red chalk, on blue laid paper, rubbed on the verso with vermillion and traced with a stylus Liotard was internationally famous in the mid-18th century for his incisive and resplendent pastel portraits,such as the Art Institute’s Portrait of Marthe-Marie Tronchin (1758/62; gallery 216a). This rare preliminary study of an unknown gentleman reveals some of the artist’s working method he rubbed the back of the sheet of blue paper with a lush vermilion pastel, t
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