SAVE 40% ON SINGLE IMAGE PURCHASES - OFFER ENDS SOON, USE CODE: SAVEIMAGE40%
Quick filters:
Maria luisa of parma Stock Photos and Images
Maria Luisa of Parma (1751–1819), Queen consort of Spain, portrait painting, copy after Goya, after 1800 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-17511819-queen-consort-of-spain-portrait-painting-copy-after-goya-after-1800-image373468328.htmlRM2CKGXJG–Maria Luisa of Parma (1751–1819), Queen consort of Spain, portrait painting, copy after Goya, after 1800
Reign of Charles IV of Spain. Review of Badajoz (1801). It took place in the Campo de Santa Engracia, near Badajoz. Manuel Godoy, Prince of Peace, appeared leading the army driving a triumphal chariot with Queen Maria Luisa of Parma, followed by her husband King Charles IV of Bourbon, on horseback behind the two of them. Engraving, detail. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reign-of-charles-iv-of-spain-review-of-badajoz-1801-it-took-place-in-the-campo-de-santa-engracia-near-badajoz-manuel-godoy-prince-of-peace-appeared-leading-the-army-driving-a-triumphal-chariot-with-queen-maria-luisa-of-parma-followed-by-her-husband-king-charles-iv-of-bourbon-on-horseback-behind-the-two-of-them-engraving-detail-historia-del-levantamiento-guerra-y-revolucin-de-espaa-by-the-conde-de-toreno-madrid-1851-image431539184.htmlRM2G228HM–Reign of Charles IV of Spain. Review of Badajoz (1801). It took place in the Campo de Santa Engracia, near Badajoz. Manuel Godoy, Prince of Peace, appeared leading the army driving a triumphal chariot with Queen Maria Luisa of Parma, followed by her husband King Charles IV of Bourbon, on horseback behind the two of them. Engraving, detail. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851.
Carlos IV, King of Spain, with his wife Maria Luisa of Parma and their five children. Carlos IV, 1748 - 1819. Maria Luisa of Parma, 1751 - 1819. From an early 19th century engraving by Antoine Cardon after a work by Richard Cosway. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlos-iv-king-of-spain-with-his-wife-maria-luisa-of-parma-and-their-five-children-carlos-iv-1748-1819-maria-luisa-of-parma-1751-1819-from-an-early-19th-century-engraving-by-antoine-cardon-after-a-work-by-richard-cosway-image414142205.htmlRM2F1NPH1–Carlos IV, King of Spain, with his wife Maria Luisa of Parma and their five children. Carlos IV, 1748 - 1819. Maria Luisa of Parma, 1751 - 1819. From an early 19th century engraving by Antoine Cardon after a work by Richard Cosway.
Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808). Wife of Charles IV. Portrait by Zacarias Gonzalez Velazquez (1763-1834), 1789. History Museum, Madrid, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-queen-consort-of-spain-1788-1808-wife-of-charles-iv-portrait-by-zacarias-gonzalez-velazquez-1763-1834-1789-history-museum-madrid-spain-image561317268.htmlRM2RH65W8–Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808). Wife of Charles IV. Portrait by Zacarias Gonzalez Velazquez (1763-1834), 1789. History Museum, Madrid, Spain.
Maria Luisa of Parma (1751–1819), Later Queen of Spain, Laurent Pécheux, 1765 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-maria-luisa-of-parma-17511819-later-queen-of-spain-laurent-pcheux-162412018.htmlRMKC6E56–Maria Luisa of Parma (1751–1819), Later Queen of Spain, Laurent Pécheux, 1765
Maria Luisa of Parma (1751-1819). Queen consort of Spain from 1788 to 1808 as the wife of King Charles IV of Spain. Queen Maria Luisa in a Mantilla. Olil on canvas. Painting by Francisco de Goya. Royal Palace, Madrid, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-queen-consort-of-spain-from-1788-to-image158190979.htmlRMK5A65R–Maria Luisa of Parma (1751-1819). Queen consort of Spain from 1788 to 1808 as the wife of King Charles IV of Spain. Queen Maria Luisa in a Mantilla. Olil on canvas. Painting by Francisco de Goya. Royal Palace, Madrid, Spain.
Don Carlos Maria Isidro Benito de Borbon (29 March 1788 - 10 March 1855) was an Infante of Spain and the second surviving son of King Charles IV of Spain and of his wife, Maria Luisa of Parma. As Charles V, he was the first of the Carlist claimants to the throne of Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/don-carlos-maria-isidro-benito-de-borbon-29-march-1788-10-march-1855-was-an-infante-of-spain-and-the-second-surviving-son-of-king-charles-iv-of-spain-and-of-his-wife-maria-luisa-of-parma-as-charles-v-he-was-the-first-of-the-carlist-claimants-to-the-throne-of-spain-image482074484.htmlRM2K08AWT–Don Carlos Maria Isidro Benito de Borbon (29 March 1788 - 10 March 1855) was an Infante of Spain and the second surviving son of King Charles IV of Spain and of his wife, Maria Luisa of Parma. As Charles V, he was the first of the Carlist claimants to the throne of Spain
Maria Luisa of Parma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-image487008372.htmlRM2K89444–Maria Luisa of Parma.
Maria Luisa of Parma, 1751 – 1819, was the Queen of Spain, oil painting by French artist Laurent Pécheux, Date: 1765 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-was-the-queen-of-spain-oil-painting-by-french-artist-laurent-pcheux-date-1765-image598085523.htmlRM2WN1457–Maria Luisa of Parma, 1751 – 1819, was the Queen of Spain, oil painting by French artist Laurent Pécheux, Date: 1765
Don Carlos Maria Isidro Benito de Borbon (29 March 1788 - 10 March 1855) was an Infante of Spain and the second surviving son of King Charles IV of Spain and of his wife, Maria Luisa of Parma. As Charles V, he was the first of the Carlist claimants to the throne of Spain. He was a reactionary who stridently opposed liberalism in Spain and the assaults on the Catholic Church. He claimed the throne of Spain after the death of his older brother King Ferdinand VII in 1833. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/don-carlos-maria-isidro-benito-de-borbon-29-march-1788-10-march-1855-was-an-infante-of-spain-and-the-second-surviving-son-of-king-charles-iv-of-spain-and-of-his-wife-maria-luisa-of-parma-as-charles-v-he-was-the-first-of-the-carlist-claimants-to-the-throne-of-spain-he-was-a-reactionary-who-stridently-opposed-liberalism-in-spain-and-the-assaults-on-the-catholic-church-he-claimed-the-throne-of-spain-after-the-death-of-his-older-brother-king-ferdinand-vii-in-1833-image482094455.htmlRM2K098B3–Don Carlos Maria Isidro Benito de Borbon (29 March 1788 - 10 March 1855) was an Infante of Spain and the second surviving son of King Charles IV of Spain and of his wife, Maria Luisa of Parma. As Charles V, he was the first of the Carlist claimants to the throne of Spain. He was a reactionary who stridently opposed liberalism in Spain and the assaults on the Catholic Church. He claimed the throne of Spain after the death of his older brother King Ferdinand VII in 1833.
Tomas Francisco Prieto, Charles III (1716-1788), King of Spain 1759, Marriage of Charles IV to Maria Luisa of Parma, 1765, bronze, 1 15/16 in. (4.9 cm.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tomas-francisco-prieto-charles-iii-1716-1788-king-of-spain-1759-marriage-of-charles-iv-to-maria-luisa-of-parma-1765-bronze-1-1516-in-49-cm-image344476287.htmlRM2B0C70F–Tomas Francisco Prieto, Charles III (1716-1788), King of Spain 1759, Marriage of Charles IV to Maria Luisa of Parma, 1765, bronze, 1 15/16 in. (4.9 cm.)
Portrait of Maria Luisa of Parma as Princess of Asturias, 1765. Artist: Mengs, Anton Raphael (1728-1779) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-maria-luisa-of-parma-as-princess-of-asturias-1765-artist-image66580426.htmlRMDT900A–Portrait of Maria Luisa of Parma as Princess of Asturias, 1765. Artist: Mengs, Anton Raphael (1728-1779)
Anton Raphael Mengs - María Luisa of Parma, Princess of Asturias Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anton-raphael-mengs-mara-luisa-of-parma-princess-of-asturias-174677626.htmlRFM4572J–Anton Raphael Mengs - María Luisa of Parma, Princess of Asturias
Art inspired by Maria Luisa of Parma (1751–1819), Later Queen of Spain, 1765, Oil on canvas, 90 7/8 x 64 3/4 in. (230.8 x 164.5 cm), Paintings, Laurent Pécheux (French, Lyons 1729–1821 Turin), Although born in France, Pécheux was called to Parma, Italy, in 1765 to paint a portrait of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-maria-luisa-of-parma-17511819-later-queen-of-spain-1765-oil-on-canvas-90-78-x-64-34-in-2308-x-1645-cm-paintings-laurent-pcheux-french-lyons-17291821-turin-although-born-in-france-pcheux-was-called-to-parma-italy-in-1765-to-paint-a-portrait-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025717.htmlRF2HW8J0N–Art inspired by Maria Luisa of Parma (1751–1819), Later Queen of Spain, 1765, Oil on canvas, 90 7/8 x 64 3/4 in. (230.8 x 164.5 cm), Paintings, Laurent Pécheux (French, Lyons 1729–1821 Turin), Although born in France, Pécheux was called to Parma, Italy, in 1765 to paint a portrait of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Charles IV of Spain (1748-1819), Maria Luisa of Parma (1751-1819), Ferdinand VII of Spain (1784-1833), Infante Carlos, Count of Molina (1788-1855), Infante Francisco de Paula of Spain (1794-1865), Carlota Joaquina of Spain (1775-1830), María Isabella of Spain (1789-1848) and Maria Luisa, Duchess of Lucca (1782-1824). Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-charles-iv-of-spain-1748-1819-maria-luisa-of-parma-1751-162592276.htmlRMKCEM30–Portrait of Charles IV of Spain (1748-1819), Maria Luisa of Parma (1751-1819), Ferdinand VII of Spain (1784-1833), Infante Carlos, Count of Molina (1788-1855), Infante Francisco de Paula of Spain (1794-1865), Carlota Joaquina of Spain (1775-1830), María Isabella of Spain (1789-1848) and Maria Luisa, Duchess of Lucca (1782-1824). Dated 19th Century
Portrait of Maria Luisa of Parma as Princess of Asturias. Museum: Museo del Prado, Madrid. Author: MENGS, ANTON RAPHAEL. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-maria-luisa-of-parma-as-princess-of-asturias-museum-museo-del-prado-madrid-author-mengs-anton-raphael-image231683592.htmlRMRCX2P0–Portrait of Maria Luisa of Parma as Princess of Asturias. Museum: Museo del Prado, Madrid. Author: MENGS, ANTON RAPHAEL.
María Luisa de Parma (Parma, December 9, 1751-Rome, January 2, 1819) was queen consort of Spain as wife of Carlos IV. She was the granddaughter of Louis XV of France, sister of Fernando I de Borbón-Parma and also a carnal cousin of the French kings Louis XVI, Louis XVIII and Carlos X. She is considered the last queen of the Old Regime in Spain.. Engraving from Historia del Reinado de Carlos IV 1890 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mara-luisa-de-parma-parma-december-9-1751-rome-january-2-1819-was-queen-consort-of-spain-as-wife-of-carlos-iv-she-was-the-granddaughter-of-louis-xv-of-france-sister-of-fernando-i-de-borbn-parma-and-also-a-carnal-cousin-of-the-french-kings-louis-xvi-louis-xviii-and-carlos-x-she-is-considered-the-last-queen-of-the-old-regime-in-spain-engraving-from-historia-del-reinado-de-carlos-iv-1890-image397204156.htmlRM2E265XM–María Luisa de Parma (Parma, December 9, 1751-Rome, January 2, 1819) was queen consort of Spain as wife of Carlos IV. She was the granddaughter of Louis XV of France, sister of Fernando I de Borbón-Parma and also a carnal cousin of the French kings Louis XVI, Louis XVIII and Carlos X. She is considered the last queen of the Old Regime in Spain.. Engraving from Historia del Reinado de Carlos IV 1890
Anton Raphael Mengs - María Luisa de Parma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anton-raphael-mengs-mara-luisa-de-parma-174489996.htmlRMM3TKNG–Anton Raphael Mengs - María Luisa de Parma
Maria Luisa of Parma goya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maria-luisa-of-parma-goya-140186061.htmlRMJ420N1–Maria Luisa of Parma goya
Maria Luisa of Parma (1751–1819), later Queen consort of Spain, portrait painting by Laurent Pécheux, 1765-1775 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-17511819-later-queen-consort-of-spain-portrait-painting-by-laurent-pcheux-1765-1775-image373468325.htmlRM2CKGXJD–Maria Luisa of Parma (1751–1819), later Queen consort of Spain, portrait painting by Laurent Pécheux, 1765-1775
Reign of Charles IV of Spain. Review of Badajoz (1801). It took place in the Campo de Santa Engracia, near Badajoz. Manuel Godoy, Prince of Peace, appeared leading the army driving a triumphal chariot with Queen Maria Luisa of Parma, followed by her husband King Charles IV of Bourbon, on horseback behind the two of them. Engraving. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reign-of-charles-iv-of-spain-review-of-badajoz-1801-it-took-place-in-the-campo-de-santa-engracia-near-badajoz-manuel-godoy-prince-of-peace-appeared-leading-the-army-driving-a-triumphal-chariot-with-queen-maria-luisa-of-parma-followed-by-her-husband-king-charles-iv-of-bourbon-on-horseback-behind-the-two-of-them-engraving-historia-del-levantamiento-guerra-y-revolucin-de-espaa-by-the-conde-de-toreno-madrid-1851-image431539180.htmlRM2G228HG–Reign of Charles IV of Spain. Review of Badajoz (1801). It took place in the Campo de Santa Engracia, near Badajoz. Manuel Godoy, Prince of Peace, appeared leading the army driving a triumphal chariot with Queen Maria Luisa of Parma, followed by her husband King Charles IV of Bourbon, on horseback behind the two of them. Engraving. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851.
Carlos de Borbon, 29 March 1788 - 10 March 1855, was an Infante of Spain and the second surviving son of King Charles IV of Spain and of his wife, Maria Luisa of Parma. As Charles V, he was the first of the Carlist claimants to the throne of Spain / Carlos María Isidro Benito de Borbon y Borbon-Parma, Graf von Molina, der zweite Sohn König Karls IV. von Spanien und Begründer der carlistischen Linie in der bourbonischen Thronfolge in Spanien und Frankreich, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlos-de-borbon-29-march-1788-10-march-1855-was-an-infante-of-spain-and-the-second-surviving-son-of-king-charles-iv-of-spain-and-of-his-wife-maria-luisa-of-parma-as-charles-v-he-was-the-first-of-the-carlist-claimants-to-the-throne-of-spain-carlos-mara-isidro-benito-de-borbon-y-borbon-parma-graf-von-molina-der-zweite-sohn-knig-karls-iv-von-spanien-und-begrnder-der-carlistischen-linie-in-der-bourbonischen-thronfolge-in-spanien-und-frankreich-historisch-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-image345367691.htmlRF2B1TT0B–Carlos de Borbon, 29 March 1788 - 10 March 1855, was an Infante of Spain and the second surviving son of King Charles IV of Spain and of his wife, Maria Luisa of Parma. As Charles V, he was the first of the Carlist claimants to the throne of Spain / Carlos María Isidro Benito de Borbon y Borbon-Parma, Graf von Molina, der zweite Sohn König Karls IV. von Spanien und Begründer der carlistischen Linie in der bourbonischen Thronfolge in Spanien und Frankreich, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19.
Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808). Wife of Charles IV. Portrait. Engraving. Historia General de España by Father Mariana. Madrid, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-queen-consort-of-spain-1788-1808-wife-of-charles-iv-portrait-engraving-historia-general-de-espaa-by-father-mariana-madrid-1853-image428864432.htmlRM2FWMCXT–Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808). Wife of Charles IV. Portrait. Engraving. Historia General de España by Father Mariana. Madrid, 1853.
Maella-Maria Luisa of Parma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maella-maria-luisa-of-parma-133432262.htmlRMHN2A5X–Maella-Maria Luisa of Parma
Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808) as wife of Charles IV. Portrait. Illustration by Miranda. Engraving by Martinez. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-queen-consort-of-spain-1788-1808-as-wife-of-charles-iv-portrait-illustration-by-miranda-engraving-by-martinez-historia-del-levantamiento-guerra-y-revolucin-de-espaa-by-the-conde-de-toreno-madrid-1851-image431057937.htmlRM2G18AP9–Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808) as wife of Charles IV. Portrait. Illustration by Miranda. Engraving by Martinez. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851.
Esteve - Maria Luisa of Parma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/esteve-maria-luisa-of-parma-image328895900.htmlRM2A32E24–Esteve - Maria Luisa of Parma.
Maria Luisa of Parma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-image487010127.htmlRM2K896AR–Maria Luisa of Parma.
397 Maria Luisa of Parma goya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/397-maria-luisa-of-parma-goya-image213947901.htmlRMPC24MD–397 Maria Luisa of Parma goya
Italy,Tuscany,Lucca,to Piazza Napoleon,monument,Maria Luise von Bourbon-Parma,Europe,town,Lucca town,Piazza Napoleon,sculpture,freeze frame,princess,queen,Maria-Luisa Bourbon-Parma,place of interest,outside, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italytuscanyluccato-piazza-napoleonmonumentmaria-luise-von-bourbon-143741703.htmlRMJ9T007–Italy,Tuscany,Lucca,to Piazza Napoleon,monument,Maria Luise von Bourbon-Parma,Europe,town,Lucca town,Piazza Napoleon,sculpture,freeze frame,princess,queen,Maria-Luisa Bourbon-Parma,place of interest,outside,
Copy after Goya, María Luisa of Parma (1751–1819), Queen of Spain, Copy after Goya (Spanish, after 1800), Oil on canvas, 43 1/2 x 33 1/2 in. (110.5 x 85.1 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copy-after-goya-mara-luisa-of-parma-17511819-queen-of-spain-copy-after-goya-spanish-after-1800-oil-on-canvas-43-12-x-33-12-in-1105-x-851-cm-paintings-image344642657.htmlRM2B0KR69–Copy after Goya, María Luisa of Parma (1751–1819), Queen of Spain, Copy after Goya (Spanish, after 1800), Oil on canvas, 43 1/2 x 33 1/2 in. (110.5 x 85.1 cm), Paintings
Portrait of Maria Luisa of Parma as Princess of Asturias, ca 1764-1765. Artist: Mengs, Anton Raphael (1728-1779) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-maria-luisa-of-parma-as-princess-of-asturias-ca-1764-1765-image60389031.htmlRMDE6XR3–Portrait of Maria Luisa of Parma as Princess of Asturias, ca 1764-1765. Artist: Mengs, Anton Raphael (1728-1779)
María Luisa of Parma (1751–1819), Queen of Spain, Copy after Goya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-mara-luisa-of-parma-17511819-queen-of-spain-copy-after-goya-162537445.htmlRMKCC64N–María Luisa of Parma (1751–1819), Queen of Spain, Copy after Goya
Art inspired by María Luisa of Parma (1751–1819), Queen of Spain, Oil on canvas, 43 1/2 x 33 1/2 in. (110.5 x 85.1 cm), Paintings, Copy after Goya (Spanish, after 1800, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mara-luisa-of-parma-17511819-queen-of-spain-oil-on-canvas-43-12-x-33-12-in-1105-x-851-cm-paintings-copy-after-goya-spanish-after-1800-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024818.htmlRF2HW8GTJ–Art inspired by María Luisa of Parma (1751–1819), Queen of Spain, Oil on canvas, 43 1/2 x 33 1/2 in. (110.5 x 85.1 cm), Paintings, Copy after Goya (Spanish, after 1800, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Maria Luisa of Parma (1751–1819), Later Queen of Spain MET DP120724 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maria-luisa-of-parma-17511819-later-queen-of-spain-met-dp120724-172480710.htmlRMM0H4WA–Maria Luisa of Parma (1751–1819), Later Queen of Spain MET DP120724
CARLOS IV ( 1748 - 1819 ) , REY DE ESPAÑA Y SU ESPOSA MARIA LUISA DE PARMA ( 1751 - 1819 ). MUSEO MUNICIPAL DE MADRID. ESPAÑA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlos-iv-1748-1819-rey-de-espaa-y-su-esposa-maria-luisa-de-parma-1751-1819-museo-municipal-de-madrid-espaa-image210474128.htmlRMP6BWW4–CARLOS IV ( 1748 - 1819 ) , REY DE ESPAÑA Y SU ESPOSA MARIA LUISA DE PARMA ( 1751 - 1819 ). MUSEO MUNICIPAL DE MADRID. ESPAÑA.
María Luisa de Parma (Parma, December 9, 1751-Rome, January 2, 1819) was queen consort of Spain as wife of Carlos IV. She was the granddaughter of Lou Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mara-luisa-de-parma-parma-december-9-1751-rome-january-2-1819-was-queen-consort-of-spain-as-wife-of-carlos-iv-she-was-the-granddaughter-of-lou-image340365013.htmlRM2ANMY19–María Luisa de Parma (Parma, December 9, 1751-Rome, January 2, 1819) was queen consort of Spain as wife of Carlos IV. She was the granddaughter of Lou
Anton Raphael Mengs - María Luisa of Parma, Princess of Asturias Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anton-raphael-mengs-mara-luisa-of-parma-princess-of-asturias-174489259.htmlRMM3TJR7–Anton Raphael Mengs - María Luisa of Parma, Princess of Asturias
María Luisa of Parma (1751–1819), Queen of Spain MET ep29.100.11.bw.R Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mara-luisa-of-parma-17511819-queen-of-spain-met-ep2910011bwr-172501329.htmlRMM0J35N–María Luisa of Parma (1751–1819), Queen of Spain MET ep29.100.11.bw.R
Francisco de Goya - María Luisa de Parma, Queen of Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-francisco-de-goya-mara-luisa-de-parma-queen-of-spain-174813942.htmlRMM4BCY2–Francisco de Goya - María Luisa de Parma, Queen of Spain
Queen Maria Luisa Teresa of Parma, Prime Minister of Spain', 1799 Artist: Francisco Goya. Plate 5 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queen-maria-luisa-teresa-of-parma-prime-minister-of-spain-1799-artist-francisco-goya-plate-5-of-los-caprichos-los-caprichos-are-a-set-of-80-prints-in-aquatint-and-etching-created-by-the-spanish-artist-francisco-goya-in-1797-and-1798-and-published-as-an-album-in-1799-image377036971.htmlRM2CWBEE3–Queen Maria Luisa Teresa of Parma, Prime Minister of Spain', 1799 Artist: Francisco Goya. Plate 5 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.
Tomas Francisco Prieto, Charles III (1716-1788), King of Spain 1759, Marriage of Charles IV to Maria Luisa of Parma, 1765, bronze, 1 15/16 in. (4.9 cm.), Tomas Prieto's portrait medal of Charles III, the King of Spain, depicts three individuals: Charles III on the obverse and Charles IV with María Louisa of Parma on the reverse. As a part of Spain's desire to maintain favorable diplomatic ties to the Northern Italian states, Charles IV married María Louisa of Parma, of the house of Bourbon-Parma, in 1765. The jugate portraits of the newlyweds on the reverse symbolically represent the unificati Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tomas-francisco-prieto-charles-iii-1716-1788-king-of-spain-1759-marriage-of-charles-iv-to-maria-luisa-of-parma-1765-bronze-1-1516-in-49-cm-tomas-prietos-portrait-medal-of-charles-iii-the-king-of-spain-depicts-three-individuals-charles-iii-on-the-obverse-and-charles-iv-with-mara-louisa-of-parma-on-the-reverse-as-a-part-of-spains-desire-to-maintain-favorable-diplomatic-ties-to-the-northern-italian-states-charles-iv-married-mara-louisa-of-parma-of-the-house-of-bourbon-parma-in-1765-the-jugate-portraits-of-the-newlyweds-on-the-reverse-symbolically-represent-the-unificati-image344476285.htmlRM2B0C70D–Tomas Francisco Prieto, Charles III (1716-1788), King of Spain 1759, Marriage of Charles IV to Maria Luisa of Parma, 1765, bronze, 1 15/16 in. (4.9 cm.), Tomas Prieto's portrait medal of Charles III, the King of Spain, depicts three individuals: Charles III on the obverse and Charles IV with María Louisa of Parma on the reverse. As a part of Spain's desire to maintain favorable diplomatic ties to the Northern Italian states, Charles IV married María Louisa of Parma, of the house of Bourbon-Parma, in 1765. The jugate portraits of the newlyweds on the reverse symbolically represent the unificati
Parma (Italy), National Gallery, statue of empress Luigia Maria of Canova sculptor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parma-italy-national-gallery-statue-of-empress-luigia-maria-of-canova-175404036.htmlRMM5A9HT–Parma (Italy), National Gallery, statue of empress Luigia Maria of Canova sculptor
Vergara Ximeno Maria Luisa of Parma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vergara-ximeno-maria-luisa-of-parma-134791238.htmlRMHR87GP–Vergara Ximeno Maria Luisa of Parma
Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808) as wife of Charles IV. Portrait. Illustration by Miranda. Engraving by Martinez, detail. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-queen-consort-of-spain-1788-1808-as-wife-of-charles-iv-portrait-illustration-by-miranda-engraving-by-martinez-detail-historia-del-levantamiento-guerra-y-revolucin-de-espaa-by-the-conde-de-toreno-madrid-1851-image431539166.htmlRM2G228H2–Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808) as wife of Charles IV. Portrait. Illustration by Miranda. Engraving by Martinez, detail. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851.
Esteve circle of - Maria Luisa of Parma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/esteve-circle-of-maria-luisa-of-parma-image328895897.htmlRM2A32E21–Esteve circle of - Maria Luisa of Parma.
Charles IV of Spain (Napples, 1748-Rome, 1819). King of Spain, 1788-1808. Charles IV and his wife, Maria Luisa of Parma (Parma, 1751-Rome, 1819), Queen consort from 1788 to 1808. Portraits. Engraving by Rafael Esteve, 1806. Later colouration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-iv-of-spain-napples-1748-rome-1819-king-of-spain-1788-1808-charles-iv-and-his-wife-maria-luisa-of-parma-parma-1751-rome-1819-queen-consort-from-1788-to-1808-portraits-engraving-by-rafael-esteve-1806-later-colouration-image338120057.htmlRM2AJ2KG9–Charles IV of Spain (Napples, 1748-Rome, 1819). King of Spain, 1788-1808. Charles IV and his wife, Maria Luisa of Parma (Parma, 1751-Rome, 1819), Queen consort from 1788 to 1808. Portraits. Engraving by Rafael Esteve, 1806. Later colouration.
Maella - María Luisa of Parma, Bank of Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maella-mara-luisa-of-parma-bank-of-spain-image184995478.htmlRMMMY7HA–Maella - María Luisa of Parma, Bank of Spain
Manuel Godoy (1767-1851). Spanish nobleman and politician, favourite and Prime Minister of Charles IV. Godoy named Generalisimo (1801-1808) in the presence of kings Charles IV and Maria Luisa of Parma. Engraving. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manuel-godoy-1767-1851-spanish-nobleman-and-politician-favourite-and-prime-minister-of-charles-iv-godoy-named-generalisimo-1801-1808-in-the-presence-of-kings-charles-iv-and-maria-luisa-of-parma-engraving-historia-del-levantamiento-guerra-y-revolucin-de-espaa-by-the-conde-de-toreno-madrid-1851-image431539183.htmlRM2G228HK–Manuel Godoy (1767-1851). Spanish nobleman and politician, favourite and Prime Minister of Charles IV. Godoy named Generalisimo (1801-1808) in the presence of kings Charles IV and Maria Luisa of Parma. Engraving. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851.
Parma (Italy), National Gallery, statue of empress Luigia Maria of Canova sculptor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parma-italy-national-gallery-statue-of-empress-luigia-maria-of-canova-175404089.htmlRMM5A9KN–Parma (Italy), National Gallery, statue of empress Luigia Maria of Canova sculptor
Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808). Wife of Charles IV. Portrait by Zacarias Gonzalez Velazquez (1763-1834), 1789. History Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-queen-consort-of-spain-1788-1808-wife-of-charles-iv-portrait-by-zacarias-gonzalez-velazquez-1763-1834-1789-history-museum-madrid-spain-image333360422.htmlRM2AA9THA–Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808). Wife of Charles IV. Portrait by Zacarias Gonzalez Velazquez (1763-1834), 1789. History Museum. Madrid. Spain.
Parma, Glauco Lombardi museum, exhibits a prestigious collection of art and historical items regarding Maria Luigia of Habsburg and her first husband Napoleon Bonaparte, in addition to numerous paintings and precious documents relating to the Duchy of Parma in the 18th and 19th centuries. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parma-glauco-lombardi-museum-exhibits-a-prestigious-collection-of-175404086.htmlRMM5A9KJ–Parma, Glauco Lombardi museum, exhibits a prestigious collection of art and historical items regarding Maria Luigia of Habsburg and her first husband Napoleon Bonaparte, in addition to numerous paintings and precious documents relating to the Duchy of Parma in the 18th and 19th centuries.
Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808). Wife of Charles IV. Portrait. Engraving. Later colouration. Historia General de España by Father Mariana. Madrid, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-queen-consort-of-spain-1788-1808-wife-of-charles-iv-portrait-engraving-later-colouration-historia-general-de-espaa-by-father-mariana-madrid-1853-image444410888.htmlRM2GR0JHC–Maria Luisa of Parma (1751-1819). Queen consort of Spain (1788-1808). Wife of Charles IV. Portrait. Engraving. Later colouration. Historia General de España by Father Mariana. Madrid, 1853.
Protest of Charles IV of Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/protest-of-charles-iv-of-spain-image487009417.htmlRM2K895DD–Protest of Charles IV of Spain.
Charles IV of Spain, together with Queen consort Maria Luisa of Parma, trying to get Napoleon's support so that the abdication of 19 March 1808 in favour of his son Ferdinand (Ferdinand VII) would be annulled. Chromolithography. 'Historia General de España' (General History of Spain), by Miguel Morayta. Volume VI. Madrid, 1892. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-iv-of-spain-together-with-queen-consort-maria-luisa-of-parma-trying-to-get-napoleons-support-so-that-the-abdication-of-19-march-1808-in-favour-of-his-son-ferdinand-ferdinand-vii-would-be-annulled-chromolithography-historia-general-de-espaa-general-history-of-spain-by-miguel-morayta-volume-vi-madrid-1892-image455753773.htmlRM2HDDAGD–Charles IV of Spain, together with Queen consort Maria Luisa of Parma, trying to get Napoleon's support so that the abdication of 19 March 1808 in favour of his son Ferdinand (Ferdinand VII) would be annulled. Chromolithography. 'Historia General de España' (General History of Spain), by Miguel Morayta. Volume VI. Madrid, 1892.
BUSTO EN MARMOL DE MARIA LUISA DE PARMA. Author: José Álvarez Cubero (1768-1827). Location: PALACIO REAL-ESCULTURA, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/busto-en-marmol-de-maria-luisa-de-parma-author-jos-lvarez-cubero-1768-1827-location-palacio-real-escultura-madrid-spain-image210142405.htmlRMP5TPNW–BUSTO EN MARMOL DE MARIA LUISA DE PARMA. Author: José Álvarez Cubero (1768-1827). Location: PALACIO REAL-ESCULTURA, MADRID, SPAIN.
Royal Order of the Noble Ladies of Queen Maria Luisa. Spanish order created by king Charles IV in 1792, reserved only for noble women. Its badge is a band with three stripes: white in the center and purple on the sides. Chromolithography. 'Historia de las Ordenes de Caballería y de las Condecoraciones Españolas' (History of the Orders of Chivalry and the Spanish Decorations). Madrid, 1865. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-order-of-the-noble-ladies-of-queen-maria-luisa-spanish-order-created-by-king-charles-iv-in-1792-reserved-only-for-noble-women-its-badge-is-a-band-with-three-stripes-white-in-the-center-and-purple-on-the-sides-chromolithography-historia-de-las-ordenes-de-caballera-y-de-las-condecoraciones-espaolas-history-of-the-orders-of-chivalry-and-the-spanish-decorations-madrid-1865-image450777448.htmlRM2H5AK6G–Royal Order of the Noble Ladies of Queen Maria Luisa. Spanish order created by king Charles IV in 1792, reserved only for noble women. Its badge is a band with three stripes: white in the center and purple on the sides. Chromolithography. 'Historia de las Ordenes de Caballería y de las Condecoraciones Españolas' (History of the Orders of Chivalry and the Spanish Decorations). Madrid, 1865.
María Luisa de Parma llorando. Ilustración de 'La corte de Carlos IV' de Galdós Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mara-luisa-de-parma-llorando-ilustracin-de-la-corte-de-carlos-iv-de-171728514.htmlRMKYAWD6–María Luisa de Parma llorando. Ilustración de 'La corte de Carlos IV' de Galdós
Reign of Charles IV of Spain. Manuel Godoy commissioned Juan Escóiquiz (1747-1820) to train the future King Ferdinand VII. Juan Escóiquiz, canon of Saragossa, is appointed tutor to the Prince of Asturias. Engraving. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reign-of-charles-iv-of-spain-manuel-godoy-commissioned-juan-esciquiz-1747-1820-to-train-the-future-king-ferdinand-vii-juan-esciquiz-canon-of-saragossa-is-appointed-tutor-to-the-prince-of-asturias-engraving-historia-del-levantamiento-guerra-y-revolucin-de-espaa-by-the-conde-de-toreno-madrid-1851-image431539161.htmlRM2G228GW–Reign of Charles IV of Spain. Manuel Godoy commissioned Juan Escóiquiz (1747-1820) to train the future King Ferdinand VII. Juan Escóiquiz, canon of Saragossa, is appointed tutor to the Prince of Asturias. Engraving. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851.
Portrait of Ferdinand VII of Spain, called the Desired or King Felon (San Lorenzo de El Escorial 1784 - Madrid 1833). King of Spain. Son and successor of Carlos IV and María Luisa de Parma. Old engraving of the book Spanish Biographical Year by Ildefonso Fernandez 1899 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-ferdinand-vii-of-spain-called-the-desired-or-king-felon-san-lorenzo-de-el-escorial-1784-madrid-1833-king-of-spain-son-and-successor-of-carlos-iv-and-mara-luisa-de-parma-old-engraving-of-the-book-spanish-biographical-year-by-ildefonso-fernandez-1899-image397205042.htmlRM2E2672A–Portrait of Ferdinand VII of Spain, called the Desired or King Felon (San Lorenzo de El Escorial 1784 - Madrid 1833). King of Spain. Son and successor of Carlos IV and María Luisa de Parma. Old engraving of the book Spanish Biographical Year by Ildefonso Fernandez 1899
Maria Luisa of Parma (1751-1819), Later Queen of Spain, 1765. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1751-1819-later-queen-of-spain-1765-image343012652.htmlRM2AX1G3T–Maria Luisa of Parma (1751-1819), Later Queen of Spain, 1765.
Maria Luisa of Parma 1765 by Anton Raphael Mengs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1765-by-anton-raphael-mengs-image573935951.htmlRM2T9N14F–Maria Luisa of Parma 1765 by Anton Raphael Mengs
Paret y Alcazar Maria Luisa de Parma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paret-y-alcazar-maria-luisa-de-parma-134664323.htmlRMHR2DM3–Paret y Alcazar Maria Luisa de Parma
Family of Don Philip of Bourbon - Felipe of Parma and his wife Louise Élisabeth of France with their younger children Ferdinand, the later Ferdinand I of Parma and Maria Luisa, (later Queen of Spain), Parma, Galleria Nazionale; The girl is keeping her brother's miniature sword away from him. Portrayed in profile on the right, the childrens' gouvernante, Marie Catherine de Bassecourt, Marchioness of Borghetto - Giuseppe Baldrighi, 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/family-of-don-philip-of-bourbon-felipe-of-parma-and-his-wife-louise-lisabeth-of-france-with-their-younger-children-ferdinand-the-later-ferdinand-i-of-parma-and-maria-luisa-later-queen-of-spain-parma-galleria-nazionale-the-girl-is-keeping-her-brothers-miniature-sword-away-from-him-portrayed-in-profile-on-the-right-the-childrens-gouvernante-marie-catherine-de-bassecourt-marchioness-of-borghetto-giuseppe-baldrighi-1757-image440603408.htmlRM2GGR640–Family of Don Philip of Bourbon - Felipe of Parma and his wife Louise Élisabeth of France with their younger children Ferdinand, the later Ferdinand I of Parma and Maria Luisa, (later Queen of Spain), Parma, Galleria Nazionale; The girl is keeping her brother's miniature sword away from him. Portrayed in profile on the right, the childrens' gouvernante, Marie Catherine de Bassecourt, Marchioness of Borghetto - Giuseppe Baldrighi, 1757
Esteve - Maria Luisa of Parma, La Habana. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/esteve-maria-luisa-of-parma-la-habana-image328895893.htmlRM2A32E1W–Esteve - Maria Luisa of Parma, La Habana.
María Luisa of Parma (1751–1819), Queen of Spain Copy after Goya Spanish. María Luisa of Parma (1751–1819), Queen of Spain. Copy after Goya (Spanish, after 1800). Oil on canvas. Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mara-luisa-of-parma-17511819-queen-of-spain-copy-after-goya-spanish-mara-luisa-of-parma-17511819-queen-of-spain-copy-after-goya-spanish-after-1800-oil-on-canvas-paintings-image457776101.htmlRM2HGNE2D–María Luisa of Parma (1751–1819), Queen of Spain Copy after Goya Spanish. María Luisa of Parma (1751–1819), Queen of Spain. Copy after Goya (Spanish, after 1800). Oil on canvas. Paintings
María Luisa de Parma, reina de España Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mara-luisa-de-parma-reina-de-espaa-image184892789.htmlRMMMPGHW–María Luisa de Parma, reina de España
Goya-Maria Luisa of Parma-Ibercaja. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/goya-maria-luisa-of-parma-ibercaja-image349497750.htmlRM2B8GYXE–Goya-Maria Luisa of Parma-Ibercaja.
Maria Luisa of Parma (1751–1819), Later Queen of Spain 1765 Laurent Pécheux French Although born in France, Pécheux was called to Parma, Italy, in 1765 to paint a portrait of Princess Maria Luisa of Bourbon-Parma for the family of her fiancé, the Prince of Asturias, later Charles IV of Spain. Maria Luisa, granddaughter of both Philip V of Spain and Louis XV of France, wears the decoration of the Habsburg order of the Croix-Étoilée pinned to her dress and holds a snuffbox with a miniature of her future husband in her right hand. The impressive chair is part of a suite thought ordered in Paris, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-17511819-later-queen-of-spain-1765-laurent-pcheux-french-although-born-in-france-pcheux-was-called-to-parma-italy-in-1765-to-paint-a-portrait-of-princess-maria-luisa-of-bourbon-parma-for-the-family-of-her-fianc-the-prince-of-asturias-later-charles-iv-of-spain-maria-luisa-granddaughter-of-both-philip-v-of-spain-and-louis-xv-of-france-wears-the-decoration-of-the-habsburg-order-of-the-croix-toile-pinned-to-her-dress-and-holds-a-snuffbox-with-a-miniature-of-her-future-husband-in-her-right-hand-the-impressive-chair-is-part-of-a-suite-thought-ordered-in-paris-image458014235.htmlRM2HH49R7–Maria Luisa of Parma (1751–1819), Later Queen of Spain 1765 Laurent Pécheux French Although born in France, Pécheux was called to Parma, Italy, in 1765 to paint a portrait of Princess Maria Luisa of Bourbon-Parma for the family of her fiancé, the Prince of Asturias, later Charles IV of Spain. Maria Luisa, granddaughter of both Philip V of Spain and Louis XV of France, wears the decoration of the Habsburg order of the Croix-Étoilée pinned to her dress and holds a snuffbox with a miniature of her future husband in her right hand. The impressive chair is part of a suite thought ordered in Paris,
1921 Portrait Princess Zita of Bourbon-Parma. (Zita Maria delle Grazie Adelgonda Micaela Raffaela Gabriella Giuseppina Antonia Luisa Agnese -1892 – 1989 ) who became the wife of Charles I or Karl I (Karl Franz Joseph Ludwig Hubert Georg Otto Maria; 1887 – 1922) who was the last Emperor of Austria, the last King of Hungary (as Karoly IV), the last King of Bohemia (as Karel III,), and the last monarch belonging to the House of Habsburg-Lorraine prior to the dissolution of Austria-Hungary. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1921-portrait-princess-zita-of-bourbon-parma-zita-maria-delle-grazie-adelgonda-micaela-raffaela-gabriella-giuseppina-antonia-luisa-agnese-1892-1989-who-became-the-wife-of-charles-i-or-karl-i-karl-franz-joseph-ludwig-hubert-georg-otto-maria-1887-1922-who-was-the-last-emperor-of-austria-the-last-king-of-hungary-as-karoly-iv-the-last-king-of-bohemia-as-karel-iii-and-the-last-monarch-belonging-to-the-house-of-habsburg-lorraine-prior-to-the-dissolution-of-austria-hungary-image371523144.htmlRM2CGC9FM–1921 Portrait Princess Zita of Bourbon-Parma. (Zita Maria delle Grazie Adelgonda Micaela Raffaela Gabriella Giuseppina Antonia Luisa Agnese -1892 – 1989 ) who became the wife of Charles I or Karl I (Karl Franz Joseph Ludwig Hubert Georg Otto Maria; 1887 – 1922) who was the last Emperor of Austria, the last King of Hungary (as Karoly IV), the last King of Bohemia (as Karel III,), and the last monarch belonging to the House of Habsburg-Lorraine prior to the dissolution of Austria-Hungary.
Parma, Glauco Lombardi museum, exhibits a prestigious collection of art and historical items regarding Maria Luigia of Habsburg and her first husband Napoleon Bonaparte, in addition to numerous paintings and precious documents relating to the Duchy of Parma in the 18th and 19th centuries. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parma-glauco-lombardi-museum-exhibits-a-prestigious-collection-of-175404024.htmlRMM5A9HC–Parma, Glauco Lombardi museum, exhibits a prestigious collection of art and historical items regarding Maria Luigia of Habsburg and her first husband Napoleon Bonaparte, in addition to numerous paintings and precious documents relating to the Duchy of Parma in the 18th and 19th centuries.
Portrait of Maria Luisa de Bourbon Parma (1765) by Laurent Pechaux (1729-1821) French neoclassical-style painter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-maria-luisa-de-bourbon-parma-1765-by-laurent-pechaux-1729-1821-french-neoclassical-style-painter-image491333480.htmlRM2KFA4T8–Portrait of Maria Luisa de Bourbon Parma (1765) by Laurent Pechaux (1729-1821) French neoclassical-style painter
The conspiracy of El Escorial. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-conspiracy-of-el-escorial-image487009519.htmlRM2K895H3–The conspiracy of El Escorial.
Maria Luisa di Parma - olio su tela - Laurent Pecheux - XVIII secolo - Parma, Galleria Nazionale Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-di-parma-olio-su-tela-laurent-pecheux-xviii-secolo-parma-galleria-nazionale-image491543496.htmlRF2KFKMMT–Maria Luisa di Parma - olio su tela - Laurent Pecheux - XVIII secolo - Parma, Galleria Nazionale
MARIA LUISA DE PARMA. REINA DE ESPAÑA. 1751 - 1819. ESPOSA DE CARLOS IV. OLEO DE FRANCISCO DE GOYA. COLECCION TABACALERA S. A. MADRID. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-de-parma-reina-de-espaa-1751-1819-esposa-de-carlos-iv-oleo-de-francisco-de-goya-coleccion-tabacalera-s-a-madrid-image457791679.htmlRM2HGP5XR–MARIA LUISA DE PARMA. REINA DE ESPAÑA. 1751 - 1819. ESPOSA DE CARLOS IV. OLEO DE FRANCISCO DE GOYA. COLECCION TABACALERA S. A. MADRID.
Francisco de Paula Antonio de Borbon (1794-1865). Infante of Spain. Son of Charles IV of Spain and Maria Luisa of Parma. Portrait. Drawing by B. Blanco. Lithography by J. Donon. 'Reyes Contemporaneos'. Volume I. Published in Madrid, 1855. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-paula-antonio-de-borbon-1794-1865-infante-of-spain-son-of-charles-iv-of-spain-and-maria-luisa-of-parma-portrait-drawing-by-b-blanco-lithography-by-j-donon-reyes-contemporaneos-volume-i-published-in-madrid-1855-image608949016.htmlRM2XAM0K4–Francisco de Paula Antonio de Borbon (1794-1865). Infante of Spain. Son of Charles IV of Spain and Maria Luisa of Parma. Portrait. Drawing by B. Blanco. Lithography by J. Donon. 'Reyes Contemporaneos'. Volume I. Published in Madrid, 1855.
Esteve - Maria Luisa of Parma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-esteve-maria-luisa-of-parma-148517436.htmlRMJHHFE4–Esteve - Maria Luisa of Parma
The El Escorial Conspiracy, 1807. Foiled conspiracy led by the Prince of Asturias, Ferdinand of Bourbon, to bring about the fall of Manuel Godoy and put Queen Maria Luisa of Parma under control. The El Escorial ruling. On 25 January 1808, all the accused were acquitted by the Council of Castile. The attorney Simón de Viegas, Godoy's man, argued that the facts could not be proved. Engraving. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-el-escorial-conspiracy-1807-foiled-conspiracy-led-by-the-prince-of-asturias-ferdinand-of-bourbon-to-bring-about-the-fall-of-manuel-godoy-and-put-queen-maria-luisa-of-parma-under-control-the-el-escorial-ruling-on-25-january-1808-all-the-accused-were-acquitted-by-the-council-of-castile-the-attorney-simn-de-viegas-godoys-man-argued-that-the-facts-could-not-be-proved-engraving-historia-del-levantamiento-guerra-y-revolucin-de-espaa-by-the-conde-de-toreno-madrid-1851-image431705369.htmlRM2G29TGW–The El Escorial Conspiracy, 1807. Foiled conspiracy led by the Prince of Asturias, Ferdinand of Bourbon, to bring about the fall of Manuel Godoy and put Queen Maria Luisa of Parma under control. The El Escorial ruling. On 25 January 1808, all the accused were acquitted by the Council of Castile. The attorney Simón de Viegas, Godoy's man, argued that the facts could not be proved. Engraving. Historia del Levantamiento, guerra y revolución de España by the Conde de Toreno. Madrid, 1851.
Manuel Godoy named Generalisimo in the presence of kings Charles IV and Maria Luisa of Parma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manuel-godoy-named-generalisimo-in-the-presence-of-kings-charles-iv-and-maria-luisa-of-parma-image487010019.htmlRM2K8966Y–Manuel Godoy named Generalisimo in the presence of kings Charles IV and Maria Luisa of Parma.
'Queen Maria Luisa Teresa of Parma, Prime Minister of Spain', 1799. Artist: Francisco Goya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-queen-maria-luisa-teresa-of-parma-prime-minister-of-spain-1799-artist-11065962.htmlRMA4JW2K–'Queen Maria Luisa Teresa of Parma, Prime Minister of Spain', 1799. Artist: Francisco Goya
Maria Luisa of Parma 1765 by Anton Raphael Mengs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-of-parma-1765-by-anton-raphael-mengs-image573935950.htmlRM2T9N14E–Maria Luisa of Parma 1765 by Anton Raphael Mengs
Maria Luisa of Parma goya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maria-luisa-of-parma-goya-132447515.htmlRMHKDE4B–Maria Luisa of Parma goya
Portrait of Queen Maria Luisa, 18th century. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-queen-maria-luisa-18th-century-artist-unknown-image262772777.htmlRMW7E9A1–Portrait of Queen Maria Luisa, 18th century. Artist: Unknown
Photographic portrait of Zita of Bourbon-Parma (1882-1989), Emperor Charles I of Austria (1887-1922) and their eldest son Crown Prince Otto von Hasburg (1912-2011) after the Coronation in Hungary. Dated 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-photographic-portrait-of-zita-of-bourbon-parma-1882-1989-emperor-charles-104178787.htmlRMG1DN2Y–Photographic portrait of Zita of Bourbon-Parma (1882-1989), Emperor Charles I of Austria (1887-1922) and their eldest son Crown Prince Otto von Hasburg (1912-2011) after the Coronation in Hungary. Dated 20th Century
Volaverunt Year : 1999 Spain Director : Bigas Luna Stefania Sandrelli, Zoe Berriatua Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/volaverunt-year-1999-spain-director-bigas-luna-stefania-sandrelli-zoe-berriatua-image344548588.htmlRM2B0FF6M–Volaverunt Year : 1999 Spain Director : Bigas Luna Stefania Sandrelli, Zoe Berriatua
841 Madrazo, José - María Luisa de Parma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/841-madrazo-jos-mara-luisa-de-parma-image185843517.htmlRMMP9W8D–841 Madrazo, José - María Luisa de Parma
Carnicero, circle of - Maria Luisa of Parma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carnicero-circle-of-maria-luisa-of-parma-image228857383.htmlRMR899WY–Carnicero, circle of - Maria Luisa of Parma.
Aerial view of Parma, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aerial-view-of-parma-italy-135808031.htmlRMHTXGER–Aerial view of Parma, Italy
A portrait of Charles I or Karl I (Karl Franz Joseph Ludwig Hubert Georg Otto Maria; 1887 – 1922) who was the last Emperor of Austria, the last King of Hungary (as Karoly IV), the last King of Bohemia (as Karel III,), and the last monarch belonging to the House of Habsburg-Lorraine prior to the dissolution of Austria-Hungary. His wife was Zita who served as Queen and Empress beside him Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-portrait-of-charles-i-or-karl-i-karl-franz-joseph-ludwig-hubert-georg-otto-maria-1887-1922-who-was-the-last-emperor-of-austria-the-last-king-of-hungary-as-karoly-iv-the-last-king-of-bohemia-as-karel-iii-and-the-last-monarch-belonging-to-the-house-of-habsburg-lorraine-prior-to-the-dissolution-of-austria-hungary-his-wife-was-zita-who-served-as-queen-and-empress-beside-him-image371524267.htmlRM2CGCAYR–A portrait of Charles I or Karl I (Karl Franz Joseph Ludwig Hubert Georg Otto Maria; 1887 – 1922) who was the last Emperor of Austria, the last King of Hungary (as Karoly IV), the last King of Bohemia (as Karel III,), and the last monarch belonging to the House of Habsburg-Lorraine prior to the dissolution of Austria-Hungary. His wife was Zita who served as Queen and Empress beside him
1859 ca , Paris , France : Charles Louis of Bourbon-Parma ( Carlo II Ludovico di Borbone Parma ) ( 1799 – 1883 ) was King of Etruria (1803–1807), Duke of Lucca (1824–1847), and Duke of Parma (1847–1848) , Infante di Spagna , Duca di Guastalla e Piacenza . From 17 december 1847 to 18 april 1848 known like CARLO II , but refuse the throne and transfer to Weistropp in Sachsen ( Saxony ). Married with Maria Teresa of AUSTRIA (1803–1879), daughter of King Victor Emmanuel I Savoia of Sardinia ). They had two children: Luisa (1821–1823) and Charles III, Duke of Parma (1823–1854). They were a mismatc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1859-ca-paris-france-charles-louis-of-bourbon-parma-carlo-ii-ludovico-di-borbone-parma-1799-1883-was-king-of-etruria-18031807-duke-of-lucca-18241847-and-duke-of-parma-18471848-infante-di-spagna-duca-di-guastalla-e-piacenza-from-17-december-1847-to-18-april-1848-known-like-carlo-ii-but-refuse-the-throne-and-transfer-to-weistropp-in-sachsen-saxony-married-with-maria-teresa-of-austria-18031879-daughter-of-king-victor-emmanuel-i-savoia-of-sardinia-they-had-two-children-luisa-18211823-and-charles-iii-duke-of-parma-18231854-they-were-a-mismatc-image540628030.htmlRM2PBFMFX–1859 ca , Paris , France : Charles Louis of Bourbon-Parma ( Carlo II Ludovico di Borbone Parma ) ( 1799 – 1883 ) was King of Etruria (1803–1807), Duke of Lucca (1824–1847), and Duke of Parma (1847–1848) , Infante di Spagna , Duca di Guastalla e Piacenza . From 17 december 1847 to 18 april 1848 known like CARLO II , but refuse the throne and transfer to Weistropp in Sachsen ( Saxony ). Married with Maria Teresa of AUSTRIA (1803–1879), daughter of King Victor Emmanuel I Savoia of Sardinia ). They had two children: Luisa (1821–1823) and Charles III, Duke of Parma (1823–1854). They were a mismatc
Dona Maria Luisa of Borbon-Parma (1751-1819), Queen of Spain from 1788-1808, engraving 1870. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dona-maria-luisa-of-borbon-parma-1751-1819-queen-of-spain-from-1788-1808-engraving-1870-image212422414.htmlRMP9GJXP–Dona Maria Luisa of Borbon-Parma (1751-1819), Queen of Spain from 1788-1808, engraving 1870.
1860 , NAPOLI , ITALY : The Queen Mother MADRE MARIA THERESIA Asburgo-Lorena Archduchesse of AUSTRIA ( Maria TERESA , 1816 - 1867), widow of king FERDINANDO II the King RE DI NAPOLI e DELLE DUE SICILIE di Borbone ( 1810 - 1859 ). Maria Theresia was his 2nd wife , from this marriage born 12 sons . In this photo with the 3 latest young sons : ( to the left) Princess MARIA LUISA ( 1855 - 1874) in 1873 married with Enrico di Borbone Parma Conte di Bardi , prince GENNARO ( 1857 - 1867) Conte di Caltagirone and prince PASQUALE ( 1852 - 1904) Conte di Bari united with morganatic marriage to Blan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1860-napoli-italy-the-queen-mother-madre-maria-theresia-asburgo-lorena-archduchesse-of-austria-maria-teresa-1816-1867-widow-of-king-ferdinando-ii-the-king-re-di-napoli-e-delle-due-sicilie-di-borbone-1810-1859-maria-theresia-was-his-2nd-wife-from-this-marriage-born-12-sons-in-this-photo-with-the-3-latest-young-sons-to-the-left-princess-maria-luisa-1855-1874-in-1873-married-with-enrico-di-borbone-parma-conte-di-bardi-prince-gennaro-1857-1867-conte-di-caltagirone-and-prince-pasquale-1852-1904-conte-di-bari-united-with-morganatic-marriage-to-blan-image537693895.htmlRM2P6P21B–1860 , NAPOLI , ITALY : The Queen Mother MADRE MARIA THERESIA Asburgo-Lorena Archduchesse of AUSTRIA ( Maria TERESA , 1816 - 1867), widow of king FERDINANDO II the King RE DI NAPOLI e DELLE DUE SICILIE di Borbone ( 1810 - 1859 ). Maria Theresia was his 2nd wife , from this marriage born 12 sons . In this photo with the 3 latest young sons : ( to the left) Princess MARIA LUISA ( 1855 - 1874) in 1873 married with Enrico di Borbone Parma Conte di Bardi , prince GENNARO ( 1857 - 1867) Conte di Caltagirone and prince PASQUALE ( 1852 - 1904) Conte di Bari united with morganatic marriage to Blan
Maria Luisa Filangeri of Italy in action during a training session at Ennio Tardini on April 7, 2022 in Parma, Italy. (Photo by Luca Amedeo Bizzarri/LiveMedia/NurPhoto) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-filangeri-of-italy-in-action-during-a-training-session-at-ennio-tardini-on-april-7-2022-in-parma-italy-photo-by-luca-amedeo-bizzarrilivemedianurphoto-image490036760.htmlRM2KD72TT–Maria Luisa Filangeri of Italy in action during a training session at Ennio Tardini on April 7, 2022 in Parma, Italy. (Photo by Luca Amedeo Bizzarri/LiveMedia/NurPhoto)
NUMISMATICA. MEDALLA MODERNA. DE CARLOS IV Y MARIA LUISA DE PARMA, POR GERONIMO ANTONIO GIL. REVERSO. EN EL CAMPO.1796. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/numismatica-medalla-moderna-de-carlos-iv-y-maria-luisa-de-parma-por-geronimo-antonio-gil-reverso-en-el-campo1796-deposito-museo-arqueologico-nacional-image210284890.htmlRMP638EJ–NUMISMATICA. MEDALLA MODERNA. DE CARLOS IV Y MARIA LUISA DE PARMA, POR GERONIMO ANTONIO GIL. REVERSO. EN EL CAMPO.1796. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).
María Luisa of Parma (1751-1819), Queen of Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marxeda-luisa-of-parma-1751-1819-queen-of-spain-image343006073.htmlRM2AX17MW–María Luisa of Parma (1751-1819), Queen of Spain.
Francisco de Goya- Portrait of Maria Luisa de Parma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-francisco-de-goya-portrait-of-maria-luisa-de-parma-148419487.htmlRMJHD2FY–Francisco de Goya- Portrait of Maria Luisa de Parma
The War of the Oranges (May-July 1801). 'The Oranges of Elvas'. Spain and France were allied against Great Britain by the Treaty of San Ildefonso. Portugal allowed British ships to use Portuguese ports. Napoleon, in war against the British, forced Charles IV to declare war on Portugal. Badajoz became the headquarters of a military contingent under the command of the Spanish Prime Minister Godoy. This army entered Portugal, conquering the city of Olivenza and part of the Alentejo, which forced the Portuguese soldiers to take refuge in the forts of Elvas (Yelves) and Campomayor. During the captu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-war-of-the-oranges-may-july-1801-the-oranges-of-elvas-spain-and-france-were-allied-against-great-britain-by-the-treaty-of-san-ildefonso-portugal-allowed-british-ships-to-use-portuguese-ports-napoleon-in-war-against-the-british-forced-charles-iv-to-declare-war-on-portugal-badajoz-became-the-headquarters-of-a-military-contingent-under-the-command-of-the-spanish-prime-minister-godoy-this-army-entered-portugal-conquering-the-city-of-olivenza-and-part-of-the-alentejo-which-forced-the-portuguese-soldiers-to-take-refuge-in-the-forts-of-elvas-yelves-and-campomayor-during-the-captu-image431539177.htmlRM2G228HD–The War of the Oranges (May-July 1801). 'The Oranges of Elvas'. Spain and France were allied against Great Britain by the Treaty of San Ildefonso. Portugal allowed British ships to use Portuguese ports. Napoleon, in war against the British, forced Charles IV to declare war on Portugal. Badajoz became the headquarters of a military contingent under the command of the Spanish Prime Minister Godoy. This army entered Portugal, conquering the city of Olivenza and part of the Alentejo, which forced the Portuguese soldiers to take refuge in the forts of Elvas (Yelves) and Campomayor. During the captu
Maria Luisa Filangeri (Italy Women) during the FIFA 'Womens World Cup 2023 qualifying round' match between Italy Women 3-0 Lituania Women at Ennio Tardini Stadium on April 8, 2022 in Parma, Italy. Credit: Maurizio Borsari/AFLO/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-luisa-filangeri-italy-women-during-the-fifa-womens-world-cup-2023-qualifying-round-match-between-italy-women-3-0-lituania-women-at-ennio-tardini-stadium-on-april-8-2022-in-parma-italy-credit-maurizio-borsariafloalamy-live-news-image466975177.htmlRM2J3MFGW–Maria Luisa Filangeri (Italy Women) during the FIFA 'Womens World Cup 2023 qualifying round' match between Italy Women 3-0 Lituania Women at Ennio Tardini Stadium on April 8, 2022 in Parma, Italy. Credit: Maurizio Borsari/AFLO/Alamy Live News
Francisco de Paula Antonio de Borbón (1794-1865). Infante of Spain. Son of Charles IV of Spain and Maria Luisa of Parma. Portrait. Drawing by B. Blanco. Lithography by J. Donón. 'Reyes Contemporáneos'. Volume I. Published in Madrid, 1855. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-paula-antonio-de-borbn-1794-1865-infante-of-spain-son-of-charles-iv-of-spain-and-maria-luisa-of-parma-portrait-drawing-by-b-blanco-lithography-by-j-donn-reyes-contemporneos-volume-i-published-in-madrid-1855-image548748335.htmlRM2PTNJ2R–Francisco de Paula Antonio de Borbón (1794-1865). Infante of Spain. Son of Charles IV of Spain and Maria Luisa of Parma. Portrait. Drawing by B. Blanco. Lithography by J. Donón. 'Reyes Contemporáneos'. Volume I. Published in Madrid, 1855.
Equestrian portrait of Maria Luisa of Parma 1788 by Francisco Goya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/equestrian-portrait-of-maria-luisa-of-parma-1788-by-francisco-goya-image557464766.htmlRM2RAXKYX–Equestrian portrait of Maria Luisa of Parma 1788 by Francisco Goya
Search Results for Maria luisa of parma Stock Photos and Images (445)
Page 1 of 5