RM2DMP8J1–Design for a Mantel Clock, Graphite, pen and ink, brush and watercolor on paper, Design for a marble and bronze clock. The clock is set in a marble case, a truncated pyramid in shape, mounted on a marble and bronze plinth. Below the dial a bronze swag, above the dial an escutcheon. An eagle at apex with outstretched wings, with chains suspended from his beak., France, 1780–90, timepieces & measuring devices, Drawing
RM2DMHKM0–Commode, Wood, Wood commode with marble top ( component C)., France, ca. 1755 (case) with later mounts, furniture, Decorative Arts, Commode
RMW55DH8–Case made of cardboard for fan, lined with red starch marble and lined with French newspaper, Case for cardboard for fan, consisting of shaft and cover on the outside covered with red starch marble. Neck of the shaft covered with blue starch marble paper. Lined with French newspaper., anonymous, Netherlands (possibly), c. 1700 - c. 1800, geheel, printing, h 2 cm × w 3.4 cm × l 19 cm
RMW56F97–Penant case with curved walls and cylinder doors and marble top, Penant case decorated with marquetry of pink, cherry and satin wood and covered with a white marble plate. The cupboard is half oval in shape. The front has two cylinder doors, the curved walls are glued with geometric figures in rectangular fields. Two drawers in the front sill of the front. The four conical legs have gold-plated copper feet. Copper fittings on the posts, side walls, doors and sills. Belonging to another pen case, anonymous, Northern Netherlands, c. 1775 - c. 1800, wood (plant material), rosewood (wood), cherry
RM2DMCFWX–Design for a Mantel Clock, Graphite, pen and ink, brush and watercolor on paper, Design for a marble and bronze clock. The case is marble with bronze decoration. Mounted above is a bronze group of seated Diana (?) and a dog., France, 1780–90, timepieces & measuring devices, Drawing
RM2DMC9AW–Design for a Candelabrum, Graphite, pen and ink, brush and watercolor on paper, Design for a marble and bronze candelabrum. A tall marble vase with bronze mounts consisting of garland swags, enriched molding and two mermaids. From the vase spring three flowering bronze branches with candles set within them. The case is on a marble base with bronze mounts., France, 1780–90, lighting, Drawing
RMW52X18–Mantel Clock, Clock case attributed to Pierre-Philippe Thomire (French, 1751 - 1843 (master 1772)), clock movement by Charles-Guillaume Manière (French, died 1812 (master 1778)), Paris, France, about 1789, Patinated bronze, gilt bronze, enameled metal, glass, white marble, griotte marble, 55.2 × 64.5 × 19.1 cm (21 3/4 × 25 3/8 × 7 1/2 in
RM2B0HRK1–Case (Inrō) with Design of Bugaku Hat (obverseI; Shō Flute and Cymbals (reverse), Japan, Edo period (1615–1868), Date 19th century, Japan, Sprinkled gold lacquer with inlaid mother-of-pearl, pottery, and pewter; Interior: nashiji and fundame; Ojime: marble; Netsuke: wood with lacquer decoration of books, 3 3/4 x 1 15/16 x 1 3/16 in. (9.5 x 4.9 x 3 cm), Inrō
RM2B0HB37–After a sculpture attributed to Etienne-Maurice Falconet, The Toilette of Venus, French, Paris, After a sculpture attributed to Etienne-Maurice Falconet (French, Paris 1716–1791 Paris), last quarter 18th century, French, Paris, Case: gilded bronze and marble; Dial: gilded bronze and white enamel; Movement: brass and steel, Overall: 19 3/8 × 14 × 10 1/2 in. (49.2 × 35.6 × 26.7 cm), Horology
RMW51D8D–Mantel Clock, Clock case attributed to Pierre-Philippe Thomire (French, 1751 - 1843 (master 1772)), Design attributed to Jean-Guillaume Miotte (French, 1746 - 1810), clock dials enameled by Henri-François Dubuisson (French, active until 1823 (master 1769)), Paris, France, about 1785, Gilt and patinated bronze, enameled metal, vert Maurin des Alpes marble, white marble, 53.3 x 63.8 x 23.5 cm (21 x 25 1/8 x 9 1/4 in
RM2B0KRW9–Clockmaker: Jean-Baptiste-André Furet, Mantel clock with musical movement, French, Paris, Clockmaker: Jean-Baptiste-André Furet (French, ca. 1720–1807), ca. 1784, French, Paris, Case: gilded and lacquered bronze and marble; Movement (in bust): brass and steel with enameled hour and minute chapter rings; Miniature organ with pipes and bellows (in base): brass, steel, and leather, Overall: 29 × 16 1/4 × 9 in. (73.7 × 41.3 × 22.9 cm), Horology
RM2B0KRW8–Designed by François Joseph Belanger, Mantel clock (pendule de cheminée), French, Paris, Case attributed to Pierre Gouthière (French, Bar-sur-Aube 1732–1813/14 Paris), Movement by the workshop of Jean-Baptiste Lepaute (French, 1727–1802), and Pierre Henry, called Henry Lepaute (1749–1806), ca. 1783, French, Paris, Gilt bronze, marble, and painted metal; enamel dial; brass and steel movement, Overall: 21 × 21 1/2 × 6 1/4 in. (53.3 × 54.6 × 15.9 cm), Horology
RMW56F96–Penant cupboard with curved walls, cylinder doors and marble top, Penant cupboard adorned with marquetry of pink, cherry and satin wood and covered with a white marble plate. The cabinet is half oval in diameter. The front has two cylinder doors, the curved walls are glued with geometric figures in rectangular fields. Two drawers in the front sill of the front. The four conical legs have gold-plated copper feet. Copper fittings on the posts, side walls, doors and sills. Belonging to another pen case, anonymous, Northern Netherlands, c. 1775 - c. 1800, wood (plant material), rosewood (wood
RM2DC79EB–Mino da Fiesole, (artist), Florentine, 1429 - 1484, Faith, 1475/1480, marble, overall: 126 x 43 cm (49 5/8 x 16 15/16 in.), In the art of the Middle Ages and Renaissance, the Virtues were often personified by human figures carrying identifying attributes. Faith in this case had a chalice and a cross, now broken. As represented by Mino da Fiesole, a contemporary of Desiderio da Settignano and Antonio Rossellino, Faith and a companion piece, Charity, appear as slender young girls in clinging, layered gowns with fine pleats. Their heavy mantles are carved in distinctive, angular folds
RMKCD189–Minerva clock, Case maker: Matthew Boulton, ca. 1770
RMKC87E7–Marble funerary relief, Imperial, 2nd–3rd century A.D., Roman, Marble, H.: 25 1/4 in. (64.1 cm), Stone Sculpture, Funerary
RMKC7T16–Marble male figure, Early Cycladic II, 2400–2300 B.C. or later, Cycladic, Marble, H. 14 1/8 in. (35.9 cm), Stone Sculpture
RM2DNT0N1–Bust of the god Sarapis, Marble, chiseled, Marble, chiseled, Total: Height: 48,50 cm; Width: 34,50 cm; Depth: 20,00 cm, Three-dimensional sculptures, Serapis, Egyptian gods, demigods, heroes, Middle Empire, Roman copy after a Greek original. Originally intended for a niche installation, this sculpture reproduces one of the most frequently copied works of antique sculpture in a bust cutout and in a strong reduction: The famous large cult statue in the Alexandrian sanctuary of Sarapis, dating from around 300 B.C.
RMW51D84–Cabinet, Case by Guillaume Benneman (French, died 1811), Gilt-bronze mounts after models by Gilles-François Martin (French, about 1713 - 1795), Mounts cast by Etienne-Jean Forestier (French (master 1764)), Mounts cast by Denis Bardin (French, active 1775 - 1799 (master 1778)), Mounts chased by Pierre-Philippe Thomire (French, 1751 - 1843 (master 1772)), Mounts gilt by Claude Galle (French, 1759 - 1815 (master 1786)), Paris, France, 1788, pietra dura plaque late 17th - 18th century, Oak veneered with ebony, mahogany, and lacquer, set with pietra dura plaques, gilt bronze mounts, bleu turquin
RMKCC72J–Clock, Clockmaker: Jean Martin (active 1737–81, died 1786), ca. 1780, French, Paris, Case: Carrara marble, gilt-bronze mounts
RMKC6A29–Stylobate Lion, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona
RMKC6A2A–Stylobate Lioness, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona
RMKCD5X6–Sarcophagus with a Greek Physician, early 300s, Made in Ostia, Rome, Roman, Marble, 21 3/4 x 23 1/4 x 84 7/8 in. (55.2 x 59.1 x
RMW56DPW–Art cabinet Art cabinet Hainhofer cabinet, Rectangular art cabinet glued with ebony, with beveled corners and standing on a wider base on a base with feet on the corners, decorated with lobe ornament. The pedestal shows around diamond-shaped pillows interspersed with smooth fields with rubber frames. The cupboard has double doors on three sides and a single door on one side, which is adorned with rubber frames and lobe ornament, just like the shell niches on the corners. To crown a driven silver river god. Two silver keys belong to the case, river personified, 'Fiumi' (Ripa), auricular
RMPPT1JA–Mantel Clock; Movement by Nicolas-Alexandre Folin, French, about 1750 - after 1815, master 1789), and enamel plaques by Georges
RMKCDPW4–Commode, ca. 1765–70, Oak and pine veneered with stained maple, tulipwood, amaranth, and holly stringing, with marquetry of
RMEE071B–Mantel Clock; Movement by Nicolas-Alexandre Folin, French, about 1750 - after 1815, master 1789, and enamel plaques
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