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Manjushri tibetan tibet Stock Photos and Images
RMF42NJX–Gilt Copper Wrathful Bodhisattva Manjushri Tibetan Tibet Qing dynasty (1644–1911) Shanghai Museum of ancient Chinese art China
RM2B01E45–China/Tibet: Manjushri Kirti, legendary King of Shambhala. Illustration from 'Contributions on Tibet' by Sarat Chandra Das (1849-1917), 1882. Manjushrí Kírti (Tibetan: Rigdan Tagpa) is said to have been born in 159 BCE and ruled over Shambhala which had 300,510 followers of the Mlechha (Yavana or 'western') religion living in it, some of whom worshiped the sun. He is said to have expelled all the heretics from his dominions but later, after hearing their petitions, allowed them to return. For their benefit, and the benefit of all living beings, he explained the Kalachakra teachings.
RM2BKGR11–The bodhissatva of trascendent wisdom ( Manjushri) 13th century. Copper and brass. Western Tibet. Museum world cultures. Barcelona
RF2HW36H4–Art inspired by Yamantaka, Destroyer of the God of Death, early 18th century, Tibet, Distemper on cloth, 72 3/8 x 46 5/8 in. (183.8 x 118.4 cm), Paintings, This image of a wrathful protector of Buddhism would have been an awesome presence in the dimly lit interior of a Tibetan, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A52PKP–Tsong Khapa, Founder of the Geluk Order, c. 1440-1470. The Buddhist order to which the Dalai Lamas belong was founded by Tsong Khapa (1357-1419), whose image is seen here as the large central figure holding his hands in the teaching mudra. He wears the pointed golden hat that is the insignia for monks of the Geluk order. At the level of his ears are the sword and book, emblems of Manjushri, the bodhisattva of wisdom. These emblems allude to the Tibetan Buddhist tradition that accorded Tsong Khapa the status of being an emanation of Manjushri. This extraordinary, sumptuously rendered painting,
RM2HJ1134–Yamantaka, Destroyer of the God of Death early 18th century Tibet This image of a wrathful protector of Buddhism would have been an awesome presence in the dimly lit interior of a Tibetan monastery. Yamantaka is a violent aspect of the Bodhisattva Manjushri, who assumes this form to vanquish Yama, the god of death. By defeating Yama, the cycle of rebirths (samsara) that prevents enlightenment is broken. Yamantaka, who shares many attributes with Mahakala, is identified by his blue skin and the array of attributes displayed here. He is encircled by five smaller manifestations, each a Yama-conqu
RM2HHXWE5–Initiation Card (Tsakalis): Manjushri early 15th century Tibet Tsakali cards were used by itinerant teachers moving from one monastery to another in order to evoke Vajrayana Buddhist deities. When laid on the ground in the form of a mandala, as seen here, they functioned to create a fixed sacred space like that of a temple. The deities shown on these initiation cards include the Tathagata Buddhas, various bodhisattvas, fierce protectors, and the six possible realms of rebirth seen across the bottom. They probably were made by a Nepali artist for a Tibetan patron of the Nyingma school of Tibeta
RM2R6EWXK–Tsong-kha-pa and scenes from his life. Date: 18th century?. Opaque watercolor on cloth. Origin: Tibet. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
RF2H5B52T–Set of Four Antique Tibetan or Mongolian Buddhist Tsakli Initiation Cards. 19th century or earlier
RM2DT2E7H–Four-Faced Wrathful Protector Mahakala as Chaturmukha Mahakala, 19th century, Tangka, ink and color on cloth, Further research needed, Mahakala is an emanation of Manjushri, the Bodhisattva of Spiritual Wisdom. He is often shown with four faces in different colors, four arms, and two legs, and he wears a belt of human heads and a tiger skin. The four women dancing in the foreground represent dakinis, heavenly women who may act as muses for spiritual attainment. Here, their ungainly appearances and gruesome actions are meant to spur a state of greater consciousness
RM2RKF6MK–Bildnummer: 55352569 Datum: 10.05.2011 Copyright: imago/Xinhua (110516) -- BURANG, May 16, 2011 (Xinhua) -- Photo taken on May 10, 2011 shows a statue of Manjushri in the Kejia Temple in Burang County of Ali Prefecture, southwest China s Tibet Autonomous Region. The Kejia Temple, close to Nepal and India, is a famous temple of Sakya Sect of Tibetan Buddhism. the Kejia Temple in Burang County of Ali Prefecture, southwest China s Tibet Autonomous Region. The Kejia Temple, close to Nepal and India, is a famous temple of Sakya Sect of Tibetan Buddhism. (Xinhua/Purbu Zhaxi) (lfj) CHINA-ALI PREFEC
RMHNWA3K–Longwu Monastery: Legend has it that a Buddhist monk, Gedung Kalsa, wore his footprints into the floorboards by praying on the same spot for decades
RMAKJ336–Wall paintings inside Derge Gonchen Monastery of Majushri in Derge town Kham E Tibet Sichuan Province China
RF2K3P770–Alchi Monastery, Leh district of Ladakh, India, Dukhang. 11th century. Detail: Form of Manjushri.
RMF42NXF–Gilt Copper Wrathful Bodhisattva Manjushri Tibetan Tibet Qing dynasty (1644–1911) Shanghai Museum of ancient Chinese art China
RM2BKGR18–The bodhissatva of trascendent wisdom ( Manjushri) 13th century. Copper and brass. Western Tibet. Museum world cultures. Barcelona
RM2HJ097K–Guru Dragpo 18th century Tibet Guru Dragpo, a fierce emanation of the guru-saint Padmasambhava, stands astride a flaming aureole holding a ritual tool, the vajra, and a black scorpion. The skin of a tiger is drawn around his waist while the flayed skin of an elephant is draped over his shoulders. He wears a crown adorned with skulls and a garland of severed heads. In this wrathful meditational form, Guru Dragpo was an important protector deity of the Nyingma School of Tibetan Buddhism. In the upper register are depictions, from left, of Manjushri, Shadakshari Lokesvara, Amitabha, Padmasambhava
RMHNWA3J–Longwu Monastery: Legend has it that a Buddhist monk, Gedung Kalsang, wore his footprints into the floorboards by praying on the same spot for decades
RF2K3P74B–Alchi Monastery, Leh district of Ladakh, India, Sumtsek, 11th century, Manjusri: Wall to Right of Manjushri Alcove
RMF42NXM–Gilt Brass figurine of Goddess White Tara Tibetan Qing dynasty (1644–1911) Shanghai Museum of ancient Chinese art China
RMFRRKHF–This scroll painting, thangka, shows a teacher, Lama, on a throne with his hands in dharmacakramudra. In each of his hands he holds a lotus stem . Tibetan Tibet China
RMFRRKH6–This scroll painting, thangka, shows a teacher, Lama, on a throne with his hands in dharmacakramudra. In each of his hands he holds a lotus stem . Tibetan Tibet China
RF2K3P76W–Alchi Monastery, Leh district of Ladakh, India, Dukhang, 11th century, Central Figure Manjusri
RM2AX154N–Mandala of the Forms of Manjushri, the Bodhisattva of Transcendent Wisdom, late 14th century.
RM2T6D1T1–Vajrabhairava with Vajravetali, 18th century. The enlightened wrathful deity Vajrabhairava, Buddhist conqueror of death, embraces his female partner, Vajravetali. His nine heads include that of a buffalo, the animal associated with the defeated god of death, and the crowning yellow face of Manjushri, bodhisattva of wisdom, with whom Vajrabhairava is associated. Vajrabhairava’s central crown of skulls is topped with images of five peaceful Buddhas, a reminder that his gruesome imagery, by forcing us to confront what we fear, ultimately supports the goal of enlightenment.
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