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Malwa plateau Stock Photos and Images
. Memoirs of the Geological Survey of India . the Malwa table-land is ascended, north of Hm-rungaon, there is far lessBhowra ghat. appearance of bedding than is usual in the traps of the -Malwa plateau, especially further to the west. The basalts are verycolumnar, a character which is common in the lowest beds of the trapsin this part of the Nerbudda valley. Metamorphic rocks appear in force about Kunnod. Much granitic Metamorphics near and syeuitic rock is associated with them. Crys- Kunno an ujnas. talhne limestone is occasionally seen, as near Aujnas. Peculiar quartzites are met with at Nim Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memoirs-of-the-geological-survey-of-india-the-malwa-table-land-is-ascended-north-of-hm-rungaon-there-is-far-lessbhowra-ghat-appearance-of-bedding-than-is-usual-in-the-traps-of-the-malwa-plateau-especially-further-to-the-west-the-basalts-are-verycolumnar-a-character-which-is-common-in-the-lowest-beds-of-the-trapsin-this-part-of-the-nerbudda-valley-metamorphic-rocks-appear-in-force-about-kunnod-much-granitic-metamorphics-near-and-syeuitic-rock-is-associated-with-them-crys-kunno-an-ujnas-talhne-limestone-is-occasionally-seen-as-near-aujnas-peculiar-quartzites-are-met-with-at-nim-image370175179.htmlRM2CE6X63–. Memoirs of the Geological Survey of India . the Malwa table-land is ascended, north of Hm-rungaon, there is far lessBhowra ghat. appearance of bedding than is usual in the traps of the -Malwa plateau, especially further to the west. The basalts are verycolumnar, a character which is common in the lowest beds of the trapsin this part of the Nerbudda valley. Metamorphic rocks appear in force about Kunnod. Much granitic Metamorphics near and syeuitic rock is associated with them. Crys- Kunno an ujnas. talhne limestone is occasionally seen, as near Aujnas. Peculiar quartzites are met with at Nim
Ragini Des Variri: Page from a Dispersed Ragamala Series (Garland of Musical Modes). Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 1/4 x 6 in. (18.4 x 15.2 cm). Date: ca. 1680. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ragini-des-variri-page-from-a-dispersed-ragamala-series-garland-of-musical-modes-culture-india-madhya-pradesh-malwa-dimensions-7-14-x-6-in-184-x-152-cm-date-ca-1680-museum-metropolitan-museum-of-art-new-york-usa-image213073447.htmlRMPAJ99Y–Ragini Des Variri: Page from a Dispersed Ragamala Series (Garland of Musical Modes). Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 1/4 x 6 in. (18.4 x 15.2 cm). Date: ca. 1680. Museum: Metropolitan Museum of Art, New York, USA.
The Demon Kumbhakarna Is Defeated by Rama and Lakshmana. Culture: India (Madhya Pradesh, Malwa). Dimensions: 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm). Date: ca. 1670. According to the Ramayana, Kumbhakarna, the terrifying giant and brother of Ravana, was causing great damage to the monkey army when Rama and Lakshmana entered the battle. Using magical arrows of great power, Rama severed Kumbhakarna's limbs and filled his mouth with pointed steel shafts. The pathos of the demon's defeat is emphasized by his dismembered body parts being carried away by the bear and monkey warriors. Compared to the Mug Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-demon-kumbhakarna-is-defeated-by-rama-and-lakshmana-culture-india-madhya-pradesh-malwa-dimensions-8-12-x-6-12-in-216-x-165-cm-date-ca-1670-according-to-the-ramayana-kumbhakarna-the-terrifying-giant-and-brother-of-ravana-was-causing-great-damage-to-the-monkey-army-when-rama-and-lakshmana-entered-the-battle-using-magical-arrows-of-great-power-rama-severed-kumbhakarnas-limbs-and-filled-his-mouth-with-pointed-steel-shafts-the-pathos-of-the-demons-defeat-is-emphasized-by-his-dismembered-body-parts-being-carried-away-by-the-bear-and-monkey-warriors-compared-to-the-mug-image213258941.htmlRMPAXNXN–The Demon Kumbhakarna Is Defeated by Rama and Lakshmana. Culture: India (Madhya Pradesh, Malwa). Dimensions: 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm). Date: ca. 1670. According to the Ramayana, Kumbhakarna, the terrifying giant and brother of Ravana, was causing great damage to the monkey army when Rama and Lakshmana entered the battle. Using magical arrows of great power, Rama severed Kumbhakarna's limbs and filled his mouth with pointed steel shafts. The pathos of the demon's defeat is emphasized by his dismembered body parts being carried away by the bear and monkey warriors. Compared to the Mug
Encounters in Mathura: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu). Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 9/16 x 14 3/16 in. (19.2 x 36 cm). Date: ca. 1700. In this triple-register scene, the nobility of Mathura watch as Krishna and Balarama participate in the bow sacrifice and other heroic deeds (Bhagavata Purana 10.42.15-.22). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/encounters-in-mathura-page-from-a-dispersed-bhagavata-purana-ancient-stories-of-lord-vishnu-culture-india-madhya-pradesh-malwa-dimensions-7-916-x-14-316-in-192-x-36-cm-date-ca-1700-in-this-triple-register-scene-the-nobility-of-mathura-watch-as-krishna-and-balarama-participate-in-the-bow-sacrifice-and-other-heroic-deeds-bhagavata-purana-104215-22-museum-metropolitan-museum-of-art-new-york-usa-image213267962.htmlRMPAY5CX–Encounters in Mathura: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu). Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 9/16 x 14 3/16 in. (19.2 x 36 cm). Date: ca. 1700. In this triple-register scene, the nobility of Mathura watch as Krishna and Balarama participate in the bow sacrifice and other heroic deeds (Bhagavata Purana 10.42.15-.22). Museum: Metropolitan Museum of Art, New York, USA.
Bakasura, the Crane Demon, Arrives in Brindavan: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu). Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 5/8 x 14 in. (19.4 x 35.6 cm). Date: ca. 1700. The gopas (cowherds) of Brindavan, peacefully herding their cows by a pond, are suddenly disrupted by Bakasura, one of the demons sent by Kamsa to kill Krishna. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bakasura-the-crane-demon-arrives-in-brindavan-page-from-a-dispersed-bhagavata-purana-ancient-stories-of-lord-vishnu-culture-india-madhya-pradesh-malwa-dimensions-7-58-x-14-in-194-x-356-cm-date-ca-1700-the-gopas-cowherds-of-brindavan-peacefully-herding-their-cows-by-a-pond-are-suddenly-disrupted-by-bakasura-one-of-the-demons-sent-by-kamsa-to-kill-krishna-museum-metropolitan-museum-of-art-new-york-usa-image212773949.htmlRMPA4K9H–Bakasura, the Crane Demon, Arrives in Brindavan: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu). Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 5/8 x 14 in. (19.4 x 35.6 cm). Date: ca. 1700. The gopas (cowherds) of Brindavan, peacefully herding their cows by a pond, are suddenly disrupted by Bakasura, one of the demons sent by Kamsa to kill Krishna. Museum: Metropolitan Museum of Art, New York, USA.
Krishna Accepts an Offering from the Hunchbacked Woman Trivakra: Page from a Bhagavata Purana Series. Culture: India (Madhya Pradesh, Malwa). Dimensions: 6 3/4 x 8 3/16 in. (17.1 x 20.8 cm). Date: ca. 1650. While traveling, Krishna encounters the hunchbacked woman Trivakra and notices the wonderful ointments she made for the evil king Kamsa. Overcome by his presence, Trivakra offers the ointments to Krishna, who straightens her crooked back and transforms her into a perfectly proportioned, beautiful woman. The story illustrates Krishna's miraculous nature and Trivakra's devotion, which is ult Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-accepts-an-offering-from-the-hunchbacked-woman-trivakra-page-from-a-bhagavata-purana-series-culture-india-madhya-pradesh-malwa-dimensions-6-34-x-8-316-in-171-x-208-cm-date-ca-1650-while-traveling-krishna-encounters-the-hunchbacked-woman-trivakra-and-notices-the-wonderful-ointments-she-made-for-the-evil-king-kamsa-overcome-by-his-presence-trivakra-offers-the-ointments-to-krishna-who-straightens-her-crooked-back-and-transforms-her-into-a-perfectly-proportioned-beautiful-woman-the-story-illustrates-krishnas-miraculous-nature-and-trivakras-devotion-which-is-ult-image213150968.htmlRMPANT6G–Krishna Accepts an Offering from the Hunchbacked Woman Trivakra: Page from a Bhagavata Purana Series. Culture: India (Madhya Pradesh, Malwa). Dimensions: 6 3/4 x 8 3/16 in. (17.1 x 20.8 cm). Date: ca. 1650. While traveling, Krishna encounters the hunchbacked woman Trivakra and notices the wonderful ointments she made for the evil king Kamsa. Overcome by his presence, Trivakra offers the ointments to Krishna, who straightens her crooked back and transforms her into a perfectly proportioned, beautiful woman. The story illustrates Krishna's miraculous nature and Trivakra's devotion, which is ult
Radha's Friend Pleads with Her to Receive Krishna: Page from a Dispersed Rasikapriya. Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 3/4 x 6 in. (19.7 x 15.2 cm). Date: 1634. Krishna approaches Radha's pavilion, having won over her friend to act as an intermediary. The confidante tells how the peacocks cry in anger at Radha's sulking lustfulness and how the clouds resound likes drums of pleasure while she frets in silence. The pages of this manuscript, dated to 1634, show female figures wearing striped garments while the male protagonists from this group often have sheer muslin outer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/radhas-friend-pleads-with-her-to-receive-krishna-page-from-a-dispersed-rasikapriya-culture-india-madhya-pradesh-malwa-dimensions-7-34-x-6-in-197-x-152-cm-date-1634-krishna-approaches-radhas-pavilion-having-won-over-her-friend-to-act-as-an-intermediary-the-confidante-tells-how-the-peacocks-cry-in-anger-at-radhas-sulking-lustfulness-and-how-the-clouds-resound-likes-drums-of-pleasure-while-she-frets-in-silence-the-pages-of-this-manuscript-dated-to-1634-show-female-figures-wearing-striped-garments-while-the-male-protagonists-from-this-group-often-have-sheer-muslin-outer-image213318664.htmlRMPB1E3M–Radha's Friend Pleads with Her to Receive Krishna: Page from a Dispersed Rasikapriya. Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 3/4 x 6 in. (19.7 x 15.2 cm). Date: 1634. Krishna approaches Radha's pavilion, having won over her friend to act as an intermediary. The confidante tells how the peacocks cry in anger at Radha's sulking lustfulness and how the clouds resound likes drums of pleasure while she frets in silence. The pages of this manuscript, dated to 1634, show female figures wearing striped garments while the male protagonists from this group often have sheer muslin outer
A Heroine Plucking a Flower: Page from a Dispersed Nayikabheda. Culture: India (Madhya Pradesh, Malwa). Dimensions: 8 3/8 x 6 3/16 in. (21.3 x 15.7 cm). Date: ca. 1660-80. The artist instilled this painting with an iconography of longing: the empty bed, the solitary nayika (heroine), and the forlorn call of the peacock. The patterned raindrops, stylized creepers, and surface treatment of the architecture distinguish this manuscript from other work done in the Malwa courts. The figural type suggests an awareness of the Mewar or Bundi traditions; the use of a black sky and a red color field be Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-heroine-plucking-a-flower-page-from-a-dispersed-nayikabheda-culture-india-madhya-pradesh-malwa-dimensions-8-38-x-6-316-in-213-x-157-cm-date-ca-1660-80-the-artist-instilled-this-painting-with-an-iconography-of-longing-the-empty-bed-the-solitary-nayika-heroine-and-the-forlorn-call-of-the-peacock-the-patterned-raindrops-stylized-creepers-and-surface-treatment-of-the-architecture-distinguish-this-manuscript-from-other-work-done-in-the-malwa-courts-the-figural-type-suggests-an-awareness-of-the-mewar-or-bundi-traditions-the-use-of-a-black-sky-and-a-red-color-field-be-image213198586.htmlRMPAT0Y6–A Heroine Plucking a Flower: Page from a Dispersed Nayikabheda. Culture: India (Madhya Pradesh, Malwa). Dimensions: 8 3/8 x 6 3/16 in. (21.3 x 15.7 cm). Date: ca. 1660-80. The artist instilled this painting with an iconography of longing: the empty bed, the solitary nayika (heroine), and the forlorn call of the peacock. The patterned raindrops, stylized creepers, and surface treatment of the architecture distinguish this manuscript from other work done in the Malwa courts. The figural type suggests an awareness of the Mewar or Bundi traditions; the use of a black sky and a red color field be
Lalit Ragini: Folio from a ragamala series (Garland of Musical Modes). Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 3/4 x 5 1/2 in. (19.7 x 14 cm). Date: ca. 1680-90. This morning raga shows the sleeping woman and her lover, who is silently departing after a night of passion: 'Wearing many ornaments and garments, splendid, the fair mistress lies exhausted upon her bed at dawn.' The work exemplifies the Malwa taste for compositions made up of compartmentalized structures that emphasize the role of each protagonist. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lalit-ragini-folio-from-a-ragamala-series-garland-of-musical-modes-culture-india-madhya-pradesh-malwa-dimensions-7-34-x-5-12-in-197-x-14-cm-date-ca-1680-90-this-morning-raga-shows-the-sleeping-woman-and-her-lover-who-is-silently-departing-after-a-night-of-passion-wearing-many-ornaments-and-garments-splendid-the-fair-mistress-lies-exhausted-upon-her-bed-at-dawn-the-work-exemplifies-the-malwa-taste-for-compositions-made-up-of-compartmentalized-structures-that-emphasize-the-role-of-each-protagonist-museum-metropolitan-museum-of-art-new-york-usa-image213322404.htmlRMPB1JW8–Lalit Ragini: Folio from a ragamala series (Garland of Musical Modes). Culture: India (Madhya Pradesh, Malwa). Dimensions: 7 3/4 x 5 1/2 in. (19.7 x 14 cm). Date: ca. 1680-90. This morning raga shows the sleeping woman and her lover, who is silently departing after a night of passion: 'Wearing many ornaments and garments, splendid, the fair mistress lies exhausted upon her bed at dawn.' The work exemplifies the Malwa taste for compositions made up of compartmentalized structures that emphasize the role of each protagonist. Museum: Metropolitan Museum of Art, New York, USA.
Krishna and Balarama Fight the Evil King Kamsa's Wrestlers: Page from a Dispersed Bhagavata Purana. Culture: India (Madhya Pradesh, Malwa). Dimensions: Image: 6 1/2 × 7 3/4 in. (16.5 × 19.7 cm) Mat: 6 3/4 × 7 3/4 in. (17.1 × 19.7 cm). Date: ca. 1650. Kamsa sent Canura and Mushthika, two mountainlike wrestlers who had limbs as strong as lightning, to confront the youthful Krishna and Balarama. The climactic moment is statically presented with great formal drama. Such scenes of conflict serve as metaphors for Krishna's destruction of corruption. The deep brown background and brightly lit actio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-balarama-fight-the-evil-king-kamsas-wrestlers-page-from-a-dispersed-bhagavata-purana-culture-india-madhya-pradesh-malwa-dimensions-image-6-12-7-34-in-165-197-cm-mat-6-34-7-34-in-171-197-cm-date-ca-1650-kamsa-sent-canura-and-mushthika-two-mountainlike-wrestlers-who-had-limbs-as-strong-as-lightning-to-confront-the-youthful-krishna-and-balarama-the-climactic-moment-is-statically-presented-with-great-formal-drama-such-scenes-of-conflict-serve-as-metaphors-for-krishnas-destruction-of-corruption-the-deep-brown-background-and-brightly-lit-actio-image212884339.htmlRMPA9M43–Krishna and Balarama Fight the Evil King Kamsa's Wrestlers: Page from a Dispersed Bhagavata Purana. Culture: India (Madhya Pradesh, Malwa). Dimensions: Image: 6 1/2 × 7 3/4 in. (16.5 × 19.7 cm) Mat: 6 3/4 × 7 3/4 in. (17.1 × 19.7 cm). Date: ca. 1650. Kamsa sent Canura and Mushthika, two mountainlike wrestlers who had limbs as strong as lightning, to confront the youthful Krishna and Balarama. The climactic moment is statically presented with great formal drama. Such scenes of conflict serve as metaphors for Krishna's destruction of corruption. The deep brown background and brightly lit actio
Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya. Culture: India (Madhya Pradesh, Malwa). Dimensions: Image: 8 3/4 × 5 3/4 in. (22.2 × 14.6 cm) Mat: 9 1/16 × 6 1/8 in. (23 × 15.6 cm). Date: ca. 1680-90. In the Rasikapriya the poet Keshav Das addresses love in all its various aspects, focusing on secret desires and their outward manifestations. Here, Radha speaks to her confidante and go-between, undoubtedly arranging a secret meeting with her lover, Krishna. Details such as the stylized flowers at the base of the building as well as the beginnings of special dep Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/radha-and-her-confidant-sit-in-an-open-room-page-from-a-dispersed-rasikapriya-culture-india-madhya-pradesh-malwa-dimensions-image-8-34-5-34-in-222-146-cm-mat-9-116-6-18-in-23-156-cm-date-ca-1680-90-in-the-rasikapriya-the-poet-keshav-das-addresses-love-in-all-its-various-aspects-focusing-on-secret-desires-and-their-outward-manifestations-here-radha-speaks-to-her-confidante-and-go-between-undoubtedly-arranging-a-secret-meeting-with-her-lover-krishna-details-such-as-the-stylized-flowers-at-the-base-of-the-building-as-well-as-the-beginnings-of-special-dep-image213198772.htmlRMPAT15T–Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya. Culture: India (Madhya Pradesh, Malwa). Dimensions: Image: 8 3/4 × 5 3/4 in. (22.2 × 14.6 cm) Mat: 9 1/16 × 6 1/8 in. (23 × 15.6 cm). Date: ca. 1680-90. In the Rasikapriya the poet Keshav Das addresses love in all its various aspects, focusing on secret desires and their outward manifestations. Here, Radha speaks to her confidante and go-between, undoubtedly arranging a secret meeting with her lover, Krishna. Details such as the stylized flowers at the base of the building as well as the beginnings of special dep
Search Results for Malwa plateau Stock Photos and Images (11)
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