RM2A2RNYT–Apis, Animals, insect, bee, Fig. 84, Fol. Lr, Apiarius, Mathias (imp.), 1536, [Hortus sanitatis oder Garth der Gesundtheyt: von den vier Geschlechten als Thier, Vögel, Vischen und edlem Gesteyn]. [Gedruckt und volendet zu Strassburg]: [durch Mathiam Apiarium], [1536
RM2DHWGTM–1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen, Isaac Weld, 1774–1856, Irish, 1817, Pen in black ink, gray ink, gray wash, graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 9 7/16 × 15 inches (24 × 38.1 cm
RM2A2WB4R–Philae: A View of the Temples from the South, David Roberts (Scottish, 1796-1864), 1839, watercolor and gouache on white paper, 8-3/4 x 12-1/2 in., signed and dated in ink, LR: D. Roberts 1834
RM2A2W1RC–Grassmere Lake and Church, Attributed to Joseph Mallord William Turner (English, 1775-1851), watercolor over pencil on off-white paper, 6-3/8 x 9 -11/16 in. (image and sheet), inscribed in pencil LR: Grassmere Lake and Church
RM2A2W72H–Still Life, Matthias Withoos (Dutch, 1627-1703), about 1670, oil on canvas, 32-11/16 x 37-13/16 in. 40-5/8 x 45-1/2 in. (framed), signed LR, European Painting and Sculpture Before 1800
RM2A2P13C–Enwurf for a middle picture with the judgment of Cambyses, feather in dark gray, remains of a preliminary drawing with black pencil, mounted, sheet: 34 x 24.7 cm |, Picture: 32.2 x 23.9 cm, U. l., monogrammed: LR [lig.], inscribed on the left: CIRVS, Ludwig Ringler, Basel 1536–1606 Basel
RM2A2W8RB–The Laundresses, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889, zincograph on canary yellow wove paper, 8-1/4 x 10-1/4 in. (image) 19-1/2 x 25-5/16 in. (sheet), signed on the plate LR: P. Gauguin, series, Dessins lithographiques (The Volpini Suite
RM2A2W8R9–Human Misery, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889, Zincograph with sanguine ink on canary yellow wove paper, 11-1/4 x 9-1/8 in. (image) 19-11/16 x 25-5/8 in. (sheet), Signed and date on the plate, (in reverse) LR: P. Gauguin 89, series, Dessins lithographiques (The Volpini Suite
RM2A2P1NN–Disc tear with two blank escutcheons (Theodor Brand, Christina Kosin), in the upper picture Esther before Ahasver, 1558, feather in brown, remains of a preliminary drawing with black pencil, verso feathers and sketch with feather in purple, sheet: 39.2, 39.9 x 30.2 cm, U. monogrammed: LR [lig.], u, ., inscribed and dated in the cartouche: THEODER BRAND, CHRISTNA KOSIN 1558., Ludwig Ringler, Basel 1536–1606 Basel
RM2A2P0CM–Disc rupture with two angels as shield attendants and the coat of arms of the Melchior von Lichtenfels, Prince-Bishop of Basel, above Angel Concerto, 1557, feather in gray-black, gray and brown washed, old mounted, sheet: 43.2 x 34 cm, U. inscribed and dated in the cartouche, : MELCHIOR OF GOD'S MERCY BISC, COURT ZV BASEL., ANNO., M.D.L.VII, u, ., r., monogrammed in the base: LR [lig.], underneath in cartouche: 57, Ludwig Ringler, Basel 1536–1606 Basel
RM2A2P0C5–Disc tear with warrior as a shield companion and the coat of arms of Beat Cold Dorneck, Vogt of Solothurn, in the Oberbild siege of a castle (Dorneck?), 1557, feather in black, gray washed, in places with pink and olive green watercolors, old laminated, page: 44.2, x 33.4 cm |, Image: 43.4 x 32.8 cm, U. r., monogrammed on the pillar: LR [lig.], u, ., in the cartouche inscribed: Batt., Cold., the ., tremble., Vogtt., too., Dorneck, ., l, ., and r., dated: 15 57, Ludwig Ringler, Basel 1536–1606 Basel
RMW53PY7–Carl Frederik von Breda, Portrait of the Actor Saint-Ange, Portrait of actor Saint-Ange, painting, portrait, 1785, oil on canvas, Height, 100 cm (39.3 inches), Width, 83 cm (32.6 inches), Påskrift, Mr the St Ange dance lr roll the crispin des Folies amoureuses, Act 1 Sc, 5 Savés vous bien, Monsieur, que jétois dance Crémone?, Original peint par C. Fr, von Breda 1785 (earliest 1812 which is the year Breda was added), On the frame, Signated, C, F, von Breda pinxit 1785
RMKC9YYR–Design for a Tureen, Anonymous, Italian, 19th century, 19th century
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