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Lost wax method Stock Photos and Images
Casting of Buddha images with lost wax method, Mandalay, Myanmar (Burma), Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-casting-of-buddha-images-with-lost-wax-method-mandalay-myanmar-burma-29055388.htmlRMBK7GCC–Casting of Buddha images with lost wax method, Mandalay, Myanmar (Burma), Asia
Small brass animals made by the lost wax method in untouchable brassmaking village, rural Orissa, India, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-small-brass-animals-made-by-the-lost-wax-method-in-untouchable-brassmaking-52561272.htmlRMD1EAC8–Small brass animals made by the lost wax method in untouchable brassmaking village, rural Orissa, India, Asia
'Zalongou' bronze sculpture (lost wax method) Height: 225cm Artist: Dirk De Keyzer in the Absolute Art Gallery in Dijver Street. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-zalongou-bronze-sculpture-lost-wax-method-height-225cm-artist-dirk-88042897.htmlRMF36KH5–'Zalongou' bronze sculpture (lost wax method) Height: 225cm Artist: Dirk De Keyzer in the Absolute Art Gallery in Dijver Street.
Bronze lost-wax method workshop; Thanjavur, Tamil Nadu, India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-lost-wax-method-workshop-thanjavur-tamil-nadu-india-image450906475.htmlRM2H5GFPK–Bronze lost-wax method workshop; Thanjavur, Tamil Nadu, India
Bronze sculpture of a Cougar carrying its cub, at the entrance to the Cougar Mountain Zoo, Issaquah. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bronze-sculpture-of-a-cougar-carrying-its-cub-at-the-entrance-to-the-27214621.htmlRMBG7MEN–Bronze sculpture of a Cougar carrying its cub, at the entrance to the Cougar Mountain Zoo, Issaquah.
Zalongou bronze sculpture (lost wax method) Height: 225cm Artist: Dirk De Keyzer in the Absolute Art Gallery in Dijver Street. Bruges. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-zalongou-bronze-sculpture-lost-wax-method-height-225cm-artist-dirk-87509818.htmlRMF2ABJJ–Zalongou bronze sculpture (lost wax method) Height: 225cm Artist: Dirk De Keyzer in the Absolute Art Gallery in Dijver Street. Bruges.
Madrid, Spain - November 10, 2017: Calaicete Censer or thymiaterion stand. 6th Century BC bronze piece from Teruel, Spain. National Archaeological Mus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madrid-spain-november-10-2017-calaicete-censer-or-thymiaterion-stand-6th-century-bc-bronze-piece-from-teruel-spain-national-archaeological-mus-image329123072.htmlRF2A3CRRC–Madrid, Spain - November 10, 2017: Calaicete Censer or thymiaterion stand. 6th Century BC bronze piece from Teruel, Spain. National Archaeological Mus
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418139756.htmlRM2F87WEM–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Bronze portrait bust of Juba II king of Numidia, frorm Volubilis in Marocco. Circa 25BC. Made by the lost wax process. Musee de l'Histoire et des Civi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-portrait-bust-of-juba-ii-king-of-numidia-frorm-volubilis-in-marocco-circa-25bc-made-by-the-lost-wax-process-musee-de-lhistoire-et-des-civi-image559554052.htmlRM2RE9TW8–Bronze portrait bust of Juba II king of Numidia, frorm Volubilis in Marocco. Circa 25BC. Made by the lost wax process. Musee de l'Histoire et des Civi
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080411.htmlRM2CCD1R7–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
The famous Muisca Raft exhibited at the Pre-Columbian Gold Museum in Bogota Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-famous-muisca-raft-exhibited-at-the-pre-columbian-gold-museum-in-bogota-image210564604.htmlRFP6G18C–The famous Muisca Raft exhibited at the Pre-Columbian Gold Museum in Bogota
Casting metal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-metal-image508200860.htmlRM2MEPFAM–Casting metal
At the Shetland Jewellery company on Shetland Isle in Scotland, two skilled craftsmen create the master patterns. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-at-the-shetland-jewellery-company-on-shetland-isle-in-scotland-two-17846163.htmlRMB10XXY–At the Shetland Jewellery company on Shetland Isle in Scotland, two skilled craftsmen create the master patterns.
Sculpture / Bust of Sir John Barbirolli (by Byron Howard), outside The Bridgewater Hall, Barbirolli Square, Manchester, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sculpture-bust-of-sir-john-barbirolli-by-byron-howard-outside-the-48135678.htmlRMCP8NFA–Sculpture / Bust of Sir John Barbirolli (by Byron Howard), outside The Bridgewater Hall, Barbirolli Square, Manchester, UK
A demonstartion on making a bronze Buddha Statue at the Golden Buddha temple museum in Chinatown, Bangkok, Thailand. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-demonstartion-on-making-a-bronze-buddha-statue-at-the-golden-buddha-temple-museum-in-chinatown-bangkok-thailand-image245599149.htmlRMT7G065–A demonstartion on making a bronze Buddha Statue at the Golden Buddha temple museum in Chinatown, Bangkok, Thailand.
Figure Pendant 10th–16th century Tairona Works in gold made by the Tairona people of the Sierra Nevada de Santa Marta in north Colombia emphasize volume and three-dimensional form. The figure shown here is part of a small group called caciques ('chieftains') because of their flamboyant, awe-inspiring appearance. Caciques range from about one to six inches in height and are among the most spectacular and detailed Precolumbian gold castings. They are hollow, having been cast by the lost-wax method in tumbaga to achieve remarkable detail. Loops in back indicate that they were worn as pendants.The Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-pendant-10th16th-century-tairona-works-in-gold-made-by-the-tairona-people-of-the-sierra-nevada-de-santa-marta-in-north-colombia-emphasize-volume-and-three-dimensional-form-the-figure-shown-here-is-part-of-a-small-group-called-caciques-chieftains-because-of-their-flamboyant-awe-inspiring-appearance-caciques-range-from-about-one-to-six-inches-in-height-and-are-among-the-most-spectacular-and-detailed-precolumbian-gold-castings-they-are-hollow-having-been-cast-by-the-lost-wax-method-in-tumbaga-to-achieve-remarkable-detail-loops-in-back-indicate-that-they-were-worn-as-pendantsthe-image458148282.htmlRM2HHACPJ–Figure Pendant 10th–16th century Tairona Works in gold made by the Tairona people of the Sierra Nevada de Santa Marta in north Colombia emphasize volume and three-dimensional form. The figure shown here is part of a small group called caciques ('chieftains') because of their flamboyant, awe-inspiring appearance. Caciques range from about one to six inches in height and are among the most spectacular and detailed Precolumbian gold castings. They are hollow, having been cast by the lost-wax method in tumbaga to achieve remarkable detail. Loops in back indicate that they were worn as pendants.The
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213934364.htmlRMPC1FD0–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Berlin. Germany. Benin Bronzes. Memorial head from the royal court palace of the Kingdom of Benin, 18th century. Berggruen Museum, Berlin, Germany. I Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/berlin-germany-benin-bronzes-memorial-head-from-the-royal-court-palace-of-the-kingdom-of-benin-18th-century-berggruen-museum-berlin-germany-i-image425060684.htmlRM2FKF56M–Berlin. Germany. Benin Bronzes. Memorial head from the royal court palace of the Kingdom of Benin, 18th century. Berggruen Museum, Berlin, Germany. I
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782622.htmlRMHA7CEP–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain.
Casting of Buddha images with lost wax method, Mandalay, Myanmar (Burma), Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-casting-of-buddha-images-with-lost-wax-method-mandalay-myanmar-burma-29055383.htmlRMBK7GC7–Casting of Buddha images with lost wax method, Mandalay, Myanmar (Burma), Asia
A bronze head, Benin/Nigeria, Bronze with red-brown patina. Hollow head with round neck base, hollow-cast by applying the lost-wax casting method. The chin and head area with numerous drill holes to attach hair ornaments or similar objects. Height 26.5 cm. Africa, African, weapon, arms, weapons, arms, fighting device, historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bronze-head-beninnigeria-bronze-with-red-brown-patina-hollow-head-with-round-neck-base-hollow-cast-by-applying-the-lost-wax-casting-method-the-chin-and-head-area-with-numerous-drill-holes-to-attach-hair-ornaments-or-similar-objects-height-265-cm-africa-african-weapon-arms-weapons-arms-fighting-device-historic-historical-additional-rights-clearance-info-not-available-image247738515.htmlRMTB1D03–A bronze head, Benin/Nigeria, Bronze with red-brown patina. Hollow head with round neck base, hollow-cast by applying the lost-wax casting method. The chin and head area with numerous drill holes to attach hair ornaments or similar objects. Height 26.5 cm. Africa, African, weapon, arms, weapons, arms, fighting device, historic, historical, Additional-Rights-Clearance-Info-Not-Available
Bronze statue Mother and child, Mali, West Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bronze-statue-mother-and-child-mali-west-africa-17009138.htmlRFAY6H2Y–Bronze statue Mother and child, Mali, West Africa
Royal couple, bronze statues, Mali, Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-couple-bronze-statues-mali-africa-12885846.htmlRMABG9BK–Royal couple, bronze statues, Mali, Africa
Bronze statue Mother and child, Mali, West Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bronze-statue-mother-and-child-mali-west-africa-17009141.htmlRFAY6H3J–Bronze statue Mother and child, Mali, West Africa
Art inspired by Vase, 1929, Glass, 7 1/8 × 4 1/2 × 4 1/2 in. (18.1 × 11.4 × 11.4 cm), Glass, This piece was made using the cire-perdue, or “lost wax,” method, more traditional to bronze sculpture but perfected by Lalique for glass. A full-scale model of the design carved in wax would, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-vase-1929-glass-7-18-4-12-4-12-in-181-114-114-cm-glass-this-piece-was-made-using-the-cire-perdue-or-lost-wax-method-more-traditional-to-bronze-sculpture-but-perfected-by-lalique-for-glass-a-full-scale-model-of-the-design-carved-in-wax-would-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462847356.htmlRF2HW0EEM–Art inspired by Vase, 1929, Glass, 7 1/8 × 4 1/2 × 4 1/2 in. (18.1 × 11.4 × 11.4 cm), Glass, This piece was made using the cire-perdue, or “lost wax,” method, more traditional to bronze sculpture but perfected by Lalique for glass. A full-scale model of the design carved in wax would, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Madrid, Spain - November 10, 2017: Calaicete Censer or thymiaterion stand. 6th Century BC bronze piece from Teruel, Spain. National Archaeological Mus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madrid-spain-november-10-2017-calaicete-censer-or-thymiaterion-stand-6th-century-bc-bronze-piece-from-teruel-spain-national-archaeological-mus-image329123079.htmlRF2A3CRRK–Madrid, Spain - November 10, 2017: Calaicete Censer or thymiaterion stand. 6th Century BC bronze piece from Teruel, Spain. National Archaeological Mus
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418140167.htmlRM2F87X1B–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Vessel stand with ibex support. Culture: Sumerian. Dimensions: H. 15 3/4 x W. 9 1/4 x D. 9 7/16 in. (40 x 23.5 x 23.9 cm). Date: ca. 2600-2350 B.C.. Temple rituals during the Early Dynastic period included making offerings of food, drink, and probably incense to the gods. This stand, with four rings supported by a magnificent ibex, would have supported lamps or bowls holding offerings or incense and may have been used in temple or in banquet rituals.<p> This stand was made by a sophisticated method of metalwork known as the lost-wax technique. The desired image was sculpted in wax and surrou Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vessel-stand-with-ibex-support-culture-sumerian-dimensions-h-15-34-x-w-9-14-x-d-9-716-in-40-x-235-x-239-cm-date-ca-2600-2350-bc-temple-rituals-during-the-early-dynastic-period-included-making-offerings-of-food-drink-and-probably-incense-to-the-gods-this-stand-with-four-rings-supported-by-a-magnificent-ibex-would-have-supported-lamps-or-bowls-holding-offerings-or-incense-and-may-have-been-used-in-temple-or-in-banquet-ritualsp-this-stand-was-made-by-a-sophisticated-method-of-metalwork-known-as-the-lost-wax-technique-the-desired-image-was-sculpted-in-wax-and-surrou-image212880424.htmlRMPA9F48–Vessel stand with ibex support. Culture: Sumerian. Dimensions: H. 15 3/4 x W. 9 1/4 x D. 9 7/16 in. (40 x 23.5 x 23.9 cm). Date: ca. 2600-2350 B.C.. Temple rituals during the Early Dynastic period included making offerings of food, drink, and probably incense to the gods. This stand, with four rings supported by a magnificent ibex, would have supported lamps or bowls holding offerings or incense and may have been used in temple or in banquet rituals.<p> This stand was made by a sophisticated method of metalwork known as the lost-wax technique. The desired image was sculpted in wax and surrou
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080485.htmlRM2CCD1WW–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
Ashanti gold mask Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ashanti-gold-mask-artist-unknown-image262775884.htmlRMW7ED90–Ashanti gold mask Artist: Unknown
Monkey General Hanuman, c. 1000. Hanuman is one of the most popular heroic figures of the epic Ramayana. In the story, he was indispensable in the search for the abducted wife of Rama, an incarnation of Vishnu. He is able to fly through the air and lift mountains, but here he is shown as a humble servant of the god. His gestures signify his humility and he bows slightly in reverence to his master. Bronzes during the Chola period spanning the 800s to 1200s were solid cast, using the lost-wax method. Each one is unique and would have been kept in the treasury of the temple until the festival day Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monkey-general-hanuman-c-1000-hanuman-is-one-of-the-most-popular-heroic-figures-of-the-epic-ramayana-in-the-story-he-was-indispensable-in-the-search-for-the-abducted-wife-of-rama-an-incarnation-of-vishnu-he-is-able-to-fly-through-the-air-and-lift-mountains-but-here-he-is-shown-as-a-humble-servant-of-the-god-his-gestures-signify-his-humility-and-he-bows-slightly-in-reverence-to-his-master-bronzes-during-the-chola-period-spanning-the-800s-to-1200s-were-solid-cast-using-the-lost-wax-method-each-one-is-unique-and-would-have-been-kept-in-the-treasury-of-the-temple-until-the-festival-day-image330107393.htmlRM2A51K9N–Monkey General Hanuman, c. 1000. Hanuman is one of the most popular heroic figures of the epic Ramayana. In the story, he was indispensable in the search for the abducted wife of Rama, an incarnation of Vishnu. He is able to fly through the air and lift mountains, but here he is shown as a humble servant of the god. His gestures signify his humility and he bows slightly in reverence to his master. Bronzes during the Chola period spanning the 800s to 1200s were solid cast, using the lost-wax method. Each one is unique and would have been kept in the treasury of the temple until the festival day
Cast bronze zebu-cow suckling her calf while a lion attacks her back, 13th century. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cast-bronze-zebu-cow-suckling-her-calf-while-a-lion-attacks-her-back-13th-century-artist-unknown-image262772676.htmlRMW7E96C–Cast bronze zebu-cow suckling her calf while a lion attacks her back, 13th century. Artist: Unknown
Sculpture / Bust of Sir John Barbirolli (by Byron Howard), outside The Bridgewater Hall, Barbirolli Square, Manchester, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sculpture-bust-of-sir-john-barbirolli-by-byron-howard-outside-the-48774181.htmlRMCR9RY1–Sculpture / Bust of Sir John Barbirolli (by Byron Howard), outside The Bridgewater Hall, Barbirolli Square, Manchester, UK
A demonstartion on making a bronze Buddha Statue at the Golden Buddha temple museum in Chinatown, Bangkok, Thailand. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-demonstartion-on-making-a-bronze-buddha-statue-at-the-golden-buddha-temple-museum-in-chinatown-bangkok-thailand-image245599147.htmlRMT7G063–A demonstartion on making a bronze Buddha Statue at the Golden Buddha temple museum in Chinatown, Bangkok, Thailand.
Bell A.D. 900–1520 Greater Chiriquí This bell, in the form of a mammal’s head, possibly a deer or canine, is made of gold or likely a gold alloy with some copper. The resonator, which is 2 cm high, comprises the head of the animal, and its mouth is indicated by the resonator’s opening. The suspension loop, which is 1.1 mm thick at its highest point and which extends from the sides of the head and projects well above it, is suggestive of the ears of the animal. Cast through the lost wax method, all of the surface details were first created in wax and then attached to the wax model that formed t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bell-ad-9001520-greater-chiriqu-this-bell-in-the-form-of-a-mammals-head-possibly-a-deer-or-canine-is-made-of-gold-or-likely-a-gold-alloy-with-some-copper-the-resonator-which-is-2-cm-high-comprises-the-head-of-the-animal-and-its-mouth-is-indicated-by-the-resonators-opening-the-suspension-loop-which-is-11-mm-thick-at-its-highest-point-and-which-extends-from-the-sides-of-the-head-and-projects-well-above-it-is-suggestive-of-the-ears-of-the-animal-cast-through-the-lost-wax-method-all-of-the-surface-details-were-first-created-in-wax-and-then-attached-to-the-wax-model-that-formed-t-image458621238.htmlRM2HJ401X–Bell A.D. 900–1520 Greater Chiriquí This bell, in the form of a mammal’s head, possibly a deer or canine, is made of gold or likely a gold alloy with some copper. The resonator, which is 2 cm high, comprises the head of the animal, and its mouth is indicated by the resonator’s opening. The suspension loop, which is 1.1 mm thick at its highest point and which extends from the sides of the head and projects well above it, is suggestive of the ears of the animal. Cast through the lost wax method, all of the surface details were first created in wax and then attached to the wax model that formed t
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213932896.htmlRMPC1DGG–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Male figure, probably 1800s. Africa, West Africa, Nigeria, Benue River Valley, Unidentified maker. Copper alloy; height: 44.7 cm (17 5/8 in.). Realized in a very distinctive style using the lost-wax method, this figure’s cultural origin and function is limited because it was removed from Nigeria during that country’s turbulent civil war of the late 1960s. Perhaps it was once part of an altar or shrine dedicated to a guardian or tutelary spirit. Connotations of prestige and wealth may explain why copper-alloy objects were diffused across vast territory and inherited over many generations. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/male-figure-probably-1800s-africa-west-africa-nigeria-benue-river-valley-unidentified-maker-copper-alloy-height-447-cm-17-58-in-realized-in-a-very-distinctive-style-using-the-lost-wax-method-this-figures-cultural-origin-and-function-is-limited-because-it-was-removed-from-nigeria-during-that-countrys-turbulent-civil-war-of-the-late-1960s-perhaps-it-was-once-part-of-an-altar-or-shrine-dedicated-to-a-guardian-or-tutelary-spirit-connotations-of-prestige-and-wealth-may-explain-why-copper-alloy-objects-were-diffused-across-vast-territory-and-inherited-over-many-generations-image448075008.htmlRM2H0YG6T–Male figure, probably 1800s. Africa, West Africa, Nigeria, Benue River Valley, Unidentified maker. Copper alloy; height: 44.7 cm (17 5/8 in.). Realized in a very distinctive style using the lost-wax method, this figure’s cultural origin and function is limited because it was removed from Nigeria during that country’s turbulent civil war of the late 1960s. Perhaps it was once part of an altar or shrine dedicated to a guardian or tutelary spirit. Connotations of prestige and wealth may explain why copper-alloy objects were diffused across vast territory and inherited over many generations.
Berlin. Germany. Benin Bronzes. Plaque from the royal court palace of the Kingdom of Benin, ca. 1600. Berggruen Museum, Berlin, Germany. NG MB 162/20 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/berlin-germany-benin-bronzes-plaque-from-the-royal-court-palace-of-the-kingdom-of-benin-ca-1600-berggruen-museum-berlin-germany-ng-mb-16220-image425060693.htmlRM2FKF571–Berlin. Germany. Benin Bronzes. Plaque from the royal court palace of the Kingdom of Benin, ca. 1600. Berggruen Museum, Berlin, Germany. NG MB 162/20
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782496.htmlRMHA7CA8–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum,
A bronze head, Benin/Nigeria, Bronze with red-brown patina. Hollow head with round neck base, hollow-cast by applying the lost-wax casting method. The chin and head area with numerous drill holes to attach hair ornaments or similar objects. Height 26.5 cm. Africa, African, weapon, arms, weapons, arms, fighting device, historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bronze-head-beninnigeria-bronze-with-red-brown-patina-hollow-head-with-round-neck-base-hollow-cast-by-applying-the-lost-wax-casting-method-the-chin-and-head-area-with-numerous-drill-holes-to-attach-hair-ornaments-or-similar-objects-height-265-cm-africa-african-weapon-arms-weapons-arms-fighting-device-historic-historical-additional-rights-clearance-info-not-available-image247738516.htmlRMTB1D04–A bronze head, Benin/Nigeria, Bronze with red-brown patina. Hollow head with round neck base, hollow-cast by applying the lost-wax casting method. The chin and head area with numerous drill holes to attach hair ornaments or similar objects. Height 26.5 cm. Africa, African, weapon, arms, weapons, arms, fighting device, historic, historical, Additional-Rights-Clearance-Info-Not-Available
Vessel stand with ibex support ca. 2600–2350 B.C. Sumerian Temple rituals during the Early Dynastic period included making offerings of food, drink, and probably incense to the gods. This stand, with four rings supported by a magnificent ibex, would have supported lamps or bowls holding offerings or incense and may have been used in temple or in banquet rituals.This stand was made by a sophisticated method of metalwork known as the lost-wax technique. The desired image was sculpted in wax and surrounded with clay that hardened into a mold when baked. When the mold was fired, the wax was melted Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vessel-stand-with-ibex-support-ca-26002350-bc-sumerian-temple-rituals-during-the-early-dynastic-period-included-making-offerings-of-food-drink-and-probably-incense-to-the-gods-this-stand-with-four-rings-supported-by-a-magnificent-ibex-would-have-supported-lamps-or-bowls-holding-offerings-or-incense-and-may-have-been-used-in-temple-or-in-banquet-ritualsthis-stand-was-made-by-a-sophisticated-method-of-metalwork-known-as-the-lost-wax-technique-the-desired-image-was-sculpted-in-wax-and-surrounded-with-clay-that-hardened-into-a-mold-when-baked-when-the-mold-was-fired-the-wax-was-melted-image457815942.htmlRM2HGR8WA–Vessel stand with ibex support ca. 2600–2350 B.C. Sumerian Temple rituals during the Early Dynastic period included making offerings of food, drink, and probably incense to the gods. This stand, with four rings supported by a magnificent ibex, would have supported lamps or bowls holding offerings or incense and may have been used in temple or in banquet rituals.This stand was made by a sophisticated method of metalwork known as the lost-wax technique. The desired image was sculpted in wax and surrounded with clay that hardened into a mold when baked. When the mold was fired, the wax was melted
Royal couple, bronze statues, Mali, Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-couple-bronze-statues-mali-africa-13089607.htmlRMAC9YRM–Royal couple, bronze statues, Mali, Africa
Pendant, 1900s. Africa, West Africa, Côte d'Ivoire, probably Baule-style goldsmith. Gold; overall: 3.6 x 7.7 cm (1 7/16 x 3 1/16 in.). Gold objects, always cast using the lost-wax method, are the only Baule art forms associated with ancestor spirits. Usually hidden in pots or suitcases, gold adornments are displayed on important occasions such as funerals. They are laid out around the corpse before burial. A widow will wear them on a chain around her neck or attached to her hair at the ceremony signaling the end of mourning. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pendant-1900s-africa-west-africa-cte-divoire-probably-baule-style-goldsmith-gold-overall-36-x-77-cm-1-716-x-3-116-in-gold-objects-always-cast-using-the-lost-wax-method-are-the-only-baule-art-forms-associated-with-ancestor-spirits-usually-hidden-in-pots-or-suitcases-gold-adornments-are-displayed-on-important-occasions-such-as-funerals-they-are-laid-out-around-the-corpse-before-burial-a-widow-will-wear-them-on-a-chain-around-her-neck-or-attached-to-her-hair-at-the-ceremony-signaling-the-end-of-mourning-image448105426.htmlRM2H10Y16–Pendant, 1900s. Africa, West Africa, Côte d'Ivoire, probably Baule-style goldsmith. Gold; overall: 3.6 x 7.7 cm (1 7/16 x 3 1/16 in.). Gold objects, always cast using the lost-wax method, are the only Baule art forms associated with ancestor spirits. Usually hidden in pots or suitcases, gold adornments are displayed on important occasions such as funerals. They are laid out around the corpse before burial. A widow will wear them on a chain around her neck or attached to her hair at the ceremony signaling the end of mourning.
Royal couple, bronze statues, Mali, Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-couple-bronze-statues-mali-africa-13089606.htmlRMAC9YRK–Royal couple, bronze statues, Mali, Africa
Vase, 1929, Glass, 7 1/8 × 4 1/2 × 4 1/2 in. (18.1 × 11.4 × 11.4 cm), Glass, This piece was made using the cire-perdue Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-vase-1929-glass-7-18-4-12-4-12-in-181-114-114-cm-glass-this-piece-162449695.htmlRMKC866R–Vase, 1929, Glass, 7 1/8 × 4 1/2 × 4 1/2 in. (18.1 × 11.4 × 11.4 cm), Glass, This piece was made using the cire-perdue
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418139930.htmlRM2F87WMX–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-waxwork-mould-of-an-equestrian-statue-section-before-casting-moule-13034914.htmlRMAC451R–A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée.
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080403.htmlRM2CCD1PY–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
Aquamanile, cast bronze Persian (Khurusan) animal statue, 1206. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aquamanile-cast-bronze-persian-khurusan-animal-statue-1206-artist-unknown-image186098712.htmlRMMPNEPG–Aquamanile, cast bronze Persian (Khurusan) animal statue, 1206. Artist: Unknown.
Bodhisattva, 700s. This rare image survives from the early phase of Buddhist sculpture in Southeast Asia. Made in what is known as the Pra Kon Chai style, it has the characteristic sensitive expression, slender physique, and looped locks of hair. The broken limbs reveal the clay core over which the bronze was cast using the lost-wax method. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bodhisattva-700s-this-rare-image-survives-from-the-early-phase-of-buddhist-sculpture-in-southeast-asia-made-in-what-is-known-as-the-pra-kon-chai-style-it-has-the-characteristic-sensitive-expression-slender-physique-and-looped-locks-of-hair-the-broken-limbs-reveal-the-clay-core-over-which-the-bronze-was-cast-using-the-lost-wax-method-image330078175.htmlRM2A50A27–Bodhisattva, 700s. This rare image survives from the early phase of Buddhist sculpture in Southeast Asia. Made in what is known as the Pra Kon Chai style, it has the characteristic sensitive expression, slender physique, and looped locks of hair. The broken limbs reveal the clay core over which the bronze was cast using the lost-wax method.
A demonstartion on making a bronze Buddha Statue at the Golden Buddha temple museum in Chinatown, Bangkok, Thailand. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-demonstartion-on-making-a-bronze-buddha-statue-at-the-golden-buddha-temple-museum-in-chinatown-bangkok-thailand-image245599150.htmlRMT7G066–A demonstartion on making a bronze Buddha Statue at the Golden Buddha temple museum in Chinatown, Bangkok, Thailand.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213934412.htmlRMPC1FEM–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782520.htmlRMHA7CB4–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum,
Pendant: Face, 1900s. Africa, West Africa, Côte d'Ivoire, possibly Baule-style goldsmith. Gold; overall: 7.6 x 5 cm (3 x 1 15/16 in.). Cast using the lost-wax method, gold objects are the only Baule art forms associated with ancestral spirits. Usually stored in suitcases or pots, a collection of gold adornments (aja) are displayed on important occasions such as funerals. They are laid out around the corpse before burial as a sign of respect and their family's wealth. Faces such as this pendant are said to be idealized portraits of friends or lovers. This depiction of a man has a beard and ela Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pendant-face-1900s-africa-west-africa-cte-divoire-possibly-baule-style-goldsmith-gold-overall-76-x-5-cm-3-x-1-1516-in-cast-using-the-lost-wax-method-gold-objects-are-the-only-baule-art-forms-associated-with-ancestral-spirits-usually-stored-in-suitcases-or-pots-a-collection-of-gold-adornments-aja-are-displayed-on-important-occasions-such-as-funerals-they-are-laid-out-around-the-corpse-before-burial-as-a-sign-of-respect-and-their-familys-wealth-faces-such-as-this-pendant-are-said-to-be-idealized-portraits-of-friends-or-lovers-this-depiction-of-a-man-has-a-beard-and-ela-image448061498.htmlRM2H0XY0A–Pendant: Face, 1900s. Africa, West Africa, Côte d'Ivoire, possibly Baule-style goldsmith. Gold; overall: 7.6 x 5 cm (3 x 1 15/16 in.). Cast using the lost-wax method, gold objects are the only Baule art forms associated with ancestral spirits. Usually stored in suitcases or pots, a collection of gold adornments (aja) are displayed on important occasions such as funerals. They are laid out around the corpse before burial as a sign of respect and their family's wealth. Faces such as this pendant are said to be idealized portraits of friends or lovers. This depiction of a man has a beard and ela
Royal couple, bronze statues, Mali, Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-couple-bronze-statues-mali-africa-12885843.htmlRMABG9BG–Royal couple, bronze statues, Mali, Africa
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418139526.htmlRM2F87W6E–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Bronze statue, West Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bronze-statue-west-africa-13089713.htmlRMACA04J–Bronze statue, West Africa
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080498.htmlRM2CCD1XA–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-waxwork-mould-of-an-equestrian-statue-section-before-casting-moule-13034913.htmlRMAC451P–A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée.
![Mirror with a Coiling Dragon, 700s. Cast in high-tin and low-lead bronze by the lost wax method, this mirror has a dark and lustrous patina known as heiqigu (literally, "black lacquer antique"). It bears a design of a coiling dragon among trailing clouds. With a small, elongated head connecting to an S-curve of the neck that is as sinuous as the body and tail, the dragon of the Tang period is unique among others. Stock Photo](https://c8.alamy.com/comp/2A51JC7/mirror-with-a-coiling-dragon-700s-cast-in-high-tin-and-low-lead-bronze-by-the-lost-wax-method-this-mirror-has-a-dark-and-lustrous-patina-known-as-heiqigu-literally-quotblack-lacquer-antiquequot-it-bears-a-design-of-a-coiling-dragon-among-trailing-clouds-with-a-small-elongated-head-connecting-to-an-s-curve-of-the-neck-that-is-as-sinuous-as-the-body-and-tail-the-dragon-of-the-tang-period-is-unique-among-others-2A51JC7.jpg "Mirror with a Coiling Dragon, 700s. Cast in high-tin and low-lead bronze by the lost wax method, this mirror has a dark and lustrous patina known as heiqigu (literally, "black lacquer antique"). It bears a design of a coiling dragon among trailing clouds. With a small, elongated head connecting to an S-curve of the neck that is as sinuous as the body and tail, the dragon of the Tang period is unique among others. Stock Photo")
Mirror with a Coiling Dragon, 700s. Cast in high-tin and low-lead bronze by the lost wax method, this mirror has a dark and lustrous patina known as heiqigu (literally, "black lacquer antique"). It bears a design of a coiling dragon among trailing clouds. With a small, elongated head connecting to an S-curve of the neck that is as sinuous as the body and tail, the dragon of the Tang period is unique among others. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mirror-with-a-coiling-dragon-700s-cast-in-high-tin-and-low-lead-bronze-by-the-lost-wax-method-this-mirror-has-a-dark-and-lustrous-patina-known-as-heiqigu-literally-quotblack-lacquer-antiquequot-it-bears-a-design-of-a-coiling-dragon-among-trailing-clouds-with-a-small-elongated-head-connecting-to-an-s-curve-of-the-neck-that-is-as-sinuous-as-the-body-and-tail-the-dragon-of-the-tang-period-is-unique-among-others-image330106679.htmlRM2A51JC7–Mirror with a Coiling Dragon, 700s. Cast in high-tin and low-lead bronze by the lost wax method, this mirror has a dark and lustrous patina known as heiqigu (literally, "black lacquer antique"). It bears a design of a coiling dragon among trailing clouds. With a small, elongated head connecting to an S-curve of the neck that is as sinuous as the body and tail, the dragon of the Tang period is unique among others.
A demonstartion on making a bronze Buddha Statue at the Golden Buddha temple museum in Chinatown, Bangkok, Thailand. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-demonstartion-on-making-a-bronze-buddha-statue-at-the-golden-buddha-temple-museum-in-chinatown-bangkok-thailand-image245599157.htmlRMT7G06D–A demonstartion on making a bronze Buddha Statue at the Golden Buddha temple museum in Chinatown, Bangkok, Thailand.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213984431.htmlRMPC3R93–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca,Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782589.htmlRMHA7CDH–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca,Spain.
Pendant: Face in Crescent, 1900s. Africa, West Africa, Côte d'Ivoire, probably Baule-style goldsmith. Gold; overall: 7 x 7.4 cm (2 3/4 x 2 15/16 in.). Gold objects, always cast using the lost-wax method, are the only Baule art forms associated with ancestor spirits. Usually hidden in pots or suitcases, gold adornments are displayed on important occasions such as funerals. They are laid out around the corpse before burial. A widow will wear them on a chain around her neck or attached to her hair at the ceremony signaling the end of mourning. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pendant-face-in-crescent-1900s-africa-west-africa-cte-divoire-probably-baule-style-goldsmith-gold-overall-7-x-74-cm-2-34-x-2-1516-in-gold-objects-always-cast-using-the-lost-wax-method-are-the-only-baule-art-forms-associated-with-ancestor-spirits-usually-hidden-in-pots-or-suitcases-gold-adornments-are-displayed-on-important-occasions-such-as-funerals-they-are-laid-out-around-the-corpse-before-burial-a-widow-will-wear-them-on-a-chain-around-her-neck-or-attached-to-her-hair-at-the-ceremony-signaling-the-end-of-mourning-image448099164.htmlRM2H10K1G–Pendant: Face in Crescent, 1900s. Africa, West Africa, Côte d'Ivoire, probably Baule-style goldsmith. Gold; overall: 7 x 7.4 cm (2 3/4 x 2 15/16 in.). Gold objects, always cast using the lost-wax method, are the only Baule art forms associated with ancestor spirits. Usually hidden in pots or suitcases, gold adornments are displayed on important occasions such as funerals. They are laid out around the corpse before burial. A widow will wear them on a chain around her neck or attached to her hair at the ceremony signaling the end of mourning.
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image383481765.htmlRM2D7W2W9–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Bronze statue, West Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bronze-statue-west-africa-13089715.htmlRMACA04M–Bronze statue, West Africa
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080480.htmlRM2CCD1WM–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
Royal couple, bronze statues, Mali, Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-couple-bronze-statues-mali-africa-15119845.htmlRMAM1P5X–Royal couple, bronze statues, Mali, Africa
A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-waxwork-mould-of-an-equestrian-statue-section-before-casting-moule-13034915.htmlRMAC451T–A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures-part of the Landscape, Evoluti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-part-of-the-landscape-evoluti-image213875930.htmlRMPBXTX2–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures-part of the Landscape, Evoluti
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain.Talaiotic. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782549.htmlRMHA7CC5–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain.Talaiotic.
Pendant: Face in Diamond, 1900s. Africa, West Africa, Côte d'Ivoire, probably Baule-style goldsmith. Gold; overall: 9.2 x 8.9 cm (3 5/8 x 3 1/2 in.). These pendants were cast in gold using the lost-wax method. Gold objects are the only Baule art forms associated with ancestor spirits. Usually hidden in pots or suitcases, gold adornments are displayed on important occasions such as funerals. They are laid out around the corpse before burial. A widow will wear them on a chain around her neck or attached to her hair at the ceremony signaling the end of mourning. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pendant-face-in-diamond-1900s-africa-west-africa-cte-divoire-probably-baule-style-goldsmith-gold-overall-92-x-89-cm-3-58-x-3-12-in-these-pendants-were-cast-in-gold-using-the-lost-wax-method-gold-objects-are-the-only-baule-art-forms-associated-with-ancestor-spirits-usually-hidden-in-pots-or-suitcases-gold-adornments-are-displayed-on-important-occasions-such-as-funerals-they-are-laid-out-around-the-corpse-before-burial-a-widow-will-wear-them-on-a-chain-around-her-neck-or-attached-to-her-hair-at-the-ceremony-signaling-the-end-of-mourning-image448105523.htmlRM2H10Y4K–Pendant: Face in Diamond, 1900s. Africa, West Africa, Côte d'Ivoire, probably Baule-style goldsmith. Gold; overall: 9.2 x 8.9 cm (3 5/8 x 3 1/2 in.). These pendants were cast in gold using the lost-wax method. Gold objects are the only Baule art forms associated with ancestor spirits. Usually hidden in pots or suitcases, gold adornments are displayed on important occasions such as funerals. They are laid out around the corpse before burial. A widow will wear them on a chain around her neck or attached to her hair at the ceremony signaling the end of mourning.
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418139412.htmlRM2F87W2C–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080481.htmlRM2CCD1WN–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-waxwork-mould-of-an-equestrian-statue-section-before-casting-moule-13034916.htmlRMAC451W–A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213932850.htmlRMPC1DEX–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782635.htmlRMHA7CF7–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum,
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418140571.htmlRM2F87XFR–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080489.htmlRM2CCD1X1–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-waxwork-mould-of-an-equestrian-statue-section-before-casting-moule-13034897.htmlRMAC450J–A waxwork mould of an equestrian statue section before casting. Moule en cire d'une portion de statue équestre avant coulée.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213933122.htmlRMPC1DTJ–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782570.htmlRMHA7CCX–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain.
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418140677.htmlRM2F87XKH–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080479.htmlRM2CCD1WK–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213933413.htmlRMPC1E71–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782527.htmlRMHA7CBB–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. ,
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418140389.htmlRM2F87X99–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080387.htmlRM2CCD1PB–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213875894.htmlRMPBXTTP–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782610.htmlRMHA7CEA–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain.
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418140785.htmlRM2F87XRD–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080394.htmlRM2CCD1PJ–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213933088.htmlRMPC1DRC–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782501.htmlRMHA7CAD–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum,
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418140032.htmlRM2F87WTG–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080393.htmlRM2CCD1PH–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laurence-edwards-launches-his-sculpture-exhibition-at-mary-place-gallery-sydney-a-varied-selection-of-bronzed-figures-image213933622.htmlRMPC1EEE–Laurence Edwards launches his sculpture exhibition at Mary Place Gallery, Sydney. A varied selection of bronzed figures.
Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bulls-from-costitx-500-bc-200-bc-iron-age-material-bronze-shrine-of-126782537.htmlRMHA7CBN–Bulls from Costitx. 500 BC-200 BC. Iron age. Material: bronze. Shrine of Predio de Son Corro, Costitx, Majorca, Spain. National Archaeological Museum,
London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-benin-bronzes-on-display-at-the-british-museum-brass-plaques-from-the-royal-court-palace-of-the-kingdom-of-benin-16-17th-century-image418140239.htmlRM2F87X3Y–London. England. Benin Bronzes on display at the British Museum, brass plaques from the royal court palace of the Kingdom of Benin, 16-17th century.
Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casting-the-bronze-in-small-foundry-sequence-of-images-shows-completely-casting-process-from-melting-ingots-to-breaking-ceramic-shell-of-a-sculpture-image369080381.htmlRM2CCD1P5–Casting the Bronze in small foundry. Sequence of images shows completely casting process from melting ingots to breaking ceramic shell of a sculpture.
Search Results for Lost wax method Stock Photos and Images (122)
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