Lithograph on gray laid paper Stock Photos and Images
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Lithograph on gray laid paper Stock Photos and Images
Old Cottages, William Henry Pyne, 1769–1843, British, 1806, Lithograph on gray laid paper, Sheet: 7 1/2 x 10 7/8in. (19.1 x 27.6cm) and Plate: 7 1/2 x 10 7/8 inches (19.1 x 27.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-cottages-william-henry-pyne-17691843-british-1806-lithograph-on-gray-laid-paper-sheet-7-12-x-10-78in-191-x-276cm-and-plate-7-12-x-10-78-inches-191-x-276-cm-image389749768.htmlRM2DJ2HPG–Old Cottages, William Henry Pyne, 1769–1843, British, 1806, Lithograph on gray laid paper, Sheet: 7 1/2 x 10 7/8in. (19.1 x 27.6cm) and Plate: 7 1/2 x 10 7/8 inches (19.1 x 27.6 cm
Eduard Strohling, German, 1768–after 1826, German, Bacchus and Ariadne. Lithograph on gray laid paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eduard-strohling-german-1768after-1826-german-bacchus-and-ariadne-lithograph-on-gray-laid-paper-image398352095.htmlRM2E42E4F–Eduard Strohling, German, 1768–after 1826, German, Bacchus and Ariadne. Lithograph on gray laid paper.
The Miraculous Draught of Fishes, 1883, Rodolphe Bresdin, French, 1825-1885, France, Lithograph on gray chine laid down on ivory wove paper, 482 × 310 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-miraculous-draught-of-fishes-1883-rodolphe-bresdin-french-1825-1885-france-lithograph-on-gray-chine-laid-down-on-ivory-wove-paper-482-310-mm-image328625636.htmlRM2A2J59T–The Miraculous Draught of Fishes, 1883, Rodolphe Bresdin, French, 1825-1885, France, Lithograph on gray chine laid down on ivory wove paper, 482 × 310 mm
William Henry Pyne, 1769–1843, British, Old Cottages, 1806. Lithograph on gray laid paper. Public Domain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-henry-pyne-17691843-british-old-cottages-1806-lithograph-on-gray-laid-paper-public-domain-image398457360.htmlRM2E478C0–William Henry Pyne, 1769–1843, British, Old Cottages, 1806. Lithograph on gray laid paper. Public Domain
Art inspired by Stéphane Mallarmé, 1892, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in gray-black ink on ivory laid paper, Image: 3 13/16 × 2 3/4 in. (9.7 × 7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-stphane-mallarm-1892-transfer-lithograph-drawn-on-thin-transparent-transfer-paper-only-state-chicago-printed-in-gray-black-ink-on-ivory-laid-paper-image-3-1316-2-34-in-97-7-cm-prints-james-mcneill-whistler-american-lowell-massachusetts-1834-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801895.htmlRF2HTXCF3–Art inspired by Stéphane Mallarmé, 1892, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in gray-black ink on ivory laid paper, Image: 3 13/16 × 2 3/4 in. (9.7 × 7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
La Rue de la Vieille Lanterne: The Suicide of Gérard de Nerval. Gustave Doré; French, 1832-1883. Date: 1855. Dimensions: 502 × 343 mm (image/chine); 576 × 400 mm (sheet). Lithograph in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-rue-de-la-vieille-lanterne-the-suicide-of-grard-de-nerval-gustave-dor-french-1832-1883-date-1855-dimensions-502-343-mm-imagechine-576-400-mm-sheet-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-origin-france-museum-the-chicago-art-institute-image240168048.htmlRMRXMGP8–La Rue de la Vieille Lanterne: The Suicide of Gérard de Nerval. Gustave Doré; French, 1832-1883. Date: 1855. Dimensions: 502 × 343 mm (image/chine); 576 × 400 mm (sheet). Lithograph in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute.
Inspired by Elsie, Emma and Marjorie, Second Stone, George Wesley Bellows, American, 1882-1925, Lithograph on thin gray China paper, 1921, Sheet: 13 x 15 9/16 in., 33 x 39.5 cm, 1921, 20th Century, American, american art, Bellows, Chair, Elsie, Elsie, Emma and Majorie, Second Stone, Emma, females, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-elsie-emma-and-marjorie-second-stone-george-wesley-bellows-american-1882-1925-lithograph-on-thin-gray-china-paper-1921-sheet-13-x-15-916-in-33-x-395-cm-1921-20th-century-american-american-art-bellows-chair-elsie-elsie-emma-and-majorie-second-stone-emma-females-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459250938.htmlRF2HK4K76–Inspired by Elsie, Emma and Marjorie, Second Stone, George Wesley Bellows, American, 1882-1925, Lithograph on thin gray China paper, 1921, Sheet: 13 x 15 9/16 in., 33 x 39.5 cm, 1921, 20th Century, American, american art, Bellows, Chair, Elsie, Elsie, Emma and Majorie, Second Stone, Emma, females, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Lithograph in black on light gray China paper laid down on white wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-image381537761.htmlRM2D4MF8H–Lithograph in black on light gray China paper laid down on white wove paper
Henri Fantin-Latour. Liberty. 1890. France. Lithograph in black on gray laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-fantin-latour-liberty-1890-france-lithograph-in-black-on-gray-laid-paper-image337971136.htmlRM2AHRWHM–Henri Fantin-Latour. Liberty. 1890. France. Lithograph in black on gray laid paper
Lithograph in black on gray laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lithograph-in-black-on-gray-laid-paper-image384037574.htmlRM2D8PBRJ–Lithograph in black on gray laid paper
Women gathering wood. Max Liebermann (Germany, Berlin, 1847-1935). Germany, 1898. Prints; lithographs. Lithograph printed in bluish gray on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/women-gathering-wood-max-liebermann-germany-berlin-1847-1935-germany-1898-prints-lithographs-lithograph-printed-in-bluish-gray-on-laid-paper-image464735535.htmlRM2J02EWK–Women gathering wood. Max Liebermann (Germany, Berlin, 1847-1935). Germany, 1898. Prints; lithographs. Lithograph printed in bluish gray on laid paper
Transfer lithograph in gray-black on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/transfer-lithograph-in-gray-black-on-ivory-laid-paper-image387505044.htmlRM2DECAHT–Transfer lithograph in gray-black on ivory laid paper
Henri de Toulouse-Lautrec, The Englishman at the Moulin Rouge, 1892, lithograph printed in green, gray, blue, orange red, yellow, and black on cream laid paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-de-toulouse-lautrec-the-englishman-at-the-moulin-rouge-1892-lithograph-printed-in-green-gray-blue-orange-red-yellow-and-black-on-cream-laid-paper-image537510083.htmlRM2P6DKGK–Henri de Toulouse-Lautrec, The Englishman at the Moulin Rouge, 1892, lithograph printed in green, gray, blue, orange red, yellow, and black on cream laid paper.
Aidat Lake. Eugene Isabey (French, Paris 1803-1886 Lagny) Date: 1831. Lithograph in black on light gray chine collй laid down on ivory wove paper; onl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aidat-lake-eugene-isabey-french-paris-1803-1886-lagny-date-1831-lithograph-in-black-on-light-gray-chine-coll-laid-down-on-ivory-wove-paper-onl-image574040129.htmlRF2T9WP15–Aidat Lake. Eugene Isabey (French, Paris 1803-1886 Lagny) Date: 1831. Lithograph in black on light gray chine collй laid down on ivory wove paper; onl
Ash and Alder on the Greta, from The Park and the Forest, 1841. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ash-and-alder-on-the-greta-from-the-park-and-the-forest-1841-image457043181.htmlRM2HFG36N–Ash and Alder on the Greta, from The Park and the Forest, 1841.
Bacchus and Ariadne by Peter Edward Stroehling Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bacchus-and-ariadne-by-peter-edward-stroehling-image559702223.htmlRM2REGHW3–Bacchus and Ariadne by Peter Edward Stroehling
Liberty, 1890, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on gray laid paper, 222 × 153 mm (image), 282 × 216 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liberty-1890-henri-fantin-latour-french-1836-1904-france-lithograph-in-black-on-gray-laid-paper-222-153-mm-image-282-216-mm-sheet-image328632766.htmlRM2A2JECE–Liberty, 1890, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on gray laid paper, 222 × 153 mm (image), 282 × 216 mm (sheet
The Miraculous Draught of Fishes. Rodolphe Bresdin; French, 1825-1885. Date: 1883. Dimensions: 482 × 310 mm. Lithograph on gray chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-miraculous-draught-of-fishes-rodolphe-bresdin-french-1825-1885-date-1883-dimensions-482-310-mm-lithograph-on-gray-chine-laid-down-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image239923168.htmlRMRX9CCG–The Miraculous Draught of Fishes. Rodolphe Bresdin; French, 1825-1885. Date: 1883. Dimensions: 482 × 310 mm. Lithograph on gray chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Art inspired by Elsie, Emma and Marjorie, Second Stone, George Wesley Bellows, American, 1882-1925, Lithograph on thin gray China paper, 1921, Sheet: 13 x 15 9/16 in., 33 x 39.5 cm, 1921, 20th Century, American, american art, Bellows, Chair, Elsie, Elsie, Emma and Majorie, Second Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-elsie-emma-and-marjorie-second-stone-george-wesley-bellows-american-1882-1925-lithograph-on-thin-gray-china-paper-1921-sheet-13-x-15-916-in-33-x-395-cm-1921-20th-century-american-american-art-bellows-chair-elsie-elsie-emma-and-majorie-second-stone-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567121.htmlRF2HKK2FD–Art inspired by Elsie, Emma and Marjorie, Second Stone, George Wesley Bellows, American, 1882-1925, Lithograph on thin gray China paper, 1921, Sheet: 13 x 15 9/16 in., 33 x 39.5 cm, 1921, 20th Century, American, american art, Bellows, Chair, Elsie, Elsie, Emma and Majorie, Second Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Red House, Paimpol, 1893, Transfer lithograph with scraping, drawn on fine-grained transfer paper (keystone) and thin, transparent transfer paper (color stones);listed as third state of three (Chicago), actually an unrecorded fifth state; printed in black, gray and red, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-red-house-paimpol-1893-transfer-lithograph-with-scraping-drawn-on-fine-grained-transfer-paper-keystone-and-thin-transparent-transfer-paper-color-stoneslisted-as-third-state-of-three-chicago-actually-an-unrecorded-fifth-state-printed-in-black-gray-and-red-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806312.htmlRF2HTXJ4T–Art inspired by Red House, Paimpol, 1893, Transfer lithograph with scraping, drawn on fine-grained transfer paper (keystone) and thin, transparent transfer paper (color stones);listed as third state of three (Chicago), actually an unrecorded fifth state; printed in black, gray and red, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
True Love (Valentine). 1835–1845. England. Lithograph with hand-coloring on purple-gray laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/true-love-valentine-18351845-england-lithograph-with-hand-coloring-on-purple-gray-laid-paper-image337989040.htmlRM2AHTMD4–True Love (Valentine). 1835–1845. England. Lithograph with hand-coloring on purple-gray laid paper
The Miraculous Draught of Fishes, 1883, Rodolphe Bresdin, French, 1825-1885, France, Lithograph on gray chine laid down on ivory wove paper, 482 × 310 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-miraculous-draught-of-fishes-1883-rodolphe-bresdin-french-1825-1885-france-lithograph-on-gray-chine-laid-down-on-ivory-wove-paper-482-310-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349686555.htmlRF2B8WGNF–The Miraculous Draught of Fishes, 1883, Rodolphe Bresdin, French, 1825-1885, France, Lithograph on gray chine laid down on ivory wove paper, 482 × 310 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Lithograph in black on gray chine laid down on ivory wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lithograph-in-black-on-gray-chine-laid-down-on-ivory-wove-paper-image387504700.htmlRM2DECA5G–Lithograph in black on gray chine laid down on ivory wove paper
Paul Cézanne, The Bathers: Large Plate, 1898, lithograph printed in black, green, yellow-green, orange, gray, blue, and purple-blue on cream laid paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-czanne-the-bathers-large-plate-1898-lithograph-printed-in-black-green-yellow-green-orange-gray-blue-and-purple-blue-on-cream-laid-paper-image537497373.htmlRM2P6D3AN–Paul Cézanne, The Bathers: Large Plate, 1898, lithograph printed in black, green, yellow-green, orange, gray, blue, and purple-blue on cream laid paper.
Young Woman from the Latin Quarter, 1897. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-from-the-latin-quarter-1897-image462414187.htmlRM2HT8P0B–Young Woman from the Latin Quarter, 1897.
Old Cottages 1806 by William Henry Pyne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-cottages-1806-by-william-henry-pyne-image559652482.htmlRM2REEACJ–Old Cottages 1806 by William Henry Pyne
Love Poems, first plate, 1880, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in gray on ivory laid paper, 445 × 362 mm (image), 687 × 511 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/love-poems-first-plate-1880-henri-fantin-latour-french-1836-1904-france-lithograph-in-gray-on-ivory-laid-paper-445-362-mm-image-687-511-mm-sheet-image328632728.htmlRM2A2JEB4–Love Poems, first plate, 1880, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in gray on ivory laid paper, 445 × 362 mm (image), 687 × 511 mm (sheet
Liberty. Henri Fantin-Latour; French, 1836-1904. Date: 1890. Dimensions: 222 × 153 mm (image); 282 × 216 mm (sheet). Lithograph in black on gray laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liberty-henri-fantin-latour-french-1836-1904-date-1890-dimensions-222-153-mm-image-282-216-mm-sheet-lithograph-in-black-on-gray-laid-paper-origin-france-museum-the-chicago-art-institute-image239919109.htmlRMRX977H–Liberty. Henri Fantin-Latour; French, 1836-1904. Date: 1890. Dimensions: 222 × 153 mm (image); 282 × 216 mm (sheet). Lithograph in black on gray laid paper. Origin: France. Museum: The Chicago Art Institute.
Henri Fantin-Latour. Love Poems, first plate. 1880. France. Lithograph in gray on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-fantin-latour-love-poems-first-plate-1880-france-lithograph-in-gray-on-ivory-laid-paper-image337971025.htmlRM2AHRWDN–Henri Fantin-Latour. Love Poems, first plate. 1880. France. Lithograph in gray on ivory laid paper
Liberty, 1890, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on gray laid paper, 222 × 153 mm (image), 282 × 216 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liberty-1890-henri-fantin-latour-french-1836-1904-france-lithograph-in-black-on-gray-laid-paper-222-153-mm-image-282-216-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349697434.htmlRF2B8X2J2–Liberty, 1890, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on gray laid paper, 222 × 153 mm (image), 282 × 216 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Transfer lithograph in gray-black on grayish ivory wove paper; laid down on off-white plate paper (chine collé) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/transfer-lithograph-in-gray-black-on-grayish-ivory-wove-paper-laid-down-on-off-white-plate-paper-chine-coll-image387504861.htmlRM2DECAB9–Transfer lithograph in gray-black on grayish ivory wove paper; laid down on off-white plate paper (chine collé)
Pierre-Auguste Renoir, Pinning the Hat: Second Plate, c. 1898, lithograph printed in black, gray, orange, green, mustard, rust, and pink on cream laid paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-auguste-renoir-pinning-the-hat-second-plate-c-1898-lithograph-printed-in-black-gray-orange-green-mustard-rust-and-pink-on-cream-laid-paper-image537499936.htmlRM2P6D6J8–Pierre-Auguste Renoir, Pinning the Hat: Second Plate, c. 1898, lithograph printed in black, gray, orange, green, mustard, rust, and pink on cream laid paper.
Medium: Transfer lithograph; with scraping; from six stones in black (keystone); greenish gray; brown; green; yellow; and gray on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medium-transfer-lithograph-with-scraping-from-six-stones-in-black-keystone-greenish-gray-brown-green-yellow-and-gray-on-ivory-laid-paper-image387502680.htmlRM2DEC7HC–Medium: Transfer lithograph; with scraping; from six stones in black (keystone); greenish gray; brown; green; yellow; and gray on ivory laid paper
Hungarian Children Going to School, 1838. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hungarian-children-going-to-school-1838-image462404486.htmlRM2HT89HX–Hungarian Children Going to School, 1838.
Shepherd with Dog and Sheep 1806 by John Boyne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shepherd-with-dog-and-sheep-1806-by-john-boyne-image559678638.htmlRM2REFFPP–Shepherd with Dog and Sheep 1806 by John Boyne
Stéphane Mallarmé, 1892, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in gray-black on ivory laid paper, 97 x 70 mm (image), 169 x 137 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stphane-mallarm-1892-james-mcneill-whistler-american-1834-1903-united-states-transfer-lithograph-in-gray-black-on-ivory-laid-paper-97-x-70-mm-image-169-x-137-mm-sheet-image328634910.htmlRM2A2JH52–Stéphane Mallarmé, 1892, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in gray-black on ivory laid paper, 97 x 70 mm (image), 169 x 137 mm (sheet
Love Poems, first plate. Henri Fantin-Latour; French, 1836-1904. Date: 1880. Dimensions: 445 × 362 mm (image); 687 × 511 mm (sheet). Lithograph in gray on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/love-poems-first-plate-henri-fantin-latour-french-1836-1904-date-1880-dimensions-445-362-mm-image-687-511-mm-sheet-lithograph-in-gray-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image239908465.htmlRMRX8NKD–Love Poems, first plate. Henri Fantin-Latour; French, 1836-1904. Date: 1880. Dimensions: 445 × 362 mm (image); 687 × 511 mm (sheet). Lithograph in gray on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
James McNeill Whistler. Stéphane Mallarmé. 1892. United States. Transfer lithograph in gray-black on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-mcneill-whistler-stphane-mallarm-1892-united-states-transfer-lithograph-in-gray-black-on-ivory-laid-paper-image337975820.htmlRM2AHT3H0–James McNeill Whistler. Stéphane Mallarmé. 1892. United States. Transfer lithograph in gray-black on ivory laid paper
Love Poems, first plate, 1880, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in gray on ivory laid paper, 445 × 362 mm (image), 687 × 511 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/love-poems-first-plate-1880-henri-fantin-latour-french-1836-1904-france-lithograph-in-gray-on-ivory-laid-paper-445-362-mm-image-687-511-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349697398.htmlRF2B8X2GP–Love Poems, first plate, 1880, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in gray on ivory laid paper, 445 × 362 mm (image), 687 × 511 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Robert Hills, 1769–1844, British, Cattle Resting, 1807. Lithograph on moderately thick, moderately textured, gray laid paper. animal art , bushes , cattle , cows , fences , grass , livestock , trees , woods Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-hills-17691844-british-cattle-resting-1807-lithograph-on-moderately-thick-moderately-textured-gray-laid-paper-animal-art-bushes-cattle-cows-fences-grass-livestock-trees-woods-image398458807.htmlRM2E47A7K–Robert Hills, 1769–1844, British, Cattle Resting, 1807. Lithograph on moderately thick, moderately textured, gray laid paper. animal art , bushes , cattle , cows , fences , grass , livestock , trees , woods
Medium: Transfer lithograph; with scraping; from six stones; in black (keystone); greenish gray; brown; light blue; yellow; and gray inks on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medium-transfer-lithograph-with-scraping-from-six-stones-in-black-keystone-greenish-gray-brown-light-blue-yellow-and-gray-inks-on-ivory-laid-paper-image387502687.htmlRM2DEC7HK–Medium: Transfer lithograph; with scraping; from six stones; in black (keystone); greenish gray; brown; light blue; yellow; and gray inks on ivory laid paper
Print made by John Boyne, ca. 1750–1810, British, Shepherd with Dog and Sheep, 1806. Lithograph on medium, moderately textured, gray laid paper. animal art , animals , barefoot , barrel (container) , bushes , coat , dog (animal) , fence , genre subject , grass , hat , herd , landscape , man , resting , sheep , shepherd , shrubs , sleeping , trousers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-john-boyne-ca-17501810-british-shepherd-with-dog-and-sheep-1806-lithograph-on-medium-moderately-textured-gray-laid-paper-animal-art-animals-barefoot-barrel-container-bushes-coat-dog-animal-fence-genre-subject-grass-hat-herd-landscape-man-resting-sheep-shepherd-shrubs-sleeping-trousers-image398384469.htmlRM2E43YCN–Print made by John Boyne, ca. 1750–1810, British, Shepherd with Dog and Sheep, 1806. Lithograph on medium, moderately textured, gray laid paper. animal art , animals , barefoot , barrel (container) , bushes , coat , dog (animal) , fence , genre subject , grass , hat , herd , landscape , man , resting , sheep , shepherd , shrubs , sleeping , trousers
Old Oaks, from The Park and the Forest, 1841. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-oaks-from-the-park-and-the-forest-1841-image457043171.htmlRM2HFG36B–Old Oaks, from The Park and the Forest, 1841.
William Havell, 1782–1857, British, active in India (1820–26), Landscape with a Seated Shepherd, 1804. Lithograph on moderately thick, moderately textured, gray laid paper. buildings , bushes , forest , genre subject , hill , landscape , man , peasant , plants , resting , rocks (landforms) , shepherd , shepherd's crook , sitting , trees , tunic , woods Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-havell-17821857-british-active-in-india-182026-landscape-with-a-seated-shepherd-1804-lithograph-on-moderately-thick-moderately-textured-gray-laid-paper-buildings-bushes-forest-genre-subject-hill-landscape-man-peasant-plants-resting-rocks-landforms-shepherd-shepherds-crook-sitting-trees-tunic-woods-image398458567.htmlRM2E479Y3–William Havell, 1782–1857, British, active in India (1820–26), Landscape with a Seated Shepherd, 1804. Lithograph on moderately thick, moderately textured, gray laid paper. buildings , bushes , forest , genre subject , hill , landscape , man , peasant , plants , resting , rocks (landforms) , shepherd , shepherd's crook , sitting , trees , tunic , woods
Stéphane Mallarmé, from 'Vers et Prose' 1892 James McNeill Whistler American. Stéphane Mallarmé, from 'Vers et Prose'. James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London). 1892. Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in gray-black ink on ivory laid paper. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stphane-mallarm-from-vers-et-prose-1892-james-mcneill-whistler-american-stphane-mallarm-from-vers-et-prose-james-mcneill-whistler-american-lowell-massachusetts-18341903-london-1892-transfer-lithograph-drawn-on-thin-transparent-transfer-paper-only-state-chicago-printed-in-gray-black-ink-on-ivory-laid-paper-prints-image458026111.htmlRM2HH4TYB–Stéphane Mallarmé, from 'Vers et Prose' 1892 James McNeill Whistler American. Stéphane Mallarmé, from 'Vers et Prose'. James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London). 1892. Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in gray-black ink on ivory laid paper. Prints
William Havell, 1782–1857, British, active in India (1820–26), Landscape with Trees, Girl Crossing a Footbridge, undated. Lithograph on moderately thick, moderately textured, gray laid paper. apron , basket , birds , bridge (built work) , bushes , cows , dog (animal) , forest , genre subject , girl , herd , hill , landscape , path , plants , river , rocks (landforms) , sheep , trees , willows , woods Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-havell-17821857-british-active-in-india-182026-landscape-with-trees-girl-crossing-a-footbridge-undated-lithograph-on-moderately-thick-moderately-textured-gray-laid-paper-apron-basket-birds-bridge-built-work-bushes-cows-dog-animal-forest-genre-subject-girl-herd-hill-landscape-path-plants-river-rocks-landforms-sheep-trees-willows-woods-image398439518.htmlRM2E46DJP–William Havell, 1782–1857, British, active in India (1820–26), Landscape with Trees, Girl Crossing a Footbridge, undated. Lithograph on moderately thick, moderately textured, gray laid paper. apron , basket , birds , bridge (built work) , bushes , cows , dog (animal) , forest , genre subject , girl , herd , hill , landscape , path , plants , river , rocks (landforms) , sheep , trees , willows , woods
Woodside, 1825/26, J.F.C., American, 19th century, United States, Lithograph on gray chine paper, laid down on cream wove paper, 188 x 251 mm (chine), 327 x 254 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woodside-182526-jfc-american-19th-century-united-states-lithograph-on-gray-chine-paper-laid-down-on-cream-wove-paper-188-x-251-mm-chine-327-x-254-mm-sheet-image328663781.htmlRM2A2KX05–Woodside, 1825/26, J.F.C., American, 19th century, United States, Lithograph on gray chine paper, laid down on cream wove paper, 188 x 251 mm (chine), 327 x 254 mm (sheet
Muleteers of Tetuan. Eugène Delacroix; French, 1798-1863. Date: 1833. Dimensions: 197 × 275 mm (chine); 350 × 455 mm (sheet). Lithograph in black on light-gray chine, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/muleteers-of-tetuan-eugne-delacroix-french-1798-1863-date-1833-dimensions-197-275-mm-chine-350-455-mm-sheet-lithograph-in-black-on-light-gray-chine-laid-down-on-white-wove-paper-origin-france-museum-the-chicago-art-institute-image240153412.htmlRMRXKX3G–Muleteers of Tetuan. Eugène Delacroix; French, 1798-1863. Date: 1833. Dimensions: 197 × 275 mm (chine); 350 × 455 mm (sheet). Lithograph in black on light-gray chine, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute.
Rodolphe Bresdin. The Miraculous Draught of Fishes. 1883. France. Lithograph on gray chine laid down on ivory wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rodolphe-bresdin-the-miraculous-draught-of-fishes-1883-france-lithograph-on-gray-chine-laid-down-on-ivory-wove-paper-image337995087.htmlRM2AHW053–Rodolphe Bresdin. The Miraculous Draught of Fishes. 1883. France. Lithograph on gray chine laid down on ivory wove paper
Stéphane Mallarmé, 1892, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in gray-black on ivory laid paper, 97 x 70 mm (image), 169 x 137 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stphane-mallarm-1892-james-mcneill-whistler-american-1834-1903-united-states-transfer-lithograph-in-gray-black-on-ivory-laid-paper-97-x-70-mm-image-169-x-137-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349700281.htmlRF2B8X67N–Stéphane Mallarmé, 1892, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in gray-black on ivory laid paper, 97 x 70 mm (image), 169 x 137 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Hungarian Infantry, Presbourg, July 2, 1837, 1837. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hungarian-infantry-presbourg-july-2-1837-1837-image462404981.htmlRM2HT8A7H–Hungarian Infantry, Presbourg, July 2, 1837, 1837.
James Parry, 1828, Achille Devéria, French, 1800-1857, France, Lithograph on light gray China paper, laid down on white wove paper, 249 × 207 mm (primary support), 445 × 342 mm (secondary support Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-parry-1828-achille-devria-french-1800-1857-france-lithograph-on-light-gray-china-paper-laid-down-on-white-wove-paper-249-207-mm-primary-support-445-342-mm-secondary-support-image328624969.htmlRM2A2J4E1–James Parry, 1828, Achille Devéria, French, 1800-1857, France, Lithograph on light gray China paper, laid down on white wove paper, 249 × 207 mm (primary support), 445 × 342 mm (secondary support
Woodside. J.F.C.; American, 19th century. Date: 1824-1826. Dimensions: 188 x 251 mm (chine); 327 x 254 mm (sheet). Lithograph on gray chine paper, laid down on cream wove paper. Origin: United States. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woodside-jfc-american-19th-century-date-1824-1826-dimensions-188-x-251-mm-chine-327-x-254-mm-sheet-lithograph-on-gray-chine-paper-laid-down-on-cream-wove-paper-origin-united-states-museum-the-chicago-art-institute-image240154036.htmlRMRXKXWT–Woodside. J.F.C.; American, 19th century. Date: 1824-1826. Dimensions: 188 x 251 mm (chine); 327 x 254 mm (sheet). Lithograph on gray chine paper, laid down on cream wove paper. Origin: United States. Museum: The Chicago Art Institute.
Achille Devéria. James Parry. 1828. France. Lithograph on light gray China paper, laid down on white wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/achille-devria-james-parry-1828-france-lithograph-on-light-gray-china-paper-laid-down-on-white-wove-paper-image338008315.htmlRM2AHWH1F–Achille Devéria. James Parry. 1828. France. Lithograph on light gray China paper, laid down on white wove paper
James Parry, 1828, Achille Devéria, French, 1800-1857, France, Lithograph on light gray China paper, laid down on white wove paper, 249 × 207 mm (primary support), 445 × 342 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-parry-1828-achille-devria-french-1800-1857-france-lithograph-on-light-gray-china-paper-laid-down-on-white-wove-paper-249-207-mm-primary-support-445-342-mm-secondary-support-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349685456.htmlRF2B8WFA8–James Parry, 1828, Achille Devéria, French, 1800-1857, France, Lithograph on light gray China paper, laid down on white wove paper, 249 × 207 mm (primary support), 445 × 342 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Nocturnal Review, 1837. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nocturnal-review-1837-image462404978.htmlRM2HT8A7E–The Nocturnal Review, 1837.
Faust and Wagner, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 195 × 261 mm (image), 295 × 430 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/faust-and-wagner-1828-eugne-delacroix-french-1798-1863-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-195-261-mm-image-295-430-mm-sheet-image328639544.htmlRM2A2JR2G–Faust and Wagner, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 195 × 261 mm (image), 295 × 430 mm (sheet
James Parry. Achille Devéria; French, 1800-1857. Date: 1828. Dimensions: 249 × 207 mm (primary support); 445 × 342 mm (secondary support). Lithograph on light gray China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-parry-achille-devria-french-1800-1857-date-1828-dimensions-249-207-mm-primary-support-445-342-mm-secondary-support-lithograph-on-light-gray-china-paper-laid-down-on-white-wove-paper-origin-france-museum-the-chicago-art-institute-image240154087.htmlRMRXKXYK–James Parry. Achille Devéria; French, 1800-1857. Date: 1828. Dimensions: 249 × 207 mm (primary support); 445 × 342 mm (secondary support). Lithograph on light gray China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute.
Odilon Redon. Sleep. 1898. France. Lithograph in black on light gray China paper laid down on ivory wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odilon-redon-sleep-1898-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-image337921164.htmlRM2AHNHW0–Odilon Redon. Sleep. 1898. France. Lithograph in black on light gray China paper laid down on ivory wove paper
Faust and Wagner, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 195 × 261 mm (image), 295 × 430 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/faust-and-wagner-1828-eugne-delacroix-french-1798-1863-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-195-261-mm-image-295-430-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349709003.htmlRF2B8XHB7–Faust and Wagner, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 195 × 261 mm (image), 295 × 430 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Sheet with Stumped Sketch, 1839. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-with-stumped-sketch-1839-image462404513.htmlRM2HT89JW–Sheet with Stumped Sketch, 1839.
Closed Eyes, 1890, Odilon Redon, French, 1840-1916, France, Lithograph in gray-green on cream China paper laid down on ivory wove paper, 312 × 242 mm (image/chine), 453 × 349 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/closed-eyes-1890-odilon-redon-french-1840-1916-france-lithograph-in-gray-green-on-cream-china-paper-laid-down-on-ivory-wove-paper-312-242-mm-imagechine-453-349-mm-sheet-image328619960.htmlRM2A2HX34–Closed Eyes, 1890, Odilon Redon, French, 1840-1916, France, Lithograph in gray-green on cream China paper laid down on ivory wove paper, 312 × 242 mm (image/chine), 453 × 349 mm (sheet
Centaur Aiming at the Clouds. Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 315 × 257 mm (chine); 447 × 346 mm (sheet). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/centaur-aiming-at-the-clouds-odilon-redon-french-1840-1916-date-1883-dimensions-315-257-mm-chine-447-346-mm-sheet-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image239889001.htmlRMRX7TT9–Centaur Aiming at the Clouds. Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 315 × 257 mm (chine); 447 × 346 mm (sheet). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Henri de Toulouse-Lautrec. Cover for Yvette Guilbert. 1894. France. Lithograph on gray-brown wove paper laid down on board Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-de-toulouse-lautrec-cover-for-yvette-guilbert-1894-france-lithograph-on-gray-brown-wove-paper-laid-down-on-board-image337990214.htmlRM2AHTNY2–Henri de Toulouse-Lautrec. Cover for Yvette Guilbert. 1894. France. Lithograph on gray-brown wove paper laid down on board
Sara the Bather, 1885, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 236 × 150 mm (image), 338 × 227 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sara-the-bather-1885-henri-fantin-latour-french-1836-1904-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-236-150-mm-image-338-227-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349697422.htmlRF2B8X2HJ–Sara the Bather, 1885, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 236 × 150 mm (image), 338 × 227 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Guard Post for the Hungarian Military Colonies, Left Bank of the Danube, July 7, 1837, 1838. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guard-post-for-the-hungarian-military-colonies-left-bank-of-the-danube-july-7-1837-1838-image462404656.htmlRM2HT89T0–Guard Post for the Hungarian Military Colonies, Left Bank of the Danube, July 7, 1837, 1838.
Sara the Bather, 1885, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 236 × 150 mm (image), 338 × 227 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sara-the-bather-1885-henri-fantin-latour-french-1836-1904-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-236-150-mm-image-338-227-mm-sheet-image328632755.htmlRM2A2JEC3–Sara the Bather, 1885, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 236 × 150 mm (image), 338 × 227 mm (sheet
Closed Eyes. Odilon Redon; French, 1840-1916. Date: 1890. Dimensions: 312 × 242 mm (image/chine); 453 × 349 mm (sheet). Lithograph in gray-green on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/closed-eyes-odilon-redon-french-1840-1916-date-1890-dimensions-312-242-mm-imagechine-453-349-mm-sheet-lithograph-in-gray-green-on-cream-china-paper-laid-down-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image239908235.htmlRMRX8NB7–Closed Eyes. Odilon Redon; French, 1840-1916. Date: 1890. Dimensions: 312 × 242 mm (image/chine); 453 × 349 mm (sheet). Lithograph in gray-green on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Eugène Delacroix. Muleteers of Tetuan. 1833. France. Lithograph in black on light-gray chine, laid down on white wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eugne-delacroix-muleteers-of-tetuan-1833-france-lithograph-in-black-on-light-gray-chine-laid-down-on-white-wove-paper-image337961522.htmlRM2AHRDAA–Eugène Delacroix. Muleteers of Tetuan. 1833. France. Lithograph in black on light-gray chine, laid down on white wove paper
Cover for Yvette Guilbert, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on gray-brown wove paper laid down on board, 384 × 405 mm (image), 408 × 394 mm (sheet, folded), 408 × 787 mm (sheet, unfolded), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cover-for-yvette-guilbert-1894-henri-de-toulouse-lautrec-french-1864-1901-france-lithograph-on-gray-brown-wove-paper-laid-down-on-board-384-405-mm-image-408-394-mm-sheet-folded-408-787-mm-sheet-unfolded-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349704834.htmlRF2B8XC2A–Cover for Yvette Guilbert, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on gray-brown wove paper laid down on board, 384 × 405 mm (image), 408 × 394 mm (sheet, folded), 408 × 787 mm (sheet, unfolded), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Nocturnal Review, 1836, published 1837. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nocturnal-review-1836-published-1837-image462404802.htmlRM2HT8A16–The Nocturnal Review, 1836, published 1837.
Centaur Aiming at the Clouds, 1883, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 315 × 257 mm (chine), 447 × 346 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/centaur-aiming-at-the-clouds-1883-odilon-redon-french-1840-1916-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-315-257-mm-chine-447-346-mm-sheet-image328619810.htmlRM2A2HWWP–Centaur Aiming at the Clouds, 1883, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 315 × 257 mm (chine), 447 × 346 mm (sheet
Sara the Bather. Henri Fantin-Latour; French, 1836-1904. Date: 1885. Dimensions: 236 × 150 mm (image); 338 × 227 mm (sheet). Lithograph in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sara-the-bather-henri-fantin-latour-french-1836-1904-date-1885-dimensions-236-150-mm-image-338-227-mm-sheet-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-origin-france-museum-the-chicago-art-institute-image239919824.htmlRMRX9854–Sara the Bather. Henri Fantin-Latour; French, 1836-1904. Date: 1885. Dimensions: 236 × 150 mm (image); 338 × 227 mm (sheet). Lithograph in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute.
J.F.C.. Woodside. 1825–1826. United States. Lithograph on gray chine paper, laid down on cream wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jfc-woodside-18251826-united-states-lithograph-on-gray-chine-paper-laid-down-on-cream-wove-paper-image337935235.htmlRM2AHP7RF–J.F.C.. Woodside. 1825–1826. United States. Lithograph on gray chine paper, laid down on cream wove paper
Masks and faces, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 201 × 158 mm (image), 230 × 188 mm (chine), 398 × 288 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/masks-and-faces-185758-paul-gavarni-french-1804-1866-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-201-158-mm-image-230-188-mm-chine-398-288-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349686297.htmlRF2B8WGC9–Masks and faces, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 201 × 158 mm (image), 230 × 188 mm (chine), 398 × 288 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Russian Prisoners of Bomarsud, 1854. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/russian-prisoners-of-bomarsud-1854-image462404524.htmlRM2HT89K8–Russian Prisoners of Bomarsud, 1854.
Centaur Aiming at the Clouds, 1895, Odilon Redon, French, 1840-1916, France, Lithograph in black ink on light gray China paper laid down on ivory China paper, 315 × 247 mm (chine), 454 × 347 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/centaur-aiming-at-the-clouds-1895-odilon-redon-french-1840-1916-france-lithograph-in-black-ink-on-light-gray-china-paper-laid-down-on-ivory-china-paper-315-247-mm-chine-454-347-mm-sheet-image328620013.htmlRM2A2HX51–Centaur Aiming at the Clouds, 1895, Odilon Redon, French, 1840-1916, France, Lithograph in black ink on light gray China paper laid down on ivory China paper, 315 × 247 mm (chine), 454 × 347 mm (sheet
Ricardo Viñes. Odilon Redon; French, 1840-1916. Date: 1903. Dimensions: 135 × 114 mm (image); 186 × 157 mm (chine). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ricardo-vies-odilon-redon-french-1840-1916-date-1903-dimensions-135-114-mm-image-186-157-mm-chine-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image239952800.htmlRMRXAP6T–Ricardo Viñes. Odilon Redon; French, 1840-1916. Date: 1903. Dimensions: 135 × 114 mm (image); 186 × 157 mm (chine). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Odilon Redon. Spider. 1887. France. Lithograph in black on light gray China paper laid down on white wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odilon-redon-spider-1887-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-image337925925.htmlRM2AHNRY1–Odilon Redon. Spider. 1887. France. Lithograph in black on light gray China paper laid down on white wove paper
Flemish Interior, 1856, Rodolphe Bresdin, French, 1825-1885, France, Lithograph (etching transfer) on light gray China paper laid down on off-white wove paper, 159 × 105 mm (image), 189 × 124 mm (chine), 327 × 251 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flemish-interior-1856-rodolphe-bresdin-french-1825-1885-france-lithograph-etching-transfer-on-light-gray-china-paper-laid-down-on-off-white-wove-paper-159-105-mm-image-189-124-mm-chine-327-251-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349692932.htmlRF2B8WTW8–Flemish Interior, 1856, Rodolphe Bresdin, French, 1825-1885, France, Lithograph (etching transfer) on light gray China paper laid down on off-white wove paper, 159 × 105 mm (image), 189 × 124 mm (chine), 327 × 251 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Cedars of Lebanon, from The Park and the Forest, 1841. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cedars-of-lebanon-from-the-park-and-the-forest-1841-image457043169.htmlRM2HFG369–Cedars of Lebanon, from The Park and the Forest, 1841.
The Evening Star, second plate, 1879, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 305 × 220 mm (image), 573 × 399 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-evening-star-second-plate-1879-henri-fantin-latour-french-1836-1904-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-305-220-mm-image-573-399-mm-sheet-image328632721.htmlRM2A2JEAW–The Evening Star, second plate, 1879, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 305 × 220 mm (image), 573 × 399 mm (sheet
Portrait of Professor Huxley. Alphonse Legros; French, 1837-1911. Date: 1891. Dimensions: 299 × 227 mm (chine); 424 × 318 mm (sheet). Lithograph in black on light gray China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-professor-huxley-alphonse-legros-french-1837-1911-date-1891-dimensions-299-227-mm-chine-424-318-mm-sheet-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image239907997.htmlRMRX8N2N–Portrait of Professor Huxley. Alphonse Legros; French, 1837-1911. Date: 1891. Dimensions: 299 × 227 mm (chine); 424 × 318 mm (sheet). Lithograph in black on light gray China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Jean François Millet. Olivier de Serres. 1858. France. Lithograph on gray China paper laid down on ivory wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-franois-millet-olivier-de-serres-1858-france-lithograph-on-gray-china-paper-laid-down-on-ivory-wove-paper-image337975208.htmlRM2AHT2R4–Jean François Millet. Olivier de Serres. 1858. France. Lithograph on gray China paper laid down on ivory wove paper
The Holy Family with Deer, 1871, Rodolphe Bresdin, French, 1825-1885, France, Lithograph (etching transfer) on light gray China paper laid down on white wove paper, 263 × 200 mm (image), 289 × 223 mm (chine), 440 × 315 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-family-with-deer-1871-rodolphe-bresdin-french-1825-1885-france-lithograph-etching-transfer-on-light-gray-china-paper-laid-down-on-white-wove-paper-263-200-mm-image-289-223-mm-chine-440-315-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349695671.htmlRF2B8X0B3–The Holy Family with Deer, 1871, Rodolphe Bresdin, French, 1825-1885, France, Lithograph (etching transfer) on light gray China paper laid down on white wove paper, 263 × 200 mm (image), 289 × 223 mm (chine), 440 × 315 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Armenians and Tartars in a Cafe, 1838. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armenians-and-tartars-in-a-cafe-1838-image462404230.htmlRM2HT898P–Armenians and Tartars in a Cafe, 1838.
Spider, 1887, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on white wove paper, 293 × 224 mm (image), 290 × 226 mm (chine), 439 × 315 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spider-1887-odilon-redon-french-1840-1916-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-293-224-mm-image-290-226-mm-chine-439-315-mm-sheet-image328619863.htmlRM2A2HWYK–Spider, 1887, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on white wove paper, 293 × 224 mm (image), 290 × 226 mm (chine), 439 × 315 mm (sheet
To Old Age, plate 1 of 6. Odilon Redon; French, 1840-1916. Date: 1886. Dimensions: 245 × 185 mm (chine); 438 × 305 mm (sheet). Lithograph in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/to-old-age-plate-1-of-6-odilon-redon-french-1840-1916-date-1886-dimensions-245-185-mm-chine-438-305-mm-sheet-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-origin-france-museum-the-chicago-art-institute-image239935253.htmlRMRX9YT5–To Old Age, plate 1 of 6. Odilon Redon; French, 1840-1916. Date: 1886. Dimensions: 245 × 185 mm (chine); 438 × 305 mm (sheet). Lithograph in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute.
Alphonse Legros. Portrait of Champfleury. 1875. France. Lithograph in black on gray China paper, laid down on ivory wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alphonse-legros-portrait-of-champfleury-1875-france-lithograph-in-black-on-gray-china-paper-laid-down-on-ivory-wove-paper-image337920538.htmlRM2AHNH2J–Alphonse Legros. Portrait of Champfleury. 1875. France. Lithograph in black on gray China paper, laid down on ivory wove paper
The Evening Star, second plate, 1879, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 305 × 220 mm (image), 573 × 399 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-evening-star-second-plate-1879-henri-fantin-latour-french-1836-1904-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-305-220-mm-image-573-399-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349697391.htmlRF2B8X2GF–The Evening Star, second plate, 1879, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 305 × 220 mm (image), 573 × 399 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Hungarian Military Colony Post, Left Bank of the Danube River, 1838. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hungarian-military-colony-post-left-bank-of-the-danube-river-1838-image462404515.htmlRM2HT89JY–Hungarian Military Colony Post, Left Bank of the Danube River, 1838.
Sleep, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 125 × 125 mm (image), 224 × 165 mm (chine), 433 × 313 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleep-1898-odilon-redon-french-1840-1916-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-125-125-mm-image-224-165-mm-chine-433-313-mm-sheet-image328620136.htmlRM2A2HX9C–Sleep, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 125 × 125 mm (image), 224 × 165 mm (chine), 433 × 313 mm (sheet
A Group of Austrian Guards. Gustave Doré; French, 1832-1883. Date: 1859. Dimensions: 361 × 281 mm (image); 520 × 388 mm (sheet). Lithograph in black on light gray China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-group-of-austrian-guards-gustave-dor-french-1832-1883-date-1859-dimensions-361-281-mm-image-520-388-mm-sheet-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image240171583.htmlRMRXMN8F–A Group of Austrian Guards. Gustave Doré; French, 1832-1883. Date: 1859. Dimensions: 361 × 281 mm (image); 520 × 388 mm (sheet). Lithograph in black on light gray China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Odilon Redon. Obsession. 1894. France. Lithograph in black on light gray China paper laid down on ivory wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odilon-redon-obsession-1894-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-image337925059.htmlRM2AHNPT3–Odilon Redon. Obsession. 1894. France. Lithograph in black on light gray China paper laid down on ivory wove paper
Untitled (Two Basque Girls), n.d., Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 211 × 161 mm (image/chine), 399 × 286 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/untitled-two-basque-girls-nd-paul-gavarni-french-1804-1866-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-211-161-mm-imagechine-399-286-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349686342.htmlRF2B8WGDX–Untitled (Two Basque Girls), n.d., Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 211 × 161 mm (image/chine), 399 × 286 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Thorn, Willow, Beech and Birch, from The Park and the Forest, 1841. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thorn-willow-beech-and-birch-from-the-park-and-the-forest-1841-image457043167.htmlRM2HFG367–Thorn, Willow, Beech and Birch, from The Park and the Forest, 1841.
Obsession, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 364 × 228 mm (image), 365 × 229 mm (chine), 495 × 347 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/obsession-1894-odilon-redon-french-1840-1916-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-364-228-mm-image-365-229-mm-chine-495-347-mm-sheet-image328620003.htmlRM2A2HX4K–Obsession, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 364 × 228 mm (image), 365 × 229 mm (chine), 495 × 347 mm (sheet
Beatrice. Odilon Redon; French, 1840-1916. Date: 1897. Dimensions: 334 × 296 mm (image/chine); 567 × 430 mm (sheet). Lithograph in yellow, blue, and green on light gray China paper laid down on cream wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beatrice-odilon-redon-french-1840-1916-date-1897-dimensions-334-296-mm-imagechine-567-430-mm-sheet-lithograph-in-yellow-blue-and-green-on-light-gray-china-paper-laid-down-on-cream-wove-paper-origin-france-museum-the-chicago-art-institute-image239908432.htmlRMRX8NJ8–Beatrice. Odilon Redon; French, 1840-1916. Date: 1897. Dimensions: 334 × 296 mm (image/chine); 567 × 430 mm (sheet). Lithograph in yellow, blue, and green on light gray China paper laid down on cream wove paper. Origin: France. Museum: The Chicago Art Institute.
Odilon Redon. Edouard Vuillard. 1900. France. Lithograph in black on light gray China paper laid down on white wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odilon-redon-edouard-vuillard-1900-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-white-wove-paper-image337993635.htmlRM2AHTX97–Odilon Redon. Edouard Vuillard. 1900. France. Lithograph in black on light gray China paper laid down on white wove paper
Physionomies Parisiennes: Petit Commerce. La Monnaie d’un Ballon., 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 292 × 191 mm (image/chine), 411 × 280 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physionomies-parisiennes-petit-commerce-la-monnaie-dun-ballon-185758-paul-gavarni-french-1804-1866-france-lithograph-in-black-on-light-gray-china-paper-laid-down-on-ivory-wove-paper-292-191-mm-imagechine-411-280-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349685626.htmlRF2B8WFGA–Physionomies Parisiennes: Petit Commerce. La Monnaie d’un Ballon., 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 292 × 191 mm (image/chine), 411 × 280 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Search Results for Lithograph on gray laid paper Stock Photos and Images (622)
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