RMG1BAW9–Leonaert Bramer - Glorification of the Holy Cross - Musei Capitolini Roma
RMD89674–LEONAERT BRAMER
RM2AC0DKX–The Adoration of the Magi by Leonaert Bramer(1596-1674), oil on oak panel, c.1630-35
RM2RMRB73–Leonaert Bramer, Glorification of the Holy Cross, painting in oil on copper, 1616-1627
RME749Y2–The Denial of Peter - by Leonaert Bramer, 1642
RM2R6RYB9–Leonaert Bramer, Allegory of Vanity (Vanitas), still life painting in oil on wood, 1630-1650
RMTAJRAN–Leonaert Bramer (1596-1674). Dutch painter. The Circumcision of Jesus, ca.1640. National Museum. Warsaw. Poland.
RMAF2NCH–Leonaert Bramer, aka Leendert Bramer or Leonard Bramer, 1596 - 1674. Dutch artist.
RMEDRFJP–Denial of Saint Peter, Leonaert Bramer, 1642
RMGG2E51–Leonaert Bramer (1630-1635) Meeting of witches Bordeaux, Museum of Fine Arts
RMKC8AY9–Preparation for Sacrifice, Leonaert Bramer, early to mid-17th century
RF2HTY0AP–Art inspired by The Judgment of Solomon, 1640s, Oil on wood, 31 1/8 x 40 1/2 in. (79.1 x 102.9 cm), Paintings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP5GDP–. German: Handwaschung des Pilatus . circa 1640s. Leonaert Bramer (1596–) Alternative names Leonard Bramer, Leonart Bramer, Leonardo delle Notti, Nestelghat Description Dutch painter, draughtsman, printmaker and delftware painter Date of birth/death 24 December 1596 before 10 February 1674 Location of birth/death Delft Delft Work location France (circa 1614-1616), Arras, Paris, Aix-en-Provence, Marseille, Genoa, Livorno, Rome (1616-1628), Padua, Delft (1628-1674) Authority control : Q979381 VIAF: 95318957 ISNI: 0000 0001 0927 4065 ULAN: 500015658 LCCN: nr93002225 WGA: BRAMER, Leo
RF2HW51RY–Art inspired by Preparation for Sacrifice, early to mid-17th century, Pencil on vellum., 8 3/16 x 9 10/16 in. (20.8 x 24.4 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP92YE–. Deutsch: Die Darstellung im Tempel . 1657. Leonaert Bramer (1596–) Alternative names Leonard Bramer, Leonart Bramer, Leonardo delle Notti, Nestelghat Description Dutch painter, draughtsman, printmaker and delftware painter Date of birth/death 24 December 1596 before 10 February 1674 Location of birth/death Delft Delft Work location France (circa 1614-1616), Arras, Paris, Aix-en-Provence, Marseille, Genoa, Livorno, Rome (1616-1628), Padua, Delft (1628-1674) Authority control : Q979381 VIAF: 95318957 ISNI: 0000 0001 0927 4065 ULAN: 500015658 LCCN: nr93002225 WGA: BRAMER, Leonaert
RMT07Y2E–'Adoration of the Shepherds'. Holland. Dimensions: 28x42 cm. Museum: State Hermitage, St. Petersburg. Author: Leonaert Bramer (circle of).
RM2HBCY6E–Self-portrait of Leonaert Bramer, 1596-1674, Dutch painter known primarily for genre, religious, and history paintings. Leonard Bramer. Tinted etching within a decorative border by John Girtin after a self-portrait by Bramer from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
RMJ7WD7W–'King David Dancing' by Leonaert Bramer, Pushkin Museum
RM2BPT30E–Portrait of Leonaert Bramer, Dutch painter known primarily for genre, religious, and history paintings, 1596-1674. Leonard Bramer, Painted History, Born at Delft 1596. Tinted etching within a decorative border by James Girtin after a self-portrait by Bramer from James Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
RMHM3ERJ–Leonaert Bramer - Crucifixion
RMP0TCDR–'King David Dancing' by Leonaert Bramer, Pushkin Museum.
RM2RAJNH5–Crucifixion 1674 by Leonaert Bramer
RM2B6JM41–Delft militia Draft schilderij. Manufacturer : artist: Leonaert Bramer Dated: 1606 - 1674 Physical features: brush in gray and brown material: paper Technique: Brush size: h 230 mm × W 356 mmOnderwerp
RF2WTMTF3–Allegory of Vanity (Vanitas) Leonaert Bramer
RM2HH5WK9–The Circumcision 1611–74 Leonaert Bramer Dutch. The Circumcision 335104
RMTAJRB2–Leonaert Bramer (1596-1674). Dutch painter. The Circumcision of Jesus, ca.1640. Detail. National Museum. Warsaw. Poland.
RM2T8677H–Leonaert Bramer (Engraver) The parable of the merciful Samaritan. etching 1647 , 1647
RF2WE4YAY–Leonard Bramer 1596?-1674 holländischer Künstler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
RMKC8AY8–St. Peter Recognized by a Servant Girl, Leonaert Bramer, 1611–74
RMKC8BTX–Night scene with soldiers chasing a fugitive (Mark XIV, 5-52), Leonaert Bramer, 1611–74
RF2HTXAAA–Art inspired by The Circumcision, 1611–74, Point of brush, watercolor and gray wash, over slight indications in black chalk., 11 15/16 x 14 3/16 in. (30.3 x 36.1 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMW53RCK–Leonaert Bramer, Soldiers Arguing, Soldiers in quarrel, painting, Oil on slate, Height, 13 cm (5.1 inches), Width, 18 cm (7 inches)
RMMP92YG–. Leonard Bramer: MORS THRIUMPHANS. Öl auf Schieferplatte, 13 x 15 cm . 17th century. Leonaert Bramer (1596–) Alternative names Leonard Bramer, Leonart Bramer, Leonardo delle Notti, Nestelghat Description Dutch painter, draughtsman, printmaker and delftware painter Date of birth/death 24 December 1596 before 10 February 1674 Location of birth/death Delft Delft Work location France (circa 1614-1616), Arras, Paris, Aix-en-Provence, Marseille, Genoa, Livorno, Rome (1616-1628), Padua, Delft (1628-1674) Authority control : Q979381 VIAF: 95318957 ISNI: 0000 0001 0927 4065 ULAN: 50001565
RMW53JP8–Leonaert Bramer, Musical Company, A music company, painting, Oil on slate, Height, 15 cm (5.9 inches), Width, 21 cm (8.2 inches)
RMT09FPM–'Dying Vision of Mary Magdalene'. Holland, 1633. Dimensions: 74x59 cm. Museum: State Hermitage, St. Petersburg. Author: Leonaert Bramer.
RMKC6K5R–The Judgment of Solomon, 1640s, Oil on wood, 31 1/8 x 40 1/2 in. (79.1 x 102.9 cm), Paintings, Leonaert Bramer (Dutch, Delft
RMHM3ERG–Leonaert Bramer - The Adoration of the Magi
RM2A2P7CM–Leonaert Bramer, Dutch, 1596-1674, The Adoration of the Magi, between 1630 and 1635, Oil on oak panel, Unframed: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm
RM2E350GC–Leonaert Bramer - Crucifixion.
RMJ986KW–Portrait of Leonaert Bramer 001
RM2E32WYC–Leonaert Bramer - The Adoration of the Magi -
RM2TCF0KY–The Circumcision 1994 by Leonaert Bramer
RMTAJRAX–Leonaert Bramer (1596-1674). Dutch painter. The Circumcision of Jesus, ca.1640. Detail. National Museum. Warsaw. Poland.
RM2E350GT–Leonaert Bramer - The Temptation of Christ
RF2HTXJM9–Art inspired by Jael and Sisera, 1611–74, Brush and grey ink, heightened with white bodycolor. Framing line in brush and grey ink and white bodycolor, sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B6HP11–The Kruisoprichting the Cross Object Type: drawing Object number: RP-T-1885-A-467 Manufacturer : draftsman: Leonaert Bramer Date: 1606 - 1674 Physical characteristics: brush in black and gray, pen in black material: paper Ink Technique: pen / brush dimensions : h 347 mm × W 315 mm
RM2T7JFRA–Leonaert Bramer Approval of the Lazarus. Watercolor and cover colors, on parchment.
RMDE7308–Allegory of Vanity, c. 1640. Artist: Bramer, Leonaert (1596-1674)
RM2HH7BRJ–Preparation for Sacrifice early to mid-17th century Leonaert Bramer Dutch. Preparation for Sacrifice 335105
RM2T7M2HF–Leonaert Bramer Rider battle with Amazons. Feder in brown, brown, traces of black chalk
RMP5GYMH–N/A. English: King David Dancing by Leonaert Bramer, Pushkin Museum . 17th century. Leonaert Bramer (1596–) Alternative names Leonard Bramer, Leonart Bramer, Leonardo delle Notti, Nestelghat Description Dutch painter, draughtsman, printmaker and delftware painter Date of birth/death 24 December 1596 before 10 February 1674 Location of birth/death Delft Delft Work location France (circa 1614-1616), Arras, Paris, Aix-en-Provence, Marseille, Genoa, Livorno, Rome (1616-1628), Padua, Delft (1628-1674) Authority control : Q979381 VIAF:95318957 ISNI:0000 0001 0927 4065 ULAN:500015658 LCC
RMT07XRG–'The Expulsion of the Money-Changers from the Temple'. Holland, Circa 1637. Dimensions: 85x106,5 cm. Museum: State Hermitage, St. Petersburg. Author: Leonaert Bramer.
RMHM098F–Leonaert Bramer-Die Neugierigen
RMW57REE–Portraits of Leonard Bramer, Dirk van Hoogstraten and Salomon de Bray, Leonaert Bramer, Dirk van Hoogstraten, Salomon de Bray, Jacob Houbraken, Amsterdam, 1718, paper, etching, h 153 mm × w 97 mm
RMJHD12N–Leonaert Bramer - Glorification of the Holy Cross -
RM2RAJNH7–Christ among the Doctors by Leonaert Bramer
RM2F2DFX0–Portrait of Leonaert Bramer 001.
RF2HTXJT2–Art inspired by Aeneas and Anchises, 1611–74, Brush and grey ink, heightened with white bodycolor. Framing line in brush and grey ink with white bodycolor, sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B6D7RX–Mountain scenery Mountain Landscape Object Type: Drawing Object number: RP-T-1886-A-704-26 Manufacturer : artist: Leonaert Bramer to painting of Jan Lievens (listed building) Dated: 1652 - 1653 Physical features: black chalk on paper material: chalk paper Dimensions: drawing: h 279 mm × W 398 mm
RMDE2JW0–'A Biblical Subject', 17th century. Artist: Leonard Bramer
RMMP92TP–Crucifixion between 1620 and 1674. 802 Leonaert Bramer - Crucifixion
RMT09GFM–'Adoration of the Magi'. Holland, 1639 (?) or 1633 (? ). Dimensions: 46,5x54,5 cm. Museum: State Hermitage, St. Petersburg. Author: Leonaert Bramer.
RMHM09KT–Leonaert Bramer - The Trials of Job - WGA03101
RMW53RCM–Leonaert Bramer, A Peasant and Two Soldiers Playing Dice, A farmer and two soldiers throwing dice, painting, Oil on slate, Height, 22.5 cm (8.8 inches), Width, 27.5 cm (10.8 inches)
RMJHEJWC–Leonaert Bramer - Allegory of Vanity (Vanitas) -
RM2RAJNJ9–The Judgment of Solomon 1650 by Leonaert Bramer
RM2E350GH–Leonaert Bramer - Jacob's Dream
RF2HTXJW4–Art inspired by King Midas, 1611–74, Brush and grey ink, heightened with white bodycolor. Framing line in brush and grey ink with white bodycolor, sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B6NJ3W–Geboeide mannen Een transport krijgsgevangen mannen, van welke één door een soldaat wordt geslagen. Manufacturer : draftsman: Leonaert Bramer Dating: 1606 - 1674 Physical kenmerken: pen en penseel in zwart op blauw papier Material: papier inkt Techniek: pen / penseel Dimensions: h 208 mm × b 188 mm
RF2HW51RA–Art inspired by St. Peter Recognized by a Servant Girl, 1611–74, Brush and gray ink, gray wash, heightened with white, on blue paper., 8 1/4 x 6 3/16 in. (20.9 x 15.7 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2C71Y16–Night scene with soldiers chasing a fugitive (Mark XIV, 5-52), 1611-74.
RF2HW6BE3–Art inspired by Night scene with soldiers chasing a fugitive (Mark XIV, 5-52), 1611–74, Brush and gray ink, white gouache, on blue paper, sheet: 13 5/8 x 11 in. (34.6 x 27.9 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2T7M2M3–Leonaert Bramer The robbery of the Sabiners. Feder in brown, brown, traces of black chalk 1626 , 1626
RMMP92WR–The Adoration of the Magi 1639. 802 Leonaert Bramer - The Adoration of the Magi
RFRAXEXF–Denial of Saint Peter, Leonaert Bramer, 1642. Reimagined by Gibon. Classic art with a modern twist reimagined
RMREXAXN–Hilly landscape with cattle. Draughtsman: Leonaert Bramer. After Jan Asselijn. Dating: 1652 - 1653. Measurements: h 300 mm × w 400 mm. Museum: Rijksmuseum, Amsterdam.
RMHKX70Y–Leonaert Bramer - The Adoration of the Magi - WGA03078
RM2A2PE71–Leonaert Bramer, Dutch, 1596-1674, Mary Magdalen at the Tomb of Christ, 17th century, brush and black ink and gray and black wash, heightened and corrected with white, on tan laid paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm
RMJHCX0A–Leonaert Bramer - The Quarrel between Ajax and Odysseus - WGA03085
RM2RAJNJ2–The Adoration of the Magi 1630 by Leonaert Bramer
RM2E350G1–Leonaert Bramer-Die Neugierigen.
RM2B6HXW8–The hospitality of Abraham The hospitality of Abraham Object Type: Drawing Object number: RP-T-1901-A-4551 Manufacturer : artist: Leonaert Bramer Dated: 1606 - 1674 Physical features: pen in black and brush in black and gray to tan tinted paper material: prepared paper ink technology: pen / brush dimensions: h 206 mm × W 175 mm
RMMP92X4–The Trials of Job 1630s. 803 Leonaert Bramer - The Trials of Job - WGA03101
RF2B98WWH–Leonaert Bramer, Soldiers Arguing, Soldiers in quarrel, painting, Oil on slate, Height, 13 cm (5.1 inches), Width, 18 cm (7 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMREYTHD–Mountain landscape. Draughtsman: Leonaert Bramer. After Jan Lievens (mentioned on object). Dating: 1652 - 1653. Measurements: h 279 mm × w 398 mm. Museum: Rijksmuseum, Amsterdam.
RMHM09DD–Leonaert Bramer - The Temptation of Christ - WGA03093
RMW58AMW–Pashur Smiting Jeremiah in the Temple, Pashur beats Jeremiah in the temple. Fight during a meal of priests and monks in a temple., Leonaert Bramer, c. 1648, panel, oil paint (paint), support: h 47 cm × w 62.5 cm d 7.5 cm
RMKNK2F8–Aeneas and Anchises MET DP811471 Aeneas and Anchises MET DP811471 /383266 Artist: Leonaert Bramer, Dutch, Delft 1596?1674 Delft, Aeneas and Anchises, 1611?74, Brush and grey ink, heightened with white bodycolor. Framing line in brush and grey ink with white bodycolor, sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm). The Metropolitan Museum of Art, New York. Purchase, C. G. Boerner Gift, 2008 (2008.223)
RM2TCF0KW–Preparation for Sacrifice 1946 by Leonaert Bramer
RM2E350G2–Leonaert Bramer - The Betrayal of Christ
RM2B6GHG4–Christ and the scribes Christ and the Scriptures taught object type: Drawing Object number: RP-T-1899-A-4230 Manufacturer : artist: Leonaert Bramer Date: 1624 Physical features: pen in black and brush in gray on yellow tinted paper material: prepared paper ink technology: pen / brush dimensions: h 129 mm × W 198 mm
RM2R8YFCE–Pashur Smiting Jeremiah in the Temple, c.1648. Other Title(s): Scuffle during a Banquet of Priests and Monks in a Temple of Jupiter. Note statue of Zeus.
RM2T8677P–Leonaert Bramer (Engraver) Chest with jug, mug, coins, cards and seal. etching 1610-1674 , 1610/1674
RMMP92WW–The Betrayal of Christ 1637. 802 Leonaert Bramer - The Betrayal of Christ - WGA03096
RF2B98PA4–Leonaert Bramer, Musical Company, A music company, painting, Oil on slate, Height, 15 cm (5.9 inches), Width, 21 cm (8.2 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPNDDYP–Glorification of the Holy Cross. Date/Period: 1616 - 1627. Oil on Copper. Copper. Height: 587 mm (23.11 in); Width: 516 mm (20.31 in). Author: Leonaert Bramer. Bramer, Leonaert.
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