U.S. Army Sgt. Christopher Damaso (left), of Mesa, Ariz., and Pfc. Jazeron Knowles, of Muskegon, Mich., both with Troop B, 4th Squadron, 9th Cavalry Regiment, 2nd Armored Brigade Combat Team, 1st Cavalry Division, take a break during an afternoon reconnaissance patrol near Forward Operating Base Fenty, Nangarhar province, Afghanistan, Sept. 29, 2013. During the patrol, soldiers surveyed the land surrounding Fenty and met with locals in nearby villages to improve existing relationships. (U.S. Army National Guard photo by Sgt. Margaret Taylor, 129th Mobile Public Affairs Detachment/RELEASED) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/us-army-sgt-christopher-damaso-left-of-mesa-ariz-and-pfc-jazeron-knowles-of-muskegon-mich-both-with-troop-b-4th-squadron-9th-cavalry-regiment-2nd-armored-brigade-combat-team-1st-cavalry-division-take-a-break-during-an-afternoon-reconnaissance-patrol-near-forward-operating-base-fenty-nangarhar-province-afghanistan-sept-29-2013-during-the-patrol-soldiers-surveyed-the-land-surrounding-fenty-and-met-with-locals-in-nearby-villages-to-improve-existing-relationships-us-army-national-guard-photo-by-sgt-margaret-taylor-129th-mobile-public-affairs-detachmentreleased-image439529748.html
RM2GF28K0–U.S. Army Sgt. Christopher Damaso (left), of Mesa, Ariz., and Pfc. Jazeron Knowles, of Muskegon, Mich., both with Troop B, 4th Squadron, 9th Cavalry Regiment, 2nd Armored Brigade Combat Team, 1st Cavalry Division, take a break during an afternoon reconnaissance patrol near Forward Operating Base Fenty, Nangarhar province, Afghanistan, Sept. 29, 2013. During the patrol, soldiers surveyed the land surrounding Fenty and met with locals in nearby villages to improve existing relationships. (U.S. Army National Guard photo by Sgt. Margaret Taylor, 129th Mobile Public Affairs Detachment/RELEASED)
Fortuna standing in a toognis, Fortune stands on a globe with the right leg forward and has the left foot slightly sideways and down, her right hip bending sideways. With her left hand she holds the sail, which is also bolstered to the left, above the head with curly hair flapping to the left, which falls downwards between the right arm and the hip. The right hand loosely holds a part of the mantle, which runs behind her along the right thigh, before the lap is held in a gag by the strap hanging from her right shoulder and falls behind her legs to the ear-bol. On the fringe mantle. The globe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fortuna-standing-in-a-toognis-fortune-stands-on-a-globe-with-the-right-leg-forward-and-has-the-left-foot-slightly-sideways-and-down-her-right-hip-bending-sideways-with-her-left-hand-she-holds-the-sail-which-is-also-bolstered-to-the-left-above-the-head-with-curly-hair-flapping-to-the-left-which-falls-downwards-between-the-right-arm-and-the-hip-the-right-hand-loosely-holds-a-part-of-the-mantle-which-runs-behind-her-along-the-right-thigh-before-the-lap-is-held-in-a-gag-by-the-strap-hanging-from-her-right-shoulder-and-falls-behind-her-legs-to-the-ear-bol-on-the-fringe-mantle-the-globe-image261352009.html
RMW55H49–Fortuna standing in a toognis, Fortune stands on a globe with the right leg forward and has the left foot slightly sideways and down, her right hip bending sideways. With her left hand she holds the sail, which is also bolstered to the left, above the head with curly hair flapping to the left, which falls downwards between the right arm and the hip. The right hand loosely holds a part of the mantle, which runs behind her along the right thigh, before the lap is held in a gag by the strap hanging from her right shoulder and falls behind her legs to the ear-bol. On the fringe mantle. The globe
Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fanny-elssler-posed-in-fourth-position-left-foot-forward-pointe-tendue-left-arm-curved-upward-right-arm-held-slightly-away-from-side-holding-castanets-the-background-is-a-cultivated-park-through-which-couples-are-strolling-and-an-archway-at-right-in-which-several-men-are-standing-watching-her-the-whole-is-enclosed-in-an-ornamental-border-la-gitana-the-new-cachoucha-danced-by-madlle-fanny-ellsler-sic-in-the-grand-ballet-la-gitana-image337206531.html
RM2AGH2AB–Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana.
Man standing with forward ahead direction arrow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-standing-with-forward-ahead-direction-arrow-image264638104.html
RFWAF8GT–Man standing with forward ahead direction arrow
Step Three: Man brings his right foot forward halfway. Girl takes her left foot halfway back. March 18, 1955. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/step-three-man-brings-his-right-foot-forward-halfway-girl-takes-her-left-foot-halfway-back-march-18-1955-image476342946.html
RM2JJY882–Step Three: Man brings his right foot forward halfway. Girl takes her left foot halfway back. March 18, 1955.
Asian woman make yoga Warrior pose, right leg forward, left leg straight in classroom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-asian-woman-make-yoga-warrior-pose-right-leg-forward-left-leg-straight-88937428.html
RFF4KCGM–Asian woman make yoga Warrior pose, right leg forward, left leg straight in classroom
First Step: The man steps forward with his right foot, turning right. The girl brings left foot back, turning to the right. March 14, 1955. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-step-the-man-steps-forward-with-his-right-foot-turning-right-the-girl-brings-left-foot-back-turning-to-the-right-march-14-1955-image476343014.html
RM2JJY8AE–First Step: The man steps forward with his right foot, turning right. The girl brings left foot back, turning to the right. March 14, 1955.
The Anointing of Solomon, Gerard de Lairese, 1668 print The priest Sadok Ointment Salomon with oil on a square for a pyramid -shaped monument. Salomon is surrounded by figures and kneels forward, two figures opposite him hold a crown and a scepter. Bystanders watch at the foot of the monument. In the margin there is a coat of arms with left and right text in Latin. Amsterdam paper etching crowning of Solomon. Solomon anointed king by Zadok; all the people rejoice and blow their trumpets Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-anointing-of-solomon-gerard-de-lairese-1668-print-the-priest-sadok-ointment-salomon-with-oil-on-a-square-for-a-pyramid-shaped-monument-salomon-is-surrounded-by-figures-and-kneels-forward-two-figures-opposite-him-hold-a-crown-and-a-scepter-bystanders-watch-at-the-foot-of-the-monument-in-the-margin-there-is-a-coat-of-arms-with-left-and-right-text-in-latin-amsterdam-paper-etching-crowning-of-solomon-solomon-anointed-king-by-zadok-all-the-people-rejoice-and-blow-their-trumpets-image595257628.html
RM2WGC950–The Anointing of Solomon, Gerard de Lairese, 1668 print The priest Sadok Ointment Salomon with oil on a square for a pyramid -shaped monument. Salomon is surrounded by figures and kneels forward, two figures opposite him hold a crown and a scepter. Bystanders watch at the foot of the monument. In the margin there is a coat of arms with left and right text in Latin. Amsterdam paper etching crowning of Solomon. Solomon anointed king by Zadok; all the people rejoice and blow their trumpets
Third Step -- Next, the man takes a step back with his left foot and his partner takes a step forward with her right foot. April 25, 1955. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/third-step-next-the-man-takes-a-step-back-with-his-left-foot-and-his-partner-takes-a-step-forward-with-her-right-foot-april-25-1955-image463561090.html
RM2HX50W6–Third Step -- Next, the man takes a step back with his left foot and his partner takes a step forward with her right foot. April 25, 1955.
BARCELONA, SPAIN - SEP 11: Alex Grimaldo plays with F.C Barcelona youth team against Manlleu on September 11, 2011. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-barcelona-spain-sep-11-alex-grimaldo-plays-with-fc-barcelona-youth-53299331.html
RMD2KYRF–BARCELONA, SPAIN - SEP 11: Alex Grimaldo plays with F.C Barcelona youth team against Manlleu on September 11, 2011.
Inspired by St Eligius Forging a Chalice, On a profiled rectangular pedestal, the saint sits in his seat behind the anvil. This is placed on a narrow but tall pedestal, which stands on the left corner of the broad. The saint bends forward slightly to the left, while his left foot protrudes briefly, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-st-eligius-forging-a-chalice-on-a-profiled-rectangular-pedestal-the-saint-sits-in-his-seat-behind-the-anvil-this-is-placed-on-a-narrow-but-tall-pedestal-which-stands-on-the-left-corner-of-the-broad-the-saint-bends-forward-slightly-to-the-left-while-his-left-foot-protrudes-briefly-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459386340.html
RF2HKARY0–Inspired by St Eligius Forging a Chalice, On a profiled rectangular pedestal, the saint sits in his seat behind the anvil. This is placed on a narrow but tall pedestal, which stands on the left corner of the broad. The saint bends forward slightly to the left, while his left foot protrudes briefly, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Fourth Step - Next, man takes his left foot back, still turning. Girl places right foot forward, still turning right. April 04, 1955. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fourth-step-next-man-takes-his-left-foot-back-still-turning-girl-places-right-foot-forward-still-turning-right-april-04-1955-image463567017.html
RM2HX58CW–Fourth Step - Next, man takes his left foot back, still turning. Girl places right foot forward, still turning right. April 04, 1955.
Go left or right Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/go-left-or-right-image477436447.html
RF2JMN31K–Go left or right
First Step -- Man moves forward with his right foot. Girl moves left foot back. (Each step counts as slow step, i.e. two beats). April 25, 1955. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-step-man-moves-forward-with-his-right-foot-girl-moves-left-foot-back-each-step-counts-as-slow-step-ie-two-beats-april-25-1955-image463561089.html
RM2HX50W5–First Step -- Man moves forward with his right foot. Girl moves left foot back. (Each step counts as slow step, i.e. two beats). April 25, 1955.
MELBOURNE, AUSTRALIA. 22 May, 2024. Pictured: Tottenham Hotspur forward Son Heung-Min (7) (left) gestures toward Tottenham Hotspur manager Ange Postecoglou after being subbed off during the Global Football Week English Premiership teams friendly at the MCG in Melbourne. Credit: Karl Phillipson/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/melbourne-australia-22-may-2024-pictured-tottenham-hotspur-forward-son-heung-min-7-left-gestures-toward-tottenham-hotspur-manager-ange-postecoglou-after-being-subbed-off-during-the-global-football-week-english-premiership-teams-friendly-at-the-mcg-in-melbourne-credit-karl-phillipsonalamy-live-news-image607366181.html
RM2X83WN9–MELBOURNE, AUSTRALIA. 22 May, 2024. Pictured: Tottenham Hotspur forward Son Heung-Min (7) (left) gestures toward Tottenham Hotspur manager Ange Postecoglou after being subbed off during the Global Football Week English Premiership teams friendly at the MCG in Melbourne. Credit: Karl Phillipson/Alamy Live News
Projected General Motors' $20,000,000 Technical Centre at Detroit, U.S.A The center will be built around a seven acre lake and covers 350 acres. It is said to look 20 years forward in motoring development and marks a new trend in industrial research. The 1000 foot frontage building on the left marks the entrance to the Center and contains and auditorium capable of seating 1200 persons. The facilities of the center will be made available to schools, colleges, universities and individuals of ability engaged upon the advancement of scientific knowledge. October 29, 1945. (Photo by General Mo… Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/projected-general-motors-20000000-technical-centre-at-detroit-usa-the-center-will-be-built-around-a-seven-acre-lake-and-covers-350-acres-it-is-said-to-look-20-years-forward-in-motoring-development-and-marks-a-new-trend-in-industrial-research-the-1000-foot-frontage-building-on-the-left-marks-the-entrance-to-the-center-and-contains-and-auditorium-capable-of-seating-1200-persons-the-facilities-of-the-center-will-be-made-available-to-schools-colleges-universities-and-individuals-of-ability-engaged-upon-the-advancement-of-scientific-knowledge-october-29-1945-photo-by-general-mo-image556179879.html
RM2R8T533–Projected General Motors' $20,000,000 Technical Centre at Detroit, U.S.A The center will be built around a seven acre lake and covers 350 acres. It is said to look 20 years forward in motoring development and marks a new trend in industrial research. The 1000 foot frontage building on the left marks the entrance to the Center and contains and auditorium capable of seating 1200 persons. The facilities of the center will be made available to schools, colleges, universities and individuals of ability engaged upon the advancement of scientific knowledge. October 29, 1945. (Photo by General Mo…
Syllabus of physical exercises for schools . h. Left foot forward on the toe—place.Dancing step—begin, i, 2.Class—halt. (The left foot is brought back to theposition of attention, while the rightfoot glides into the toe support placeposition; then the right foot glidesback and the left foot forward.) SERIES B. log TABLE 34. EXERCISES. (/. Head KExuiNO hackwakd AND FORWARD. (HiPS FIRM.) *b. Breathing. (Hands on CHEST.) 8. c. Foot placing sideways with HIPS FIRM. a. Trunk bending forward. (Arms across bend.) b. Trunk bending forward and downward. (Feetastride, arms upward stretch.) Arm stretchin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/syllabus-of-physical-exercises-for-schools-h-left-foot-forward-on-the-toeplacedancing-stepbegin-i-2classhalt-the-left-foot-is-brought-back-to-theposition-of-attention-while-the-rightfoot-glides-into-the-toe-support-placeposition-then-the-right-foot-glidesback-and-the-left-foot-forward-series-b-log-table-34-exercises-head-kexuino-hackwakd-and-forward-hips-firm-b-breathing-hands-on-chest-8-c-foot-placing-sideways-with-hips-firm-a-trunk-bending-forward-arms-across-bend-b-trunk-bending-forward-and-downward-feetastride-arms-upward-stretch-arm-stretchin-image338162926.html
RM2AJ4J7A–Syllabus of physical exercises for schools . h. Left foot forward on the toe—place.Dancing step—begin, i, 2.Class—halt. (The left foot is brought back to theposition of attention, while the rightfoot glides into the toe support placeposition; then the right foot glidesback and the left foot forward.) SERIES B. log TABLE 34. EXERCISES. (/. Head KExuiNO hackwakd AND FORWARD. (HiPS FIRM.) *b. Breathing. (Hands on CHEST.) 8. c. Foot placing sideways with HIPS FIRM. a. Trunk bending forward. (Arms across bend.) b. Trunk bending forward and downward. (Feetastride, arms upward stretch.) Arm stretchin
U.S. Navy Cmdr. Mark Dobbertien, the Commander of the Farah Forward Surgical Team and a general trauma surgeon from Jacksonville, Fla., operates on the injured left foot of an Afghan National Police (ANP) officer, Jan. 25, 2010, Forward Operating Base (FOB) Farah, Afghanistan. A total of four ANP officers were flown via a Medical Evacuation (MEDEVAC) helicopter to FOB Farah where they had their injuries assessed and treated. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-us-navy-cmdr-mark-dobbertien-the-commander-of-the-farah-forward-surgical-129320181.html
RMHEB15W–U.S. Navy Cmdr. Mark Dobbertien, the Commander of the Farah Forward Surgical Team and a general trauma surgeon from Jacksonville, Fla., operates on the injured left foot of an Afghan National Police (ANP) officer, Jan. 25, 2010, Forward Operating Base (FOB) Farah, Afghanistan. A total of four ANP officers were flown via a Medical Evacuation (MEDEVAC) helicopter to FOB Farah where they had their injuries assessed and treated.
Soccer - England training session - Saitama Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-soccer-england-training-session-saitama-107710072.html
RMG76H88–Soccer - England training session - Saitama
U.S. Army Sgt. Christopher Damaso (left), of Mesa, Ariz., a section leader, and Pfc. Zachary West, of Sellersburg, Ind., a rifleman, both with Troop B, 4th Squadron, 9th Cavalry Regiment, 2nd Armored Brigade Combat Team, 1st Cavalry Division, walk down a path during an afternoon reconnaissance patrol near Forward Operating Base Fenty, Nangarhar province, Afghanistan, Sept. 29, 2013. During the patrol, soldiers surveyed the land surrounding Fenty and met with locals in nearby villages to improve existing relationships. (U.S. Army National Guard photo by Sgt. Margaret Taylor, 129th Mobile Public Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/us-army-sgt-christopher-damaso-left-of-mesa-ariz-a-section-leader-and-pfc-zachary-west-of-sellersburg-ind-a-rifleman-both-with-troop-b-4th-squadron-9th-cavalry-regiment-2nd-armored-brigade-combat-team-1st-cavalry-division-walk-down-a-path-during-an-afternoon-reconnaissance-patrol-near-forward-operating-base-fenty-nangarhar-province-afghanistan-sept-29-2013-during-the-patrol-soldiers-surveyed-the-land-surrounding-fenty-and-met-with-locals-in-nearby-villages-to-improve-existing-relationships-us-army-national-guard-photo-by-sgt-margaret-taylor-129th-mobile-public-image439529494.html
RM2GF289X–U.S. Army Sgt. Christopher Damaso (left), of Mesa, Ariz., a section leader, and Pfc. Zachary West, of Sellersburg, Ind., a rifleman, both with Troop B, 4th Squadron, 9th Cavalry Regiment, 2nd Armored Brigade Combat Team, 1st Cavalry Division, walk down a path during an afternoon reconnaissance patrol near Forward Operating Base Fenty, Nangarhar province, Afghanistan, Sept. 29, 2013. During the patrol, soldiers surveyed the land surrounding Fenty and met with locals in nearby villages to improve existing relationships. (U.S. Army National Guard photo by Sgt. Margaret Taylor, 129th Mobile Public
Walking Man, The man is standing with his left leg in front of the right, with his foot turned slightly outwards. He holds the right arm slightly forward, the curved left arm and hand are raised. The bearded head with mustache is turned to the right for a moment, the gaze is tilted upwards. He wears a bowler hat with a floppy brim, a jerkin with a goose belly set with small round buttons and remnants of peck dill blankets at the armholes. The limp hanging sleeves end in pleated cuffs. These are of the same shape as the neck collar, which rests on the stiff, raised collar of the jerkin. Cover Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walking-man-the-man-is-standing-with-his-left-leg-in-front-of-the-right-with-his-foot-turned-slightly-outwards-he-holds-the-right-arm-slightly-forward-the-curved-left-arm-and-hand-are-raised-the-bearded-head-with-mustache-is-turned-to-the-right-for-a-moment-the-gaze-is-tilted-upwards-he-wears-a-bowler-hat-with-a-floppy-brim-a-jerkin-with-a-goose-belly-set-with-small-round-buttons-and-remnants-of-peck-dill-blankets-at-the-armholes-the-limp-hanging-sleeves-end-in-pleated-cuffs-these-are-of-the-same-shape-as-the-neck-collar-which-rests-on-the-stiff-raised-collar-of-the-jerkin-cover-image261330088.html
RMW54H5C–Walking Man, The man is standing with his left leg in front of the right, with his foot turned slightly outwards. He holds the right arm slightly forward, the curved left arm and hand are raised. The bearded head with mustache is turned to the right for a moment, the gaze is tilted upwards. He wears a bowler hat with a floppy brim, a jerkin with a goose belly set with small round buttons and remnants of peck dill blankets at the armholes. The limp hanging sleeves end in pleated cuffs. These are of the same shape as the neck collar, which rests on the stiff, raised collar of the jerkin. Cover
Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fanny-elssler-posed-in-fourth-position-left-foot-forward-pointe-tendue-left-arm-curved-upward-right-arm-held-slightly-away-from-side-holding-castanets-the-background-is-a-cultivated-park-through-which-couples-are-strolling-and-an-archway-at-right-in-which-several-men-are-standing-watching-her-the-whole-is-enclosed-in-an-ornamental-border-la-gitana-the-new-cachoucha-danced-by-madlle-fanny-ellsler-sic-in-the-grand-ballet-la-gitana-image337206536.html
RM2AGH2AG–Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana.
Footprints of a man who walked alone on a January day are left on the white soft snow. Winter. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/footprints-of-a-man-who-walked-alone-on-a-january-day-are-left-on-the-white-soft-snow-winter-image466712407.html
RF2J38GC7–Footprints of a man who walked alone on a January day are left on the white soft snow. Winter.
Female Chaffinch (Fingilla coelebs) finding it difficult to perch because of deformed left claw. Gilfach Nature Reserve Rhayader Wales UK May 2024 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-chaffinch-fingilla-coelebs-finding-it-difficult-to-perch-because-of-deformed-left-claw-gilfach-nature-reserve-rhayader-wales-uk-may-2024-image607723921.html
RM2X8M61N–Female Chaffinch (Fingilla coelebs) finding it difficult to perch because of deformed left claw. Gilfach Nature Reserve Rhayader Wales UK May 2024
U.S. Army Staff Sgt. Jennifer Voegtlin, left, a combat medic with Headquarters and Headquarters Company, 1st Battalion, 133rd Infantry Regiment, applies fresh bandages to Kamela, a 3-year-old Afghan girl, after treating her for burn wounds to her waist, left leg and foot Dec. 16 here at Forward Operating Base Mehtar Lam. Voegtlin, who is a paramedic in civilian life with the Des Moines, Iowa, fire department, and lives in Altoona, Iowa, said she is learning new medical techniques and treatments this deployment. Iowa National Guard medics treat girl, compare experience to life in US 350941 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-us-army-staff-sgt-jennifer-voegtlin-left-a-combat-medic-with-headquarters-129501296.html
RMHEK868–U.S. Army Staff Sgt. Jennifer Voegtlin, left, a combat medic with Headquarters and Headquarters Company, 1st Battalion, 133rd Infantry Regiment, applies fresh bandages to Kamela, a 3-year-old Afghan girl, after treating her for burn wounds to her waist, left leg and foot Dec. 16 here at Forward Operating Base Mehtar Lam. Voegtlin, who is a paramedic in civilian life with the Des Moines, Iowa, fire department, and lives in Altoona, Iowa, said she is learning new medical techniques and treatments this deployment. Iowa National Guard medics treat girl, compare experience to life in US 350941
Three women in winter coats stepping in unison along a track through a pine forest in winter followed by a white Labrador dog carrying a big stick. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-women-in-winter-coats-stepping-in-unison-along-a-track-through-a-pine-forest-in-winter-followed-by-a-white-labrador-dog-carrying-a-big-stick-image232636550.html
RMREDE86–Three women in winter coats stepping in unison along a track through a pine forest in winter followed by a white Labrador dog carrying a big stick.
Knaap with grapes, anonymous, 1650 - 1700 On an oval ground, on which some vegetation, he is presented on foot with the right leg forward. He wears a grape ros in the right hand and holds a grape in the left at his open mouth. Ulm ivory On an oval ground, on which some vegetation, he is presented on foot with the right leg forward. He wears a grape ros in the right hand and holds a grape in the left at his open mouth. Ulm ivory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knaap-with-grapes-anonymous-1650-1700-on-an-oval-ground-on-which-some-vegetation-he-is-presented-on-foot-with-the-right-leg-forward-he-wears-a-grape-ros-in-the-right-hand-and-holds-a-grape-in-the-left-at-his-open-mouth-ulm-ivory-on-an-oval-ground-on-which-some-vegetation-he-is-presented-on-foot-with-the-right-leg-forward-he-wears-a-grape-ros-in-the-right-hand-and-holds-a-grape-in-the-left-at-his-open-mouth-ulm-ivory-image576285308.html
RM2TDG1P4–Knaap with grapes, anonymous, 1650 - 1700 On an oval ground, on which some vegetation, he is presented on foot with the right leg forward. He wears a grape ros in the right hand and holds a grape in the left at his open mouth. Ulm ivory On an oval ground, on which some vegetation, he is presented on foot with the right leg forward. He wears a grape ros in the right hand and holds a grape in the left at his open mouth. Ulm ivory
The choice to walk. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-choice-to-walk-147166788.html
RFJFC0MM–The choice to walk.
Digitally painted image of a colourful set of footprints on white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digitally-painted-image-of-a-colourful-set-of-footprints-on-white-background-image212430355.html
RFP9H12B–Digitally painted image of a colourful set of footprints on white background
Art inspired by St Eligius Forging a Chalice, On a profiled rectangular pedestal, the saint sits in his seat behind the anvil. This is placed on a narrow but tall pedestal, which stands on the left corner of the broad. The saint bends forward slightly to the left, while his left foot, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-st-eligius-forging-a-chalice-on-a-profiled-rectangular-pedestal-the-saint-sits-in-his-seat-behind-the-anvil-this-is-placed-on-a-narrow-but-tall-pedestal-which-stands-on-the-left-corner-of-the-broad-the-saint-bends-forward-slightly-to-the-left-while-his-left-foot-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459727265.html
RF2HKXAPW–Art inspired by St Eligius Forging a Chalice, On a profiled rectangular pedestal, the saint sits in his seat behind the anvil. This is placed on a narrow but tall pedestal, which stands on the left corner of the broad. The saint bends forward slightly to the left, while his left foot, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Digitally painted image of a colourful set of footprints in sand Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digitally-painted-image-of-a-colourful-set-of-footprints-in-sand-image215931915.html
RFPF8FA3–Digitally painted image of a colourful set of footprints in sand
Red-legged or French Partridge (Alectoris rufa). Foot prints in melting snow. Going right. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-red-legged-or-french-partridge-alectoris-rufa-foot-prints-in-melting-27555385.html
RMBGR74W–Red-legged or French Partridge (Alectoris rufa). Foot prints in melting snow. Going right.
Walker steps in muddy puddle Oxfordshire United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walker-steps-in-muddy-puddle-oxfordshire-united-kingdom-image8856626.html
RMANE2Y3–Walker steps in muddy puddle Oxfordshire United Kingdom
Black shoes standing at the crossroad making decision which way to go. Left, right, forward or backward. East, west, north or south. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-black-shoes-standing-at-the-crossroad-making-decision-which-way-to-176937420.html
RFM7T5DG–Black shoes standing at the crossroad making decision which way to go. Left, right, forward or backward. East, west, north or south.
Walking man painted road marking, with real foot stepping into frame. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-walking-man-painted-road-marking-with-real-foot-stepping-into-frame-140167122.html
RFJ414GJ–Walking man painted road marking, with real foot stepping into frame.
Social games and group dances; a collection of games and dances suitable for community and social use . rm upward, raise! Tothe men the command is given: Left foot forward,place! On the right knee, kneel! Right hand back-ward (on the floor), place! Left arm, flexed, up-ward raise! The positions are illustrated in Fig.2, and represent an Amazon in the act of strikingdown a Mere Man, who feebly attempts to protecthimself. A third tableau is similarly ordered, the girlsbeing required to face the boys, and to kneel on bothknees. At a given command, the boys place bothhands on the heads of the knee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/social-games-and-group-dances-a-collection-of-games-and-dances-suitable-for-community-and-social-use-rm-upward-raise!-tothe-men-the-command-is-given-left-foot-forwardplace!-on-the-right-knee-kneel!-right-hand-back-ward-on-the-floor-place!-left-arm-flexed-up-ward-raise!-the-positions-are-illustrated-in-fig2-and-represent-an-amazon-in-the-act-of-strikingdown-a-mere-man-who-feebly-attempts-to-protecthimself-a-third-tableau-is-similarly-ordered-the-girlsbeing-required-to-face-the-boys-and-to-kneel-on-bothknees-at-a-given-command-the-boys-place-bothhands-on-the-heads-of-the-knee-image339409931.html
RM2AM5CR7–Social games and group dances; a collection of games and dances suitable for community and social use . rm upward, raise! Tothe men the command is given: Left foot forward,place! On the right knee, kneel! Right hand back-ward (on the floor), place! Left arm, flexed, up-ward raise! The positions are illustrated in Fig.2, and represent an Amazon in the act of strikingdown a Mere Man, who feebly attempts to protecthimself. A third tableau is similarly ordered, the girlsbeing required to face the boys, and to kneel on bothknees. At a given command, the boys place bothhands on the heads of the knee
Red-Crowned Crane (Grus japonensis). Juvenile about to stretch a wing over the left leg. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-red-crowned-crane-grus-japonensis-juvenile-about-to-stretch-a-wing-39174507.html
RMC7MFDF–Red-Crowned Crane (Grus japonensis). Juvenile about to stretch a wing over the left leg.
NO FILM, NO VIDEO, NO TV, NO DOCUMENTARY - Brazil national soccer team forward Neymar, left, and defender Dani Alves during practice on Thursday, Sept. 5, 2019, at Hard Rock Stadium in Miami Gardens, FL, USA, in preparation for international friendly against Colombia on Friday. Photo by David Santiago/Miami Herald/TNS/ABACAPRESS.COM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no-film-no-video-no-tv-no-documentary-brazil-national-soccer-team-forward-neymar-left-and-defender-dani-alves-during-practice-on-thursday-sept-5-2019-at-hard-rock-stadium-in-miami-gardens-fl-usa-in-preparation-for-international-friendly-against-colombia-on-friday-photo-by-david-santiagomiami-heraldtnsabacapresscom-image387027741.html
RM2DDJHR9–NO FILM, NO VIDEO, NO TV, NO DOCUMENTARY - Brazil national soccer team forward Neymar, left, and defender Dani Alves during practice on Thursday, Sept. 5, 2019, at Hard Rock Stadium in Miami Gardens, FL, USA, in preparation for international friendly against Colombia on Friday. Photo by David Santiago/Miami Herald/TNS/ABACAPRESS.COM
U.S. Army 1st Lt. Andrew Maxwell, left, a platoon leader, and Staff Sgt. Curtis Myers, a forward observer with Bravo Company, 3rd Battalion, 15th Infantry Regiment, 4th Infantry Brigade Combat Team, 3rd Infantry Division, patrol near Combat Outpost Sultan Khel, in Wardak province, Afghanistan, June 6, 2013. The Soldiers helped clear Highway 1, the gateway to Kabul, of improvised explosive devices and provided support for the Afghan National Army patrols near villages along the highway. (U.S. Army National Guard photo by Sgt. Julieanne Morse/Released) Infantry patrol near Highway 1, eastern Af Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-us-army-1st-lt-andrew-maxwell-left-a-platoon-leader-and-staff-sgt-129722840.html
RMHF1APG–U.S. Army 1st Lt. Andrew Maxwell, left, a platoon leader, and Staff Sgt. Curtis Myers, a forward observer with Bravo Company, 3rd Battalion, 15th Infantry Regiment, 4th Infantry Brigade Combat Team, 3rd Infantry Division, patrol near Combat Outpost Sultan Khel, in Wardak province, Afghanistan, June 6, 2013. The Soldiers helped clear Highway 1, the gateway to Kabul, of improvised explosive devices and provided support for the Afghan National Army patrols near villages along the highway. (U.S. Army National Guard photo by Sgt. Julieanne Morse/Released) Infantry patrol near Highway 1, eastern Af
The Resurrection, On a slanting lid of the half-opened tomb, Christ stands with the right foot forward. The remaining upper right arm is raised in contrast to the hanging left with the hand turned outwards. To the right against the short side of the tomb, a kneeling soldier leans with the right arm on the lid of the tomb, the eyes of which are half lazied and the mouth briefly opened. The left hand includes a corner of the tomb. On the left behind the tomb an angel leans with both hands on the lid. The mantle of Christ runs from the left shoulder in a wide arc to the left under the raised Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-resurrection-on-a-slanting-lid-of-the-half-opened-tomb-christ-stands-with-the-right-foot-forward-the-remaining-upper-right-arm-is-raised-in-contrast-to-the-hanging-left-with-the-hand-turned-outwards-to-the-right-against-the-short-side-of-the-tomb-a-kneeling-soldier-leans-with-the-right-arm-on-the-lid-of-the-tomb-the-eyes-of-which-are-half-lazied-and-the-mouth-briefly-opened-the-left-hand-includes-a-corner-of-the-tomb-on-the-left-behind-the-tomb-an-angel-leans-with-both-hands-on-the-lid-the-mantle-of-christ-runs-from-the-left-shoulder-in-a-wide-arc-to-the-left-under-the-raised-image261329380.html
RMW54G84–The Resurrection, On a slanting lid of the half-opened tomb, Christ stands with the right foot forward. The remaining upper right arm is raised in contrast to the hanging left with the hand turned outwards. To the right against the short side of the tomb, a kneeling soldier leans with the right arm on the lid of the tomb, the eyes of which are half lazied and the mouth briefly opened. The left hand includes a corner of the tomb. On the left behind the tomb an angel leans with both hands on the lid. The mantle of Christ runs from the left shoulder in a wide arc to the left under the raised
Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fanny-elssler-posed-in-fourth-position-left-foot-forward-pointe-tendue-left-arm-curved-upward-right-arm-held-slightly-away-from-side-holding-castanets-the-background-is-a-cultivated-park-through-which-couples-are-strolling-and-an-archway-at-right-in-which-several-men-are-standing-watching-her-the-whole-is-enclosed-in-an-ornamental-border-la-gitana-the-new-cachoucha-danced-by-madlle-fanny-ellsler-sic-in-the-grand-ballet-la-gitana-image337206532.html
RM2AGH2AC–Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana.
U.S. Army Pfc. Wayne Ellis, left, with the 3rd Platoon, Alpha Battery, 2nd Battalion, 377th Parachute Field Artillery Regiment, Task Force Spartan, draws on an Afghan boy's hand in a village near Forward Operating Base Salerno, Khost province, Afghanistan, Feb. 3, 2012. (U.S. Army photo by Spc. Ken Scar/Released) U.S. Army Pfc. Wayne Ellis, left, with the 3rd Platoon, Alpha Battery, 2nd Battalion, 377th Parachute Field Artillery Regiment, Task Force Spartan, draws on an Afghan boy's hand in a village near Forward 120203-A-ZU930-011 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-us-army-pfc-wayne-ellis-left-with-the-3rd-platoon-alpha-battery-2nd-129518656.html
RMHEM2A8–U.S. Army Pfc. Wayne Ellis, left, with the 3rd Platoon, Alpha Battery, 2nd Battalion, 377th Parachute Field Artillery Regiment, Task Force Spartan, draws on an Afghan boy's hand in a village near Forward Operating Base Salerno, Khost province, Afghanistan, Feb. 3, 2012. (U.S. Army photo by Spc. Ken Scar/Released) U.S. Army Pfc. Wayne Ellis, left, with the 3rd Platoon, Alpha Battery, 2nd Battalion, 377th Parachute Field Artillery Regiment, Task Force Spartan, draws on an Afghan boy's hand in a village near Forward 120203-A-ZU930-011
A slightly damaged public footpath disc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-slightly-damaged-public-footpath-disc-127035706.html
RFHAJY9E–A slightly damaged public footpath disc
Arrows on the floor showing direction to go straight forward. Top view Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arrows-on-the-floor-showing-direction-to-go-straight-forward-top-view-image508872113.html
RF2MFW3G1–Arrows on the floor showing direction to go straight forward. Top view
Figurehead of a man with binoculars, Pieter Luypen, 1790 - 1810 drawing Figurehead, man whose left foot on Bol stands, holding a binoculars in the left and with the right pointing forward, with beard and hat, sash around the waist, with half -length pants and with puffed sleeves. Below that part of the bow, decorated, on the right part of the tranquility and part of the Spriet above it. Amsterdam (possibly) paper. ink parts of ship's exterior: bow. parts of ship's exterior: figure-head. telescope Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figurehead-of-a-man-with-binoculars-pieter-luypen-1790-1810-drawing-figurehead-man-whose-left-foot-on-bol-stands-holding-a-binoculars-in-the-left-and-with-the-right-pointing-forward-with-beard-and-hat-sash-around-the-waist-with-half-length-pants-and-with-puffed-sleeves-below-that-part-of-the-bow-decorated-on-the-right-part-of-the-tranquility-and-part-of-the-spriet-above-it-amsterdam-possibly-paper-ink-parts-of-ships-exterior-bow-parts-of-ships-exterior-figure-head-telescope-image590749159.html
RM2W92XG7–Figurehead of a man with binoculars, Pieter Luypen, 1790 - 1810 drawing Figurehead, man whose left foot on Bol stands, holding a binoculars in the left and with the right pointing forward, with beard and hat, sash around the waist, with half -length pants and with puffed sleeves. Below that part of the bow, decorated, on the right part of the tranquility and part of the Spriet above it. Amsterdam (possibly) paper. ink parts of ship's exterior: bow. parts of ship's exterior: figure-head. telescope
Go left or right. A man standing on the road thinking about choices, turning point, future Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/go-left-or-right-a-man-standing-on-the-road-thinking-about-choices-turning-point-future-image468309285.html
RF2J5W97H–Go left or right. A man standing on the road thinking about choices, turning point, future
Digitally painted image of two colourful sets of footprints. A concept for togetherness Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digitally-painted-image-of-two-colourful-sets-of-footprints-a-concept-for-togetherness-image212430435.html
RFP9H157–Digitally painted image of two colourful sets of footprints. A concept for togetherness
Virgin and Child Maria with child, seated on a couch, Maria sits on a profiled couch a little to the right and talks to her against her child on her left knee. It has its left foot forward and holds a pigeon by its wings. Maria's left arm passes behind the child, her right arm is bent forward. Mary, with a smiling face, wears a crown on the short veil under which the hair appears, furthermore a dress with a round neckline, which is girded above the waist and that at the point of the left shoe under the mantle, which over the knees turned to the right, reappears. The smiling child also wears a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-maria-with-child-seated-on-a-couch-maria-sits-on-a-profiled-couch-a-little-to-the-right-and-talks-to-her-against-her-child-on-her-left-knee-it-has-its-left-foot-forward-and-holds-a-pigeon-by-its-wings-marias-left-arm-passes-behind-the-child-her-right-arm-is-bent-forward-mary-with-a-smiling-face-wears-a-crown-on-the-short-veil-under-which-the-hair-appears-furthermore-a-dress-with-a-round-neckline-which-is-girded-above-the-waist-and-that-at-the-point-of-the-left-shoe-under-the-mantle-which-over-the-knees-turned-to-the-right-reappears-the-smiling-child-also-wears-a-image349975832.html
RF2B9ANMT–Virgin and Child Maria with child, seated on a couch, Maria sits on a profiled couch a little to the right and talks to her against her child on her left knee. It has its left foot forward and holds a pigeon by its wings. Maria's left arm passes behind the child, her right arm is bent forward. Mary, with a smiling face, wears a crown on the short veil under which the hair appears, furthermore a dress with a round neckline, which is girded above the waist and that at the point of the left shoe under the mantle, which over the knees turned to the right, reappears. The smiling child also wears a
Digitally painted image of two colourful sets of footprints. A concept for togetherness Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digitally-painted-image-of-two-colourful-sets-of-footprints-a-concept-for-togetherness-image215931948.html
RFPF8FB8–Digitally painted image of two colourful sets of footprints. A concept for togetherness
West Brom v Derby Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-west-brom-v-derby-107412863.html
RMG6N25K–West Brom v Derby
Standing on a junction, choosing a direction, new oppurtunity, decision making concept, following a path Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-on-a-junction-choosing-a-direction-new-oppurtunity-decision-making-concept-following-a-path-image457537274.html
RF2HGAHCX–Standing on a junction, choosing a direction, new oppurtunity, decision making concept, following a path
businessman in black shoes standing at the crossroad - four way to go - left, right, forward and backward Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-businessman-in-black-shoes-standing-at-the-crossroad-four-way-to-go-176534630.html
RFM75RM6–businessman in black shoes standing at the crossroad - four way to go - left, right, forward and backward
John Charles Scores Against England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-charles-scores-against-england-107854929.html
RMG7D61N–John Charles Scores Against England
A handbook of figure skating arranged for use on the ice; with over six hundred diagrams and illustrations . HAND-IN-HAND FIGURES Cf. pp. 65-67. Even pivot-circling can be performedby partners, e. g. join right hands, face to face, and starton the plain inside edge toe-step, left foot forward. Placethe two pivot-toes as near together as possible and describea complete circle with the left foot. Next do the outsideedge toe-step forward, left foot behind, making a completecircle. Join hands again, and repeat the same movement.(Swift & Clark, p. 72).. Fig. 329 1 of Mohawk Echelon); 2 Large of Thr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-handbook-of-figure-skating-arranged-for-use-on-the-ice-with-over-six-hundred-diagrams-and-illustrations-hand-in-hand-figures-cf-pp-65-67-even-pivot-circling-can-be-performedby-partners-e-g-join-right-hands-face-to-face-and-starton-the-plain-inside-edge-toe-step-left-foot-forward-placethe-two-pivot-toes-as-near-together-as-possible-and-describea-complete-circle-with-the-left-foot-next-do-the-outsideedge-toe-step-forward-left-foot-behind-making-a-completecircle-join-hands-again-and-repeat-the-same-movementswift-clark-p-72-fig-329-1-of-mohawk-echelon-2-large-of-thr-image339057198.html
RM2AKHAWJ–A handbook of figure skating arranged for use on the ice; with over six hundred diagrams and illustrations . HAND-IN-HAND FIGURES Cf. pp. 65-67. Even pivot-circling can be performedby partners, e. g. join right hands, face to face, and starton the plain inside edge toe-step, left foot forward. Placethe two pivot-toes as near together as possible and describea complete circle with the left foot. Next do the outsideedge toe-step forward, left foot behind, making a completecircle. Join hands again, and repeat the same movement.(Swift & Clark, p. 72).. Fig. 329 1 of Mohawk Echelon); 2 Large of Thr
Arrows message and business shoes on wooden floor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arrows-message-and-business-shoes-on-wooden-floor-117291932.html
RFGPR31G–Arrows message and business shoes on wooden floor
NO FILM, NO VIDEO, NO TV, NO DOCUMENTARY - Brazil national soccer team forward Neymar, left, and defender Dani Alves during practice on Thursday, Sept. 5, 2019, at Hard Rock Stadium in Miami Gardens, FL, USA, in preparation for international friendly against Colombia on Friday. Photo by David Santiago/Miami Herald/TNS/ABACAPRESS.COM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no-film-no-video-no-tv-no-documentary-brazil-national-soccer-team-forward-neymar-left-and-defender-dani-alves-during-practice-on-thursday-sept-5-2019-at-hard-rock-stadium-in-miami-gardens-fl-usa-in-preparation-for-international-friendly-against-colombia-on-friday-photo-by-david-santiagomiami-heraldtnsabacapresscom-image386938609.html
RM2DDEG41–NO FILM, NO VIDEO, NO TV, NO DOCUMENTARY - Brazil national soccer team forward Neymar, left, and defender Dani Alves during practice on Thursday, Sept. 5, 2019, at Hard Rock Stadium in Miami Gardens, FL, USA, in preparation for international friendly against Colombia on Friday. Photo by David Santiago/Miami Herald/TNS/ABACAPRESS.COM
Soldiers from Poland (left) and Serbia (right) conduct a joint Administrative Boundary Line foot patrol, Aug. 18, 2015, in northern Kosovo. The Polish soldiers are part of NATO's Kosovo Force peace support mission in the region, and are assigned to the Multinational Battle Group-East Forward Command Post. The patrol was conducted by soldiers from KFOR and Serbia, and also included senior leaders from each organization. KFOR conducts these routine patrols as an impartial force, in cooperation with the Serbian military, in order to ensure compliance with U.N. Security Council Resolution 1244 and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soldiers-from-poland-left-and-serbia-right-conduct-a-joint-administrative-boundary-line-foot-patrol-aug-18-2015-in-northern-kosovo-the-polish-soldiers-are-part-of-natos-kosovo-force-peace-support-mission-in-the-region-and-are-assigned-to-the-multinational-battle-group-east-forward-command-post-the-patrol-was-conducted-by-soldiers-from-kfor-and-serbia-and-also-included-senior-leaders-from-each-organization-kfor-conducts-these-routine-patrols-as-an-impartial-force-in-cooperation-with-the-serbian-military-in-order-to-ensure-compliance-with-un-security-council-resolution-1244-and-image215530010.html
RMPEJ6MA–Soldiers from Poland (left) and Serbia (right) conduct a joint Administrative Boundary Line foot patrol, Aug. 18, 2015, in northern Kosovo. The Polish soldiers are part of NATO's Kosovo Force peace support mission in the region, and are assigned to the Multinational Battle Group-East Forward Command Post. The patrol was conducted by soldiers from KFOR and Serbia, and also included senior leaders from each organization. KFOR conducts these routine patrols as an impartial force, in cooperation with the Serbian military, in order to ensure compliance with U.N. Security Council Resolution 1244 and
Christ as Salvator mundi Christ as Salvator Mundi, Christ with the bent left leg slightly forward and the right leg, the foot of which is turned outwards, backwards, with the heel detached from the ground. The right hand blesses, the left holds an open book, which is held up to the viewer. To the left of his feet is a large globe. Christ looks straight ahead, his face showing a small fold under each eye, a double-pointed beard and a long mustache, the separated, wavy hair that ends in curls falls to the back. The long shirt is included under the left arm, the sleeve at the right wrist has Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-as-salvator-mundi-christ-as-salvator-mundi-christ-with-the-bent-left-leg-slightly-forward-and-the-right-leg-the-foot-of-which-is-turned-outwards-backwards-with-the-heel-detached-from-the-ground-the-right-hand-blesses-the-left-holds-an-open-book-which-is-held-up-to-the-viewer-to-the-left-of-his-feet-is-a-large-globe-christ-looks-straight-ahead-his-face-showing-a-small-fold-under-each-eye-a-double-pointed-beard-and-a-long-mustache-the-separated-wavy-hair-that-ends-in-curls-falls-to-the-back-the-long-shirt-is-included-under-the-left-arm-the-sleeve-at-the-right-wrist-has-image261337960.html
RMW54Y6G–Christ as Salvator mundi Christ as Salvator Mundi, Christ with the bent left leg slightly forward and the right leg, the foot of which is turned outwards, backwards, with the heel detached from the ground. The right hand blesses, the left holds an open book, which is held up to the viewer. To the left of his feet is a large globe. Christ looks straight ahead, his face showing a small fold under each eye, a double-pointed beard and a long mustache, the separated, wavy hair that ends in curls falls to the back. The long shirt is included under the left arm, the sleeve at the right wrist has
Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fanny-elssler-posed-in-fourth-position-left-foot-forward-pointe-tendue-left-arm-curved-upward-right-arm-held-slightly-away-from-side-holding-castanets-the-background-is-a-cultivated-park-through-which-couples-are-strolling-and-an-archway-at-right-in-which-several-men-are-standing-watching-her-the-whole-is-enclosed-in-an-ornamental-border-la-gitana-the-new-cachoucha-danced-by-madlle-fanny-ellsler-sic-in-the-grand-ballet-la-gitana-image337206530.html
RM2AGH2AA–Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana.
NO FILM, NO VIDEO, NO TV, NO DOCUMENTARY - Cuba forward Mario Ruiz (center left) attempts to thread a pass through two USA defenders and toward the USA goal during the World Cup qualifying Soccer match, USA vs Cuba at RFK Stadium in Washington, DC, USA on October 11, 2008. USA won 6-1. Photo by Chuck Myers/MCT/ABACAPRESS.COM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no-film-no-video-no-tv-no-documentary-cuba-forward-mario-ruiz-center-left-attempts-to-thread-a-pass-through-two-usa-defenders-and-toward-the-usa-goal-during-the-world-cup-qualifying-soccer-match-usa-vs-cuba-at-rfk-stadium-in-washington-dc-usa-on-october-11-2008-usa-won-6-1-photo-by-chuck-myersmctabacapresscom-image386802618.html
RM2DD8AK6–NO FILM, NO VIDEO, NO TV, NO DOCUMENTARY - Cuba forward Mario Ruiz (center left) attempts to thread a pass through two USA defenders and toward the USA goal during the World Cup qualifying Soccer match, USA vs Cuba at RFK Stadium in Washington, DC, USA on October 11, 2008. USA won 6-1. Photo by Chuck Myers/MCT/ABACAPRESS.COM
Paris, France - 05 13 2023: Orsay Museum. Seated Dancer: Leaning Forward, Massaging Her Left Foot painted by Edgar Degas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-france-05-13-2023-orsay-museum-seated-dancer-leaning-forward-massaging-her-left-foot-painted-by-edgar-degas-image552991954.html
RF2R3JXTJ–Paris, France - 05 13 2023: Orsay Museum. Seated Dancer: Leaning Forward, Massaging Her Left Foot painted by Edgar Degas
Model on the catwalk during the Matty Bovan show during LFW AW19 held at the BFC Show Space, 180 Strand, WC2R 1EA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/model-on-the-catwalk-during-the-matty-bovan-show-during-lfw-aw19-held-at-the-bfc-show-space-180-strand-wc2r-1ea-image241475602.html
RFT0T4GJ–Model on the catwalk during the Matty Bovan show during LFW AW19 held at the BFC Show Space, 180 Strand, WC2R 1EA
Directional post set in the British countryside Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-directional-post-set-in-the-british-countryside-13100317.html
RFACB3KX–Directional post set in the British countryside
Angel with the Arma Christi, , c. 1480 On a plinth with concave sides, it is bent forward with left leg, has the head slightly to the left and forward opposite to the direction of the upper body. On the left hand, which lies under the choral mantle, he holds a tournament helmet, which he supports with the right hand and on which Christ's shirt and thorns as a helmet sign. The angel has an injured pearl band with gem for the outstanding locks. He wears Amict and Albe, which latter is docked around, which releases part of the left foot. The choral mantle with a brush on the hood and with frills Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angel-with-the-arma-christi-c-1480-on-a-plinth-with-concave-sides-it-is-bent-forward-with-left-leg-has-the-head-slightly-to-the-left-and-forward-opposite-to-the-direction-of-the-upper-body-on-the-left-hand-which-lies-under-the-choral-mantle-he-holds-a-tournament-helmet-which-he-supports-with-the-right-hand-and-on-which-christs-shirt-and-thorns-as-a-helmet-sign-the-angel-has-an-injured-pearl-band-with-gem-for-the-outstanding-locks-he-wears-amict-and-albe-which-latter-is-docked-around-which-releases-part-of-the-left-foot-the-choral-mantle-with-a-brush-on-the-hood-and-with-frills-image576523516.html
RM2TDXWHG–Angel with the Arma Christi, , c. 1480 On a plinth with concave sides, it is bent forward with left leg, has the head slightly to the left and forward opposite to the direction of the upper body. On the left hand, which lies under the choral mantle, he holds a tournament helmet, which he supports with the right hand and on which Christ's shirt and thorns as a helmet sign. The angel has an injured pearl band with gem for the outstanding locks. He wears Amict and Albe, which latter is docked around, which releases part of the left foot. The choral mantle with a brush on the hood and with frills
A footprint in the sand at the shore Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-footprint-in-the-sand-at-the-shore-87194008.html
RFF1T0RM–A footprint in the sand at the shore
Bronze statuette of a warrior 5th century B.C. Etruscan The small warrior strides forward, brandishing a bent spear held in his right hand. His left arm is lowered and held beside his thigh; perhaps originally, he held a shield in his left hand. He wears an incised crested helmet with raised cheek- pieces, a breastplate, and greaves decorated with spiral patterns. A tang extends from the bottom of each foot, indicating that the statuette was originally mounted on a wooden or clay base.. Bronze statuette of a warrior 246433 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-statuette-of-a-warrior-5th-century-bc-etruscan-the-small-warrior-strides-forward-brandishing-a-bent-spear-held-in-his-right-hand-his-left-arm-is-lowered-and-held-beside-his-thigh-perhaps-originally-he-held-a-shield-in-his-left-hand-he-wears-an-incised-crested-helmet-with-raised-cheek-pieces-a-breastplate-and-greaves-decorated-with-spiral-patterns-a-tang-extends-from-the-bottom-of-each-foot-indicating-that-the-statuette-was-originally-mounted-on-a-wooden-or-clay-base-bronze-statuette-of-a-warrior-246433-image458185487.html
RM2HHC47B–Bronze statuette of a warrior 5th century B.C. Etruscan The small warrior strides forward, brandishing a bent spear held in his right hand. His left arm is lowered and held beside his thigh; perhaps originally, he held a shield in his left hand. He wears an incised crested helmet with raised cheek- pieces, a breastplate, and greaves decorated with spiral patterns. A tang extends from the bottom of each foot, indicating that the statuette was originally mounted on a wooden or clay base.. Bronze statuette of a warrior 246433
Floating angel, The angel holds an indefinable object in front of her (a fragment of). He has raised the left leg with the knee forward and the other with his foot swinging backwards. The upper part of the other wing is visible behind the nimbus. The angel wears over an undergarment, of which only the sleeves and part of the skirt can be seen through a split in the upper garment (according to the colors), a second garment with half sleeves and a collar. That is what the sleeveless outer garment is about, which is looped around the waist and hips. A part of this garment protruding backwards is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/floating-angel-the-angel-holds-an-indefinable-object-in-front-of-her-a-fragment-of-he-has-raised-the-left-leg-with-the-knee-forward-and-the-other-with-his-foot-swinging-backwards-the-upper-part-of-the-other-wing-is-visible-behind-the-nimbus-the-angel-wears-over-an-undergarment-of-which-only-the-sleeves-and-part-of-the-skirt-can-be-seen-through-a-split-in-the-upper-garment-according-to-the-colors-a-second-garment-with-half-sleeves-and-a-collar-that-is-what-the-sleeveless-outer-garment-is-about-which-is-looped-around-the-waist-and-hips-a-part-of-this-garment-protruding-backwards-is-image349948231.html
RF2B99EF3–Floating angel, The angel holds an indefinable object in front of her (a fragment of). He has raised the left leg with the knee forward and the other with his foot swinging backwards. The upper part of the other wing is visible behind the nimbus. The angel wears over an undergarment, of which only the sleeves and part of the skirt can be seen through a split in the upper garment (according to the colors), a second garment with half sleeves and a collar. That is what the sleeveless outer garment is about, which is looped around the waist and hips. A part of this garment protruding backwards is
Rowel Spur (Left) early 16th century German Around 1400, the length of the rowel spurs’ necks started to increase in western Europe, some examples extending even as long as the rider’s foot in the 15th century. At this period, the elevated war saddles and the very specific riding style, with long stirrup leathers and legs extended forward, had the consequence of taking away the rider’s feet from the horse’s flank. Thus, these long necks gave them easier access without having to disturb the rider’s position too much. As the riding position changed at war in the first decades of the 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rowel-spur-left-early-16th-century-german-around-1400-the-length-of-the-rowel-spurs-necks-started-to-increase-in-western-europe-some-examples-extending-even-as-long-as-the-riders-foot-in-the-15th-century-at-this-period-the-elevated-war-saddles-and-the-very-specific-riding-style-with-long-stirrup-leathers-and-legs-extended-forward-had-the-consequence-of-taking-away-the-riders-feet-from-the-horses-flank-thus-these-long-necks-gave-them-easier-access-without-having-to-disturb-the-riders-position-too-much-as-the-riding-position-changed-at-war-in-the-first-decades-of-the-16th-century-image457784343.html
RM2HGNTGR–Rowel Spur (Left) early 16th century German Around 1400, the length of the rowel spurs’ necks started to increase in western Europe, some examples extending even as long as the rider’s foot in the 15th century. At this period, the elevated war saddles and the very specific riding style, with long stirrup leathers and legs extended forward, had the consequence of taking away the rider’s feet from the horse’s flank. Thus, these long necks gave them easier access without having to disturb the rider’s position too much. As the riding position changed at war in the first decades of the 16th century
Digitally painted image of two colourful sets of footprints. A concept for togetherness Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digitally-painted-image-of-two-colourful-sets-of-footprints-a-concept-for-togetherness-image212430419.html
RFP9H14K–Digitally painted image of two colourful sets of footprints. A concept for togetherness
Opening of the Canal from Terneuzen to Ghent 1827, Joseph Pierre Braemt, 1827 history medal Bronze medal of opening of the Canal from Terneuzen to Ghent, in honor of William I Frederik, King of the Netherlands, Penning offered by the States of East Flanders and Zeeland and the Council of Ghent to Cornelis. Front: breastpiece man inside change. Reverse: Neptunus, leaning on Trietand, stands with a foot on the front of antique ship and points forward with stretched right arm; At his feet, Ceres is with stuffed horn of abundance and corners; Left opened lock inside Covering; Cut: Inscription. Ori Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/opening-of-the-canal-from-terneuzen-to-ghent-1827-joseph-pierre-braemt-1827-history-medal-bronze-medal-of-opening-of-the-canal-from-terneuzen-to-ghent-in-honor-of-william-i-frederik-king-of-the-netherlands-penning-offered-by-the-states-of-east-flanders-and-zeeland-and-the-council-of-ghent-to-cornelis-front-breastpiece-man-inside-change-reverse-neptunus-leaning-on-trietand-stands-with-a-foot-on-the-front-of-antique-ship-and-points-forward-with-stretched-right-arm-at-his-feet-ceres-is-with-stuffed-horn-of-abundance-and-corners-left-opened-lock-inside-covering-cut-inscription-ori-image590760129.html
RM2W93CG1–Opening of the Canal from Terneuzen to Ghent 1827, Joseph Pierre Braemt, 1827 history medal Bronze medal of opening of the Canal from Terneuzen to Ghent, in honor of William I Frederik, King of the Netherlands, Penning offered by the States of East Flanders and Zeeland and the Council of Ghent to Cornelis. Front: breastpiece man inside change. Reverse: Neptunus, leaning on Trietand, stands with a foot on the front of antique ship and points forward with stretched right arm; At his feet, Ceres is with stuffed horn of abundance and corners; Left opened lock inside Covering; Cut: Inscription. Ori
Wolverine (Gulo gulo) or Glutton. Largest member of the Weasel family, Mustelidae. Found in Northern Europe, Canada, Alaska. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wolverine-gulo-gulo-or-glutton-largest-member-of-the-weasel-family-80528146.html
RMEK0AD6–Wolverine (Gulo gulo) or Glutton. Largest member of the Weasel family, Mustelidae. Found in Northern Europe, Canada, Alaska.
footprint in sand Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-footprint-in-sand-13318408.html
RMAD68PH–footprint in sand
Syllabus of physical exercises for schools . Left foot forward on the toe—place.Recover—place. (Heels—raise.) Arms—fling. Arms- hend.(Heel—lower.) SERIES B. 107 TABLE 32. EXERCISES. time withMarching. KNEE a. Marking RAISING b. Head bending (Hips firm.) c. Breathing. Arm sideways. a. TriNk bending (Arms bend.) b. Trunk bending AND DOWNWARD. A.STRIDE, ARMS STRETCH.) Arm stretching upward, forward and downward. Toe support pl.acing back-ward. (Hips firm.)*Arm flinging. (Feet close,arms across bend, tru.xkforward bend.) SIDEWAYS. backward. forward( Feet UPWARD. Trunk bending(Feet astride,upward, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/syllabus-of-physical-exercises-for-schools-left-foot-forward-on-the-toeplacerecoverplace-heelsraise-armsfling-arms-hendheellower-series-b-107-table-32-exercises-time-withmarching-knee-a-marking-raising-b-head-bending-hips-firm-c-breathing-arm-sideways-a-trink-bending-arms-bend-b-trunk-bending-and-downward-astride-arms-stretch-arm-stretching-upward-forward-and-downward-toe-support-placing-back-ward-hips-firmarm-flinging-feet-closearms-across-bend-truxkforward-bend-sideways-backward-forward-feet-upward-trunk-bendingfeet-astrideupward-image338163127.html
RM2AJ4JEF–Syllabus of physical exercises for schools . Left foot forward on the toe—place.Recover—place. (Heels—raise.) Arms—fling. Arms- hend.(Heel—lower.) SERIES B. 107 TABLE 32. EXERCISES. time withMarching. KNEE a. Marking RAISING b. Head bending (Hips firm.) c. Breathing. Arm sideways. a. TriNk bending (Arms bend.) b. Trunk bending AND DOWNWARD. A.STRIDE, ARMS STRETCH.) Arm stretching upward, forward and downward. Toe support pl.acing back-ward. (Hips firm.)*Arm flinging. (Feet close,arms across bend, tru.xkforward bend.) SIDEWAYS. backward. forward( Feet UPWARD. Trunk bending(Feet astride,upward,
Arrows message and business shoes on wooden floor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arrows-message-and-business-shoes-on-wooden-floor-117291930.html
RFGPR31E–Arrows message and business shoes on wooden floor
Girl in starting position for stretching exercise for the back of the left leg in standing position Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-girl-in-starting-position-for-stretching-exercise-for-the-back-of-25122020.html
RMBCTBB0–Girl in starting position for stretching exercise for the back of the left leg in standing position
Soldiers from Poland (left) and Serbia (right) conduct a joint Administrative Boundary Line foot patrol, Aug. 18, 2015, in northern Kosovo. The Polish soldiers are part of NATO's Kosovo Force peace support mission in the region, and are assigned to the Multinational Battle Group-East Forward Command Post. The patrol was conducted by soldiers from KFOR and Serbia, and also included senior leaders from each organization. KFOR conducts these routine patrols as an impartial force, in cooperation with the Serbian military, in order to ensure compliance with U.N. Security Council Resolution 1244 and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soldiers-from-poland-left-and-serbia-right-conduct-a-joint-administrative-boundary-line-foot-patrol-aug-18-2015-in-northern-kosovo-the-polish-soldiers-are-part-of-natos-kosovo-force-peace-support-mission-in-the-region-and-are-assigned-to-the-multinational-battle-group-east-forward-command-post-the-patrol-was-conducted-by-soldiers-from-kfor-and-serbia-and-also-included-senior-leaders-from-each-organization-kfor-conducts-these-routine-patrols-as-an-impartial-force-in-cooperation-with-the-serbian-military-in-order-to-ensure-compliance-with-un-security-council-resolution-1244-and-image215530009.html
RMPEJ6M9–Soldiers from Poland (left) and Serbia (right) conduct a joint Administrative Boundary Line foot patrol, Aug. 18, 2015, in northern Kosovo. The Polish soldiers are part of NATO's Kosovo Force peace support mission in the region, and are assigned to the Multinational Battle Group-East Forward Command Post. The patrol was conducted by soldiers from KFOR and Serbia, and also included senior leaders from each organization. KFOR conducts these routine patrols as an impartial force, in cooperation with the Serbian military, in order to ensure compliance with U.N. Security Council Resolution 1244 and
Diana the Huntress Diana on the hunt, Diana is depicted in a rushing position on a square plinth. She stands slightly forward on the left leg and has the right foot backwards and off the ground. With one hand she grasps back over the shoulder for an arrow in the quiver hanging on her back, in the other hand she holds the bow. She is accompanied on her left by a hazy wind, looking up at her. She is wearing a diadem and sandals and is dressed in a large hanging chiton, which is included at the waist and partially concealed under the rolled up cloak, which hangs from her left shoulder and is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/diana-the-huntress-diana-on-the-hunt-diana-is-depicted-in-a-rushing-position-on-a-square-plinth-she-stands-slightly-forward-on-the-left-leg-and-has-the-right-foot-backwards-and-off-the-ground-with-one-hand-she-grasps-back-over-the-shoulder-for-an-arrow-in-the-quiver-hanging-on-her-back-in-the-other-hand-she-holds-the-bow-she-is-accompanied-on-her-left-by-a-hazy-wind-looking-up-at-her-she-is-wearing-a-diadem-and-sandals-and-is-dressed-in-a-large-hanging-chiton-which-is-included-at-the-waist-and-partially-concealed-under-the-rolled-up-cloak-which-hangs-from-her-left-shoulder-and-is-image261351951.html
RMW55H27–Diana the Huntress Diana on the hunt, Diana is depicted in a rushing position on a square plinth. She stands slightly forward on the left leg and has the right foot backwards and off the ground. With one hand she grasps back over the shoulder for an arrow in the quiver hanging on her back, in the other hand she holds the bow. She is accompanied on her left by a hazy wind, looking up at her. She is wearing a diadem and sandals and is dressed in a large hanging chiton, which is included at the waist and partially concealed under the rolled up cloak, which hangs from her left shoulder and is
Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fanny-elssler-posed-in-fourth-position-left-foot-forward-pointe-tendue-left-arm-curved-upward-right-arm-held-slightly-away-from-side-holding-castanets-the-background-is-a-cultivated-park-through-which-couples-are-strolling-and-an-archway-at-right-in-which-several-men-are-standing-watching-her-the-whole-is-enclosed-in-an-ornamental-border-la-gitana-the-new-cachoucha-danced-by-madlle-fanny-ellsler-sic-in-the-grand-ballet-la-gitana-image337206528.html
RM2AGH2A8–Fanny Elssler posed in fourth position, left foot forward pointe tendue, left arm curved upward, right arm held slightly away from side, holding castanets. The background is a cultivated park, through which couples are strolling and an archway at right in which several men are standing watching her. The whole is enclosed in an ornamental border.; La gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana.
Dessiné par [Emile?] Wattier; gravé par Mme. König. Noblet in Filippo Taglioni's opera ballet Gustave III, premiered at the Paris Opéra, Feb. 27, 1833. Full length, looking right, left foot forward, right hand at hip; costumed as a female jester holding fool's scepter. Printed commentary from Galerie théâtrale included with engraving.; Melle. Noblet, rôle de Folie, dans Gustave III; ou Le bal masqué, Acc'ie r'le de musique Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dessin-par-emile-wattier-grav-par-mme-knig-noblet-in-filippo-taglionis-opera-ballet-gustave-iii-premiered-at-the-paris-opra-feb-27-1833-full-length-looking-right-left-foot-forward-right-hand-at-hip-costumed-as-a-female-jester-holding-fools-scepter-printed-commentary-from-galerie-thtrale-included-with-engraving-melle-noblet-rle-de-folie-dans-gustave-iii-ou-le-bal-masqu-accie-rle-de-musique-image337241799.html
RM2AGJK9Y–Dessiné par [Emile?] Wattier; gravé par Mme. König. Noblet in Filippo Taglioni's opera ballet Gustave III, premiered at the Paris Opéra, Feb. 27, 1833. Full length, looking right, left foot forward, right hand at hip; costumed as a female jester holding fool's scepter. Printed commentary from Galerie théâtrale included with engraving.; Melle. Noblet, rôle de Folie, dans Gustave III; ou Le bal masqué, Acc'ie r'le de musique
Model on the catwalk during the Matty Bovan show during LFW AW19 held at the BFC Show Space, 180 Strand, WC2R 1EA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/model-on-the-catwalk-during-the-matty-bovan-show-during-lfw-aw19-held-at-the-bfc-show-space-180-strand-wc2r-1ea-image241475714.html
RFT0T4MJ–Model on the catwalk during the Matty Bovan show during LFW AW19 held at the BFC Show Space, 180 Strand, WC2R 1EA
Woman walking down stairs, high heels at bottom of staircase Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-walking-down-stairs-high-heels-at-bottom-of-staircase-25026346.html
RMBCM1A2–Woman walking down stairs, high heels at bottom of staircase
The choice to walk. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-choice-to-walk-147167070.html
RFJFC12P–The choice to walk.
Female mannequin wearing a checked fashion shoe amid crates of oranges on display in West End fashion store window London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-female-mannequin-wearing-a-checked-fashion-shoe-amid-crates-of-oranges-13807992.html
RMAF29TW–Female mannequin wearing a checked fashion shoe amid crates of oranges on display in West End fashion store window London
well worn walking shoes on asphalt road with tree arrows in different directios ,concept decisions direction. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/well-worn-walking-shoes-on-asphalt-road-with-tree-arrows-in-different-directios-concept-decisions-direction-image332594288.html
RF2A92YBC–well worn walking shoes on asphalt road with tree arrows in different directios ,concept decisions direction.
Crucifix Corpus Christi, Christ's head hangs slightly forward and to the left, the knees are bent slightly, the right foot is attached to the left with a nail. The parted hair falls in tresses on the shoulders, but leaves part of the ears free, the loincloth is knotted on the right hip and runs from the back. On the temples a slight hollow for the crown of thorns, Christ on the cross on Calvary (alone, without bystanders), Christ suffering (with crown of thorns, head usually turned sidewards), anonymous, France, c. 1260, walnut (hardwood), gilding, h 104.0 cm, Reimagined by Gibon, design of wa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crucifix-corpus-christi-christs-head-hangs-slightly-forward-and-to-the-left-the-knees-are-bent-slightly-the-right-foot-is-attached-to-the-left-with-a-nail-the-parted-hair-falls-in-tresses-on-the-shoulders-but-leaves-part-of-the-ears-free-the-loincloth-is-knotted-on-the-right-hip-and-runs-from-the-back-on-the-temples-a-slight-hollow-for-the-crown-of-thorns-christ-on-the-cross-on-calvary-alone-without-bystanders-christ-suffering-with-crown-of-thorns-head-usually-turned-sidewards-anonymous-france-c-1260-walnut-hardwood-gilding-h-1040-cm-reimagined-by-gibon-design-of-wa-image349952783.html
RF2B99M9K–Crucifix Corpus Christi, Christ's head hangs slightly forward and to the left, the knees are bent slightly, the right foot is attached to the left with a nail. The parted hair falls in tresses on the shoulders, but leaves part of the ears free, the loincloth is knotted on the right hip and runs from the back. On the temples a slight hollow for the crown of thorns, Christ on the cross on Calvary (alone, without bystanders), Christ suffering (with crown of thorns, head usually turned sidewards), anonymous, France, c. 1260, walnut (hardwood), gilding, h 104.0 cm, Reimagined by Gibon, design of wa
Digitally painted image of two colourful sets of footprints in sand . A concept for togetherness Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digitally-painted-image-of-two-colourful-sets-of-footprints-in-sand-a-concept-for-togetherness-image212430494.html
RFP9H17A–Digitally painted image of two colourful sets of footprints in sand . A concept for togetherness
KENNEDY SPACE CENTER, FLA. - Inside the Vehicle Assembly Building, a technician (left, center) watches the progress of the External Tank as it is lowered between the Solid Rocket Boosters (SRBs) on the Mobile Launcher Platform. The ET, designated for the Return to Flight mission STS-114, will be mated to the SRBs for launch. The 154-foot long ET is recently redesigned to meet recommendations of the Columbia Accident Investigation Board before returning to flight. Among dozens of changes is a redesigned forward bipod fitting to reduce the risk to the Space Shuttle from falling debris during asc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kennedy-space-center-fla-inside-the-vehicle-assembly-building-a-technician-left-center-watches-the-progress-of-the-external-tank-as-it-is-lowered-between-the-solid-rocket-boosters-srbs-on-the-mobile-launcher-platform-the-et-designated-for-the-return-to-flight-mission-sts-114-will-be-mated-to-the-srbs-for-launch-the-154-foot-long-et-is-recently-redesigned-to-meet-recommendations-of-the-columbia-accident-investigation-board-before-returning-to-flight-among-dozens-of-changes-is-a-redesigned-forward-bipod-fitting-to-reduce-the-risk-to-the-space-shuttle-from-falling-debris-during-asc-image592379925.html
RM2WBN6HW–KENNEDY SPACE CENTER, FLA. - Inside the Vehicle Assembly Building, a technician (left, center) watches the progress of the External Tank as it is lowered between the Solid Rocket Boosters (SRBs) on the Mobile Launcher Platform. The ET, designated for the Return to Flight mission STS-114, will be mated to the SRBs for launch. The 154-foot long ET is recently redesigned to meet recommendations of the Columbia Accident Investigation Board before returning to flight. Among dozens of changes is a redesigned forward bipod fitting to reduce the risk to the Space Shuttle from falling debris during asc
Wolverine (Gulo gulo) or Glutton. Largest member of the Weasel family, Mustelidae. Found in Northern Europe, Canada, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wolverine-gulo-gulo-or-glutton-largest-member-of-the-weasel-family-80528387.html
RMEK0ANR–Wolverine (Gulo gulo) or Glutton. Largest member of the Weasel family, Mustelidae. Found in Northern Europe, Canada, Russia.
Digitally painted image of a colourful set of footprints on white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digitally-painted-image-of-a-colourful-set-of-footprints-on-white-background-image214376373.html
RFPCNK71–Digitally painted image of a colourful set of footprints on white background
A handbook of figure skating arranged for use on the ice; with over six hundred diagrams and illustrations . ^—11- 326, h— Pivot Trefoil324,. you may space thisStar into Mr. Hills Ballof Twine, Fig. 325. Figs.326-8 are self-explanatory.. HAND-IN-HAND FIGURES Cf. pp. 65-67. Even pivot-circling can be performedby partners, e. g. join right hands, face to face, and starton the plain inside edge toe-step, left foot forward. Placethe two pivot-toes as near together as possible and describea complete circle with the left foot. Next do the outsideedge toe-step forward, left foot behind, making a comp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-handbook-of-figure-skating-arranged-for-use-on-the-ice-with-over-six-hundred-diagrams-and-illustrations-11-326-h-pivot-trefoil324-you-may-space-thisstar-into-mr-hills-ballof-twine-fig-325-figs326-8-are-self-explanatory-hand-in-hand-figures-cf-pp-65-67-even-pivot-circling-can-be-performedby-partners-e-g-join-right-hands-face-to-face-and-starton-the-plain-inside-edge-toe-step-left-foot-forward-placethe-two-pivot-toes-as-near-together-as-possible-and-describea-complete-circle-with-the-left-foot-next-do-the-outsideedge-toe-step-forward-left-foot-behind-making-a-comp-image339057366.html
RM2AKHB3J–A handbook of figure skating arranged for use on the ice; with over six hundred diagrams and illustrations . ^—11- 326, h— Pivot Trefoil324,. you may space thisStar into Mr. Hills Ballof Twine, Fig. 325. Figs.326-8 are self-explanatory.. HAND-IN-HAND FIGURES Cf. pp. 65-67. Even pivot-circling can be performedby partners, e. g. join right hands, face to face, and starton the plain inside edge toe-step, left foot forward. Placethe two pivot-toes as near together as possible and describea complete circle with the left foot. Next do the outsideedge toe-step forward, left foot behind, making a comp
Arrows message and business shoes on wooden floor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arrows-message-and-business-shoes-on-wooden-floor-117291927.html
RFGPR31B–Arrows message and business shoes on wooden floor
Girl wear red shoes walking towards with yellow traffic arrow signage on an asphalt road background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-wear-red-shoes-walking-towards-with-yellow-traffic-arrow-signage-on-an-asphalt-road-background-image444071719.html
RF2GPD607–Girl wear red shoes walking towards with yellow traffic arrow signage on an asphalt road background
Unit leaders from Poland (right) and Serbia (left) discuss their units' ongoing joint Administrative Boundary Line foot patrol, Aug. 18, 2015, in northern Kosovo. The Polish soldiers are part of NATO's Kosovo Force peace support mission in the region, and are assigned to the Multinational Battle Group-East Forward Command Post. The patrol was conducted by soldiers from KFOR and Serbia, and also included senior leaders from each organization. KFOR conducts these routine patrols as an impartial force, in cooperation with the Serbian military, in order to ensure compliance with U.N. Security Coun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unit-leaders-from-poland-right-and-serbia-left-discuss-their-units-ongoing-joint-administrative-boundary-line-foot-patrol-aug-18-2015-in-northern-kosovo-the-polish-soldiers-are-part-of-natos-kosovo-force-peace-support-mission-in-the-region-and-are-assigned-to-the-multinational-battle-group-east-forward-command-post-the-patrol-was-conducted-by-soldiers-from-kfor-and-serbia-and-also-included-senior-leaders-from-each-organization-kfor-conducts-these-routine-patrols-as-an-impartial-force-in-cooperation-with-the-serbian-military-in-order-to-ensure-compliance-with-un-security-coun-image215530007.html
RMPEJ6M7–Unit leaders from Poland (right) and Serbia (left) discuss their units' ongoing joint Administrative Boundary Line foot patrol, Aug. 18, 2015, in northern Kosovo. The Polish soldiers are part of NATO's Kosovo Force peace support mission in the region, and are assigned to the Multinational Battle Group-East Forward Command Post. The patrol was conducted by soldiers from KFOR and Serbia, and also included senior leaders from each organization. KFOR conducts these routine patrols as an impartial force, in cooperation with the Serbian military, in order to ensure compliance with U.N. Security Coun
Virgin and Child Standing Mary with child, Mary is standing with the right leg slightly forward with the foot out and the left leg bent for a moment, with her upper body and head tilted backwards, she moved away from the child sitting on her left arm, on which her gaze was fixed. The child has raised one leg, holds a fruit in the left hand and in the other Maria's veil, which hangs on her back in a point. Maria is dressed in a robe with a round neckline that falls down to the rectangular skirting, but leaves the shoe tips free. The large cloak hangs from the shoulder, which is turned to Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-standing-mary-with-child-mary-is-standing-with-the-right-leg-slightly-forward-with-the-foot-out-and-the-left-leg-bent-for-a-moment-with-her-upper-body-and-head-tilted-backwards-she-moved-away-from-the-child-sitting-on-her-left-arm-on-which-her-gaze-was-fixed-the-child-has-raised-one-leg-holds-a-fruit-in-the-left-hand-and-in-the-other-marias-veil-which-hangs-on-her-back-in-a-point-maria-is-dressed-in-a-robe-with-a-round-neckline-that-falls-down-to-the-rectangular-skirting-but-leaves-the-shoe-tips-free-the-large-cloak-hangs-from-the-shoulder-which-is-turned-to-image261362840.html
RMW562Y4–Virgin and Child Standing Mary with child, Mary is standing with the right leg slightly forward with the foot out and the left leg bent for a moment, with her upper body and head tilted backwards, she moved away from the child sitting on her left arm, on which her gaze was fixed. The child has raised one leg, holds a fruit in the left hand and in the other Maria's veil, which hangs on her back in a point. Maria is dressed in a robe with a round neckline that falls down to the rectangular skirting, but leaves the shoe tips free. The large cloak hangs from the shoulder, which is turned to
Standing on a junction, choosing a direction, new oppurtunity, decision making concept, following a path Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-on-a-junction-choosing-a-direction-new-oppurtunity-decision-making-concept-following-a-path-image483614411.html
RF2K2PF37–Standing on a junction, choosing a direction, new oppurtunity, decision making concept, following a path