SAVE 40% ON SINGLE IMAGE PURCHASES - OFFER ENDS SOON, USE CODE: SAVEIMAGE40%
Quick filters:
Page 1 of 4
Late joseon korea Stock Photos and Images
Heungseon Daewongun (?????, 1820 - 1898; lit. 'Grand Internal Prince Heungseon') was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s. Until his death, Yi Ha-Eung was a key political figure of late Joseon Korea. He had to solve the difficult problems of a new world historical trend and reconstruction of the impoverished nation at once. Daewongun literally translates as 'prince of the great court', a title customarily granted to the father of the reigning monarch when that father did not reign himself (usually because his son had been adopted as h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heungseon-daewongun-1820-1898-lit-grand-internal-prince-heungseon-was-the-title-of-yi-ha-eung-the-regent-of-joseon-during-the-minority-of-emperor-gojong-in-the-1860s-until-his-death-yi-ha-eung-was-a-key-political-figure-of-late-joseon-korea-he-had-to-solve-the-difficult-problems-of-a-new-world-historical-trend-and-reconstruction-of-the-impoverished-nation-at-once-daewongun-literally-translates-as-prince-of-the-great-court-a-title-customarily-granted-to-the-father-of-the-reigning-monarch-when-that-father-did-not-reign-himself-usually-because-his-son-had-been-adopted-as-h-image482123950.htmlRM2K0AJ0E–Heungseon Daewongun (?????, 1820 - 1898; lit. 'Grand Internal Prince Heungseon') was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s. Until his death, Yi Ha-Eung was a key political figure of late Joseon Korea. He had to solve the difficult problems of a new world historical trend and reconstruction of the impoverished nation at once. Daewongun literally translates as 'prince of the great court', a title customarily granted to the father of the reigning monarch when that father did not reign himself (usually because his son had been adopted as h
Heungseon Daewongun (흥선대원군, 1820–1898) or The Daewongun (대원군), Guktaegong (국태공, ‘The Great Archduke’), also known to period western diplomats as Prince Gung, was the title of Li Ha-eung, regent of Joseon during the minority of King Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Daewongun literally translates as 'prince of the great court', a title customarily granted to the father of the reigning monarch when that father did not reign himself (usually because his son had been adopted as heir of a relative who did reign). While there had been three other D Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heungseon-daewongun-18201898-or-the-daewongun-guktaegong-the-great-archduke-also-known-to-period-western-diplomats-as-prince-gung-was-the-title-of-li-ha-eung-regent-of-joseon-during-the-minority-of-king-gojong-in-the-1860s-and-until-his-death-a-key-political-figure-of-late-joseon-korea-daewongun-literally-translates-as-prince-of-the-great-court-a-title-customarily-granted-to-the-father-of-the-reigning-monarch-when-that-father-did-not-reign-himself-usually-because-his-son-had-been-adopted-as-heir-of-a-relative-who-did-reign-while-there-had-been-three-other-d-image344263189.htmlRM2B02F5W–Heungseon Daewongun (흥선대원군, 1820–1898) or The Daewongun (대원군), Guktaegong (국태공, ‘The Great Archduke’), also known to period western diplomats as Prince Gung, was the title of Li Ha-eung, regent of Joseon during the minority of King Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Daewongun literally translates as 'prince of the great court', a title customarily granted to the father of the reigning monarch when that father did not reign himself (usually because his son had been adopted as heir of a relative who did reign). While there had been three other D
The Daewongun, photographed by Homer B. Hulbert (1863-1949) in 1898. Heungseon Daewongun (1820 - 1898), also known as Prince Gung, was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-daewongun-photographed-by-homer-b-hulbert-1863-1949-in-1898-heungseon-daewongun-1820-1898-also-known-as-prince-gung-was-the-title-of-yi-ha-eung-the-regent-of-joseon-during-the-minority-of-emperor-gojong-in-the-1860s-and-until-his-death-a-key-political-figure-of-late-joseon-korea-image482104848.htmlRM2K09NJ8–The Daewongun, photographed by Homer B. Hulbert (1863-1949) in 1898. Heungseon Daewongun (1820 - 1898), also known as Prince Gung, was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea.
Heungseon Daewongun (흥선대원군, 1820–1898) or The Daewongun (대원군), Guktaegong (국태공, ‘The Great Archduke’), also known to period western diplomats as Prince Gung, was the title of Li Ha-eung, regent of Joseon during the minority of King Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Daewongun literally translates as 'prince of the great court', a title customarily granted to the father of the reigning monarch when that father did not reign himself (usually because his son had been adopted as heir of a relative who did reign). While there had been three other D Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heungseon-daewongun-18201898-or-the-daewongun-guktaegong-the-great-archduke-also-known-to-period-western-diplomats-as-prince-gung-was-the-title-of-li-ha-eung-regent-of-joseon-during-the-minority-of-king-gojong-in-the-1860s-and-until-his-death-a-key-political-figure-of-late-joseon-korea-daewongun-literally-translates-as-prince-of-the-great-court-a-title-customarily-granted-to-the-father-of-the-reigning-monarch-when-that-father-did-not-reign-himself-usually-because-his-son-had-been-adopted-as-heir-of-a-relative-who-did-reign-while-there-had-been-three-other-d-image344263167.htmlRM2B02F53–Heungseon Daewongun (흥선대원군, 1820–1898) or The Daewongun (대원군), Guktaegong (국태공, ‘The Great Archduke’), also known to period western diplomats as Prince Gung, was the title of Li Ha-eung, regent of Joseon during the minority of King Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Daewongun literally translates as 'prince of the great court', a title customarily granted to the father of the reigning monarch when that father did not reign himself (usually because his son had been adopted as heir of a relative who did reign). While there had been three other D
Portrait of Gojong of Korea, the first emperor of Korea, Late Joseon Era Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-gojong-of-korea-the-first-emperor-of-korea-late-joseon-era-image482123024.htmlRM2K0AGRC–Portrait of Gojong of Korea, the first emperor of Korea, Late Joseon Era
Tiger Family, late 1800s. Korea, Joseon dynasty (1392-1910) - In deep mountains where old pine trees grow, a tigress, her two cubs, and a leopard welcome the rising sun. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tiger-family-late-1800s-korea-joseon-dynasty-1392-1910-in-deep-mountains-where-old-pine-trees-grow-a-tigress-her-two-cubs-and-a-leopard-welcome-the-rising-sun-image356483711.htmlRM2BKY6H3–Tiger Family, late 1800s. Korea, Joseon dynasty (1392-1910) - In deep mountains where old pine trees grow, a tigress, her two cubs, and a leopard welcome the rising sun.
Heungseon Daewongun (1820 - 1898). Grand Internal Prince Heungseon, also known as the Daewongun Guktaegong, Great Archduke, Prince Gung, was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heungseon-daewongun-1820-1898-grand-internal-prince-heungseon-also-known-as-the-daewongun-guktaegong-great-archduke-prince-gung-was-the-title-of-yi-ha-eung-the-regent-of-joseon-during-the-minority-of-emperor-gojong-in-the-1860s-and-until-his-death-a-key-political-figure-of-late-joseon-korea-image482200152.htmlRM2K0E360–Heungseon Daewongun (1820 - 1898). Grand Internal Prince Heungseon, also known as the Daewongun Guktaegong, Great Archduke, Prince Gung, was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea.
Royal Ceremonial Costume and Accessories, late 1800s-early 1900s. Korea, Joseon dynasty (1392-1910). Gilded paper, wire, black silk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-ceremonial-costume-and-accessories-late-1800s-early-1900s-korea-joseon-dynasty-1392-1910-gilded-paper-wire-black-silk-image240374869.htmlRMRY20GN–Royal Ceremonial Costume and Accessories, late 1800s-early 1900s. Korea, Joseon dynasty (1392-1910). Gilded paper, wire, black silk
Korea: Samyeongdang (1544-1610), Buddhist monk. Hanging scroll silk painting, late Joseon period. Samyeong Daesa, also known by his pen name Song-un and his dharma name Yujeong, was a Buddhist monk during the Joseon era. Becoming a monk after the deaths of his parents, travelling across to Korea to learn at various temples. When Japanese invasions of Korea (1592-1598) started, he joined preceptor Hyujeon's righteous army of monks, eventually taking over leadership of the monastic militia. After the war, he travelled to Japan in 1604 to forge a peace accord and returned with 3500 Korean POWs. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-samyeongdang-1544-1610-buddhist-monk-hanging-scroll-silk-painting-late-joseon-period-samyeong-daesa-also-known-by-his-pen-name-song-un-and-his-dharma-name-yujeong-was-a-buddhist-monk-during-the-joseon-era-becoming-a-monk-after-the-deaths-of-his-parents-travelling-across-to-korea-to-learn-at-various-temples-when-japanese-invasions-of-korea-1592-1598-started-he-joined-preceptor-hyujeons-righteous-army-of-monks-eventually-taking-over-leadership-of-the-monastic-militia-after-the-war-he-travelled-to-japan-in-1604-to-forge-a-peace-accord-and-returned-with-3500-korean-pows-image344239551.htmlRM2B01D1K–Korea: Samyeongdang (1544-1610), Buddhist monk. Hanging scroll silk painting, late Joseon period. Samyeong Daesa, also known by his pen name Song-un and his dharma name Yujeong, was a Buddhist monk during the Joseon era. Becoming a monk after the deaths of his parents, travelling across to Korea to learn at various temples. When Japanese invasions of Korea (1592-1598) started, he joined preceptor Hyujeon's righteous army of monks, eventually taking over leadership of the monastic militia. After the war, he travelled to Japan in 1604 to forge a peace accord and returned with 3500 Korean POWs.
Inspired by Cranes and Pines, Songha, Korean, Ink and light color on paper, Korea, late 19th-early 20th century, Joseon Dynasty, Overall: 54 x 21 3/4 in., 137.2 x 55.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-cranes-and-pines-songha-korean-ink-and-light-color-on-paper-korea-late-19th-early-20th-century-joseon-dynasty-overall-54-x-21-34-in-1372-x-552-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459262580.htmlRF2HK5630–Inspired by Cranes and Pines, Songha, Korean, Ink and light color on paper, Korea, late 19th-early 20th century, Joseon Dynasty, Overall: 54 x 21 3/4 in., 137.2 x 55.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Korea: A Korean sage, late Joseon period. Two pages from a 19th century Korean book depicting a Korean writer and sage. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-a-korean-sage-late-joseon-period-two-pages-from-a-19th-century-korean-book-depicting-a-korean-writer-and-sage-image344236126.htmlRM2B018KA–Korea: A Korean sage, late Joseon period. Two pages from a 19th century Korean book depicting a Korean writer and sage.
Korean Yangban and his servants in late Joseon Period (1392-1897). Yangban, (Korean: “two groups”), the highest social class of the Joseon Dynasty (1392–1910) of Korea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korean-yangban-and-his-servants-in-late-joseon-period-1392-1897-yangban-korean-two-groups-the-highest-social-class-of-the-joseon-dynasty-13921910-of-korea-image590616337.htmlRM2W8TW4H–Korean Yangban and his servants in late Joseon Period (1392-1897). Yangban, (Korean: “two groups”), the highest social class of the Joseon Dynasty (1392–1910) of Korea.
Korea: Two women dancing with swords. Painting from the 'Hyewon Pungsokdo', c. 1805. 'Hyewon Pungsokdo' is an album of genre paintings by Shin Yunbok or Hyewon (1758-1813), one of the most famous genre painters of the late Joseon period (1390-1910). This album is designated as the 135th National Treasure of South Korea and held by Gansong Art Museum in Seongbuk-gu, Seoul. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-two-women-dancing-with-swords-painting-from-the-hyewon-pungsokdo-c-1805-hyewon-pungsokdo-is-an-album-of-genre-paintings-by-shin-yunbok-or-hyewon-1758-1813-one-of-the-most-famous-genre-painters-of-the-late-joseon-period-1390-1910-this-album-is-designated-as-the-135th-national-treasure-of-south-korea-and-held-by-gansong-art-museum-in-seongbuk-gu-seoul-image344247410.htmlRM2B01R2A–Korea: Two women dancing with swords. Painting from the 'Hyewon Pungsokdo', c. 1805. 'Hyewon Pungsokdo' is an album of genre paintings by Shin Yunbok or Hyewon (1758-1813), one of the most famous genre painters of the late Joseon period (1390-1910). This album is designated as the 135th National Treasure of South Korea and held by Gansong Art Museum in Seongbuk-gu, Seoul.
geography / travel, Korea, people, weaver, painting by Kim Hongdo, Joseon Dynasty, late 18th century, professions, handcraft, craftswoman, craftswomen, technics, weaving, loom, textiles, East Asia, Danwon, Yi, historic, historical, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-geography-travel-korea-people-weaver-painting-by-kim-hongdo-joseon-36918992.htmlRMC41PFC–geography / travel, Korea, people, weaver, painting by Kim Hongdo, Joseon Dynasty, late 18th century, professions, handcraft, craftswoman, craftswomen, technics, weaving, loom, textiles, East Asia, Danwon, Yi, historic, historical, Additional-Rights-Clearences-Not Available
Korea: Official portrait of Gang Se-hwang (1713-1791), Joseon Dynasty painter and calligrapher. Hanging scroll painting by Yi Myeong-gi (fl. late 18th century), c. 1792. Gang Se-hwang/Kang Sehwang was not only a high government official but also a renowned painter, calligrapher and art critic of the mid-Joseon period. He entered royal service when more than sixty years old. Gang established and practised the 'muninhwa' ('paintings by people of culture') style of painting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-official-portrait-of-gang-se-hwang-1713-1791-joseon-dynasty-painter-and-calligrapher-hanging-scroll-painting-by-yi-myeong-gi-fl-late-18th-century-c-1792-gang-se-hwangkang-sehwang-was-not-only-a-high-government-official-but-also-a-renowned-painter-calligrapher-and-art-critic-of-the-mid-joseon-period-he-entered-royal-service-when-more-than-sixty-years-old-gang-established-and-practised-the-muninhwa-paintings-by-people-of-culture-style-of-painting-image344240555.htmlRM2B01E9F–Korea: Official portrait of Gang Se-hwang (1713-1791), Joseon Dynasty painter and calligrapher. Hanging scroll painting by Yi Myeong-gi (fl. late 18th century), c. 1792. Gang Se-hwang/Kang Sehwang was not only a high government official but also a renowned painter, calligrapher and art critic of the mid-Joseon period. He entered royal service when more than sixty years old. Gang established and practised the 'muninhwa' ('paintings by people of culture') style of painting.
May 1, 2019: Sungkyunkwan Museum, the foremost educational institution in Korea during the late Goryeo and Joseon Dynasties, is a Korea UNESCO World H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/may-1-2019-sungkyunkwan-museum-the-foremost-educational-institution-in-korea-during-the-late-goryeo-and-joseon-dynasties-is-a-korea-unesco-world-h-image460280180.htmlRF2HMRG1T–May 1, 2019: Sungkyunkwan Museum, the foremost educational institution in Korea during the late Goryeo and Joseon Dynasties, is a Korea UNESCO World H
Korea: Two women ironing using a long-handled iron filled with hot coals. Watercolour painting, late Joseon period, 1886. A typical domestic scene from the late Joseon Dynasty period showing two women dressed in traditional Hanbok clothing, ironing a robe using a long-handled ironing device filled with hot coals. There is a three legged stand for the iron, a basket full of clothes waiting to be ironed, and a pile of neatly-ironed clothing beside the women. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-two-women-ironing-using-a-long-handled-iron-filled-with-hot-coals-watercolour-painting-late-joseon-period-1886-a-typical-domestic-scene-from-the-late-joseon-dynasty-period-showing-two-women-dressed-in-traditional-hanbok-clothing-ironing-a-robe-using-a-long-handled-ironing-device-filled-with-hot-coals-there-is-a-three-legged-stand-for-the-iron-a-basket-full-of-clothes-waiting-to-be-ironed-and-a-pile-of-neatly-ironed-clothing-beside-the-women-image344235617.htmlRM2B01815–Korea: Two women ironing using a long-handled iron filled with hot coals. Watercolour painting, late Joseon period, 1886. A typical domestic scene from the late Joseon Dynasty period showing two women dressed in traditional Hanbok clothing, ironing a robe using a long-handled ironing device filled with hot coals. There is a three legged stand for the iron, a basket full of clothes waiting to be ironed, and a pile of neatly-ironed clothing beside the women.
. 한국어: 민화(民畵), 까치와 호랑이 English: Tiger and magpie, a minwha or Korean folk painting drawn during the Joseon Dynasty of Korea (1392-1910) . English: in the late Joseon period of Korea . Anoymous 418 Minhwa-Tiger and magpie-03 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-tiger-and-magpie-a-minwha-or-korean-folk-painting-drawn-during-the-joseon-dynasty-of-korea-1392-1910-english-in-the-late-joseon-period-of-korea-anoymous-418-minhwa-tiger-and-magpie-03-image188272742.htmlRMMX8FPE–. 한국어: 민화(民畵), 까치와 호랑이 English: Tiger and magpie, a minwha or Korean folk painting drawn during the Joseon Dynasty of Korea (1392-1910) . English: in the late Joseon period of Korea . Anoymous 418 Minhwa-Tiger and magpie-03
Rank Badge with a Pair of Cranes. Culture: Korea. Dimensions: Overall: 8 1/4 x 7 1/2 in. (21 x 19.1 cm). Date: late 19th century. In 1454, the court of the Joseon dynasty (1392-1910) adopted a system of insignia of rank for civil and military officials based on that of China's Ming dynasty (1368-1644). Square badges of embroidered birds and animals on silk were worn on the front (hyung) and back (bae) of official costumes. They are clearly differentiated from the round badges embroidered with a dragon (called bo) worn by the king and the crown prince on the front, back, and shoulders of their Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rank-badge-with-a-pair-of-cranes-culture-korea-dimensions-overall-8-14-x-7-12-in-21-x-191-cm-date-late-19th-century-in-1454-the-court-of-the-joseon-dynasty-1392-1910-adopted-a-system-of-insignia-of-rank-for-civil-and-military-officials-based-on-that-of-chinas-ming-dynasty-1368-1644-square-badges-of-embroidered-birds-and-animals-on-silk-were-worn-on-the-front-hyung-and-back-bae-of-official-costumes-they-are-clearly-differentiated-from-the-round-badges-embroidered-with-a-dragon-called-bo-worn-by-the-king-and-the-crown-prince-on-the-front-back-and-shoulders-of-their-image212883764.htmlRMPA9KBG–Rank Badge with a Pair of Cranes. Culture: Korea. Dimensions: Overall: 8 1/4 x 7 1/2 in. (21 x 19.1 cm). Date: late 19th century. In 1454, the court of the Joseon dynasty (1392-1910) adopted a system of insignia of rank for civil and military officials based on that of China's Ming dynasty (1368-1644). Square badges of embroidered birds and animals on silk were worn on the front (hyung) and back (bae) of official costumes. They are clearly differentiated from the round badges embroidered with a dragon (called bo) worn by the king and the crown prince on the front, back, and shoulders of their
Portrait of Sunjong and his son. Emperor Yunghui (1874 - 1926), was the last emperor of the Joseon dynasty and of the Korean Empire in Korea, ruling from 1907 to 1910. Old XIX century engraved illustration from La Ilustracion Española y Americana 1894 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-sunjong-and-his-son-emperor-yunghui-1874-1926-was-the-last-emperor-of-the-joseon-dynasty-and-of-the-korean-empire-in-korea-ruling-from-1907-to-1910-old-xix-century-engraved-illustration-from-la-ilustracion-espaola-y-americana-1894-image368343616.htmlRM2CB7E14–Portrait of Sunjong and his son. Emperor Yunghui (1874 - 1926), was the last emperor of the Joseon dynasty and of the Korean Empire in Korea, ruling from 1907 to 1910. Old XIX century engraved illustration from La Ilustracion Española y Americana 1894
Identity tags (hopae), Korea, Joseon, late 19th and early 20th century, ivory, wood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/identity-tags-hopae-korea-joseon-late-19th-and-early-20th-century-ivory-wood-image356454523.htmlRM2BKWWAK–Identity tags (hopae), Korea, Joseon, late 19th and early 20th century, ivory, wood
Bottle with dragon design, Korea, Joseon, late 19th century, porcelain with cobalt decoration National Museum of Natural History, United States DSC00497 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bottle-with-dragon-design-korea-joseon-late-19th-century-porcelain-image153146488.htmlRMJW4BWC–Bottle with dragon design, Korea, Joseon, late 19th century, porcelain with cobalt decoration National Museum of Natural History, United States DSC00497
Husu (court apron), Korea, Joseon dynasty, late 19th century AD, silk, brass rings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/husu-court-apron-korea-joseon-dynasty-late-19th-century-ad-silk-brass-rings-image355936761.htmlRM2BK28Y5–Husu (court apron), Korea, Joseon dynasty, late 19th century AD, silk, brass rings
Nine-Dragon Falls, late 1800s. The Nine-Dragon Falls ??? is one of the popular tourist sites at the Diamond Mountain ??? in North Korea. Its V-shaped valley that opens into a rushing white waterfall is its major attraction, allowing visitors to experience the powerful forces of nature. In this painting, two excited scholar tourists accompanied by a Buddhist monk are enjoying both the spectacle and the roar generated by the cascading waterfall. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nine-dragon-falls-late-1800s-the-nine-dragon-falls-is-one-of-the-popular-tourist-sites-at-the-diamond-mountain-in-north-korea-its-v-shaped-valley-that-opens-into-a-rushing-white-waterfall-is-its-major-attraction-allowing-visitors-to-experience-the-powerful-forces-of-nature-in-this-painting-two-excited-scholar-tourists-accompanied-by-a-buddhist-monk-are-enjoying-both-the-spectacle-and-the-roar-generated-by-the-cascading-waterfall-image330108381.htmlRM2A51MH1–Nine-Dragon Falls, late 1800s. The Nine-Dragon Falls ??? is one of the popular tourist sites at the Diamond Mountain ??? in North Korea. Its V-shaped valley that opens into a rushing white waterfall is its major attraction, allowing visitors to experience the powerful forces of nature. In this painting, two excited scholar tourists accompanied by a Buddhist monk are enjoying both the spectacle and the roar generated by the cascading waterfall.
Bottle with dragon design, Korea, Joseon, late 19th century, porcelain with cobalt decoration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bottle-with-dragon-design-korea-joseon-late-19th-century-porcelain-with-cobalt-decoration-image220608977.htmlRMPPWH01–Bottle with dragon design, Korea, Joseon, late 19th century, porcelain with cobalt decoration
Heungseon Daewongun (1820 - 1898), known as the Daewongun. The Great Archduke or formally Internal King Heungseon Heonui, known to contemporary western diplomats as Prince Gung, was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heungseon-daewongun-1820-1898-known-as-the-daewongun-the-great-archduke-or-formally-internal-king-heungseon-heonui-known-to-contemporary-western-diplomats-as-prince-gung-was-the-title-of-yi-ha-eung-the-regent-of-joseon-during-the-minority-of-emperor-gojong-in-the-1860s-and-until-his-death-a-key-political-figure-of-late-joseon-korea-image482198726.htmlRM2K0E1B2–Heungseon Daewongun (1820 - 1898), known as the Daewongun. The Great Archduke or formally Internal King Heungseon Heonui, known to contemporary western diplomats as Prince Gung, was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea.
Jade String Pendant (right) for the Royal Ceremonial Costume, late 1800s-early 1900s. Korea, Joseon dynasty (1392-1910). Blue silk, gauze weave and plain weave; jade and beads (2 sizes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jade-string-pendant-right-for-the-royal-ceremonial-costume-late-1800s-early-1900s-korea-joseon-dynasty-1392-1910-blue-silk-gauze-weave-and-plain-weave-jade-and-beads-2-sizes-image240374866.htmlRMRY20GJ–Jade String Pendant (right) for the Royal Ceremonial Costume, late 1800s-early 1900s. Korea, Joseon dynasty (1392-1910). Blue silk, gauze weave and plain weave; jade and beads (2 sizes
Tiger Family 호랑이 가족도 (虎家圖 . Korea. Late 1800s, Joseon dynasty. Hanging scroll; ink and colour on paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tiger-family-korea-late-1800s-joseon-dynasty-hanging-scroll-ink-and-colour-on-paper-image604636586.htmlRM2X3KG3P–Tiger Family 호랑이 가족도 (虎家圖 . Korea. Late 1800s, Joseon dynasty. Hanging scroll; ink and colour on paper.
Inspired by Pillow, Wood, Korea, late 19th-early 20th century, Joseon Period, 1 7/8 x 14 15/16 in., 4.7 x 38 cm, Joseon, Korea, Korean, Napping, Pillow, Portable, Sarangbang, Traveling, Wood, Wooden, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-pillow-wood-korea-late-19th-early-20th-century-joseon-period-1-78-x-14-1516-in-47-x-38-cm-joseon-korea-korean-napping-pillow-portable-sarangbang-traveling-wood-wooden-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459246087.htmlRF2HK4D1Y–Inspired by Pillow, Wood, Korea, late 19th-early 20th century, Joseon Period, 1 7/8 x 14 15/16 in., 4.7 x 38 cm, Joseon, Korea, Korean, Napping, Pillow, Portable, Sarangbang, Traveling, Wood, Wooden, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Korean white porcelain, Feb 23, 2021 : Traditional Korean white porcelain, Moon Jar, is displayed at the National Museum of Korea in Seoul, South Korea. The white porcelain was made late 17th century during the Joseon dynasty (1392-1910) and it is South Korea's National Treasure No. 1437. Credit: Lee Jae-Won/AFLO/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korean-white-porcelain-feb-23-2021-traditional-korean-white-porcelain-moon-jar-is-displayed-at-the-national-museum-of-korea-in-seoul-south-korea-the-white-porcelain-was-made-late-17th-century-during-the-joseon-dynasty-1392-1910-and-it-is-south-koreas-national-treasure-no-1437-credit-lee-jae-wonafloalamy-live-news-image409736452.htmlRM2EPH30M–Korean white porcelain, Feb 23, 2021 : Traditional Korean white porcelain, Moon Jar, is displayed at the National Museum of Korea in Seoul, South Korea. The white porcelain was made late 17th century during the Joseon dynasty (1392-1910) and it is South Korea's National Treasure No. 1437. Credit: Lee Jae-Won/AFLO/Alamy Live News
The Secret Garden, in the ancient Changdeokgung palace of Seoul, South Korea. Photograph from late spring. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-secret-garden-in-the-ancient-changdeokgung-palace-of-seoul-south-142089420.htmlRFJ74ME4–The Secret Garden, in the ancient Changdeokgung palace of Seoul, South Korea. Photograph from late spring.
Korean painting, Lee Jae, portrait, portrait, portrait, Korea, late Joseon Dynasty, author unknown, National Museum of Korea Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korean-painting-lee-jae-portrait-portrait-portrait-korea-late-joseon-dynasty-author-unknown-national-museum-of-korea-image393377895.htmlRM2DRYWEF–Korean painting, Lee Jae, portrait, portrait, portrait, Korea, late Joseon Dynasty, author unknown, National Museum of Korea
Wooden Prayer Tablet. Korea, Korean, Joseon (1392-1910), late 18th century. Sculpture. Polychromed wood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-prayer-tablet-korea-korean-joseon-1392-1910-late-18th-century-sculpture-polychromed-wood-image464708869.htmlRM2J018W9–Wooden Prayer Tablet. Korea, Korean, Joseon (1392-1910), late 18th century. Sculpture. Polychromed wood
Seoul, Gyeonggi, South Korea. 10th Oct, 2018. South Korean girls wearing ''Hanbok'' style clothing at Gyeongbokgung Palace in Seoul. Hanbok is traditional Korean clothing, originally popular in the late Joseon dynasty, before the Japanese conquest of Korea. It is known for vibrant colors and simple lines without pockets. The term literally means ''Korean clothing'', but hanbok usually refers specifically to clothing of the Joseon period. The South Korean government encourages people to wear Hanbok clothing to festivals and cultural celebrations and some museums give free admiccion to peopl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seoul-gyeonggi-south-korea-10th-oct-2018-south-korean-girls-wearing-hanbok-style-clothing-at-gyeongbokgung-palace-in-seoul-hanbok-is-traditional-korean-clothing-originally-popular-in-the-late-joseon-dynasty-before-the-japanese-conquest-of-korea-it-is-known-for-vibrant-colors-and-simple-lines-without-pockets-the-term-literally-means-korean-clothing-but-hanbok-usually-refers-specifically-to-clothing-of-the-joseon-period-the-south-korean-government-encourages-people-to-wear-hanbok-clothing-to-festivals-and-cultural-celebrations-and-some-museums-give-free-admiccion-to-peopl-image221734501.htmlRMPTMTH9–Seoul, Gyeonggi, South Korea. 10th Oct, 2018. South Korean girls wearing ''Hanbok'' style clothing at Gyeongbokgung Palace in Seoul. Hanbok is traditional Korean clothing, originally popular in the late Joseon dynasty, before the Japanese conquest of Korea. It is known for vibrant colors and simple lines without pockets. The term literally means ''Korean clothing'', but hanbok usually refers specifically to clothing of the Joseon period. The South Korean government encourages people to wear Hanbok clothing to festivals and cultural celebrations and some museums give free admiccion to peopl
Geonjae Historic House in Oeam Village, Asan-si, Chungcheongnam-do, South korea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/geonjae-historic-house-in-oeam-village-asan-si-chungcheongnam-do-south-korea-image227911760.htmlRMR6P7NM–Geonjae Historic House in Oeam Village, Asan-si, Chungcheongnam-do, South korea.
Korea: Four porters bearing an official in a 'gama' or palanquin during the late Joseon period. Watercolour on mulberry paper painting, c. 1890. A Korean 'gama' was a closed chair used by upper classes and nobles, both men and women. This painting shows four porters, two in front and two at the rear, holding long poles through an enclosed palanquin. In Korea, royalty and aristocrats were carried in elaborately decorated litters called gama. Gamas were primarily used by royalty and government officials. There were six types of gama, each assigned to different government official rankings. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-four-porters-bearing-an-official-in-a-gama-or-palanquin-during-the-late-joseon-period-watercolour-on-mulberry-paper-painting-c-1890-a-korean-gama-was-a-closed-chair-used-by-upper-classes-and-nobles-both-men-and-women-this-painting-shows-four-porters-two-in-front-and-two-at-the-rear-holding-long-poles-through-an-enclosed-palanquin-in-korea-royalty-and-aristocrats-were-carried-in-elaborately-decorated-litters-called-gama-gamas-were-primarily-used-by-royalty-and-government-officials-there-were-six-types-of-gama-each-assigned-to-different-government-official-rankings-image344235619.htmlRM2B01817–Korea: Four porters bearing an official in a 'gama' or palanquin during the late Joseon period. Watercolour on mulberry paper painting, c. 1890. A Korean 'gama' was a closed chair used by upper classes and nobles, both men and women. This painting shows four porters, two in front and two at the rear, holding long poles through an enclosed palanquin. In Korea, royalty and aristocrats were carried in elaborately decorated litters called gama. Gamas were primarily used by royalty and government officials. There were six types of gama, each assigned to different government official rankings.
. 한국어: 민화(民畵), 까치와 호랑이 English: Tiger and magpie, a minwha or Korean folk painting drawn during the Joseon Dynasty of Korea (1392-1910) . English: in the late Joseon period of Korea . Anoymous 417 Minhwa-Tiger and magpie-03 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-tiger-and-magpie-a-minwha-or-korean-folk-painting-drawn-during-the-joseon-dynasty-of-korea-1392-1910-english-in-the-late-joseon-period-of-korea-anoymous-417-minhwa-tiger-and-magpie-03-image187760473.htmlRMMWD6B5–. 한국어: 민화(民畵), 까치와 호랑이 English: Tiger and magpie, a minwha or Korean folk painting drawn during the Joseon Dynasty of Korea (1392-1910) . English: in the late Joseon period of Korea . Anoymous 417 Minhwa-Tiger and magpie-03
Birds and Flowers. Artist: Unidentified Artist Korean. Culture: Korea. Dimensions: Image (each panel): 54 3/8 x 10 3/8 in. (138.1 x 26.4 cm) Overall: 73 5/8 in. × 11 ft. 3/8 in. (187 × 336.2 cm). Date: late 19th-early 20th century. Paintings of birds and flowers have a long tradition in East Asian art. In Korea folding screens depicting combinations of birds and flowers became prevalent in the late Joseon period and continued to be popular in the twentieth century. Carefully composed and meticulously detailed, the scenes in this colorful and exquisitely painted screen are characterized by Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/birds-and-flowers-artist-unidentified-artist-korean-culture-korea-dimensions-image-each-panel-54-38-x-10-38-in-1381-x-264-cm-overall-73-58-in-11-ft-38-in-187-3362-cm-date-late-19th-early-20th-century-paintings-of-birds-and-flowers-have-a-long-tradition-in-east-asian-art-in-korea-folding-screens-depicting-combinations-of-birds-and-flowers-became-prevalent-in-the-late-joseon-period-and-continued-to-be-popular-in-the-twentieth-century-carefully-composed-and-meticulously-detailed-the-scenes-in-this-colorful-and-exquisitely-painted-screen-are-characterized-by-image212899649.htmlRMPAABJW–Birds and Flowers. Artist: Unidentified Artist Korean. Culture: Korea. Dimensions: Image (each panel): 54 3/8 x 10 3/8 in. (138.1 x 26.4 cm) Overall: 73 5/8 in. × 11 ft. 3/8 in. (187 × 336.2 cm). Date: late 19th-early 20th century. Paintings of birds and flowers have a long tradition in East Asian art. In Korea folding screens depicting combinations of birds and flowers became prevalent in the late Joseon period and continued to be popular in the twentieth century. Carefully composed and meticulously detailed, the scenes in this colorful and exquisitely painted screen are characterized by
Portrait of Sunjong and his son. Emperor Yunghui (1874 - 1926), was the last emperor of the Joseon dynasty and of the Korean Empire in Korea, ruling from 1907 to 1910. Old XIX century engraved illustration from La Ilustracion Española y Americana 1894 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-sunjong-and-his-son-emperor-yunghui-1874-1926-was-the-last-emperor-of-the-joseon-dynasty-and-of-the-korean-empire-in-korea-ruling-from-1907-to-1910-old-xix-century-engraved-illustration-from-la-ilustracion-espaola-y-americana-1894-image397949221.htmlRM2E3C485–Portrait of Sunjong and his son. Emperor Yunghui (1874 - 1926), was the last emperor of the Joseon dynasty and of the Korean Empire in Korea, ruling from 1907 to 1910. Old XIX century engraved illustration from La Ilustracion Española y Americana 1894
Identity tags (hopae), Korea, Joseon, late 19th and early 20th century, ivory, wood National Museum of Natural History, United States DSC00545 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/identity-tags-hopae-korea-joseon-late-19th-and-early-20th-century-image153769620.htmlRMJX4PM4–Identity tags (hopae), Korea, Joseon, late 19th and early 20th century, ivory, wood National Museum of Natural History, United States DSC00545
![Munja-Chaekgeori Screen (Character-Books Screen), late 1800s. During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of munjado (literally meaning "characters") screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings Stock Photo](https://c8.alamy.com/comp/2A530W0/munja-chaekgeori-screen-character-books-screen-late-1800s-during-the-late-1800s-in-korea-local-and-central-governments-actively-promoted-confucian-teachings-in-fear-of-the-influx-of-foreign-ideas-and-beliefs-like-christianity-under-the-patronage-of-such-leadership-many-types-of-munjado-literally-meaning-quotcharactersquot-screens-were-produced-such-paintings-adorned-korean-aristocratsx2019-studies-as-well-as-the-classrooms-of-confucian-academies-the-eight-korean-characters-inscribed-on-the-upper-portion-of-each-panel-of-this-screen-refer-to-the-values-of-confucian-teachings-2A530W0.jpg "Munja-Chaekgeori Screen (Character-Books Screen), late 1800s. During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of munjado (literally meaning "characters") screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings Stock Photo")
Munja-Chaekgeori Screen (Character-Books Screen), late 1800s. During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of munjado (literally meaning "characters") screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/munja-chaekgeori-screen-character-books-screen-late-1800s-during-the-late-1800s-in-korea-local-and-central-governments-actively-promoted-confucian-teachings-in-fear-of-the-influx-of-foreign-ideas-and-beliefs-like-christianity-under-the-patronage-of-such-leadership-many-types-of-munjado-literally-meaning-quotcharactersquot-screens-were-produced-such-paintings-adorned-korean-aristocratsx2019-studies-as-well-as-the-classrooms-of-confucian-academies-the-eight-korean-characters-inscribed-on-the-upper-portion-of-each-panel-of-this-screen-refer-to-the-values-of-confucian-teachings-image330136828.htmlRM2A530W0–Munja-Chaekgeori Screen (Character-Books Screen), late 1800s. During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of munjado (literally meaning "characters") screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings
Heungseon Daewongun (1820 - 1898), known as the Daewongun. The Great Archduke or formally Internal King Heungseon Heonui, known to contemporary western diplomats as Prince Gung, was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heungseon-daewongun-1820-1898-known-as-the-daewongun-the-great-archduke-or-formally-internal-king-heungseon-heonui-known-to-contemporary-western-diplomats-as-prince-gung-was-the-title-of-yi-ha-eung-the-regent-of-joseon-during-the-minority-of-emperor-gojong-in-the-1860s-and-until-his-death-a-key-political-figure-of-late-joseon-korea-image482198698.htmlRM2K0E1A2–Heungseon Daewongun (1820 - 1898), known as the Daewongun. The Great Archduke or formally Internal King Heungseon Heonui, known to contemporary western diplomats as Prince Gung, was the title of Yi Ha-eung, the regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea.
Bowl with White-slip Decorations, 1300s-1400s. Korea, late Goryeo period (910-1392) to early Joseon dynasty (1392-1910). Glazed ceramic; overall: 7.5 cm (2 15/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-white-slip-decorations-1300s-1400s-korea-late-goryeo-period-910-1392-to-early-joseon-dynasty-1392-1910-glazed-ceramic-overall-75-cm-2-1516-in-image240473395.htmlRMRY6E7F–Bowl with White-slip Decorations, 1300s-1400s. Korea, late Goryeo period (910-1392) to early Joseon dynasty (1392-1910). Glazed ceramic; overall: 7.5 cm (2 15/16 in
Heungseon Daewongun (1820 - 1898). 'Grand Internal Prince Heungseon') title of Yi Ha-eung, regent of Joseon during the minority of Emperor Gojong in the 1860s. Yi Ha-Eung was a key political figure of late Joseon Korea. Daewongun translates as 'prince of the great court'. Daewongun is remembered for wide-ranging reforms he attempted, as well as for his 'vigorous enforcement of the seclusion policy, persecution of Christians, and the killing or driving off of foreigners Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heungseon-daewongun-1820-1898-grand-internal-prince-heungseon-title-of-yi-ha-eung-regent-of-joseon-during-the-minority-of-emperor-gojong-in-the-1860s-yi-ha-eung-was-a-key-political-figure-of-late-joseon-korea-daewongun-translates-as-prince-of-the-great-court-daewongun-is-remembered-for-wide-ranging-reforms-he-attempted-as-well-as-for-his-vigorous-enforcement-of-the-seclusion-policy-persecution-of-christians-and-the-killing-or-driving-off-of-foreigners-image482123562.htmlRM2K0AHEJ–Heungseon Daewongun (1820 - 1898). 'Grand Internal Prince Heungseon') title of Yi Ha-eung, regent of Joseon during the minority of Emperor Gojong in the 1860s. Yi Ha-Eung was a key political figure of late Joseon Korea. Daewongun translates as 'prince of the great court'. Daewongun is remembered for wide-ranging reforms he attempted, as well as for his 'vigorous enforcement of the seclusion policy, persecution of Christians, and the killing or driving off of foreigners
Rank Badge with Leopard, Korea, Joseon dynasty (1392–1910), Date late 19th century, Korea, Silk, 9 x 8 1/2 in. (22.86 x 21.59 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rank-badge-with-leopard-korea-joseon-dynasty-13921910-date-late-19th-century-korea-silk-9-x-8-12-in-2286-x-2159-cm-textiles-embroidered-image344586585.htmlRM2B0H7KN–Rank Badge with Leopard, Korea, Joseon dynasty (1392–1910), Date late 19th century, Korea, Silk, 9 x 8 1/2 in. (22.86 x 21.59 cm), Textiles-Embroidered
Inspired by Tiger, Ink on paper, Korea, late 19th-early 20th century, Joseon Dynasty, 10 9/16 x 12 15/16 in., 26.8 x 32.8 cm, Animal, Folk, Humorous, Ink, Joseon, Korea, Korean, Paper, Tiger, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-tiger-ink-on-paper-korea-late-19th-early-20th-century-joseon-dynasty-10-916-x-12-1516-in-268-x-328-cm-animal-folk-humorous-ink-joseon-korea-korean-paper-tiger-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459259455.htmlRF2HK523B–Inspired by Tiger, Ink on paper, Korea, late 19th-early 20th century, Joseon Dynasty, 10 9/16 x 12 15/16 in., 26.8 x 32.8 cm, Animal, Folk, Humorous, Ink, Joseon, Korea, Korean, Paper, Tiger, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Joseon Era Korean archer, late 19th century Illustration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseon-era-korean-archer-late-19th-century-illustration-image482198896.htmlRM2K0E1H4–Joseon Era Korean archer, late 19th century Illustration.
Korean white porcelain, Feb 23, 2021 : Traditional Korean white porcelain, Moon Jar, is displayed at the National Museum of Korea in Seoul, South Korea. The white porcelain was made late 17th century during the Joseon dynasty (1392-1910) and it is South Korea's National Treasure No. 1437. Credit: Lee Jae-Won/AFLO/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korean-white-porcelain-feb-23-2021-traditional-korean-white-porcelain-moon-jar-is-displayed-at-the-national-museum-of-korea-in-seoul-south-korea-the-white-porcelain-was-made-late-17th-century-during-the-joseon-dynasty-1392-1910-and-it-is-south-koreas-national-treasure-no-1437-credit-lee-jae-wonafloalamy-live-news-image409736461.htmlRM2EPH311–Korean white porcelain, Feb 23, 2021 : Traditional Korean white porcelain, Moon Jar, is displayed at the National Museum of Korea in Seoul, South Korea. The white porcelain was made late 17th century during the Joseon dynasty (1392-1910) and it is South Korea's National Treasure No. 1437. Credit: Lee Jae-Won/AFLO/Alamy Live News
Stele 'Chokkhwa'. Stele monument erected by Heungseon Daewon, regent during the late Joseon Dynasty, In April 1871, to express a firm determination to reject the invasion of imperialism and strengthen the seclusion, and to urge the people to awaken to the invasion of Western powers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stele-chokkhwa-stele-monument-erected-by-heungseon-daewon-regent-during-the-late-joseon-dynasty-in-april-1871-to-express-a-firm-determination-to-reject-the-invasion-of-imperialism-and-strengthen-the-seclusion-and-to-urge-the-people-to-awaken-to-the-invasion-of-western-powers-image481942321.htmlRM2K02A9N–Stele 'Chokkhwa'. Stele monument erected by Heungseon Daewon, regent during the late Joseon Dynasty, In April 1871, to express a firm determination to reject the invasion of imperialism and strengthen the seclusion, and to urge the people to awaken to the invasion of Western powers.
Seated Arhat. Korea, Korean, Joseon (1392-1910), late 16th-17th century. Sculpture. Cast bronze with gilding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-arhat-korea-korean-joseon-1392-1910-late-16th-17th-century-sculpture-cast-bronze-with-gilding-image464737207.htmlRM2J02H1B–Seated Arhat. Korea, Korean, Joseon (1392-1910), late 16th-17th century. Sculpture. Cast bronze with gilding
Seoul, Gyeonggi, South Korea. 10th Oct, 2018. People, many wearing ''Hanbok'' style clothing, walk into Gyeongbokgung Palace in Seoul. Hanbok is traditional Korean clothing, originally popular in the late Joseon dynasty, before the Japanese conquest of Korea. It is known for vibrant colors and simple lines without pockets. The term literally means ''Korean clothing'', but hanbok usually refers specifically to clothing of the Joseon period. The South Korean government encourages people to wear Hanbok clothing to festivals and cultural celebrations and some museums give free admiccion to peo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seoul-gyeonggi-south-korea-10th-oct-2018-people-many-wearing-hanbok-style-clothing-walk-into-gyeongbokgung-palace-in-seoul-hanbok-is-traditional-korean-clothing-originally-popular-in-the-late-joseon-dynasty-before-the-japanese-conquest-of-korea-it-is-known-for-vibrant-colors-and-simple-lines-without-pockets-the-term-literally-means-korean-clothing-but-hanbok-usually-refers-specifically-to-clothing-of-the-joseon-period-the-south-korean-government-encourages-people-to-wear-hanbok-clothing-to-festivals-and-cultural-celebrations-and-some-museums-give-free-admiccion-to-peo-image221734543.htmlRMPTMTJR–Seoul, Gyeonggi, South Korea. 10th Oct, 2018. People, many wearing ''Hanbok'' style clothing, walk into Gyeongbokgung Palace in Seoul. Hanbok is traditional Korean clothing, originally popular in the late Joseon dynasty, before the Japanese conquest of Korea. It is known for vibrant colors and simple lines without pockets. The term literally means ''Korean clothing'', but hanbok usually refers specifically to clothing of the Joseon period. The South Korean government encourages people to wear Hanbok clothing to festivals and cultural celebrations and some museums give free admiccion to peo
Korea: 'A Dancing Boy'. From Danwon Pungsokdo Cheop by Kim Hong-do (c. 1745-1806), 1780. Kim Hong-do, better known as Danwon, was a painter of the late Joseon period. A member of the Gimhae Kim clan, he grew up in present-day Ansan, South Korea, where he was taught by Pyoam Kang Sehwang, one of the most famous calligraphers of the day. He entered royal service as a member of the Dohwaseo, the official painters of the court, and drew the portrait of King Jeongjo. Danwon is known as the first Korean painter to extensively portray Korean daily life in a manner analogous to the Dutch Masters. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-a-dancing-boy-from-danwon-pungsokdo-cheop-by-kim-hong-do-c-1745-1806-1780-kim-hong-do-better-known-as-danwon-was-a-painter-of-the-late-joseon-period-a-member-of-the-gimhae-kim-clan-he-grew-up-in-present-day-ansan-south-korea-where-he-was-taught-by-pyoam-kang-sehwang-one-of-the-most-famous-calligraphers-of-the-day-he-entered-royal-service-as-a-member-of-the-dohwaseo-the-official-painters-of-the-court-and-drew-the-portrait-of-king-jeongjo-danwon-is-known-as-the-first-korean-painter-to-extensively-portray-korean-daily-life-in-a-manner-analogous-to-the-dutch-masters-image344235738.htmlRM2B0185E–Korea: 'A Dancing Boy'. From Danwon Pungsokdo Cheop by Kim Hong-do (c. 1745-1806), 1780. Kim Hong-do, better known as Danwon, was a painter of the late Joseon period. A member of the Gimhae Kim clan, he grew up in present-day Ansan, South Korea, where he was taught by Pyoam Kang Sehwang, one of the most famous calligraphers of the day. He entered royal service as a member of the Dohwaseo, the official painters of the court, and drew the portrait of King Jeongjo. Danwon is known as the first Korean painter to extensively portray Korean daily life in a manner analogous to the Dutch Masters.
. 한국어: 민화(民畵), 까치와 호랑이 English: Tiger and magpie, a minwha or Korean folk painting drawn during the Joseon Dynasty of Korea (1392-1910) . English: in the late Joseon period of Korea . Anoymous 364 Minhwa-Tiger and magpie-03 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-tiger-and-magpie-a-minwha-or-korean-folk-painting-drawn-during-the-joseon-dynasty-of-korea-1392-1910-english-in-the-late-joseon-period-of-korea-anoymous-364-minhwa-tiger-and-magpie-03-image189026636.htmlRMMYEWB8–. 한국어: 민화(民畵), 까치와 호랑이 English: Tiger and magpie, a minwha or Korean folk painting drawn during the Joseon Dynasty of Korea (1392-1910) . English: in the late Joseon period of Korea . Anoymous 364 Minhwa-Tiger and magpie-03
Korea: Yi Sun-sin (April 28, 1545 – December 16, 1598), celebrated Korean naval commander and victor over Japan during the Imjin Wars (1592-1598). Hanging scroll painting, late 16th century. Yi Sun-sin (1545-1598) was a Korean naval commander noted for his victories against the Japanese navy during the Imjin war in the Joseon Dynasty. Yi is also known for his innovative use of the 'turtle ship'. He is reputed to be one of the few admirals to have been victorious in every naval battle in which he commanded. Yi was killed by a single bullet in the Battle of Noryang on December 16, 1598. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-yi-sun-sin-april-28-1545-december-16-1598-celebrated-korean-naval-commander-and-victor-over-japan-during-the-imjin-wars-1592-1598-hanging-scroll-painting-late-16th-century-yi-sun-sin-1545-1598-was-a-korean-naval-commander-noted-for-his-victories-against-the-japanese-navy-during-the-imjin-war-in-the-joseon-dynasty-yi-is-also-known-for-his-innovative-use-of-the-turtle-ship-he-is-reputed-to-be-one-of-the-few-admirals-to-have-been-victorious-in-every-naval-battle-in-which-he-commanded-yi-was-killed-by-a-single-bullet-in-the-battle-of-noryang-on-december-16-1598-image344231947.htmlRM2B013A3–Korea: Yi Sun-sin (April 28, 1545 – December 16, 1598), celebrated Korean naval commander and victor over Japan during the Imjin Wars (1592-1598). Hanging scroll painting, late 16th century. Yi Sun-sin (1545-1598) was a Korean naval commander noted for his victories against the Japanese navy during the Imjin war in the Joseon Dynasty. Yi is also known for his innovative use of the 'turtle ship'. He is reputed to be one of the few admirals to have been victorious in every naval battle in which he commanded. Yi was killed by a single bullet in the Battle of Noryang on December 16, 1598.
Flask-shaped bottle with peony decoration. Culture: Korea. Dimensions: H. 8 1/4 in. (21 cm); Diam. 7 in. (17.8 cm). Date: late 15th century. The technique used to create the peony design here--incising outlines and carving away the white slip to create the background--is characteristic of buncheong ware produced in Jeolla Province. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flask-shaped-bottle-with-peony-decoration-culture-korea-dimensions-h-8-14-in-21-cm-diam-7-in-178-cm-date-late-15th-century-the-technique-used-to-create-the-peony-design-here-incising-outlines-and-carving-away-the-white-slip-to-create-the-background-is-characteristic-of-buncheong-ware-produced-in-jeolla-province-museum-metropolitan-museum-of-art-new-york-usa-image213502615.htmlRMPB9TNB–Flask-shaped bottle with peony decoration. Culture: Korea. Dimensions: H. 8 1/4 in. (21 cm); Diam. 7 in. (17.8 cm). Date: late 15th century. The technique used to create the peony design here--incising outlines and carving away the white slip to create the background--is characteristic of buncheong ware produced in Jeolla Province. Museum: Metropolitan Museum of Art, New York, USA.
Geonjae Historic House in Oeam Village, Asan-si, Chungcheongnam-do, South korea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/geonjae-historic-house-in-oeam-village-asan-si-chungcheongnam-do-south-korea-image227911659.htmlRMR6P7J3–Geonjae Historic House in Oeam Village, Asan-si, Chungcheongnam-do, South korea.
Identity tags (hopae), Korea, Joseon, late 19th and early 20th century, ivory, wood National Museum of Natural History, United States DSC00545 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/identity-tags-hopae-korea-joseon-late-19th-and-early-20th-century-image153146514.htmlRMJW4BXA–Identity tags (hopae), Korea, Joseon, late 19th and early 20th century, ivory, wood National Museum of Natural History, United States DSC00545
Husu (court apron), Korea, Joseon dynasty, late 19th century AD, silk, brass rings Textile Museum, George Washington University DSC09794 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/husu-court-apron-korea-joseon-dynasty-late-19th-century-ad-silk-brass-image153769456.htmlRMJX4PE8–Husu (court apron), Korea, Joseon dynasty, late 19th century AD, silk, brass rings Textile Museum, George Washington University DSC09794
Landscape with Fishermen, 1600s. Surviving paintings of the early Choson period in Korea, while not numerous, provide modern viewers with a consistent ensemble of subject matter, painting formats, and stylistic approaches. Along with landscape painting, animal, bird, and flower paintings, a few portraits, grapes, bamboo, figural compositions, and kyehoe-do (commem-orative rites scenes) make up the basic repertoire of subjects. The late 15th- and 16th-century landscapes that have survived, however, are modest in format. Korean painters preferred to work in a restricted compositional arena. The Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-fishermen-1600s-surviving-paintings-of-the-early-choson-period-in-korea-while-not-numerous-provide-modern-viewers-with-a-consistent-ensemble-of-subject-matter-painting-formats-and-stylistic-approaches-along-with-landscape-painting-animal-bird-and-flower-paintings-a-few-portraits-grapes-bamboo-figural-compositions-and-kyehoe-do-commem-orative-rites-scenes-make-up-the-basic-repertoire-of-subjects-the-late-15th-and-16th-century-landscapes-that-have-survived-however-are-modest-in-format-korean-painters-preferred-to-work-in-a-restricted-compositional-arena-the-image330136814.htmlRM2A530TE–Landscape with Fishermen, 1600s. Surviving paintings of the early Choson period in Korea, while not numerous, provide modern viewers with a consistent ensemble of subject matter, painting formats, and stylistic approaches. Along with landscape painting, animal, bird, and flower paintings, a few portraits, grapes, bamboo, figural compositions, and kyehoe-do (commem-orative rites scenes) make up the basic repertoire of subjects. The late 15th- and 16th-century landscapes that have survived, however, are modest in format. Korean painters preferred to work in a restricted compositional arena. The
Rank Badge with Crane, Korea, Joseon dynasty (1392–1910), Date late 19th century, Korea, Silk, 8 1/2 x 8 in. (21.59 x 20.32 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rank-badge-with-crane-korea-joseon-dynasty-13921910-date-late-19th-century-korea-silk-8-12-x-8-in-2159-x-2032-cm-textiles-embroidered-image344586595.htmlRM2B0H7M3–Rank Badge with Crane, Korea, Joseon dynasty (1392–1910), Date late 19th century, Korea, Silk, 8 1/2 x 8 in. (21.59 x 20.32 cm), Textiles-Embroidered
Inspired by Boating, Ink and light color on paper, Korea, late 19th century, Joseon Dynasty, 6 7/8 x 11 in., 17.5 x 27.9 cm, 19th century, Boat, Boating, Cliff, Color, Hill, Ink, Joseon, Korea, Korean, Nature, Paper, Scenic, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-boating-ink-and-light-color-on-paper-korea-late-19th-century-joseon-dynasty-6-78-x-11-in-175-x-279-cm-19th-century-boat-boating-cliff-color-hill-ink-joseon-korea-korean-nature-paper-scenic-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459259454.htmlRF2HK523A–Inspired by Boating, Ink and light color on paper, Korea, late 19th century, Joseon Dynasty, 6 7/8 x 11 in., 17.5 x 27.9 cm, 19th century, Boat, Boating, Cliff, Color, Hill, Ink, Joseon, Korea, Korean, Nature, Paper, Scenic, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Korean white porcelain, Feb 23, 2021 : Traditional Korean white porcelain, Moon Jar, is displayed at the National Museum of Korea in Seoul, South Korea. The white porcelain was made late 17th century during the Joseon dynasty (1392-1910) and it is South Korea's National Treasure No. 1437. (Photo by Lee Jae-Won/AFLO) (SOUTH KOREA) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korean-white-porcelain-feb-23-2021-traditional-korean-white-porcelain-moon-jar-is-displayed-at-the-national-museum-of-korea-in-seoul-south-korea-the-white-porcelain-was-made-late-17th-century-during-the-joseon-dynasty-1392-1910-and-it-is-south-koreas-national-treasure-no-1437-photo-by-lee-jae-wonaflo-south-korea-image409736471.htmlRM2EPH31B–Korean white porcelain, Feb 23, 2021 : Traditional Korean white porcelain, Moon Jar, is displayed at the National Museum of Korea in Seoul, South Korea. The white porcelain was made late 17th century during the Joseon dynasty (1392-1910) and it is South Korea's National Treasure No. 1437. (Photo by Lee Jae-Won/AFLO) (SOUTH KOREA)
Jogyesa (Jogye Temple) is the chief temple of the Jogye Order of Korean Buddhism. The building dates back to the late 14th century and became the order's chief temple in 1936. It plays a leading role in the current state of Seon Buddhism in South Korea. The temple was first established in 1395, at the dawn of the Joseon Dynasty; the modern temple was founded in 1910 and initially called 'Gakhwangsa'. The name was changed to 'Taegosa' during the period of Japanese rule, and then to the present name in 1954. Jogyesa is located in Gyeonji-dong, Jongno-gu, in downtown Seoul. Natural monument No. 9 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jogyesa-jogye-temple-is-the-chief-temple-of-the-jogye-order-of-korean-buddhism-the-building-dates-back-to-the-late-14th-century-and-became-the-orders-chief-temple-in-1936-it-plays-a-leading-role-in-the-current-state-of-seon-buddhism-in-south-korea-the-temple-was-first-established-in-1395-at-the-dawn-of-the-joseon-dynasty-the-modern-temple-was-founded-in-1910-and-initially-called-gakhwangsa-the-name-was-changed-to-taegosa-during-the-period-of-japanese-rule-and-then-to-the-present-name-in-1954-jogyesa-is-located-in-gyeonji-dong-jongno-gu-in-downtown-seoul-natural-monument-no-9-image481971622.htmlRM2K03KM6–Jogyesa (Jogye Temple) is the chief temple of the Jogye Order of Korean Buddhism. The building dates back to the late 14th century and became the order's chief temple in 1936. It plays a leading role in the current state of Seon Buddhism in South Korea. The temple was first established in 1395, at the dawn of the Joseon Dynasty; the modern temple was founded in 1910 and initially called 'Gakhwangsa'. The name was changed to 'Taegosa' during the period of Japanese rule, and then to the present name in 1954. Jogyesa is located in Gyeonji-dong, Jongno-gu, in downtown Seoul. Natural monument No. 9
Arhats. Korea, Korean, Joseon dynasty (1392-1910), late 19th century. Paintings. Panel, ink and color on cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arhats-korea-korean-joseon-dynasty-1392-1910-late-19th-century-paintings-panel-ink-and-color-on-cotton-image464698217.htmlRM2J00R8W–Arhats. Korea, Korean, Joseon dynasty (1392-1910), late 19th century. Paintings. Panel, ink and color on cotton
Seoul, Gyeonggi, South Korea. 10th Oct, 2018. South Korean men wearing ''Hanbok'' style clothing at Gyeongbokgung Palace in Seoul. Hanbok is traditional Korean clothing, originally popular in the late Joseon dynasty, before the Japanese conquest of Korea. It is known for vibrant colors and simple lines without pockets. The term literally means ''Korean clothing'', but hanbok usually refers specifically to clothing of the Joseon period. The South Korean government encourages people to wear Hanbok clothing to festivals and cultural celebrations and some museums give free admiccion to people Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seoul-gyeonggi-south-korea-10th-oct-2018-south-korean-men-wearing-hanbok-style-clothing-at-gyeongbokgung-palace-in-seoul-hanbok-is-traditional-korean-clothing-originally-popular-in-the-late-joseon-dynasty-before-the-japanese-conquest-of-korea-it-is-known-for-vibrant-colors-and-simple-lines-without-pockets-the-term-literally-means-korean-clothing-but-hanbok-usually-refers-specifically-to-clothing-of-the-joseon-period-the-south-korean-government-encourages-people-to-wear-hanbok-clothing-to-festivals-and-cultural-celebrations-and-some-museums-give-free-admiccion-to-people-image221734533.htmlRMPTMTJD–Seoul, Gyeonggi, South Korea. 10th Oct, 2018. South Korean men wearing ''Hanbok'' style clothing at Gyeongbokgung Palace in Seoul. Hanbok is traditional Korean clothing, originally popular in the late Joseon dynasty, before the Japanese conquest of Korea. It is known for vibrant colors and simple lines without pockets. The term literally means ''Korean clothing'', but hanbok usually refers specifically to clothing of the Joseon period. The South Korean government encourages people to wear Hanbok clothing to festivals and cultural celebrations and some museums give free admiccion to people
. English: A Late Joseon painting. It shows some influences of the Western painting techniques introduced to Joseon Korea. Late Joseon period.. Unknown 387 Maenggyondo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-late-joseon-painting-it-shows-some-influences-of-the-western-painting-techniques-introduced-to-joseon-korea-late-joseon-period-unknown-387-maenggyondo-image188353668.htmlRMMXC70M–. English: A Late Joseon painting. It shows some influences of the Western painting techniques introduced to Joseon Korea. Late Joseon period.. Unknown 387 Maenggyondo
Korea: Yi Sun-sin (April 28, 1545 – December 16, 1598), celebrated Korean naval commander and victor over Japan during the Imjin Wars (1592-1598). Hanging scroll painting, late 16th century. Yi Sun-sin (1545-1598) was a Korean naval commander noted for his victories against the Japanese navy during the Imjin war in the Joseon Dynasty. Yi is also known for his innovative use of the 'turtle ship'. He is reputed to be one of the few admirals to have been victorious in every naval battle in which he commanded. Yi was killed by a single bullet in the Battle of Noryang on December 16, 1598. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-yi-sun-sin-april-28-1545-december-16-1598-celebrated-korean-naval-commander-and-victor-over-japan-during-the-imjin-wars-1592-1598-hanging-scroll-painting-late-16th-century-yi-sun-sin-1545-1598-was-a-korean-naval-commander-noted-for-his-victories-against-the-japanese-navy-during-the-imjin-war-in-the-joseon-dynasty-yi-is-also-known-for-his-innovative-use-of-the-turtle-ship-he-is-reputed-to-be-one-of-the-few-admirals-to-have-been-victorious-in-every-naval-battle-in-which-he-commanded-yi-was-killed-by-a-single-bullet-in-the-battle-of-noryang-on-december-16-1598-image344231950.htmlRM2B013A6–Korea: Yi Sun-sin (April 28, 1545 – December 16, 1598), celebrated Korean naval commander and victor over Japan during the Imjin Wars (1592-1598). Hanging scroll painting, late 16th century. Yi Sun-sin (1545-1598) was a Korean naval commander noted for his victories against the Japanese navy during the Imjin war in the Joseon Dynasty. Yi is also known for his innovative use of the 'turtle ship'. He is reputed to be one of the few admirals to have been victorious in every naval battle in which he commanded. Yi was killed by a single bullet in the Battle of Noryang on December 16, 1598.
Dish with inscription and decorated with chrysanthemums and rows of dots. Culture: Korea. Dimensions: H. 2 1/4 in. (5.7 cm); Diam. 7 1/4 in. (18.4 cm). Date: mid-15th century. The deep dish is ornamented with repeating stylized chrysanthemum flowers, alongside other designs. The object is typical of buncheong ware-- characterized by white-slip decoration and produced on the peninsula from the late fourteenth through the midsixteenth century--with stamp-impressed designs. Inscriptions indicate the court offices that commissioned the vessels. The dish was made in Gyeongju to be sent to the of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-with-inscription-and-decorated-with-chrysanthemums-and-rows-of-dots-culture-korea-dimensions-h-2-14-in-57-cm-diam-7-14-in-184-cm-date-mid-15th-century-the-deep-dish-is-ornamented-with-repeating-stylized-chrysanthemum-flowers-alongside-other-designs-the-object-is-typical-of-buncheong-ware-characterized-by-white-slip-decoration-and-produced-on-the-peninsula-from-the-late-fourteenth-through-the-midsixteenth-century-with-stamp-impressed-designs-inscriptions-indicate-the-court-offices-that-commissioned-the-vessels-the-dish-was-made-in-gyeongju-to-be-sent-to-the-of-image213401253.htmlRMPB57D9–Dish with inscription and decorated with chrysanthemums and rows of dots. Culture: Korea. Dimensions: H. 2 1/4 in. (5.7 cm); Diam. 7 1/4 in. (18.4 cm). Date: mid-15th century. The deep dish is ornamented with repeating stylized chrysanthemum flowers, alongside other designs. The object is typical of buncheong ware-- characterized by white-slip decoration and produced on the peninsula from the late fourteenth through the midsixteenth century--with stamp-impressed designs. Inscriptions indicate the court offices that commissioned the vessels. The dish was made in Gyeongju to be sent to the of
Korea: Yi Sun-sin (April 28, 1545 – December 16, 1598), celebrated Korean naval commander and victor over Japan during the Imjin Wars (1592-1598). Hanging scroll painting, late 16th century. Yi Sun-sin (1545-1598) was a Korean naval commander noted for his victories against the Japanese navy during the Imjin war in the Joseon Dynasty. Yi is also known for his innovative use of the 'turtle ship'. He is reputed to be one of the few admirals to have been victorious in every naval battle in which he commanded. Yi was killed by a single bullet in the Battle of Noryang on December 16, 1598. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-yi-sun-sin-april-28-1545-december-16-1598-celebrated-korean-naval-commander-and-victor-over-japan-during-the-imjin-wars-1592-1598-hanging-scroll-painting-late-16th-century-yi-sun-sin-1545-1598-was-a-korean-naval-commander-noted-for-his-victories-against-the-japanese-navy-during-the-imjin-war-in-the-joseon-dynasty-yi-is-also-known-for-his-innovative-use-of-the-turtle-ship-he-is-reputed-to-be-one-of-the-few-admirals-to-have-been-victorious-in-every-naval-battle-in-which-he-commanded-yi-was-killed-by-a-single-bullet-in-the-battle-of-noryang-on-december-16-1598-image344231932.htmlRM2B0139G–Korea: Yi Sun-sin (April 28, 1545 – December 16, 1598), celebrated Korean naval commander and victor over Japan during the Imjin Wars (1592-1598). Hanging scroll painting, late 16th century. Yi Sun-sin (1545-1598) was a Korean naval commander noted for his victories against the Japanese navy during the Imjin war in the Joseon Dynasty. Yi is also known for his innovative use of the 'turtle ship'. He is reputed to be one of the few admirals to have been victorious in every naval battle in which he commanded. Yi was killed by a single bullet in the Battle of Noryang on December 16, 1598.
Geonjae Historic House in Oeam Village, Asan-si, Chungcheongnam-do, South korea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/geonjae-historic-house-in-oeam-village-asan-si-chungcheongnam-do-south-korea-image221880527.htmlRMPTYETF–Geonjae Historic House in Oeam Village, Asan-si, Chungcheongnam-do, South korea.
Korea: Hong Daeyong (1731 - 1783), philosopher, astronomer and mathematician during the late Joseon Kingdom (1392 - 1897). Also known as Damheon, Hong was an early promoter of Korean industrialization and the development of trade by using Western technologies. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korea-hong-daeyong-1731-1783-philosopher-astronomer-and-mathematician-during-the-late-joseon-kingdom-1392-1897-also-known-as-damheon-hong-was-an-early-promoter-of-korean-industrialization-and-the-development-of-trade-by-using-western-technologies-image436519500.htmlRM2GA5524–Korea: Hong Daeyong (1731 - 1783), philosopher, astronomer and mathematician during the late Joseon Kingdom (1392 - 1897). Also known as Damheon, Hong was an early promoter of Korean industrialization and the development of trade by using Western technologies.
Husu (court apron), Korea, Joseon dynasty, late 19th century AD, silk, brass rings Textile Museum, George Washington University DSC09794 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/husu-court-apron-korea-joseon-dynasty-late-19th-century-ad-silk-brass-image153146325.htmlRMJW4BKH–Husu (court apron), Korea, Joseon dynasty, late 19th century AD, silk, brass rings Textile Museum, George Washington University DSC09794
The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practice-of-christianity-in-korea-revolves-around-two-of-its-largest-branches-protestantism-and-catholicism-accounting-for-86-million-and-53-million-members-respectively-roman-catholicism-was-first-introduced-during-the-late-joseon-dynasty-period-in-1603-yi-gwang-jeong-korean-diplomat-returned-from-beijing-carrying-several-theological-books-written-by-matteo-ricci-a-jesuit-missionary-to-china-he-began-disseminating-the-information-in-the-books-and-the-first-seeds-of-christianity-were-sown-in-1758-king-yeongjo-of-joseon-officially-outlawed-catholicism-as-an-evil-practice-roman-image344261931.htmlRM2B02DGY–The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman
![Orchids and Rocks, 1897-98. Yi Ha-eung was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852-1919), who ascended the throne at age 13, Yi ruled Korea from 1866 to 1873 and remained the center of politics for the next two decades. In addition to his illustrious political career, Yi was also one of the most celebrated artists who led the revival of literati art in Korean art of the late 1800s. In particular, Yi was recognized as the master of orchids, one of the "Four Gentlemen" themes (plum, orchid, chrysanthemum, and bam Stock Photo](https://c8.alamy.com/comp/2A51NEW/orchids-and-rocks-1897-98-yi-ha-eung-was-one-of-the-most-influential-men-in-late-19th-century-korea-acting-as-the-regent-for-his-son-king-gojong-1852-1919-who-ascended-the-throne-at-age-13-yi-ruled-korea-from-1866-to-1873-and-remained-the-center-of-politics-for-the-next-two-decades-in-addition-to-his-illustrious-political-career-yi-was-also-one-of-the-most-celebrated-artists-who-led-the-revival-of-literati-art-in-korean-art-of-the-late-1800s-in-particular-yi-was-recognized-as-the-master-of-orchids-one-of-the-quotfour-gentlemenquot-themes-plum-orchid-chrysanthemum-and-bam-2A51NEW.jpg "Orchids and Rocks, 1897-98. Yi Ha-eung was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852-1919), who ascended the throne at age 13, Yi ruled Korea from 1866 to 1873 and remained the center of politics for the next two decades. In addition to his illustrious political career, Yi was also one of the most celebrated artists who led the revival of literati art in Korean art of the late 1800s. In particular, Yi was recognized as the master of orchids, one of the "Four Gentlemen" themes (plum, orchid, chrysanthemum, and bam Stock Photo")
Orchids and Rocks, 1897-98. Yi Ha-eung was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852-1919), who ascended the throne at age 13, Yi ruled Korea from 1866 to 1873 and remained the center of politics for the next two decades. In addition to his illustrious political career, Yi was also one of the most celebrated artists who led the revival of literati art in Korean art of the late 1800s. In particular, Yi was recognized as the master of orchids, one of the "Four Gentlemen" themes (plum, orchid, chrysanthemum, and bam Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orchids-and-rocks-1897-98-yi-ha-eung-was-one-of-the-most-influential-men-in-late-19th-century-korea-acting-as-the-regent-for-his-son-king-gojong-1852-1919-who-ascended-the-throne-at-age-13-yi-ruled-korea-from-1866-to-1873-and-remained-the-center-of-politics-for-the-next-two-decades-in-addition-to-his-illustrious-political-career-yi-was-also-one-of-the-most-celebrated-artists-who-led-the-revival-of-literati-art-in-korean-art-of-the-late-1800s-in-particular-yi-was-recognized-as-the-master-of-orchids-one-of-the-quotfour-gentlemenquot-themes-plum-orchid-chrysanthemum-and-bam-image330109105.htmlRM2A51NEW–Orchids and Rocks, 1897-98. Yi Ha-eung was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852-1919), who ascended the throne at age 13, Yi ruled Korea from 1866 to 1873 and remained the center of politics for the next two decades. In addition to his illustrious political career, Yi was also one of the most celebrated artists who led the revival of literati art in Korean art of the late 1800s. In particular, Yi was recognized as the master of orchids, one of the "Four Gentlemen" themes (plum, orchid, chrysanthemum, and bam
The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practice-of-christianity-in-korea-revolves-around-two-of-its-largest-branches-protestantism-and-catholicism-accounting-for-86-million-and-53-million-members-respectively-roman-catholicism-was-first-introduced-during-the-late-joseon-dynasty-period-in-1603-yi-gwang-jeong-korean-diplomat-returned-from-beijing-carrying-several-theological-books-written-by-matteo-ricci-a-jesuit-missionary-to-china-he-began-disseminating-the-information-in-the-books-and-the-first-seeds-of-christianity-were-sown-in-1758-king-yeongjo-of-joseon-officially-outlawed-catholicism-as-an-evil-practice-roman-image344261876.htmlRM2B02DF0–The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman
Rank Badge with Crane, Korea, Joseon dynasty (1392–1910), Date late 19th century, Korea, Silk, 8 1/2 x 8 in. (21.59 x 20.32 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rank-badge-with-crane-korea-joseon-dynasty-13921910-date-late-19th-century-korea-silk-8-12-x-8-in-2159-x-2032-cm-textiles-embroidered-image344586597.htmlRM2B0H7M5–Rank Badge with Crane, Korea, Joseon dynasty (1392–1910), Date late 19th century, Korea, Silk, 8 1/2 x 8 in. (21.59 x 20.32 cm), Textiles-Embroidered
Inspired by Crane and Pine, Ink and light color on paper, Korea, late 19th-early 20th century, Joseon Dynasty, Overall: 51 3/8 x 16 15/16 in., 130.5 x 43 cm, Color, Crane, Folk, Ink, Joseon, Korea, Longevity, Paper, Pine, Rock, Tree, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-crane-and-pine-ink-and-light-color-on-paper-korea-late-19th-early-20th-century-joseon-dynasty-overall-51-38-x-16-1516-in-1305-x-43-cm-color-crane-folk-ink-joseon-korea-longevity-paper-pine-rock-tree-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459262007.htmlRF2HK55AF–Inspired by Crane and Pine, Ink and light color on paper, Korea, late 19th-early 20th century, Joseon Dynasty, Overall: 51 3/8 x 16 15/16 in., 130.5 x 43 cm, Color, Crane, Folk, Ink, Joseon, Korea, Longevity, Paper, Pine, Rock, Tree, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practice-of-christianity-in-korea-revolves-around-two-of-its-largest-branches-protestantism-and-catholicism-accounting-for-86-million-and-53-million-members-respectively-roman-catholicism-was-first-introduced-during-the-late-joseon-dynasty-period-in-1603-yi-gwang-jeong-korean-diplomat-returned-from-beijing-carrying-several-theological-books-written-by-matteo-ricci-a-jesuit-missionary-to-china-he-began-disseminating-the-information-in-the-books-and-the-first-seeds-of-christianity-were-sown-in-1758-king-yeongjo-of-joseon-officially-outlawed-catholicism-as-an-evil-practice-roman-image344261865.htmlRM2B02DEH–The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman
Korean white porcelain, Feb 23, 2021 : Traditional Korean white porcelain, Moon Jar, is displayed at the National Museum of Korea in Seoul, South Korea. The white porcelain was made late 17th century during the Joseon dynasty (1392-1910) and it is South Korea's National Treasure No. 1437. Credit: Lee Jae-Won/AFLO/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/korean-white-porcelain-feb-23-2021-traditional-korean-white-porcelain-moon-jar-is-displayed-at-the-national-museum-of-korea-in-seoul-south-korea-the-white-porcelain-was-made-late-17th-century-during-the-joseon-dynasty-1392-1910-and-it-is-south-koreas-national-treasure-no-1437-credit-lee-jae-wonafloalamy-live-news-image409736451.htmlRM2EPH30K–Korean white porcelain, Feb 23, 2021 : Traditional Korean white porcelain, Moon Jar, is displayed at the National Museum of Korea in Seoul, South Korea. The white porcelain was made late 17th century during the Joseon dynasty (1392-1910) and it is South Korea's National Treasure No. 1437. Credit: Lee Jae-Won/AFLO/Alamy Live News
Jogyesa (Jogye Temple) is the chief temple of the Jogye Order of Korean Buddhism. The building dates back to the late 14th century and became the order's chief temple in 1936. It plays a leading role in the current state of Seon Buddhism in South Korea. The temple was first established in 1395, at the dawn of the Joseon Dynasty; the modern temple was founded in 1910 and initially called 'Gakhwangsa'. The name was changed to 'Taegosa' during the period of Japanese rule, and then to the present name in 1954. Jogyesa is located in Gyeonji-dong, Jongno-gu, in downtown Seoul. Natural monument No. 9 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jogyesa-jogye-temple-is-the-chief-temple-of-the-jogye-order-of-korean-buddhism-the-building-dates-back-to-the-late-14th-century-and-became-the-orders-chief-temple-in-1936-it-plays-a-leading-role-in-the-current-state-of-seon-buddhism-in-south-korea-the-temple-was-first-established-in-1395-at-the-dawn-of-the-joseon-dynasty-the-modern-temple-was-founded-in-1910-and-initially-called-gakhwangsa-the-name-was-changed-to-taegosa-during-the-period-of-japanese-rule-and-then-to-the-present-name-in-1954-jogyesa-is-located-in-gyeonji-dong-jongno-gu-in-downtown-seoul-natural-monument-no-9-image481971759.htmlRM2K03KW3–Jogyesa (Jogye Temple) is the chief temple of the Jogye Order of Korean Buddhism. The building dates back to the late 14th century and became the order's chief temple in 1936. It plays a leading role in the current state of Seon Buddhism in South Korea. The temple was first established in 1395, at the dawn of the Joseon Dynasty; the modern temple was founded in 1910 and initially called 'Gakhwangsa'. The name was changed to 'Taegosa' during the period of Japanese rule, and then to the present name in 1954. Jogyesa is located in Gyeonji-dong, Jongno-gu, in downtown Seoul. Natural monument No. 9
The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practice-of-christianity-in-korea-revolves-around-two-of-its-largest-branches-protestantism-and-catholicism-accounting-for-86-million-and-53-million-members-respectively-roman-catholicism-was-first-introduced-during-the-late-joseon-dynasty-period-in-1603-yi-gwang-jeong-korean-diplomat-returned-from-beijing-carrying-several-theological-books-written-by-matteo-ricci-a-jesuit-missionary-to-china-he-began-disseminating-the-information-in-the-books-and-the-first-seeds-of-christianity-were-sown-in-1758-king-yeongjo-of-joseon-officially-outlawed-catholicism-as-an-evil-practice-roman-image344261862.htmlRM2B02DEE–The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman
Portrait of Priest Samyeongdang. Korea, Korean, Joseon dynasty (1392-1910), late 19th century. Paintings. Panel, ink and color on hemp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-priest-samyeongdang-korea-korean-joseon-dynasty-1392-1910-late-19th-century-paintings-panel-ink-and-color-on-hemp-image464759965.htmlRM2J03J25–Portrait of Priest Samyeongdang. Korea, Korean, Joseon dynasty (1392-1910), late 19th century. Paintings. Panel, ink and color on hemp
The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practice-of-christianity-in-korea-revolves-around-two-of-its-largest-branches-protestantism-and-catholicism-accounting-for-86-million-and-53-million-members-respectively-roman-catholicism-was-first-introduced-during-the-late-joseon-dynasty-period-in-1603-yi-gwang-jeong-korean-diplomat-returned-from-beijing-carrying-several-theological-books-written-by-matteo-ricci-a-jesuit-missionary-to-china-he-began-disseminating-the-information-in-the-books-and-the-first-seeds-of-christianity-were-sown-in-1758-king-yeongjo-of-joseon-officially-outlawed-catholicism-as-an-evil-practice-roman-image344262010.htmlRM2B02DKP–The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman
. English: A Late Joseon painting. It shows some influences of the Western painting techniques introduced to Joseon Korea. Late Joseon period.. Unknown 386 Maenggyondo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-late-joseon-painting-it-shows-some-influences-of-the-western-painting-techniques-introduced-to-joseon-korea-late-joseon-period-unknown-386-maenggyondo-image187817129.htmlRMMWFPJH–. English: A Late Joseon painting. It shows some influences of the Western painting techniques introduced to Joseon Korea. Late Joseon period.. Unknown 386 Maenggyondo
The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practice-of-christianity-in-korea-revolves-around-two-of-its-largest-branches-protestantism-and-catholicism-accounting-for-86-million-and-53-million-members-respectively-roman-catholicism-was-first-introduced-during-the-late-joseon-dynasty-period-in-1603-yi-gwang-jeong-korean-diplomat-returned-from-beijing-carrying-several-theological-books-written-by-matteo-ricci-a-jesuit-missionary-to-china-he-began-disseminating-the-information-in-the-books-and-the-first-seeds-of-christianity-were-sown-in-1758-king-yeongjo-of-joseon-officially-outlawed-catholicism-as-an-evil-practice-roman-image344261928.htmlRM2B02DGT–The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman
Still life with bronze vessels and flowering plants. Artist: Attributed to Jang Seung-eop (pen name: Owon) (Korean, 1843-1897). Culture: Korea. Dimensions: Overall: 77 in. × 14 ft. 2 in. (195.6 × 431.8 cm). Date: 1894. In the nineteenth century, still-life paintings of precious vessels with flowering plants and/or fruits emerged as a distinct and popular genre (Korean: gimyeong jeoljido). The bronzes in this screen are more stylized or exaggerated versions of late Qing-period (1644-1911) Chinese examples, which were known in Korea from imported collectibles or their representation in Chinese Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/still-life-with-bronze-vessels-and-flowering-plants-artist-attributed-to-jang-seung-eop-pen-name-owon-korean-1843-1897-culture-korea-dimensions-overall-77-in-14-ft-2-in-1956-4318-cm-date-1894-in-the-nineteenth-century-still-life-paintings-of-precious-vessels-with-flowering-plants-andor-fruits-emerged-as-a-distinct-and-popular-genre-korean-gimyeong-jeoljido-the-bronzes-in-this-screen-are-more-stylized-or-exaggerated-versions-of-late-qing-period-1644-1911-chinese-examples-which-were-known-in-korea-from-imported-collectibles-or-their-representation-in-chinese-image213145719.htmlRMPANHF3–Still life with bronze vessels and flowering plants. Artist: Attributed to Jang Seung-eop (pen name: Owon) (Korean, 1843-1897). Culture: Korea. Dimensions: Overall: 77 in. × 14 ft. 2 in. (195.6 × 431.8 cm). Date: 1894. In the nineteenth century, still-life paintings of precious vessels with flowering plants and/or fruits emerged as a distinct and popular genre (Korean: gimyeong jeoljido). The bronzes in this screen are more stylized or exaggerated versions of late Qing-period (1644-1911) Chinese examples, which were known in Korea from imported collectibles or their representation in Chinese
Costume of the time of enlightenment, Aug 31, 2022 : Models present costumes of the time of enlightenment of Korea provided by the Kyungsung Boutique at a newtro fashion show in Seoul, South Korea. A South Korean television drama, Mr. Sunshine, which was aired in 2018, evoked the the time of enlightenment of Korea when the Joseon Dynasty (1392-1897) changed into a modern form of state. Korea was under the influences of Western's capitalism and modernism as well as Japan's military, political, economic forces in the late 19th and early 20th centuries. Credit: Lee Jae-Won/AFLO/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costume-of-the-time-of-enlightenment-aug-31-2022-models-present-costumes-of-the-time-of-enlightenment-of-korea-provided-by-the-kyungsung-boutique-at-a-newtro-fashion-show-in-seoul-south-korea-a-south-korean-television-drama-mr-sunshine-which-was-aired-in-2018-evoked-the-the-time-of-enlightenment-of-korea-when-the-joseon-dynasty-1392-1897-changed-into-a-modern-form-of-state-korea-was-under-the-influences-of-westerns-capitalism-and-modernism-as-well-as-japans-military-political-economic-forces-in-the-late-19th-and-early-20th-centuries-credit-lee-jae-wonafloalamy-live-news-image551798332.htmlRM2R1MGB8–Costume of the time of enlightenment, Aug 31, 2022 : Models present costumes of the time of enlightenment of Korea provided by the Kyungsung Boutique at a newtro fashion show in Seoul, South Korea. A South Korean television drama, Mr. Sunshine, which was aired in 2018, evoked the the time of enlightenment of Korea when the Joseon Dynasty (1392-1897) changed into a modern form of state. Korea was under the influences of Western's capitalism and modernism as well as Japan's military, political, economic forces in the late 19th and early 20th centuries. Credit: Lee Jae-Won/AFLO/Alamy Live News
Seoul, Gyeonggi, South Korea. 10th Oct, 2018. South Korean girls wearing ''Hanbok'' style clothing at Gyeongbokgung Palace in Seoul. Hanbok is traditional Korean clothing, originally popular in the late Joseon dynasty, before the Japanese conquest of Korea. It is known for vibrant colors and simple lines without pockets. The term literally means ''Korean clothing'', but hanbok usually refers specifically to clothing of the Joseon period. The South Korean government encourages people to wear Hanbok clothing to festivals and cultural celebrations and some museums give free admiccion to peopl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seoul-gyeonggi-south-korea-10th-oct-2018-south-korean-girls-wearing-hanbok-style-clothing-at-gyeongbokgung-palace-in-seoul-hanbok-is-traditional-korean-clothing-originally-popular-in-the-late-joseon-dynasty-before-the-japanese-conquest-of-korea-it-is-known-for-vibrant-colors-and-simple-lines-without-pockets-the-term-literally-means-korean-clothing-but-hanbok-usually-refers-specifically-to-clothing-of-the-joseon-period-the-south-korean-government-encourages-people-to-wear-hanbok-clothing-to-festivals-and-cultural-celebrations-and-some-museums-give-free-admiccion-to-peopl-image221734441.htmlRMPTMTF5–Seoul, Gyeonggi, South Korea. 10th Oct, 2018. South Korean girls wearing ''Hanbok'' style clothing at Gyeongbokgung Palace in Seoul. Hanbok is traditional Korean clothing, originally popular in the late Joseon dynasty, before the Japanese conquest of Korea. It is known for vibrant colors and simple lines without pockets. The term literally means ''Korean clothing'', but hanbok usually refers specifically to clothing of the Joseon period. The South Korean government encourages people to wear Hanbok clothing to festivals and cultural celebrations and some museums give free admiccion to peopl
Geonjae Historic House in Oeam Village, Asan-si, Chungcheongnam-do, South korea . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/geonjae-historic-house-in-oeam-village-asan-si-chungcheongnam-do-south-korea-image221880575.htmlRMPTYEX7–Geonjae Historic House in Oeam Village, Asan-si, Chungcheongnam-do, South korea .
Buddhist Pagoda, Korea, late Goryeo dynasty(918-1392)-early Joseon dynasty(1392-1910), 14th/16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buddhist-pagoda-korea-late-goryeo-dynasty918-1392-early-joseon-dynasty1392-1910-14th16th-century-image453136853.htmlRM2H964K1–Buddhist Pagoda, Korea, late Goryeo dynasty(918-1392)-early Joseon dynasty(1392-1910), 14th/16th century.
Rank Badge with White Crane, Korea, Joseon dynasty (1392–1910), Date late 19th century, Korea, Silk, 7 1/2 x 7 in. (19.05 x 17.78 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rank-badge-with-white-crane-korea-joseon-dynasty-13921910-date-late-19th-century-korea-silk-7-12-x-7-in-1905-x-1778-cm-textiles-embroidered-image344586591.htmlRM2B0H7KY–Rank Badge with White Crane, Korea, Joseon dynasty (1392–1910), Date late 19th century, Korea, Silk, 7 1/2 x 7 in. (19.05 x 17.78 cm), Textiles-Embroidered
Art inspired by Cranes and Pines, Songha, Korean, Ink and light color on paper, Korea, late 19th-early 20th century, Joseon Dynasty, Overall: 54 x 21 3/4 in., 137.2 x 55.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cranes-and-pines-songha-korean-ink-and-light-color-on-paper-korea-late-19th-early-20th-century-joseon-dynasty-overall-54-x-21-34-in-1372-x-552-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459572592.htmlRF2HKK9ET–Art inspired by Cranes and Pines, Songha, Korean, Ink and light color on paper, Korea, late 19th-early 20th century, Joseon Dynasty, Overall: 54 x 21 3/4 in., 137.2 x 55.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jar with Dragon and Clouds Design, late 1600s. Korea, Joseon dynasty (1392-1910). Porcelain with underglaze iron; diameter of base: 13.7 cm (5 3/8 in.); overall: 34.7 cm (13 11/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-with-dragon-and-clouds-design-late-1600s-korea-joseon-dynasty-1392-1910-porcelain-with-underglaze-iron-diameter-of-base-137-cm-5-38-in-overall-347-cm-13-1116-in-image240453331.htmlRMRY5GJY–Jar with Dragon and Clouds Design, late 1600s. Korea, Joseon dynasty (1392-1910). Porcelain with underglaze iron; diameter of base: 13.7 cm (5 3/8 in.); overall: 34.7 cm (13 11/16 in
Jogyesa (Jogye Temple) is the chief temple of the Jogye Order of Korean Buddhism. The building dates back to the late 14th century and became the order's chief temple in 1936. It plays a leading role in the current state of Seon Buddhism in South Korea. The temple was first established in 1395, at the dawn of the Joseon Dynasty; the modern temple was founded in 1910 and initially called 'Gakhwangsa'. The name was changed to 'Taegosa' during the period of Japanese rule, and then to the present name in 1954. Jogyesa is located in Gyeonji-dong, Jongno-gu, in downtown Seoul. Natural monument No. 9 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jogyesa-jogye-temple-is-the-chief-temple-of-the-jogye-order-of-korean-buddhism-the-building-dates-back-to-the-late-14th-century-and-became-the-orders-chief-temple-in-1936-it-plays-a-leading-role-in-the-current-state-of-seon-buddhism-in-south-korea-the-temple-was-first-established-in-1395-at-the-dawn-of-the-joseon-dynasty-the-modern-temple-was-founded-in-1910-and-initially-called-gakhwangsa-the-name-was-changed-to-taegosa-during-the-period-of-japanese-rule-and-then-to-the-present-name-in-1954-jogyesa-is-located-in-gyeonji-dong-jongno-gu-in-downtown-seoul-natural-monument-no-9-image481971597.htmlRM2K03KK9–Jogyesa (Jogye Temple) is the chief temple of the Jogye Order of Korean Buddhism. The building dates back to the late 14th century and became the order's chief temple in 1936. It plays a leading role in the current state of Seon Buddhism in South Korea. The temple was first established in 1395, at the dawn of the Joseon Dynasty; the modern temple was founded in 1910 and initially called 'Gakhwangsa'. The name was changed to 'Taegosa' during the period of Japanese rule, and then to the present name in 1954. Jogyesa is located in Gyeonji-dong, Jongno-gu, in downtown Seoul. Natural monument No. 9
Bowl. Korea, Korean, Joseon dynasty (1392-1910), late 15th century. Furnishings; Serviceware. Wheel-thrown stoneware with slip and pale green glaze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-korea-korean-joseon-dynasty-1392-1910-late-15th-century-furnishings-serviceware-wheel-thrown-stoneware-with-slip-and-pale-green-glaze-image464664685.htmlRM2HYY8F9–Bowl. Korea, Korean, Joseon dynasty (1392-1910), late 15th century. Furnishings; Serviceware. Wheel-thrown stoneware with slip and pale green glaze
. English: A Late Joseon painting. It shows some influences of the Western painting techniques introduced to Joseon Korea. Late Joseon period.. Unknown 337 Maenggyondo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-late-joseon-painting-it-shows-some-influences-of-the-western-painting-techniques-introduced-to-joseon-korea-late-joseon-period-unknown-337-maenggyondo-image189119727.htmlRMMYK43Y–. English: A Late Joseon painting. It shows some influences of the Western painting techniques introduced to Joseon Korea. Late Joseon period.. Unknown 337 Maenggyondo
The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practice-of-christianity-in-korea-revolves-around-two-of-its-largest-branches-protestantism-and-catholicism-accounting-for-86-million-and-53-million-members-respectively-roman-catholicism-was-first-introduced-during-the-late-joseon-dynasty-period-in-1603-yi-gwang-jeong-korean-diplomat-returned-from-beijing-carrying-several-theological-books-written-by-matteo-ricci-a-jesuit-missionary-to-china-he-began-disseminating-the-information-in-the-books-and-the-first-seeds-of-christianity-were-sown-in-1758-king-yeongjo-of-joseon-officially-outlawed-catholicism-as-an-evil-practice-roman-image344261930.htmlRM2B02DGX–The practice of Christianity in Korea revolves around two of its largest branches, Protestantism and Catholicism, accounting for 8.6 million and 5.3 million members respectively. Roman Catholicism was first introduced during the late Joseon Dynasty period. In 1603, Yi Gwang-jeong, Korean diplomat, returned from Beijing carrying several theological books written by Matteo Ricci, a Jesuit missionary to China. He began disseminating the information in the books and the first seeds of Christianity were sown. In 1758 King Yeongjo of Joseon officially outlawed Catholicism as an evil practice. Roman
Brahma with attendants and musicians. Artist: Unidentified Artist. Culture: Korea. Dimensions: Image: 85 × 87 in. (215.9 × 221 cm) Overall with mounting: 132 × 97 in. (335.3 × 246.4 cm) Overall with knobs: 132 × 101 3/4 in. (335.3 × 258.4 cm). Date: late 16th century. Originally a Hindu deity, Brahma (Korean: Beomcheon) was incorporated into the Buddhist pantheon and, along with the Hindu god Indra (Korean: Jeseok), became the protector of Buddhist teachings. The Brahma heaven was interpreted as a place of pleasure filled with entertainers and musicians. In this work, lithe figures playing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brahma-with-attendants-and-musicians-artist-unidentified-artist-culture-korea-dimensions-image-85-87-in-2159-221-cm-overall-with-mounting-132-97-in-3353-2464-cm-overall-with-knobs-132-101-34-in-3353-2584-cm-date-late-16th-century-originally-a-hindu-deity-brahma-korean-beomcheon-was-incorporated-into-the-buddhist-pantheon-and-along-with-the-hindu-god-indra-korean-jeseok-became-the-protector-of-buddhist-teachings-the-brahma-heaven-was-interpreted-as-a-place-of-pleasure-filled-with-entertainers-and-musicians-in-this-work-lithe-figures-playing-image212879290.htmlRMPA9DKP–Brahma with attendants and musicians. Artist: Unidentified Artist. Culture: Korea. Dimensions: Image: 85 × 87 in. (215.9 × 221 cm) Overall with mounting: 132 × 97 in. (335.3 × 246.4 cm) Overall with knobs: 132 × 101 3/4 in. (335.3 × 258.4 cm). Date: late 16th century. Originally a Hindu deity, Brahma (Korean: Beomcheon) was incorporated into the Buddhist pantheon and, along with the Hindu god Indra (Korean: Jeseok), became the protector of Buddhist teachings. The Brahma heaven was interpreted as a place of pleasure filled with entertainers and musicians. In this work, lithe figures playing
Rank Badge with Leopard late 19th century Korea. Rank Badge with Leopard. Korea. late 19th century. Silk. Joseon dynasty (1392–1910). Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rank-badge-with-leopard-late-19th-century-korea-rank-badge-with-leopard-korea-late-19th-century-silk-joseon-dynasty-13921910-textiles-embroidered-image457986476.htmlRM2HH32BT–Rank Badge with Leopard late 19th century Korea. Rank Badge with Leopard. Korea. late 19th century. Silk. Joseon dynasty (1392–1910). Textiles-Embroidered
Costume of the time of enlightenment, Aug 31, 2022 : Models present costumes of the time of enlightenment of Korea provided by the Kyungsung Boutique at a newtro fashion show in Seoul, South Korea. A South Korean television drama, Mr. Sunshine, which was aired in 2018, evoked the the time of enlightenment of Korea when the Joseon Dynasty (1392-1897) changed into a modern form of state. Korea was under the influences of Western's capitalism and modernism as well as Japan's military, political, economic forces in the late 19th and early 20th centuries. Credit: Lee Jae-Won/AFLO/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costume-of-the-time-of-enlightenment-aug-31-2022-models-present-costumes-of-the-time-of-enlightenment-of-korea-provided-by-the-kyungsung-boutique-at-a-newtro-fashion-show-in-seoul-south-korea-a-south-korean-television-drama-mr-sunshine-which-was-aired-in-2018-evoked-the-the-time-of-enlightenment-of-korea-when-the-joseon-dynasty-1392-1897-changed-into-a-modern-form-of-state-korea-was-under-the-influences-of-westerns-capitalism-and-modernism-as-well-as-japans-military-political-economic-forces-in-the-late-19th-and-early-20th-centuries-credit-lee-jae-wonafloalamy-live-news-image551798337.htmlRM2R1MGBD–Costume of the time of enlightenment, Aug 31, 2022 : Models present costumes of the time of enlightenment of Korea provided by the Kyungsung Boutique at a newtro fashion show in Seoul, South Korea. A South Korean television drama, Mr. Sunshine, which was aired in 2018, evoked the the time of enlightenment of Korea when the Joseon Dynasty (1392-1897) changed into a modern form of state. Korea was under the influences of Western's capitalism and modernism as well as Japan's military, political, economic forces in the late 19th and early 20th centuries. Credit: Lee Jae-Won/AFLO/Alamy Live News
Search Results for Late joseon korea Stock Photos and Images (371)
Page 1 of 4