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Lancret Stock Photos and Images
RMWP87NK–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2CE603Y–. Tableaux anciens; oeuvres remarquables de F.-H. Drouais, A. Van Dyck, H. Fragonard, N. Lancret, C. Béga, Duplessis, C. Eisen, J.-B. Greuze, C. De Heem, J. Van Huysum, Mlle Ledoux, F. Le Moine, C. Van Loo, G. Metzu, J.-B. Oudry, Santerre, G. Schalken, Jean Steen, D. Teniers, Ph. Wouwerman, J. Wynants, etc . sa fiancée, et tenant une plume pour lasignature du contrat étalé sur un bureau enrichi debronzes. A gauche, un manteau de soie rose doublé de fourrureblanche est posé sur un divan. Dans le fond, un paravent est ouvert devant unmeuble à hauteur dappui sur lequel on remarque unvase de fleur
RM2DT32PE–Artist: Nicolas Lancret, French, 1690–1743, Two studies: Portrait of an Actor and Study of Hands, Counterproof from red chalk drawing, sheet: 14 × 12.6 cm (5 1/2 × 4 15/16 in.), Made in France, French, 18th century, Works on Paper - Drawings and Watercolors
RM2H11FJ5–The Swing, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 96 x 5.5 cm (61 13/16 x 37 13/16 x 2 3/16 in.); unframed: 150.8 x 89.7 cm (59 3/8 x 35 5/16 in.).
RMPNDF5A–Children at Play in the Open. Date/Period: From 1705 until 1743. Painting. Oil on panel. Height: 270 mm (10.62 in); Width: 325 mm (12.79 in). Author: Nicolas Lancret. LANCRET, NICOLAS.
RMGHG99W–Tableaux anciens; oeuvres remarquables de F.-H. Drouais, A. Van Dyck, H. Fragonard, N. Lancret, C. Béga, Duplessis, C. Eisen, J.-B. Greuze, C. De Heem, J. Van Huysum, Mlle Ledoux, F. Le Moine, C. Van
RMWP87RP–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2CE60K7–. Tableaux anciens; oeuvres remarquables de F.-H. Drouais, A. Van Dyck, H. Fragonard, N. Lancret, C. Béga, Duplessis, C. Eisen, J.-B. Greuze, C. De Heem, J. Van Huysum, Mlle Ledoux, F. Le Moine, C. Van Loo, G. Metzu, J.-B. Oudry, Santerre, G. Schalken, Jean Steen, D. Teniers, Ph. Wouwerman, J. Wynants, etc . A droite, un homme tenant un bâton pousse des ani-maux vers lentrée dune ferme. Signé à gauche. Bois. Haut., 41 cent.; larg., 54 cent. TABLEAUX ANCIENS BERCHEM (Attribué à NICOLAS) Le Passage du gué. Une bergère, montée sur un cheval blanc, cause avecun pâtre près dune source qui jaillit d
RMRY3YAX–Declaration of Love, c. 1720. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 103 x 90.5 x 9 cm (40 9/16 x 35 5/8 x 3 9/16 in.); unframed: 80.1 x 64 cm (31 9/16 x 25 3/16 in
RM2H10EP2–Declaration of Love, c. 1720. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 103 x 90.5 x 9 cm (40 9/16 x 35 5/8 x 3 9/16 in.); unframed: 80.1 x 64 cm (31 9/16 x 25 3/16 in.).
RMRXBTK5–Three Studies of the Head of a Turbaned Black Man. Nicolas Lancret; French, 1690-1743. Date: 1720-1730. Dimensions: 176 × 283 mm. Black, red and white chalks on oatmeal laid paper. Origin: France. Museum: The Chicago Art Institute.
RMGHG9JR–Tableaux anciens; oeuvres remarquables de F.-H. Drouais, A. Van Dyck, H. Fragonard, N. Lancret, C. Béga, Duplessis, C. Eisen, J.-B. Greuze, C. De Heem, J. Van Huysum, Mlle Ledoux, F. Le Moine, C. Van
RMWP87T0–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2CE6087–. Tableaux anciens; oeuvres remarquables de F.-H. Drouais, A. Van Dyck, H. Fragonard, N. Lancret, C. Béga, Duplessis, C. Eisen, J.-B. Greuze, C. De Heem, J. Van Huysum, Mlle Ledoux, F. Le Moine, C. Van Loo, G. Metzu, J.-B. Oudry, Santerre, G. Schalken, Jean Steen, D. Teniers, Ph. Wouwerman, J. Wynants, etc . i2^ .yi f<?y/^ /^/^7rj 1 TABLEAUX ANCIENS 19 TENIERS (Attribué à DAVID) 2 5 — Personnages à lentrée din parc. Un gentilhomme et une dame en robe rouge sontdebout devant la porte dun château, près de laquelleune servante dessert une table. Une jeune femme, vuede dos, la jupe de sa robe
RMRY4E5M–The Swing, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 96 x 5.5 cm (61 13/16 x 37 13/16 x 2 3/16 in.); unframed: 150.8 x 89.7 cm (59 3/8 x 35 5/16 in
RM2H10YKP–The Gardener, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in.).
RMR35E9M–Lady Seated on a See-Saw. Dimensions: overall: 14.7 x 14.2 cm (5 13/16 x 5 9/16 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Nicolas Lancret.
RMWP87K8–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2CE5YWG–. Tableaux anciens; oeuvres remarquables de F.-H. Drouais, A. Van Dyck, H. Fragonard, N. Lancret, C. Béga, Duplessis, C. Eisen, J.-B. Greuze, C. De Heem, J. Van Huysum, Mlle Ledoux, F. Le Moine, C. Van Loo, G. Metzu, J.-B. Oudry, Santerre, G. Schalken, Jean Steen, D. Teniers, Ph. Wouwerman, J. Wynants, etc . ATO Sassoferrato, i6o5-i68.^. y I — La Vierge en prière. En buste, voile blanc, manteau bleu, les mains jointes. Cuivre. Haut., 22 cent., larg., 17 cent. SIRANI (JEAN-ANDRÉ) Bologne, 1610-1070. 72 — La Vierge et VEnfant-Jèsus, La Vierge, en robe rose, manteau bleu, portant TEn-fant-Jésus c
RMRY4E4Y–Horticulture, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in
RM2H11DDX–The Vineyard, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 89 x 5.5 cm (61 13/16 x 35 1/16 x 2 3/16 in.); unframed: 150.3 x 82.3 cm (59 3/16 x 32 3/8 in.).
RMR2MPC1–Two Seated Ladies. Dimensions: overall (approximate): 16.7 x 20.1 cm (6 9/16 x 7 15/16 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Nicolas Lancret.
RMWP87KH–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2CEFA0R–. Collection des Goncourt; dessins, aquarelles et pastels du 18e siècle. e. (H..0,33.— L.,0.32.) LAJOUE (JACQUES) 145. — Halte de chasseurs. Au pied dun bouquet darbres et dune fontaine sur-montée dun groupe danimaux représentant un cerf forcé,des chasseurs se reposent couchés à terre; dans le lointain,une chasseresse à cheval qui a une amie en croupe. Dessin à la plume, lave daquarelle. A ligure à Texposition de lEcole des beaux-arts, en 1879, sous len49i. (H., 0,23. — L., 0,27.) LANCRET (NICOL.^S) 146. — Deux femmes. Lune debout et déclamant, un masque à la main, uneautre assise et chantant,
RMRY4E5H–The See-Saw, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 96 x 5.5 cm (61 13/16 x 37 13/16 x 2 3/16 in.); unframed: 150.7 x 89.4 cm (59 5/16 x 35 3/16 in
RM2HH3870–Dancer (one of a pair) ca. 1758 Höchst Manufactory The figure of the woman is based on an engraving by Nicolas Larmessin of a portrait of Marie Sallé painted in 1732 by Nicolas Lancret (1690–1745).. Dancer (one of a pair). based on an engraving by Nicolas de Larmessin III (French, Paris 1685–1755 Paris). German, Höchst. ca. 1758. Hard-paste porcelain. Ceramics-Porcelain
RMT0B28G–'Concert in the Park'. France, Circa 1738. Dimensions: 61,5x51,5 cm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS LANCRET . Nicolas Lancret.
RMWP87EP–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2CEF9PK–. Collection des Goncourt; dessins, aquarelles et pastels du 18e siècle. ^^^^. o :ir s c o -1 Un ^TT r; V O ^ t; •iVi* r*- LANCRET NICOLAS 147. — Deux Femmes. Elles sont vêtues, comme dans le dessin précédent, derobes et de toquets à la polonaise. Elles sont debout luneen face de lautre et semblent jouer une scène de théâtre. Dessin aux trois crayons, sur papier chamois. (H., 0,18. — L., 0,24.) LANCRET .NICOLAS) 148. — Deux Hommes dans Vattitude de présenter la main à une femme. Au bas dun escalier, trois hommes vus de dos, danslinclination dun salut. Feuille de croquis au crayon noir et à la
RMRY4E52–The Vineyard, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 89 x 5.5 cm (61 13/16 x 35 1/16 x 2 3/16 in.); unframed: 150.3 x 82.3 cm (59 3/16 x 32 3/8 in
RM2WEN31M–Slow, Anonymous, Nicolas de Larmessin (III), After Nicolas Lancret, 1912 - 1961 photomechanical print Three gardening figures in a garden at a fountain. On the left a woman with a basket with flowers, in the middle a man with a shovel and a woman with a watering can. paper collotype spring human activities (the four seasons of the year). gardening. garden fountain
RMPM06WX–Le matin. Dated: 1741. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Nicolas de Larmessin IV after Nicolas Lancret. Nicolas Lancret. NICOLAS DE LARMESSIN.
RMWP87EX–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2WM65WJ–Bemberg Fondation Toulouse - Fête galante représentant une dame dansant avec Pulcinella - Nicolas Lancret Inv.1134 28x23.2.
RMRY4E4P–The Gardener, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in
RM2WFRX0W–Slow, Nicolas de Larmessin (III), After Nicolas Lancret, 1745 print Three gardening figures in a garden at a fountain. On the left a woman with a basket with flowers, in the middle a man with a shovel and a woman with a watering can. publisher: ParisFrance paper etching / engraving spring human activities (the four seasons of the year). gardening. garden fountain
RM2BT525T–Portrait of Nicolas Lancret, French painter 1690-1743. Copperplate engraving by M. Aubert after a self portrait by Nicolas Lancret from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
RMWP87K9–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2DC9P9A–Nicolas Lancret, (artist), French, 1690 - 1743, La Camargo Dancing, c. 1730, oil on canvas, overall: 76.2 x 106.7 cm (30 x 42 in.), framed: 107.3 x 135.9 x 9.2 cm (42 1/4 x 53 1/2 x 3 5/8 in
RM2WFTP6E–Volwassenheid, Nicolas de Larmessin (III), After Nicolas Lancret, 1735 print Elegant dressed ladies who make toilet. On the left, a woman attracts a stocking. publisher: ParisFrance paper etching / engraving Adulthood, Majority; 'Virilità' (Ripa). dress, gown: robe volante (+ women's clothes). coat (JUSTAUCORPS) (+ men's clothes). clothing for the upper part of the body (VEST) (+ men's clothes). stockings, socks (+ dressing, putting on clothes)
RMPAC298–Standing Hunter Holding a Rifle. Artist: Nicolas Lancret (French, Paris 1690-1743 Paris). Dimensions: 9 x 4 13/16 in. (22.9 x 12.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RMWP87P0–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2DNRC4N–Wilhelm Weimar, copperplate engraving Le Matin (Nicolas De Larmessin after Nicolas Lancret), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: right: in black ink: 2539. graphics, ornaments, rocaille, tableware, table decoration, breakfast, time, clock, man, woman, maid, maid, interior
RM2HHARH7–Woman with a Mirror late 18th century Imperial Russian Tapestry Manufactory, Saint Petersburg Cyrillic script on a fictive plaque adorning a trompe l’oeil frame identifies “N. Lancret”, probably the artist of the painting this tapestry imitates. Large-scale figurative tapestries like this one had been woven in Saint Petersburg since at least 1716 when Peter the Great founded a tapestry weaving workshop under royal protection; by 1756, its weavers were directed by Jean Baptiste Rondet, who had worked at the great Manufacture Royale des Gobelins in Paris. This tapestry, woven during the reign of
RMPAARM6–Woman Seated on the Ground. Artist: Nicolas Lancret (French, Paris 1690-1743 Paris). Dimensions: 5 1/2 x 6 15/16 in. (14 x 17.7 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RMWP87Y0–Paris, Architektur, Hector Guimard, Immeuble Jassede, 142 Avenue de Versailles, 1 Rue Lancret
RM2DCB2T8–Nicolas Lancret, (artist), French, 1690 - 1743, Picnic after the Hunt, probably c. 1735/1740, oil on canvas, overall: 61.5 x 74.8 cm (24 3/16 x 29 7/16 in.), framed: 84 x 98 x 8.9 cm (33 1/16 x 38 9/16 x 3 1/2 in
![Brother Philippe's Geese ca. 1736 Nicolas Lancret French Jean de La Fontaine’s Fables were very popular in eighteenth-century France. They include the story of the widowed Philippe, who adopts a hermit’s robes and retreats to a mountain cave where he and his son live free from temptation. Eventually, however, Philippe takes his son out into the world and they encounter a party of young women. 'What is that?' asked the youth. 'A party of geese,' his father replied. 'Father, I beg you, let us take one [with us].' The women’s elevated social status is indicated by the African, likely enslaved, se Stock Photo](https://c8.alamy.com/comp/2HH2X7X/brother-philippes-geese-ca-1736-nicolas-lancret-french-jean-de-la-fontaines-fables-were-very-popular-in-eighteenth-century-france-they-include-the-story-of-the-widowed-philippe-who-adopts-a-hermits-robes-and-retreats-to-a-mountain-cave-where-he-and-his-son-live-free-from-temptation-eventually-however-philippe-takes-his-son-out-into-the-world-and-they-encounter-a-party-of-young-women-what-is-that-asked-the-youth-a-party-of-geese-his-father-replied-father-i-beg-you-let-us-take-one-with-us-the-womens-elevated-social-status-is-indicated-by-the-african-likely-enslaved-se-2HH2X7X.jpg "Brother Philippe's Geese ca. 1736 Nicolas Lancret French Jean de La Fontaine’s Fables were very popular in eighteenth-century France. They include the story of the widowed Philippe, who adopts a hermit’s robes and retreats to a mountain cave where he and his son live free from temptation. Eventually, however, Philippe takes his son out into the world and they encounter a party of young women. 'What is that?' asked the youth. 'A party of geese,' his father replied. 'Father, I beg you, let us take one [with us].' The women’s elevated social status is indicated by the African, likely enslaved, se Stock Photo")
RM2HH2X7X–Brother Philippe's Geese ca. 1736 Nicolas Lancret French Jean de La Fontaine’s Fables were very popular in eighteenth-century France. They include the story of the widowed Philippe, who adopts a hermit’s robes and retreats to a mountain cave where he and his son live free from temptation. Eventually, however, Philippe takes his son out into the world and they encounter a party of young women. 'What is that?' asked the youth. 'A party of geese,' his father replied. 'Father, I beg you, let us take one [with us].' The women’s elevated social status is indicated by the African, likely enslaved, se
RMPA913H–Studies of a Couple Seated on the Ground, Looking at a Songbook. Artist: Nicolas Lancret (French, Paris 1690-1743 Paris). Dimensions: Sheet: 10 1/4 x 14 9/16 in. (26 x 37 cm). Date: ca. 1740. Museum: Metropolitan Museum of Art, New York, USA.
RM2DTC953–Artist: Charles-Jean-Louis Courtry, French, 1846–1897, After: Nicolas Lancret, French, 1690–1743, Le Petit Chien qui Secoue de L’Argent & des Pierreries, Etching, platemark: 8.5 × 13.2 cm (3 3/8 × 5 3/16 in.), Made in France, French, 19th century, Works on Paper - Prints
RM2HGT6DN–Plate with scene from 'Les Oies de Frère Philippe' ca. 1745 Decoration after Nicolas Lancret This plate depicts a tale from a famous collection of stories by a seventeenth-century French author, Jean de La Fontaine. The story concerns a young man encountering women for the first time, as seen here, and it served as the subject of a painting by Nicolas Lancret, now in the Metropolitan Museum of Art (see 2004.86). The plate faithfully reproduces Lancret’s composition, and it reflects the adoption of European images by Chinese potters in order to appeal to foreign markets.. Plate with scene from
RMPKRB8T–A Young Woman Looking in a Mirror. Dated: 1742/1743. Dimensions: overall: 22.2 x 18 cm (8 3/4 x 7 1/16 in.). Medium: red chalk with black and white chalk on oatmeal paper. Museum: National Gallery of Art, Washington DC. Author: Nicolas Lancret.
RMRY4E5T–Wall Panals: The Gardener, Horticlture, The Vineyard, The See-Saw, The Swing, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in
RM2HH2X7K–The Servant Justified ca. 1740 Nicolas Lancret French A wayward husband pursues a servant girl but, realizing he has been observed by a woman in a window, he changes course. He invites his wife to engage in a dalliance in the garden and creates, thereby, an alibi. The story comes from Jean de La Fontaine’s Fables, which enjoyed enormous success in eighteenth-century France. This painting is one of nine oils on copper that Lancret painted based on La Fontaine (another hangs nearby), which were engraved during the 1730s and 1740s.. The Servant Justified. Nicolas Lancret (French, Paris 1690–1743
RMR37GBP–Two Elegant Women in Polish Dress. Dated: c. 1723. Dimensions: overall: 18.2 x 29.5 cm (7 3/16 x 11 5/8 in.). Medium: red, black, and white chalk on light brown paper. Museum: National Gallery of Art, Washington DC. Author: Nicolas Lancret.
RM2DMYW21–Pleated fan and case, Nicolas Lancret, (1690–1743), Gouache-painted parchment leaf, painted ivory sticks carved à jour; pin set with a brilliant, Parchment leaf painted with gouache showing a version of Lancret's 'The Bird Fancier.' Sticks are of painted ivory carved à jour. Pin is set with a brilliant., France, ca. 1740, costume & accessories, Pleated fan and case
![Archer beyond terrace balustrade. Dumons, Jean-Joseph (French, 1687-1779) (designed after) [painter] Lancret, Nicolas (French, 1690-1743) (designed after) [painter] c. 1715-1735 Tapestry Dimensions: H 8'11' x W 4'4' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Pratt J. D., received 12/14/1921; sold to Horace Trumbauer 8/26/1926 [SS 24064]. French & Co. purchased from Helena S. Lara, invoiced 1/11/1937; sold to A. Clinton Landsberg 7/18/1957 [SS 18826]. Behind a terrace enclosed by balustrade adorned with heavy cu Stock Photo](https://c8.alamy.com/comp/2WTFR9H/archer-beyond-terrace-balustrade-dumons-jean-joseph-french-1687-1779-designed-after-painter-lancret-nicolas-french-1690-1743-designed-after-painter-c-1715-1735-tapestry-dimensions-h-811-x-w-44-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-purchased-from-pratt-j-d-received-12141921-sold-to-horace-trumbauer-8261926-ss-24064-french-co-purchased-from-helena-s-lara-invoiced-1111937-sold-to-a-clinton-landsberg-7181957-ss-18826-behind-a-terrace-enclosed-by-balustrade-adorned-with-heavy-cu-2WTFR9H.jpg "Archer beyond terrace balustrade. Dumons, Jean-Joseph (French, 1687-1779) (designed after) [painter] Lancret, Nicolas (French, 1690-1743) (designed after) [painter] c. 1715-1735 Tapestry Dimensions: H 8'11' x W 4'4' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Pratt J. D., received 12/14/1921; sold to Horace Trumbauer 8/26/1926 [SS 24064]. French & Co. purchased from Helena S. Lara, invoiced 1/11/1937; sold to A. Clinton Landsberg 7/18/1957 [SS 18826]. Behind a terrace enclosed by balustrade adorned with heavy cu Stock Photo")
RM2WTFR9H–Archer beyond terrace balustrade. Dumons, Jean-Joseph (French, 1687-1779) (designed after) [painter] Lancret, Nicolas (French, 1690-1743) (designed after) [painter] c. 1715-1735 Tapestry Dimensions: H 8'11' x W 4'4' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Pratt J. D., received 12/14/1921; sold to Horace Trumbauer 8/26/1926 [SS 24064]. French & Co. purchased from Helena S. Lara, invoiced 1/11/1937; sold to A. Clinton Landsberg 7/18/1957 [SS 18826]. Behind a terrace enclosed by balustrade adorned with heavy cu
RMP4EY4F–'The Actors of the Commedia dell'Arte', 18th century, Oil on canvas, 25,5 x 22 cm. Author: Nicolas Lancret (1690-1743). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE. Also known as: LOS ACTORES DE LA COMEDIA ITALIANA O EL TEATRO ITALIANO; LES ACTEURS DE LA COMEDIE ITALIENNE OU LE THEATRE ITALIEN.
RM2X22T7H–The Swing, 1735. The figures are arranged in groups around three trees whose trunks create a sense of depth due to the spaces visible between them and also determine the arrangement of the different scenes. The couples engaged in amorous flirtation in the foreground are followed by the principal motif of the swing in the middle-ground to the left. A woman, seated on the swing, is pushed by two men, one behind her and the other energetically pulling on a rope in the middle of the composition. The background includes more amorous couples seated around the edge of the fountain. The rhythms of the
RM2DNRC4X–Wilhelm Weimar, tile Le Matin (after Nicolas Lancret), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2540. works of applied art (ceramics), ornaments, rocaille, tableware, table decoration, teatime, time, clock, man, woman, maid, maid, flower ornaments, relationships between the sexes, arts and crafts, applied arts, industrial design
RM2H0XT9J–Wall Panels: The Gardener, Horticulture, The Vineyard, The See-Saw, The Swing, c. 1723-27. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in.). This whimsical series is one typically found in fashionable, elite Parisian residences of the eighteenth century. Panel paintings of this variety were created to decorate the space above chair rails and in between doors and windows, and Lancret's series was painted for a room in the Pavillon d'Hauteville in Paris. In keeping with the eighteenth
RMP6H38W–Young man playing cache cache mitoulas with a group of girls in a garden, after a painting by Nicolas Lancret. In this game, the player must guess which person is hiding a particular object (kerchief) at a certain time. Lithograph from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.
RM2DHX2KA–Autumn, Print made by John Simon, 1675–1755, French, after Nicolas Lancret, 1690–1743, French, 1758, Mezzotint on moderately thick, moderately textured, blued white, laid paper, Sheet: 10 7/16 × 14 1/16 inches (26.5 × 35.7 cm) and Image: 9 5/16 × 13 13/16 inches (23.7 × 35.1 cm), autumn, baskets, genre subject, grapes, vines
RM2G12AET–Les Oyes De Frère Philippe. In a landscape environment, a monk holds a young man at the arm and shoulder. The boy is surprised when seeing two handsome ladies under a parasol held up by a dark boy. In the accompanying four-line French verse, the monk wants to protect the boy for the seductions of the ladies. The print is based on a painting by the French artist Lancret (1690-1743), inspired by a Fable of La Fontaine.
RMPAAY8T–Standing Woman Facing Right. Artist: Nicolas Lancret (French, Paris 1690-1743 Paris). Dimensions: 8 1/2 x 4 5/8 in. (21.6 x 11.7 cm). Former Attribution: Formerly attributed to Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2DHX2K2–Summer, Print made by John Simon, 1675–1755, French, after Nicolas Lancret, 1690–1743, French, 1758, Mezzotint on moderately thick, moderately textured, blued white, laid paper, Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm), Plate: 10 × 14 inches (25.4 × 35.6 cm), and Image: 9 5/16 × 13 15/16 inches (23.7 × 35.4 cm
RMPAP0BX–Paté d'Anguille. Artist: circle of Nicolas Lancret (French, Paris 1690-1743 Paris). Dimensions: 10 11/16 x 13 15/16 in. (27.1 x 35.4 cm). Former Attribution: Formerly attributed to Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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