RM2JBYXWD–Portrait of Caspar Netscher, Theodorus Netscher, after anonymous, 1671 - 1732, Portrait of Caspar Netscher, kneepiece, seated., draughtsman: Theodorus Netscher, after: anonymous, 1671 - 1732, paper, h 246 mm × w 182 mm
RM2WEH9Y4–Norwegian bride with wedding crown, Carl Bloch, 1883 print A Norwegian bride. Kneepiece, three of whom were sitting right in an railing chair, a wedding crown on the head and a church book in the hands of the head and face. paper etching / drypoint bride (in wedding-dress). folk costume, regional costume
RM2WR72R5–Portrait of Ericus Fredericus Alberti, Kneepiece of Ericus Fredericus Alberti, sitting at a table with an open book., print maker: Jacob Houbraken, after painting by: Jacobus Buys, Amsterdam, 1769 - 1770, paper, engraving, height 345 mm × width 256 mm, print
RFECXBGN–Steel framing setsquare isolated on white
RM2JBXKXX–Kneepiece of Frederick Adolph van der Marck, sitting on a chair., Portrait of Frederick Adolph van der Marck, print maker: Jacob Houbraken, intermediary draughtsman: G. Kamphuis, Amsterdam, 1772 - 1774, paper, engraving, h 421 mm × w 278 mm
RFE4HED6–metal angle ruler isolated on white background
RM2WR92ET–Portrait of Isabella d'Este, Caelaturae (series title), Kneepiece of Isabella d'Este in an interior. In the background some women enter through an entrance., print maker: Pieter Holsteyn (II), after painting by: A. Coreggio, after painting by: Giulio Romano, (attributed to), Northern Netherlands, 1624 - 1673, paper, engraving, height 413 mm × width 315 mm, print
RFE61BMD–tools
RM2JC22GX–Kneepiece of Philip William, Prince of Orange, dressed in armor, standing beside table on which is a plumed helmet and glove. Behind him a drapery, Portrait Philip William, Prince of Orange, print maker: Jacob Matham, (mentioned on object), Michiel Jansz van Mierevelt, (mentioned on object), Haarlem, 1610 - 1618, paper, engraving, h 410 mm × w 292 mm
RFEA919E–metal angle on a white background
RF2HM1CW7–Art inspired by Johan Boudaen Courten (1635-1716), Lord of St Laurens, Schellach and Popkensburg. Councillor of Middelburg and Director of the East India Company, Portrait of Johan Boudaen Courten, Lord of St Laurens, Schellach and Popkensburg. Councillor of Middelburg and administrator, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RFF5NT57–Construction square triangle on a white background.
RFF67BYM–Carpenter using set-square
RF2BG6W5D–Square ruler icon, outline style
RM2WCC87W–Norwegian bride with wedding crown, Carl Bloch, 1883 print A Norwegian bride. Kneepiece, three of whom were sitting right in an railing chair, a wedding crown on the head and a church book in the hands of the head and face. Scandinavia paper etching / drypoint bride (in wedding-dress). folk costume, regional costume Norway
RM2JE3RX6–Cornelis Elisa van Koetsveld, reformed minister at Schoonhoven and The Hague Kneepiece, sitting in a chair turned to the right with a quill in hand, Portrait of Cornelis Elisa van Koetsveld CE van Koetsveld, print maker: Johannes Philippus Lange, (mentioned on object), intermediary draughtsman: Neuman, (mentioned on object), 1820 - 1849, paper, steel engraving, h 170 mm - w 112 mm
RF2HKJ908–Inspired by Johan Boudaen Courten (1635-1716), Lord of St Laurens, Schellach and Popkensburg. Councillor of Middelburg and Director of the East India Company, Portrait of Johan Boudaen Courten, Lord of St Laurens, Schellach and Popkensburg. Councillor of Middelburg and administrator of the VOC, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMG0352P–Metal angle on a white background
RF2C2T9F3–Construction square triangle on a white background.
RM2JC865T–Portrait of Eugenius of Savoy, Lieutenant General, bareheaded and clad in armor. Kneepiece, standing facing left, holding a scepter. In the left background, a battle. In the margin a six-line Dutch verse, Portrait of Eugenius of Savoy, print maker: Adolf van der Laan, (mentioned on object), after: Jacob van Schuppen, (mentioned on object), 1694 - 1755, paper, etching, engraving, h 145 mm × w 82 mm
RM2JC3A96–The Bishop of leper, Marius Ambrosius Capello, seated in a chair. Kneepiece. He holds in his right hand a bishop's hat, his head is adorned with a calotte. In the margin below the portrait is a four-line text in Latin with a crowned coat of arms in the center., Portrait of Marius Ambrosius Capello, print maker: Philip Fruytiers, (mentioned on object), Antwerp, 1620 - 1666, paper, etching, h 482 mm × w 319 mm
RM2JBXY2X–Kneepiece to the right of Pieter Florisz. holding a command staff. In the background a naval battle. Below the portrait his name and title in two lines in Dutch. Below that in two columns of four lines each a poem in Dutch and his coat of arms, Portrait of Pieter Florisse, print maker: Pieter Holsteyn (II), after: Abraham Liedts, (mentioned on object), H. Stam, (mentioned on object), Northern Netherlands, in or after 1658 - 1673, paper, engraving, etching, h 440 mm × w 350 mm
RM2JC7JPY–Kneepiece of Alessandro Contarini, dressed in a fur coat, standing in an interior. One hand is on his hip, with the other he rests his fingertips on a table beside him. Below the portrait a coat of arms. On the left four lines in Italian, on the right four lines in French. Bottom right: no. 10. Portrait of Alessandro Contarini Quadro di Paolo Caliari Veronese , print maker: Jacob Houbraken, (mentioned on object), after: Paolo Veronese, (mentioned on object), intermediary draughtsman: Giovanni Battista Internari, (mentioned on object), Amsterdam, 1708 - 1780, paper, engraving, etching, h 354 mm
RM2JDY2AN–Portrait of an unknown man with book, Standing man, dressed in toga, book in hand. Kneepiece., print maker: Giuseppe Longhi, (mentioned on object), after design by: Rembrandt van Rijn, (attributed to), Milaan, 1804, paper, etching, height 308 mm × width 232 mm
RM2JE2DAD–Portrait of an unknown man with book, Standing man, dressed in toga, book in hand. Kneepiece., print maker: Giuseppe Longhi, (mentioned on object), after design by: Rembrandt van Rijn, (attributed to), Milaan, 1804, paper, etching, height 308 mm × width 232 mm
RM2JE0X3C–Portrait of an unknown man with book, Standing man, dressed in toga, book in hand. Kneepiece., print maker: Giuseppe Longhi, (mentioned on object), after design by: Rembrandt van Rijn, (attributed to), Milaan, 1804, paper, etching, height 308 mm × width 232 mm
RM2JE2CTP–Portrait Count Hendrik van den Bergh, Kneepiece, in armor, with speaking gesture, standing before a high rock. With caption in Latin., print maker: Paulus Pontius, (mentioned on object), after painting by: Anthony van Dyck, (mentioned on object), c. 1625 - before 1658, paper, etching, engraving, height 359 mm × width 295 mm
RM2JE0W1A–Portrait Count Hendrik van den Bergh, Kneepiece, in armor, with speaking gesture, standing before a high rock. With caption in Latin., print maker: Paulus Pontius, (mentioned on object), after painting by: Anthony van Dyck, (mentioned on object), c. 1625 - before 1658, paper, etching, engraving, height 359 mm × width 295 mm
RM2JDY267–Portrait Count Hendrik van den Bergh, Kneepiece, in armor, with speaking gesture, standing before a high rock. With caption in Latin., print maker: Paulus Pontius, (mentioned on object), after painting by: Anthony van Dyck, (mentioned on object), c. 1625 - before 1658, paper, etching, engraving, height 359 mm × width 295 mm
RM2JC8H5A–Portrait of Apostolic Vicar Sasbout Vosmaer seated on chair with next to him crucifix and cross staff. His coat of arms is shown on a pilaster. Kneepiece in oval frame, Portrait of Apostolic Vicar Sasbout Vosmaer, print maker: François van Bleyswijck, unknown, Leiden, 1681 - 1726, paper, etching, engraving, h 243 mm × w 157 mm
RM2JC0389–Portrait of a distinguished woman, Jacob de Gheyn (II), 1575 - 1625, Portrait of a distinguished woman, possibly Louise Juliana van Nassau (1576-1644). Slightly turned to the left, looking at the viewer. Kneepiece. In right hand, a cane fan of ostrich feathers., draughtsman: Jacob de Gheyn (II), 1575 - 1625, paper, pen, h 145 mm × w 135 mm
RM2JC8H4G–Portrait of Apostolic Vicar Philip of Rouveen (Philippus Rovenius) seated on chair with beside him on table open Bible and crucifix. At the base of a column is his coat of arms. Kneepiece in oval frame. Portrait of apostolic vicar Philip of Rouveen (Philippus Rovenius) Illustrissimus ac Reverendissimus et clam sepultus , print maker: François van Bleyswijck, unknown, Leiden, 1681 - 1726, paper, etching, engraving, h 249 mm × w 158 mm
RM2HB8Y4R–Johan Boudaen Courten (1635-1716), Lord of St Laurens, Schellach and Popkensburg. Councillor of Middelburg and Director of the East India Company, Portrait of Johan Boudaen Courten, Lord of St Laurens, Schellach and Popkensburg. Councillor of Middelburg and administrator of the VOC. Kneepiece, standing, holding a nautical chart of the Caribbean in the right hand, the left arm leaning on a globe., painter: Cornelis Janssens van Ceulen (II), 1668, canvas, oil paint (paint), height 116 cm × width 94 cm, depth 9.5 cm
RM2JE4GKY–Portrait of Edward VI of England, Cornelis Anthonisz. (manner of), after William Scrots, 1547, Edward VI of England, at the age of ten, only son and successor of Henry VIII. He wears a purple skirt and cloak, trimmed with gray-blue ermine, scarlet lower sleeves, flat cap on head. Kneepiece, seen from the front, turned slightly to the left, in front of a taped drapery, framed in border line, within it the crowned English coat of arms with the Order of the Garter at top right. Pendant of portrait of Henry VIII., print maker: Cornelis Anthonisz., (manner of), print maker: anonymous, after
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