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Khamsa of nizami Stock Photos and Images
Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-illustration-from-the-illuminated-manuscript-khamsa-of-nizami-84968541.htmlRMEX6J6N–Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.
Art inspired by Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 6 11/16 in. (17 cm), Codices, The Khamsa of Nizami, written between, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-alexander-at-a-banquet-folio-from-a-khamsa-quintet-of-nizami-dated-ah-931ad-152425-made-in-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-painting-h-6-1116-in-17-cm-codices-the-khamsa-of-nizami-written-between-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027244.htmlRF2HW8KY8–Art inspired by Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 6 11/16 in. (17 cm), Codices, The Khamsa of Nizami, written between, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mir Musavvir, Nushirvan and the Owls, Khamsa Nizami, 1539 40, British Library Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mir-musavvir-nushirvan-and-the-owls-khamsa-nizami-1539-40-british-132507326.htmlRMHKG6CE–Mir Musavvir, Nushirvan and the Owls, Khamsa Nizami, 1539 40, British Library
Bihzad (the artist). Naufal in battle with the tribe of Laila from a Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bihzad-the-artist-naufal-in-battle-with-the-tribe-of-laila-from-a-khamsa-of-nizami-image268829435.htmlRMWHA6K7–Bihzad (the artist). Naufal in battle with the tribe of Laila from a Khamsa of Nizami
Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-haft-paikar-seven-portraits-of-the-khamsa-quintet-of-nizami-ca-1430-162337775.htmlRMKC33DK–Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430
Iran/Persia: 'Ascent of Muhammad to Heaven'. Gouache painting from the Khamsa of Nizami, by Sultan Muhammad (1470s-1555), c. 1539-1543. The Isra and Mi'raj are the two parts of a Night Journey that, according to Islamic tradition, the Prophet Muhammad took during a single night around the year 621. It considered as both a physical and spiritual journey. In the journey, the Prophet Muhammad travels on the celestial mount Al-Buraq to 'the farthest temple' (Holy Temple of Al-Quds or Jerusalem) where he leads other prophets in prayer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iranpersia-ascent-of-muhammad-to-heaven-gouache-painting-from-the-khamsa-of-nizami-by-sultan-muhammad-1470s-1555-c-1539-1543-the-isra-and-miraj-are-the-two-parts-of-a-night-journey-that-according-to-islamic-tradition-the-prophet-muhammad-took-during-a-single-night-around-the-year-621-it-considered-as-both-a-physical-and-spiritual-journey-in-the-journey-the-prophet-muhammad-travels-on-the-celestial-mount-al-buraq-to-the-farthest-temple-holy-temple-of-al-quds-or-jerusalem-where-he-leads-other-prophets-in-prayer-image344240547.htmlRM2B01E97–Iran/Persia: 'Ascent of Muhammad to Heaven'. Gouache painting from the Khamsa of Nizami, by Sultan Muhammad (1470s-1555), c. 1539-1543. The Isra and Mi'raj are the two parts of a Night Journey that, according to Islamic tradition, the Prophet Muhammad took during a single night around the year 621. It considered as both a physical and spiritual journey. In the journey, the Prophet Muhammad travels on the celestial mount Al-Buraq to 'the farthest temple' (Holy Temple of Al-Quds or Jerusalem) where he leads other prophets in prayer.
Harun al-Rashid and the inside a hammam (From a Manuscript of the Khamsa of Nizami), c. 1495. Artist: Anonymous Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harun-al-rashid-and-the-inside-a-hammam-from-a-manuscript-of-the-khamsa-of-nizami-c-1495-artist-anonymous-image262729773.htmlRMW7CAE5–Harun al-Rashid and the inside a hammam (From a Manuscript of the Khamsa of Nizami), c. 1495. Artist: Anonymous
The Battle of Iskandar with the Zanj (From a Manuscript of the Khamsa of Nizami). Museum: PRIVATE COLLECTION. Author: Iranian master. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-of-iskandar-with-the-zanj-from-a-manuscript-of-the-khamsa-of-nizami-museum-private-collection-author-iranian-master-image231694501.htmlRMRCXGKH–The Battle of Iskandar with the Zanj (From a Manuscript of the Khamsa of Nizami). Museum: PRIVATE COLLECTION. Author: Iranian master.
Iskander Comforting the Dying Dara,from the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-iskander-comforting-the-dying-darafrom-the-khamsa-of-nizami-140043408.htmlRMJ3REP8–Iskander Comforting the Dying Dara,from the Khamsa of Nizami
Iskander Comforting the Dying Dara,from the Khamsa of Nizami. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iskander-comforting-the-dying-darafrom-the-khamsa-of-nizami-image364612334.htmlRM2C55EN2–Iskander Comforting the Dying Dara,from the Khamsa of Nizami.
Folio from a Khamsa (Quintet) by Nizami; verso: Bahram Gur and the Indian princess in the black pavilion, 1548 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folio-from-a-khamsa-quintet-by-nizami-verso-bahram-gur-and-the-indian-princess-in-the-black-pavilion-1548-image222167160.htmlRMPWCGDC–Folio from a Khamsa (Quintet) by Nizami; verso: Bahram Gur and the Indian princess in the black pavilion, 1548
301 Iskander Comforting the Dying Dara,from the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/301-iskander-comforting-the-dying-darafrom-the-khamsa-of-nizami-image213909904.htmlRMPC0C7C–301 Iskander Comforting the Dying Dara,from the Khamsa of Nizami
Title: The Ascent of the Prophet Mohammed on his Mount, Buraq Artist: Aqa Mirak Year: 1543 Medium: Miniature painting Dimensions: Not specified Location: British Library, London, UK 'The Ascent of the Prophet Mohammed on his Mount, Buraq,' a masterpiece by Aqa Mirak, is a miniature painting dating back to 1543. This artwork is a representation of the Mi'raj and is part of a sixteenth-century version of the manuscript 'Khamsa of Nizami ('Five Poems')' illustrated by Aqa Mirak. The scene depicts the Prophet Mohammed's ascent on his celestial mount, Buraq, guided by Jibra'il and escorted by ange Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-the-ascent-of-the-prophet-mohammed-on-his-mount-buraq-artist-aqa-mirak-year-1543-medium-miniature-painting-dimensions-not-specified-location-british-library-london-uk-the-ascent-of-the-prophet-mohammed-on-his-mount-buraq-a-masterpiece-by-aqa-mirak-is-a-miniature-painting-dating-back-to-1543-this-artwork-is-a-representation-of-the-miraj-and-is-part-of-a-sixteenth-century-version-of-the-manuscript-khamsa-of-nizami-five-poems-illustrated-by-aqa-mirak-the-scene-depicts-the-prophet-mohammeds-ascent-on-his-celestial-mount-buraq-guided-by-jibrail-and-escorted-by-ange-image592600583.htmlRM2WC382F–Title: The Ascent of the Prophet Mohammed on his Mount, Buraq Artist: Aqa Mirak Year: 1543 Medium: Miniature painting Dimensions: Not specified Location: British Library, London, UK 'The Ascent of the Prophet Mohammed on his Mount, Buraq,' a masterpiece by Aqa Mirak, is a miniature painting dating back to 1543. This artwork is a representation of the Mi'raj and is part of a sixteenth-century version of the manuscript 'Khamsa of Nizami ('Five Poems')' illustrated by Aqa Mirak. The scene depicts the Prophet Mohammed's ascent on his celestial mount, Buraq, guided by Jibra'il and escorted by ange
Fainted Laila and Majnun-Based on the Khamsa of Persian poet Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fainted-laila-and-majnun-based-on-the-khamsa-of-persian-poet-nizami-106475458.htmlRMG56AEX–Fainted Laila and Majnun-Based on the Khamsa of Persian poet Nizami
From the Khamsa of Nizami: The Old Woman complaining to Sultan Sanjar 1543 by Sultan Muhammad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-the-khamsa-of-nizami-the-old-woman-complaining-to-sultan-sanjar-1543-by-sultan-muhammad-image557888209.htmlRM2RBJ02W–From the Khamsa of Nizami: The Old Woman complaining to Sultan Sanjar 1543 by Sultan Muhammad
Islamic Arts Museum. Artistic ornamentation of manuscript. Illustrated leaf the illuminated manuscript Khamsa of Nizami. Safavid Iran. 16 th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-arts-museum-artistic-ornamentation-of-manuscript-illustrated-leaf-the-illuminated-manuscript-khamsa-of-nizami-safavid-iran-16-th-century-image357197646.htmlRF2BN3N6P–Islamic Arts Museum. Artistic ornamentation of manuscript. Illustrated leaf the illuminated manuscript Khamsa of Nizami. Safavid Iran. 16 th century.
Islamic. Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami. 1480–1490. Iran. Opaque watercolor on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-khusrau-gazing-at-shirin-from-a-copy-of-the-khamsa-of-nizami-14801490-iran-opaque-watercolor-on-paper-image337981331.htmlRM2AHTAHR–Islamic. Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami. 1480–1490. Iran. Opaque watercolor on paper
An illuminated frontispiece. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.4v. Language: Persian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illuminated-frontispiece-khamsa-by-nizami-herat-1442-source-add-25900-f4v-language-persian-image227160780.htmlRMR5G1W0–An illuminated frontispiece. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.4v. Language: Persian.
Khamsa of Nizami Manuscript. India, Jammu and Kashmir, Kashmir region, 19th century. Manuscripts. Opaque watercolor on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khamsa-of-nizami-manuscript-india-jammu-and-kashmir-kashmir-region-19th-century-manuscripts-opaque-watercolor-on-paper-image464690100.htmlRM2J00CY0–Khamsa of Nizami Manuscript. India, Jammu and Kashmir, Kashmir region, 19th century. Manuscripts. Opaque watercolor on paper
Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-illustration-from-the-illuminated-manuscript-khamsa-of-nizami-84968517.htmlRMEX6J5W–Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.
Inspired by Majnun and his Uncle Salim, Page from a Khamsa of Nizami, Indian, Opaque watercolor and ink on paper, Northern region, India, ca. 1500, Sultanate Period, sheet: 9 5/8 x 6 11/16 in., 24.4 x 17.0 cm, calligraphy, epic, Ink, Khamsa, Majnun, Nizami, North India, Paper, Persian, poet, poetry, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-majnun-and-his-uncle-salim-page-from-a-khamsa-of-nizami-indian-opaque-watercolor-and-ink-on-paper-northern-region-india-ca-1500-sultanate-period-sheet-9-58-x-6-1116-in-244-x-170-cm-calligraphy-epic-ink-khamsa-majnun-nizami-north-india-paper-persian-poet-poetry-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459262155.htmlRF2HK55FR–Inspired by Majnun and his Uncle Salim, Page from a Khamsa of Nizami, Indian, Opaque watercolor and ink on paper, Northern region, India, ca. 1500, Sultanate Period, sheet: 9 5/8 x 6 11/16 in., 24.4 x 17.0 cm, calligraphy, epic, Ink, Khamsa, Majnun, Nizami, North India, Paper, Persian, poet, poetry, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Iskander Comforting the Dying Dara,from the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-iskander-comforting-the-dying-darafrom-the-khamsa-of-nizami-132486803.htmlRMHKF87F–Iskander Comforting the Dying Dara,from the Khamsa of Nizami
Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ganja-azerbaijan-sculptures-in-the-park-near-the-mausoleum-of-nizami-ganjavi-image444178718.htmlRF2GPJ2DJ–Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi
Khamsa (Quintet) of Nizami, 15th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, H. 11 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-khamsa-quintet-of-nizami-15th-century-attributed-to-iran-shiraz-ink-162431560.htmlRMKC7B34–Khamsa (Quintet) of Nizami, 15th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, H. 11 1
The Buraq carried the prophet Muhammad from Mecca to Jerusalem, 1494. British Library Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-buraq-carried-the-prophet-muhammad-from-mecca-to-jerusalem-1494-british-library-image448374099.htmlRM2H1D5MK–The Buraq carried the prophet Muhammad from Mecca to Jerusalem, 1494. British Library
The Battle of Iskandar with the Zanj (From a Manuscript of the Khamsa of Nizami), 1540-1545. Artist: Iranian master Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-of-iskandar-with-the-zanj-from-a-manuscript-of-the-khamsa-image66579557.htmlRMDT8XW9–The Battle of Iskandar with the Zanj (From a Manuscript of the Khamsa of Nizami), 1540-1545. Artist: Iranian master
Sultan Sanjar and the Old Woman. (From a Manuscript of the Khamsa of Nizami). Museum: PRIVATE COLLECTION. Author: Mu'in Musavvir. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sultan-sanjar-and-the-old-woman-from-a-manuscript-of-the-khamsa-of-nizami-museum-private-collection-author-muin-musavvir-image337344217.htmlRM2AGR9YN–Sultan Sanjar and the Old Woman. (From a Manuscript of the Khamsa of Nizami). Museum: PRIVATE COLLECTION. Author: Mu'in Musavvir.
Colophon from the Khamsa of Nizami BL Or. MS 12208 f. 325v Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colophon-from-the-khamsa-of-nizami-bl-or-ms-12208-f-325v-142513686.htmlRMJ7T1JE–Colophon from the Khamsa of Nizami BL Or. MS 12208 f. 325v
Islamic - The Ascent of the Prophet to Heaven, page from the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-the-ascent-of-the-prophet-to-heaven-page-from-the-khamsa-of-nizami-image364612668.htmlRM2C55F50–Islamic - The Ascent of the Prophet to Heaven, page from the Khamsa of Nizami
An Episode from the Story of the Sasanian King Khusrau and his Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) - 1540-70, Islamic Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-episode-from-the-story-of-the-sasanian-king-khusrau-and-his-beloved-shirin-from-a-khamsa-quintet-of-nizami-11411209-1540-70-islamic-art-image359877335.htmlRM2BWDR5Y–An Episode from the Story of the Sasanian King Khusrau and his Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) - 1540-70, Islamic Art
. English: Alexander comforting dying Darius III . Unknown date. Unknown 260 Iskander Comforting the Dying Dara,from the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alexander-comforting-dying-darius-iii-unknown-date-unknown-260-iskander-comforting-the-dying-darafrom-the-khamsa-of-nizami-image189071636.htmlRMMYGXPC–. English: Alexander comforting dying Darius III . Unknown date. Unknown 260 Iskander Comforting the Dying Dara,from the Khamsa of Nizami
Islamic. Farhad Carrying Shirin and Her Horse, from a copy of the Khamsa of Nizami. 1480–1490. Iran. Opaque watercolor on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-farhad-carrying-shirin-and-her-horse-from-a-copy-of-the-khamsa-of-nizami-14801490-iran-opaque-watercolor-on-paper-image337981327.htmlRM2AHTAHK–Islamic. Farhad Carrying Shirin and Her Horse, from a copy of the Khamsa of Nizami. 1480–1490. Iran. Opaque watercolor on paper
An elaborately decorated text page. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.232v. Language: Persian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-elaborately-decorated-text-page-khamsa-by-nizami-herat-1442-source-add-25900-f232v-language-persian-image227114003.htmlRMR5DX6B–An elaborately decorated text page. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.232v. Language: Persian.
Folio from a Manuscript of the Khamsa of Nizami Nizami. Folio from a Manuscript of the Khamsa of Nizami, 1447. Opaque watercolor, ink, and gold on paper, 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm). Asian Art 1447 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folio-from-a-manuscript-of-the-khamsa-of-nizami-nizami-folio-from-a-manuscript-of-the-khamsa-of-nizami-1447-opaque-watercolor-ink-and-gold-on-paper-11-14-x-7-14-in-286-x-184-cm-asian-art-1447-image504717033.htmlRM2M93RM9–Folio from a Manuscript of the Khamsa of Nizami Nizami. Folio from a Manuscript of the Khamsa of Nizami, 1447. Opaque watercolor, ink, and gold on paper, 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm). Asian Art 1447
Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-illustration-from-the-illuminated-manuscript-khamsa-of-nizami-84968530.htmlRMEX6J6A–Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.
Art inspired by Majnun and his Uncle Salim, Page from a Khamsa of Nizami, Indian, Opaque watercolor and ink on paper, Northern region, India, ca. 1500, Sultanate Period, sheet: 9 5/8 x 6 11/16 in., 24.4 x 17.0 cm, calligraphy, epic, Ink, Khamsa, Majnun, Nizami, North India, Paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-majnun-and-his-uncle-salim-page-from-a-khamsa-of-nizami-indian-opaque-watercolor-and-ink-on-paper-northern-region-india-ca-1500-sultanate-period-sheet-9-58-x-6-1116-in-244-x-170-cm-calligraphy-epic-ink-khamsa-majnun-nizami-north-india-paper-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459572405.htmlRF2HKK985–Art inspired by Majnun and his Uncle Salim, Page from a Khamsa of Nizami, Indian, Opaque watercolor and ink on paper, Northern region, India, ca. 1500, Sultanate Period, sheet: 9 5/8 x 6 11/16 in., 24.4 x 17.0 cm, calligraphy, epic, Ink, Khamsa, Majnun, Nizami, North India, Paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Brooklyn Museum - Bahram Gur Hunting Onagers with Fitna Page from the Haft paykar from a manuscript of the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brooklyn-museum-bahram-gur-hunting-onagers-with-fitna-page-from-the-132732137.htmlRMHKXD5D–Brooklyn Museum - Bahram Gur Hunting Onagers with Fitna Page from the Haft paykar from a manuscript of the Khamsa of Nizami
Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ganja-azerbaijan-sculptures-in-the-park-near-the-mausoleum-of-nizami-ganjavi-image444179096.htmlRF2GPJ2Y4–Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi
'Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-alexander-at-a-banquet-folio-from-a-khamsa-quintet-of-nizami-dated-162407636.htmlRMKC68GM–'Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25
![Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits], c. 1400-1410. The Khamsa, a suite of five poems written by Nizami in the 12th century, recounts the history and legends of pre-Islamic Iran with an emphasis on love rather than war. Here, in an early extant depiction of a favorite story, Shah Bahram Gur visits a princess in a black pavilion; this is one of seven paintings depicting the king visiting one of his seven wives, each in a different coloured pavilion, o Stock Photo](https://c8.alamy.com/comp/2A507JH/bahram-gur-visits-the-princess-of-india-in-the-black-pavilion-recto-illustration-and-text-persian-verses-from-a-manuscript-of-the-khamsa-of-nizami-haft-paykar-seven-portraits-c-1400-1410-the-khamsa-a-suite-of-five-poems-written-by-nizami-in-the-12th-century-recounts-the-history-and-legends-of-pre-islamic-iran-with-an-emphasis-on-love-rather-than-war-here-in-an-early-extant-depiction-of-a-favorite-story-shah-bahram-gur-visits-a-princess-in-a-black-pavilion-this-is-one-of-seven-paintings-depicting-the-king-visiting-one-of-his-seven-wives-each-in-a-different-coloured-pavilion-o-2A507JH.jpg "Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits], c. 1400-1410. The Khamsa, a suite of five poems written by Nizami in the 12th century, recounts the history and legends of pre-Islamic Iran with an emphasis on love rather than war. Here, in an early extant depiction of a favorite story, Shah Bahram Gur visits a princess in a black pavilion; this is one of seven paintings depicting the king visiting one of his seven wives, each in a different coloured pavilion, o Stock Photo")
Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits], c. 1400-1410. The Khamsa, a suite of five poems written by Nizami in the 12th century, recounts the history and legends of pre-Islamic Iran with an emphasis on love rather than war. Here, in an early extant depiction of a favorite story, Shah Bahram Gur visits a princess in a black pavilion; this is one of seven paintings depicting the king visiting one of his seven wives, each in a different coloured pavilion, o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-visits-the-princess-of-india-in-the-black-pavilion-recto-illustration-and-text-persian-verses-from-a-manuscript-of-the-khamsa-of-nizami-haft-paykar-seven-portraits-c-1400-1410-the-khamsa-a-suite-of-five-poems-written-by-nizami-in-the-12th-century-recounts-the-history-and-legends-of-pre-islamic-iran-with-an-emphasis-on-love-rather-than-war-here-in-an-early-extant-depiction-of-a-favorite-story-shah-bahram-gur-visits-a-princess-in-a-black-pavilion-this-is-one-of-seven-paintings-depicting-the-king-visiting-one-of-his-seven-wives-each-in-a-different-coloured-pavilion-o-image330076281.htmlRM2A507JH–Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits], c. 1400-1410. The Khamsa, a suite of five poems written by Nizami in the 12th century, recounts the history and legends of pre-Islamic Iran with an emphasis on love rather than war. Here, in an early extant depiction of a favorite story, Shah Bahram Gur visits a princess in a black pavilion; this is one of seven paintings depicting the king visiting one of his seven wives, each in a different coloured pavilion, o
The night journey of the Prophet. (From a Manuscript of the Khamsa of Nizami). Museum: BIBLIOTHEQUE NATIONALE DE FRANCE. Author: ANONYMOUS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-night-journey-of-the-prophet-from-a-manuscript-of-the-khamsa-of-nizami-museum-bibliotheque-nationale-de-france-author-anonymous-image337333544.htmlRM2AGPTAG–The night journey of the Prophet. (From a Manuscript of the Khamsa of Nizami). Museum: BIBLIOTHEQUE NATIONALE DE FRANCE. Author: ANONYMOUS.
Colophon portrait from the Khamsa of Nizami BL Or. MS 12208 f. 325v Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colophon-portrait-from-the-khamsa-of-nizami-bl-or-ms-12208-f-325v-142514879.htmlRMJ7T353–Colophon portrait from the Khamsa of Nizami BL Or. MS 12208 f. 325v
Colophon from the Khamsa of Nizami - BL Or. MS 12208 f. 325v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colophon-from-the-khamsa-of-nizami-bl-or-ms-12208-f-325v-image260719980.htmlRMW44PYT–Colophon from the Khamsa of Nizami - BL Or. MS 12208 f. 325v.
. English: Alexander comforting dying Darius III . Unknown date. Unknown 301 Iskander Comforting the Dying Dara,from the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alexander-comforting-dying-darius-iii-unknown-date-unknown-301-iskander-comforting-the-dying-darafrom-the-khamsa-of-nizami-image188330253.htmlRMMXB54D–. English: Alexander comforting dying Darius III . Unknown date. Unknown 301 Iskander Comforting the Dying Dara,from the Khamsa of Nizami
Islamic. The Ascent of the Prophet to Heaven, page from the Khamsa of Nizami. 1595–1605. Iran. Opaque watercolor, gold, and ink on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-the-ascent-of-the-prophet-to-heaven-page-from-the-khamsa-of-nizami-15951605-iran-opaque-watercolor-gold-and-ink-on-paper-image337949973.htmlRM2AHPXHW–Islamic. The Ascent of the Prophet to Heaven, page from the Khamsa of Nizami. 1595–1605. Iran. Opaque watercolor, gold, and ink on paper
An elaborately decorated text page. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.5v. Language: Persian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-elaborately-decorated-text-page-khamsa-by-nizami-herat-1442-source-add-25900-f5v-language-persian-image227090044.htmlRMR5CRJM–An elaborately decorated text page. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.5v. Language: Persian.
Folio from a Manuscript of the Khamsa of Nizami Nizami. Folio from a Manuscript of the Khamsa of Nizami, 1447. Opaque watercolor, ink, and gold on paper, 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm). Asian Art 1447 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folio-from-a-manuscript-of-the-khamsa-of-nizami-nizami-folio-from-a-manuscript-of-the-khamsa-of-nizami-1447-opaque-watercolor-ink-and-gold-on-paper-11-14-x-7-14-in-286-x-184-cm-asian-art-1447-image504717030.htmlRM2M93RM6–Folio from a Manuscript of the Khamsa of Nizami Nizami. Folio from a Manuscript of the Khamsa of Nizami, 1447. Opaque watercolor, ink, and gold on paper, 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm). Asian Art 1447
Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-illustration-from-the-illuminated-manuscript-khamsa-of-nizami-84968519.htmlRMEX6J5Y–Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.
Art inspired by Bahram Gur in the Blue Pavilion', Folio from Khamsa (Quintet) of Nizami, early 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bahram-gur-in-the-blue-pavilion-folio-from-khamsa-quintet-of-nizami-early-16th-century-attributed-to-iran-shiraz-ink-opaque-watercolor-and-gold-on-paper-codices-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029370.htmlRF2HW8PK6–Art inspired by Bahram Gur in the Blue Pavilion', Folio from Khamsa (Quintet) of Nizami, early 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Brooklyn Museum Bahram Gur Hunting Onagers with Fitna Page from the Haft paykar from a manuscript of the Khamsa of Nizami 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brooklyn-museum-bahram-gur-hunting-onagers-with-fitna-page-from-the-132434807.htmlRMHKCWXF–Brooklyn Museum Bahram Gur Hunting Onagers with Fitna Page from the Haft paykar from a manuscript of the Khamsa of Nizami 2
Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ganja-azerbaijan-sculptures-in-the-park-near-the-mausoleum-of-nizami-ganjavi-image444178926.htmlRF2GPJ2N2–Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi
'Laila and Majnun at School', Folio from a Khamsa (Quintet) of Nizami, A.H. 835/ A.D. 1431–32 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-laila-and-majnun-at-school-folio-from-a-khamsa-quintet-of-nizami-ah-162417193.htmlRMKC6MP1–'Laila and Majnun at School', Folio from a Khamsa (Quintet) of Nizami, A.H. 835/ A.D. 1431–32
Sultan Sanjar and the Old Woman. (From a Manuscript of the Khamsa of Nizami), c. 1660. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sultan-sanjar-and-the-old-woman-from-a-manuscript-of-the-khamsa-of-nizami-c-1660-private-collection-image273932961.htmlRMWWJM81–Sultan Sanjar and the Old Woman. (From a Manuscript of the Khamsa of Nizami), c. 1660. Private Collection.
Harun al-Rashid and the inside a hammam (From a Manuscript of the Khamsa of Nizami). Museum: BRITISH LIBRARY. Author: ANONYMOUS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harun-al-rashid-and-the-inside-a-hammam-from-a-manuscript-of-the-khamsa-of-nizami-museum-british-library-author-anonymous-image231425168.htmlRMRCE94G–Harun al-Rashid and the inside a hammam (From a Manuscript of the Khamsa of Nizami). Museum: BRITISH LIBRARY. Author: ANONYMOUS.
Brooklyn Museum - Bahram Gur Hunting Onagers with Fitna Page from the Haft paykar from a manuscript of the Khamsa of Nizami - 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brooklyn-museum-bahram-gur-hunting-onagers-with-fitna-page-from-the-139542714.htmlRMJ30M4A–Brooklyn Museum - Bahram Gur Hunting Onagers with Fitna Page from the Haft paykar from a manuscript of the Khamsa of Nizami - 2
Islamic - Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-khusrau-gazing-at-shirin-from-a-copy-of-the-khamsa-of-nizami-image364612648.htmlRM2C55F48–Islamic - Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami
. English: Alexander comforting dying Darius III . Unknown date. Unknown 300 Iskander Comforting the Dying Dara,from the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alexander-comforting-dying-darius-iii-unknown-date-unknown-300-iskander-comforting-the-dying-darafrom-the-khamsa-of-nizami-image187767757.htmlRMMWDFK9–. English: Alexander comforting dying Darius III . Unknown date. Unknown 300 Iskander Comforting the Dying Dara,from the Khamsa of Nizami
Islamic. Layla Visiting Majnun in the Desert, page from a copy of the Khamsa of Nizami. 1501–1600. Iran. Ink and color on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-layla-visiting-majnun-in-the-desert-page-from-a-copy-of-the-khamsa-of-nizami-15011600-iran-ink-and-color-on-paper-image337944201.htmlRM2AHPK7N–Islamic. Layla Visiting Majnun in the Desert, page from a copy of the Khamsa of Nizami. 1501–1600. Iran. Ink and color on paper
An elaborately decorated text page. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.232. Language: Persian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-elaborately-decorated-text-page-khamsa-by-nizami-herat-1442-source-add-25900-f232-language-persian-image227086042.htmlRMR5CJFP–An elaborately decorated text page. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.232. Language: Persian.
Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bound-manuscript-of-the-khamsa-of-nizami-nizami-bound-manuscript-of-the-khamsa-of-nizami-late-16th-century-ink-opaque-watercolor-pasteboard-leather-gold-on-paper-8-14-x-13-38-in-21-x-34-cm-arts-of-the-islamic-world-late-16th-century-image504709104.htmlRM2M93DH4–Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century
Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-illustration-from-the-illuminated-manuscript-khamsa-of-nizami-84968514.htmlRMEX6J5P–Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.
Art inspired by Khamsa (Quintet) of Nizami, A.H. 853/A.D. 1449–50, Attributed to Iran, Shiraz, Vellum paper, leather, 10 x 6 1/4in. (25.4 x 15.9cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-khamsa-quintet-of-nizami-ah-853ad-144950-attributed-to-iran-shiraz-vellum-paper-leather-10-x-6-14in-254-x-159cm-codices-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462819483.htmlRF2HTY6Y7–Art inspired by Khamsa (Quintet) of Nizami, A.H. 853/A.D. 1449–50, Attributed to Iran, Shiraz, Vellum paper, leather, 10 x 6 1/4in. (25.4 x 15.9cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Brooklyn Museum Bahram Gur Visits the Dome of Piruza on Wednesday Page from the Haft paykar from a manuscript of the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brooklyn-museum-bahram-gur-visits-the-dome-of-piruza-on-wednesday-132497932.htmlRMHKFPD0–Brooklyn Museum Bahram Gur Visits the Dome of Piruza on Wednesday Page from the Haft paykar from a manuscript of the Khamsa of Nizami
Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ganja-azerbaijan-sculptures-in-the-park-near-the-mausoleum-of-nizami-ganjavi-image444178528.htmlRF2GPJ26T–Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi
Khamsa (Quintet) of Nizami, A.H. 853/A.D. 1449–50, Attributed to Iran, Shiraz, Vellum paper, leather, 10 x 6 1/4in. (25.4 x 15.9 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-khamsa-quintet-of-nizami-ah-853ad-144950-attributed-to-iran-shiraz-162535942.htmlRMKCC472–Khamsa (Quintet) of Nizami, A.H. 853/A.D. 1449–50, Attributed to Iran, Shiraz, Vellum paper, leather, 10 x 6 1/4in. (25.4 x 15.9
The night journey of the Prophet. (From a Manuscript of the Khamsa of Nizami), c. 1620. Found in the Collection of Bibliothèque Nationale de France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-night-journey-of-the-prophet-from-a-manuscript-of-the-khamsa-of-nizami-c-1620-found-in-the-collection-of-bibliothxe8que-nationale-de-france-image273933024.htmlRMWWJMA8–The night journey of the Prophet. (From a Manuscript of the Khamsa of Nizami), c. 1620. Found in the Collection of Bibliothèque Nationale de France.
'Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 6 11/16 in. (17 cm) W. 4 1/2 in. (11.5 cm)Page: H. 12 1/2 (31.7 cm) W. 8 3/4 in. (22.2 cm)Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. The Khamsa of Nizami, written between 1298 and 1302, is a canonical work of Persian literature. One of the five poems within it tells the story of Alexander the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-at-a-banquet-folio-from-a-khamsa-quintet-of-nizami-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-dimensions-painting-h-6-1116-in-17-cm-w-4-12-in-115-cmpage-h-12-12-317-cm-w-8-34-in-222-cmmat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-dated-ah-931ad-1524-25-the-khamsa-of-nizami-written-between-1298-and-1302-is-a-canonical-work-of-persian-literature-one-of-the-five-poems-within-it-tells-the-story-of-alexander-the-image212855735.htmlRMPA8BJF–'Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 6 11/16 in. (17 cm) W. 4 1/2 in. (11.5 cm)Page: H. 12 1/2 (31.7 cm) W. 8 3/4 in. (22.2 cm)Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. The Khamsa of Nizami, written between 1298 and 1302, is a canonical work of Persian literature. One of the five poems within it tells the story of Alexander the
Brooklyn Museum - Bahram Gur Visits the Dome of Piruza on Wednesday Page from the Haft paykar from a manuscript of the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brooklyn-museum-bahram-gur-visits-the-dome-of-piruza-on-wednesday-139537979.htmlRMJ30E37–Brooklyn Museum - Bahram Gur Visits the Dome of Piruza on Wednesday Page from the Haft paykar from a manuscript of the Khamsa of Nizami
Colophon portrait from the Khamsa of Nizami - BL Or. MS 12208 f. 325v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colophon-portrait-from-the-khamsa-of-nizami-bl-or-ms-12208-f-325v-image260720077.htmlRMW44R39–Colophon portrait from the Khamsa of Nizami - BL Or. MS 12208 f. 325v.
99 Brooklyn Museum - Bahram Gur Hunting Onagers with Fitna Page from the Haft paykar from a manuscript of the Khamsa of Nizami - 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/99-brooklyn-museum-bahram-gur-hunting-onagers-with-fitna-page-from-the-haft-paykar-from-a-manuscript-of-the-khamsa-of-nizami-2-image214241435.htmlRMPCFF3R–99 Brooklyn Museum - Bahram Gur Hunting Onagers with Fitna Page from the Haft paykar from a manuscript of the Khamsa of Nizami - 2
Episode uit de liefdesgeschiedenis van Laila en Majnun, Majnun in gesprek met Laila voor een tent Laila Majnun visits in her tent. Illustration from the story of Laila and Majnun from the Khamsa of Nizami. Manufacturer : artist: anonymous place manufacture: Perzië Dating: ca. 1500 - ca. 1700 Physical features: brush finishing paint in colors and gouache (watercolor) Material: paper finishing paint gold paint gouache ( watercolor) Technique: brush dimensions: h 159 mm × W 87 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/episode-uit-de-liefdesgeschiedenis-van-laila-en-majnun-majnun-in-gesprek-met-laila-voor-een-tent-laila-majnun-visits-in-her-tent-illustration-from-the-story-of-laila-and-majnun-from-the-khamsa-of-nizami-manufacturer-artist-anonymous-place-manufacture-perzi-dating-ca-1500-ca-1700-physical-features-brush-finishing-paint-in-colors-and-gouache-watercolor-material-paper-finishing-paint-gold-paint-gouache-watercolor-technique-brush-dimensions-h-159-mm-w-87-mm-image348335194.htmlRM2B6M12J–Episode uit de liefdesgeschiedenis van Laila en Majnun, Majnun in gesprek met Laila voor een tent Laila Majnun visits in her tent. Illustration from the story of Laila and Majnun from the Khamsa of Nizami. Manufacturer : artist: anonymous place manufacture: Perzië Dating: ca. 1500 - ca. 1700 Physical features: brush finishing paint in colors and gouache (watercolor) Material: paper finishing paint gold paint gouache ( watercolor) Technique: brush dimensions: h 159 mm × W 87 mm
Illuminated frontispiece- an elaborately decorated page. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.5. Language: Persian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-frontispiece-an-elaborately-decorated-page-khamsa-by-nizami-herat-1442-source-add-25900-f5-language-persian-image227192901.htmlRMR5HET5–Illuminated frontispiece- an elaborately decorated page. Khamsa by Nizami. Herat, 1442. Source: Add. 25900, f.5. Language: Persian.
Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bound-manuscript-of-the-khamsa-of-nizami-nizami-bound-manuscript-of-the-khamsa-of-nizami-late-16th-century-ink-opaque-watercolor-pasteboard-leather-gold-on-paper-8-14-x-13-38-in-21-x-34-cm-arts-of-the-islamic-world-late-16th-century-image504709095.htmlRM2M93DGR–Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century
Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-illustration-from-the-illuminated-manuscript-khamsa-of-nizami-84968527.htmlRMEX6J67–Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.
Inspired by Bahram Gur at the Hunt, Page from the Haft paykar, Seven Portraits, from a manuscript of the Khamsa, Quintet of Nizami, d. 1209, Ink, opaque watercolor and gold on paper, 1447, Timurid, Timurid, 11 1/4 x 7 1/4 in., 28.0 x 8.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-bahram-gur-at-the-hunt-page-from-the-haft-paykar-seven-portraits-from-a-manuscript-of-the-khamsa-quintet-of-nizami-d-1209-ink-opaque-watercolor-and-gold-on-paper-1447-timurid-timurid-11-14-x-7-14-in-280-x-84-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252900.htmlRF2HK4NN8–Inspired by Bahram Gur at the Hunt, Page from the Haft paykar, Seven Portraits, from a manuscript of the Khamsa, Quintet of Nizami, d. 1209, Ink, opaque watercolor and gold on paper, 1447, Timurid, Timurid, 11 1/4 x 7 1/4 in., 28.0 x 8.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Iskander Comforting the Dying Dara,from the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-iskander-comforting-the-dying-darafrom-the-khamsa-of-nizami-136544330.htmlRMHX43K6–Iskander Comforting the Dying Dara,from the Khamsa of Nizami
Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ganja-azerbaijan-sculptures-in-the-park-near-the-mausoleum-of-nizami-ganjavi-image444179112.htmlRF2GPJ2YM–Ganja - Azerbaijan. Sculptures in the park near the mausoleum of Nizami Ganjavi
Khamsa (Quintet) of Nizami, 1509–10, Attributed to Iran, Shiraz, Leather; tooled and gilded; ink on paper, 11 1/2 x 7 in. (29.2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-khamsa-quintet-of-nizami-150910-attributed-to-iran-shiraz-leather-162432656.htmlRMKC7CE8–Khamsa (Quintet) of Nizami, 1509–10, Attributed to Iran, Shiraz, Leather; tooled and gilded; ink on paper, 11 1/2 x 7 in. (29.2
Khamsa of Nizami Manuscript, 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khamsa-of-nizami-manuscript-19th-century-image568869176.htmlRM2T1E6C8–Khamsa of Nizami Manuscript, 19th century.
'Bahram Gur in the Green Palace on Monday', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Dimensions: Painting: H. 7 1/4 in. (18.4 cm) W. 5 in. (12.7 cm) Page: H. 12 3/4 in. (32.4 cm) W. 8 5/8 in. (21.9 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. The Haft Paikar (Seven Portraits) is one of the five poems of the Khamsa of Nizami. The poetry is mystical, illustrating the supremacy of divine love over earthly pleasures. In the story, Bahram Gur marries seven princesses Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-green-palace-on-monday-folio-from-a-khamsa-quintet-of-nizami-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-dimensions-painting-h-7-14-in-184-cm-w-5-in-127-cm-page-h-12-34-in-324-cm-w-8-58-in-219-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ah-931ad-1524-25-the-haft-paikar-seven-portraits-is-one-of-the-five-poems-of-the-khamsa-of-nizami-the-poetry-is-mystical-illustrating-the-supremacy-of-divine-love-over-earthly-pleasures-in-the-story-bahram-gur-marries-seven-princesses-image213152195.htmlRMPANWPB–'Bahram Gur in the Green Palace on Monday', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Dimensions: Painting: H. 7 1/4 in. (18.4 cm) W. 5 in. (12.7 cm) Page: H. 12 3/4 in. (32.4 cm) W. 8 5/8 in. (21.9 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. The Haft Paikar (Seven Portraits) is one of the five poems of the Khamsa of Nizami. The poetry is mystical, illustrating the supremacy of divine love over earthly pleasures. In the story, Bahram Gur marries seven princesses
Brooklyn Museum - Bahram Gur at the Hunt Page from the Haft paykar (Seven Portraits) from a manuscript of the Khamsa (Quintet) of Nizami (d. 1209) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brooklyn-museum-bahram-gur-at-the-hunt-page-from-the-haft-paykar-seven-139543032.htmlRMJ30MFM–Brooklyn Museum - Bahram Gur at the Hunt Page from the Haft paykar (Seven Portraits) from a manuscript of the Khamsa (Quintet) of Nizami (d. 1209)
Islamic - Layla Visiting Majnun in the Desert, page from a copy of the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-layla-visiting-majnun-in-the-desert-page-from-a-copy-of-the-khamsa-of-nizami-image364612667.htmlRM2C55F4Y–Islamic - Layla Visiting Majnun in the Desert, page from a copy of the Khamsa of Nizami
. Azərbaycanca: Şah I Təhmasibin Xəmsə əlyazmasının titul səhifəsi . between 1539 and 1543. 763 Khamsa of Nizami, British Library, Or. 2265 openning Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/azrbaycanca-ah-i-thmasibin-xms-lyazmasnn-titul-shifsi-between-1539-and-1543-763-khamsa-of-nizami-british-library-or-2265-openning-image185778489.htmlRMMP6XA1–. Azərbaycanca: Şah I Təhmasibin Xəmsə əlyazmasının titul səhifəsi . between 1539 and 1543. 763 Khamsa of Nizami, British Library, Or. 2265 openning
Episode uit de liefdesgeschiedenis van Laila en Majnun, de vermagerde Majnun zit in een landschap met een man en zijn kameel Majnun's father visits his son in the wilderness. Illustration of the story of Laila and Majnun from the Khamsa of Nizami. Manufacturer : artist: anonymous place manufacture: Perzië Dating: ca. 1500 - ca. 1700 Physical features: brush finishing paint in colors and gouache (watercolor) Material: paper finishing paint gold paint gouache ( watercolor) Technique: brush dimensions: h 160 mm × W 87 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/episode-uit-de-liefdesgeschiedenis-van-laila-en-majnun-de-vermagerde-majnun-zit-in-een-landschap-met-een-man-en-zijn-kameel-majnuns-father-visits-his-son-in-the-wilderness-illustration-of-the-story-of-laila-and-majnun-from-the-khamsa-of-nizami-manufacturer-artist-anonymous-place-manufacture-perzi-dating-ca-1500-ca-1700-physical-features-brush-finishing-paint-in-colors-and-gouache-watercolor-material-paper-finishing-paint-gold-paint-gouache-watercolor-technique-brush-dimensions-h-160-mm-w-87-mm-image348335206.htmlRM2B6M132–Episode uit de liefdesgeschiedenis van Laila en Majnun, de vermagerde Majnun zit in een landschap met een man en zijn kameel Majnun's father visits his son in the wilderness. Illustration of the story of Laila and Majnun from the Khamsa of Nizami. Manufacturer : artist: anonymous place manufacture: Perzië Dating: ca. 1500 - ca. 1700 Physical features: brush finishing paint in colors and gouache (watercolor) Material: paper finishing paint gold paint gouache ( watercolor) Technique: brush dimensions: h 160 mm × W 87 mm
Majnun with animals in the desert. Khamsa by Nizami. Herat, 1492-1493. Source: Add. 25900, f.150v. Language: Persian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/majnun-with-animals-in-the-desert-khamsa-by-nizami-herat-1492-1493-source-add-25900-f150v-language-persian-image226988855.htmlRMR586GR–Majnun with animals in the desert. Khamsa by Nizami. Herat, 1492-1493. Source: Add. 25900, f.150v. Language: Persian.
Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bound-manuscript-of-the-khamsa-of-nizami-nizami-bound-manuscript-of-the-khamsa-of-nizami-late-16th-century-ink-opaque-watercolor-pasteboard-leather-gold-on-paper-8-14-x-13-38-in-21-x-34-cm-arts-of-the-islamic-world-late-16th-century-image504709118.htmlRM2M93DHJ–Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century
Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-illustration-from-the-illuminated-manuscript-khamsa-of-nizami-84968538.htmlRMEX6J6J–Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.
Art inspired by Alexander and the Circle of Seven Sages', Folio from a Khamsa (Quintet) of Nizami, 15th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Image 5 5/8 in x 8 3/4 in., Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-alexander-and-the-circle-of-seven-sages-folio-from-a-khamsa-quintet-of-nizami-15th-century-attributed-to-iran-ink-opaque-watercolor-and-gold-on-paper-image-5-58-in-x-8-34-in-codices-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029405.htmlRF2HW8PMD–Art inspired by Alexander and the Circle of Seven Sages', Folio from a Khamsa (Quintet) of Nizami, 15th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Image 5 5/8 in x 8 3/4 in., Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Double-Page Frontispiece from a Manuscript of the Khamsa of Nizami M.73.5.522 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-double-page-frontispiece-from-a-manuscript-of-the-khamsa-of-nizami-59113704.htmlRMDC4T3M–Double-Page Frontispiece from a Manuscript of the Khamsa of Nizami M.73.5.522
Ancient book in Nizami Ganjavi Museum in Ganja city - Azerbaijan, 10 September 2021. Medieval manuscript of Khamsa. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-book-in-nizami-ganjavi-museum-in-ganja-city-azerbaijan-10-september-2021-medieval-manuscript-of-khamsa-image444414190.htmlRF2GR0PRA–Ancient book in Nizami Ganjavi Museum in Ganja city - Azerbaijan, 10 September 2021. Medieval manuscript of Khamsa.
Khusrau Seeing Shirin Bathing', Folio from a Khamsa (Quintet) of Nizami, Folio from an illustrated manuscript, 1447–48, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 10 7/8 x 7 1/4in. (27.6 x 18.4cm), Codices Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khusrau-seeing-shirin-bathing-folio-from-a-khamsa-quintet-of-nizami-folio-from-an-illustrated-manuscript-144748-attributed-to-iran-shiraz-ink-opaque-watercolor-and-gold-on-paper-10-78-x-7-14in-276-x-184cm-codices-image344671454.htmlRM2B0N3XP–Khusrau Seeing Shirin Bathing', Folio from a Khamsa (Quintet) of Nizami, Folio from an illustrated manuscript, 1447–48, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 10 7/8 x 7 1/4in. (27.6 x 18.4cm), Codices
Shirin Sees a Portrait of Khusraw, Page from a Manuscript of the Khamsa of Nizami, Mid-15th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shirin-sees-a-portrait-of-khusraw-page-from-a-manuscript-of-the-khamsa-of-nizami-mid-15th-century-image568870916.htmlRM2T1E8JC–Shirin Sees a Portrait of Khusraw, Page from a Manuscript of the Khamsa of Nizami, Mid-15th century.
'Bahram Gur in the Sandal Palace on Thursday', Folio 230 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 13/16 in. (19.8 cm) W. 4 5/8 in. (11.7 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. The Haft Paikar (Seven Portraits) is one of the five poems of the Khamsa of Nizami. The poetry is mystical, illustrating the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-sandal-palace-on-thursday-folio-230-from-a-khamsa-quintet-of-nizami-artist-painting-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-dimensions-painting-h-7-1316-in-198-cm-w-4-58-in-117-cm-page-h-12-58-in-321-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ah-931ad-1524-25-the-haft-paikar-seven-portraits-is-one-of-the-five-poems-of-the-khamsa-of-nizami-the-poetry-is-mystical-illustrating-the-image213319380.htmlRMPB1F18–'Bahram Gur in the Sandal Palace on Thursday', Folio 230 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 13/16 in. (19.8 cm) W. 4 5/8 in. (11.7 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. The Haft Paikar (Seven Portraits) is one of the five poems of the Khamsa of Nizami. The poetry is mystical, illustrating the
The Eavesdropper , Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami MET DP159382 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-eavesdropper-folio-47r-from-a-haft-paikar-seven-portraits-of-the-147446320.htmlRMJFTN80–The Eavesdropper , Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami MET DP159382
Khamsa of Nizami, British Library, Or. 2265 openning. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khamsa-of-nizami-british-library-or-2265-openning-image386303136.htmlRM2DCDHGG–Khamsa of Nizami, British Library, Or. 2265 openning.
99 Brooklyn Museum - Bahram Gur Visits the Dome of Piruza on Wednesday Page from the Haft paykar from a manuscript of the Khamsa of Nizami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/99-brooklyn-museum-bahram-gur-visits-the-dome-of-piruza-on-wednesday-page-from-the-haft-paykar-from-a-manuscript-of-the-khamsa-of-nizami-image214241438.htmlRMPCFF3X–99 Brooklyn Museum - Bahram Gur Visits the Dome of Piruza on Wednesday Page from the Haft paykar from a manuscript of the Khamsa of Nizami
Preparations for a banquet. Khamsa by Nizami. 1442 - 1540. opaque watercolour,. Source: Add. 25900 f.4. Author: NIZAMI. ANON. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/preparations-for-a-banquet-khamsa-by-nizami-1442-1540-opaque-watercolour-source-add-25900-f4-author-nizami-anon-image227150549.htmlRMR5FGRH–Preparations for a banquet. Khamsa by Nizami. 1442 - 1540. opaque watercolour,. Source: Add. 25900 f.4. Author: NIZAMI. ANON.
Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bound-manuscript-of-the-khamsa-of-nizami-nizami-bound-manuscript-of-the-khamsa-of-nizami-late-16th-century-ink-opaque-watercolor-pasteboard-leather-gold-on-paper-8-14-x-13-38-in-21-x-34-cm-arts-of-the-islamic-world-late-16th-century-image504709098.htmlRM2M93DGX–Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century
Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-illustration-from-the-illuminated-manuscript-khamsa-of-nizami-84968525.htmlRMEX6J65–Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.
Art inspired by Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper; lacquer binding, 11 x 7in. (27.9 x 17.8cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-haft-paikar-seven-portraits-of-the-khamsa-quintet-of-nizami-ca-1430-made-in-present-day-afghanistan-herat-ink-opaque-watercolor-and-gold-on-paper-lacquer-binding-11-x-7in-279-x-178cm-codices-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029410.htmlRF2HW8PMJ–Art inspired by Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper; lacquer binding, 11 x 7in. (27.9 x 17.8cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
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