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Joseph andre Stock Photos and Images

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Joseph andre Stock Photos and Images

Portrait of André Dupin (1783-1865). Museum: Musée Carnavalet, Paris. Author: JOSEPH-DESIRE COURT. Stock Photo
RM2G799Y6–Portrait of André Dupin (1783-1865). Museum: Musée Carnavalet, Paris. Author: JOSEPH-DESIRE COURT.
Portrait of Carl Gustaf Tessin (1695-1770). Museum: Nationalmuseum Stockholm. Author: Aved, Jacques-Andrè Joseph. Stock Photo
RMRDAYJA–Portrait of Carl Gustaf Tessin (1695-1770). Museum: Nationalmuseum Stockholm. Author: Aved, Jacques-Andrè Joseph.
Portrait of the composer Jean-Philippe Rameau (1683-1764). Museum: PRIVATE COLLECTION. Author: Aved, Jacques-Andrè Joseph. Stock Photo
RMRCX3BG–Portrait of the composer Jean-Philippe Rameau (1683-1764). Museum: PRIVATE COLLECTION. Author: Aved, Jacques-Andrè Joseph.
Portrait of the poet and tragedian Prosper Jolyot de Crébillon (1674-1762). Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: Aved, Jacques-Andrè Joseph. Stock Photo
RMRCX9KF–Portrait of the poet and tragedian Prosper Jolyot de Crébillon (1674-1762). Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: Aved, Jacques-Andrè Joseph.
Portrait of Mehemet Said Pacha, Bey of Rumelia, special ambassador of the ottoman Sultan Mahmoud I in Versailles. Museum: Musée de l'Histoire de France, Château de Versailles. Author: Aved, Jacques-Andrè Joseph. Stock Photo
RMRCJFGK–Portrait of Mehemet Said Pacha, Bey of Rumelia, special ambassador of the ottoman Sultan Mahmoud I in Versailles. Museum: Musée de l'Histoire de France, Château de Versailles. Author: Aved, Jacques-Andrè Joseph.
Willem IV (1711-1751), prince of Orange-Nassau. Dating: 1751. Measurements: h 225 cm × w 173 cm; d 10 cm; w 45 kg. Museum: Rijksmuseum, Amsterdam. Author: JACQUES-ANDRE-JOSEPH AVED. Stock Photo
RMREWRCR–Willem IV (1711-1751), prince of Orange-Nassau. Dating: 1751. Measurements: h 225 cm × w 173 cm; d 10 cm; w 45 kg. Museum: Rijksmuseum, Amsterdam. Author: JACQUES-ANDRE-JOSEPH AVED.
Portrait of William IV. Willem IV (1711-1751). Prince of Orange-Nassau. Dating: 1751. Measurements: h 107.5 cm × w 67.5 cm. Museum: Rijksmuseum, Amsterdam. Author: JACQUES-ANDRE-JOSEPH AVED. Stock Photo
RMREWRRN–Portrait of William IV. Willem IV (1711-1751). Prince of Orange-Nassau. Dating: 1751. Measurements: h 107.5 cm × w 67.5 cm. Museum: Rijksmuseum, Amsterdam. Author: JACQUES-ANDRE-JOSEPH AVED.
Willem IV (1711-1751), prince of Orange-Nassau. Dating: 1750 - 1751. Measurements: h 84 cm × w 70.5 cm; d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: JACQUES-ANDRE-JOSEPH AVED. Stock Photo
RMREXP0E–Willem IV (1711-1751), prince of Orange-Nassau. Dating: 1750 - 1751. Measurements: h 84 cm × w 70.5 cm; d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: JACQUES-ANDRE-JOSEPH AVED.
André Du Pont’s rose, Rosa gallica variety, Rosier du Pont. Handcoloured stipple copperplate engraving from Pierre Joseph Redoute's 'Les Roses,' Paris, 1828. Redoute was botanical artist to Marie Antoinette and Empress Josephine. He painted over 170 watercolours of roses from the gardens of Malmaison. Stock Photo
RMP5AXAE–André Du Pont’s rose, Rosa gallica variety, Rosier du Pont. Handcoloured stipple copperplate engraving from Pierre Joseph Redoute's 'Les Roses,' Paris, 1828. Redoute was botanical artist to Marie Antoinette and Empress Josephine. He painted over 170 watercolours of roses from the gardens of Malmaison.
Portrait of Andrea Sacchi, Italian painter of High Baroque Classicism 1599-1661. Andre Sacchi. Copperplate engraving after a portrait by Carlo Maratta from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762. Stock Photo
RM2BT4Y5H–Portrait of Andrea Sacchi, Italian painter of High Baroque Classicism 1599-1661. Andre Sacchi. Copperplate engraving after a portrait by Carlo Maratta from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
Caricature of Joseph-Benoît Suvée. Artist: François André Vincent (French, Paris 1746-1816 Paris). Dimensions: 16 3/4 x 9 5/16 in. (42.6 x 23.7 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA9P72–Caricature of Joseph-Benoît Suvée. Artist: François André Vincent (French, Paris 1746-1816 Paris). Dimensions: 16 3/4 x 9 5/16 in. (42.6 x 23.7 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Leaves and fruit of the American holly, Ilex opaca. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55R7B–Leaves and fruit of the American holly, Ilex opaca. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaves, ament and seed of the red birch, Betula rubra. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP555TD–Leaves, ament and seed of the red birch, Betula rubra. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaves and seeds of the red bay tree, Laurus caroliniensis. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55RGB–Leaves and seeds of the red bay tree, Laurus caroliniensis. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaf, shoot and bark of the Carolinian poplar, Populus angulata. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP54HCE–Leaf, shoot and bark of the Carolinian poplar, Populus angulata. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Small American skullcap, Scutellaria parvula. Discovered by Andre Michaux in Illinois, and seeds brought by Scottish botanist John Goldie from Canada to flower at Monkswood Grove, Ayr. Handcoloured copperplate engraving by Joseph Swan after a botanical illustration by William Jackson Hooker from his Exotic Flora, William Blackwood, Edinburgh, 1823-27. Stock Photo
RM2T69XT6–Small American skullcap, Scutellaria parvula. Discovered by Andre Michaux in Illinois, and seeds brought by Scottish botanist John Goldie from Canada to flower at Monkswood Grove, Ayr. Handcoloured copperplate engraving by Joseph Swan after a botanical illustration by William Jackson Hooker from his Exotic Flora, William Blackwood, Edinburgh, 1823-27.
Flower, leaves, seed vessel and seed of the Franklinia tree, Gordonia pubescens. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55P74–Flower, leaves, seed vessel and seed of the Franklinia tree, Gordonia pubescens. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Flower, bud and leaves of the loblolly bay tree, Gordonia lasyanthus. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55X47–Flower, bud and leaves of the loblolly bay tree, Gordonia lasyanthus. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaves, fruit and flowers of the red cherry tree, Cerasus borealis. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55T53–Leaves, fruit and flowers of the red cherry tree, Cerasus borealis. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaf, fruit and seed of the sweet gum tree, Liquidambar styraciflua. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55R56–Leaf, fruit and seed of the sweet gum tree, Liquidambar styraciflua. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaves, flower, pod and seed of the Yellow wood, Virgilia lutea, Cladrastis kentukea. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55XPA–Leaves, flower, pod and seed of the Yellow wood, Virgilia lutea, Cladrastis kentukea. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Portrait of Andrea del Sarto, Italian painter of the High Renaissance and early Mannerism periods 1486-1530. Andre del Sarto. Copperplate engraving after a self-portrait by Andrea del Sarto from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762. Stock Photo
RM2BT503C–Portrait of Andrea del Sarto, Italian painter of the High Renaissance and early Mannerism periods 1486-1530. Andre del Sarto. Copperplate engraving after a self-portrait by Andrea del Sarto from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
Leaves, fruit and flowers of the Devil wood or devilwood tree, Osmanthus americanus, Olea americana. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP555R4–Leaves, fruit and flowers of the Devil wood or devilwood tree, Osmanthus americanus, Olea americana. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaf, cone and flower of the large magnolia tree, big laurel, Magnolia grandiflora. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP54HBP–Leaf, cone and flower of the large magnolia tree, big laurel, Magnolia grandiflora. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaf, cone and petal of the large-leaved umbrella tree, Magnolia macrophylla. Handcolored stipple engraving of a botanical illustration from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. The illustrations were by Pierre Joseph Redoute, Henri Joseph Redoute, and Pancrace Bessa. Stock Photo
RMP55R52–Leaf, cone and petal of the large-leaved umbrella tree, Magnolia macrophylla. Handcolored stipple engraving of a botanical illustration from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. The illustrations were by Pierre Joseph Redoute, Henri Joseph Redoute, and Pancrace Bessa.
Leaf, fruit, flower and seed of the Buttonwood or sycamore maple tree, Platanus occidentalis. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55R1W–Leaf, fruit, flower and seed of the Buttonwood or sycamore maple tree, Platanus occidentalis. Handcolored stipple engraving from a botanical illustration by Henri Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Flower, leaf and cone of the small magnolia tree or white bay, Magnolia glauca. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55TA9–Flower, leaf and cone of the small magnolia tree or white bay, Magnolia glauca. Handcolored stipple engraving from a botanical illustration by Pierre Joseph Redoute, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Saint Andrew, apostle and martyr, crucified on an X-shaped cross, c.5-60 AD. Beaten with cudgels and metal hooks by men in the tunics of the Slavs, 12th century. MS T.L. 637, Bibliotheque de l'Arsenal. Le martyre de Saint Andre, Slave, XIIe siecle. Chromolithograph by Franz Kellerhoven after Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2T68R72–Saint Andrew, apostle and martyr, crucified on an X-shaped cross, c.5-60 AD. Beaten with cudgels and metal hooks by men in the tunics of the Slavs, 12th century. MS T.L. 637, Bibliotheque de l'Arsenal. Le martyre de Saint Andre, Slave, XIIe siecle. Chromolithograph by Franz Kellerhoven after Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
J.B. Rousseau, after Aved. Artist: Jean Louis Anselin (French, Paris 1754-1823 Paris); After Jacques André Joseph Aved (French, Douai 1702-1766 Paris). Dimensions: Plate: 8 1/4 × 5 1/2 in. (20.9 × 14 cm) Sheet: 10 9/16 × 6 7/8 in. (26.8 × 17.4 cm). Date: 1795. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAMBGJ–J.B. Rousseau, after Aved. Artist: Jean Louis Anselin (French, Paris 1754-1823 Paris); After Jacques André Joseph Aved (French, Douai 1702-1766 Paris). Dimensions: Plate: 8 1/4 × 5 1/2 in. (20.9 × 14 cm) Sheet: 10 9/16 × 6 7/8 in. (26.8 × 17.4 cm). Date: 1795. Museum: Metropolitan Museum of Art, New York, USA.
Saint Andrew the Apostle crucified on an x-shaped cross outside a castle in Patras, c.60 AD. Some of the 14th century costumes appear fantastic, and the whole resembles Flemish art. From a missal made for Denis du Moulin, Bishop of Paris, MS 182, Bibliotheque de l'Arsenal. France XIVe Siecle. Saint Andre sur la Croix. Chromolithograph by Moulin after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2T6871C–Saint Andrew the Apostle crucified on an x-shaped cross outside a castle in Patras, c.60 AD. Some of the 14th century costumes appear fantastic, and the whole resembles Flemish art. From a missal made for Denis du Moulin, Bishop of Paris, MS 182, Bibliotheque de l'Arsenal. France XIVe Siecle. Saint Andre sur la Croix. Chromolithograph by Moulin after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Evening Harbor Scene with Bridge (Mist on the Thames). Artist: Joseph Pennell (American, Philadelphia, Pennsylvania 1857-1926 New York). Dimensions: Plate: 8 1/4 × 10 7/16 in. (21 × 26.5 cm) Sheet: 10 in. × 11 15/16 in. (25.4 × 30.3 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album VIII. Date: October-December 1894. Pennell, a Philadelphia-born Quaker, spent the first two decades of his career abroad, living primarily in London, where he became a close associate of Whistler. Here, he manipulates the tonal possibilities of aquatint to show forms nea Stock Photo
RMRGDDMB–Evening Harbor Scene with Bridge (Mist on the Thames). Artist: Joseph Pennell (American, Philadelphia, Pennsylvania 1857-1926 New York). Dimensions: Plate: 8 1/4 × 10 7/16 in. (21 × 26.5 cm) Sheet: 10 in. × 11 15/16 in. (25.4 × 30.3 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album VIII. Date: October-December 1894. Pennell, a Philadelphia-born Quaker, spent the first two decades of his career abroad, living primarily in London, where he became a close associate of Whistler. Here, he manipulates the tonal possibilities of aquatint to show forms nea
Leaves, aments and seed of the common alder tree, Alnus surrulata, and black alder, Alnus glauca. Handcolored, stipple, engraving, botanical, illustration, Pierre, Joseph, Redoute, Henri, Joseph, Redoute, Pancrace, Bessa, engraved, copperplate, Gabriel, Francois, Andre, Michaux, North, American, Sylva, Philadelphia, 1857, America, Canada, trees, wood, timber,. Stock Photo
RMP55X66–Leaves, aments and seed of the common alder tree, Alnus surrulata, and black alder, Alnus glauca. Handcolored, stipple, engraving, botanical, illustration, Pierre, Joseph, Redoute, Henri, Joseph, Redoute, Pancrace, Bessa, engraved, copperplate, Gabriel, Francois, Andre, Michaux, North, American, Sylva, Philadelphia, 1857, America, Canada, trees, wood, timber,.
A Horse-Drawn Wagon, Title Page for the English Series. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 376 × 476 mm. Bi-fold portfolio cover with pen-lithographed title page in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photo
RMRXMRWP–A Horse-Drawn Wagon, Title Page for the English Series. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 376 × 476 mm. Bi-fold portfolio cover with pen-lithographed title page in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute.
A Paraleytic Woman, plate 9 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 226 × 317 mm (image); 376 × 496 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photo
RMRXK94B–A Paraleytic Woman, plate 9 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 226 × 317 mm (image); 376 × 496 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
The English Farrier, plate 10 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850). Date: 1821. Dimensions: 280 × 370 mm (image); 311 × 401 mm (sheet). Lithograph in black with tint stone in gray-green on cream wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photo
RMRXMFXH–The English Farrier, plate 10 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850). Date: 1821. Dimensions: 280 × 370 mm (image); 311 × 401 mm (sheet). Lithograph in black with tint stone in gray-green on cream wove paper. Origin: France. Museum: The Chicago Art Institute.
An Arabian Horse, plate 8 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 170 × 335 mm (image); 377 × 495 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photo
RMRXK0B3–An Arabian Horse, plate 8 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 170 × 335 mm (image); 377 × 495 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Horses Going to a Fair, plate 3 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 254 × 357 mm (image); 378 × 496 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photo
RMRXMRNR–Horses Going to a Fair, plate 3 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 254 × 357 mm (image); 378 × 496 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Horses Going to a Fair, plate 3 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 254 × 356 mm (image); 318 × 418 mm (sheet). Lithograph in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photo
RMRXKXWY–Horses Going to a Fair, plate 3 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 254 × 356 mm (image); 318 × 418 mm (sheet). Lithograph in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute.
Shipwreck of the Medusa. Jean Louis André Théodore Géricault (French, 1791-1824) and Nicolas Toussaint Charlet (French, 1792-1845); printed by Charles Joseph Hullmandel (German and English, 1789-1850). Date: 1820. Dimensions: 100 × 159 mm (image); 174 × 244 mm (sheet). Pen lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Author: Jean Louis André Théodore Géricault. Théodore Gericault and Nicolas-Toussaint Charlet. Stock Photo
RMRXKC1F–Shipwreck of the Medusa. Jean Louis André Théodore Géricault (French, 1791-1824) and Nicolas Toussaint Charlet (French, 1792-1845); printed by Charles Joseph Hullmandel (German and English, 1789-1850). Date: 1820. Dimensions: 100 × 159 mm (image); 174 × 244 mm (sheet). Pen lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Author: Jean Louis André Théodore Géricault. Théodore Gericault and Nicolas-Toussaint Charlet.
Pity the Sorrows of a Poor Old Man!... plate 2 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 315 × 375 mm (image); 372 × 432 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photo
RMRXK8T1–Pity the Sorrows of a Poor Old Man!... plate 2 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 315 × 375 mm (image); 372 × 432 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Portrait of Alexandre Florian Joseph, Count Colonna-Walewski (1810-1868). Museum: Patrimoine comte Charles-André Colonna Walewski. Stock Photo
RMP9BAJA–Portrait of Alexandre Florian Joseph, Count Colonna-Walewski (1810-1868). Museum: Patrimoine comte Charles-André Colonna Walewski.
St. Andre, Chartres. Thomas Shotter Boys (English, 1803-1874); published by Charles Joseph Hullmandel (English, 1789-1850). Date: 1839. Dimensions: 380 × 271 mm. Color lithograph on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photo
RMRXK8C0–St. Andre, Chartres. Thomas Shotter Boys (English, 1803-1874); published by Charles Joseph Hullmandel (English, 1789-1850). Date: 1839. Dimensions: 380 × 271 mm. Color lithograph on paper. Origin: England. Museum: The Chicago Art Institute.
The Motograph Moving Picture Book. Designer: Cover by Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: book: 11 5/8 x 9 7/16 x 9/16 in. (29.6 x 23.9 x 1.5 cm) sheet: 11 7/16 x 9 1/16 in. (29.1 x 23 cm). Illustrator: François Joseph Vernay (Swiss, born Geneva, 1864); Yorick (British, active late 19th century). Printer: William Hodge & Co. (Glasgow and Edinburgh). Publisher: Bliss, Sands and Co. (London). Date: 1898. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAX3KG–The Motograph Moving Picture Book. Designer: Cover by Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: book: 11 5/8 x 9 7/16 x 9/16 in. (29.6 x 23.9 x 1.5 cm) sheet: 11 7/16 x 9 1/16 in. (29.1 x 23 cm). Illustrator: François Joseph Vernay (Swiss, born Geneva, 1864); Yorick (British, active late 19th century). Printer: William Hodge & Co. (Glasgow and Edinburgh). Publisher: Bliss, Sands and Co. (London). Date: 1898. Museum: Metropolitan Museum of Art, New York, USA.
Portrait of the poet André Chénier (1762-1794). Museum: Russian National Library, St. Petersburg. Stock Photo
RMPBB55M–Portrait of the poet André Chénier (1762-1794). Museum: Russian National Library, St. Petersburg.
Andre Desilles (1767-1790). Junior French army officer during the early stages of the French Revolution. Portrait. Engraving. 'Historia de Francia', 1883,. Stock Photo
RMP7NWFF–Andre Desilles (1767-1790). Junior French army officer during the early stages of the French Revolution. Portrait. Engraving. 'Historia de Francia', 1883,.
Portrait of Andrea Schiavone, Italian Renaissance painter and etcher, 1510-1563. Andreas Schiavone. Copperplate engraving from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762. Stock Photo
RM2BT502N–Portrait of Andrea Schiavone, Italian Renaissance painter and etcher, 1510-1563. Andreas Schiavone. Copperplate engraving from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
Portrait of Andrea Pozzo, Italian Baroque painter 1642-1709. Copperplate engraving by M. Aubert after a self-portrait by Andrea Pozzo from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762. Stock Photo
RM2BT4MKR–Portrait of Andrea Pozzo, Italian Baroque painter 1642-1709. Copperplate engraving by M. Aubert after a self-portrait by Andrea Pozzo from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
Leaf and branch of the cottonwood tree or Canadian poplar, Populus canadensis. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP55REH–Leaf and branch of the cottonwood tree or Canadian poplar, Populus canadensis. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaf, branch and sprout of the Common white or grey poplar, Populus canescens. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP556AT–Leaf, branch and sprout of the Common white or grey poplar, Populus canescens. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Leaves, flower, pod and seed of the Locust tree, Robinia pseudo acacia. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees. Stock Photo
RMP556H5–Leaves, flower, pod and seed of the Locust tree, Robinia pseudo acacia. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's 'North American Sylva,' Philadelphia, 1857. French botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.
Entrance to the Adelphi Wharf. Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: Image: 9 15/16 × 12 3/16 in. (25.2 × 31 cm) Sheet: 13 x 15 9/16 in. (33 x 39.6 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA. Author: Théodore Géricault. Jean Louis André Théodore Géricault. Stock Photo
RMRF5B6P–Entrance to the Adelphi Wharf. Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: Image: 9 15/16 × 12 3/16 in. (25.2 × 31 cm) Sheet: 13 x 15 9/16 in. (33 x 39.6 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA. Author: Théodore Géricault. Jean Louis André Théodore Géricault.
The Flight into Egypt. Museum: Musée Jacquemart-André, Paris. Author: SANDRO BOTTICELLI. Stock Photo
RM2J07KTD–The Flight into Egypt. Museum: Musée Jacquemart-André, Paris. Author: SANDRO BOTTICELLI.
Louis Marie Joseph Maximilien Caffarelli du Falga (1756-1799). Museum: Bibliothèque Sainte-Geneviève, Paris. Stock Photo
RMPA7DPC–Louis Marie Joseph Maximilien Caffarelli du Falga (1756-1799). Museum: Bibliothèque Sainte-Geneviève, Paris.
Alessandro Allori, called Alessandro Bronzino (1535-1607). Italian Mannerist painter. Holy Family. The Rest on the flight to Egypt, 1602. From the Church of Santo André and Santa Marinha (Graça), Lisbon (Portugal). National Museum of Ancient Art. Lisbon, Portugal. Stock Photo
RM2HGW3N2–Alessandro Allori, called Alessandro Bronzino (1535-1607). Italian Mannerist painter. Holy Family. The Rest on the flight to Egypt, 1602. From the Church of Santo André and Santa Marinha (Graça), Lisbon (Portugal). National Museum of Ancient Art. Lisbon, Portugal.
Portrait of the Tsar Ivan V Alexeyevich (1666-1696). Museum: Constantine Palace, St. Petersburg. Stock Photo
RMP9D4D7–Portrait of the Tsar Ivan V Alexeyevich (1666-1696). Museum: Constantine Palace, St. Petersburg.
The Arrest of Robespierre on 27 July 1794 (After Fulchran-Jean Harriet). Museum: PRIVATE COLLECTION. Stock Photo
RMP9DGWA–The Arrest of Robespierre on 27 July 1794 (After Fulchran-Jean Harriet). Museum: PRIVATE COLLECTION.
Portrait of Madame Antoine Crozat - 1741 - 137x100 cm - oil on canvas. Author: Jacques Aved (1702-1766). Location: MUSEO PETIT PALAIS, FRANCE. Also known as: RETRATO DE MADAME CROZAT MARQUESA DE CHATEL. Stock Photo
RMP4EY40–Portrait of Madame Antoine Crozat - 1741 - 137x100 cm - oil on canvas. Author: Jacques Aved (1702-1766). Location: MUSEO PETIT PALAIS, FRANCE. Also known as: RETRATO DE MADAME CROZAT MARQUESA DE CHATEL.
The Entombment. Date/Period: 1649. Painting. Oil on canvas. Width: 151.4 cm. Height: 149.8 cm (Without frame). Author: SIMON VOUET. VOUET, SIMON. Stock Photo
RMRFDA8J–The Entombment. Date/Period: 1649. Painting. Oil on canvas. Width: 151.4 cm. Height: 149.8 cm (Without frame). Author: SIMON VOUET. VOUET, SIMON.
Le Bouffon - Le Salon de 1868. Artist: After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836-1912 Wiesbaden); After Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz); After Camille Corot (French, Paris 1796-1875 Paris); After Édouard Manet (French, Paris 1832-1883 Paris); After Charles-François Daubigny (French, Paris 1817-1878 Paris); After Eugène Fromentin (French, La Rochelle 1820-1876 Saint-Maurice); After Gustave Doré (French, Strasbourg 1832-1883 Paris); After Charles Sellier (French, 1830-1882); After François-Emile Ehrmann (French, 1833-1910); After Fr Stock Photo
RMPAMC0E–Le Bouffon - Le Salon de 1868. Artist: After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836-1912 Wiesbaden); After Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz); After Camille Corot (French, Paris 1796-1875 Paris); After Édouard Manet (French, Paris 1832-1883 Paris); After Charles-François Daubigny (French, Paris 1817-1878 Paris); After Eugène Fromentin (French, La Rochelle 1820-1876 Saint-Maurice); After Gustave Doré (French, Strasbourg 1832-1883 Paris); After Charles Sellier (French, 1830-1882); After François-Emile Ehrmann (French, 1833-1910); After Fr
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